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Speaker 1: Approache production.

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Speaker 2: On this episode of We Will Always Have.

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Speaker 1: Okay, all right, so what's your standard?

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Speaker 3: Like you've obviously stated a few now what would be

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Speaker 3: your standard?

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Speaker 1: And like lowest? Have you ever walked out?

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Speaker 4: And oh I stayed at an Airbnb?

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Speaker 5: Look?

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Speaker 4: This is season four of We Will Always Have, where

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Speaker 4: me and Chrissy are exploring the Blue Mountains, a place

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Speaker 4: that I have visited countless times as a child and

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Speaker 4: my parents now call home.

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Speaker 2: I love it here. It is the depths of winter.

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Speaker 2: It is cold.

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Speaker 4: We've spent a very busy five days doing a bunch

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Speaker 4: of activities and sitting down and just having a laugh.

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Speaker 2: So please enjoy season four of We Will Always Have.

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Speaker 4: Okay, Yeah, who am I? But this time we're only

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Speaker 4: allowed to be the first two clues?

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Speaker 2: Okay, okay. I'm a musician born in nineteen seventy two.

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Speaker 4: In my stylized name, one E is written backwards.

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Speaker 1: Oh Emine, Oh my.

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Speaker 2: God, I can't believe you've got that.

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Speaker 3: Well em well done, unbelievably fantastic man. I'm an American

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Speaker 3: singer born in nineteen ninety three.

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Speaker 2: Okay.

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Speaker 1: I was one of Time's.

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Speaker 3: One hundred most influential people in twenty sixteen.

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Speaker 2: I only allowed to read two clues. Right there you go, Selena.

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Speaker 1: Gomez, No, you run the same genre.

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Speaker 4: Tim Levado, No, she's fallen off the planet most influential people.

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Speaker 1: Do you want another clue?

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Speaker 2: Yeah, give me another one, all right.

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Speaker 3: She's just recently been in a movie with someone that

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Speaker 3: was painted green.

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Speaker 2: Ariana Grante.

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Speaker 4: Oh wow, okay, this is a really really easy one.

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Speaker 1: Oh you say that.

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Speaker 2: Brain. I'm a Canadian musician, right.

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Speaker 1: Alana Morrisset. Who Alana Morrisset?

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Speaker 4: Fucking hell, it's Alanis No, No, I'll give you him.

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Speaker 4: Its male, right, I was a teen heart throb in

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Speaker 4: the late two thousand's and early twenty tens. Canadian male singer,

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Speaker 4: insane heart throb.

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Speaker 1: I don't know.

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Speaker 2: I know who's the biggest person you can think of?

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Speaker 4: Oh?

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Speaker 1: What's his name? Beaver?

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Speaker 2: What's Justin? Justin Beaver? Do you actually know he's our

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Speaker 2: same Beaver? Is it b Biba? What is it Justin Bieber?

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Speaker 4: Oh?

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Speaker 1: Fuck, I've always thought it was Beaver Beaver Biber.

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Speaker 2: I'm a fan of Justin. He's gone off for hours

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Speaker 2: a little bit.

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Speaker 1: I want to do this one.

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Speaker 3: I'm an American musician, born in nineteen seventy seven.

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Speaker 2: What does that make them?

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Speaker 3: Well, I'm seventies seventies, so he's forty nine. Are we

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Speaker 3: still going with the two clues?

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Speaker 4: Yes?

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Speaker 2: Okay, to pick one on that card. That's as a rapper.

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Speaker 1: I've released the album's graduation and easy USUS.

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Speaker 2: It's Kanye, Yes, Kanye. It's kind of only forty nine.

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Speaker 2: It's interesting. Okay, here we go.

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Speaker 4: I'm an English actress born in nineteen thirty four. I

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Speaker 4: was made a dame in nineteen eighty eight.

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Speaker 1: Judy Dnch.

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Speaker 2: Yes, well done, got that name right?

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Speaker 1: Fabulous?

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Speaker 2: All right? Last one?

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Speaker 3: Okay, right, I think you're going to get this one.

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Speaker 3: I'm an actor born in nineteen eighty three. I appeared

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Speaker 3: in over one hundred and fifty episodes of Home and Away.

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Speaker 2: Isla Fisher Nope? Is this an Australian game? An American game? No?

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Speaker 4: This is is that actress like quintessentially Australian Kate Richie?

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Speaker 2: No, it's a male Jason Donovan.

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Speaker 3: No, my god, Jason Donovan wasn't in Home and Away.

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Speaker 3: He was in Neighbors.

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Speaker 2: Well, who did Kylie marry neighbors? Yes? Oh h you're

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Speaker 2: familiar with this person.

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Speaker 3: Yes, they do have like a one person separation from Miley.

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Speaker 3: If you think about Miley Cyrus and who she may

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Speaker 3: have married him.

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Speaker 1: Yeah, Dolly Parton, Actually he's not on.

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Speaker 2: No, but I'm trying to who knows Dolly Patton? Who's one?

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Speaker 1: Not Dolly Parton?

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Speaker 4: Liam Hemsworth? So who knows Liam Hemsworth? Luke Hemsworth, Chris Hemsworth.

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Speaker 2: Episodes, Wow, one hundred and fifty.

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Speaker 1: God, he's a lovely man.

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Speaker 2: Sorry, mister Hemsworth.

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Speaker 4: Sorry, if you're listening, I'm not imagine if he If

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Speaker 4: the celebrities were listening, it wouldn't be now just shout

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Speaker 4: out or Justin Beaver wouldn't be.

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Speaker 1: Letting out it's good God.

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Speaker 2: What are your thoughts on ghosting?

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Speaker 1: Ghosting?

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Speaker 2: Do you know what that is? Yeah?

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Speaker 3: So my definition of ghosting is if there's been a

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Speaker 3: little bit of a love fast or something and someone

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Speaker 3: texts and then they just don't ever reply back.

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Speaker 4: Ghosting could be anything. It's not just in a situation

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Speaker 4: of a date or texting. Like if I'm at a

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Speaker 4: party and I want to go home, I won't say

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Speaker 4: good bye to anyone. I'll just go. Yeah, Okay, that's

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Speaker 4: called ghosting. A ghosting in a romantic setting is when

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Speaker 4: you say I'm going to meet you here for a

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Speaker 4: day and you don't show up at all.

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Speaker 1: Well, that's just rude. That's not ghosting, that's just rude.

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Speaker 4: But I think that's obviously awful and rude. I'm talking like,

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Speaker 4: just you're at a party, you don't see goodbye to anyone.

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Speaker 2: You just walk out.

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Speaker 1: Yeah, why do you do that? Do you just not

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Speaker 1: like the the.

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Speaker 4: Gold to spend half an hour sayingle bye to everyone,

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Speaker 4: and then they don't want you to leave, so they

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Speaker 4: and then other conversations come up. It's like, if I'm ghosting,

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Speaker 4: it's because I should have left forty five minutes ago,

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Speaker 4: Like I'm done, I need to get the fuck out,

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Speaker 4: love you, or I've had a great time. But also

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Speaker 4: I'm of the opinion that I don't think anyone would

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Speaker 4: notice or care.

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Speaker 2: Yeah, I agree, because there's so many people around it.

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Speaker 2: It's a fun vibe. Yeah, so it's okay.

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Speaker 3: Yeah, I've done it. I don't mind doing it. I

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Speaker 3: think it's okay. I think to myself, well, you know,

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Speaker 3: we've had a conversation, we've had I'll.

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Speaker 2: See you in a few days. I work with you,

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Speaker 2: it's fine.

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Speaker 4: Yeah, I've got a great technique if if you're struggling

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Speaker 4: a little bit or it's very noticeable, and that is

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Speaker 4: just to pretend to answer the phone and go, oh,

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Speaker 4: the reception is not very good.

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Speaker 2: I'm just going to go outside, and then you just

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Speaker 2: keep going. Is that right. I've done that a few times.

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Speaker 4: You're ordering uber and then you're sorry, I'm just going

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Speaker 4: to take this outside and just go. So if it's

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Speaker 4: like it's hard to get an discuss.

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Speaker 3: Does anyone come back to you and say, hey, listen,

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Speaker 3: I didn't get a chance to say goodbye to you

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Speaker 3: last night to have done that, or do they know

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Speaker 3: you now?

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Speaker 2: Don't know me well enough now not to even invite me?

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Speaker 1: Yeah? No, you don't like being invited to things?

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Speaker 4: Not really, I mean it's nice of people. I feel

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Speaker 4: really bad because I'm like, ah, I like.

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Speaker 3: The idea of being excited into something because I don't

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Speaker 3: want to miss out. But then when it comes to

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Speaker 3: like the eighth hour and I have to go in eight,

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Speaker 3: I work myself up into such a like, oh, I really.

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Speaker 1: Don't want to go. Can I get out of it?

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Speaker 2: Not that I don't love.

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Speaker 3: The people it's just it's just the mood and the

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Speaker 3: fact that you've got to hype yourself.

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Speaker 1: Up and you may not be in a hypeie kind of.

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Speaker 2: That's the thing. I'm really dependent on my mood.

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Speaker 4: Yes, I'll get invited to something and go, fuck, that

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Speaker 4: sounds fun, you know, at thirty eight years old, I

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Speaker 4: don't know if that will be fun on the day

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Speaker 4: that it's happening.

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Speaker 2: I don't know what mood I'm going to be in.

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Speaker 2: I don't know what I'm going to have done? What's

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Speaker 2: going on? Can I be bothered?

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Speaker 1: See?

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Speaker 3: I had this fear in my twenties, like ages ago,

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Speaker 3: you right, yeah, where it would be like I'd have

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Speaker 3: to go to an opening of an envelope, like I'd

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Speaker 3: hate to miss out on it. I had the fear

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Speaker 3: of missing out on everything and anything.

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Speaker 2: Yeah.

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Speaker 1: But now it's like, oh, no, I have the opposite.

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Speaker 1: Oh fuck it, No, I can't do it. And Ricardo

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Speaker 1: is the same. You look at me and go, what

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Speaker 1: do you reckon? Which is code for if you say

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Speaker 1: we're not going on?

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Speaker 2: Yeah, I have joemo?

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Speaker 1: Oh what's that?

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Speaker 2: The joy of missing out?

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Speaker 4: I love seeing things on social media that I didn't

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Speaker 4: even get invited you, and I go, ah, and I

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Speaker 4: look at that friend that didn't invite me, and I go,

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Speaker 4: you're a friend, You're a true and honest.

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Speaker 1: Friend because they know that you wouldn't have enjoyed it anyway.

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Speaker 4: And then I think, wait, they may have invited me

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Speaker 4: because I don't respond to any messages or see I

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Speaker 4: don't look at any messages. And then sometimes I go

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Speaker 4: on a Facebook and it's like, you have ninety nine

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Speaker 4: plus invitations.

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Speaker 2: Who's inviting people to things on Facebook?

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Speaker 1: No?

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Speaker 3: One, No, everyone is I'm sorry, but that's to me,

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Speaker 3: is a Clayton's invitation? An invitation when you're not really

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Speaker 3: wanting to put out an invitation. Do you get invitations

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Speaker 3: in the mail to events?

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Speaker 4: No?

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Speaker 3: How did your aunt send out the invites for the

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Speaker 3: art gallery?

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Speaker 2: Well she didn't.

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Speaker 4: She just posted about an opening. So my aunt is

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Speaker 4: for those that don't know, she's in her mid seventies,

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Speaker 4: incredible artist, lives just in the rule down around world.

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Speaker 3: You need to mention her age because she's an older.

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Speaker 2: She's an older artist. Like, it's not like I don't know.

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Speaker 2: I feel like, yeah, yeah, yeah, you've.

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Speaker 4: Got so much experience at seventy five in art. But

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Speaker 4: also I think what she did with her art, Like

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Speaker 4: she went and did a woodworking course. She's built drawers

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Speaker 4: and tables, like she's done a lot with horrific arthritis.

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Speaker 4: And it's like, it's so impressive to hear seventy five

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Speaker 4: hours going in doing woodwork and building these big collections

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Speaker 4: of stuff.

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Speaker 3: The things that she had on display were done eating,

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Speaker 3: absolutely gorgeous.

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Speaker 4: And she was even like she wouldn't even invite me

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Speaker 4: to the opening. She wanted me to host the opening

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Speaker 4: of the exhibition. And Mama's like, as Helen spoken to you,

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Speaker 4: I'm like, no, why she really wants you to host

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Speaker 4: the opening.

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Speaker 2: I was like, Oh, that's so exciting. And then it

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Speaker 2: was like that was three months out. Then we were

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Speaker 2: two months out.

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Speaker 1: And did you have to work yourself up?

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Speaker 2: Then we were one month now I was so keen,

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Speaker 2: but she hadn't asked me.

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Speaker 1: Oh, she still had asked at all.

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Speaker 4: And like we're a couple of weeks out and I

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Speaker 4: was like, hi, Auntie Helen, how are you you're getting ready

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Speaker 4: for the exhibition?

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Speaker 2: Yeah? I paused, Now, was.

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Speaker 1: She the aunt that had the nude painting or ray?

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Speaker 4: She's she's the aunt and I found a drawing that

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Speaker 4: she did in the eighties in Sydney. I found it

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Speaker 4: in an antique store in Brisbane.

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Speaker 2: It was hers. Yeah, it was so bizarre.

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Speaker 4: Yeah, anyway, I mean she was like, would you like

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Speaker 4: I'm like, yes, of course, Helen. If I'm the main attraction,

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Speaker 4: I'm there. Here's the caveatte a cab. If it's a VIP, right,

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Speaker 4: I'm there.

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Speaker 1: So if they're going to make a fuss, if they're

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Speaker 1: going to see.

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Speaker 2: Well, the family. I'll do anything for family. I love

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Speaker 2: family events.

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Speaker 4: It needs to be a VOP section that's awayarably, not.

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Speaker 2: Even in the venue, right. Yeah. I just don't like

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Speaker 2: going out.

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Speaker 1: I think that's the social anxiety.

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Speaker 2: No, I just get it's just tiring. It's just exhausting.

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Speaker 2: The conversations are the same, Yeah, yeah, no, yeah, I

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Speaker 2: do guess paint colors.

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Speaker 4: Yeah, oh my god, you know took I guess paint colors.

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Speaker 2: Yeah, like that's yes, I'm going to guess it's a

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Speaker 2: pint color. Yes. Yes, I also wonder why I got

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Speaker 2: invited to this. That's what the conversations were, like, I

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Speaker 2: just don't go anymore.

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Speaker 6: Oh god, Okay, I want to talk about airbnbs, Yeah,

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Speaker 6: you don't like them.

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Speaker 1: I don't think I do. And I'm trying really hard

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Speaker 1: to be in the moment to enjoy the surroundings.

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Speaker 2: I mean, we're in an airbnb right now, but.

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Speaker 3: I feel like I'm imposing on someone's privacy, Like I

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Speaker 3: feel like if I opened it for there might be

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Speaker 3: some personal information there, like for me.

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Speaker 2: I love that you. Oh, but I'm such like.

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Speaker 4: A pervy I'm very curious, like, oh h, I wonder

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Speaker 4: if there's any like sex toys, like pervert basically, but.

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Speaker 1: Yeah, so how many airbnbs have you stayed in?

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Speaker 4: Lots, lots, so many. I love the concept of airbnb.

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Speaker 4: I am not aware that it is. It's the reason

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Speaker 4: why there's a rental crisis. Yeah, you get a better return.

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Speaker 4: It's easier short term rentals at a higher price. It's

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Speaker 4: just like if you have that or a long term mental,

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Speaker 4: you go with the short term because you're making more money.

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Speaker 2: It's just easier. And also people don't have as many rights.

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Speaker 1: Okay, all right, so what's your standard?

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Speaker 3: Like you've obviously stated a few Now what would be

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Speaker 3: your standard and like lowest have you ever walked out?

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Speaker 7: Oh?

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Speaker 4: God, I stay that an Airbnb. Look, I usually look

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Speaker 4: at the hotels first. I will say this. If there's

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Speaker 4: hotels in the area that I need to be in, right,

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Speaker 4: I'll stay hotel. Like Sydney Melbourne. I much prefer hotel.

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Speaker 3: I remember we had a conversation about accommodation hotel.

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Speaker 2: I was just when we said in the ibis and

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Speaker 2: you heard it.

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Speaker 3: Yeah, and that people with a lot of money tend

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Speaker 3: to stay in less three star full start.

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Speaker 4: You know I'm making good money, put me in the

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Speaker 4: ibis any day. You're making no money. Yep, And you

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Speaker 4: wanted to stay in the thousands dollar a night.

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Speaker 3: I don't see it always being a problem. I have

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Speaker 3: my standard of level.

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Speaker 1: Not that you know that.

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Speaker 4: You very very nice. We went into the Pullman and

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Speaker 4: you just absolutely transported into another world after we climbed

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Speaker 4: the bridge, and I thought you died of heat stroke

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Speaker 4: and called the police.

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Speaker 1: Oh my god, that was lovely hotel.

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Speaker 4: But see I look at that and go, oh, I'm

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Speaker 4: just spending so much money on Oh no, I love

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Speaker 4: the fact in.

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Speaker 2: A hotel room, whereas I would spend the money here.

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Speaker 2: At a place like.

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Speaker 4: This, you've got the view, you've got the privacy, really

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Speaker 4: unique location.

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Speaker 2: Yeah, and it's like it's a home.

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Speaker 3: Yes, And that's what makes me really uncomfortable. For me,

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Speaker 3: a home is a home, and I'm feeling like I'm

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Speaker 3: imposing on some bodies.

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Speaker 4: But you probably like hotels because there's servants and they

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Speaker 4: make your bed wash just like they do everything for you.

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Speaker 3: Where they don't like that, I thought, I wonder if

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Speaker 3: they do like day services.

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Speaker 2: I definitely looked at my bed and was like, oh,

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Speaker 2: I'm gonna have to make that.

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Speaker 3: I thought, do they wonder if they come in and

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Speaker 3: just try the ump a little bit for us?

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Speaker 1: No, I don't think they do.

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Speaker 2: No, you do that or yourself.

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Speaker 1: No. So this is my second airbnb. Yeah, it's not

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Speaker 1: for me.

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Speaker 2: Stay one.

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Speaker 3: We went for a girl's weekend and we stayed in

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Speaker 3: mudgy beautiful home.

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Speaker 1: Epic home.

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Speaker 2: Yeah, yeah, not for me.

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Speaker 3: Why I was imposing. I was in a smaller room.

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Speaker 3: There was a mouse in the room. And I will

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Speaker 3: die on the cross for that or believe and.

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Speaker 4: Die on the cross the hill both I like on the.

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Speaker 2: A few people.

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Speaker 4: I had a mouse in a hotel once and you

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Speaker 4: know what the solution was. It was in Coffs Harbot

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Speaker 4: blessed Coffs Harbor love it. It was at this resort,

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00:15:04,481 --> 00:15:07,041
Speaker 4: and it was a resort from the nineteen seventies that

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Speaker 4: had not been renovated. The light switches were not in

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Speaker 4: the wall. It was like part of the bed head,

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Speaker 4: and it was a button you push.

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Speaker 5: Just imagine you leaning over and you did, but like

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00:15:23,481 --> 00:15:25,721
Speaker 5: you pushed the button and then the off switch pops

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Speaker 5: out to push.

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00:15:29,241 --> 00:15:32,921
Speaker 4: Anyways, I was lying there and you just hear. I

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00:15:32,961 --> 00:15:35,201
Speaker 4: was like, well that sounds a bit loud. I thought

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00:15:35,241 --> 00:15:38,081
Speaker 4: nothing of it. Woke up and then I saw a

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Speaker 4: mouse just run across.

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Speaker 1: The See I've just had a flashback.

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Speaker 3: I thought that there was a mouse in the ibis.

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Speaker 1: Remember you did you always see this mince everywhere?

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Speaker 3: That's my thing, isn't it. I just think that there's

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Speaker 3: mice everywhere.

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Speaker 2: Was there a mouse in Mudgy Well, I mean Mudgie Is.

350
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Speaker 2: You'd think so you'd be on a farm.

351
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Speaker 1: We're in the city center. But oh no, not for me.

352
00:15:57,241 --> 00:15:58,721
Speaker 1: It was a mouse. I'm sure of it.

353
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Speaker 3: Even the dawn thought she heard something in wicker basket

354
00:16:01,921 --> 00:16:03,721
Speaker 3: in the lounge room, but was too scared to.

355
00:16:03,921 --> 00:16:05,561
Speaker 4: Saw the hotel did. I was like, oh, hi, there's

356
00:16:05,561 --> 00:16:07,761
Speaker 4: a mouse. Cool, We'll just we're going to drop off

357
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Speaker 4: some rat bait.

358
00:16:08,801 --> 00:16:10,801
Speaker 1: Oh no, and had to meet some rat bait and

359
00:16:10,841 --> 00:16:12,321
Speaker 1: I was like, oh thanks for that.

360
00:16:12,441 --> 00:16:17,001
Speaker 4: Okay, thank you script. No, I just my car was

361
00:16:17,041 --> 00:16:18,841
Speaker 4: using my cousin, so I was like, can I stay

362
00:16:18,881 --> 00:16:20,321
Speaker 4: with you with her?

363
00:16:20,401 --> 00:16:21,921
Speaker 2: Still paid for the room for another week.

364
00:16:22,201 --> 00:16:25,081
Speaker 1: They didn't give you any discount or a well if

365
00:16:25,081 --> 00:16:26,041
Speaker 1: you got to move room.

366
00:16:26,121 --> 00:16:27,281
Speaker 2: No, I don't like confrontation.

367
00:16:28,321 --> 00:16:31,201
Speaker 1: Oh god, god, I know.

368
00:16:31,801 --> 00:16:33,841
Speaker 3: So where would you rate this one? So back to

369
00:16:33,881 --> 00:16:36,121
Speaker 3: the other one. Where did you stay for the higher

370
00:16:37,041 --> 00:16:40,361
Speaker 3: level of comfort? What was your best Airbnb?

371
00:16:40,961 --> 00:16:43,041
Speaker 2: This one's pretty good just because of the view. It's

372
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Speaker 2: on the edge of the cliff.

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00:16:43,961 --> 00:16:46,201
Speaker 1: Magnificent. I can go wrong with that.

374
00:16:46,481 --> 00:16:47,561
Speaker 2: No, I can tell you the worst.

375
00:16:47,681 --> 00:16:48,361
Speaker 1: Oh yes, please.

376
00:16:48,601 --> 00:16:52,321
Speaker 4: Usually I book airbnbies as well. My aunt had an

377
00:16:52,321 --> 00:16:55,321
Speaker 4: exhibition recently in Wollongong. Yeah, and so I was down

378
00:16:55,361 --> 00:16:57,121
Speaker 4: there to open that. So I thought I'll stay down

379
00:16:57,281 --> 00:16:57,561
Speaker 4: in for.

380
00:16:57,521 --> 00:16:59,841
Speaker 1: The rale beautiful part of the world on the.

381
00:16:59,761 --> 00:17:04,001
Speaker 2: Cliffs there love a cliff. For some reason. I'm good.

382
00:17:04,080 --> 00:17:10,361
Speaker 4: I'm doing very well mentally and on air being big

383
00:17:10,400 --> 00:17:13,840
Speaker 4: gorgeous listing artists cottage like it was just this little

384
00:17:14,281 --> 00:17:17,681
Speaker 4: what I thought was a few rooms and gorgeous. View

385
00:17:17,840 --> 00:17:20,521
Speaker 4: was like it's really nice and cozy.

386
00:17:20,921 --> 00:17:23,480
Speaker 1: Gorgeous and lovely, lovely, And when.

387
00:17:23,360 --> 00:17:26,400
Speaker 2: I got there, it's just like not what you picture,

388
00:17:26,880 --> 00:17:27,801
Speaker 2: like you just picture.

389
00:17:28,080 --> 00:17:31,481
Speaker 3: By catfish you housewise, I think a.

390
00:17:31,400 --> 00:17:35,200
Speaker 4: Lot of places do. Like don't get me wrong. I

391
00:17:35,281 --> 00:17:39,121
Speaker 4: had an okay time frost to death, but you pull.

392
00:17:39,041 --> 00:17:41,120
Speaker 1: Up probably when you walk around in shorts all.

393
00:17:41,041 --> 00:17:42,281
Speaker 2: Day, yeah, fair.

394
00:17:42,360 --> 00:17:46,001
Speaker 4: And the driveway was like the instructions are about like

395
00:17:46,321 --> 00:17:49,480
Speaker 4: five essays worth of how to find it and right,

396
00:17:49,761 --> 00:17:52,481
Speaker 4: so don't give you that information when you're booking right,

397
00:17:52,521 --> 00:17:54,400
Speaker 4: And even I read the reviews and nothing was really

398
00:17:54,441 --> 00:17:57,401
Speaker 4: said in the reviews, but it was like park here,

399
00:17:57,561 --> 00:18:00,640
Speaker 4: drive here. The driveways between this house and this house,

400
00:18:00,681 --> 00:18:04,761
Speaker 4: and it's on Lawrence Hardgrave, which is quite a main road,

401
00:18:04,880 --> 00:18:07,360
Speaker 4: and you've got six seconds to go around a bend

402
00:18:07,360 --> 00:18:08,240
Speaker 4: to see where the driveway.

403
00:18:08,360 --> 00:18:10,841
Speaker 2: So it was like really stressful and I couldn't.

404
00:18:10,561 --> 00:18:12,640
Speaker 4: Find the driveway, and then when I did, it's like

405
00:18:12,721 --> 00:18:17,481
Speaker 4: this hidden path and it goes up this really steep hill.

406
00:18:17,961 --> 00:18:20,600
Speaker 4: And had a rental car and then he said, you know,

407
00:18:20,721 --> 00:18:23,600
Speaker 4: make sure you go right and park there. But he

408
00:18:23,681 --> 00:18:26,801
Speaker 4: meant left, so I went right and then I ended

409
00:18:26,880 --> 00:18:28,521
Speaker 4: up in his house and I was like, oh shit,

410
00:18:28,961 --> 00:18:30,640
Speaker 4: And because the driver is now and steep, I just

411
00:18:30,681 --> 00:18:31,600
Speaker 4: sort of reverse out.

412
00:18:31,880 --> 00:18:33,201
Speaker 2: It was really stressful.

413
00:18:33,360 --> 00:18:37,961
Speaker 1: And then oh, I can't see you coping with that immediately.

414
00:18:39,640 --> 00:18:43,241
Speaker 2: Hadn't even made it in. I don't like that. I can't. Yeah,

415
00:18:43,521 --> 00:18:48,961
Speaker 2: literally one tiny you know me, you know me? So anyway,

416
00:18:49,080 --> 00:18:52,240
Speaker 2: I parked the car and I was like, okay, I

417
00:18:52,281 --> 00:18:55,761
Speaker 2: get up this heavy luggage and I'm like all right,

418
00:18:55,840 --> 00:19:01,161
Speaker 2: and then I look up the hill. It's up these

419
00:19:01,441 --> 00:19:03,080
Speaker 2: it's beautiful pictures, gorgeous.

420
00:19:03,241 --> 00:19:05,760
Speaker 3: Well, your first flag should have been that you're on

421
00:19:05,801 --> 00:19:06,761
Speaker 3: a cliff.

422
00:19:06,761 --> 00:19:08,481
Speaker 2: But the photos make it look like you just drive in.

423
00:19:08,840 --> 00:19:10,801
Speaker 2: They don't really show you that. I just thought.

424
00:19:11,880 --> 00:19:18,321
Speaker 4: Easy, and so then I had to carry it up

425
00:19:18,321 --> 00:19:21,400
Speaker 4: this narrow, cobbled like pathway.

426
00:19:21,721 --> 00:19:25,161
Speaker 2: Rolling thought.

427
00:19:25,360 --> 00:19:27,360
Speaker 4: But imagine if mom and dad had rented this and

428
00:19:27,400 --> 00:19:29,721
Speaker 4: not realized, like, Mom can't really do stairs.

429
00:19:30,080 --> 00:19:34,241
Speaker 2: There's no room to like where you part the car.

430
00:19:35,001 --> 00:19:37,041
Speaker 4: It's wide enough for the car, but when you open

431
00:19:37,080 --> 00:19:38,961
Speaker 4: the door you just look out it's just drop.

432
00:19:39,961 --> 00:19:41,561
Speaker 1: Oh no, I'd be useless.

433
00:19:41,561 --> 00:19:43,920
Speaker 4: This is so funny because I was like ship so

434
00:19:43,961 --> 00:19:46,400
Speaker 4: I get out and then get to the top and

435
00:19:46,441 --> 00:19:48,961
Speaker 4: I'm like, oh god, here, I got the hard parts over.

436
00:19:49,801 --> 00:19:53,400
Speaker 1: It's just what you're thinking hard.

437
00:19:52,360 --> 00:19:55,480
Speaker 2: Parts, and it's just with the keys are hanging on

438
00:19:55,481 --> 00:19:57,401
Speaker 2: this door handle. I get the key.

439
00:19:57,721 --> 00:20:00,840
Speaker 4: It's like an old school key, you know, like imagine

440
00:20:00,880 --> 00:20:02,361
Speaker 4: a key to it old castle.

441
00:20:02,681 --> 00:20:07,241
Speaker 7: Yeah, those beautiful, beautiful bord and it was one of those,

442
00:20:07,400 --> 00:20:10,120
Speaker 7: and I put it in and then I was like

443
00:20:10,640 --> 00:20:12,001
Speaker 7: putting it in, but it felt like I was just

444
00:20:12,041 --> 00:20:13,961
Speaker 7: putting it into a pipe, like I.

445
00:20:13,880 --> 00:20:16,321
Speaker 2: Was like, and I was turning it and I was like,

446
00:20:18,360 --> 00:20:19,561
Speaker 2: there's nothing like the no.

447
00:20:22,160 --> 00:20:23,640
Speaker 3: And you'd get it out and you'd look at it, and.

448
00:20:25,120 --> 00:20:27,001
Speaker 4: I was like, put it in and then it turns

449
00:20:27,041 --> 00:20:29,041
Speaker 4: so easily. I'm like, it's not pushing anything, Like, it's

450
00:20:29,041 --> 00:20:32,201
Speaker 4: not unlocking the door. And then I like crouched down

451
00:20:32,241 --> 00:20:33,961
Speaker 4: and I'm looking and like I said, through the keyhole

452
00:20:33,961 --> 00:20:34,640
Speaker 4: into the cabin.

453
00:20:35,201 --> 00:20:40,440
Speaker 2: I'm like to get it and it's freezing putting it in.

454
00:20:40,640 --> 00:20:43,761
Speaker 4: Manage to get the door open, and then I'm like

455
00:20:43,880 --> 00:20:46,240
Speaker 4: I opened the door to what's going to be, you know,

456
00:20:46,961 --> 00:20:57,801
Speaker 4: a living room, bedroom, bathroom, gorgeous okay and polish.

457
00:20:57,561 --> 00:21:02,521
Speaker 2: Yeah, And I really and so I opened the door.

458
00:21:02,481 --> 00:21:05,400
Speaker 1: And immediately immediately go.

459
00:21:05,441 --> 00:21:09,281
Speaker 2: Oh, wow, where's the other doors to the other rooms? Oh,

460
00:21:09,321 --> 00:21:11,881
Speaker 2: the beds there, and the toilet's just there.

461
00:21:12,880 --> 00:21:14,321
Speaker 1: There was no doors on the rooms.

462
00:21:14,561 --> 00:21:16,441
Speaker 2: There was no rooms. It was one single room.

463
00:21:16,481 --> 00:21:19,281
Speaker 4: It was like it was like this cabin that when

464
00:21:19,321 --> 00:21:21,761
Speaker 4: we record this pocket, like right now where we're recording.

465
00:21:22,041 --> 00:21:22,680
Speaker 1: It was all in that.

466
00:21:22,801 --> 00:21:24,080
Speaker 2: It was tiny.

467
00:21:24,160 --> 00:21:29,440
Speaker 4: It was maybe two cells. But I opened the door

468
00:21:29,840 --> 00:21:31,241
Speaker 4: and I was like, oh.

469
00:21:31,521 --> 00:21:33,001
Speaker 2: And you stay in and you're in the middle of

470
00:21:33,041 --> 00:21:34,400
Speaker 2: the room, and I was okay.

471
00:21:34,640 --> 00:21:38,761
Speaker 4: And then the toilet and shower were like I think

472
00:21:38,801 --> 00:21:42,360
Speaker 4: this was a garage converted. So the toilet and shower

473
00:21:42,521 --> 00:21:44,401
Speaker 4: in the corner, and it's.

474
00:21:44,321 --> 00:21:47,561
Speaker 2: Very very high ceilings, beautiful, and so they're not enclosed.

475
00:21:47,600 --> 00:21:52,321
Speaker 4: It's just like a room. And now I say this,

476
00:21:52,561 --> 00:21:55,720
Speaker 4: there are so many problems. I'm realizing. The door to

477
00:21:55,801 --> 00:21:58,880
Speaker 4: the toilet was one of those nineteen seventies like laundry doors.

478
00:22:01,840 --> 00:22:04,920
Speaker 1: It was so was it the white one around.

479
00:22:06,001 --> 00:22:07,961
Speaker 2: It was so old that it had like coffeed.

480
00:22:08,721 --> 00:22:11,921
Speaker 3: It's probably a little splits and specks everywhere.

481
00:22:12,160 --> 00:22:12,801
Speaker 1: I love it.

482
00:22:13,120 --> 00:22:15,001
Speaker 2: So I'm like, it's okay, this is fine. Look I'm

483
00:22:15,001 --> 00:22:18,760
Speaker 2: here to visit family. It'll be okay, making the sacrifice

484
00:22:18,801 --> 00:22:19,561
Speaker 2: immediately went.

485
00:22:20,120 --> 00:22:22,720
Speaker 4: I can't bring people here, like I can't have sex here.

486
00:22:23,441 --> 00:22:25,761
Speaker 4: I can't bring someone back. I think I'm a serial killer.

487
00:22:26,600 --> 00:22:29,840
Speaker 4: But at nighttimes no lights.

488
00:22:29,880 --> 00:22:32,801
Speaker 3: I'm like here this place had no lights in the

489
00:22:32,840 --> 00:22:35,401
Speaker 3: gardens last night. When I went down like a sack

490
00:22:35,400 --> 00:22:36,161
Speaker 3: of potatoes.

491
00:22:36,481 --> 00:22:38,600
Speaker 2: Oh yeah, that's true. You fell over.

492
00:22:39,921 --> 00:22:43,761
Speaker 4: I was just like, oh whatever, so it's not time.

493
00:22:43,921 --> 00:22:47,281
Speaker 4: I'm like, okay, well I might go to bed. And

494
00:22:47,561 --> 00:22:48,681
Speaker 4: I got to lie in the bed.

495
00:22:49,241 --> 00:22:51,720
Speaker 1: Oh god, here we go, here we go.

496
00:22:51,961 --> 00:22:55,961
Speaker 4: The bed is like this thick. It's like the thickness

497
00:22:56,041 --> 00:22:59,880
Speaker 4: of a bible, like this. The mattress is that big.

498
00:23:00,041 --> 00:23:03,080
Speaker 1: Obviously, no springs, no spring city.

499
00:23:03,761 --> 00:23:07,680
Speaker 2: So it was like I'll get on it and you

500
00:23:07,761 --> 00:23:09,600
Speaker 2: just bounce. It was kind of fun. It was kind

501
00:23:09,600 --> 00:23:13,921
Speaker 2: of comfortable, but it was really loud, and so I'd

502
00:23:13,961 --> 00:23:16,561
Speaker 2: be like, okay, I'm just gonna roll. It was so

503
00:23:16,721 --> 00:23:18,640
Speaker 2: fucking loud, and then so.

504
00:23:18,600 --> 00:23:22,761
Speaker 4: Every time you made quite some squeaky noises.

505
00:23:23,160 --> 00:23:25,200
Speaker 2: And then also what was fun about it is it

506
00:23:25,241 --> 00:23:25,640
Speaker 2: was like.

507
00:23:27,321 --> 00:23:29,801
Speaker 1: The base of the bed.

508
00:23:29,840 --> 00:23:32,161
Speaker 2: The base of the bed was like twenty centimeters off

509
00:23:32,160 --> 00:23:32,521
Speaker 2: the ground.

510
00:23:32,561 --> 00:23:37,120
Speaker 3: That's getting out of that rolling Jesus, you may as

511
00:23:37,160 --> 00:23:38,200
Speaker 3: well just roll off.

512
00:23:38,120 --> 00:23:41,561
Speaker 4: Roll onto the floor and stand up. I'm not finished

513
00:23:42,041 --> 00:23:45,681
Speaker 4: so sleeping. I was like, I'll go to the bathroom.

514
00:23:45,681 --> 00:23:48,080
Speaker 4: I've left the bathroom light on but closed the door

515
00:23:48,160 --> 00:23:51,521
Speaker 4: just to sort of yeah, And I don't know where these.

516
00:23:51,321 --> 00:23:56,561
Speaker 2: Bugs came from, but yeah, serious, so many. Oh no,

517
00:23:57,080 --> 00:23:59,600
Speaker 2: I'm going hundreds. They were very tiny.

518
00:23:59,600 --> 00:24:01,441
Speaker 1: I don't give off.

519
00:24:01,481 --> 00:24:03,321
Speaker 2: They were like ants with wings.

520
00:24:05,241 --> 00:24:05,561
Speaker 1: Open.

521
00:24:06,241 --> 00:24:08,080
Speaker 4: I opened the bathroom door and I didn't notice them

522
00:24:08,080 --> 00:24:09,920
Speaker 4: because the roofs really high because.

523
00:24:09,640 --> 00:24:14,481
Speaker 3: They're all up there and the lights just there, and

524
00:24:14,481 --> 00:24:17,240
Speaker 3: and so I'm not wearing any clothes and I go

525
00:24:17,321 --> 00:24:18,241
Speaker 3: to the toilet and I.

526
00:24:18,241 --> 00:24:23,561
Speaker 4: Just feel like it's like these tickles and I'm like, oh,

527
00:24:23,880 --> 00:24:25,281
Speaker 4: I've got chills because.

528
00:24:28,481 --> 00:24:29,801
Speaker 2: His car and so I was like oh.

529
00:24:29,961 --> 00:24:32,200
Speaker 4: And then I noticed as I was doing that, I

530
00:24:32,241 --> 00:24:34,960
Speaker 4: was like this little black and I thought, is it

531
00:24:35,001 --> 00:24:39,321
Speaker 4: from the bedding? And then I was like, oh, it

532
00:24:39,400 --> 00:24:42,840
Speaker 4: was a little bugs. I was and I look up

533
00:24:43,801 --> 00:24:48,200
Speaker 4: and I kid you not, the white lamp shade was

534
00:24:48,281 --> 00:24:54,720
Speaker 4: now black. There was hundreds of them, so tiny, and

535
00:24:54,761 --> 00:24:58,001
Speaker 4: I was like, oh, no, that's not right. The remainder

536
00:24:58,041 --> 00:25:00,840
Speaker 4: of the Four Nights I was I was being mistayed.

537
00:25:01,080 --> 00:25:03,441
Speaker 2: Yes, I was in the shower.

538
00:25:03,681 --> 00:25:05,120
Speaker 1: Oh god, they followed you into the sh.

539
00:25:06,561 --> 00:25:08,400
Speaker 2: And I was drying myself off and I just feel

540
00:25:08,400 --> 00:25:09,960
Speaker 2: the little dots falling.

541
00:25:09,721 --> 00:25:13,160
Speaker 1: Off because they're feeding off your flesh. Oh that's revolted.

542
00:25:13,481 --> 00:25:15,160
Speaker 1: Did you provide feedback?

543
00:25:15,521 --> 00:25:18,041
Speaker 4: You couldn't do that because it was an older man,

544
00:25:18,321 --> 00:25:20,881
Speaker 4: and I feel bad, okay, But then I also feel

545
00:25:20,880 --> 00:25:22,600
Speaker 4: bad because I was like about your mum and dad.

546
00:25:23,241 --> 00:25:24,840
Speaker 4: Mom couldn't get in and out of the bed, she'd

547
00:25:24,921 --> 00:25:26,961
Speaker 4: be done. She couldn't get up the stets to get there.

548
00:25:27,321 --> 00:25:28,281
Speaker 2: Dad could never follow.

549
00:25:28,481 --> 00:25:31,761
Speaker 1: Did you pay for this? How much do you reckon me?

550
00:25:32,321 --> 00:25:33,080
Speaker 2: Sure? I'll bring up the air.

551
00:25:33,640 --> 00:25:35,840
Speaker 3: I am so impressed that you stayed because I would

552
00:25:35,880 --> 00:25:37,720
Speaker 3: have thought Nah, passed me a match box.

553
00:25:37,761 --> 00:25:39,761
Speaker 2: So it was also quite sick. So I was like,

554
00:25:39,761 --> 00:25:41,000
Speaker 2: I don't want to pack. I don't want to bring

555
00:25:41,041 --> 00:25:41,761
Speaker 2: this suitcase back.

556
00:25:41,681 --> 00:25:43,400
Speaker 3: Down to would have gone down and flames I would

557
00:25:43,400 --> 00:25:43,961
Speaker 3: have had the.

558
00:25:43,921 --> 00:25:46,640
Speaker 4: Area was The area was a bougie like we're talking

559
00:25:46,681 --> 00:25:49,521
Speaker 4: like Clifton cold Cliff there as me.

560
00:25:49,600 --> 00:25:50,721
Speaker 1: It's quite beautiful.

561
00:25:51,561 --> 00:25:54,161
Speaker 2: I love it down there, so stunning. How much reckon

562
00:25:54,241 --> 00:25:54,521
Speaker 2: this one?

563
00:25:54,561 --> 00:25:54,640
Speaker 4: Is?

564
00:25:55,241 --> 00:25:55,681
Speaker 1: This one?

565
00:25:55,801 --> 00:25:56,241
Speaker 2: Per night.

566
00:25:57,880 --> 00:26:01,761
Speaker 4: Okay, So for those it's what three bedroom, two bathroom

567
00:26:01,840 --> 00:26:04,640
Speaker 4: on the cliff like it's a multi million dollar house?

568
00:26:05,041 --> 00:26:06,441
Speaker 1: Do you reckon? It's multi million dollars?

569
00:26:06,521 --> 00:26:09,561
Speaker 2: Absolutely? Really, I'll look it up. How much did I

570
00:26:09,640 --> 00:26:13,960
Speaker 2: pay my receipt? See? Okay?

571
00:26:14,201 --> 00:26:15,960
Speaker 1: Oh look you're pulling a face.

572
00:26:16,041 --> 00:26:19,920
Speaker 4: So oh god, No, for the four nights it was

573
00:26:19,961 --> 00:26:23,321
Speaker 4: four hundred so it wasn't expensive one hundred dollars a night?

574
00:26:23,681 --> 00:26:24,960
Speaker 1: No, should it be expensive?

575
00:26:24,961 --> 00:26:28,721
Speaker 2: If that's not too bad? How much is this one?

576
00:26:28,801 --> 00:26:31,240
Speaker 3: And did you go in and review it and rank it?

577
00:26:31,721 --> 00:26:32,041
Speaker 1: Rate it?

578
00:26:32,080 --> 00:26:35,481
Speaker 4: And I've determined that if it's not for me, I

579
00:26:35,640 --> 00:26:38,880
Speaker 4: just let that review. Yes, yes, yes, because I just

580
00:26:38,921 --> 00:26:42,121
Speaker 4: feel bad and I know, I know I always service

581
00:26:42,160 --> 00:26:44,441
Speaker 4: to other people who might want to rent it. Oh

582
00:26:44,521 --> 00:26:47,360
Speaker 4: what if mom and dads? But I can't do that

583
00:26:47,400 --> 00:26:49,921
Speaker 4: to that old man. He's probably just trying to get

584
00:26:49,921 --> 00:26:51,801
Speaker 4: by five million dollars.

585
00:26:51,840 --> 00:26:55,721
Speaker 3: Probably a multi millionaire probably has a Mercedes in the garage.

586
00:26:55,761 --> 00:26:59,921
Speaker 4: I think a multimillionaire would have a bug ridden infested seventy.

587
00:26:59,640 --> 00:27:01,360
Speaker 1: How would he know if no one's told him? But

588
00:27:01,481 --> 00:27:03,160
Speaker 1: there could be people not telling.

589
00:27:02,961 --> 00:27:07,241
Speaker 3: Him that there's an infested how colony of.

590
00:27:08,681 --> 00:27:15,360
Speaker 1: No thank you. No God, what's happening?

591
00:27:15,521 --> 00:27:16,761
Speaker 2: I lost at the price of this one?

592
00:27:17,160 --> 00:27:17,400
Speaker 1: Yeah?

593
00:27:17,441 --> 00:27:23,400
Speaker 4: Okay, right, So we're here one, two, three, four nights.

594
00:27:23,521 --> 00:27:24,561
Speaker 2: We go on the Monday, so.

595
00:27:25,961 --> 00:27:27,160
Speaker 1: Huh, what is it?

596
00:27:27,801 --> 00:27:28,161
Speaker 2: How much?

597
00:27:29,801 --> 00:27:33,921
Speaker 1: I'd say probably two fifty at night just because of location.

598
00:27:34,201 --> 00:27:34,600
Speaker 2: Double it.

599
00:27:34,921 --> 00:27:38,041
Speaker 1: Oh you're joking, you're serious.

600
00:27:38,281 --> 00:27:42,600
Speaker 3: Yeah, we could have stayed at the Fairmont up the road.

601
00:27:43,120 --> 00:27:46,520
Speaker 2: I'm sorry. The Fairmont's probably five hundred dollars for two rooms.

602
00:27:46,761 --> 00:27:49,481
Speaker 3: Oh yeah, okay, I would have bumped in with you. No,

603
00:27:49,561 --> 00:27:52,961
Speaker 3: I don't want that five hundred dollars a night.

604
00:27:53,160 --> 00:27:54,921
Speaker 2: Yeah, yeah, I think ABNB.

605
00:27:55,001 --> 00:27:57,200
Speaker 4: I'm just realizing is really great for people that want

606
00:27:57,241 --> 00:27:59,961
Speaker 4: their own space but don't want to buy their friend

607
00:28:00,001 --> 00:28:01,200
Speaker 4: a separate hotel room.

608
00:28:01,321 --> 00:28:05,041
Speaker 2: That's me, Yeah, that's me. Look, I see two thousand

609
00:28:05,160 --> 00:28:06,801
Speaker 2: dollars to state the fucking.

610
00:28:07,041 --> 00:28:09,401
Speaker 3: We went to Imagine and it was over three grand pullman.

611
00:28:09,640 --> 00:28:10,400
Speaker 1: I nearly died.

612
00:28:10,600 --> 00:28:13,520
Speaker 3: Well look what night, Come on, you're having room service.

613
00:28:13,761 --> 00:28:24,721
Speaker 3: You've got the concierge downstairs. What concierge, Christine?

614
00:28:24,961 --> 00:28:26,680
Speaker 2: Christiane type of eventering. We're in a cafe, We're and

615
00:28:26,761 --> 00:28:27,801
Speaker 2: fed in the Blue Mountains.

616
00:28:28,041 --> 00:28:30,440
Speaker 4: Just hold on, Christine, because the people need to know

617
00:28:30,721 --> 00:28:31,601
Speaker 4: the debaucherous thing.

618
00:28:31,801 --> 00:28:34,160
Speaker 2: Then you slammed the tables.

619
00:28:34,281 --> 00:28:36,561
Speaker 3: They could, but I was opening the menu to take

620
00:28:36,561 --> 00:28:38,321
Speaker 3: a photo to put it on the socials, to say

621
00:28:38,321 --> 00:28:40,081
Speaker 3: how much I love feed here in the Blue Mountains.

622
00:28:40,401 --> 00:28:42,001
Speaker 1: And then it's his Tenure Hennessy.

623
00:28:42,041 --> 00:28:45,001
Speaker 3: It's commented on one of your posts. I have merely

624
00:28:45,081 --> 00:28:49,121
Speaker 3: hyperventilated and bang the table quite aggressively. Oh my god,

625
00:28:49,401 --> 00:28:51,521
Speaker 3: Oh my god, it's so good, she commented on the

626
00:28:51,561 --> 00:28:55,001
Speaker 3: bath house content I did. I just want to say

627
00:28:55,041 --> 00:28:57,641
Speaker 3: to you, if you are listening, I absolutely adore you,

628
00:28:57,721 --> 00:29:01,361
Speaker 3: and I think you're amazing your dress style, My love

629
00:29:01,521 --> 00:29:03,041
Speaker 3: is on point, your humor.

630
00:29:03,961 --> 00:29:06,401
Speaker 1: Could you please for Oh she is following me, No

631
00:29:06,441 --> 00:29:09,081
Speaker 1: one's following her. I love you, Tenure. I'm going to

632
00:29:09,281 --> 00:29:09,601
Speaker 1: go now.

633
00:29:11,721 --> 00:29:14,520
Speaker 2: Yeah you are. You're embarrassing yourself, embarrassing yourself.

634
00:29:16,121 --> 00:29:17,721
Speaker 1: I mean she's watching my staff.

635
00:29:19,361 --> 00:29:23,081
Speaker 2: Yeah, is she? Oh, look at me and ask me.

636
00:29:23,201 --> 00:29:23,601
Speaker 1: I'm not.

637
00:29:25,001 --> 00:29:26,081
Speaker 2: She will change. I don't know.

638
00:29:26,201 --> 00:29:28,121
Speaker 1: Is she?

639
00:29:28,521 --> 00:29:29,001
Speaker 2: Oh?

640
00:29:29,721 --> 00:29:30,961
Speaker 1: I think you're fucking.

641
00:29:31,881 --> 00:29:34,200
Speaker 2: I've never seen you act this way for someone.

642
00:29:34,521 --> 00:29:38,601
Speaker 1: Well, she is Julia. It's Julia Morris. Then Tanya Hennessy.

643
00:29:39,441 --> 00:29:43,241
Speaker 1: They're my two faives that list well that's female. You're

644
00:29:43,281 --> 00:29:44,881
Speaker 1: my top of my list, You're up the.

645
00:29:45,801 --> 00:29:46,921
Speaker 2: Third bullshit me?

646
00:29:49,001 --> 00:29:51,000
Speaker 1: I love you? You're one of the boys, is now?

647
00:29:51,041 --> 00:29:52,960
Speaker 1: I told you that you're fourth boys on.

648
00:29:53,001 --> 00:29:54,881
Speaker 2: Top fifteen for me? Top?

649
00:29:55,441 --> 00:29:55,760
Speaker 6: Am? I?

650
00:29:55,961 --> 00:29:57,081
Speaker 2: Yeah?

651
00:29:57,161 --> 00:29:59,081
Speaker 3: What can I do to get yourself up higher?

652
00:29:59,961 --> 00:30:00,441
Speaker 1: Fifteen?

653
00:30:00,561 --> 00:30:05,161
Speaker 2: A bit? I just thought I was going exactly what

654
00:30:05,201 --> 00:30:07,720
Speaker 2: does say? When you said what can I do? And

655
00:30:07,761 --> 00:30:10,241
Speaker 2: I thought that'd say that out loud question? And I'm

656
00:30:10,241 --> 00:30:13,321
Speaker 2: not going to but I love you.

657
00:30:15,201 --> 00:30:27,481
Speaker 1: I'm not fixing its. Actually, is it too much to

658
00:30:27,521 --> 00:30:30,601
Speaker 1: put I love and adore you, tenure you love and adore?

659
00:30:31,081 --> 00:30:31,721
Speaker 1: Is that too much?

660
00:30:31,961 --> 00:30:34,000
Speaker 2: That's in my comm That's fine.

661
00:30:36,521 --> 00:30:38,841
Speaker 4: She's probably gonna fig you're a cereal stalk of his,

662
00:30:40,081 --> 00:30:41,321
Speaker 4: But I mean she wouldn't be wrong.

663
00:30:43,081 --> 00:30:45,281
Speaker 1: I'm sitting here with you made.

664
00:30:45,881 --> 00:30:47,601
Speaker 2: Oh yeah, I got right in there.

665
00:30:47,641 --> 00:30:48,081
Speaker 1: You are.

666
00:30:49,601 --> 00:30:51,241
Speaker 2: Well that means you can't be on the top fifteen?

667
00:30:51,241 --> 00:30:58,761
Speaker 1: Then do not? Would you not give me math mass

668
00:30:58,841 --> 00:31:00,240
Speaker 1: resuscitation if I needed it?

669
00:31:00,281 --> 00:31:03,561
Speaker 3: If I was on the ground having a cardiac, I'd like.

670
00:31:03,481 --> 00:31:05,681
Speaker 2: To ask the same question a baker.

671
00:31:05,841 --> 00:31:08,641
Speaker 1: But I think someone in I get someone in for you.

672
00:31:09,001 --> 00:31:09,440
Speaker 4: I got.

673
00:31:15,081 --> 00:31:17,721
Speaker 1: Oh, well, that's embarrassing, but there it is. I did,

674
00:31:17,881 --> 00:31:20,201
Speaker 1: but I love an adore you, tenure, love.

675
00:31:20,161 --> 00:31:28,521
Speaker 3: And adore in capitals on my Japanese baths love and

676
00:31:28,641 --> 00:31:31,921
Speaker 3: right underneath is another celebrity in the UK that is

677
00:31:31,961 --> 00:31:38,641
Speaker 3: a soap actress and has sent me here, Wow, what'sapp number?

678
00:31:39,201 --> 00:31:40,041
Speaker 1: We're going to catch up?

679
00:31:45,401 --> 00:31:45,841
Speaker 2: Thank you?

680
00:31:46,121 --> 00:31:49,321
Speaker 3: So just come over to hang on that little arrow

681
00:31:49,441 --> 00:31:52,081
Speaker 3: arrow that wasn't there a minute ago.

682
00:31:52,641 --> 00:31:54,321
Speaker 2: She just followed me.

683
00:31:55,401 --> 00:31:56,161
Speaker 1: Did you around her?

684
00:31:58,201 --> 00:32:02,401
Speaker 4: I was a sex Did you thank you?

685
00:32:02,681 --> 00:32:03,601
Speaker 1: Darling? I have to talk?

686
00:32:06,241 --> 00:32:07,321
Speaker 2: Can I do inst.

687
00:32:10,881 --> 00:32:15,481
Speaker 1: Oh my god, what did you say?

688
00:32:16,201 --> 00:32:18,881
Speaker 2: I said, read it?

689
00:32:18,921 --> 00:32:22,960
Speaker 4: Go on reading, said her voice memory, because he just

690
00:32:22,961 --> 00:32:24,801
Speaker 4: told me she's in love with you. We're recording a

691
00:32:24,841 --> 00:32:27,881
Speaker 4: podcast and she just reacted embarrassingly in the cafe.

692
00:32:28,161 --> 00:32:29,960
Speaker 2: Can you follow her? And she was like done?

693
00:32:30,081 --> 00:32:32,561
Speaker 4: But I told her Instagram and then I quickly text

694
00:32:32,601 --> 00:32:33,801
Speaker 4: and said, oh no, no, TikTok.

695
00:32:33,881 --> 00:32:35,961
Speaker 2: So I think she's probably don't want Instagram as well.

696
00:32:38,561 --> 00:32:46,161
Speaker 4: He Y clueser to follow Tanya Hennessy.

697
00:32:47,121 --> 00:32:49,561
Speaker 2: On the next episode of We Will Always Have.

698
00:32:51,121 --> 00:32:55,681
Speaker 5: I Love than you look at me before?

699
00:32:55,761 --> 00:32:59,841
Speaker 8: Of course, shall we talk about your award or is

700
00:32:59,881 --> 00:33:04,921
Speaker 8: that going to be patronizing at the laptop and check

701
00:33:05,121 --> 00:33:08,121
Speaker 8: I'm like, oh, should we do dinner, should we finished,

702
00:33:08,321 --> 00:33:09,041
Speaker 8: Are we finished?

703
00:33:09,401 --> 00:33:11,601
Speaker 4: Or should we talk about your award, my award as

704
00:33:11,641 --> 00:33:12,761
Speaker 4: the washing machine still going