WEBVTT - Three Gold Logie nominees walk into a room…

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<v Speaker 1>Before we get into today's episode, a quick reminder that

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<v Speaker 1>you can also watch this conversation on YouTube by tapping

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<v Speaker 1>the link in our show notes. Hello and welcome to

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<v Speaker 1>Something to Talk About the Stellar Podcast. I'm sarah La Marquin,

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<v Speaker 1>your host, and every week I sit down with some

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<v Speaker 1>of the biggest names in the country because when Australia's

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<v Speaker 1>celebrities are ready to talk, they come to Something to

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<v Speaker 1>talk about. Six of this year's seven Gold Logi nominees

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<v Speaker 1>have already made history because they are women, the most

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<v Speaker 1>ever nominated in a single year, and the nominee is

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<v Speaker 1>vying for Australian TV's highest honor in August, including the

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<v Speaker 1>Token Mail Hamish Blake, all happened to be over forty.

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<v Speaker 1>On today's episode, I sit down with three of the

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<v Speaker 1>women who have been nominated for Gold and when Lynn McGranger,

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<v Speaker 1>Ali Langdon and Sonya Krueger walked into the Stellar Podcast studio,

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<v Speaker 1>it didn't take long for the laughter and the real

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<v Speaker 1>talk to be whoever.

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<v Speaker 2>Doesn't win, we should all agree to burst into tears laughter.

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<v Speaker 3>Beauty, I don't sunrise.

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<v Speaker 4>Yes, if Hamish wins, we should all stand up.

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<v Speaker 1>Sonya, Ali and Lynn join me to discuss the big night,

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<v Speaker 1>who they really think will take the prize, and why

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<v Speaker 1>the competition between them is anything but. From red carpet

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<v Speaker 1>dilemmas and live television chaos to the truth about female

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<v Speaker 1>rivalry and the joy of not having to play it

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<v Speaker 1>small anymore. This is a conversation with three women who

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<v Speaker 1>have survived and thrived in three very different corners of

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<v Speaker 1>a notoriously tough industry. Ali Langdon, Sonya Kruger, Lynn mcgrangel,

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<v Speaker 1>Welcome to the Stellar Podcast. Thank you for having so

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<v Speaker 1>three gold LOGI no manee walk into a studio, congratulate

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<v Speaker 1>many walk outs.

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<v Speaker 5>I just want to hear the punchline. I'm looking for you,

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<v Speaker 5>the three of you.

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<v Speaker 1>For the punchline. You will fill in the blanks. So

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<v Speaker 1>you've walked into two studios today. You're here in the

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<v Speaker 1>Stellar Podcast studio and you've just come from set of

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<v Speaker 1>the photo studio to get the amazing images that are

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<v Speaker 1>on the cover of Stella today. So can I start

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<v Speaker 1>by asking how well, if at all, the three of

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<v Speaker 1>you have known each other prior to today and this

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<v Speaker 1>little spending a day and an excursion with Stella.

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<v Speaker 2>Ali and myself haven't met, but Sonya and I go

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<v Speaker 2>back a bit, and we in fact did a did

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<v Speaker 2>a promo on Sunday and had a laugh and so,

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<v Speaker 2>and we've talked on the Red Carpet and obviously seen

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<v Speaker 2>each other around the traps seven time now.

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<v Speaker 6>And Ali and I know each other from when I

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<v Speaker 6>was at nine, So yeah, I know I know both

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<v Speaker 6>ladies really well.

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<v Speaker 5>We've been around a while, three of us, haven't we.

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<v Speaker 5>I mean, you know. And that's and that's why I

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<v Speaker 5>had to keep thinking, Okay, it's in good point.

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<v Speaker 1>Ali, and I apologize in advanced lin if I say, look.

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<v Speaker 2>To it, darling, I get it all the time. It's

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<v Speaker 2>like I said to the girls here earlier, I said,

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<v Speaker 2>how long how long do you have to be on

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<v Speaker 2>the bloody television before.

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<v Speaker 3>People know who your real name is? Know your real name?

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<v Speaker 3>But I get it. I understand it because people see

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<v Speaker 3>me as irene.

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<v Speaker 5>I also think it's a compliment.

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<v Speaker 4>Oom for what thirty thirty three three years? I would

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<v Speaker 4>I would lean into that. I think it is a

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<v Speaker 4>great compliment that that people feel they know you.

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<v Speaker 3>Thank you your character. Take with me. So next time

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<v Speaker 3>I abuse somebody, I'll go wait a minute. Ali told

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<v Speaker 3>me it's advice.

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<v Speaker 1>From Alie is always good. But of course, having said that,

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<v Speaker 1>Lean you are on screen at the moment still as Irene.

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<v Speaker 1>But you did actually film your final scenes early this year,

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<v Speaker 1>so in the coming months Australia will be saying, for well,

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<v Speaker 1>we don't know how I mean, do not spill that.

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<v Speaker 3>I don't have to kill him.

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<v Speaker 2>To one, you know, you're sworn to secrecy obviously contractually.

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<v Speaker 2>Also you spoil you know, you don't want to spoil it.

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<v Speaker 2>It's a soap and you don't want to give away

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<v Speaker 2>the ending. But I'm very excited about it. I have,

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<v Speaker 2>and I proudly say that for once, the riders didn't

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<v Speaker 2>slam the door in my face and say and.

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<v Speaker 5>Stay out so she doesn't die.

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<v Speaker 4>Well, I didn't say that, well a kind of did

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<v Speaker 4>I Well, I don't know.

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<v Speaker 3>Did you know they.

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<v Speaker 6>Already sad In advanced that, Well, we have a lot

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<v Speaker 6>of emotion to get through before then, because we've all

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<v Speaker 6>got to get through Logi's knife.

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<v Speaker 1>Yes, one of them may, that's right.

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<v Speaker 2>Yeah, but just I went up with the storyline and

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<v Speaker 2>they they liked it.

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<v Speaker 7>They went with so you came up with, yes, it's

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<v Speaker 7>a fantastic which we great, you know, I was very

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<v Speaker 7>I just felt it was a story that needed to

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<v Speaker 7>be told and one that's very relevant.

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<v Speaker 2>And they, for once, as I say, agreed and didn't

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<v Speaker 2>slam the door in my face.

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<v Speaker 3>So you know, stay in your own laneh.

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<v Speaker 1>There we go.

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<v Speaker 3>See, there we go.

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<v Speaker 1>Ali clarification slamming the door in the face not goodbye,

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<v Speaker 1>I was jumping again. No, that's great, that's really good. Well,

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<v Speaker 1>I genuinely cannot wait to see that. Thank you, love,

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<v Speaker 1>see if you get a writing credit as well. Gold

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<v Speaker 1>Loging nominee.

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<v Speaker 3>Doubt ideas ideas, girl.

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<v Speaker 1>There are seven nominees this year, and I am privileged

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<v Speaker 1>enough to be sitting down with three of them. One

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<v Speaker 1>of the reasons that the Logis this year have already

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<v Speaker 1>made history is because six of those seven Gold Logi

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<v Speaker 1>nominees are, of course women. Since the category became genderless

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<v Speaker 1>in nineteen seventy eight, that ten women have won the Gold. Now,

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<v Speaker 1>some of those women did a few times, so it

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<v Speaker 1>might feel like there's been more of ten. Sonya Krueger,

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<v Speaker 1>of course you are one of them. Do these figures

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<v Speaker 1>still surprise you in twenty twenty five, You know, it's.

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<v Speaker 6>Really funny because somebody pointed that out to me after

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<v Speaker 6>the logis and because you know, you don't go back

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<v Speaker 6>and you don't look at the history of who's won

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<v Speaker 6>it and when and all of that, and it did

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<v Speaker 6>surprise me. And I think what happened with this particular

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<v Speaker 6>group of nominations was it just highlighted the fact that

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<v Speaker 6>there are some amazing women who work in this business.

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<v Speaker 6>We all have daughters, And for me, that was one

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<v Speaker 6>of the best parts about it was knowing that all

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<v Speaker 6>those little girls out there who might be watching TV

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<v Speaker 6>or looking for a career at some point in the

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<v Speaker 6>media in some way as an actor or a journalist,

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<v Speaker 6>whatever it might be, a presenter, that they could then

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<v Speaker 6>aspire a little bit more to that because they see

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<v Speaker 6>women who were doing that and being recognized for that.

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<v Speaker 8>So that was probably the best part about it for me.

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<v Speaker 4>I think it's that recognition, isn't it That that is

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<v Speaker 4>really nice to see. And you look at the six

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<v Speaker 4>women and and how in the morning we had the breakfast.

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<v Speaker 4>Hamish was hilarious. He's just he's genuinely saying, don't vote

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<v Speaker 4>for me. This would be the worst thing in the

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<v Speaker 4>world if the one guy was the person to win it.

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<v Speaker 4>But you also look at all the different pathways that

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<v Speaker 4>each of us have to reach the point where we're at.

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<v Speaker 4>Is really nice to celebrate that.

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<v Speaker 8>The diversity in the past within the pathways. Yeah, Poe is.

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<v Speaker 6>There for a reason, Hamish is there, You're there as

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<v Speaker 6>a journal Lynn as an actor. Julia has done just

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<v Speaker 6>about everything I think, but you know, she's a comedian,

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<v Speaker 6>she's she's hilarious. And Lisa Miller is also you know,

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<v Speaker 6>breakfast she came through breakfast televisions on my phone.

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<v Speaker 3>Yeah.

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<v Speaker 5>Can we just have that on the record that it

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<v Speaker 5>is Sonya.

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<v Speaker 4>It's not lind to buy a case of beer, that's right.

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<v Speaker 1>If it rings again, will be a case of champagne

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<v Speaker 1>as well, exactly, and then snacks for anybody else's We

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<v Speaker 1>know they call at least once a day, so it

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<v Speaker 1>was bound to happen, I'm sure. Well. Actually, still on

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<v Speaker 1>the category of your fellow Gold LOGI nominees mentioned Lisa Miller.

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<v Speaker 1>So Lisa has kindly submitted a question to ask.

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<v Speaker 5>To her three fellow gold log nominees. This is fair

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<v Speaker 5>before you said, this is lovely, that's right.

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<v Speaker 1>I asked her to ask the tough questions I didn't

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<v Speaker 1>want to ask I'm like, I'll be in the room

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<v Speaker 1>no no, before I roll out my own red carpet moment.

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<v Speaker 1>What colors are you all wearing? To the logis I'd

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<v Speaker 1>hate to clash when we could be a perfectly color

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<v Speaker 1>coordinated on simple cast.

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<v Speaker 6>Answer that if you don't know what, if you do what?

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<v Speaker 6>If you haven't actually worked it out.

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<v Speaker 5>You've got a short list. I haven't even had the

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<v Speaker 5>first conversation yet.

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<v Speaker 1>Okay, are you leaning towards the color? Do you think?

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<v Speaker 8>CALLI no, I can tell you what I'm going to

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<v Speaker 8>stay away from.

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<v Speaker 6>Yes, probably because I've done a lot of metallics, and

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<v Speaker 6>you know, like I think, if you're nominated for gold

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<v Speaker 6>and you wear gold, then you always get that whole

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<v Speaker 6>You've come.

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<v Speaker 8>Dressed as a gold.

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<v Speaker 5>This is all the things we need to listen to

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<v Speaker 5>at the first.

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<v Speaker 6>Silver is a bit the same, but I think silver

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<v Speaker 6>is a little bit more acceptable. You know, black is

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<v Speaker 6>beautiful but can be common as mark though, but it's

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<v Speaker 6>I mean, it can be classic and beautiful in the

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<v Speaker 6>red carpet, but then it's.

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<v Speaker 8>Television, so sometimes you.

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<v Speaker 3>Need color, I think.

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<v Speaker 2>So for me, I don't like to wear black because

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<v Speaker 2>I gravitate towards color white. I will find the nearest

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<v Speaker 2>piece of beet trout where the out fail, or the

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<v Speaker 2>nearest glass of red wine.

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<v Speaker 3>There was one I had a cream.

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<v Speaker 2>I have picked my color, and I don't mind saying

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<v Speaker 2>it is called citrine, which is like to me, it's tumoric.

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<v Speaker 2>So it's like, it's not mustard, it's not yellow. It's

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<v Speaker 2>got a bit of a sine. It's not gold, but

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<v Speaker 2>it is like a yeah, it's a yellow, shiny, yellowy

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<v Speaker 2>mustard color, but they call it citrine. You match some

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<v Speaker 2>jewelry with that, well, I like, I'd like to do

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<v Speaker 2>the uh, you know, the contrast. So I'd like to

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<v Speaker 2>do maybe a cobalt blue with it, or maybe a yes.

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<v Speaker 1>A pink.

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<v Speaker 3>I do like the contrast.

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<v Speaker 2>So I really gravitate towards color. Looking a bit dull today.

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<v Speaker 6>This is actually the fun part, like the whole And

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<v Speaker 6>I think when you work with people who are in

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<v Speaker 6>fashion or stylists, they really love to pull it all together,

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<v Speaker 6>the look, the color of your manicure, you know, the jewelry,

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<v Speaker 6>the bag, the whole, all of that.

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<v Speaker 5>The shoe.

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<v Speaker 8>The shoes are always uncomfortable.

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<v Speaker 4>What can we say, because I just sort of lean

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<v Speaker 4>into that so like of this beautiful styless Beck Wilson,

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<v Speaker 4>who's coming And I've just kind of handled all it

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<v Speaker 4>like if you left it to me.

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<v Speaker 5>I am wearing ug boots right now this chat.

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<v Speaker 4>I would probably wear ugg boots to the logies And

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<v Speaker 4>I'm still trying to vibe. Can I wear a sneaker?

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<v Speaker 4>But that's Julie Morris's look, so you can't steal that.

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<v Speaker 5>So I don't know.

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<v Speaker 4>I just this one. I go, I know my lane

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<v Speaker 4>and this ain't Malay, yes, So I'm just handing it,

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<v Speaker 4>handing it over.

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<v Speaker 3>See.

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<v Speaker 2>I always wanted to cast it Home and Away to

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<v Speaker 2>all turn up in their pajamas.

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<v Speaker 3>Just everybody.

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<v Speaker 2>If everybody did it, brought a pillow, turned up in

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<v Speaker 2>their charmys, no one would better know it.

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<v Speaker 3>If you did it by yourself, you.

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<v Speaker 2>Know, they would call the you know, the funny wagon

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<v Speaker 2>and have you cart it off. But if you did

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<v Speaker 2>it as a cast, you could set a train that

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<v Speaker 2>is warm and comfy, and given how long.

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<v Speaker 8>The ceremony he's going to.

0:12:11.600 --> 0:12:16.240
<v Speaker 2>That when you're falling asleep up for this show is

0:12:16.720 --> 0:12:17.960
<v Speaker 2>of the cast of Home and Away.

0:12:18.000 --> 0:12:19.600
<v Speaker 3>There sleep under the table.

0:12:19.840 --> 0:12:21.920
<v Speaker 1>Has anyone brought into that idea.

0:12:21.679 --> 0:12:25.840
<v Speaker 2>Of your because everyone always wants to get fancy. There's

0:12:25.880 --> 0:12:29.720
<v Speaker 2>always someone that goes, no, well, I've got this frock

0:12:29.800 --> 0:12:30.120
<v Speaker 2>to wear.

0:12:30.320 --> 0:12:32.439
<v Speaker 3>I want to wear this designer.

0:12:32.440 --> 0:12:37.880
<v Speaker 2>It's like, oh, party pooper, I just want to wear Matage.

0:12:38.640 --> 0:12:45.160
<v Speaker 1>In citri tho citrine. It sounds like a monologue that

0:12:45.320 --> 0:12:48.239
<v Speaker 1>Meryl Streep's character would give the devil.

0:12:49.320 --> 0:12:50.640
<v Speaker 3>Citrin in that shape.

0:12:53.280 --> 0:12:58.360
<v Speaker 1>Another of your fellow gold Logging nominees has also submitted

0:12:58.360 --> 0:13:02.200
<v Speaker 1>a question, what do you think our three characteristics which

0:13:02.240 --> 0:13:06.280
<v Speaker 1>have given you longevity in the industry? Luck is not

0:13:06.520 --> 0:13:11.000
<v Speaker 1>acceptable as an answers, That's not me.

0:13:13.280 --> 0:13:17.840
<v Speaker 2>I'll tackle because I'm the longevitis here. I would say

0:13:17.920 --> 0:13:20.120
<v Speaker 2>still breathing is a good one.

0:13:21.679 --> 0:13:24.520
<v Speaker 4>I feel like that's in the same category's lucky.

0:13:24.800 --> 0:13:29.520
<v Speaker 2>Yeah, look, I think you know, being serious with home

0:13:29.559 --> 0:13:33.839
<v Speaker 2>and away, I think the writing has it just keeps

0:13:33.840 --> 0:13:38.679
<v Speaker 2>on keeping on and keeping people's interests. I think that

0:13:38.679 --> 0:13:43.880
<v Speaker 2>that the happy medium between hanging on to the ogs

0:13:44.880 --> 0:13:50.520
<v Speaker 2>and getting new and fun cast in passing through to

0:13:50.679 --> 0:13:53.720
<v Speaker 2>keep up the young one's interest is a big one.

0:13:54.280 --> 0:13:56.640
<v Speaker 2>And so yeah, the writing and I think you know,

0:13:56.800 --> 0:14:01.320
<v Speaker 2>really production production values have just increased and improved so

0:14:01.520 --> 0:14:06.680
<v Speaker 2>much over the years. So personally, I still think it's

0:14:06.760 --> 0:14:11.560
<v Speaker 2>probably because I'm still breathing, and I guess the character

0:14:12.240 --> 0:14:15.679
<v Speaker 2>has been able to I've been able to, you know,

0:14:16.040 --> 0:14:18.800
<v Speaker 2>massage the character over the years and turn her from

0:14:18.880 --> 0:14:21.760
<v Speaker 2>a nasty piece of work who was an alcoholic who

0:14:21.840 --> 0:14:25.560
<v Speaker 2>tried to throttle her kids to being, you know, to.

0:14:25.560 --> 0:14:27.720
<v Speaker 3>Being an every mum in a way.

0:14:27.520 --> 0:14:31.840
<v Speaker 2>And for her super objective, to being just taking in

0:14:31.920 --> 0:14:36.520
<v Speaker 2>waves and strays and trying to make life easier for

0:14:37.120 --> 0:14:41.600
<v Speaker 2>younger members of the cast. So mix all that together, Poe,

0:14:41.800 --> 0:14:43.520
<v Speaker 2>and there's your answer.

0:14:43.840 --> 0:14:44.960
<v Speaker 1>Alie, what about for you?

0:14:46.560 --> 0:14:48.080
<v Speaker 4>Look, I think at the heart of it, you've got

0:14:48.160 --> 0:14:51.000
<v Speaker 4>to have a good sense of humor. Just surviving media

0:14:51.080 --> 0:14:55.240
<v Speaker 4>this long. You go about to laugh and you know

0:14:55.280 --> 0:14:57.920
<v Speaker 4>there there are so many talented people in this industry

0:14:58.080 --> 0:15:01.480
<v Speaker 4>work with. For me, I just it's just working hard.

0:15:02.000 --> 0:15:05.560
<v Speaker 4>It's working hard and being authentic. So I think have

0:15:05.600 --> 0:15:08.560
<v Speaker 4>a sense of humor, be yourself because people can see

0:15:08.560 --> 0:15:12.600
<v Speaker 4>through it, and just work bloody hard.

0:15:12.880 --> 0:15:15.160
<v Speaker 8>Now I think, yeah, Ali totally nailed it.

0:15:15.560 --> 0:15:15.760
<v Speaker 3>You know.

0:15:15.840 --> 0:15:17.000
<v Speaker 5>That's why I went before you.

0:15:17.120 --> 0:15:21.400
<v Speaker 6>Yeah, because I'll add a couple. I think resilience is

0:15:21.440 --> 0:15:24.200
<v Speaker 6>important because I think sometimes in the media you ride

0:15:24.200 --> 0:15:26.120
<v Speaker 6>a bit of a wave, don't you know. You have

0:15:26.160 --> 0:15:31.200
<v Speaker 6>your ups and your downs, and working hard, definitely collaborating

0:15:31.480 --> 0:15:35.160
<v Speaker 6>and collaborating with people that you know that you work

0:15:35.240 --> 0:15:38.880
<v Speaker 6>well with, because we're not as silent, We don't operate

0:15:38.960 --> 0:15:41.520
<v Speaker 6>as individuals in what we do. We have teams of

0:15:41.600 --> 0:15:45.000
<v Speaker 6>people that we work with, and I think it's loving

0:15:45.080 --> 0:15:47.640
<v Speaker 6>the people that you work with, gets the best product

0:15:47.640 --> 0:15:49.400
<v Speaker 6>at the end of the day, and not taking any

0:15:49.400 --> 0:15:52.000
<v Speaker 6>of it too seriously, as Ali said, having a sense

0:15:52.000 --> 0:15:55.320
<v Speaker 6>of humor. You know, we're not curing cancer where you know,

0:15:55.360 --> 0:15:59.520
<v Speaker 6>we're providing entertainment or news or a service of some kind.

0:15:59.640 --> 0:16:03.440
<v Speaker 1>So yeah, I think longevity is a great word and

0:16:03.760 --> 0:16:07.040
<v Speaker 1>great question I think from Poe because two aspects I

0:16:07.080 --> 0:16:09.760
<v Speaker 1>think that have made news or been interesting and given

0:16:09.800 --> 0:16:13.840
<v Speaker 1>a lot of women, especially optimism about the state of

0:16:13.880 --> 0:16:17.680
<v Speaker 1>the industry and representation in the Australian media. In twenty

0:16:17.720 --> 0:16:21.040
<v Speaker 1>twenty five, in seeing six of the Gold Logi nominees

0:16:21.080 --> 0:16:23.960
<v Speaker 1>being women, is it actually also all of the women

0:16:24.120 --> 0:16:26.760
<v Speaker 1>and Hamish I will say, are all over forty. Now

0:16:26.760 --> 0:16:29.280
<v Speaker 1>that actually sounds quite young, depending of course, to how

0:16:29.400 --> 0:16:31.920
<v Speaker 1>old the person listening watching.

0:16:31.720 --> 0:16:35.840
<v Speaker 3>Reading is, but I like it all.

0:16:36.160 --> 0:16:38.320
<v Speaker 1>I'd love to ask each of you about in the

0:16:38.400 --> 0:16:40.880
<v Speaker 1>course of your career and your own observations. Also as

0:16:40.880 --> 0:16:44.320
<v Speaker 1>a media consumer, do you think that the reality of

0:16:44.400 --> 0:16:48.280
<v Speaker 1>longevity of a career and visibility of women, oh my gosh, forty,

0:16:48.600 --> 0:16:52.720
<v Speaker 1>God for fifty, sixty, seventy is getting better than when

0:16:52.760 --> 0:16:55.480
<v Speaker 1>it was and really not that long ago when we go,

0:16:55.560 --> 0:16:58.560
<v Speaker 1>oh my gosh, she turned thirty. I guess it's behind

0:16:58.600 --> 0:17:00.160
<v Speaker 1>the camera for you now.

0:17:00.000 --> 0:17:00.320
<v Speaker 3>Do you know?

0:17:01.080 --> 0:17:04.240
<v Speaker 2>It's funny you should ask that because I was thinking

0:17:04.240 --> 0:17:09.240
<v Speaker 2>about this the other day. About maybe ten twenty years ago,

0:17:09.520 --> 0:17:12.880
<v Speaker 2>there was a whole thing about women over fifty being invisible,

0:17:13.440 --> 0:17:15.480
<v Speaker 2>and in a way I started to feel it a

0:17:15.520 --> 0:17:19.359
<v Speaker 2>bit myself, just because you're surrounded by this bevy of

0:17:19.480 --> 0:17:22.520
<v Speaker 2>beauties on the show, and at that point I was

0:17:22.720 --> 0:17:27.000
<v Speaker 2>the oldest woman. What am I saying now, Colin Lynn

0:17:27.000 --> 0:17:29.240
<v Speaker 2>Colin was always older than me, but she didn't like

0:17:29.480 --> 0:17:32.760
<v Speaker 2>she wasn't around for that long. But I suppose in

0:17:32.800 --> 0:17:34.879
<v Speaker 2>the scheme of things, I've always been the oldest woman

0:17:34.920 --> 0:17:35.400
<v Speaker 2>on the show.

0:17:35.440 --> 0:17:36.560
<v Speaker 3>But it seems to me.

0:17:37.680 --> 0:17:42.239
<v Speaker 2>The older I've got, the more visible I've become. And

0:17:42.320 --> 0:17:45.880
<v Speaker 2>I thought isn't that interesting that it? And it seems

0:17:45.880 --> 0:17:50.040
<v Speaker 2>to be happenings. And I think it's evident with the

0:17:50.080 --> 0:17:55.200
<v Speaker 2>age range that we've got with the Logi's nominees, and

0:17:55.720 --> 0:18:00.160
<v Speaker 2>it's like we're no longer invisible. And I think think

0:18:00.160 --> 0:18:04.880
<v Speaker 2>there's people like Meryl Streep and Susan Sarandon and Maggie

0:18:05.000 --> 0:18:10.040
<v Speaker 2>Smith and Helen Mirren and all of those wonderful, wonderful,

0:18:10.160 --> 0:18:15.640
<v Speaker 2>you know, seasoned actors, actresses that we have to thank

0:18:15.720 --> 0:18:20.320
<v Speaker 2>for that that no longer I don't feel invisible anymore

0:18:20.760 --> 0:18:23.159
<v Speaker 2>at all. But you know what, twenty years ago, I

0:18:23.280 --> 0:18:27.600
<v Speaker 2>was starting to feel invisible. So I think was that

0:18:27.640 --> 0:18:28.880
<v Speaker 2>the answer to the question you want?

0:18:28.960 --> 0:18:31.320
<v Speaker 4>So there it goes to you've got that next generation

0:18:31.440 --> 0:18:33.640
<v Speaker 4>coming up and seeing you in that role and you're

0:18:33.680 --> 0:18:35.720
<v Speaker 4>that role model. Yes, And I look at it, you know,

0:18:35.720 --> 0:18:38.199
<v Speaker 4>from a news perspective, and like, you know, talking to

0:18:38.280 --> 0:18:42.480
<v Speaker 4>when Tracy Grimshaw celebrated her forty years in television and

0:18:43.359 --> 0:18:45.920
<v Speaker 4>I'm saying, this fabulous night was at the Opera House

0:18:45.920 --> 0:18:48.320
<v Speaker 4>and she was talking about it that night about how

0:18:48.840 --> 0:18:50.359
<v Speaker 4>you know she's got this great career and it was

0:18:50.359 --> 0:18:52.920
<v Speaker 4>in her twenties. It's like, Okay, a thirty, someone's probably

0:18:52.920 --> 0:18:54.680
<v Speaker 4>going to tap me. And then then all of a sudden,

0:18:54.680 --> 0:18:56.399
<v Speaker 4>I get to fifty and then you know, then you know,

0:18:56.760 --> 0:18:57.720
<v Speaker 4>then you sort of keep going.

0:18:57.760 --> 0:18:59.480
<v Speaker 5>It's like maybe I'm not going to get the tap.

0:19:00.040 --> 0:19:04.480
<v Speaker 4>Whereas we've always watched these you know, these esteemed fabulous

0:19:04.480 --> 0:19:08.800
<v Speaker 4>male colleagues go forever and then you but we now

0:19:09.000 --> 0:19:12.639
<v Speaker 4>you now see that and as you say, everybody in

0:19:12.640 --> 0:19:16.800
<v Speaker 4>this category being over the age of forty, and you know,

0:19:16.840 --> 0:19:18.520
<v Speaker 4>as we always say, you can only be what you

0:19:18.560 --> 0:19:21.479
<v Speaker 4>can see, and you can see and it's not that weird,

0:19:22.160 --> 0:19:23.280
<v Speaker 4>no anything.

0:19:23.119 --> 0:19:24.479
<v Speaker 5>And the audience wants to see it.

0:19:24.520 --> 0:19:27.720
<v Speaker 6>They do because I think experience counts for something now

0:19:27.840 --> 0:19:32.520
<v Speaker 6>and that's what they are looking for and wanting, you know,

0:19:32.760 --> 0:19:35.879
<v Speaker 6>to hear from people who have had some life experience,

0:19:35.920 --> 0:19:41.080
<v Speaker 6>some layers. And it's a phenomenon not just in Australia,

0:19:41.119 --> 0:19:43.240
<v Speaker 6>but you do see it overseas now when you switch

0:19:43.280 --> 0:19:46.200
<v Speaker 6>on the television. So I think it's a global thing

0:19:46.280 --> 0:19:50.200
<v Speaker 6>where women are, yeah, their careers in the media and

0:19:50.240 --> 0:19:54.400
<v Speaker 6>television have are extending and extending and it's a great.

0:19:54.160 --> 0:19:59.320
<v Speaker 2>Thing absolutely, And I think too the aging population, particularly

0:19:59.359 --> 0:20:02.840
<v Speaker 2>here in Austraia. I mean I you know, I have

0:20:03.080 --> 0:20:06.200
<v Speaker 2>many friends who are you know, five years either side

0:20:06.240 --> 0:20:11.440
<v Speaker 2>of my age, which is a very young fifty no, no, no, no.

0:20:11.160 --> 0:20:13.200
<v Speaker 3>I'm joking about. It's a lot older than that.

0:20:13.680 --> 0:20:19.520
<v Speaker 2>But I feel like because of that, as Sonya just

0:20:19.560 --> 0:20:25.879
<v Speaker 2>pointed out, people gravitate to those people who are around

0:20:25.880 --> 0:20:29.159
<v Speaker 2>the same age as as some sort of role model.

0:20:29.520 --> 0:20:34.040
<v Speaker 2>That that almost an admiration of Wow, these guys have

0:20:34.080 --> 0:20:38.600
<v Speaker 2>gone gone through the invisible stage and come out the

0:20:38.680 --> 0:20:42.320
<v Speaker 2>other side. And that is a I think, a real

0:20:42.800 --> 0:20:45.640
<v Speaker 2>pat on the back for all of us, really, all

0:20:45.680 --> 0:20:48.080
<v Speaker 2>of us who are over the age of forty.

0:20:48.200 --> 0:20:49.960
<v Speaker 4>And it's not even it was it was so nice

0:20:50.000 --> 0:20:51.919
<v Speaker 4>all being in that room together and even doing the

0:20:51.920 --> 0:20:54.120
<v Speaker 4>shoot this morning where you know, and it was it's

0:20:54.200 --> 0:20:57.480
<v Speaker 4>very fun today and doing doing doing our thing, and

0:20:57.520 --> 0:20:59.880
<v Speaker 4>it's like, okay, it's not like you're serious. I want

0:20:59.920 --> 0:21:02.720
<v Speaker 4>to when the gold to like, you know, you knock

0:21:02.800 --> 0:21:05.520
<v Speaker 4>the person out besides you. And every time they tried

0:21:05.560 --> 0:21:08.359
<v Speaker 4>to make us be serious or you know, one of

0:21:08.440 --> 0:21:12.520
<v Speaker 4>us would laugh and there you just there is there

0:21:12.560 --> 0:21:15.840
<v Speaker 4>is a lovely sense. There is kindness and camaraderie in

0:21:16.680 --> 0:21:18.680
<v Speaker 4>this sort of this group. You know, when they're trying

0:21:18.720 --> 0:21:21.919
<v Speaker 4>to make us be competitive. None of us had a

0:21:22.000 --> 0:21:24.560
<v Speaker 4>in a I do in a work sense, you know,

0:21:25.520 --> 0:21:28.080
<v Speaker 4>you know when it comes like chasing a story in

0:21:28.160 --> 0:21:30.439
<v Speaker 4>that way. But in regards to this, it just feels

0:21:30.560 --> 0:21:34.199
<v Speaker 4>entirely different. And it's just it's a lovely ride with

0:21:34.400 --> 0:21:39.200
<v Speaker 4>just some really really extraordinary women and Hamish it's.

0:21:39.080 --> 0:21:41.719
<v Speaker 1>So lovely too, isn't Because it's also that narrative of

0:21:41.840 --> 0:21:44.600
<v Speaker 1>being competitive and very good at what you do and

0:21:44.680 --> 0:21:47.399
<v Speaker 1>being the top of your field, but also not buying

0:21:47.440 --> 0:21:49.520
<v Speaker 1>into this notion that that has to come at the

0:21:49.600 --> 0:21:53.240
<v Speaker 1>expense of someone else, and especially another woman, because that's

0:21:53.240 --> 0:21:56.840
<v Speaker 1>what the culture since fairy tales have traditionally told women

0:21:56.880 --> 0:21:59.200
<v Speaker 1>that if she's getting that, then you can't have that.

0:21:59.280 --> 0:22:02.520
<v Speaker 1>So Ali, that's another aspect of what I hear in

0:22:02.600 --> 0:22:03.879
<v Speaker 1>that that experience.

0:22:03.960 --> 0:22:08.640
<v Speaker 6>That's a strange thing that that's the culturally, and even

0:22:08.640 --> 0:22:11.639
<v Speaker 6>when you look at clickbait and cap fight and you know,

0:22:11.680 --> 0:22:14.400
<v Speaker 6>those kind of stories that always seem to pop up

0:22:14.760 --> 0:22:18.000
<v Speaker 6>because the reality and my experience in television, I don't

0:22:18.000 --> 0:22:22.440
<v Speaker 6>know about you guys, has always been much more collegiate

0:22:22.720 --> 0:22:27.240
<v Speaker 6>and much more collaborative and friendly page and I think

0:22:27.280 --> 0:22:30.640
<v Speaker 6>people have this perception that everybody's at each other's throats

0:22:30.680 --> 0:22:33.120
<v Speaker 6>and TV, but in actual fact, it's I've found it's

0:22:33.200 --> 0:22:33.880
<v Speaker 6>the poposite.

0:22:33.920 --> 0:22:37.960
<v Speaker 3>I'm willing to bet that that is a man made.

0:22:38.400 --> 0:22:46.080
<v Speaker 2>You know, really that that's that's exactly.

0:22:45.680 --> 0:22:47.560
<v Speaker 4>Blame men for that, because I feel like if you

0:22:47.640 --> 0:22:51.439
<v Speaker 4>go back while there was I think because it was

0:22:51.480 --> 0:22:54.080
<v Speaker 4>so hard for women to get ahead. Yes, I feel

0:22:54.119 --> 0:22:56.240
<v Speaker 4>like if you made that, you know, I feel like

0:22:56.280 --> 0:22:57.840
<v Speaker 4>it did used to be a thing. It's like, this

0:22:58.000 --> 0:22:59.720
<v Speaker 4>was really hard for me to get here, so I'm

0:22:59.720 --> 0:23:01.560
<v Speaker 4>not going to make it easy for you. Like I

0:23:01.560 --> 0:23:04.719
<v Speaker 4>truly do think that that existed, and even when I

0:23:04.720 --> 0:23:07.160
<v Speaker 4>came into the news room that there were pockets of that,

0:23:07.480 --> 0:23:10.720
<v Speaker 4>But there were also just some fabulous women who were

0:23:11.320 --> 0:23:13.440
<v Speaker 4>come on up, let me show you, let me tell

0:23:13.480 --> 0:23:15.720
<v Speaker 4>you everything I know. And that's what always stuck. And

0:23:15.760 --> 0:23:18.240
<v Speaker 4>I think when you see that and it sticks with you,

0:23:18.280 --> 0:23:20.360
<v Speaker 4>it's like I will always be that. I will always

0:23:20.400 --> 0:23:23.680
<v Speaker 4>make sure that you know that you were you're helpful.

0:23:23.760 --> 0:23:25.960
<v Speaker 4>That knowledge that someone passed on to you, you pass

0:23:26.040 --> 0:23:29.920
<v Speaker 4>that on and you build around you and then more

0:23:29.960 --> 0:23:31.960
<v Speaker 4>and more so it becomes becomes a thing.

0:23:32.000 --> 0:23:37.080
<v Speaker 5>But I do think once upon a time it was real.

0:23:37.359 --> 0:23:43.879
<v Speaker 2>It reminds me of lessons in chemistry, you know, wonderful book.

0:23:43.800 --> 0:23:49.320
<v Speaker 8>The book and it was I think it was on Apple.

0:23:50.359 --> 0:23:53.240
<v Speaker 3>It was Si with.

0:23:55.080 --> 0:23:59.080
<v Speaker 2>Laston and you know that awful time in the sixties

0:23:59.119 --> 0:24:02.719
<v Speaker 2>when you know, and a woman with a modicum of

0:24:02.800 --> 0:24:06.520
<v Speaker 2>intelligence was put down, so you know, she happened to

0:24:06.560 --> 0:24:11.280
<v Speaker 2>be a chemist. And it's really worth seeing. It's really

0:24:11.320 --> 0:24:13.480
<v Speaker 2>worth seeing if you haven't seen it. But it just

0:24:13.560 --> 0:24:16.280
<v Speaker 2>reminded me of that when you were talking about it.

0:24:16.320 --> 0:24:19.520
<v Speaker 2>But with Home and Away, we've always made an effort

0:24:19.840 --> 0:24:22.600
<v Speaker 2>and certainly not just myself but all of us. I think,

0:24:22.920 --> 0:24:26.760
<v Speaker 2>going back to your question about the success of the show,

0:24:27.200 --> 0:24:32.040
<v Speaker 2>is that we've always welcomed people aboard and really made

0:24:32.080 --> 0:24:37.000
<v Speaker 2>an effort. So even guest is on the show have said,

0:24:37.119 --> 0:24:40.440
<v Speaker 2>it's such a happy family, it's such a good I mean,

0:24:40.480 --> 0:24:43.600
<v Speaker 2>of course, it's like any workplace where you you know,

0:24:43.840 --> 0:24:46.399
<v Speaker 2>you prefer Susan to Jocelyn.

0:24:47.040 --> 0:24:48.440
<v Speaker 3>But that's just a name.

0:24:48.760 --> 0:24:54.400
<v Speaker 4>Jocelyn do we've heard that about.

0:24:56.119 --> 0:24:59.119
<v Speaker 2>But you know that that thing of welcoming people and

0:24:59.280 --> 0:25:01.119
<v Speaker 2>not not being.

0:25:02.000 --> 0:25:05.160
<v Speaker 6>I think it's counterproductive, isn't it to be like that?

0:25:05.320 --> 0:25:08.359
<v Speaker 6>Because you don't get ahead by pulling somebody else down.

0:25:08.760 --> 0:25:11.960
<v Speaker 6>And I think when people realize that, that's maybe when

0:25:11.960 --> 0:25:14.280
<v Speaker 6>the shift occurs. And maybe it's just that I gravitate

0:25:14.600 --> 0:25:17.280
<v Speaker 6>like you guys, towards people like that, you know so.

0:25:17.880 --> 0:25:21.320
<v Speaker 4>But I also think that when you do show that

0:25:21.320 --> 0:25:24.080
<v Speaker 4>that kindness and when you do build up others, if

0:25:24.119 --> 0:25:27.600
<v Speaker 4>you look at longevity, like those who've had longevity, I

0:25:27.640 --> 0:25:30.439
<v Speaker 4>feel like you feel like that if you're that person,

0:25:30.840 --> 0:25:32.639
<v Speaker 4>you actually last longer.

0:25:32.880 --> 0:25:35.920
<v Speaker 3>Yeah, I think you're right. I think you are right. Absolutely.

0:25:38.320 --> 0:25:41.480
<v Speaker 1>And up next, who is actually going to take home

0:25:41.520 --> 0:25:45.200
<v Speaker 1>the gold at the Logis in August? Our nominees give

0:25:45.280 --> 0:25:50.040
<v Speaker 1>us their predictions. I'd love to ask each of you individually,

0:25:50.080 --> 0:25:53.880
<v Speaker 1>given that cross section of your industries is really wonderful.

0:25:53.920 --> 0:25:56.320
<v Speaker 1>I think it is part of the representation and the

0:25:56.880 --> 0:26:00.040
<v Speaker 1>tapestry of the Gold Logi nominees this year, because we

0:26:00.119 --> 0:26:04.600
<v Speaker 1>have broadcast journalism and we have actingly, you've also on

0:26:04.680 --> 0:26:08.680
<v Speaker 1>the stage at the moment you're appearing in Grandparents, Grandparents clubs,

0:26:08.720 --> 0:26:11.320
<v Speaker 1>who are in live theater again, Sonya of course, Queen

0:26:11.359 --> 0:26:15.359
<v Speaker 1>of the Shiny what we call shy Floor between the

0:26:15.400 --> 0:26:17.400
<v Speaker 1>Boys and Dancing with the Stars.

0:26:17.119 --> 0:26:18.400
<v Speaker 3>Queen of the shiny balls.

0:26:19.320 --> 0:26:21.200
<v Speaker 8>No, I was wondering where you were going.

0:26:22.119 --> 0:26:23.919
<v Speaker 5>I wasn't going there. But that's a good question.

0:26:26.560 --> 0:26:28.200
<v Speaker 4>This is why it must be hard for you then

0:26:28.240 --> 0:26:31.080
<v Speaker 4>to find a dress for the Logies, because every time

0:26:31.119 --> 0:26:34.520
<v Speaker 4>you were on air you look fabulous.

0:26:33.840 --> 0:26:36.160
<v Speaker 8>And every time we go, oh, maybe we should have kept.

0:26:37.640 --> 0:26:40.399
<v Speaker 1>That is true. Actually, how do you top each year that?

0:26:40.840 --> 0:26:43.639
<v Speaker 6>Well, luckily that's not up to me. That's Natalia my

0:26:43.760 --> 0:26:46.240
<v Speaker 6>stylist job. But there is a dress coming up and

0:26:46.359 --> 0:26:49.920
<v Speaker 6>Dancing with the stars. The finale dress for that is spectacular,

0:26:49.960 --> 0:26:52.200
<v Speaker 6>and I was like, Natalia, really, I think we should

0:26:52.200 --> 0:26:54.400
<v Speaker 6>have held this back and kept it for the logies.

0:26:55.359 --> 0:26:58.439
<v Speaker 3>Citrine, it's not true, but you know.

0:26:58.440 --> 0:27:01.879
<v Speaker 6>What, I'm glad we didn't because it was actually quite uncomfortable.

0:27:02.480 --> 0:27:05.160
<v Speaker 8>It was quite sharp and this does that bother you though,

0:27:05.200 --> 0:27:06.280
<v Speaker 8>I feel like you're sort of.

0:27:06.240 --> 0:27:09.520
<v Speaker 1>Kim kardash In at the Macgala, like to hell with

0:27:09.560 --> 0:27:10.000
<v Speaker 1>the pain.

0:27:10.520 --> 0:27:12.960
<v Speaker 6>Yeah, look a little bit, a little bit, but by

0:27:13.000 --> 0:27:15.040
<v Speaker 6>the end of the night it can be a bit torturous.

0:27:15.400 --> 0:27:20.000
<v Speaker 1>You need Alli's ug boots and broom pajamas.

0:27:20.560 --> 0:27:22.159
<v Speaker 3>You just sneak them in early.

0:27:22.960 --> 0:27:26.040
<v Speaker 4>You put them under the table, so then you walk

0:27:26.080 --> 0:27:30.439
<v Speaker 4>the Red Carpet in those uncomfortable shoes. And then and

0:27:30.440 --> 0:27:32.480
<v Speaker 4>then when it's when it's time for because you're in

0:27:32.560 --> 0:27:34.400
<v Speaker 4>you had a bunch of categories ratfort just.

0:27:34.640 --> 0:27:38.040
<v Speaker 5>Pop them off, slip them on you.

0:27:38.280 --> 0:27:41.240
<v Speaker 6>Are you presenting we're doing the Red Carpet? Yes, Chris

0:27:41.240 --> 0:27:43.160
<v Speaker 6>and I are doing the Red Green Carpet.

0:27:43.240 --> 0:27:45.119
<v Speaker 5>So you're going to have to interview yourself.

0:27:46.280 --> 0:27:50.240
<v Speaker 4>What did you The host of the Red Carpet going

0:27:50.240 --> 0:27:51.440
<v Speaker 4>to ask Sonya.

0:27:51.080 --> 0:27:52.720
<v Speaker 5>The nominee, who are you wearing?

0:27:56.680 --> 0:27:58.960
<v Speaker 6>Really funny actually, because I love talking to all of

0:27:59.000 --> 0:28:02.080
<v Speaker 6>the nominees. And then the end Chris kind of interviews

0:28:02.119 --> 0:28:05.880
<v Speaker 6>me and it feels strange, But yeah, the Red Carpet

0:28:05.960 --> 0:28:08.160
<v Speaker 6>is one of my favorite parts of the show.

0:28:08.359 --> 0:28:10.000
<v Speaker 8>That and Sam Pang's opener.

0:28:11.840 --> 0:28:17.240
<v Speaker 6>He's incredible and he makes me very nervous, but I

0:28:17.280 --> 0:28:17.680
<v Speaker 6>love that.

0:28:17.840 --> 0:28:19.200
<v Speaker 1>I'm going to ask about that.

0:28:20.520 --> 0:28:21.760
<v Speaker 5>He's given it to you a couple of times.

0:28:22.359 --> 0:28:27.480
<v Speaker 3>Yes, I expect the ages gags. No, Yes, he will,

0:28:27.600 --> 0:28:29.359
<v Speaker 3>he will. It's bound to.

0:28:29.520 --> 0:28:32.920
<v Speaker 2>I mean, I'm the eldest by long shots, so I'm

0:28:32.960 --> 0:28:33.680
<v Speaker 2>sure he'll.

0:28:33.720 --> 0:28:35.960
<v Speaker 3>He'll give it to me hook blind and see.

0:28:36.080 --> 0:28:39.320
<v Speaker 6>The funny thing is Sam has he's fearless when he

0:28:39.400 --> 0:28:44.200
<v Speaker 6>goes out there, and that's such one strawdinary quality.

0:28:44.400 --> 0:28:45.760
<v Speaker 1>It fills the room with fear.

0:28:45.800 --> 0:28:48.200
<v Speaker 8>Though I think we like.

0:28:50.480 --> 0:28:52.600
<v Speaker 4>But ling, you need to be ready because I mean,

0:28:52.880 --> 0:28:54.800
<v Speaker 4>and maybe son, you can give us tips on like

0:28:54.840 --> 0:28:58.440
<v Speaker 4>what facehipool when when he goes us yes, because you.

0:28:58.400 --> 0:29:01.200
<v Speaker 8>Know, just slightly disinterested is good.

0:29:01.280 --> 0:29:06.040
<v Speaker 2>Probably, yeah, I think, sorry.

0:29:08.600 --> 0:29:11.040
<v Speaker 1>Go rifling for your slips at the table at that

0:29:11.160 --> 0:29:11.920
<v Speaker 1>exact moment.

0:29:12.240 --> 0:29:17.600
<v Speaker 5>Sorry visible, Maybe maybe be in the bathroom during the opening.

0:29:20.840 --> 0:29:23.400
<v Speaker 2>When you least expected and he comes out on stage

0:29:23.440 --> 0:29:27.360
<v Speaker 2>and he suddenly goes, Sarah.

0:29:26.560 --> 0:29:29.960
<v Speaker 1>You have your pokeer face on all night. Any tips

0:29:30.000 --> 0:29:35.320
<v Speaker 1>for poker face for when somebody else wins, because that's

0:29:35.320 --> 0:29:37.640
<v Speaker 1>always a moment. They got the camera at the table,

0:29:37.840 --> 0:29:40.680
<v Speaker 1>we've all sat there and then you know, everyone like

0:29:40.720 --> 0:29:42.959
<v Speaker 1>I mean, de me more when she didn't win the

0:29:43.000 --> 0:29:47.040
<v Speaker 1>Oscar this year, I mean that moment, like every reaction

0:29:47.440 --> 0:29:51.400
<v Speaker 1>in that poor woman has been globally dissected for the

0:29:51.520 --> 0:29:52.880
<v Speaker 1>subsequent six months.

0:29:52.920 --> 0:29:56.280
<v Speaker 3>So any anything, it was her first nomination and she was.

0:29:56.240 --> 0:30:00.240
<v Speaker 1>Expected to win, So it was a shock. My Key

0:30:00.280 --> 0:30:04.000
<v Speaker 1>Madison from like a younger actor from Anora the other film,

0:30:04.080 --> 0:30:06.600
<v Speaker 1>So it was a bit of an upset. But you know,

0:30:06.640 --> 0:30:09.800
<v Speaker 1>the cameras obviously zoom in on all of the nominees

0:30:09.920 --> 0:30:11.280
<v Speaker 1>and everyone has their moments.

0:30:11.520 --> 0:30:16.000
<v Speaker 4>We should there's already enough pressure and you're not helping

0:30:17.040 --> 0:30:18.080
<v Speaker 4>whoever doesn't win.

0:30:18.200 --> 0:30:21.800
<v Speaker 2>We should all agree to burst into tears after.

0:30:24.200 --> 0:30:26.200
<v Speaker 3>Beauty I don't sunrise.

0:30:26.560 --> 0:30:30.640
<v Speaker 4>Yes, if Hamish wins, we should all just.

0:30:30.520 --> 0:30:31.920
<v Speaker 3>Stand up to walk out.

0:30:32.840 --> 0:30:36.600
<v Speaker 2>We sure that everybody we should make we'll stay stated.

0:30:36.640 --> 0:30:39.920
<v Speaker 2>If he wins, we all just stand up and walk out.

0:30:40.280 --> 0:30:43.880
<v Speaker 1>Well, I reckon, if Hamish wins, he will take you

0:30:43.960 --> 0:30:46.280
<v Speaker 1>all up there with him. That would be my prediction.

0:30:46.400 --> 0:30:49.080
<v Speaker 2>Would you agree and we just turn around and go

0:30:49.160 --> 0:30:50.240
<v Speaker 2>You're on your own, buddy.

0:30:50.360 --> 0:30:51.160
<v Speaker 3>Sorry? Bye?

0:30:51.280 --> 0:30:53.800
<v Speaker 1>And can I just say that when we're talking about

0:30:53.800 --> 0:30:57.560
<v Speaker 1>reaction and Lina like everyone cries, that's that you're an actor.

0:30:57.560 --> 0:30:58.880
<v Speaker 5>Though you probably.

0:30:58.560 --> 0:31:02.760
<v Speaker 1>Can cry, not just speaking and Sonya, but they might

0:31:02.800 --> 0:31:03.760
<v Speaker 1>not be able to cry.

0:31:05.120 --> 0:31:06.960
<v Speaker 6>I had to do a Logi's promo with Lynn on

0:31:07.040 --> 0:31:09.680
<v Speaker 6>the weekend, and I was so nervous because I had

0:31:09.680 --> 0:31:11.600
<v Speaker 6>to act with Lynn.

0:31:11.800 --> 0:31:13.200
<v Speaker 3>You were fantastic.

0:31:14.760 --> 0:31:16.560
<v Speaker 1>You've been in a bas Lerman film.

0:31:18.280 --> 0:31:18.760
<v Speaker 8>To change.

0:31:22.960 --> 0:31:27.160
<v Speaker 2>We had such fun and and just on that. We

0:31:27.240 --> 0:31:29.680
<v Speaker 2>kept changing the script all the time. And I actually,

0:31:29.840 --> 0:31:31.880
<v Speaker 2>I don't think I'm giving Oh no, maybe I'm giving

0:31:31.880 --> 0:31:32.320
<v Speaker 2>it away.

0:31:32.520 --> 0:31:33.360
<v Speaker 3>I won't give away.

0:31:33.840 --> 0:31:35.960
<v Speaker 2>I turned to Sonya and I went, do you mind

0:31:35.960 --> 0:31:38.560
<v Speaker 2>if I go dah, don't take this the wrong way,

0:31:38.600 --> 0:31:40.480
<v Speaker 2>but do you have a dressed normally.

0:31:41.600 --> 0:31:41.920
<v Speaker 5>Silver?

0:31:42.480 --> 0:31:44.560
<v Speaker 3>And she goes, what are you talking about? I'm off

0:31:44.560 --> 0:31:45.480
<v Speaker 3>to the gym.

0:31:46.640 --> 0:31:49.640
<v Speaker 1>Sound Sonya pops out to get some milk. I would

0:31:49.720 --> 0:31:54.239
<v Speaker 1>like to ask you each about those observations of your

0:31:54.280 --> 0:31:58.480
<v Speaker 1>own career and your respective industries. Sonya talking to you,

0:31:58.560 --> 0:32:01.600
<v Speaker 1>for example, a lot of life TV under your belt.

0:32:01.640 --> 0:32:03.840
<v Speaker 1>I know Ali you do as well, But Sony, you

0:32:03.920 --> 0:32:07.840
<v Speaker 1>obviously are very famous for just mic drop moments and

0:32:07.880 --> 0:32:10.640
<v Speaker 1>saying talking of Sam Pang, it's a bit like that,

0:32:10.760 --> 0:32:14.080
<v Speaker 1>you know? Did she just say that? One of the observations,

0:32:14.120 --> 0:32:16.640
<v Speaker 1>of course, of the culture that we're living in now

0:32:16.680 --> 0:32:19.440
<v Speaker 1>is that everyone's very quick to jump on anything. You know,

0:32:19.800 --> 0:32:23.000
<v Speaker 1>you get canceled. This happens a lot of people are

0:32:23.040 --> 0:32:27.640
<v Speaker 1>reluctant to even go on live TV now. Having hosted

0:32:27.720 --> 0:32:30.080
<v Speaker 1>and co hosted some of those shows, what are your

0:32:30.120 --> 0:32:32.680
<v Speaker 1>observations and how does that sit with you now? Well?

0:32:32.720 --> 0:32:36.960
<v Speaker 6>I love live television and I think I will always

0:32:37.080 --> 0:32:40.640
<v Speaker 6>love live television because of the fact that it is

0:32:40.680 --> 0:32:43.560
<v Speaker 6>a little bit dangerous and I think when we're watching

0:32:43.600 --> 0:32:48.080
<v Speaker 6>it we almost enjoy it when things go slightly off

0:32:48.080 --> 0:32:50.040
<v Speaker 6>the rails because we don't want perfection.

0:32:50.160 --> 0:32:53.680
<v Speaker 8>Perfection is kind of boring. So I do love that.

0:32:53.760 --> 0:32:56.720
<v Speaker 6>Unfortunately, when COVID came along, its shut down a lot

0:32:56.720 --> 0:33:00.400
<v Speaker 6>of live production in Australia, and so we do shows

0:33:00.440 --> 0:33:03.800
<v Speaker 6>now that often recorded as live so that if things

0:33:03.840 --> 0:33:07.320
<v Speaker 6>go and sometimes you know, you'll make a joke just

0:33:07.400 --> 0:33:10.400
<v Speaker 6>for the room, thinking Okay, this is just for them,

0:33:10.480 --> 0:33:13.200
<v Speaker 6>so I'm gonna I'm gonna go here because they're gonna

0:33:13.240 --> 0:33:15.920
<v Speaker 6>cut it out, and a few times they've left it

0:33:15.960 --> 0:33:20.240
<v Speaker 6>in and that's disturbing, especially at school drop off.

0:33:20.640 --> 0:33:24.800
<v Speaker 5>That's what's the best example.

0:33:24.400 --> 0:33:26.600
<v Speaker 8>Of oh man, oh to.

0:33:27.600 --> 0:33:31.040
<v Speaker 6>I've just made a couple of you know, very borderline

0:33:31.720 --> 0:33:34.520
<v Speaker 6>that you know we could make sitting here, but you know,

0:33:34.680 --> 0:33:38.120
<v Speaker 6>I probably wouldn't want Maggie to hear you know that

0:33:38.120 --> 0:33:40.880
<v Speaker 6>that's gone to air. And so yeah, I mean I

0:33:40.920 --> 0:33:41.960
<v Speaker 6>love live television.

0:33:41.960 --> 0:33:43.000
<v Speaker 5>I always will.

0:33:43.120 --> 0:33:45.480
<v Speaker 6>It's probably I know what you're saying, though it is

0:33:45.560 --> 0:33:49.560
<v Speaker 6>it is becoming more and more difficult. I suppose to

0:33:49.560 --> 0:33:51.800
<v Speaker 6>to have fun the way Sam is going to on

0:33:51.840 --> 0:33:53.920
<v Speaker 6>the night of the Logies, and that's why I'm glad

0:33:53.920 --> 0:33:55.760
<v Speaker 6>it's him doing it and not me.

0:33:56.600 --> 0:33:58.960
<v Speaker 4>But that is you at your best as well, I think.

0:33:59.040 --> 0:34:01.560
<v Speaker 4>And when you go close to the line, it's just

0:34:01.640 --> 0:34:04.400
<v Speaker 4>it's a wonderful dance that very few people can do,

0:34:05.040 --> 0:34:07.240
<v Speaker 4>and you do and you can actually cross the line

0:34:07.280 --> 0:34:09.680
<v Speaker 4>where lots of people can't and get away with it

0:34:09.960 --> 0:34:12.480
<v Speaker 4>like there is a cheekiness to you that it just.

0:34:12.480 --> 0:34:13.320
<v Speaker 5>It just works.

0:34:13.360 --> 0:34:13.520
<v Speaker 2>Well.

0:34:13.560 --> 0:34:16.120
<v Speaker 6>This has changed too, because years and years ago, I

0:34:16.120 --> 0:34:18.279
<v Speaker 6>think when I first started dancing, it was twenty years ago,

0:34:18.400 --> 0:34:20.680
<v Speaker 6>Peter Meakin said to me, I know I'd said something

0:34:20.719 --> 0:34:22.680
<v Speaker 6>and it had caused some kind of an uproar in

0:34:22.719 --> 0:34:27.000
<v Speaker 6>the paper about something, and he said, Krueger, you're a woman.

0:34:27.239 --> 0:34:30.560
<v Speaker 6>You're not allowed to have a sense of humor. I

0:34:30.680 --> 0:34:32.640
<v Speaker 6>don't get me wrong. I love Peter Meakin and he

0:34:32.680 --> 0:34:35.120
<v Speaker 6>was a great mentor for me, but he was What

0:34:35.160 --> 0:34:36.600
<v Speaker 6>he was saying to me is you have to be

0:34:36.680 --> 0:34:39.080
<v Speaker 6>careful because you're going to be judged differently as a

0:34:39.120 --> 0:34:42.840
<v Speaker 6>woman about your sense of humor. And so I ignored

0:34:42.880 --> 0:34:45.279
<v Speaker 6>that and just continued on with everything.

0:34:46.600 --> 0:34:49.200
<v Speaker 3>But that's why, amongst other things.

0:34:49.239 --> 0:34:52.279
<v Speaker 2>Why you've lasted so long, it's because you are genuine

0:34:52.680 --> 0:34:55.560
<v Speaker 2>and you haven't tried to mold yourself to be something

0:34:55.600 --> 0:34:58.600
<v Speaker 2>that you're not. And because the audience can see through

0:34:58.600 --> 0:35:01.080
<v Speaker 2>it like that, they can absolutely well.

0:35:01.320 --> 0:35:03.799
<v Speaker 1>And I mean, Ali, I know this a part. You're

0:35:03.800 --> 0:35:06.920
<v Speaker 1>obviously hosting a Current Affair, and then you co hosted

0:35:06.960 --> 0:35:09.240
<v Speaker 1>the Today Show for a couple of years as well,

0:35:09.480 --> 0:35:11.839
<v Speaker 1>and it's often commented that a role like that, where

0:35:11.840 --> 0:35:16.080
<v Speaker 1>you're in people's living rooms as yourself for several hours

0:35:16.120 --> 0:35:18.680
<v Speaker 1>a week, that there is nowhere to hide. To Lynn's point,

0:35:18.719 --> 0:35:22.359
<v Speaker 1>people can sense exactly who you are. How have you

0:35:22.520 --> 0:35:26.000
<v Speaker 1>found the changing industry over the course of your career

0:35:26.040 --> 0:35:28.760
<v Speaker 1>in terms of we talk a lot about how broadcast

0:35:28.880 --> 0:35:32.799
<v Speaker 1>media has changed. This week as this cover comes out,

0:35:32.920 --> 0:35:36.000
<v Speaker 1>the Project, for instance, has gone off fair. It's in

0:35:36.040 --> 0:35:39.400
<v Speaker 1>a similar timeslot to a Current Affairs, so people have gone, well,

0:35:39.440 --> 0:35:43.040
<v Speaker 1>that's it. It's impossible to capture audiences for news and

0:35:43.080 --> 0:35:46.320
<v Speaker 1>current affairs in twenty twenty five. How are you feeling

0:35:46.360 --> 0:35:49.239
<v Speaker 1>about a huge question here? Just answered yeah, no, no, I.

0:35:50.920 --> 0:35:53.239
<v Speaker 4>Disagree with that, and I think we're quick to sort

0:35:53.280 --> 0:35:55.239
<v Speaker 4>of put down free to wear and free to way.

0:35:55.280 --> 0:36:01.440
<v Speaker 4>It's changing for sure, but news, current affairs, sport absolutely

0:36:01.719 --> 0:36:05.480
<v Speaker 4>critical to free to wear, and I think there was

0:36:05.520 --> 0:36:07.520
<v Speaker 4>a bit of a drop off when people move to streaming.

0:36:07.560 --> 0:36:09.680
<v Speaker 4>But we're looking at our numbers now and our numbers

0:36:10.000 --> 0:36:13.240
<v Speaker 4>not only steadied, we're growing them. And we've changed how

0:36:13.840 --> 0:36:16.520
<v Speaker 4>I think, because not everyone is sitting down, so yet

0:36:16.520 --> 0:36:19.879
<v Speaker 4>we're live at seven o'clock. Not everyone is sitting down

0:36:20.000 --> 0:36:22.680
<v Speaker 4>and turning on the television at seven o'clock. We're still

0:36:22.680 --> 0:36:28.080
<v Speaker 4>getting that audience, but they're watching it online. They're watching

0:36:28.120 --> 0:36:30.480
<v Speaker 4>it just on delay so when it kind of works

0:36:30.520 --> 0:36:32.600
<v Speaker 4>for them. But we're looking at our numbers and you

0:36:32.600 --> 0:36:35.359
<v Speaker 4>would find this too, you know, Sonia with you know,

0:36:35.640 --> 0:36:39.160
<v Speaker 4>our audiences are strong, our audiences are good, and you

0:36:39.200 --> 0:36:41.840
<v Speaker 4>know with Oka, we're across the board because we're not

0:36:42.520 --> 0:36:45.600
<v Speaker 4>we're not We're not a right or a left leaning show.

0:36:45.719 --> 0:36:48.640
<v Speaker 4>We're not for a ritual for Paul where like we do,

0:36:48.840 --> 0:36:52.360
<v Speaker 4>we cover everything and you know where we're about to

0:36:52.400 --> 0:36:56.279
<v Speaker 4>do a big domestic violence forum where we have all

0:36:56.280 --> 0:37:01.600
<v Speaker 4>the you know, we have police, politicians, judges in the

0:37:01.680 --> 0:37:03.600
<v Speaker 4>room along with victims and survivors.

0:37:04.400 --> 0:37:05.320
<v Speaker 5>And then what will.

0:37:05.160 --> 0:37:07.040
<v Speaker 4>Probably do the next night will be some sort of

0:37:07.120 --> 0:37:09.839
<v Speaker 4>chase of dodgey bloke down the street, who who who

0:37:10.000 --> 0:37:12.960
<v Speaker 4>owes granny couple of thousand dollars or took a money

0:37:13.000 --> 0:37:15.200
<v Speaker 4>and ran you know. I mean it's a tapetory of

0:37:15.200 --> 0:37:19.480
<v Speaker 4>our show and we have a really locked on audience

0:37:19.520 --> 0:37:22.239
<v Speaker 4>that we never take for granted. But the audience is there,

0:37:22.320 --> 0:37:25.200
<v Speaker 4>and the audience is still watching free to air.

0:37:25.320 --> 0:37:26.000
<v Speaker 5>It's not dead.

0:37:26.200 --> 0:37:28.040
<v Speaker 6>Can I add to that too, because I think from

0:37:28.080 --> 0:37:32.560
<v Speaker 6>a news perspective, if anything, news is growing on free

0:37:32.600 --> 0:37:35.880
<v Speaker 6>to air because if you look at this amount of

0:37:35.920 --> 0:37:39.160
<v Speaker 6>time taken up in the day now, that is that

0:37:39.320 --> 0:37:43.880
<v Speaker 6>news fills from sunrise, will Today's show, right through the

0:37:43.920 --> 0:37:48.240
<v Speaker 6>mornings to midday news, to afternoon news four o'clock, five o'clock,

0:37:48.280 --> 0:37:51.319
<v Speaker 6>six o'clock, then you've got ACA seven o'clock. You know,

0:37:51.440 --> 0:37:54.560
<v Speaker 6>we have late news services. There is actually a lot

0:37:54.600 --> 0:37:57.319
<v Speaker 6>of real estate occupied by news. So I think the

0:37:57.400 --> 0:38:01.520
<v Speaker 6>demand for news is definitely there, as well as the

0:38:01.560 --> 0:38:07.760
<v Speaker 6>demand for you know, quality Australian drama and escapism entertainment programs.

0:38:07.840 --> 0:38:10.319
<v Speaker 6>So the audiences are there, and we've changed the way

0:38:10.360 --> 0:38:12.480
<v Speaker 6>we look at the rating system now because we know

0:38:12.560 --> 0:38:15.480
<v Speaker 6>that people watch television differently. They watch it on demand,

0:38:15.560 --> 0:38:18.480
<v Speaker 6>they watch it on devices, but they are there.

0:38:19.360 --> 0:38:19.600
<v Speaker 2>Lynn.

0:38:19.640 --> 0:38:23.080
<v Speaker 1>Let me ask you, as an actor, you are saying

0:38:23.080 --> 0:38:26.120
<v Speaker 1>goodbye to a character that you have played for more

0:38:26.160 --> 0:38:30.880
<v Speaker 1>than three decades, moving between being working in TV. And

0:38:30.920 --> 0:38:32.759
<v Speaker 1>of course that's changed too, hasn't it The way that

0:38:32.760 --> 0:38:36.839
<v Speaker 1>they're film that they've changed studios, locations, and the distribution

0:38:36.960 --> 0:38:39.680
<v Speaker 1>model of a show like Home and Away has evolved

0:38:39.680 --> 0:38:42.200
<v Speaker 1>a lot since the early nineties. And now, as we

0:38:42.320 --> 0:38:46.640
<v Speaker 1>talked about, you're on stage, live theater. How do you

0:38:47.280 --> 0:38:50.080
<v Speaker 1>say goodbye to a character that you've played for that

0:38:50.120 --> 0:38:52.239
<v Speaker 1>long because obviously you've never played a character for that

0:38:52.360 --> 0:38:55.520
<v Speaker 1>long prior to now. Was it hasn't been difficult going

0:38:55.560 --> 0:38:58.480
<v Speaker 1>and inhabiting different characters?

0:38:58.960 --> 0:39:02.799
<v Speaker 2>Honestly, Sarah, I have to say no, I'm not one

0:39:02.840 --> 0:39:07.319
<v Speaker 2>of those actors who takes you know, irenees Irene's departure

0:39:07.400 --> 0:39:12.040
<v Speaker 2>story was it was hard. It was hard work. It

0:39:12.120 --> 0:39:15.320
<v Speaker 2>was hard for myself, for Shane Whinnington, with whom I

0:39:16.400 --> 0:39:21.360
<v Speaker 2>played a lot, and ate A Nicodemo and Emily Simon's

0:39:21.640 --> 0:39:25.200
<v Speaker 2>and all my close friends on the show. Was it

0:39:25.280 --> 0:39:28.360
<v Speaker 2>was hard. But I'm also not I'm not one of

0:39:28.360 --> 0:39:31.600
<v Speaker 2>those actors who takes things with me. I would be

0:39:31.719 --> 0:39:36.080
<v Speaker 2>honestly in the palace for the peculiars if I was,

0:39:36.640 --> 0:39:41.000
<v Speaker 2>because I would would have lost the plot years. So

0:39:41.120 --> 0:39:44.520
<v Speaker 2>I can believe it and return to it. So in

0:39:44.600 --> 0:39:49.000
<v Speaker 2>answer to your question, look, it was a long time coming.

0:39:49.560 --> 0:39:52.960
<v Speaker 2>I knew it was coming. I was so exhausted by

0:39:53.000 --> 0:39:57.200
<v Speaker 2>the end of filming back in March, my last scenes

0:39:57.200 --> 0:39:59.359
<v Speaker 2>on the show. I sounded like a drag queen. I

0:39:59.360 --> 0:40:03.279
<v Speaker 2>had no In fact, the next day I was diagnosed

0:40:03.320 --> 0:40:08.440
<v Speaker 2>with what do you call it, influenza? Ah, And they said,

0:40:08.480 --> 0:40:12.319
<v Speaker 2>now you need to isolate because you're highly contagious, and

0:40:12.320 --> 0:40:16.200
<v Speaker 2>I went, well, I've just hugged five hundred people, including

0:40:16.239 --> 0:40:20.880
<v Speaker 2>the road workers outside Everly, so I'm pretty sure that

0:40:21.080 --> 0:40:22.120
<v Speaker 2>ship has sailed.

0:40:23.040 --> 0:40:25.960
<v Speaker 3>But because I'd had my injection, and I don't.

0:40:25.719 --> 0:40:29.840
<v Speaker 2>Want to get into an argument about, you know, inoculation,

0:40:30.239 --> 0:40:32.440
<v Speaker 2>but I had had it, and I was only crooked

0:40:32.440 --> 0:40:34.080
<v Speaker 2>for a couple of days, and then I was back

0:40:34.440 --> 0:40:37.799
<v Speaker 2>and I bounced back. I was fine, but I was

0:40:37.920 --> 0:40:42.160
<v Speaker 2>so exhausted and I just needed the time was right,

0:40:42.280 --> 0:40:45.600
<v Speaker 2>Sarah at the time was absolutely right? And now it's

0:40:45.640 --> 0:40:48.759
<v Speaker 2>been where are we March April May Jun so it's

0:40:48.800 --> 0:40:52.360
<v Speaker 2>the best part of four months. At no point have

0:40:52.440 --> 0:40:55.800
<v Speaker 2>I gone or have I made the right decision.

0:40:56.719 --> 0:40:58.520
<v Speaker 3>It's just onwards and upwards.

0:40:59.120 --> 0:41:01.560
<v Speaker 2>And to be able to go, yeah, I don't think

0:41:01.600 --> 0:41:03.960
<v Speaker 2>I'll do that, or yes, I'll audition for that and

0:41:04.080 --> 0:41:08.000
<v Speaker 2>fail it like every other actor auditioning. It's just it's joyful.

0:41:08.120 --> 0:41:13.640
<v Speaker 2>It's lovely. And in saying that, I'm so blessed with

0:41:13.760 --> 0:41:16.080
<v Speaker 2>my thirty three years at home and away because it's

0:41:16.160 --> 0:41:19.759
<v Speaker 2>like winning the acting lottery. To get a gig for

0:41:19.840 --> 0:41:25.600
<v Speaker 2>that long is unbelievable. It really is like winning the lotto.

0:41:25.480 --> 0:41:27.520
<v Speaker 1>And you would never have foreseen that when you were

0:41:27.560 --> 0:41:30.480
<v Speaker 1>first starting. As you say, the character started so differently.

0:41:30.560 --> 0:41:36.920
<v Speaker 1>I mean that character surely had six month contracts contract.

0:41:36.520 --> 0:41:37.959
<v Speaker 3>And then they said do you want to come back

0:41:38.080 --> 0:41:41.319
<v Speaker 3>in three months for maybe a year? Hell yeah, And

0:41:41.360 --> 0:41:44.040
<v Speaker 3>then thirty three years later they still had worked out

0:41:44.040 --> 0:41:45.280
<v Speaker 3>and know what I was done.

0:41:46.560 --> 0:41:49.359
<v Speaker 1>Do you think, well, your trajectory do you think post

0:41:49.400 --> 0:41:54.319
<v Speaker 1>Summer Bay with thinking something Alie Sonya maybe Chris Hemsworth.

0:41:54.080 --> 0:41:56.719
<v Speaker 8>I'm thinking, I think you've got to go directly to

0:41:56.760 --> 0:41:57.720
<v Speaker 8>Hollywood and.

0:41:59.520 --> 0:42:04.480
<v Speaker 4>When you're rang early it was was that actually.

0:42:04.760 --> 0:42:05.080
<v Speaker 3>On them?

0:42:05.160 --> 0:42:09.520
<v Speaker 6>Honestly, so look at Jackie Weaver. Her career is now

0:42:09.840 --> 0:42:13.080
<v Speaker 6>bigger than it's ever been. So I would, as your agent,

0:42:13.280 --> 0:42:18.240
<v Speaker 6>taking twenty percent, recommend you go to Los Angeles.

0:42:17.800 --> 0:42:20.560
<v Speaker 2>And I could see I could do Harold and Mood,

0:42:20.600 --> 0:42:26.160
<v Speaker 2>a remake of Harold and Maud.

0:42:26.239 --> 0:42:26.879
<v Speaker 3>We love it.

0:42:26.920 --> 0:42:28.240
<v Speaker 8>Can you do an American accent?

0:42:28.560 --> 0:42:31.320
<v Speaker 3>Well, you know, I can do a cerven one.

0:42:32.080 --> 0:42:34.400
<v Speaker 8>I can tell it's really.

0:42:35.640 --> 0:42:38.000
<v Speaker 1>You'll have to accept. Maybe if you win the Gold

0:42:38.000 --> 0:42:39.799
<v Speaker 1>LOGI you might have to accept accept it.

0:42:41.280 --> 0:42:42.840
<v Speaker 3>Say that just a little off story.

0:42:43.440 --> 0:42:48.120
<v Speaker 2>There's a beautiful actress on our show called Allie, and

0:42:48.160 --> 0:42:51.880
<v Speaker 2>she plays Dana on the show, and she's fabulous and quirky.

0:42:52.120 --> 0:42:54.680
<v Speaker 2>But whenever we used to do a run through of lines,

0:42:55.000 --> 0:42:57.719
<v Speaker 2>we'd either do it in an Irish accent, or we

0:42:57.920 --> 0:43:01.120
<v Speaker 2>do it in a certain accent. So you have things

0:43:01.160 --> 0:43:05.480
<v Speaker 2>like Dana, you come here now and you sit down

0:43:05.640 --> 0:43:09.520
<v Speaker 2>because I have to talk to you about something very

0:43:09.719 --> 0:43:11.000
<v Speaker 2>and pultent.

0:43:11.280 --> 0:43:15.080
<v Speaker 1>And some of the real Aussie dialogue, yeah, thing of

0:43:15.120 --> 0:43:18.840
<v Speaker 1>some of our olf slides like stone the Crows, Flame

0:43:18.960 --> 0:43:20.080
<v Speaker 1>and Crows.

0:43:21.239 --> 0:43:23.879
<v Speaker 2>I honestly we used to have such fun. So yeah,

0:43:23.880 --> 0:43:25.960
<v Speaker 2>I kind of dig a Southern accent.

0:43:26.680 --> 0:43:30.680
<v Speaker 1>Do well, Yeah, final question, let's go back to the

0:43:30.719 --> 0:43:35.520
<v Speaker 1>Logis where there are on Sunday, August three. Who do

0:43:35.560 --> 0:43:38.960
<v Speaker 1>you think will win? I'd like to ask each of

0:43:39.239 --> 0:43:44.120
<v Speaker 1>you that, and who do you think should win? Ali?

0:43:44.680 --> 0:43:46.759
<v Speaker 5>Lynn and Lynn stop it?

0:43:46.920 --> 0:43:49.319
<v Speaker 8>Second way to put the muzz on me.

0:43:49.360 --> 0:43:53.400
<v Speaker 5>Girls, Lynn think that will and deserves to.

0:43:53.719 --> 0:43:57.040
<v Speaker 2>Oh look, that's very kind girls. I do you know

0:43:57.120 --> 0:44:04.080
<v Speaker 2>what I'm leaning towards. I'm leaning towards Lisa.

0:44:05.400 --> 0:44:11.000
<v Speaker 3>Or Poe. And I think ABC as sneaky audiences.

0:44:11.440 --> 0:44:16.120
<v Speaker 2>Look at look now they are, look at Kitty Flannagan sneaky,

0:44:16.239 --> 0:44:18.600
<v Speaker 2>their little sneaky squirrel audiences.

0:44:19.000 --> 0:44:21.640
<v Speaker 3>They pretend they're not voting, but they are.

0:44:23.440 --> 0:44:28.920
<v Speaker 2>And I think Poe will have a huge following given

0:44:29.280 --> 0:44:30.160
<v Speaker 2>her heritage.

0:44:30.960 --> 0:44:31.600
<v Speaker 3>Rightly so.

0:44:33.280 --> 0:44:36.719
<v Speaker 2>But yeah, look, I think it's I really think it's

0:44:36.760 --> 0:44:38.120
<v Speaker 2>a it's an even field.

0:44:38.800 --> 0:44:40.480
<v Speaker 3>And if Hamish wins, I think we.

0:44:40.400 --> 0:44:44.240
<v Speaker 2>Should all scand up, walk out and give him the finger.

0:44:44.320 --> 0:44:47.200
<v Speaker 5>You know what, if he wings, he'll do the same thing.

0:44:49.440 --> 0:44:52.040
<v Speaker 1>There'll be a spotlight on an empty chair.

0:44:53.480 --> 0:44:56.960
<v Speaker 5>He'll be in exactly.

0:44:57.239 --> 0:45:00.640
<v Speaker 1>That's right. Well, I wish you all all the best

0:45:00.920 --> 0:45:04.560
<v Speaker 1>at the Logis and it really is to be nominated,

0:45:04.640 --> 0:45:06.440
<v Speaker 1>isn't It's nice.

0:45:06.680 --> 0:45:10.759
<v Speaker 4>Truly, it truly is it is really nice to you know,

0:45:10.800 --> 0:45:13.640
<v Speaker 4>to see everybody acknowledged for the hard work that they're

0:45:13.680 --> 0:45:16.759
<v Speaker 4>putting for a really long time. It's, you know, it's

0:45:16.840 --> 0:45:18.680
<v Speaker 4>it's just a great moment that you've just got to

0:45:19.000 --> 0:45:19.480
<v Speaker 4>enjoy the.

0:45:19.520 --> 0:45:24.520
<v Speaker 2>Right absolutely, as Raymad messaged me and he said, congratulations

0:45:24.600 --> 0:45:27.680
<v Speaker 2>mc granger, enjoy the bullshit while at last.

0:45:30.760 --> 0:45:32.160
<v Speaker 3>I can show you hilarious.

0:45:32.239 --> 0:45:36.000
<v Speaker 4>It gets the final on that note, I can say

0:45:36.040 --> 0:45:39.720
<v Speaker 4>no more perfect and you can see fabulous Sonja Krueger,

0:45:39.880 --> 0:45:42.839
<v Speaker 4>Lima Granger and Ali Langdon fining.

0:45:42.600 --> 0:45:45.399
<v Speaker 1>For the Gold LOGI at the sixty fifty v Week

0:45:45.440 --> 0:45:47.920
<v Speaker 1>Logi Awards on Sunday, third of August. Thank you so

0:45:48.040 --> 0:45:49.760
<v Speaker 1>much for walking into the studio.

0:45:50.560 --> 0:45:51.439
<v Speaker 3>Thanks good luck.

0:45:52.560 --> 0:45:55.120
<v Speaker 1>You can find out more about today's guests in this

0:45:55.200 --> 0:45:58.279
<v Speaker 1>episode show notes and a reminder that you can also

0:45:58.320 --> 0:46:01.040
<v Speaker 1>watch this episode on YouTube. We'll also find a link

0:46:01.120 --> 0:46:03.480
<v Speaker 1>to that in our show notes. Thank you for your

0:46:03.520 --> 0:46:06.239
<v Speaker 1>company today. I hope you've enjoyed this episode, and if

0:46:06.239 --> 0:46:08.839
<v Speaker 1>you're not already, make sure you're following something to talk

0:46:08.880 --> 0:46:12.520
<v Speaker 1>about because we'll be back with another exclusive guest next week.