WEBVTT - Celia Pacquola won’t be shaving her legs for the Logies. Here’s why

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<v Speaker 1>Hello, and welcome to Something to Talk About the Stella Podcast.

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<v Speaker 1>I'm Sarah La Marquin to your host. Every week I

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<v Speaker 1>sit down with some of the biggest names in the

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<v Speaker 1>country because when Australia's celebrities are ready to.

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<v Speaker 2>Talk, they come to Something to Talk About.

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<v Speaker 1>Today's guest, Celia Piccola, has been busy. She debuted her

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<v Speaker 1>first live show in five years, became the host of

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<v Speaker 1>everyone's favorite sketch series Thank God You're Here, starred in

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<v Speaker 1>the LOGI nominated Utopia, and in between filming, writing and performing,

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<v Speaker 1>she also had a baby. Celia likes to do things

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<v Speaker 1>that scare her, which is perhaps why she's an actor,

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<v Speaker 1>slash comedian, slash host, slash writer. She says it gives

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<v Speaker 1>her anxiety, but almost in a good way because if

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<v Speaker 1>things go bad, well at least she still gets a

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<v Speaker 1>story out of it.

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<v Speaker 2>On today's episode is.

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<v Speaker 1>Something to Talk About, Celia joins me to talk about

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<v Speaker 1>why she decided to host Thank God You're Here, about

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<v Speaker 1>working with Luke McGregor, and her hilarious observation of what

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<v Speaker 1>she realized as a new mother. We also talk about

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<v Speaker 1>what she's planning to wear to the logis next month,

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<v Speaker 1>and let's just say she won't have to shave her legs.

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<v Speaker 1>Celia Pacola, welcome to something.

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<v Speaker 2>To talk about.

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<v Speaker 3>Hello, thank you for having me.

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<v Speaker 2>I mean, thank god you're here.

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<v Speaker 3>As they say, I know, isn't it fun? So last

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<v Speaker 3>year when that started happening, I was like, Oh, it's

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<v Speaker 3>quite pleasant. It's actually quite a nice way to walk

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<v Speaker 3>into a room. You just feel really wanted every week,

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<v Speaker 3>and it's very nice.

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<v Speaker 4>It would be nice.

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<v Speaker 1>I think we should all walk into a room and

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<v Speaker 1>everyone says, thank God you're here.

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<v Speaker 2>Some of us feel that we have the opposite effect

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<v Speaker 2>on people.

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<v Speaker 3>I'm leaving.

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<v Speaker 1>Congratulations are in order. You have been nominated for a

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<v Speaker 1>LOGI this year. Thank God You're here is nominated. But

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<v Speaker 1>you have also been nominated for a LOGI for Actress

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<v Speaker 1>in a Comedy for your role in Utopia.

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<v Speaker 3>This is great. Thank you very much. I'm very excited.

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<v Speaker 3>I have not and I'm going to go. I haven't

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<v Speaker 3>gone for the last few years. I've missed them for

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<v Speaker 3>whatever such and such reason. But I'm very excited, very

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<v Speaker 3>happy for Utopia. Which is kind of a blur because

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<v Speaker 3>I had a tiny, uh baby that I have at

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<v Speaker 3>the moment when we were filming that and a fringe

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<v Speaker 3>that I regret, so it was a difficult time for me,

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<v Speaker 3>but I'm very excited and I'm very happy for Rob

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<v Speaker 3>Sitch as well as nominated for his performance in Utopia

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<v Speaker 3>and the show the whole show as well, So I'm

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<v Speaker 3>very toughed. It'd be great to be there, and thank

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<v Speaker 3>God that's huge for me. You know, the fact that

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<v Speaker 3>we that the show happened at all and that people

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<v Speaker 3>liked it is a big deal. So I'm very proud

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<v Speaker 3>to turn up.

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<v Speaker 1>You of course, saw the host of Thank God You're here,

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<v Speaker 1>and I would love to talk to you a little

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<v Speaker 1>bit today about the different career incarnations that you have

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<v Speaker 1>as an actor, as a comedian, as a writer.

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<v Speaker 2>But hosting a show.

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<v Speaker 1>How did that feel when you first started doing that,

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<v Speaker 1>Because there's a big responsibility on your shoulders, and it's

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<v Speaker 1>obviously such a beloved comedic format, but you also have

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<v Speaker 1>to be a little bit of the slide attendant, the

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<v Speaker 1>sensible person in the room, keep things on course.

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<v Speaker 2>How is all of that sit with you?

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<v Speaker 3>Yeah, well, I've been approached to host things in the

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<v Speaker 3>past and I've always said no. I understand why people

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<v Speaker 3>would think that I might do it because my style

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<v Speaker 3>is quite conversational and stuff, but I'm scared of it

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<v Speaker 3>for that reason because I don't want to be in charge.

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<v Speaker 3>I don't want to be responsible for other people having

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<v Speaker 3>a good time or a bad time. You know. I'm like, no, no,

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<v Speaker 3>I'd much rather go in, do my thing and then

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<v Speaker 3>go home. But with this, what actually happened was I

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<v Speaker 3>was the first I was taken out for a cup

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<v Speaker 3>of coffee, and the conversation was so you know, thank

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<v Speaker 3>god you hear. I'm like, yes, that huge part of

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<v Speaker 3>my childhood. I was already old then less old than

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<v Speaker 3>I am now. Yes, it's coming back. And my heart

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<v Speaker 3>sank because I thought they were going to go would

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<v Speaker 3>you like to go through the door? Which feels me

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<v Speaker 3>with absolute terror, but simultaneously knowing that I would do

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<v Speaker 3>it because it's one of those things where if I

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<v Speaker 3>get asked to do something, being scared is not a

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<v Speaker 3>good enough reason to not do it. So I was like, oh, no,

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<v Speaker 3>I'm going to go through the door, and they went

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<v Speaker 3>we were thinking, would you be interested in hosting it?

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<v Speaker 3>And it's the first time where I went, oh, yeah,

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<v Speaker 3>that's way easier, Like I just went off, Yeah, of

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<v Speaker 3>course yes I can, because for this show, the host,

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<v Speaker 3>it's not about me, Like my job is not is

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<v Speaker 3>not the show if I fail. It's not that. My

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<v Speaker 3>job is really to be a flight attendant, as you say,

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<v Speaker 3>to be traffic control and just enjoy it, which I do.

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<v Speaker 4>I love it, like I.

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<v Speaker 3>Just get to be there and watch and just have

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<v Speaker 3>a fun time, which I already am. So every way

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<v Speaker 3>I turned it in my mind, I was like, I

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<v Speaker 3>think this is a good thing that I can. I

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<v Speaker 3>can do, like that's bare minimum of my job is

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<v Speaker 3>to just go you go through that door and then

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<v Speaker 3>watch the show. And I'd been doing that from home anyway,

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<v Speaker 3>so I was nervous. But no, it's the first hosting

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<v Speaker 3>position that I've accepted.

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<v Speaker 1>Yeah, it's always good sometimes in managing your fears if

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<v Speaker 1>there's a scarier alternative.

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<v Speaker 2>So if you first thought it was like a bit

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<v Speaker 2>of relief, maybe it just puts I mean.

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<v Speaker 3>Maybe that's the only reason that I said yes, is

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<v Speaker 3>because I was scared of something that was more scary.

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<v Speaker 3>But no, I really and the other fear was because

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<v Speaker 3>it's such a beloved show, as you were saying as well,

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<v Speaker 3>is like I don't want to be the person who

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<v Speaker 3>breaks it. I don't want it to be the reason

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<v Speaker 3>why it comes back and it didn't work, you know sometimes,

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<v Speaker 3>So there was that fear as well. But yeah, as

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<v Speaker 3>I say, every way I turned it, I was like,

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<v Speaker 3>the other thing is with this show because of the

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<v Speaker 3>guests who come on. I love that it's such an

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<v Speaker 3>incredible range of up and coming new voices that the

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<v Speaker 3>nation hasn't seen. There's also pretty established comedians who are

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<v Speaker 3>jobbing and working and everywhere right now. And then there's

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<v Speaker 3>the upper level, you know, comedians who I've looked up

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<v Speaker 3>to who before me, and I've actually been doing comedy

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<v Speaker 3>for almost twenty years now. So I feel like half

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<v Speaker 3>of them are my best mates, half of them are

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<v Speaker 3>new people that I'm excited to see half of them,

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<v Speaker 3>and the third half I wasn't good at math ah

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<v Speaker 3>my comedy heroes. So I really thought, I think I

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<v Speaker 3>can be useful in this space. Like I feel like people,

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<v Speaker 3>I know who these people are, I'm excited to see them,

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<v Speaker 3>and I know how to treat them with respect, do

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<v Speaker 3>you know what I mean? Like I feel like if

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<v Speaker 3>I'd been asked to host a gardening show, I'd be

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<v Speaker 3>like no, because this is not my area. I don't

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<v Speaker 3>know what I'm doing, and I don't know what any

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<v Speaker 3>of these plants are, but I'm thank god you're here.

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<v Speaker 3>I know all the plants very well.

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<v Speaker 1>And I imagine there is obviously that mutual understanding and

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<v Speaker 1>respect for what one another does, because that's right. It

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<v Speaker 1>is a whole different approach than if you are on

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<v Speaker 1>a gardening show, for respect to gardeners. But obviously there's

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<v Speaker 1>a shorthand what is the green room like?

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<v Speaker 2>Backstage?

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<v Speaker 3>Oh? There is one here, Okay, well, it's like a

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<v Speaker 3>theme park, honestly, backstage, so everyone is kept siloed. It

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<v Speaker 3>is so secretive, so none of the performers are able

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<v Speaker 3>to see pretty much each other, or any of the

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<v Speaker 3>ensembles or any of the props. There's animals walking around

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<v Speaker 3>backstad like it is. It's a fun park. You wouldn't

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<v Speaker 3>believe what is real, but it has to be real

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<v Speaker 3>for the show to work, so everything is kept separate.

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<v Speaker 4>There are huge sets.

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<v Speaker 3>Maybe there's half a boat going past over there, and

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<v Speaker 3>then down there there's a marching band, and then there's

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<v Speaker 3>a box full of bees for some reason, and it

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<v Speaker 3>is just a ridiculous chaos, but very organized chaos happening backstage.

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<v Speaker 3>So there's no real green room. There's a little green

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<v Speaker 3>room after the show, and that is the best time

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<v Speaker 3>because that's just when everyone gets to debrief and go,

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<v Speaker 3>oh my god, could you believe when that happened? What

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<v Speaker 3>were you thinking when that happened? And that's so so

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<v Speaker 3>we get to come together. The bees aren't in that.

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<v Speaker 3>The bees get taken away doing it by that point.

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<v Speaker 3>But yeah, so it's a there's a real nervous excitement

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<v Speaker 3>and energy before the show. But yeah, it's not like

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<v Speaker 3>any sort of standard green room that you'd have, say

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<v Speaker 3>in a comedy club or you know, in any other

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<v Speaker 3>television show that I've ever worked on.

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<v Speaker 1>A lot of people would be surprised to hear you

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<v Speaker 1>earlier when you were first offered the role, or when

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<v Speaker 1>you thought, oh my goodness, they're going to ask me

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<v Speaker 1>to actually walk through the door, that you would have

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<v Speaker 1>even had any trepidation about that.

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<v Speaker 2>Because you have worked in the industry for twenty years.

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<v Speaker 1>As you just said, you've hosted your first live show

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<v Speaker 1>in five years.

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<v Speaker 2>I'm as surprised as you are.

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<v Speaker 1>In twenty sixteen, you became the youngest woman to host

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<v Speaker 1>the Gala for the Melbourne International Comedy Festival. Do you

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<v Speaker 1>still obviously that nervous energy imagine fuels every performer, every comedian.

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<v Speaker 1>But how has your anxiety, your self, doubt, general nervousness

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<v Speaker 1>improved or abated in any way over the course of

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<v Speaker 1>your career.

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<v Speaker 3>I should say it's probably fifteen what I'm like twenty.

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<v Speaker 3>I wasn't doing standard when I was twenty one, so

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<v Speaker 3>it's probably more like fifteen years I was. I was

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<v Speaker 3>giving myself an extra five years because, as I say

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<v Speaker 3>about at Maths, it seems like that's going to be

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<v Speaker 3>a theme. I have learnt about myself that there will

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<v Speaker 3>always be nerves, and there should be. I choose jobs

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<v Speaker 3>now that I'm a bit scared of I have to.

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<v Speaker 3>You know, I'm always going to be a bit nervous,

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<v Speaker 3>But I think that's more so because I also now

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<v Speaker 3>choose jobs where I will be a bit nervous, because

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<v Speaker 3>that means it's a challenge if I'm a bit nervous. Look,

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<v Speaker 3>the anxiety thing is a longer story and a longer road.

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<v Speaker 3>It's still it's about managing it. It's part of who

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<v Speaker 3>I am and always will be, So it's about managing

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<v Speaker 3>it and sometimes I'm better at that than others. I'm

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<v Speaker 3>generally I'm not as terrified of everything as I was,

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<v Speaker 3>which I think just happens with when you get runs

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<v Speaker 3>on the board. So most of the things that I've done,

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<v Speaker 3>I'm doing it for the first time. So doing the

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<v Speaker 3>gala for the first time that was the most terrifying

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<v Speaker 3>thing in the world. And then the second time I

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<v Speaker 3>did the gala, it wasn't as scary because just logically,

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<v Speaker 3>I'm like, I have proof that you are able to

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<v Speaker 3>do this, so it's not as scary. So then hosting

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<v Speaker 3>the gala, I was like, well, I have no reference

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<v Speaker 3>of hosting the gala before, so that's scary. And then

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<v Speaker 3>the next time I host something, you just sort of

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<v Speaker 3>start accumulating proof of what your skills are and times

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<v Speaker 3>that you've done something that was scary and it was fine.

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<v Speaker 3>So I don't know. So that just continuing to work

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<v Speaker 3>means my lodge, I can't argue with the facts, which

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<v Speaker 3>are you can and have done something like this before,

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<v Speaker 3>so it'll probably be fine. Does that mean that you

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<v Speaker 3>might have a blank and wei pants on stage? You might,

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<v Speaker 3>I really might. I might do it right now, There

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<v Speaker 3>are no there is always the possibility. But I think

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<v Speaker 3>just continuing to do the scary things and being proved

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<v Speaker 3>that you can and it'll probably be okay makes it

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<v Speaker 3>a bit easier to go this will probably be okay too.

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<v Speaker 1>I'm not sure if you ever have had a blank

0:10:44.360 --> 0:10:47.640
<v Speaker 1>and weed your pants on stage, but are there some

0:10:47.760 --> 0:10:51.800
<v Speaker 1>moments that stand out for you that you just completely

0:10:52.160 --> 0:10:54.360
<v Speaker 1>froze or thought, I can't get through this, and then

0:10:54.360 --> 0:10:56.280
<v Speaker 1>a bit to what you were just talking about, Celia.

0:10:56.320 --> 0:10:58.959
<v Speaker 2>Once you get through something, then there's an inner.

0:10:58.840 --> 0:11:01.760
<v Speaker 1>Knowledge whatever it is in life career, that I got

0:11:01.800 --> 0:11:05.560
<v Speaker 1>through that, so I probably can handle whatever gets thrown

0:11:05.600 --> 0:11:06.400
<v Speaker 1>at me next time.

0:11:06.920 --> 0:11:08.920
<v Speaker 3>The good thing in my line of work is if

0:11:08.920 --> 0:11:12.000
<v Speaker 3>it does or if it is a complete disaster, then

0:11:12.040 --> 0:11:14.320
<v Speaker 3>you get a story out of it, you know. So actually,

0:11:14.400 --> 0:11:16.920
<v Speaker 3>if something terrible happens, it's terrible thing amongst communities when

0:11:16.960 --> 0:11:19.520
<v Speaker 3>you have conversations and someone will tell you something awful,

0:11:19.520 --> 0:11:21.560
<v Speaker 3>they've just had the worst time, and in your mind

0:11:21.559 --> 0:11:23.160
<v Speaker 3>you're like, damn it, that's gonna be a good show.

0:11:23.400 --> 0:11:25.640
<v Speaker 3>That is very that's gonna be a really good show.

0:11:27.559 --> 0:11:31.560
<v Speaker 3>So there's that aspect of it, but really bad ones

0:11:31.600 --> 0:11:34.520
<v Speaker 3>that have happened just in terms of weaving myself. I

0:11:34.600 --> 0:11:36.360
<v Speaker 3>might do material about this one day because this was

0:11:36.400 --> 0:11:38.360
<v Speaker 3>a fun There was a fun period of my career

0:11:38.440 --> 0:11:40.880
<v Speaker 3>where thanks brain, you know when you do sometimes you

0:11:40.920 --> 0:11:43.800
<v Speaker 3>just got my thanks brain where I hadn't. But whilst

0:11:43.800 --> 0:11:47.240
<v Speaker 3>on stage, my brain told me that I had wet

0:11:47.240 --> 0:11:51.160
<v Speaker 3>my pants. So I'd be telling jokes, and whilst telling jokes,

0:11:51.480 --> 0:11:54.880
<v Speaker 3>my brain is going, Celia, they're not laughing at your

0:11:54.960 --> 0:11:57.560
<v Speaker 3>jokes anymore. They're all laughing because you've wet yourself and

0:11:57.559 --> 0:12:01.280
<v Speaker 3>they're thinking, why is this one standing on stage and

0:12:01.320 --> 0:12:03.320
<v Speaker 3>not addressing the fact that she's wet her pants, And

0:12:03.360 --> 0:12:05.760
<v Speaker 3>so my mind would go, you haven't, no, but you have,

0:12:06.160 --> 0:12:07.839
<v Speaker 3>so just look down and check that you haven't wear

0:12:07.840 --> 0:12:09.360
<v Speaker 3>your pants, And then I'd go, you can't do that,

0:12:09.400 --> 0:12:11.520
<v Speaker 3>because then you're gonna look like a crazy person who's

0:12:11.679 --> 0:12:14.840
<v Speaker 3>mid sentence just looking at your cross for no reason.

0:12:15.040 --> 0:12:17.360
<v Speaker 3>So that's a thing that actually happened. So that wasn't fun.

0:12:18.360 --> 0:12:22.400
<v Speaker 3>I've also blanked. That's the nightmare scenario for me is

0:12:22.480 --> 0:12:25.120
<v Speaker 3>just forgetting. And that's the anxiety dreams that I'll have

0:12:25.160 --> 0:12:27.200
<v Speaker 3>where you know, I think every career, I don't know,

0:12:27.200 --> 0:12:29.040
<v Speaker 3>if you have this, you have you know, like you

0:12:29.120 --> 0:12:31.959
<v Speaker 3>have anxiety dreams, so do you have in your version

0:12:32.080 --> 0:12:34.920
<v Speaker 3>you dream that you're interviewing someone and you can't remember

0:12:35.080 --> 0:12:36.480
<v Speaker 3>who they are or what the questions.

0:12:36.480 --> 0:12:40.280
<v Speaker 1>Absolutely, I think going blank in any sort of live

0:12:40.600 --> 0:12:44.520
<v Speaker 1>pressure environment is I think a nightmare for anyone, whether

0:12:44.559 --> 0:12:48.520
<v Speaker 1>you're doing a speech or on television, just thinking I

0:12:48.559 --> 0:12:50.959
<v Speaker 1>have no idea what was about to be in my brain.

0:12:51.360 --> 0:12:53.079
<v Speaker 2>It's a terrifying concept.

0:12:53.880 --> 0:12:56.120
<v Speaker 3>Yeah, so that's happened and not. The thing is, it's

0:12:56.160 --> 0:12:58.200
<v Speaker 3>always not as bad as it seems to you. So

0:12:58.440 --> 0:12:59.840
<v Speaker 3>for you it feels like two and a half hours

0:12:59.840 --> 0:13:03.240
<v Speaker 3>of silence into them. It's probably pretty quick and generally

0:13:03.400 --> 0:13:05.280
<v Speaker 3>I'll just lean into it. If it's that bad, you

0:13:05.400 --> 0:13:07.880
<v Speaker 3>just say it, just own it. Because I'm all about

0:13:09.200 --> 0:13:11.760
<v Speaker 3>getting material out of embarrassing myself anyway, so I'd just

0:13:12.000 --> 0:13:14.959
<v Speaker 3>go listen, I'm going to come clean here. I've forgotten

0:13:14.960 --> 0:13:16.320
<v Speaker 3>what I was going to say, and I don't know

0:13:16.320 --> 0:13:17.960
<v Speaker 3>what it is, so what could we do about it?

0:13:18.000 --> 0:13:19.720
<v Speaker 3>And just trying to get out of it that way.

0:13:20.480 --> 0:13:25.080
<v Speaker 3>My most terrifying on stage thing was doing live at

0:13:25.080 --> 0:13:26.760
<v Speaker 3>the Apollo, which is.

0:13:28.600 --> 0:13:31.559
<v Speaker 4>I'd say probably still one of the biggest comedy stages in.

0:13:31.480 --> 0:13:33.480
<v Speaker 3>The world, like when I was coming up that was like,

0:13:33.559 --> 0:13:37.840
<v Speaker 3>that was the gig and it was a twenty minute set,

0:13:37.920 --> 0:13:39.599
<v Speaker 3>I think, and it was going quite well. I'm like,

0:13:39.640 --> 0:13:42.000
<v Speaker 3>I'm doing it. I'm getting away with it. Oh my gosh,

0:13:42.600 --> 0:13:44.520
<v Speaker 3>I'm going to do it. And there was a clock

0:13:44.559 --> 0:13:47.080
<v Speaker 3>on stage and I was almost finishing my routine, so

0:13:47.120 --> 0:13:50.120
<v Speaker 3>I thought I'd be at like sixteen minutes or something,

0:13:50.160 --> 0:13:51.720
<v Speaker 3>and I looked at the clock and it was like

0:13:51.920 --> 0:13:56.120
<v Speaker 3>seven minutes. So I had just rushed. I'd gone so fast.

0:13:57.280 --> 0:13:59.680
<v Speaker 3>I'm like, oh no, I've done like half of my

0:13:59.760 --> 0:14:02.000
<v Speaker 3>time and I've got no jokes left. This is in

0:14:02.000 --> 0:14:06.840
<v Speaker 3>my mind, by the way, on stage, so immediately I

0:14:06.840 --> 0:14:09.640
<v Speaker 3>haven't watched it back because I'll be sick. I just slowed,

0:14:10.000 --> 0:14:13.680
<v Speaker 3>just suddenly started talking so slow. So my mind is going,

0:14:13.679 --> 0:14:14.880
<v Speaker 3>what am I gonna do? What am I gonna do?

0:14:14.880 --> 0:14:18.280
<v Speaker 3>I'm gonna run out of material. Do I end how

0:14:18.320 --> 0:14:21.240
<v Speaker 3>I was supposed to end, which has a callback or

0:14:21.240 --> 0:14:23.280
<v Speaker 3>what so? Or do I just try and think of

0:14:23.360 --> 0:14:26.320
<v Speaker 3>some more jokes out of my mind and put them in.

0:14:28.080 --> 0:14:32.240
<v Speaker 3>It's incredible what the brain can do simultaneously. Anyway, in

0:14:32.280 --> 0:14:35.040
<v Speaker 3>the end, I finished it as I was going to finish.

0:14:35.080 --> 0:14:36.640
<v Speaker 3>It was way earlier, and I just came clean to

0:14:36.680 --> 0:14:38.640
<v Speaker 3>the audience. I went listen. What's happened is knowing it

0:14:38.680 --> 0:14:40.720
<v Speaker 3>was going to be edited. Here's what's happened. I've got

0:14:40.720 --> 0:14:42.920
<v Speaker 3>a bit excited, and I finished a bit early, so

0:14:43.840 --> 0:14:45.560
<v Speaker 3>I've got time for another joke. Do you want to

0:14:45.560 --> 0:14:46.840
<v Speaker 3>hear a joke about this? Or about this?

0:14:46.960 --> 0:14:48.600
<v Speaker 4>I'm actually asked their way outsourced it.

0:14:48.600 --> 0:14:50.000
<v Speaker 3>I don't know I was singing. I just panicked. I'm like,

0:14:50.000 --> 0:14:52.080
<v Speaker 3>I can't make another decision, and did an extra bit

0:14:52.120 --> 0:14:54.520
<v Speaker 3>of material. So that is an example of it was

0:14:54.560 --> 0:14:58.320
<v Speaker 3>my absolute nightmare. The nightmare happened, and it's and then

0:14:58.360 --> 0:15:01.080
<v Speaker 3>it's fine, and now I would care everything is in

0:15:01.120 --> 0:15:03.320
<v Speaker 3>the past. That's the other thing that helps Miller is

0:15:03.320 --> 0:15:06.880
<v Speaker 3>the things that I was so scared about for so long.

0:15:07.040 --> 0:15:09.080
<v Speaker 3>As soon as that happened, then they're in the past

0:15:09.120 --> 0:15:11.800
<v Speaker 3>and you don't think about them again. Really, apart from

0:15:11.800 --> 0:15:13.080
<v Speaker 3>that one, which I'm clearly haunted by.

0:15:15.280 --> 0:15:17.880
<v Speaker 1>And up next Celia's thoughts on if comedy is still

0:15:17.880 --> 0:15:20.400
<v Speaker 1>a man's world and why she doesn't want to represent

0:15:20.600 --> 0:15:25.240
<v Speaker 1>all women. When we talk about that, fifteen years so

0:15:25.320 --> 0:15:27.680
<v Speaker 1>not twenty years and don't worry about maths because you're

0:15:27.720 --> 0:15:31.000
<v Speaker 1>talking to a journal so we're very bad at maths.

0:15:31.040 --> 0:15:33.400
<v Speaker 2>Here comes fight for all journalists, but for myself it's

0:15:33.440 --> 0:15:34.440
<v Speaker 2>pretty bad. Celia.

0:15:35.080 --> 0:15:38.720
<v Speaker 1>Over that fifteen years, can I ask how you've seen

0:15:38.840 --> 0:15:42.680
<v Speaker 1>some changes in the industry, I think particularly asking you

0:15:42.840 --> 0:15:44.840
<v Speaker 1>as a woman. As I mentioned you were the youngest

0:15:44.840 --> 0:15:48.520
<v Speaker 1>woman to host the gala for the Melbourne International Comedy Festival.

0:15:48.920 --> 0:15:50.800
<v Speaker 2>I would imagine, like a lot of.

0:15:50.760 --> 0:15:54.560
<v Speaker 1>Women in industries that are traditionally male dominated, there's been

0:15:54.600 --> 0:15:57.040
<v Speaker 1>a lot of first for you, and even if they're

0:15:57.080 --> 0:16:00.720
<v Speaker 1>not first, often sometimes still in a minority in the room.

0:16:01.680 --> 0:16:03.680
<v Speaker 1>There has been a reckoning in a lot of different

0:16:03.720 --> 0:16:07.840
<v Speaker 1>industries in the last ten to fifteen years. There's still

0:16:07.880 --> 0:16:11.520
<v Speaker 1>a perception I think that comedy is a little bit blokey.

0:16:11.960 --> 0:16:13.760
<v Speaker 1>What are your observations about that?

0:16:14.520 --> 0:16:21.960
<v Speaker 3>I mean, I'm still working, do you know it's I look,

0:16:22.000 --> 0:16:25.120
<v Speaker 3>I don't know it Definitely it's difficult as well, because

0:16:25.120 --> 0:16:28.680
<v Speaker 3>i'd say it's better. But I'm at a different point

0:16:28.720 --> 0:16:31.200
<v Speaker 3>that I was, so I'm not walking into rooms the

0:16:31.240 --> 0:16:33.720
<v Speaker 3>same way I was when I was brand new and

0:16:33.920 --> 0:16:37.080
<v Speaker 3>I didn't see other women. You know, it was maybe

0:16:37.120 --> 0:16:40.240
<v Speaker 3>one other woman and need to cling to each other.

0:16:40.400 --> 0:16:42.720
<v Speaker 3>But maybe that's different now at that level, but I'm

0:16:42.760 --> 0:16:47.000
<v Speaker 3>not there. It definitely was a thing and is a thing.

0:16:47.080 --> 0:16:53.040
<v Speaker 3>But I just think we've got such wonderful talent, not

0:16:53.080 --> 0:16:56.800
<v Speaker 3>just in this country, in the world. Who are you know,

0:16:58.080 --> 0:17:01.800
<v Speaker 3>getting work? Sure they can always be more, but the

0:17:01.840 --> 0:17:05.199
<v Speaker 3>way that I've sort of tried to approach it is

0:17:05.240 --> 0:17:07.480
<v Speaker 3>sort of support each other as much as you can

0:17:07.920 --> 0:17:09.640
<v Speaker 3>and be as good as you can do. I get

0:17:09.680 --> 0:17:13.919
<v Speaker 3>an extra kick if I'm successful when someone thinks that

0:17:13.960 --> 0:17:14.720
<v Speaker 3>I wasn't gonna be.

0:17:14.920 --> 0:17:17.760
<v Speaker 4>Yeah, it's great. Like I used to early.

0:17:17.600 --> 0:17:19.280
<v Speaker 3>Date, you know, going to gigs and people go, whose

0:17:19.320 --> 0:17:22.439
<v Speaker 3>boyfriend are you? And then did it feel delicious to

0:17:22.440 --> 0:17:23.840
<v Speaker 3>get up on stage and be really funny?

0:17:23.920 --> 0:17:24.200
<v Speaker 4>Yes?

0:17:25.240 --> 0:17:27.000
<v Speaker 3>So I like that. And then there's that thing of

0:17:27.040 --> 0:17:31.520
<v Speaker 3>sometimes if there's any sort of you know, oh you

0:17:31.640 --> 0:17:34.120
<v Speaker 3>only got this because you're with that kind of stuff,

0:17:34.840 --> 0:17:38.120
<v Speaker 3>I always think. But then you it's up to you

0:17:38.200 --> 0:17:43.879
<v Speaker 3>to stay there. Whatever advantages there are are outweighed by

0:17:43.880 --> 0:17:47.720
<v Speaker 3>the disadvantages there were, if that makes sense. So you

0:17:47.840 --> 0:17:49.119
<v Speaker 3>just have to be as good as you can be,

0:17:49.359 --> 0:17:52.679
<v Speaker 3>just be just work as hard as you can be

0:17:53.200 --> 0:17:54.960
<v Speaker 3>and as I say, this is the thing is and

0:17:55.040 --> 0:17:56.920
<v Speaker 3>in this way, in the same way in comedy is

0:17:56.960 --> 0:18:01.520
<v Speaker 3>I don't, I can't and don't want to present all women.

0:18:01.600 --> 0:18:04.119
<v Speaker 3>That's what I find in the industry and in this

0:18:04.280 --> 0:18:08.320
<v Speaker 3>like on stage. I did feel that back then, which is,

0:18:09.400 --> 0:18:13.720
<v Speaker 3>if you're if you're if you're not funny on one gig,

0:18:13.800 --> 0:18:16.480
<v Speaker 3>then all women aren't funny, you know, and it shouldn't

0:18:16.640 --> 0:18:18.480
<v Speaker 3>be that way. And in the same way, I'm not

0:18:18.520 --> 0:18:21.439
<v Speaker 3>ever sure how to answer this question because in my experience,

0:18:22.359 --> 0:18:24.560
<v Speaker 3>I've had a six I've managed to have a successful

0:18:24.600 --> 0:18:27.000
<v Speaker 3>career as a woman in comedy. So it's got to

0:18:27.040 --> 0:18:31.400
<v Speaker 3>be it's it's Was it hard, Yeah, but I'm sure.

0:18:31.160 --> 0:18:33.680
<v Speaker 4>It's it's it's of course it's hard.

0:18:33.680 --> 0:18:35.720
<v Speaker 3>It's comedy. It's a ridiculous way to make a living

0:18:35.920 --> 0:18:41.200
<v Speaker 3>with no guarantees and no direct path. So but little

0:18:41.200 --> 0:18:44.560
<v Speaker 3>things like, for example, thank god you're here. Fourteen years ago,

0:18:44.960 --> 0:18:48.240
<v Speaker 3>it was a male host, uh, and it was generally

0:18:48.359 --> 0:18:50.199
<v Speaker 3>three men and a woman going through the door, and

0:18:50.359 --> 0:18:53.119
<v Speaker 3>this last season and this season it's a female host,

0:18:53.280 --> 0:18:53.800
<v Speaker 3>and it's.

0:18:53.640 --> 0:18:57.240
<v Speaker 4>Always a greater, more diverse cast.

0:18:57.480 --> 0:19:00.359
<v Speaker 3>So yes, in that way, I can that's some that

0:19:00.400 --> 0:19:04.320
<v Speaker 3>I can tangibly point to and go that has improved,

0:19:04.400 --> 0:19:05.439
<v Speaker 3>and I think that's great.

0:19:05.880 --> 0:19:10.840
<v Speaker 2>I agree completely with what you said. It is so true. Ceally, like, if.

0:19:10.640 --> 0:19:14.719
<v Speaker 1>A woman says a joke that isn't funny or fails

0:19:14.760 --> 0:19:16.960
<v Speaker 1>in a high profile enterprise, it's like, oh, we can't

0:19:16.960 --> 0:19:19.480
<v Speaker 1>get women there. Women aren't funny. People don't like to

0:19:19.520 --> 0:19:21.800
<v Speaker 1>see women in those roles. It's not fair and I

0:19:21.800 --> 0:19:24.440
<v Speaker 1>shouldn't have to ask you about it. But I think

0:19:24.880 --> 0:19:28.320
<v Speaker 1>in terms of a time capsule, the representation on Thank

0:19:28.359 --> 0:19:31.360
<v Speaker 1>God You're here, as you said, that's a really good example.

0:19:31.359 --> 0:19:34.000
<v Speaker 1>It's not just a bad fringes or fringes haircuts we

0:19:34.080 --> 0:19:34.919
<v Speaker 1>regret that come.

0:19:34.840 --> 0:19:35.560
<v Speaker 3>Back from TV.

0:19:35.680 --> 0:19:37.120
<v Speaker 2>That's a positive case.

0:19:37.119 --> 0:19:37.479
<v Speaker 3>Stuffy.

0:19:37.600 --> 0:19:41.000
<v Speaker 1>Absolutely, we talked about Utopia earlier and I wanted to

0:19:41.080 --> 0:19:43.240
<v Speaker 1>also ask about some of your acting work.

0:19:43.320 --> 0:19:43.639
<v Speaker 2>Ceily.

0:19:43.720 --> 0:19:49.480
<v Speaker 1>You start alongside Sarah Snook in The Beautiful Lie of

0:19:49.520 --> 0:19:52.600
<v Speaker 1>Course rose Haven, which he wrote, and start in alongside

0:19:52.840 --> 0:19:53.520
<v Speaker 1>Luke McGregor.

0:19:53.560 --> 0:19:56.800
<v Speaker 2>You've been in Offspring, that's right.

0:19:57.359 --> 0:20:01.240
<v Speaker 1>Tell me a little bit about the pro ress of

0:20:01.800 --> 0:20:08.479
<v Speaker 1>acting embodying another character as opposed to playing a version

0:20:08.520 --> 0:20:13.320
<v Speaker 1>of yourself, I imagine, but also ultimately yourself in your comedy work.

0:20:14.560 --> 0:20:19.480
<v Speaker 3>Unfortunately, I'm not a good enough actor that they are characters. Unfortunately,

0:20:19.480 --> 0:20:22.720
<v Speaker 3>they are all pretty much versions of myself. I don't

0:20:22.760 --> 0:20:25.439
<v Speaker 3>have a lot of range. This is not me shooting

0:20:25.480 --> 0:20:29.960
<v Speaker 3>on myself. I'm quite good at be myself, but they

0:20:30.000 --> 0:20:33.240
<v Speaker 3>all are. They are all pretty much versions of myself. Well,

0:20:33.400 --> 0:20:36.800
<v Speaker 3>we will just say this. What I love about acting,

0:20:37.160 --> 0:20:39.119
<v Speaker 3>it's sort of what I love about acting and stand

0:20:39.200 --> 0:20:42.439
<v Speaker 3>up side by side is that I love that stand up.

0:20:42.480 --> 0:20:45.360
<v Speaker 3>I can say whatever I want. I'm full creative control

0:20:46.000 --> 0:20:47.600
<v Speaker 3>and it's free and it's me and I'm in charge.

0:20:47.640 --> 0:20:49.359
<v Speaker 3>I can do what everyone But what I love about

0:20:49.400 --> 0:20:51.240
<v Speaker 3>acting is someone else tells me what to do. Oh

0:20:51.240 --> 0:20:53.119
<v Speaker 3>it's great. I turn up, they go put this on

0:20:53.280 --> 0:20:57.480
<v Speaker 3>and say this, and it's wonderful. Particularly Utopia, I feel

0:20:57.520 --> 0:20:59.800
<v Speaker 3>so smart. I feel like I've got a real job.

0:20:59.800 --> 0:21:02.439
<v Speaker 3>I get to go in and pretend to be a smart,

0:21:02.520 --> 0:21:06.600
<v Speaker 3>professional woman. It is fantastic. It's such an escape for me.

0:21:06.680 --> 0:21:07.400
<v Speaker 3>It's wonderful.

0:21:07.680 --> 0:21:10.320
<v Speaker 4>So my preparation for that show is pretty much.

0:21:10.200 --> 0:21:12.080
<v Speaker 3>To learn my lines and say them. The scripts are

0:21:12.280 --> 0:21:15.320
<v Speaker 3>so good, and my character's intention is always the same.

0:21:15.400 --> 0:21:17.520
<v Speaker 3>It's is just I'm just trying to get something done,

0:21:17.840 --> 0:21:20.200
<v Speaker 3>and these idiots I'll make in my life.

0:21:20.240 --> 0:21:22.160
<v Speaker 4>Hell, that is what I have to do.

0:21:22.240 --> 0:21:26.680
<v Speaker 3>So it's just the writing is so good that I

0:21:26.720 --> 0:21:29.440
<v Speaker 3>and that's that's my character's intention. So that's really fun.

0:21:30.320 --> 0:21:32.439
<v Speaker 3>Beautiful Lie is the only drama I've ever done, and

0:21:32.520 --> 0:21:34.760
<v Speaker 3>I loved it, and since then I have been begging

0:21:34.800 --> 0:21:36.399
<v Speaker 3>the universe to put me in another one and it

0:21:36.440 --> 0:21:40.280
<v Speaker 3>has not happened. And Sarah Snook was very generous and

0:21:40.320 --> 0:21:47.000
<v Speaker 3>patient with me because I am not classically trained, and yeah,

0:21:47.040 --> 0:21:49.160
<v Speaker 3>I just really I really liked it, and that one

0:21:49.640 --> 0:21:54.800
<v Speaker 3>my character was my husband slept with the nanny. And

0:21:54.840 --> 0:21:57.160
<v Speaker 3>I remember when I auditioned, I told my agent, I'm

0:21:57.160 --> 0:21:59.560
<v Speaker 3>like call them and tell them that I have been

0:21:59.640 --> 0:22:01.600
<v Speaker 3>cheated on my real life and I can do this.

0:22:01.760 --> 0:22:04.560
<v Speaker 3>I've got it in me to pretend this part give

0:22:04.560 --> 0:22:09.280
<v Speaker 3>me the I really really wanted it, but I don't

0:22:09.280 --> 0:22:13.159
<v Speaker 3>know just pretending. I wish I had a real actor,

0:22:13.440 --> 0:22:16.560
<v Speaker 3>actors behind the in the act of studio answer for you,

0:22:16.600 --> 0:22:19.960
<v Speaker 3>but I don't. I just really take each role as

0:22:20.000 --> 0:22:23.359
<v Speaker 3>they as they come and try and be as real

0:22:23.440 --> 0:22:25.840
<v Speaker 3>and as natural as I can be. And often with comedy,

0:22:27.200 --> 0:22:29.640
<v Speaker 3>just less is more is always is always the way

0:22:29.640 --> 0:22:32.399
<v Speaker 3>people think because it's comedy, it's this should be this

0:22:32.440 --> 0:22:34.840
<v Speaker 3>big ridiculous thing, but it's it's really not. You're still

0:22:34.840 --> 0:22:37.320
<v Speaker 3>a real person. It's not just because it's funny to

0:22:37.359 --> 0:22:40.359
<v Speaker 3>someone watching doesn't mean it's funny to you. You just

0:22:40.400 --> 0:22:43.720
<v Speaker 3>play it, play it real and coming up.

0:22:43.760 --> 0:22:47.200
<v Speaker 1>Celia tells all about her working relationship with her work

0:22:47.240 --> 0:22:51.360
<v Speaker 1>husband Luke McGregor, and how matherhood has impacted her comedy.

0:22:53.440 --> 0:22:54.560
<v Speaker 2>I mentioned Luke.

0:22:54.400 --> 0:22:58.400
<v Speaker 1>McGregor there, amongst some of your collaborators and co stars,

0:22:58.800 --> 0:23:05.760
<v Speaker 1>you seem to have the perfect work wife were husband relationship.

0:23:05.880 --> 0:23:07.639
<v Speaker 2>People are quite fascinated by that.

0:23:08.200 --> 0:23:10.480
<v Speaker 3>I know I miss him so much. He's moved to Newcastle,

0:23:11.400 --> 0:23:13.119
<v Speaker 3>which makes me very sad, but I see him as

0:23:13.200 --> 0:23:16.600
<v Speaker 3>much as I possibly can. We kind of fluked it,

0:23:16.640 --> 0:23:19.679
<v Speaker 3>so we met on Utopia and we went, oh, we

0:23:19.760 --> 0:23:22.440
<v Speaker 3>quite get along, how about we try and pitch a

0:23:22.480 --> 0:23:24.800
<v Speaker 3>show together. But we weren't really close friends when we

0:23:24.840 --> 0:23:31.560
<v Speaker 3>started the process. Luckily that became an incredibly strong friendship,

0:23:32.720 --> 0:23:34.960
<v Speaker 3>but there was no guarantees of that. But yeah, he's

0:23:35.000 --> 0:23:38.199
<v Speaker 3>genuinely my best friend in real life. I loved working

0:23:38.240 --> 0:23:41.639
<v Speaker 3>with him. We just both always came back to We

0:23:41.680 --> 0:23:43.560
<v Speaker 3>had a few fights in the early days and figured

0:23:43.600 --> 0:23:46.800
<v Speaker 3>it out. Because we're both so nervous and anxious and

0:23:46.840 --> 0:23:51.639
<v Speaker 3>paranoid and conflict averse. Often we'd have pre fights like

0:23:51.680 --> 0:23:53.480
<v Speaker 3>we'd go in and I'd go, I'm in a mood,

0:23:53.520 --> 0:23:55.040
<v Speaker 3>and I feel like we're going to fight about this,

0:23:55.440 --> 0:23:58.080
<v Speaker 3>so it just sort of get ahead of it. One time,

0:23:58.160 --> 0:24:01.000
<v Speaker 3>the biggest fight we had, I stormed out of my

0:24:01.080 --> 0:24:02.200
<v Speaker 3>own house, which.

0:24:02.040 --> 0:24:05.760
<v Speaker 2>Was dumb because I got nowhere to go.

0:24:05.960 --> 0:24:07.640
<v Speaker 3>I had to come back in, so that was bad.

0:24:09.240 --> 0:24:12.600
<v Speaker 3>But we always come back to what's the best for

0:24:12.640 --> 0:24:15.359
<v Speaker 3>the show. Any disagreement we had, we both just well.

0:24:15.400 --> 0:24:17.320
<v Speaker 3>The other good thing is well we both respected each

0:24:17.359 --> 0:24:20.640
<v Speaker 3>other's work going in, so it wasn't there was no

0:24:20.920 --> 0:24:23.159
<v Speaker 3>power thing. We were both on an equal footing. We

0:24:23.200 --> 0:24:25.520
<v Speaker 3>were both doing stand up around the same level. I

0:24:25.560 --> 0:24:27.639
<v Speaker 3>thought he was funny, he thought I was funny, and

0:24:27.680 --> 0:24:29.960
<v Speaker 3>we came together and went, what's the best show that

0:24:30.000 --> 0:24:32.359
<v Speaker 3>the two of us can make together? And whenever we

0:24:32.400 --> 0:24:34.639
<v Speaker 3>had any disagreement, it would be what will make the

0:24:34.680 --> 0:24:37.640
<v Speaker 3>show better? And then we had us Michael Lucas, who's

0:24:37.680 --> 0:24:39.359
<v Speaker 3>gone on to write so many things. He wrote The

0:24:39.359 --> 0:24:42.840
<v Speaker 3>news Reader and offspring and so many things. He was

0:24:42.880 --> 0:24:47.040
<v Speaker 3>our script editor, script produced, script editor, and so he

0:24:47.320 --> 0:24:51.359
<v Speaker 3>was our line call tiebreaker if ever we needed to

0:24:51.400 --> 0:24:53.719
<v Speaker 3>take it somewhere else. But no, I really lucked out

0:24:53.760 --> 0:24:56.080
<v Speaker 3>with Luca. Was really sad finishing the show. But we

0:24:56.119 --> 0:24:58.680
<v Speaker 3>did five seasons and we thought we want to wanted

0:24:58.720 --> 0:25:02.600
<v Speaker 3>to end it on our terms, and I'm really proud

0:25:02.640 --> 0:25:06.560
<v Speaker 3>of the final season. And uh yeah, it's a lot

0:25:06.560 --> 0:25:09.359
<v Speaker 3>of beautiful memories. But we were so young when we started.

0:25:09.400 --> 0:25:10.920
<v Speaker 3>I mean we weren't. We would have been like thirty.

0:25:10.960 --> 0:25:13.560
<v Speaker 3>But looking back at it now, I'm like, oh, those babies,

0:25:14.160 --> 0:25:15.479
<v Speaker 3>there's little babies in Tazzy.

0:25:16.560 --> 0:25:21.040
<v Speaker 1>And also, of course we spoke earlier about motherhood. You

0:25:21.560 --> 0:25:24.399
<v Speaker 1>had your first baby, not with Luke, just very No,

0:25:24.480 --> 0:25:29.680
<v Speaker 1>It's just I just wanted to I was very an

0:25:29.720 --> 0:25:33.000
<v Speaker 1>on screen spousal relationship, not in real life.

0:25:33.080 --> 0:25:35.959
<v Speaker 3>No, No, it's actually on screen platonic as well. So

0:25:36.040 --> 0:25:38.199
<v Speaker 3>that's that's just another fun fact that we loved. So

0:25:38.240 --> 0:25:40.800
<v Speaker 3>when we pitched it, we initially started trying to write

0:25:40.800 --> 0:25:42.520
<v Speaker 3>a show where we were a couple because that seems

0:25:42.520 --> 0:25:44.720
<v Speaker 3>funny on paper, and it just didn't work. We were like,

0:25:44.760 --> 0:25:47.280
<v Speaker 3>this is this, this is does not, This doesn't work.

0:25:47.600 --> 0:25:49.359
<v Speaker 3>So we wrote it as us as friends, and the

0:25:49.400 --> 0:25:51.560
<v Speaker 3>ABC were like, but they'll get together in the end, right,

0:25:51.600 --> 0:25:55.560
<v Speaker 3>And we were like, sure, sure they will, thinking no

0:25:55.600 --> 0:25:57.320
<v Speaker 3>that I'm going to And then after the first season

0:25:57.520 --> 0:26:01.240
<v Speaker 3>the sort of networks everyone saw that the audience.

0:26:00.840 --> 0:26:03.200
<v Speaker 4>Were really okay, really enjoyed.

0:26:02.840 --> 0:26:06.320
<v Speaker 3>Having a platonic relationship on screen, that it didn't have

0:26:06.440 --> 0:26:08.760
<v Speaker 3>to It didn't we didn't need that, so they let

0:26:08.840 --> 0:26:14.360
<v Speaker 3>us keep going with them never ever getting together. But no,

0:26:14.440 --> 0:26:18.080
<v Speaker 3>my baby is not Luke McGregor's child. But when she

0:26:18.160 --> 0:26:20.880
<v Speaker 3>was born, I was like, oh, she might be red,

0:26:21.200 --> 0:26:22.720
<v Speaker 3>she might be a redhead. And then I'm like, this

0:26:22.800 --> 0:26:23.120
<v Speaker 3>is going.

0:26:23.040 --> 0:26:24.439
<v Speaker 4>To be this is going to look really bad if

0:26:24.480 --> 0:26:26.120
<v Speaker 4>she is a red head speculation.

0:26:26.760 --> 0:26:31.399
<v Speaker 3>But my partner's Irish, so but she's she's an alburn baby.

0:26:31.440 --> 0:26:33.160
<v Speaker 3>But yes, I have a small I have a small

0:26:33.200 --> 0:26:34.360
<v Speaker 3>person who lives in my house.

0:26:34.400 --> 0:26:35.600
<v Speaker 2>Now, how is that?

0:26:35.720 --> 0:26:38.399
<v Speaker 1>Because there's nothing like having a small person living in

0:26:38.440 --> 0:26:44.479
<v Speaker 1>your house to completely upend everything. Often, if there's a

0:26:44.720 --> 0:26:47.600
<v Speaker 1>father that is on the podcast or a new dad,

0:26:48.280 --> 0:26:51.040
<v Speaker 1>I will often say to them, how do you juggle everything?

0:26:51.240 --> 0:26:54.159
<v Speaker 1>Because traditionally women get our set all the time. And

0:26:54.200 --> 0:26:57.800
<v Speaker 1>we don't ask men that enough, and I think often

0:26:58.200 --> 0:27:02.399
<v Speaker 1>men want to be asked that because everyone is balancing

0:27:02.480 --> 0:27:06.560
<v Speaker 1>things and everyone's juggling things. So just making a disclaimer

0:27:06.600 --> 0:27:08.880
<v Speaker 1>there that this is a question that I would ask

0:27:09.240 --> 0:27:12.119
<v Speaker 1>a dad as well. But obviously, given the nature of

0:27:12.160 --> 0:27:15.879
<v Speaker 1>your work, silly because you are traveling, they are long days,

0:27:15.880 --> 0:27:20.320
<v Speaker 1>often unusual hours because if you're performing live on stage,

0:27:20.320 --> 0:27:23.200
<v Speaker 1>you're obviously it's not like a nine to five. I

0:27:23.280 --> 0:27:25.440
<v Speaker 1>don't know how many Australians actually work nine to five

0:27:25.520 --> 0:27:30.800
<v Speaker 1>anymore anyway, But to ask the dreaded cliche question, but

0:27:30.840 --> 0:27:33.000
<v Speaker 1>it's a cliche because a lot of us do struggle

0:27:33.040 --> 0:27:35.040
<v Speaker 1>with it. How are you finding the juggle?

0:27:35.960 --> 0:27:39.160
<v Speaker 3>It's a movable feast because it's changed so much as

0:27:39.359 --> 0:27:43.520
<v Speaker 3>she changes, so it's completely different. Now, long story show, Well,

0:27:43.520 --> 0:27:46.120
<v Speaker 3>this is what my show was about. But my stand

0:27:46.200 --> 0:27:51.359
<v Speaker 3>up show pretty much covers the last five years, which

0:27:51.400 --> 0:27:57.120
<v Speaker 3>is meeting my partner, getting pregnant and those two things

0:27:57.119 --> 0:28:02.000
<v Speaker 3>happened very close to and then us moving in together

0:28:02.160 --> 0:28:05.040
<v Speaker 3>and having the baby and the sort of newborn stage.

0:28:05.119 --> 0:28:07.479
<v Speaker 4>That's that's sort of the capsule of what that is.

0:28:07.520 --> 0:28:09.680
<v Speaker 3>If anyone like more information. When that show will come out.

0:28:09.720 --> 0:28:14.640
<v Speaker 4>But basically, overall, I.

0:28:14.720 --> 0:28:21.240
<v Speaker 3>Found the first six months pretty pretty awful and difficult,

0:28:21.240 --> 0:28:22.679
<v Speaker 3>even though I was working a bit then, and that

0:28:22.800 --> 0:28:24.919
<v Speaker 3>is world away from where I am now, which is

0:28:25.000 --> 0:28:28.160
<v Speaker 3>pretty it's pretty manageable, which she's in childcare three days

0:28:28.160 --> 0:28:31.719
<v Speaker 3>a week. I've got my mind back, I'm working, you know.

0:28:31.800 --> 0:28:35.359
<v Speaker 4>So it's still the juggle is real, but it's.

0:28:35.000 --> 0:28:38.160
<v Speaker 3>It's still close enough to what it was and how

0:28:38.840 --> 0:28:42.160
<v Speaker 3>impossible everything seemed such a short time ago that I'm

0:28:42.240 --> 0:28:44.320
<v Speaker 3>so grateful right now, do you know what I mean?

0:28:44.600 --> 0:28:48.680
<v Speaker 3>So it's it's just and that'll change again, Like we're

0:28:48.720 --> 0:28:50.720
<v Speaker 3>currently at the point where like, oh, she's about to

0:28:50.880 --> 0:28:53.160
<v Speaker 3>she's gonna she's about to drop her nap, so it's changing.

0:28:53.160 --> 0:28:55.480
<v Speaker 3>It It just it's I can't get over how much,

0:28:56.360 --> 0:28:58.680
<v Speaker 3>just like in the first stages, you're pretty much living

0:28:59.600 --> 0:29:02.280
<v Speaker 3>hour to hour, if not minute to minute, and then

0:29:02.320 --> 0:29:04.640
<v Speaker 3>she's this many days, and then it's it's in weeks

0:29:04.640 --> 0:29:07.400
<v Speaker 3>and it's this. As soon as something stops being relevant information,

0:29:07.600 --> 0:29:09.480
<v Speaker 3>you just drop it from your life and it moves

0:29:09.480 --> 0:29:11.360
<v Speaker 3>on to the next stage. And that's what's important and

0:29:11.360 --> 0:29:14.400
<v Speaker 3>that's how you fit things around it. But how do

0:29:14.480 --> 0:29:16.240
<v Speaker 3>I manage. I don't know, you just do. It's one

0:29:16.280 --> 0:29:18.040
<v Speaker 3>of those things when I, as a person who have

0:29:18.040 --> 0:29:19.680
<v Speaker 3>one kid, look at people with two kids and go,

0:29:19.920 --> 0:29:22.160
<v Speaker 3>how are you doing that? And then they're looking at

0:29:22.160 --> 0:29:25.400
<v Speaker 3>people with through because you just do. You just make

0:29:25.440 --> 0:29:29.040
<v Speaker 3>it work. My partner is also freelance, so this is

0:29:29.080 --> 0:29:31.800
<v Speaker 3>the other thing. So well, it's everything's got it's pros

0:29:31.800 --> 0:29:34.880
<v Speaker 3>and cons. So that is good in that we're both

0:29:35.120 --> 0:29:37.760
<v Speaker 3>we're both flexible, but it's also can suck in that

0:29:37.800 --> 0:29:41.240
<v Speaker 3>we both have lives that can spin on one email

0:29:41.400 --> 0:29:44.360
<v Speaker 3>that goes, oh, I just found out I now need

0:29:44.400 --> 0:29:48.520
<v Speaker 3>to go into state tomorrow for three days. So it's

0:29:48.600 --> 0:29:51.120
<v Speaker 3>it's we've got some babysit of support, a bit of

0:29:51.160 --> 0:29:56.240
<v Speaker 3>family support. It's just I don't know. Everything is compared

0:29:56.240 --> 0:30:00.200
<v Speaker 3>to what it was, way easier right right now, that

0:30:00.600 --> 0:30:03.640
<v Speaker 3>start bit and that's not everyone's experience. I don't know. Again,

0:30:03.680 --> 0:30:06.080
<v Speaker 3>it's one of those things. It's what it's like for you.

0:30:06.120 --> 0:30:11.280
<v Speaker 3>But yeah, that's a lot. Yeah, as I say in

0:30:11.320 --> 0:30:13.120
<v Speaker 3>my one hour show, it's still like this. That show

0:30:13.160 --> 0:30:15.520
<v Speaker 3>could have been five hours. There's so much to it

0:30:15.920 --> 0:30:18.760
<v Speaker 3>that I understand why people would go I'm going to

0:30:18.840 --> 0:30:22.000
<v Speaker 3>do a podcast about this, and because there's just so

0:30:22.160 --> 0:30:27.200
<v Speaker 3>much that is outrageous that we just act like it's normal.

0:30:27.200 --> 0:30:29.440
<v Speaker 3>I just did another interview, will use it, but they went,

0:30:29.520 --> 0:30:33.880
<v Speaker 3>what's the weirdest thing about having a baby? And I'm like, everything,

0:30:34.000 --> 0:30:36.920
<v Speaker 3>everything is weird. Everything is weird. The fact that I

0:30:36.960 --> 0:30:38.880
<v Speaker 3>grew a person, the fact that people are just walking

0:30:38.920 --> 0:30:41.920
<v Speaker 3>around like this is like not talking about it is

0:30:41.960 --> 0:30:45.440
<v Speaker 3>insane to me that you grew a tiny person and

0:30:45.480 --> 0:30:48.640
<v Speaker 3>now they're there and they have wants and needs and

0:30:48.720 --> 0:30:50.080
<v Speaker 3>opinions and they.

0:30:49.960 --> 0:30:51.560
<v Speaker 4>Wear shoes what.

0:30:53.400 --> 0:30:55.320
<v Speaker 3>So parts of it are spectacular and wonderful, and parts

0:30:55.360 --> 0:30:57.880
<v Speaker 3>of it were really difficult, but it's all it's all weird.

0:30:57.920 --> 0:31:01.400
<v Speaker 3>But I'm very grateful. But that's the other thing is

0:31:01.480 --> 0:31:04.120
<v Speaker 3>going into it. And this is in my show. When

0:31:04.120 --> 0:31:06.040
<v Speaker 3>I was pregnant, It's like being on a roller coaster

0:31:06.320 --> 0:31:10.040
<v Speaker 3>carriage going up the biggest incline that bit, and you

0:31:10.120 --> 0:31:13.720
<v Speaker 3>just have no idea what's what's gonna come And you

0:31:13.800 --> 0:31:17.760
<v Speaker 3>just watch more pregnant women, like women who are more

0:31:17.760 --> 0:31:20.320
<v Speaker 3>pregnant than you, further along and just every now and

0:31:20.400 --> 0:31:22.840
<v Speaker 3>then they just disappear over the edge and you have

0:31:22.920 --> 0:31:24.720
<v Speaker 3>no idea what's happened to them, what was about to

0:31:24.720 --> 0:31:26.920
<v Speaker 3>happen to you? So when I was pregnant, I genuinely

0:31:26.960 --> 0:31:28.520
<v Speaker 3>was like, maybe I won't come back to stand Up,

0:31:29.080 --> 0:31:31.400
<v Speaker 3>maybe I won't work again. Like I didn't know. I

0:31:31.400 --> 0:31:33.040
<v Speaker 3>gener really didn't know how it was gonna affect me

0:31:33.080 --> 0:31:35.680
<v Speaker 3>what I'd feel like doing after I had a kid.

0:31:35.720 --> 0:31:38.000
<v Speaker 3>So I'm very happy that Stand Up came back. I

0:31:38.040 --> 0:31:41.680
<v Speaker 3>really enjoyed doing that show and doing Thank God, I'm

0:31:41.720 --> 0:31:45.920
<v Speaker 3>happy to be still working. And so I'm I'm feeling

0:31:45.920 --> 0:31:49.480
<v Speaker 3>pretty good with the balance at the moment. After thank

0:31:49.480 --> 0:31:53.080
<v Speaker 3>God doing your finishes. The slate is clean. So ask

0:31:53.160 --> 0:31:55.320
<v Speaker 3>me to get in six months and I don't know

0:31:55.320 --> 0:31:58.280
<v Speaker 3>what I'll be doing, but right now it's and I

0:31:58.280 --> 0:32:01.320
<v Speaker 3>think I'm a better parent at home when I am working,

0:32:01.480 --> 0:32:03.640
<v Speaker 3>doing work that I'm enjoying for a bit of the

0:32:03.680 --> 0:32:06.760
<v Speaker 3>time as well, because then there's the guilt, you know,

0:32:06.920 --> 0:32:09.680
<v Speaker 3>there's all of that gilt you damned if you do,

0:32:09.720 --> 0:32:13.560
<v Speaker 3>damned if you don't. Really absolutely pretty much everything as

0:32:13.600 --> 0:32:15.040
<v Speaker 3>a woman, isn't it?

0:32:14.520 --> 0:32:14.560
<v Speaker 1>It?

0:32:15.200 --> 0:32:16.000
<v Speaker 2>Pretty much is?

0:32:16.160 --> 0:32:19.400
<v Speaker 1>That is part of that crazy roller coaster, the highs

0:32:19.400 --> 0:32:22.200
<v Speaker 1>and the loves of a really beautiful answer, Celia, Thanks

0:32:22.240 --> 0:32:23.240
<v Speaker 1>so much for that that.

0:32:24.080 --> 0:32:25.720
<v Speaker 2>I'm sure a lot of that.

0:32:25.640 --> 0:32:27.840
<v Speaker 1>Really resonated with me, and I'm sure with a lot

0:32:27.880 --> 0:32:31.600
<v Speaker 1>of other people listening. I'm conscious of time, so I

0:32:31.720 --> 0:32:34.880
<v Speaker 1>will let you go. But all the best of the logis,

0:32:34.960 --> 0:32:37.440
<v Speaker 1>by the way, are you going? Can you tell us

0:32:37.480 --> 0:32:39.640
<v Speaker 1>what you're wearing before we go? Because you do rock

0:32:39.720 --> 0:32:41.000
<v Speaker 1>some pretty good power suits.

0:32:41.240 --> 0:32:44.800
<v Speaker 3>Wow, I think it will be a suit. Corinda is

0:32:44.840 --> 0:32:48.240
<v Speaker 3>my stylist on Thank God You're Here and is spectacular,

0:32:48.320 --> 0:32:53.040
<v Speaker 3>so she is responsible for my suits because you know,

0:32:53.480 --> 0:32:55.560
<v Speaker 3>because when I was hosting, like, well it has to

0:32:55.600 --> 0:32:58.400
<v Speaker 3>be it can't be stand up version of Celia and

0:32:58.440 --> 0:33:00.720
<v Speaker 3>I have to stand up and the audio is very close,

0:33:00.760 --> 0:33:03.840
<v Speaker 3>so it's not going to be skirts. And then the suit.

0:33:03.840 --> 0:33:06.520
<v Speaker 3>We agreed on suits, but then what she's done with that,

0:33:06.640 --> 0:33:11.840
<v Speaker 3>Like the first episode was a pink and gold velvet thing,

0:33:12.160 --> 0:33:13.880
<v Speaker 3>which I said on the show, that's like it was

0:33:13.960 --> 0:33:15.160
<v Speaker 3>like the dress code.

0:33:14.960 --> 0:33:17.720
<v Speaker 4>Was sexy couch. I went out as a sexy couch.

0:33:17.480 --> 0:33:21.120
<v Speaker 3>In episode one, and they've only gotten more outrageous the

0:33:21.160 --> 0:33:23.160
<v Speaker 3>other night for an episode I won't you try and

0:33:23.160 --> 0:33:25.520
<v Speaker 3>guess which episode this will be on. When we were

0:33:25.520 --> 0:33:27.680
<v Speaker 3>filming Thank God, I worked it on stage and someone

0:33:27.760 --> 0:33:30.080
<v Speaker 3>in the audience it just escaped them out. They couldn't help.

0:33:29.960 --> 0:33:32.080
<v Speaker 4>Themselves went, look at what you're wearing.

0:33:33.520 --> 0:33:36.440
<v Speaker 3>I don't know. I know, so Carinda is in charge.

0:33:36.440 --> 0:33:38.440
<v Speaker 3>We haven't chosen anything yet, but I think it will

0:33:38.480 --> 0:33:42.640
<v Speaker 3>be something suit related because also suit's very forgiving. Oh

0:33:42.720 --> 0:33:45.280
<v Speaker 3>my gosh, I'm never wearing spanks again now I don't

0:33:45.280 --> 0:33:46.440
<v Speaker 3>even have to shave my legs.

0:33:46.520 --> 0:33:47.800
<v Speaker 4>It's the dream.

0:33:48.040 --> 0:33:49.840
<v Speaker 3>So I think it will be some kind of suit,

0:33:49.840 --> 0:33:52.200
<v Speaker 3>but it needs to be extra, so I don't know

0:33:52.280 --> 0:33:54.680
<v Speaker 3>how she's going to manage to make it more extra

0:33:54.760 --> 0:33:57.480
<v Speaker 3>than the outrageous things that I wear on Thank good.

0:33:57.680 --> 0:33:59.600
<v Speaker 1>All right, well, I look forward to seeing that what

0:34:00.080 --> 0:34:02.400
<v Speaker 1>the extra suit is going to look like, and very

0:34:02.680 --> 0:34:05.800
<v Speaker 1>very practical too, because a long afternoon and a long

0:34:05.880 --> 0:34:08.160
<v Speaker 1>day and a long night at the Slogi's so.

0:34:08.080 --> 0:34:09.080
<v Speaker 2>You want to be comfortable?

0:34:09.440 --> 0:34:10.600
<v Speaker 3>Are you going? Have you been?

0:34:11.080 --> 0:34:11.560
<v Speaker 1>No?

0:34:11.560 --> 0:34:13.160
<v Speaker 2>No, they've pulled back on it.

0:34:13.280 --> 0:34:16.279
<v Speaker 1>So but when I did last go, I was not

0:34:16.440 --> 0:34:20.160
<v Speaker 1>wearing a suit and was not comfortable. So all for you,

0:34:20.239 --> 0:34:25.080
<v Speaker 1>and I think everyone will be supporting that decision. Celia Pacola,

0:34:25.120 --> 0:34:26.840
<v Speaker 1>thank you so much for your time today.

0:34:26.920 --> 0:34:27.920
<v Speaker 2>Lovely to speak to you.

0:34:28.280 --> 0:34:30.320
<v Speaker 3>Pleasure you two, Thank you very much.

0:34:30.480 --> 0:34:33.480
<v Speaker 1>And you can see Celia Pacola Oh Thank God You're Here,

0:34:33.560 --> 0:34:36.680
<v Speaker 1>which will debut on ten and ten Play on Wednesday,

0:34:36.719 --> 0:34:39.960
<v Speaker 1>August fourteenth at seven point thirty. And if you've enjoyed

0:34:39.960 --> 0:34:42.680
<v Speaker 1>this episode, make sure you're following us because we'll be

0:34:42.719 --> 0:34:45.520
<v Speaker 1>back with another exclicive guest on Something to talk About

0:34:45.600 --> 0:34:46.200
<v Speaker 1>next week