1 00:00:00,680 --> 00:00:04,880 Speaker 1: He's in with that you want to talk about. Oh God, 2 00:00:04,920 --> 00:00:07,640 Speaker 1: this is a really amazing story. Raymond so sad. Now, 3 00:00:07,720 --> 00:00:10,160 Speaker 1: Raymond's fifty years of age, he's a boxing coach mate. 4 00:00:10,320 --> 00:00:15,640 Speaker 1: He's married to Mariah Lulu Sosa. Now, Raymond Sos has 5 00:00:15,680 --> 00:00:18,079 Speaker 1: got a bit of coin. He's done pretty well for 6 00:00:18,160 --> 00:00:21,200 Speaker 1: himself over the years as a boxing coach. He's got 7 00:00:21,200 --> 00:00:23,720 Speaker 1: a gym, made a bit of coin. Mariah is a 8 00:00:23,760 --> 00:00:25,000 Speaker 1: beautiful lady as well. 9 00:00:25,280 --> 00:00:28,040 Speaker 2: They've been married for you know, twenty years. Perfect and 10 00:00:28,080 --> 00:00:28,400 Speaker 2: you know. 11 00:00:28,280 --> 00:00:33,320 Speaker 1: They're the perfect couple, or are they? Because Raymond got 12 00:00:33,320 --> 00:00:36,320 Speaker 1: a phone call one day from a young bloke that 13 00:00:36,360 --> 00:00:38,400 Speaker 1: he used to train who was a trouble bloke. 14 00:00:38,479 --> 00:00:41,400 Speaker 3: His name was Gustavo. Welcome Gustavo to the story. 15 00:00:41,920 --> 00:00:47,320 Speaker 1: Gustavo raying Raymond and said, mate, I just want to 16 00:00:47,360 --> 00:00:49,159 Speaker 1: tell you something. We've been mates for a long time. 17 00:00:49,200 --> 00:00:51,240 Speaker 1: You trained me, You've got me at a really dark time. 18 00:00:51,360 --> 00:00:52,960 Speaker 3: Don't tell me he's seeing his missus. 19 00:00:53,720 --> 00:00:54,360 Speaker 2: No he's not. 20 00:00:55,240 --> 00:00:59,200 Speaker 1: He said, there's there's someone that wants to kill you Raymond. 21 00:00:59,360 --> 00:01:05,560 Speaker 1: And because i've trouble pass, I've been approached to do there, 22 00:01:05,640 --> 00:01:08,240 Speaker 1: to do the hit on you and he said, mate, 23 00:01:08,240 --> 00:01:10,240 Speaker 1: I would usually do it. I'd take the ten thousand 24 00:01:10,280 --> 00:01:12,640 Speaker 1: dollars because that's what the HiT's worth to me these days. 25 00:01:12,680 --> 00:01:14,280 Speaker 1: Get the money up front of early Raymond. You know 26 00:01:14,360 --> 00:01:16,800 Speaker 1: what I remember when you saved my life. You took 27 00:01:16,800 --> 00:01:18,800 Speaker 1: me into the boxing ring and showed me out uppercut 28 00:01:18,920 --> 00:01:21,679 Speaker 1: and yeah jab dab dad, get out of the way, 29 00:01:21,680 --> 00:01:24,440 Speaker 1: and then defend you combo and I just want to 30 00:01:24,440 --> 00:01:27,720 Speaker 1: give you their heads up. And also, that person that 31 00:01:27,760 --> 00:01:31,800 Speaker 1: wants to kill you, Raymond is your wife, lu Lusoslusosa. 32 00:01:31,880 --> 00:01:33,280 Speaker 3: I knew Lulu was a bad egg. 33 00:01:33,440 --> 00:01:35,000 Speaker 2: So what they did they got together. 34 00:01:35,520 --> 00:01:37,680 Speaker 1: They devised a plan for him to wear a wire, 35 00:01:37,800 --> 00:01:41,200 Speaker 1: and they taped her offering money to have her husband 36 00:01:41,360 --> 00:01:43,480 Speaker 1: killed before turning the evidence. 37 00:01:43,160 --> 00:01:45,840 Speaker 2: Over to the cops. I love it. This is I 38 00:01:45,920 --> 00:01:48,080 Speaker 2: love American cops. This is where it gets better. 39 00:01:48,120 --> 00:01:50,720 Speaker 1: Instead of just arresting the bloke with the evidence that 40 00:01:50,720 --> 00:01:53,960 Speaker 1: they've got, the cops took it a step further with 41 00:01:54,000 --> 00:01:58,160 Speaker 1: the support of the FBI and Texas Rangers. What they 42 00:01:58,200 --> 00:02:02,680 Speaker 1: did is they pay bloody makeup on Raymond and they 43 00:02:02,760 --> 00:02:05,160 Speaker 1: buried him in a shallow grave out in the desert. 44 00:02:05,240 --> 00:02:07,520 Speaker 2: Oh god right, And they. 45 00:02:07,400 --> 00:02:12,040 Speaker 1: Took his wife, Mariah Lulusosa out there and said, unfortunately, 46 00:02:12,080 --> 00:02:13,919 Speaker 1: we've got some really bad news for you. We found 47 00:02:13,960 --> 00:02:16,680 Speaker 1: your husband and we need you to come on. 48 00:02:16,919 --> 00:02:19,040 Speaker 3: Tody the body. So the whole thing was. 49 00:02:19,400 --> 00:02:21,960 Speaker 1: Basically they got all the evidence that they needed and 50 00:02:22,040 --> 00:02:24,920 Speaker 1: she was gone to take it a step further. They 51 00:02:25,040 --> 00:02:27,239 Speaker 1: just wanted to see what her reaction was to see 52 00:02:27,240 --> 00:02:28,440 Speaker 1: her dead husband in a show. 53 00:02:28,520 --> 00:02:30,720 Speaker 3: Did she have to come along and see him lying there? 54 00:02:30,880 --> 00:02:32,880 Speaker 3: How did he not laugh or do something because he's 55 00:02:32,919 --> 00:02:33,919 Speaker 3: pretending to be dead. 56 00:02:34,080 --> 00:02:35,000 Speaker 2: He said it was. 57 00:02:35,200 --> 00:02:37,960 Speaker 1: He said it was one of the most terrifying things 58 00:02:37,960 --> 00:02:40,560 Speaker 1: he's ever done, just lying there making out he's dead, 59 00:02:40,680 --> 00:02:41,760 Speaker 1: because he just thought. 60 00:02:41,560 --> 00:02:42,320 Speaker 2: It was a dream. 61 00:02:42,760 --> 00:02:44,560 Speaker 1: He said, there was a moment there I thought someone 62 00:02:44,639 --> 00:02:46,760 Speaker 1: is going to come and put a bullet into my shot. 63 00:02:46,960 --> 00:02:49,280 Speaker 2: But then he just realized, now the cops are involved with. 64 00:02:49,240 --> 00:02:50,919 Speaker 3: This, and Lulu Lemon said, that's him. 65 00:02:51,040 --> 00:02:53,840 Speaker 1: She came out, Lulu Lemon, Yep, she was in her 66 00:02:53,880 --> 00:02:57,519 Speaker 1: active gear. She she wore that she started because she's 67 00:02:57,520 --> 00:02:59,840 Speaker 1: worth a bit herself, and she went out there and 68 00:02:59,840 --> 00:03:00,760 Speaker 1: she just broke down. 69 00:03:00,800 --> 00:03:02,120 Speaker 2: Oh my god, that's my husband. 70 00:03:02,160 --> 00:03:05,080 Speaker 3: Yeah, yeah, did that. When she was arrested, who did this? 71 00:03:05,639 --> 00:03:09,000 Speaker 2: What about this guy here, Gustavo, She goes up, I've 72 00:03:09,040 --> 00:03:12,880 Speaker 2: never met seen him before. You were you are a monster? 73 00:03:13,240 --> 00:03:14,160 Speaker 2: Why would you do this? 74 00:03:14,720 --> 00:03:17,280 Speaker 1: And Gustavo went, well, because you asked me to you. Yeah, 75 00:03:18,080 --> 00:03:20,799 Speaker 1: I was wearing a wire. You're done, You're all this 76 00:03:20,880 --> 00:03:22,360 Speaker 1: is this is a TV show. 77 00:03:22,400 --> 00:03:25,200 Speaker 3: And then got up out of the grave. I mean gotcha. 78 00:03:25,840 --> 00:03:29,120 Speaker 2: Yeah, And that's right. That's where Raymond came out and said, honey, 79 00:03:29,320 --> 00:03:30,680 Speaker 2: got her? What are you doing? 80 00:03:30,800 --> 00:03:31,160 Speaker 3: Got her? 81 00:03:31,280 --> 00:03:32,560 Speaker 2: Yeah, get out of the grave. 82 00:03:32,720 --> 00:03:34,440 Speaker 1: I'm gonna have to tell you you're going to jail 83 00:03:34,480 --> 00:03:36,320 Speaker 1: for the rest of your life. But also our marriage 84 00:03:36,400 --> 00:03:36,720 Speaker 1: is over. 85 00:03:36,800 --> 00:03:38,200 Speaker 3: Yeah, there's a couple of issues we're gonna have to 86 00:03:38,200 --> 00:03:38,800 Speaker 3: talk through about. 87 00:03:38,800 --> 00:03:38,920 Speaker 2: This. 88 00:03:38,960 --> 00:03:41,440 Speaker 1: One that there is a television show in that and 89 00:03:41,520 --> 00:03:44,000 Speaker 1: I know you've been trying a television show. 90 00:03:44,680 --> 00:03:46,880 Speaker 3: We're gonna do that with you and first episode. 91 00:03:46,920 --> 00:03:50,200 Speaker 1: If there's anyone out there, Shallow Grave, if you think 92 00:03:50,240 --> 00:03:52,920 Speaker 1: that your partner has got a hit out on you, 93 00:03:52,920 --> 00:03:54,520 Speaker 1: give us a call thirteen twenty fourteen. 94 00:03:54,560 --> 00:03:57,480 Speaker 2: We'll get you on to our new television show. We'll 95 00:03:57,520 --> 00:03:59,800 Speaker 2: kick it off. Oh jeez, the phones have lit up. 96 00:04:00,560 --> 00:04:03,640 Speaker 1: Could you imagine John Whitfley's wrong a minute, mam is 97 00:04:03,680 --> 00:04:07,080 Speaker 1: that you always love getting this man on the show. 98 00:04:07,120 --> 00:04:08,760 Speaker 2: And then he has a new book out. It's called 99 00:04:08,800 --> 00:04:09,840 Speaker 2: Deadly Kerfuffle. 100 00:04:10,360 --> 00:04:14,080 Speaker 1: It's a pointed, satirical commentary on race relations in Australia 101 00:04:14,080 --> 00:04:16,240 Speaker 1: and also takes the piss out of the media as well. 102 00:04:16,240 --> 00:04:19,560 Speaker 4: We love him, Tony, thanks for having me. I was 103 00:04:19,640 --> 00:04:22,120 Speaker 4: just sitting here and your produce. It was queuing up 104 00:04:22,200 --> 00:04:27,839 Speaker 4: music and I heard yahd dada. That's not my intro. 105 00:04:27,960 --> 00:04:33,480 Speaker 3: It is, so that's the only link we have. 106 00:04:36,240 --> 00:04:37,800 Speaker 1: Well, do you know what we try to get Dave 107 00:04:37,839 --> 00:04:39,560 Speaker 1: Dobbin on the show when we had you on a 108 00:04:39,600 --> 00:04:42,440 Speaker 1: couple of weeks ago, Tony with Chip Hocalyps and their 109 00:04:42,440 --> 00:04:44,440 Speaker 1: their shortage of chips over there as well. 110 00:04:44,480 --> 00:04:46,760 Speaker 2: But what was what was the response? Tom? 111 00:04:46,920 --> 00:04:49,320 Speaker 1: He just finished a tour and Dave will not be 112 00:04:49,400 --> 00:04:51,080 Speaker 1: doing anymore but it just got back. 113 00:04:50,920 --> 00:04:52,560 Speaker 5: From Europe and was a little bit tired. 114 00:04:53,640 --> 00:04:55,360 Speaker 3: That should have ended up in Deadly Kerfuffle. 115 00:04:55,640 --> 00:04:59,080 Speaker 4: Okay did he just say nadam. 116 00:05:03,920 --> 00:05:07,320 Speaker 3: Which I reckon he does all the time. What is 117 00:05:07,360 --> 00:05:08,880 Speaker 3: the book about, Tone. 118 00:05:08,839 --> 00:05:11,960 Speaker 4: It's about what happens when a family from New Zealand 119 00:05:12,080 --> 00:05:17,000 Speaker 4: move into a leafy suburban Australia and people mistakenly think 120 00:05:17,040 --> 00:05:21,760 Speaker 4: they're a terrorist cell, and confusion ensues and what starts 121 00:05:21,800 --> 00:05:24,120 Speaker 4: as it quiet little comedy ends up as a Tom 122 00:05:24,160 --> 00:05:25,080 Speaker 4: Clancy thriller. 123 00:05:25,160 --> 00:05:26,120 Speaker 2: That's basically right. 124 00:05:26,880 --> 00:05:29,919 Speaker 1: So there's a lot of race relations in this book 125 00:05:29,920 --> 00:05:32,599 Speaker 1: as well. If the movie is made, have you thought 126 00:05:32,640 --> 00:05:35,680 Speaker 1: about maybe casting someone like a Mark lath Or and Andrew 127 00:05:35,600 --> 00:05:36,839 Speaker 1: Bolt into the movie. 128 00:05:36,720 --> 00:05:37,720 Speaker 2: Tone I have. 129 00:05:37,960 --> 00:05:41,359 Speaker 4: Here's what happens. Right at about four o'clock on a 130 00:05:41,440 --> 00:05:45,080 Speaker 4: Saturday morning. I will suddenly get an angry tweet from 131 00:05:45,520 --> 00:05:47,359 Speaker 4: Mark Latham and Okay, what is it? 132 00:05:47,440 --> 00:05:47,480 Speaker 1: Is? 133 00:05:47,520 --> 00:05:49,400 Speaker 4: He just sitting in his basement because he does a 134 00:05:49,440 --> 00:05:52,679 Speaker 4: TV show from like a cardboard set out of his basement, 135 00:05:52,720 --> 00:05:56,000 Speaker 4: like Wayne's World, as I understand, and he'll just be 136 00:05:56,120 --> 00:06:01,200 Speaker 4: it'll just be what's that dickhead Tony Matten? Like it's 137 00:06:01,200 --> 00:06:03,719 Speaker 4: like at four in the morning you go as his 138 00:06:03,880 --> 00:06:05,240 Speaker 4: wife locked him out? 139 00:06:05,320 --> 00:06:06,120 Speaker 5: What's going on? 140 00:06:07,320 --> 00:06:09,520 Speaker 3: Do you're right back Down't yet? 141 00:06:09,600 --> 00:06:13,400 Speaker 4: We get right into it gets pretty I'm always reminding 142 00:06:13,440 --> 00:06:16,480 Speaker 4: him of that time he broke a Cabby's arm, Remember. 143 00:06:16,160 --> 00:06:16,760 Speaker 5: That, I. 144 00:06:18,560 --> 00:06:21,000 Speaker 3: Keep the judge unbelievable. 145 00:06:21,279 --> 00:06:23,960 Speaker 1: Let's go back to New Zealand relations as well, because 146 00:06:24,080 --> 00:06:26,919 Speaker 1: you know, we're spoken about this, the well she's doing. 147 00:06:27,000 --> 00:06:29,280 Speaker 1: I mean, she's the youngest ever prime minister over there 148 00:06:29,279 --> 00:06:32,120 Speaker 1: in New Zealand. But the bad news for anyone who's 149 00:06:32,160 --> 00:06:35,240 Speaker 1: just waken up this morning, but miss Harden's we've just 150 00:06:35,279 --> 00:06:39,040 Speaker 1: found out that her first, the first cat, Paddles, has 151 00:06:39,160 --> 00:06:42,360 Speaker 1: died in a car accident, which is really bad news. 152 00:06:42,400 --> 00:06:45,200 Speaker 1: And you're a cat owner yourself, so this, this must 153 00:06:45,279 --> 00:06:46,200 Speaker 1: be horrible to hear this. 154 00:06:46,320 --> 00:06:48,760 Speaker 4: It is, It is shocking, and I think I know 155 00:06:48,800 --> 00:06:50,920 Speaker 4: what everyone in the country is thinking, and that is 156 00:06:51,000 --> 00:06:54,000 Speaker 4: do we know where Julie Bishop was at the time, 157 00:06:55,240 --> 00:06:57,520 Speaker 4: So I just pictured her speeding off. 158 00:06:57,600 --> 00:06:59,680 Speaker 3: That was the first thing I thought of got her 159 00:07:00,120 --> 00:07:02,719 Speaker 3: to Paddles. And of course, I mean we all know, 160 00:07:03,240 --> 00:07:07,000 Speaker 3: we all know the best type of paddle, don't we. 161 00:07:07,000 --> 00:07:08,080 Speaker 3: Well it's a flat one. 162 00:07:08,200 --> 00:07:12,240 Speaker 4: Sure, but Paddles was on the Twitter and was kind 163 00:07:12,240 --> 00:07:15,120 Speaker 4: of a celebrity and had a lot of gear. And 164 00:07:17,080 --> 00:07:18,920 Speaker 4: what will they do. We'll have to get a new one. 165 00:07:19,040 --> 00:07:23,320 Speaker 4: I don't know how long is the respectful yeah string? 166 00:07:24,520 --> 00:07:26,720 Speaker 3: Yeah, I mean you can replace a cat. You try 167 00:07:26,720 --> 00:07:29,040 Speaker 3: and do that sometimes with the young kid, what's your 168 00:07:29,120 --> 00:07:29,640 Speaker 3: cat's name? 169 00:07:29,720 --> 00:07:30,000 Speaker 2: Tony? 170 00:07:30,280 --> 00:07:32,800 Speaker 4: And my cat's name is Shorty because he only has 171 00:07:32,880 --> 00:07:36,400 Speaker 4: half a tail. Luckily it's not half connected to his body, 172 00:07:36,480 --> 00:07:40,160 Speaker 4: so that's helpful. But recently I was out in my 173 00:07:40,280 --> 00:07:44,520 Speaker 4: front garden calling him. I was just going, Shorty, shorty, 174 00:07:44,680 --> 00:07:48,040 Speaker 4: and I swear this is true. A four foot man 175 00:07:48,200 --> 00:07:52,960 Speaker 4: was walking past, a bit taller than the dwarf, and 176 00:07:53,040 --> 00:07:55,560 Speaker 4: I'm just going, I'm just looking at him, going Shorty, 177 00:07:56,400 --> 00:07:58,680 Speaker 4: shut and he's going, he's just looking at me. 178 00:07:58,680 --> 00:07:59,000 Speaker 2: Horrify. 179 00:07:59,000 --> 00:08:00,760 Speaker 4: I'm going to my cat and there's no cat to 180 00:08:00,800 --> 00:08:03,880 Speaker 4: be seen, and then I'm just hearing hearing the Larry 181 00:08:03,960 --> 00:08:06,400 Speaker 4: David music in my head. 182 00:08:07,000 --> 00:08:09,760 Speaker 2: Tony, we appreciate you coming on the show this morning. 183 00:08:09,800 --> 00:08:11,360 Speaker 1: I know it is a big one for you though, 184 00:08:11,400 --> 00:08:13,840 Speaker 1: because you can see Tony on Studio ten. 185 00:08:13,920 --> 00:08:15,480 Speaker 2: Nick are you're going to be a panel member. 186 00:08:15,640 --> 00:08:19,360 Speaker 4: I'm sitting in for the whole of a Studio ten, 187 00:08:19,480 --> 00:08:21,800 Speaker 4: and I'm largely doing this for Nova because I'm on 188 00:08:21,880 --> 00:08:23,840 Speaker 4: Nova in Melbourne with Sam Pang and I was going 189 00:08:23,880 --> 00:08:25,640 Speaker 4: to say how and now I went, Nah, Pang is 190 00:08:25,680 --> 00:08:28,440 Speaker 4: going to get so much material out of this because 191 00:08:28,440 --> 00:08:30,120 Speaker 4: I'm going to be thrown at John o' coleman with 192 00:08:30,120 --> 00:08:32,040 Speaker 4: a vacuum cleaner. I'm doing the full works. 193 00:08:33,840 --> 00:08:36,480 Speaker 1: Well that's a right well tony enjoy. We love getting 194 00:08:36,520 --> 00:08:37,680 Speaker 1: you on the show all the time. 195 00:08:37,720 --> 00:08:37,920 Speaker 2: Mate. 196 00:08:38,000 --> 00:08:40,440 Speaker 1: You book Deadly Kerfuffle is available now. Thank you very 197 00:08:40,480 --> 00:08:42,280 Speaker 1: much for coming on the show. Buddy, Cheers, see you're 198 00:08:42,320 --> 00:08:42,679 Speaker 1: back here. 199 00:08:44,520 --> 00:08:50,040 Speaker 5: Test Test Test Lie from Los Angeles, Tome the overweight 200 00:08:50,080 --> 00:09:02,280 Speaker 5: looking Russell Brown Producers Time Tom Time from Hollywood. Hi, Fits, 201 00:09:02,440 --> 00:09:06,000 Speaker 5: Whipper and welcome to the whole first ever Hollywood edition 202 00:09:06,120 --> 00:09:07,160 Speaker 5: of Tom Time. 203 00:09:07,960 --> 00:09:09,079 Speaker 3: You are You. 204 00:09:08,960 --> 00:09:11,800 Speaker 1: Are Australia's equivalent of Nelson Nelson Aspina. 205 00:09:11,880 --> 00:09:12,680 Speaker 5: Thank you so much. 206 00:09:13,520 --> 00:09:14,120 Speaker 2: I read. 207 00:09:14,280 --> 00:09:16,520 Speaker 5: Yes, I'm very proud of all those all those names. 208 00:09:16,640 --> 00:09:19,280 Speaker 3: I wonder what's going to be in this week's Tom Time. Yes, 209 00:09:19,320 --> 00:09:23,959 Speaker 3: oh well, I wonder if there'll be any food references, well, 210 00:09:24,200 --> 00:09:27,120 Speaker 3: anything that paints me in a bad light about being 211 00:09:27,160 --> 00:09:27,559 Speaker 3: a pig. 212 00:09:27,600 --> 00:09:29,040 Speaker 2: Do you know what you don't at all? 213 00:09:29,120 --> 00:09:31,680 Speaker 1: Do you know what you don't understand with Fleet is 214 00:09:31,760 --> 00:09:35,560 Speaker 1: that you are just you make Tom's job so much easier, 215 00:09:35,679 --> 00:09:38,640 Speaker 1: especially at Tom Time, because your life's a mess. 216 00:09:38,760 --> 00:09:41,560 Speaker 2: Okay, this is look you love La. 217 00:09:41,760 --> 00:09:43,360 Speaker 1: I know you love La, but this has been one 218 00:09:43,360 --> 00:09:45,360 Speaker 1: of the worst weeks of your life because you've been 219 00:09:45,360 --> 00:09:47,200 Speaker 1: on the toilet for forty eight hours. 220 00:09:47,679 --> 00:09:48,640 Speaker 2: You just can't help you. 221 00:09:49,120 --> 00:09:51,640 Speaker 3: Breakfast Radio. Can we leave the toilet? Talk out of this? 222 00:09:51,720 --> 00:09:53,920 Speaker 2: Sorry, Tom, I may be giving away some clues here. 223 00:09:54,000 --> 00:09:58,240 Speaker 5: That is absolutely fine. Fitsy so well, Okay, I have 224 00:09:58,320 --> 00:10:01,920 Speaker 5: three incriminating questions. The answer is either FITZI or Whipper. 225 00:10:02,360 --> 00:10:05,160 Speaker 5: Get the third one correct win the prize. Aaron from 226 00:10:05,200 --> 00:10:08,000 Speaker 5: Balmain is our first contestant this morning. Good morning Aaron. 227 00:10:09,520 --> 00:10:13,600 Speaker 5: There we go, off we go the Hollywood edition. All right, 228 00:10:13,800 --> 00:10:16,520 Speaker 5: question number one, Now, it's all about what has happened 229 00:10:16,520 --> 00:10:19,920 Speaker 5: this week with the boys in Lala Land. Now, a 230 00:10:19,960 --> 00:10:23,360 Speaker 5: lot happens behind the scenes when Fits in Whipper travel overseas. 231 00:10:23,920 --> 00:10:28,040 Speaker 5: But who is a surprisingly good celebrity spotter and got 232 00:10:28,200 --> 00:10:31,760 Speaker 5: so excited to see Ethan Hawk in his hotel lobby 233 00:10:31,920 --> 00:10:35,400 Speaker 5: that he took an awkward, sneaky snap where he tries 234 00:10:35,440 --> 00:10:37,240 Speaker 5: to take a selfie with Ethan in the background. 235 00:10:37,240 --> 00:10:37,800 Speaker 2: Who would that be? 236 00:10:37,840 --> 00:10:41,679 Speaker 5: Would that be Fits or would that be Whip? It 237 00:10:41,760 --> 00:10:45,319 Speaker 5: was actually Fits? 238 00:10:45,400 --> 00:10:48,800 Speaker 1: Your select spotting Fits has been really good. Yeah, I 239 00:10:48,880 --> 00:10:52,479 Speaker 1: have two chains. Who else have I got? David Foster 240 00:10:52,960 --> 00:10:56,400 Speaker 1: Tatum was walking along the road yesterday, Tom. 241 00:10:56,400 --> 00:10:59,360 Speaker 2: Oh, I can't remembern't remember us? Yeah? Sure, yeah. 242 00:11:00,160 --> 00:11:02,040 Speaker 1: Do you know what I feel? I feel for Aaron 243 00:11:02,040 --> 00:11:04,160 Speaker 1: because he obviously listens to Tom Tom and he always 244 00:11:04,240 --> 00:11:06,520 Speaker 1: knew the order was Whipper fitsy Whipper. But you've changed 245 00:11:06,520 --> 00:11:06,880 Speaker 1: it up. 246 00:11:06,880 --> 00:11:08,440 Speaker 5: Well I have, and like I said, it was a 247 00:11:08,440 --> 00:11:11,760 Speaker 5: special edition. So Cammella from Liverpool ready to go? Question 248 00:11:11,840 --> 00:11:12,320 Speaker 5: number two? 249 00:11:13,600 --> 00:11:14,760 Speaker 2: All right now? 250 00:11:15,000 --> 00:11:18,040 Speaker 5: Upon arriving in la as he sat in the taxi 251 00:11:18,080 --> 00:11:22,000 Speaker 5: from Lax who said, quote, I don't know if this 252 00:11:22,080 --> 00:11:25,240 Speaker 5: city is ready for me. Someone called Rodeo drive in 253 00:11:25,320 --> 00:11:27,920 Speaker 5: the clubs and let them know I've arrived. 254 00:11:28,960 --> 00:11:29,080 Speaker 2: Now. 255 00:11:29,480 --> 00:11:30,680 Speaker 5: Who would that be? 256 00:11:31,160 --> 00:11:31,360 Speaker 1: Yeah? 257 00:11:31,360 --> 00:11:31,920 Speaker 2: That was web. 258 00:11:35,440 --> 00:11:38,760 Speaker 3: It is one of the standard jokes coming to a 259 00:11:38,760 --> 00:11:39,920 Speaker 3: big city and you. 260 00:11:40,040 --> 00:11:42,160 Speaker 2: Hate to be prepared for you guys. 261 00:11:42,200 --> 00:11:44,360 Speaker 1: I've been putting up a couple of videos and making 262 00:11:44,440 --> 00:11:47,360 Speaker 1: jokes walking down Rodeo Jive going you know where where 263 00:11:47,400 --> 00:11:50,400 Speaker 1: is Gazmin? I can't find out where's Roger David has 264 00:11:50,440 --> 00:11:53,680 Speaker 1: got an update, a whipfully update for everyone. Went into 265 00:11:53,800 --> 00:11:56,640 Speaker 1: Todd's to look for a new pair of loafers. Was 266 00:11:56,840 --> 00:11:58,760 Speaker 1: very disappointed for their selection. 267 00:12:00,440 --> 00:12:01,040 Speaker 5: Bad range. 268 00:12:02,200 --> 00:12:05,280 Speaker 3: Sorry mate, I'm sorry there's no Roger David food. This 269 00:12:05,320 --> 00:12:07,880 Speaker 3: is coming from a guy who yesterday made his first 270 00:12:07,960 --> 00:12:10,920 Speaker 3: leather jacket purchase, ladies, and it was. 271 00:12:10,840 --> 00:12:11,920 Speaker 2: A fishnet. 272 00:12:13,559 --> 00:12:17,400 Speaker 5: All right, So camella, get this one correct, win the prize. 273 00:12:17,840 --> 00:12:20,719 Speaker 6: Okay, I'm ready, Okay, I have. 274 00:12:20,720 --> 00:12:21,840 Speaker 5: A menu in front of me. 275 00:12:23,240 --> 00:12:26,479 Speaker 2: Who this is an obvious? 276 00:12:27,920 --> 00:12:35,640 Speaker 5: Who made this order? One entree, two mates, two desserts 277 00:12:36,200 --> 00:12:38,800 Speaker 5: and some lemon gelado to finish off? Who would do that? 278 00:12:38,840 --> 00:12:39,520 Speaker 5: Would that be fits? 279 00:12:39,600 --> 00:12:47,040 Speaker 2: Or that'd be absolutely she's taking a step in the dark. 280 00:12:48,440 --> 00:12:49,640 Speaker 3: Well, how you got it? 281 00:12:49,760 --> 00:12:50,000 Speaker 2: Melt? 282 00:12:51,080 --> 00:12:53,319 Speaker 1: Can we please focus on this man because we are 283 00:12:53,440 --> 00:12:58,920 Speaker 1: so excited. Announced yesterday, January fifteen, is he's going to 284 00:12:58,960 --> 00:13:01,080 Speaker 1: be coming to see the Opera House to play in 285 00:13:01,160 --> 00:13:04,160 Speaker 1: Nova's Red Room your chance to Win invites, So that 286 00:13:04,160 --> 00:13:07,760 Speaker 1: starts this weekend on Nova and all next week with us. 287 00:13:08,200 --> 00:13:10,560 Speaker 1: We want you to come along because he has an 288 00:13:10,600 --> 00:13:12,760 Speaker 1: amazing voice and he joins us now. 289 00:13:12,800 --> 00:13:15,280 Speaker 2: Sam Smith, so good to have you on the show, buddy. 290 00:13:15,640 --> 00:13:18,360 Speaker 7: Thank you for having me. Guys, how are you am? 291 00:13:18,360 --> 00:13:20,040 Speaker 3: I right by saying we're talking to you and you're 292 00:13:20,080 --> 00:13:22,120 Speaker 3: about to go on Jimmy Fallon, Is that right? Where 293 00:13:22,120 --> 00:13:22,600 Speaker 3: are you now? 294 00:13:23,320 --> 00:13:25,920 Speaker 7: No, I've done I did Jimmy Fanon earlier. I'm just 295 00:13:26,000 --> 00:13:28,920 Speaker 7: in my hotel room chicken. 296 00:13:29,120 --> 00:13:31,839 Speaker 3: I mean, is that getting it in from somewhere special, mate? 297 00:13:31,920 --> 00:13:33,000 Speaker 3: Or is it just room service? 298 00:13:33,440 --> 00:13:35,360 Speaker 7: Oh my god? It literally just arrived as I was 299 00:13:35,400 --> 00:13:36,360 Speaker 7: saying that, Hey. 300 00:13:36,240 --> 00:13:37,599 Speaker 1: Sam, do you know what else are we're going to 301 00:13:37,640 --> 00:13:40,680 Speaker 1: deliver to your door tonight? The Sydney Opera House. How 302 00:13:40,720 --> 00:13:44,240 Speaker 1: exciting is that? Nova's Red Room January fifteen. We cannot wait? 303 00:13:44,920 --> 00:13:48,880 Speaker 7: I can't, honestly, it's I spent New Year's Even the 304 00:13:48,920 --> 00:13:52,760 Speaker 7: Opera House two years ago with my friends and I 305 00:13:52,880 --> 00:13:54,920 Speaker 7: was when I was there, I just said how much 306 00:13:54,960 --> 00:13:56,880 Speaker 7: it would have been a dream for me to sing 307 00:13:56,920 --> 00:14:00,120 Speaker 7: in this place, And yeah, I can't wait. It's to 308 00:14:00,160 --> 00:14:01,480 Speaker 7: be a really beautiful, special night. 309 00:14:01,800 --> 00:14:02,079 Speaker 2: Sam. 310 00:14:02,120 --> 00:14:04,560 Speaker 1: Do you remember our first ever and over red Room 311 00:14:04,640 --> 00:14:08,200 Speaker 1: you played in the Beresford, a tiny little place in Sydney. 312 00:14:08,200 --> 00:14:09,439 Speaker 2: Do you actually remember that gig? 313 00:14:09,800 --> 00:14:10,040 Speaker 5: Yeah? 314 00:14:10,120 --> 00:14:12,120 Speaker 7: I do. I remember it really, really well, and I 315 00:14:12,160 --> 00:14:14,840 Speaker 7: actually adored it. It was the first time I sang in Australia. 316 00:14:14,920 --> 00:14:17,120 Speaker 1: Was that It must blow your mind, though, mate, when 317 00:14:17,160 --> 00:14:19,280 Speaker 1: you're playing little gigs like that at the start of 318 00:14:19,280 --> 00:14:22,280 Speaker 1: your career and where you are now, it's just it's 319 00:14:22,480 --> 00:14:24,560 Speaker 1: it's massive and we're so lucky to have you back? 320 00:14:24,880 --> 00:14:28,320 Speaker 7: No, really, it really is so special. And I did 321 00:14:28,320 --> 00:14:30,720 Speaker 7: my last show for in the Lonely Hour in Australia, 322 00:14:30,800 --> 00:14:33,360 Speaker 7: and I think I've said it so many times people 323 00:14:33,440 --> 00:14:37,040 Speaker 7: must be sick of it, but Australia really holds a 324 00:14:37,040 --> 00:14:39,600 Speaker 7: really special place in my heart and I love playing 325 00:14:39,600 --> 00:14:42,040 Speaker 7: that so much and I'm just so thankful that people 326 00:14:42,080 --> 00:14:42,720 Speaker 7: want me back. 327 00:14:43,040 --> 00:14:44,520 Speaker 3: No, we're a long way from sick of it, mate. 328 00:14:44,520 --> 00:14:46,760 Speaker 3: But the question I need to ask is you're famous 329 00:14:46,800 --> 00:14:49,720 Speaker 3: for celebrating in New Year's Eve down here. Will you 330 00:14:49,920 --> 00:14:52,640 Speaker 3: arrive a couple of weeks before the fifteenth and settle 331 00:14:52,680 --> 00:14:53,400 Speaker 3: in for a big night. 332 00:14:53,840 --> 00:14:56,880 Speaker 7: Yes, I'm planning on spending New Years in Australia. 333 00:14:57,360 --> 00:14:58,760 Speaker 2: Dang, what's the plan? Mate? 334 00:14:58,760 --> 00:15:01,160 Speaker 3: Because I think you mentioned stone All last time. 335 00:15:01,160 --> 00:15:02,720 Speaker 7: But I mean I always end up there. 336 00:15:06,880 --> 00:15:07,760 Speaker 2: I mean, why wouldn't you? 337 00:15:07,880 --> 00:15:11,320 Speaker 7: Yeah, No, I love Level three. Stonewall is amazing and 338 00:15:11,760 --> 00:15:14,160 Speaker 7: we I, me and my friends always get so many 339 00:15:14,800 --> 00:15:18,680 Speaker 7: long islands and oh god, it's incredible. 340 00:15:19,000 --> 00:15:21,120 Speaker 2: Well, you know what we're looking forward to? The hellos? 341 00:15:21,280 --> 00:15:23,360 Speaker 1: I mean you've been The new album The Thrill of 342 00:15:23,400 --> 00:15:25,360 Speaker 1: It All is out now. It's currently number one on 343 00:15:25,400 --> 00:15:28,040 Speaker 1: iTunes as well. Mate, you're dominating here as well, but 344 00:15:28,080 --> 00:15:30,360 Speaker 1: we don't want us. We know that you're too good 345 00:15:30,360 --> 00:15:33,480 Speaker 1: at Goodbye, Sam, But when you come for New Year's 346 00:15:33,480 --> 00:15:35,240 Speaker 1: even you stick around for a couple of weeks to 347 00:15:35,280 --> 00:15:37,800 Speaker 1: do our red room. We're not saying we're not letting 348 00:15:37,800 --> 00:15:40,080 Speaker 1: you leave. You're not leaving at all. You can't go 349 00:15:40,200 --> 00:15:40,560 Speaker 1: this time. 350 00:15:41,080 --> 00:15:45,640 Speaker 7: Good tie me up and I'll stay. 351 00:15:47,160 --> 00:15:48,880 Speaker 3: Do you know what I'm excited about? To the fact 352 00:15:48,880 --> 00:15:51,000 Speaker 3: that you're sitting in your hotel room with a bucket 353 00:15:51,000 --> 00:15:53,600 Speaker 3: full of fried chicken. Now you have lost a lot 354 00:15:53,640 --> 00:15:55,960 Speaker 3: of weight, you look sensationally your tweet about going to 355 00:15:56,000 --> 00:15:58,520 Speaker 3: the gym, but still you celebrate with a bucket of 356 00:15:58,560 --> 00:15:59,200 Speaker 3: fried chicken. 357 00:15:59,560 --> 00:16:01,000 Speaker 8: Hell yeah, it's all about that. 358 00:16:01,640 --> 00:16:03,880 Speaker 3: I mean, every time I tell someone I've gone for 359 00:16:03,920 --> 00:16:05,800 Speaker 3: a run, they get sick of me talking about it. 360 00:16:06,160 --> 00:16:08,440 Speaker 3: But you know, you seem to have it under control. Mate, 361 00:16:08,480 --> 00:16:09,600 Speaker 3: you're looking really sharp. 362 00:16:10,000 --> 00:16:12,160 Speaker 7: Thank you. You know I don't I'm not killing myself. 363 00:16:12,200 --> 00:16:14,280 Speaker 7: I don't want to have like a fish back or anything. 364 00:16:14,320 --> 00:16:17,960 Speaker 7: I'm just trying to eat healthily and but still enjoying 365 00:16:17,960 --> 00:16:21,000 Speaker 7: my food. I love food so much, so I don't 366 00:16:21,000 --> 00:16:22,400 Speaker 7: want to ruin that relationship. 367 00:16:22,680 --> 00:16:25,200 Speaker 1: Look, we are looking forward to getting you back. But 368 00:16:25,320 --> 00:16:27,400 Speaker 1: you've obviously had a couple of years to record this 369 00:16:27,480 --> 00:16:30,040 Speaker 1: new album and write some new stuff which has just 370 00:16:30,080 --> 00:16:33,000 Speaker 1: been unbelievable and we're absolutely loving it. How has it 371 00:16:33,080 --> 00:16:34,680 Speaker 1: been being up on stage again? 372 00:16:34,760 --> 00:16:36,360 Speaker 2: Sam? Have you missed it? Oh? 373 00:16:36,560 --> 00:16:38,920 Speaker 7: Miss you know? I miss singing so much. There's two 374 00:16:38,920 --> 00:16:40,960 Speaker 7: parts of my job. I love being in the studio 375 00:16:41,600 --> 00:16:45,400 Speaker 7: and I love writing songs, but I love singing and 376 00:16:45,880 --> 00:16:49,320 Speaker 7: just having the opportunity to do this again and the 377 00:16:49,400 --> 00:16:52,080 Speaker 7: venues I'm going to be playing is just so exciting 378 00:16:52,160 --> 00:16:54,440 Speaker 7: and it's just I never dreamed of this would happen. 379 00:16:54,680 --> 00:16:57,160 Speaker 7: I just can't wait to sing for everyone and hear 380 00:16:57,160 --> 00:16:59,680 Speaker 7: everyone's voice is singing back. There's something I've missed. 381 00:17:00,040 --> 00:17:00,800 Speaker 3: We can't wait, mate. 382 00:17:00,880 --> 00:17:03,120 Speaker 1: Well, first chance to win your invite is on the 383 00:17:03,160 --> 00:17:05,920 Speaker 1: weekend and then all next week with us. It is 384 00:17:06,000 --> 00:17:09,919 Speaker 1: Sam Smith Nova's Red Room, Sydney Opera House, fifteenth of January. 385 00:17:10,160 --> 00:17:12,000 Speaker 2: For the people that get those tickets, what do you 386 00:17:12,080 --> 00:17:13,760 Speaker 2: want to say? I mean, there'll be a lot of 387 00:17:13,760 --> 00:17:16,280 Speaker 2: people that will want to come along to this gig. Sam. 388 00:17:16,880 --> 00:17:19,160 Speaker 7: I just want to say thank you so much and 389 00:17:19,400 --> 00:17:22,920 Speaker 7: we're going to have a beautiful night together and yeah, 390 00:17:23,160 --> 00:17:25,960 Speaker 7: just just to bring a bottle of wine and let's sing. 391 00:17:27,480 --> 00:17:29,480 Speaker 2: All right. Thank you very much, Sam. 392 00:17:29,480 --> 00:17:31,520 Speaker 7: Thank you so much, guys. 393 00:17:31,520 --> 00:17:34,639 Speaker 3: Big announcement for the cast of than You ned Kelly film. 394 00:17:35,080 --> 00:17:36,879 Speaker 2: So we've already had a ned Kelly film. 395 00:17:36,920 --> 00:17:39,679 Speaker 3: Ned Kelly has been There's been eleven different actors that 396 00:17:39,680 --> 00:17:41,480 Speaker 3: have played ned Kelly over the years. One that I 397 00:17:41,520 --> 00:17:45,320 Speaker 3: had no idea about. This was in nineteen seventy Mick 398 00:17:45,400 --> 00:17:46,280 Speaker 3: Jagger was plagued. 399 00:17:46,359 --> 00:17:48,240 Speaker 2: That's right, I do remember this. 400 00:17:48,400 --> 00:17:50,720 Speaker 3: He was the main man. I mean, I can't picture 401 00:17:50,800 --> 00:17:52,840 Speaker 3: Mick Jagger with a bucket on his head coming out 402 00:17:52,840 --> 00:17:54,720 Speaker 3: of coming out of that homestead. 403 00:17:54,720 --> 00:17:58,760 Speaker 1: Well when he wants me, was it Glenn Rowan When 404 00:17:58,760 --> 00:18:01,920 Speaker 1: he was getting Yeah, when he was getting shot, Mick 405 00:18:02,000 --> 00:18:04,920 Speaker 1: Jagger was amazing. He was dodging boats with his hips 406 00:18:04,920 --> 00:18:07,240 Speaker 1: and his pelvis and just the way that he was moving. 407 00:18:07,960 --> 00:18:10,560 Speaker 1: It was just And when he was going down, he 408 00:18:10,600 --> 00:18:13,240 Speaker 1: was just yelling out, I ain't getting no satisfaction. 409 00:18:13,359 --> 00:18:14,160 Speaker 2: That's amazing. 410 00:18:14,840 --> 00:18:17,239 Speaker 3: So anyway, here it goes on to say that Mick 411 00:18:17,320 --> 00:18:21,440 Speaker 3: Jagger and director Tony Richardson disowned the film, didn't even 412 00:18:21,480 --> 00:18:24,840 Speaker 3: show up to the premiere. Then there was Heath Ledger. 413 00:18:24,880 --> 00:18:26,680 Speaker 3: He took on the Mantle in two thousand and three. 414 00:18:27,200 --> 00:18:30,160 Speaker 3: Cost thirty million dollars to make the film. A Lando 415 00:18:30,200 --> 00:18:32,120 Speaker 3: Bloom was in it. Naomi watched Jeffrey Rush. 416 00:18:32,160 --> 00:18:34,840 Speaker 2: Jeffrey Rush was in it, so it was okay that movie. 417 00:18:34,880 --> 00:18:37,320 Speaker 3: A couple of awards had won for costume and set design, 418 00:18:37,359 --> 00:18:39,040 Speaker 3: but only made six and a half mil. 419 00:18:39,320 --> 00:18:42,719 Speaker 2: It's an amazing story though, Like it's phenomenal. 420 00:18:42,880 --> 00:18:46,080 Speaker 1: I mean, if someone hopefully this one is because it's 421 00:18:46,080 --> 00:18:49,880 Speaker 1: a great story, hopefully they can looked it the right way. 422 00:18:50,280 --> 00:18:51,359 Speaker 2: And it's a great movie. 423 00:18:51,400 --> 00:18:52,360 Speaker 3: Oh, good news and bad news? 424 00:18:52,440 --> 00:18:56,520 Speaker 2: What do you want first? I'll go the good news. 425 00:18:56,560 --> 00:19:00,399 Speaker 3: The good news is confirmed, Russell Crow will be in 426 00:19:00,400 --> 00:19:00,760 Speaker 3: the phone. 427 00:19:01,600 --> 00:19:02,280 Speaker 5: Now we're talking. 428 00:19:02,560 --> 00:19:03,680 Speaker 2: That's all right. 429 00:19:03,760 --> 00:19:08,000 Speaker 3: The bad news is the person that will be ned 430 00:19:08,800 --> 00:19:14,560 Speaker 3: is George McKay. He's British. Now hang on a minute, 431 00:19:14,760 --> 00:19:16,919 Speaker 3: are you telling me? In this day and age, with 432 00:19:17,040 --> 00:19:19,760 Speaker 3: the popularity of the Beard, you only need to go 433 00:19:19,800 --> 00:19:21,479 Speaker 3: down to Bondi and have a bit of a look around. 434 00:19:21,520 --> 00:19:26,720 Speaker 3: We couldn't find an Ossie actor that understood the Ossie Bush, 435 00:19:26,880 --> 00:19:28,159 Speaker 3: and we've decided to go with. 436 00:19:28,200 --> 00:19:30,280 Speaker 2: A brit the last time as well. 437 00:19:30,320 --> 00:19:32,120 Speaker 1: I don't know if you remember this, but remember when 438 00:19:32,119 --> 00:19:34,440 Speaker 1: Meryl Street tried to play Lindy Chamberlain. 439 00:19:34,960 --> 00:19:36,920 Speaker 2: How did that go? That did not go down? 440 00:19:37,080 --> 00:19:39,560 Speaker 3: She didn't understand INGOs mate, you know what I mean, 441 00:19:40,320 --> 00:19:40,960 Speaker 3: she didn't. 442 00:19:40,760 --> 00:19:43,560 Speaker 1: Understand I act sent can be quite hard and obviously 443 00:19:43,600 --> 00:19:46,280 Speaker 1: you need to. But you know what, mate, you've got 444 00:19:46,280 --> 00:19:47,800 Speaker 1: the master they're teaching you. 445 00:19:48,600 --> 00:19:53,680 Speaker 9: If Russell's there, I reckon, there'll be numerous times where 446 00:19:53,680 --> 00:19:56,600 Speaker 9: the director will go cut, great, that was a great scene, 447 00:19:56,640 --> 00:19:59,960 Speaker 9: world on, guys, and Russell will not do it again. 448 00:20:00,040 --> 00:20:02,159 Speaker 2: And you didn't get you didn't get the accent, right. 449 00:20:02,200 --> 00:20:04,840 Speaker 3: Let's remember for the main scene of the film, right, 450 00:20:04,920 --> 00:20:06,840 Speaker 3: I mean, this is how stupid it is getting a 451 00:20:06,880 --> 00:20:09,439 Speaker 3: Brit over an Aussie. He's got a bucket on his 452 00:20:09,520 --> 00:20:11,600 Speaker 3: head with a beard hanging out the bottom. He don't 453 00:20:11,640 --> 00:20:14,679 Speaker 3: even see his face. He's dodging bullets and trying to 454 00:20:14,720 --> 00:20:18,320 Speaker 3: derail a train, you know. And I can't understand why 455 00:20:18,320 --> 00:20:20,160 Speaker 3: we wouldn't have. I could do it, mate. I'll put 456 00:20:20,160 --> 00:20:21,199 Speaker 3: my hand up and say get me. 457 00:20:21,840 --> 00:20:23,760 Speaker 2: He was in pretty good Nick neid Kelly back in 458 00:20:23,800 --> 00:20:24,200 Speaker 2: the days. 459 00:20:24,280 --> 00:20:26,040 Speaker 1: I don't think it's to a modern day version of 460 00:20:26,240 --> 00:20:29,359 Speaker 1: Ned Kelly's let himself go, a. 461 00:20:29,240 --> 00:20:32,080 Speaker 3: Modern day Dad's bod version of Ned Kelly. I'll get 462 00:20:32,080 --> 00:20:34,480 Speaker 3: the beard back, mate, and I'll swing a couple of 463 00:20:34,480 --> 00:20:36,440 Speaker 3: pistols from my hip. I'm ready to go. 464 00:20:36,520 --> 00:20:39,439 Speaker 2: Why don't we get mister Kelly to play? I don't know. 465 00:20:39,520 --> 00:20:40,600 Speaker 2: I don't think he's available. 466 00:20:42,200 --> 00:20:43,760 Speaker 5: No, I'm not sending that fact. 467 00:20:46,320 --> 00:20:47,040 Speaker 2: It's fact. 468 00:20:52,160 --> 00:20:56,000 Speaker 1: I'm looking for people who've had extreme job changes, and 469 00:20:56,040 --> 00:20:58,520 Speaker 1: I'm talking about someone he might have a responsibility at, 470 00:20:58,960 --> 00:21:01,560 Speaker 1: you know, at a company, may be working their way 471 00:21:01,640 --> 00:21:04,560 Speaker 1: up in the hierarchy, and then decide, I don't know, 472 00:21:04,680 --> 00:21:06,119 Speaker 1: they want to be a deck end or something in 473 00:21:06,160 --> 00:21:07,640 Speaker 1: the Caribbean on a. 474 00:21:07,560 --> 00:21:10,000 Speaker 3: Boat, something completely different, like you or I going into 475 00:21:10,000 --> 00:21:12,240 Speaker 3: stand up comedy. You know what I mean, something. 476 00:21:12,080 --> 00:21:15,280 Speaker 1: You've tried that and something that failed massively into what 477 00:21:15,320 --> 00:21:16,840 Speaker 1: we do go down that role matter. 478 00:21:16,840 --> 00:21:19,760 Speaker 3: If I became a dietitian, I mean that would be really. 479 00:21:19,560 --> 00:21:22,240 Speaker 1: That's a that's an extreme job change, because I don't 480 00:21:22,240 --> 00:21:25,960 Speaker 1: think you'd have too many clients. 481 00:21:26,119 --> 00:21:27,160 Speaker 3: I'd be fun as a shift. 482 00:21:27,240 --> 00:21:29,560 Speaker 1: Everyone knows how you talk about food on air, so 483 00:21:29,600 --> 00:21:32,520 Speaker 1: I don't think i'd be locking in doctor Whippley as 484 00:21:32,560 --> 00:21:33,560 Speaker 1: my nutrition. 485 00:21:33,560 --> 00:21:35,040 Speaker 3: And have a look, you two can live a life 486 00:21:35,040 --> 00:21:35,800 Speaker 3: star like mine. 487 00:21:35,880 --> 00:21:37,280 Speaker 2: This is of the story that you may have seen 488 00:21:37,320 --> 00:21:38,479 Speaker 2: on Channel nine last night. 489 00:21:38,520 --> 00:21:42,879 Speaker 1: But former Paramatta CEO Scott Seward, this is an unbelievable story. 490 00:21:42,880 --> 00:21:45,399 Speaker 1: And we know a few years ago there was the 491 00:21:45,440 --> 00:21:49,200 Speaker 1: salary cap issue and he went on Channel nine last 492 00:21:49,280 --> 00:21:52,199 Speaker 1: night and he said, look, he did this under the table. 493 00:21:52,600 --> 00:21:55,360 Speaker 1: He had tame two hundred and twenty thousand dollars from 494 00:21:55,359 --> 00:21:57,760 Speaker 1: the paramounta league's club to top up a legal player 495 00:21:57,840 --> 00:22:00,440 Speaker 1: payments that Jared Haynes was brought up in. Yeah, well 496 00:22:00,440 --> 00:22:03,520 Speaker 1: when he was a Paramatter, he was the former CEO. 497 00:22:03,920 --> 00:22:06,560 Speaker 1: He said he was ordered by the board to do so. 498 00:22:06,560 --> 00:22:09,080 Speaker 1: So he said, it wasn't just me. You can't blame me. 499 00:22:09,920 --> 00:22:12,240 Speaker 1: The board's involved with this as well. But obviously you've 500 00:22:12,240 --> 00:22:15,000 Speaker 1: got to come down hard. And the NRL did, and 501 00:22:15,200 --> 00:22:18,080 Speaker 1: you know he lost his job, yep, and the club 502 00:22:18,160 --> 00:22:20,879 Speaker 1: was stripped to twelve competition points that were sent fine 503 00:22:20,920 --> 00:22:22,560 Speaker 1: seven hundred and fifty thousand dollars. 504 00:22:22,800 --> 00:22:23,880 Speaker 2: Scott Seward was gone. 505 00:22:23,880 --> 00:22:26,480 Speaker 1: Now, when you think he's a CEO of a club 506 00:22:26,560 --> 00:22:28,440 Speaker 1: like Paramatta, you think he'd be able to get a 507 00:22:28,480 --> 00:22:31,480 Speaker 1: job pretty easily somewhere else, but the saga took a 508 00:22:31,520 --> 00:22:33,919 Speaker 1: real heavy toll on Seward and his family, with a 509 00:22:33,960 --> 00:22:37,960 Speaker 1: former high fly now stacking shelves at Cole's to make 510 00:22:38,080 --> 00:22:38,640 Speaker 1: ends meet. 511 00:22:38,880 --> 00:22:41,280 Speaker 3: Oh so, I mean he's got to do something. He's 512 00:22:41,280 --> 00:22:43,119 Speaker 3: got to bring cash in somehow. Do you know what. 513 00:22:43,600 --> 00:22:46,240 Speaker 2: I have a lot of respect for the man to go. 514 00:22:46,359 --> 00:22:47,919 Speaker 2: You know what, My life has changed. 515 00:22:48,040 --> 00:22:50,480 Speaker 1: I stuffed up, but I still need to feed the 516 00:22:50,480 --> 00:22:52,479 Speaker 1: family and I need to do the right thing. More 517 00:22:52,480 --> 00:22:53,679 Speaker 1: than happy to stack shelves. 518 00:22:53,840 --> 00:22:56,440 Speaker 3: Remember that guy we met in Nimben that time, Mike Baldistone. 519 00:22:56,520 --> 00:22:58,760 Speaker 3: He was a lawyer, that's right, and decided to drive 520 00:22:58,800 --> 00:23:01,919 Speaker 3: around Australia and his break got to Nimben. That was 521 00:23:01,960 --> 00:23:03,919 Speaker 3: sixty years ago. Has it left and he works in 522 00:23:03,960 --> 00:23:04,439 Speaker 3: the museum. 523 00:23:04,560 --> 00:23:06,440 Speaker 2: He sat down on a couch in Nimbon. 524 00:23:07,040 --> 00:23:09,800 Speaker 1: He had a couple of herbs and he hasn't been 525 00:23:09,880 --> 00:23:12,639 Speaker 1: able to get off the couch since he hasn't been motivated. 526 00:23:13,119 --> 00:23:15,399 Speaker 3: He's been on that couch. Natalie and picked and welcome 527 00:23:15,400 --> 00:23:17,919 Speaker 3: to the show. You've had an extreme job change. 528 00:23:18,520 --> 00:23:20,919 Speaker 10: Yeah, so I actually worked for a bank. I started 529 00:23:20,920 --> 00:23:23,280 Speaker 10: to tell Rhione all the way up to sort of 530 00:23:23,280 --> 00:23:26,320 Speaker 10: an executive level and now I actually worked on a 531 00:23:26,400 --> 00:23:26,920 Speaker 10: dairy farm. 532 00:23:27,920 --> 00:23:28,639 Speaker 2: Oh there you go. 533 00:23:28,880 --> 00:23:30,760 Speaker 1: So why did you want to get out of the 534 00:23:30,800 --> 00:23:34,000 Speaker 1: banking industry, which can be quite lucrative, and why did 535 00:23:34,000 --> 00:23:35,040 Speaker 1: you go to the dairy farm? 536 00:23:35,080 --> 00:23:38,159 Speaker 10: Mat Basically the reason I wanted to get out It 537 00:23:38,200 --> 00:23:41,159 Speaker 10: was just I got sick of selling stuff, to be honest, 538 00:23:41,200 --> 00:23:43,760 Speaker 10: and I just seemed too short and they wanted to 539 00:23:43,840 --> 00:23:46,440 Speaker 10: do something that I would actually enjoy and being outside 540 00:23:46,520 --> 00:23:51,000 Speaker 10: in the sun and having to work on a day's 541 00:23:51,200 --> 00:23:53,160 Speaker 10: I mean for lifestyle change, but it's a lot of fun. 542 00:23:53,960 --> 00:23:56,959 Speaker 2: It's great effic as long as you're happy, Nat. Good call. 543 00:23:56,960 --> 00:23:57,440 Speaker 3: Thanks Nat. 544 00:23:57,520 --> 00:23:59,879 Speaker 1: Let's go to another Nat in Miranda. You've had a 545 00:24:00,040 --> 00:24:02,199 Speaker 1: extreme job change now I have. 546 00:24:03,720 --> 00:24:04,400 Speaker 2: What did you do? 547 00:24:05,119 --> 00:24:08,040 Speaker 8: I started off as an art teacher and then I 548 00:24:08,160 --> 00:24:12,040 Speaker 8: joined the Wales Police for seventeen years and now I've. 549 00:24:11,880 --> 00:24:12,520 Speaker 7: Gone back to art. 550 00:24:12,600 --> 00:24:16,879 Speaker 1: You think you must have had some shocking students if 551 00:24:16,960 --> 00:24:19,520 Speaker 1: you if you've decided as an art teacher, I wouldn't 552 00:24:19,560 --> 00:24:20,840 Speaker 1: mind locking up a couple of these. 553 00:24:21,200 --> 00:24:22,840 Speaker 3: That's why Nat did it, and then one went on 554 00:24:22,880 --> 00:24:24,160 Speaker 3: to a rest three of them. 555 00:24:24,760 --> 00:24:26,440 Speaker 2: So was it always in the back of your mind? 556 00:24:26,480 --> 00:24:32,120 Speaker 1: Now? In what regards so when you're an art teacher. 557 00:24:32,240 --> 00:24:35,280 Speaker 1: I mean what lured you to be a cop at 558 00:24:35,320 --> 00:24:35,640 Speaker 1: the time. 559 00:24:35,680 --> 00:24:40,280 Speaker 8: It was opportunity, it was financial and yeah, it was 560 00:24:40,280 --> 00:24:43,120 Speaker 8: this something I thought of doing at the time, did 561 00:24:43,119 --> 00:24:45,520 Speaker 8: it for long enough and decided I needed to go 562 00:24:45,560 --> 00:24:46,720 Speaker 8: back and be creative again. 563 00:24:48,119 --> 00:24:50,400 Speaker 1: Have it a nat just quickly. Have you ever run 564 00:24:50,440 --> 00:24:52,359 Speaker 1: into a couple of year old students have you had? 565 00:24:52,600 --> 00:24:54,840 Speaker 1: Have they done something against the law? 566 00:24:55,560 --> 00:24:57,200 Speaker 5: No, it's not yet. 567 00:24:57,200 --> 00:24:59,680 Speaker 3: Now you're lying to us now, thanks for the art. 568 00:25:00,040 --> 00:25:03,439 Speaker 1: They are art stuarts art students, so they'll probably end 569 00:25:03,480 --> 00:25:05,040 Speaker 1: up in n N them themselves. 570 00:25:05,520 --> 00:25:08,720 Speaker 3: James and Strathfield. What's your story about the job change? 571 00:25:08,760 --> 00:25:11,840 Speaker 11: Mank morning boys. Yeah, I was a carpenter for fourteen 572 00:25:11,960 --> 00:25:14,399 Speaker 11: years and then did a total slip around and went 573 00:25:14,440 --> 00:25:17,800 Speaker 11: into finance for eleven years, worked my way up the 574 00:25:17,840 --> 00:25:20,080 Speaker 11: branch manager, and then gave it all of them went 575 00:25:20,080 --> 00:25:21,400 Speaker 11: back to twelve years ago. 576 00:25:21,560 --> 00:25:23,960 Speaker 2: Oh that is extreme. 577 00:25:24,080 --> 00:25:27,120 Speaker 1: So you've gone from an office job to the worksite, James, 578 00:25:27,119 --> 00:25:27,920 Speaker 1: which one's better? 579 00:25:28,440 --> 00:25:30,080 Speaker 11: From the work site to the office job, and then 580 00:25:30,119 --> 00:25:31,600 Speaker 11: to the office job back to the work site. 581 00:25:31,720 --> 00:25:34,639 Speaker 2: So yeah, which one's better? James? 582 00:25:34,880 --> 00:25:38,919 Speaker 11: Much much before doing the carpentry, much much more not 583 00:25:39,040 --> 00:25:40,760 Speaker 11: so much bureaucracy and paperwork. 584 00:25:42,720 --> 00:25:45,560 Speaker 1: Just remember double studs at openings, Mane Last, Glass, coll 585 00:25:45,640 --> 00:25:46,639 Speaker 1: Emmer and Clive Villy. 586 00:25:46,840 --> 00:25:48,760 Speaker 2: Extreme job changes. We're talking about. 587 00:25:48,920 --> 00:25:50,520 Speaker 12: Hi, Hi boys, howre you going? 588 00:25:51,040 --> 00:25:52,560 Speaker 2: Good? Good luck, good good. 589 00:25:52,640 --> 00:25:56,000 Speaker 12: I was a Bollywood actress for five years in Mumbai 590 00:25:56,080 --> 00:26:00,840 Speaker 12: and now I'm a real estate agent. Bollywood, for you 591 00:26:00,920 --> 00:26:04,399 Speaker 12: am unbelievable, so much success and had an absolute blast. 592 00:26:04,400 --> 00:26:07,080 Speaker 12: But to come back and work in real estate very 593 00:26:07,200 --> 00:26:07,760 Speaker 12: very different. 594 00:26:08,680 --> 00:26:09,000 Speaker 2: Emma. 595 00:26:09,280 --> 00:26:12,240 Speaker 1: I want to know your status or you know, when 596 00:26:12,240 --> 00:26:16,320 Speaker 1: you're a Bollywood actress, has that helped you securing any 597 00:26:16,480 --> 00:26:18,680 Speaker 1: Indian clients when you're selling houses? 598 00:26:19,119 --> 00:26:19,320 Speaker 5: You know? 599 00:26:20,040 --> 00:26:22,480 Speaker 12: Sometimes yes, But I'll tell you what. It's a great 600 00:26:22,520 --> 00:26:24,439 Speaker 12: trick to pull out on Saturday night in the taxi 601 00:26:24,480 --> 00:26:25,520 Speaker 12: on the way home from the pub. 602 00:26:26,080 --> 00:26:31,400 Speaker 3: That ye, Carol and I have a look at my films. 603 00:26:31,880 --> 00:26:35,160 Speaker 12: They never expect it and it really is a great cracker. 604 00:26:36,000 --> 00:26:38,080 Speaker 3: So you obviously did some pretty big films. 605 00:26:38,240 --> 00:26:38,600 Speaker 5: I did. 606 00:26:38,640 --> 00:26:40,680 Speaker 12: I did actually in twenty eleven, I did a huge 607 00:26:40,680 --> 00:26:44,280 Speaker 12: film called Yamla and it was the high grossing film 608 00:26:44,320 --> 00:26:45,919 Speaker 12: in India of twenty eleven. 609 00:26:46,680 --> 00:26:48,639 Speaker 3: And you were great at that kissing scene with Brett 610 00:26:48,680 --> 00:26:49,080 Speaker 3: Lee too. 611 00:26:52,680 --> 00:26:57,560 Speaker 13: Hell, i'mre citters parents. 612 00:26:58,040 --> 00:26:59,439 Speaker 2: Shut up? You shut up? 613 00:26:59,600 --> 00:27:03,520 Speaker 3: Well, Old Mark Wahlberg and Mel Gibson starring Daddy's Home 614 00:27:03,600 --> 00:27:05,600 Speaker 3: Too in cinemas November twenty three. 615 00:27:06,400 --> 00:27:07,720 Speaker 2: Yeah, now this is off the movie. 616 00:27:07,840 --> 00:27:09,920 Speaker 1: There's a fair bit of arguing going on here, and 617 00:27:10,000 --> 00:27:12,159 Speaker 1: we all know a family member with a short fuse. 618 00:27:12,320 --> 00:27:14,000 Speaker 3: Your dad was sensational yesterday. 619 00:27:14,040 --> 00:27:16,040 Speaker 1: But if you can fire them up, it's as simple 620 00:27:16,080 --> 00:27:18,720 Speaker 1: as this. The more they fire up, the more chance 621 00:27:18,760 --> 00:27:21,680 Speaker 1: that you've got of winning this family holiday to Denver, Colorado. 622 00:27:21,800 --> 00:27:22,880 Speaker 1: Tell everyone what's involved. 623 00:27:22,920 --> 00:27:25,240 Speaker 3: Flights for the whole family, four an arts accommodation in 624 00:27:25,359 --> 00:27:29,920 Speaker 3: a log cabin, stocked fridge, snow chimming adventure, ski bike tour, 625 00:27:30,040 --> 00:27:31,480 Speaker 3: and a horse drawn sleigh ride. 626 00:27:31,520 --> 00:27:32,040 Speaker 5: How good is that? 627 00:27:32,320 --> 00:27:34,760 Speaker 2: Okay, we got Jess on the line, Jess, welcome to 628 00:27:34,840 --> 00:27:38,320 Speaker 2: the show. Hi are going Oh good, Jes. Okay, So 629 00:27:38,400 --> 00:27:39,800 Speaker 2: who are you stitching up today? Jess? 630 00:27:40,920 --> 00:27:41,440 Speaker 8: My dad? 631 00:27:41,760 --> 00:27:44,440 Speaker 6: So I was going to tell you my little sister. 632 00:27:44,600 --> 00:27:45,640 Speaker 7: He just peace. 633 00:27:46,320 --> 00:27:49,760 Speaker 6: I blowed my car and went through a feet camera 634 00:27:50,160 --> 00:27:52,399 Speaker 6: And Dad doesn't want her driving my car because the 635 00:27:52,480 --> 00:27:54,480 Speaker 6: access is so large, and I'm going to tell him a. 636 00:27:54,440 --> 00:27:55,560 Speaker 10: Buddys to pay for it. 637 00:27:56,119 --> 00:27:58,680 Speaker 3: Has he got a short fus has he jess Oh, 638 00:27:58,920 --> 00:27:59,960 Speaker 3: like you won't believe. 639 00:28:00,160 --> 00:28:05,040 Speaker 6: He'll swear a lot later. His name's Terry. 640 00:28:05,520 --> 00:28:05,800 Speaker 3: Terry. 641 00:28:07,320 --> 00:28:09,719 Speaker 1: You need to try and fire your old man up 642 00:28:09,760 --> 00:28:12,120 Speaker 1: as much as you can for you to take home 643 00:28:12,200 --> 00:28:12,639 Speaker 1: the holiday. 644 00:28:12,680 --> 00:28:14,200 Speaker 2: Are you ready to go? Yeah? 645 00:28:14,240 --> 00:28:15,960 Speaker 6: I'm probably going to be an awesome after this, but 646 00:28:16,080 --> 00:28:16,520 Speaker 6: let's do it. 647 00:28:22,200 --> 00:28:22,360 Speaker 8: Right. 648 00:28:23,240 --> 00:28:28,120 Speaker 6: It's yes, yeah, I just call. I had work last 649 00:28:28,200 --> 00:28:30,920 Speaker 6: night and then when I got home, I had a 650 00:28:31,080 --> 00:28:35,960 Speaker 6: letter from the RTA. It's a fine. Like Brittany when 651 00:28:36,040 --> 00:28:39,000 Speaker 6: she was driving one night she went through a speed camera. 652 00:28:40,800 --> 00:28:43,360 Speaker 6: She's literally just like I'm not paying it, Like I'm 653 00:28:43,400 --> 00:28:46,520 Speaker 6: not paying her car. Probably wasn't even me, but I 654 00:28:46,640 --> 00:28:50,600 Speaker 6: know her because I wasn't driving it that night. I 655 00:28:50,720 --> 00:28:53,240 Speaker 6: know she went out, you know, and she's just carrying 656 00:28:53,280 --> 00:28:54,440 Speaker 6: on like an idiot about it. 657 00:28:54,800 --> 00:28:56,640 Speaker 7: Well, she's going to leave her license, isn't she. 658 00:28:57,200 --> 00:28:59,880 Speaker 6: Yeah, she will lose her license straight away. And she 659 00:29:00,120 --> 00:29:01,760 Speaker 6: was like and just asked dad for the money for 660 00:29:02,120 --> 00:29:02,360 Speaker 6: for it. 661 00:29:02,960 --> 00:29:05,280 Speaker 11: Well she was gone and she said, a wear how 662 00:29:05,360 --> 00:29:06,040 Speaker 11: much of the faun? 663 00:29:06,760 --> 00:29:07,840 Speaker 6: Like five hundred dollars? 664 00:29:08,520 --> 00:29:09,480 Speaker 4: Five hundred dollars? 665 00:29:10,120 --> 00:29:11,240 Speaker 2: Yeah, can you pay it? 666 00:29:11,320 --> 00:29:11,360 Speaker 12: That? 667 00:29:11,960 --> 00:29:12,960 Speaker 7: I had a bloody oh. 668 00:29:12,880 --> 00:29:15,440 Speaker 5: Can I pay for that? You've got to be jigant. 669 00:29:16,080 --> 00:29:18,840 Speaker 6: And then we'll say, like that night, like she was 670 00:29:18,960 --> 00:29:21,160 Speaker 6: driving it, because she didn't even ask me if she could. 671 00:29:20,960 --> 00:29:23,240 Speaker 2: Take it out on Jesus. 672 00:29:25,640 --> 00:29:26,440 Speaker 5: Every guy. 673 00:29:27,960 --> 00:29:29,000 Speaker 7: Every night. 674 00:29:29,800 --> 00:29:30,920 Speaker 9: Well, when's it going to be paid? 675 00:29:30,960 --> 00:29:31,120 Speaker 12: Boy? 676 00:29:33,320 --> 00:29:34,560 Speaker 6: It's got like a week one. 677 00:29:35,800 --> 00:29:38,400 Speaker 8: I have not five hundred bucks. Can look your mother? 678 00:29:38,720 --> 00:29:39,160 Speaker 5: Jesus? 679 00:29:40,800 --> 00:29:42,960 Speaker 3: Yeah, Normini her lodcense. 680 00:29:43,440 --> 00:29:45,040 Speaker 5: She can have a locense canceled. 681 00:29:45,880 --> 00:29:50,880 Speaker 8: Run the buck, but I had a gap. I had 682 00:29:50,920 --> 00:29:51,719 Speaker 8: a gap full of them. 683 00:29:53,240 --> 00:29:57,680 Speaker 3: He's lost the license, he's lost to loscense. 684 00:29:57,720 --> 00:29:59,560 Speaker 5: She doesn't she want to get lost back to the AP. 685 00:30:00,640 --> 00:30:01,280 Speaker 1: I haven't. 686 00:30:05,120 --> 00:30:05,720 Speaker 2: To get her. 687 00:30:07,680 --> 00:30:10,800 Speaker 7: And I'm not getting the car to stop right up sleekly. 688 00:30:11,160 --> 00:30:19,440 Speaker 1: That's it, Terry, Terry, Terry, Yeah, it's fits you mimber 689 00:30:19,520 --> 00:30:20,560 Speaker 1: here from neither how are you? 690 00:30:24,880 --> 00:30:28,280 Speaker 3: Hey? Hey, Terry Terry, just take a deep breath. Now, 691 00:30:28,800 --> 00:30:31,560 Speaker 3: just have to stick you up with a chance to 692 00:30:31,600 --> 00:30:35,160 Speaker 3: win a family holiday to Denver, Colorado. But you had 693 00:30:35,200 --> 00:30:37,200 Speaker 3: to get worked up, and my god, did you deliver? 694 00:30:37,360 --> 00:30:37,520 Speaker 7: Boy? 695 00:30:39,040 --> 00:30:44,400 Speaker 3: Terry, It's okay, there's no fire. 696 00:30:52,640 --> 00:30:53,920 Speaker 5: Ride and I'll get trapped like that. 697 00:30:55,880 --> 00:30:58,160 Speaker 1: Here we are pulling your leg. But she's doing it. 698 00:30:58,280 --> 00:31:01,520 Speaker 1: She wants to win a family holiday. You guys at Denver, Colorado, 699 00:31:01,600 --> 00:31:03,400 Speaker 1: and I tell you what you're in the running after 700 00:31:03,480 --> 00:31:05,000 Speaker 1: that called Terry World done. 701 00:31:04,880 --> 00:31:07,960 Speaker 8: Son, Yeah, I tell you what I was ban for light. 702 00:31:08,120 --> 00:31:12,640 Speaker 6: Really do you want to be around me when I do? 703 00:31:13,880 --> 00:31:18,840 Speaker 2: You are a firecracker. Seven thirty Thursday nights. It is cramped, 704 00:31:18,840 --> 00:31:21,200 Speaker 2: Pete Whipper. 705 00:31:21,360 --> 00:31:23,400 Speaker 5: Great to be here in this beautiful Sydney morning. 706 00:31:23,480 --> 00:31:25,560 Speaker 2: Look at it perfect. 707 00:31:25,560 --> 00:31:28,360 Speaker 1: The guns are out, just perfect, Peter, just a bit 708 00:31:28,480 --> 00:31:31,240 Speaker 1: worried about the huge security guards that you've got outside 709 00:31:31,280 --> 00:31:32,040 Speaker 1: the door there. 710 00:31:32,240 --> 00:31:34,360 Speaker 2: I don't know. And why are you're wearing a bullet 711 00:31:34,440 --> 00:31:36,160 Speaker 2: proof vest, Pete, because. 712 00:31:36,200 --> 00:31:37,480 Speaker 3: Oh my god, there's a laser on your head. 713 00:31:37,920 --> 00:31:40,959 Speaker 13: Always you guys are already got pranks up your sleeves. 714 00:31:40,960 --> 00:31:42,040 Speaker 13: I always come in bed. 715 00:31:45,720 --> 00:31:47,320 Speaker 2: What stitch up they got this time? 716 00:31:47,520 --> 00:31:47,880 Speaker 4: What is it? 717 00:31:48,280 --> 00:31:50,160 Speaker 3: This is the prank capital of the world. 718 00:31:50,000 --> 00:31:52,240 Speaker 1: For any people, for anyone out there. I was on 719 00:31:52,360 --> 00:31:53,920 Speaker 1: the show with Petter a couple of weeks ago. We 720 00:31:54,000 --> 00:31:57,680 Speaker 1: had Tim, we had Tim Kalon, our greatest ever soccer player, 721 00:31:58,240 --> 00:32:02,040 Speaker 1: and the boys. Now we've just realized this morning eight 722 00:32:02,200 --> 00:32:04,160 Speaker 1: thirty Saturday morning. If you want to watch the soccer 723 00:32:04,240 --> 00:32:06,480 Speaker 1: US they're playing Honduras. Now, this is a very important 724 00:32:06,560 --> 00:32:09,360 Speaker 1: game for us to advance into the mill, into the 725 00:32:09,400 --> 00:32:12,560 Speaker 1: World Cup, the Melbourne Cup as well. But we we 726 00:32:12,640 --> 00:32:15,680 Speaker 1: spoke to Timmy and look we've got to grab from 727 00:32:15,800 --> 00:32:18,520 Speaker 1: the night. This is you boys talking about hon Juras 728 00:32:18,720 --> 00:32:19,800 Speaker 1: and this is to tim. 729 00:32:20,040 --> 00:32:23,120 Speaker 11: All of us man Pedro Sola, which is apparently once 730 00:32:23,360 --> 00:32:24,480 Speaker 11: was the murder capital of the world. 731 00:32:25,600 --> 00:32:27,320 Speaker 5: A bit siria. Now you're going to the murder capital 732 00:32:27,360 --> 00:32:27,800 Speaker 5: of the world. 733 00:32:28,520 --> 00:32:30,320 Speaker 2: If you win this, I think you play isis. 734 00:32:37,040 --> 00:32:39,000 Speaker 3: I mean, I mean it's a great gag. I mean, 735 00:32:39,040 --> 00:32:40,360 Speaker 3: with the death threats worth the joke. 736 00:32:41,520 --> 00:32:44,280 Speaker 13: I meant I've probably received a couple of death threats, 737 00:32:44,320 --> 00:32:46,160 Speaker 13: but I have received more death threats from one directions 738 00:32:46,200 --> 00:32:49,320 Speaker 13: over the years as well, So I mean relative to 739 00:32:49,840 --> 00:32:53,440 Speaker 13: be absolutely honest. Version of cram is on hold, though 740 00:32:53,520 --> 00:32:58,600 Speaker 13: I have heard they're just waiting to see how this settles. 741 00:32:58,600 --> 00:33:00,920 Speaker 13: How listen, I wish him have well. I hope they 742 00:33:00,960 --> 00:33:02,720 Speaker 13: finished a top two over the next couple of games 743 00:33:02,760 --> 00:33:04,640 Speaker 13: they play against the soccer US, I really do. 744 00:33:07,520 --> 00:33:09,440 Speaker 1: But no, for anyone out there, you are in the 745 00:33:09,560 --> 00:33:12,640 Speaker 1: local Honduris, there is a newspaper there and there is 746 00:33:12,680 --> 00:33:14,960 Speaker 1: a photo of you and ma Lead at the desk. 747 00:33:15,080 --> 00:33:17,360 Speaker 2: They're not happy with the way that they've been treated. 748 00:33:17,600 --> 00:33:18,480 Speaker 2: I'm not happy about it. 749 00:33:18,520 --> 00:33:20,600 Speaker 13: I mean my mem and the fanly we hold in 750 00:33:20,680 --> 00:33:24,000 Speaker 13: Honduras each year, and they're lovely people. It's a lovely 751 00:33:24,040 --> 00:33:26,560 Speaker 13: country I've got. I've got nothing of respect for the 752 00:33:26,640 --> 00:33:27,840 Speaker 13: Hondurians and. 753 00:33:29,280 --> 00:33:30,600 Speaker 3: All of them listening now, all of them. 754 00:33:30,720 --> 00:33:34,800 Speaker 13: I have received, you know, some a couple of the 755 00:33:34,920 --> 00:33:37,680 Speaker 13: death threats, but I have received like a lovely, lovely 756 00:33:38,960 --> 00:33:42,360 Speaker 13: emails are saying, hey, I understand your joking, but this 757 00:33:42,520 --> 00:33:45,120 Speaker 13: is our country. Some tourist videos which it looks like 758 00:33:45,160 --> 00:33:47,320 Speaker 13: a lovely player. So I'm sure the soccer are going 759 00:33:47,360 --> 00:33:48,160 Speaker 13: to have a great time there. 760 00:33:48,200 --> 00:33:53,440 Speaker 3: On Saturday morning, said parts of Mexico that could take 761 00:33:53,480 --> 00:33:53,840 Speaker 3: that time. 762 00:33:53,920 --> 00:33:57,320 Speaker 13: You know, yeah, yeah, I said the Cramp version of Hours. 763 00:33:59,200 --> 00:34:03,080 Speaker 13: He's definitely on hold him perfect sea. It's perfect segway for. 764 00:34:03,080 --> 00:34:03,560 Speaker 5: You guys, do that. 765 00:34:03,680 --> 00:34:05,640 Speaker 2: It is a perfect segway. And we were loving it. 766 00:34:05,760 --> 00:34:08,400 Speaker 1: The first episode kicked off last week and tonight you 767 00:34:08,480 --> 00:34:10,520 Speaker 1: got your good mate Rave meek Manisson made it. 768 00:34:10,600 --> 00:34:11,600 Speaker 2: It is a great show. 769 00:34:11,719 --> 00:34:14,279 Speaker 1: There's a fair bit of I'm hopeless at this stuff though, 770 00:34:14,760 --> 00:34:18,040 Speaker 1: Pete just remembering stuff and the memory of a sieve. 771 00:34:18,640 --> 00:34:20,479 Speaker 2: Unfortunately I can't do this stuff. 772 00:34:20,520 --> 00:34:23,200 Speaker 1: But there's some You had some contestants last week that 773 00:34:23,480 --> 00:34:25,160 Speaker 1: absolutely dominated at this. 774 00:34:25,719 --> 00:34:25,959 Speaker 2: Yeah. 775 00:34:26,520 --> 00:34:28,880 Speaker 13: Some people come in and they go, I'm gonna be hopeless, 776 00:34:28,880 --> 00:34:30,160 Speaker 13: I'm gonna be hopeless. And some people are going with 777 00:34:30,280 --> 00:34:34,320 Speaker 13: confidence and it's usually they usually swap. You know, the 778 00:34:34,480 --> 00:34:36,759 Speaker 13: guys who are confident kind of go to ground a 779 00:34:36,800 --> 00:34:39,480 Speaker 13: little bit, and guys and girls who are you know, 780 00:34:39,680 --> 00:34:41,760 Speaker 13: are not confident, like Josh Thomas is in an episode 781 00:34:41,760 --> 00:34:43,640 Speaker 13: in a couple of weeks and he was I won't 782 00:34:43,640 --> 00:34:47,040 Speaker 13: answer a single question and then he was just on fire. 783 00:34:47,160 --> 00:34:48,799 Speaker 13: And then we found out he had riddling just before 784 00:34:48,800 --> 00:34:51,360 Speaker 13: the show. So there may be some drug testing. There 785 00:34:51,440 --> 00:34:53,799 Speaker 13: may be some drug testing in series two of. 786 00:34:54,600 --> 00:34:59,680 Speaker 2: Cram crammed in too much Riddle and so he'll. 787 00:34:59,520 --> 00:35:01,839 Speaker 5: Be peeing a cup next time he comes on Cramp. 788 00:35:01,880 --> 00:35:03,399 Speaker 2: But he rose. 789 00:35:03,680 --> 00:35:06,040 Speaker 13: Yeah, Rose on tonight, which is great fun mate and 790 00:35:06,120 --> 00:35:09,680 Speaker 13: Rhys s Diichlson and Zoe Koom's hilarious. Celeste Barber the 791 00:35:09,719 --> 00:35:13,279 Speaker 13: Instagram Sensation comic is on and it's a fun show. 792 00:35:14,200 --> 00:35:15,480 Speaker 1: We'll have to get you, I'll have to get you 793 00:35:15,520 --> 00:35:16,880 Speaker 1: back for wrap up of the week How's this? The 794 00:35:16,920 --> 00:35:20,360 Speaker 1: other day we had Rove on Roves right, this is 795 00:35:20,400 --> 00:35:22,520 Speaker 1: how good Rove is. He's put his hand up. He's 796 00:35:22,560 --> 00:35:24,520 Speaker 1: going to wrap up of the weekend. He's going against 797 00:35:24,560 --> 00:35:26,520 Speaker 1: Sam Frost in a couple of weeks on our show. 798 00:35:28,280 --> 00:35:32,280 Speaker 2: How good is that? We we we were radio rivals 799 00:35:32,320 --> 00:35:33,880 Speaker 2: there for a while and the guys are. 800 00:35:33,800 --> 00:35:35,600 Speaker 1: Like, well not we want to come in. I think 801 00:35:35,600 --> 00:35:38,879 Speaker 1: we're going up against you and I we go ahead 802 00:35:38,920 --> 00:35:41,360 Speaker 1: to beat battle. Pete, would you come in for a 803 00:35:41,400 --> 00:35:42,160 Speaker 1: wrap battle. 804 00:35:42,640 --> 00:35:46,080 Speaker 2: With a ho with a Hondur? You can get in. 805 00:35:47,680 --> 00:35:51,320 Speaker 13: Probably separate studios, to be honest, we will wrap that 806 00:35:51,400 --> 00:35:51,919 Speaker 13: battle out. 807 00:35:52,360 --> 00:35:54,800 Speaker 2: We've got a serial killer from Honduras who will be 808 00:35:54,880 --> 00:35:56,960 Speaker 2: on the show. Said that that was. 809 00:36:00,040 --> 00:36:03,640 Speaker 1: Pete Elliott. Tonight, Cram It's on Channel ten at seven thirty. 810 00:36:03,719 --> 00:36:04,560 Speaker 1: Make sure you tune in. 811 00:36:04,640 --> 00:36:07,799 Speaker 2: Pete. Thanks for coming on the show. Legends like It's 812 00:36:07,840 --> 00:36:09,000 Speaker 2: in with Nova