1
00:00:00,600 --> 00:00:04,200
Speaker 1: And before his exclusive Red Room performance tonight.

2
00:00:05,440 --> 00:00:08,800
Speaker 2: Are you ready in Sharon's co hosts The Whipper Show,

3
00:00:09,240 --> 00:00:10,440
Speaker 2: It's me, It's Shearon.

4
00:00:13,000 --> 00:00:15,960
Speaker 3: How good is this? We are so excited? So it's

5
00:00:15,960 --> 00:00:19,040
Speaker 3: Shuran's album Equals has dropped and he's playing in Red

6
00:00:19,079 --> 00:00:20,880
Speaker 3: Room tonight. We know that we've been talking about that

7
00:00:20,960 --> 00:00:22,800
Speaker 3: for the last month, but we caught up with Ed

8
00:00:22,920 --> 00:00:26,720
Speaker 3: last week before he got COVID and we interrupted. This

9
00:00:26,840 --> 00:00:29,479
Speaker 3: was funny because we interrupted him and his publicity team

10
00:00:29,560 --> 00:00:33,080
Speaker 3: chatting about the marble penis that he got Elton John

11
00:00:33,200 --> 00:00:36,120
Speaker 3: for his birthday. Have a listen, and.

12
00:00:36,440 --> 00:00:38,280
Speaker 4: I'm making a note of who we're sending them to for.

13
00:00:38,360 --> 00:00:41,159
Speaker 5: You cool it probably it probably works if we just

14
00:00:41,240 --> 00:00:42,000
Speaker 5: send one.

15
00:00:41,880 --> 00:00:44,400
Speaker 4: Per definitely and I will talk that for you too easy.

16
00:00:44,720 --> 00:00:46,199
Speaker 4: Although to be honest, I could just send him on.

17
00:00:46,280 --> 00:00:50,520
Speaker 2: Mass on Mass send them on Mass.

18
00:00:52,440 --> 00:00:54,520
Speaker 5: Speaking of sending them on Mass, I've just done two

19
00:00:54,600 --> 00:00:56,800
Speaker 5: interviews that they've spoken about this marble penis that I

20
00:00:56,880 --> 00:01:01,920
Speaker 5: got Elton and now I'm sending four marble penis is Australia.

21
00:01:01,960 --> 00:01:03,600
Speaker 4: So if you guys want one, you know.

22
00:01:05,959 --> 00:01:08,280
Speaker 2: We're meant to give you gifts. This is amazing. Did

23
00:01:08,319 --> 00:01:09,240
Speaker 2: you say marbled.

24
00:01:09,280 --> 00:01:11,000
Speaker 4: Well, I mean it can be sandstone.

25
00:01:11,160 --> 00:01:13,600
Speaker 2: Sorry I thought you No, I thought you said Marvel

26
00:01:13,920 --> 00:01:19,440
Speaker 2: like Thour You've designed some really muscly aggressive reckons.

27
00:01:19,959 --> 00:01:22,360
Speaker 5: Who do you reckons? The one I reckon, I don't

28
00:01:22,400 --> 00:01:25,800
Speaker 5: reckon that was packing on Marvel. I reckon, I reckon,

29
00:01:25,840 --> 00:01:30,720
Speaker 5: that's like a what the what's the drums that the bodybuilders?

30
00:01:32,920 --> 00:01:36,120
Speaker 3: Yeah, see, we're very I reckon, we're very biased with

31
00:01:36,240 --> 00:01:40,680
Speaker 3: Thor here in Australia because of Chris, So he has I'm.

32
00:01:40,480 --> 00:01:43,200
Speaker 5: Not saying I'm not saying the I'm saying the character,

33
00:01:44,360 --> 00:01:48,040
Speaker 5: the character character my abroidy penis.

34
00:01:48,560 --> 00:01:54,520
Speaker 2: So you're not saying that Hemsworth has a steroid induced.

35
00:01:54,120 --> 00:01:56,279
Speaker 5: No, no, no, no, I'm saying I'm saying in the comic,

36
00:01:56,400 --> 00:01:59,600
Speaker 5: in the comic book, in the comic book, in the

37
00:01:59,640 --> 00:02:00,960
Speaker 5: comic you reckon.

38
00:02:01,280 --> 00:02:03,360
Speaker 3: Yeah, yeah, yeah, Well this is the thing we need

39
00:02:03,360 --> 00:02:05,000
Speaker 3: to talk to you about because it's been a long

40
00:02:05,040 --> 00:02:07,919
Speaker 3: time between drinks with us. But we're a bit worried

41
00:02:07,920 --> 00:02:09,919
Speaker 3: because the last time we did give you a gift.

42
00:02:11,440 --> 00:02:14,880
Speaker 3: First of all, you bit into this giant cake. It

43
00:02:15,000 --> 00:02:17,919
Speaker 3: was your, it was huge, it was it was your.

44
00:02:18,200 --> 00:02:21,760
Speaker 5: Still, yeah, I still remember the feeling of biting it

45
00:02:21,840 --> 00:02:24,400
Speaker 5: and taking it out, and it there being like a

46
00:02:24,520 --> 00:02:26,799
Speaker 5: wire in there, and it was like it was that

47
00:02:27,280 --> 00:02:31,000
Speaker 5: it was the like most horrible feeling on your teeth,

48
00:02:31,120 --> 00:02:34,080
Speaker 5: like biting this wire and scraping it, and god, I

49
00:02:34,160 --> 00:02:35,639
Speaker 5: still like remember it so clearly.

50
00:02:35,720 --> 00:02:38,880
Speaker 3: Well, there was also a moment afterwards. You probably don't

51
00:02:38,919 --> 00:02:41,080
Speaker 3: remember this bit, but as we were packing up and

52
00:02:41,200 --> 00:02:44,800
Speaker 3: leaving the hotel room, a light fell down on your head.

53
00:02:45,040 --> 00:02:46,600
Speaker 3: Now this is the audio from it.

54
00:02:46,680 --> 00:02:48,240
Speaker 4: Have a listen to this. Can we take can we

55
00:02:48,240 --> 00:02:49,959
Speaker 4: take that to the operas? And in the dressing.

56
00:02:49,760 --> 00:03:01,440
Speaker 1: Room, I thought you were playing a frank Yeah, no,

57
00:03:01,560 --> 00:03:02,160
Speaker 1: it's fine, dude.

58
00:03:02,160 --> 00:03:03,320
Speaker 4: I got hit in the face with the sword.

59
00:03:05,919 --> 00:03:07,480
Speaker 3: You've got a hit in the face with the sword.

60
00:03:07,520 --> 00:03:09,600
Speaker 3: We dropped a light on your head? Why and Nelly

61
00:03:09,720 --> 00:03:10,640
Speaker 3: went through your face.

62
00:03:10,680 --> 00:03:12,079
Speaker 2: What a relationship we've got.

63
00:03:12,160 --> 00:03:15,040
Speaker 3: We've been told by the record company to stay away from.

64
00:03:14,880 --> 00:03:17,240
Speaker 2: You, and so that's why we'll be happy. Maybe if

65
00:03:17,280 --> 00:03:18,840
Speaker 2: it's just a one way straight here and you give

66
00:03:18,880 --> 00:03:21,519
Speaker 2: us some marble penis I mean last time we met FITZI.

67
00:03:21,639 --> 00:03:24,280
Speaker 2: You're cutting a short here, mate, because we gave you

68
00:03:24,360 --> 00:03:27,519
Speaker 2: some mats for your bar. The underground bar said what

69
00:03:27,639 --> 00:03:30,000
Speaker 2: you're in. And then we gave you a cocktail shaker and.

70
00:03:30,400 --> 00:03:31,520
Speaker 4: I've got it. I've got it in.

71
00:03:31,600 --> 00:03:36,680
Speaker 5: I've actually got I've got a bar in I have

72
00:03:36,760 --> 00:03:39,400
Speaker 5: a place in Italy and there's a small bar there

73
00:03:39,400 --> 00:03:41,440
Speaker 5: and I have the cocktail shaker there because that's actually

74
00:03:41,480 --> 00:03:45,080
Speaker 5: where I would drink cocktails, where like this bar is

75
00:03:45,120 --> 00:03:48,640
Speaker 5: a bit more guinness I have got I have got

76
00:03:48,680 --> 00:03:50,320
Speaker 5: the cocktail shakers then very much.

77
00:03:50,360 --> 00:03:54,480
Speaker 3: The cocktail shaker has Russell Crow's punch recipe on the

78
00:03:54,520 --> 00:03:55,440
Speaker 3: cocktail shaker.

79
00:03:55,960 --> 00:03:58,040
Speaker 5: Yeah, and I've got it and and and and you

80
00:03:58,120 --> 00:03:59,880
Speaker 5: know what, what's what's more than that?

81
00:03:59,880 --> 00:04:02,320
Speaker 4: You guys made me like two crates of.

82
00:04:02,400 --> 00:04:06,280
Speaker 5: Ed beeren Yes, and I've still got I've still got

83
00:04:06,280 --> 00:04:07,320
Speaker 5: like sixty bottles of that.

84
00:04:07,400 --> 00:04:08,240
Speaker 4: In my club bridge.

85
00:04:08,400 --> 00:04:09,200
Speaker 2: Sorry about that.

86
00:04:09,240 --> 00:04:10,680
Speaker 4: I'm not sure if it's gone off yet.

87
00:04:11,320 --> 00:04:13,520
Speaker 2: Because the other thing too. I remember when we gave

88
00:04:13,520 --> 00:04:15,040
Speaker 2: you the cocktail shaker and it had sort of the

89
00:04:15,200 --> 00:04:18,240
Speaker 2: ingredients or how you do it written on the side.

90
00:04:18,240 --> 00:04:21,000
Speaker 2: But initially we're putting a plaque on it with photos

91
00:04:21,040 --> 00:04:23,200
Speaker 2: of us and stuff, and we rang Russell Croy and

92
00:04:23,200 --> 00:04:25,760
Speaker 2: we said, Russell, we've got this plak We just want

93
00:04:25,800 --> 00:04:27,840
Speaker 2: to make sure that you think it's all right, and

94
00:04:27,839 --> 00:04:29,640
Speaker 2: he went, Mate, that's.

95
00:04:31,240 --> 00:04:34,040
Speaker 4: He doesn't he doesn't mint, he doesn't mince his words,

96
00:04:34,080 --> 00:04:35,800
Speaker 4: does it. He's definitely like.

97
00:04:36,960 --> 00:04:38,720
Speaker 2: So he said, you've got to you've got to put

98
00:04:38,760 --> 00:04:40,600
Speaker 2: it on a cocktail shaky, You've got to put on

99
00:04:40,680 --> 00:04:42,880
Speaker 2: a cocktail maker. So that's how we ended up at

100
00:04:42,880 --> 00:04:43,320
Speaker 2: that point.

101
00:04:43,480 --> 00:04:46,640
Speaker 5: Yeah, he's you know what, guys, can I just say like,

102
00:04:47,120 --> 00:04:49,680
Speaker 5: I've got I've got forteen hours of Zoom interviews today

103
00:04:49,720 --> 00:04:51,599
Speaker 5: and I'm so happy I get to begin it with

104
00:04:51,680 --> 00:04:54,839
Speaker 5: Australia because I wake up, I woke up this this

105
00:04:54,839 --> 00:04:57,719
Speaker 5: this morning. I had to like like urge myself into it.

106
00:04:57,760 --> 00:04:59,640
Speaker 5: And then as soon as I'm in, I'm like, man,

107
00:04:59,680 --> 00:05:00,680
Speaker 5: I love this is great?

108
00:05:00,720 --> 00:05:03,479
Speaker 3: How good that we'd love to hear that buddy's talk

109
00:05:03,520 --> 00:05:07,520
Speaker 3: about your love affair with Australia and go back because mate,

110
00:05:07,560 --> 00:05:10,599
Speaker 3: thank you, because we're so excited about tonight you playing

111
00:05:10,600 --> 00:05:12,960
Speaker 3: in Nova's Red Room and we're going to hear new

112
00:05:13,000 --> 00:05:16,720
Speaker 3: songs off equals. Mate, it's amazing. Congratulations. Let's go back

113
00:05:16,720 --> 00:05:18,640
Speaker 3: to the first Nova Red Room and it was at

114
00:05:18,640 --> 00:05:21,400
Speaker 3: the bucket list in BONDI. Do you remember that gig.

115
00:05:21,320 --> 00:05:23,080
Speaker 4: Yep, so clearly.

116
00:05:23,160 --> 00:05:23,360
Speaker 1: Yeah.

117
00:05:23,800 --> 00:05:25,400
Speaker 5: I think the thing that I remember about that gig

118
00:05:25,440 --> 00:05:27,240
Speaker 5: the most is I was wearing the wrong sized T

119
00:05:27,360 --> 00:05:30,560
Speaker 5: shirt i'd been given been giving a T shirt. It

120
00:05:30,600 --> 00:05:32,279
Speaker 5: was like an Excel and I was like a small

121
00:05:32,360 --> 00:05:35,440
Speaker 5: and I just remember just being in this dreaky tea.

122
00:05:35,720 --> 00:05:38,120
Speaker 5: I don't know why that's like my memory.

123
00:05:37,800 --> 00:05:40,479
Speaker 2: Of it, because I remember we'd spoken that day in

124
00:05:40,480 --> 00:05:42,760
Speaker 2: an interview and then Lisa and I and this was

125
00:05:42,800 --> 00:05:45,400
Speaker 2: that twenty twelve, that's how long ago we're talking. And

126
00:05:46,200 --> 00:05:48,640
Speaker 2: then we were talking backstage before you performed in your

127
00:05:48,640 --> 00:05:51,480
Speaker 2: giant T shirt, and you said to me, look, I've

128
00:05:51,520 --> 00:05:53,400
Speaker 2: worked out that if you have a bit of luck

129
00:05:53,400 --> 00:05:55,240
Speaker 2: and you get a good album away, you've got about

130
00:05:55,520 --> 00:05:58,159
Speaker 2: eighteen months in the industry. And that was kind of

131
00:05:58,200 --> 00:06:00,000
Speaker 2: what you're right. That was like your baby step at

132
00:06:00,080 --> 00:06:02,159
Speaker 2: a time. Man, if I can perform at the bucket

133
00:06:02,200 --> 00:06:03,760
Speaker 2: list and then I'll get eighteen months out of this,

134
00:06:03,880 --> 00:06:05,760
Speaker 2: that I'm winning and what are we now?

135
00:06:07,080 --> 00:06:07,919
Speaker 4: Yeah?

136
00:06:08,400 --> 00:06:10,680
Speaker 5: Yeah, but I think I think the key to my

137
00:06:10,839 --> 00:06:14,920
Speaker 5: success has been thinking that the end is a year away.

138
00:06:14,960 --> 00:06:18,479
Speaker 5: It's always been like I'm always treating, but when bad

139
00:06:18,520 --> 00:06:20,600
Speaker 5: habits came out, I'm like this is my first my

140
00:06:20,640 --> 00:06:22,720
Speaker 5: first single again, I have to like it's it might

141
00:06:22,760 --> 00:06:24,400
Speaker 5: be gone tomhere, I have to go. And I'm looking

142
00:06:24,440 --> 00:06:28,080
Speaker 5: at I'm looking at the younger generation and what they

143
00:06:28,120 --> 00:06:30,080
Speaker 5: do and how hard they work and going well, if

144
00:06:30,120 --> 00:06:32,960
Speaker 5: I'm not doing that, then like I'm not putting myself

145
00:06:32,960 --> 00:06:34,560
Speaker 5: in the best position for my.

146
00:06:34,960 --> 00:06:35,640
Speaker 4: Music to be heard.

147
00:06:35,640 --> 00:06:38,599
Speaker 5: There's no there's no time to be complacent here. Like,

148
00:06:38,640 --> 00:06:41,279
Speaker 5: I've spent four years making an album. I don't want

149
00:06:41,279 --> 00:06:43,640
Speaker 5: this album to just come out and disappear.

150
00:06:43,680 --> 00:06:44,200
Speaker 4: I really want.

151
00:06:44,120 --> 00:06:46,520
Speaker 5: People to listen to this And yeah, so I think

152
00:06:46,600 --> 00:06:49,640
Speaker 5: that's the I think throughout my career, I've always thought

153
00:06:49,720 --> 00:06:51,560
Speaker 5: that the end is nice.

154
00:06:51,920 --> 00:06:54,479
Speaker 3: Okay, so the hunger is still there, which is great

155
00:06:54,480 --> 00:06:57,120
Speaker 3: to see. But are you more a perfectionist now with

156
00:06:57,200 --> 00:06:59,279
Speaker 3: your songs? Like it's been four years, I mean some

157
00:06:59,320 --> 00:07:01,080
Speaker 3: of these songs you have had for a long time.

158
00:07:01,440 --> 00:07:04,400
Speaker 3: Is it harder for you to be happy with each

159
00:07:04,440 --> 00:07:06,520
Speaker 3: song or can you move on quite quickly it?

160
00:07:07,160 --> 00:07:09,640
Speaker 4: Yeah, I think there's more, there's more and more.

161
00:07:09,680 --> 00:07:12,880
Speaker 5: I think the songs only get better because it's everything's

162
00:07:12,920 --> 00:07:15,560
Speaker 5: been compared to what has come before. So if I

163
00:07:15,600 --> 00:07:18,880
Speaker 5: have a ballad, it's like, yeah, but is it as

164
00:07:18,960 --> 00:07:21,680
Speaker 5: good as Thinking Out Loud or Perfect? And that's the

165
00:07:21,760 --> 00:07:24,960
Speaker 5: kind of benchmark because if I've just put out a

166
00:07:25,000 --> 00:07:28,320
Speaker 5: five out of ten ballads, like people will be disappointed

167
00:07:28,360 --> 00:07:30,760
Speaker 5: in that. So the songs I think do get better

168
00:07:30,800 --> 00:07:32,800
Speaker 5: and I'm trying new things. I don't think I ever

169
00:07:32,840 --> 00:07:34,800
Speaker 5: would have made bad Habits had I not made Shape

170
00:07:34,800 --> 00:07:37,520
Speaker 5: of You, because I made Shape of You is like

171
00:07:37,560 --> 00:07:39,560
Speaker 5: a different style for me and it really works with

172
00:07:39,600 --> 00:07:41,400
Speaker 5: bad habits. I was like, do you know what, let

173
00:07:41,440 --> 00:07:44,400
Speaker 5: me just try something different here. So it's I think

174
00:07:44,480 --> 00:07:47,520
Speaker 5: the success of the songs before have added to me

175
00:07:47,760 --> 00:07:48,960
Speaker 5: just trying out new things now.

176
00:07:49,040 --> 00:07:51,360
Speaker 3: I think every album that you've brought out, mate, there's

177
00:07:51,400 --> 00:07:53,400
Speaker 3: been a song on there that you've written about love

178
00:07:53,920 --> 00:07:55,800
Speaker 3: that people have played at weddings. I mean, you've had

179
00:07:55,840 --> 00:07:59,040
Speaker 3: Thinking out Loud, perfect, kiss Me. But we just listened

180
00:07:59,080 --> 00:08:02,880
Speaker 3: to Joker and the Queen before, which was obviously obviously

181
00:08:03,000 --> 00:08:05,520
Speaker 3: love it buddy, obviously written about Cherry.

182
00:08:05,560 --> 00:08:07,360
Speaker 4: That would give you a dime.

183
00:08:08,040 --> 00:08:15,800
Speaker 3: And when I you saw the tell me.

184
00:08:17,200 --> 00:08:18,240
Speaker 4: The joke.

185
00:08:20,840 --> 00:08:25,400
Speaker 3: The Queen made, it's a beautiful song. It's amazing how

186
00:08:25,480 --> 00:08:28,760
Speaker 3: you can convey that message, do you? Does she hear you?

187
00:08:28,880 --> 00:08:31,239
Speaker 3: Practicing that or do you wait until it's all done

188
00:08:31,280 --> 00:08:32,559
Speaker 3: before you sit down.

189
00:08:32,400 --> 00:08:33,160
Speaker 4: And play it to her?

190
00:08:33,160 --> 00:08:35,560
Speaker 3: There must have been a lot of emotion around that

191
00:08:35,679 --> 00:08:36,800
Speaker 3: when she first heard it.

192
00:08:37,400 --> 00:08:40,000
Speaker 5: Well, not for me, to be honest, because I I

193
00:08:40,120 --> 00:08:43,480
Speaker 5: basically would go I'd write five tunes in a day,

194
00:08:43,600 --> 00:08:45,480
Speaker 5: and I'd come home with a batch and I would

195
00:08:45,520 --> 00:08:46,319
Speaker 5: play her them.

196
00:08:46,120 --> 00:08:48,560
Speaker 4: And be like, which one do you think? Ohow?

197
00:08:48,760 --> 00:08:51,720
Speaker 5: This and that was done the same day as Bad Habits,

198
00:08:51,720 --> 00:08:55,000
Speaker 5: but also three other tunes that were like not great,

199
00:08:55,240 --> 00:08:56,880
Speaker 5: not great. So I came home and I was like,

200
00:08:56,920 --> 00:08:58,560
Speaker 5: I don't really know which one of these good. And

201
00:08:58,640 --> 00:09:02,040
Speaker 5: she was like, okay, these two Bad Habits and joque

202
00:09:02,720 --> 00:09:06,120
Speaker 5: Queen joking the Queen took a while for me to

203
00:09:06,840 --> 00:09:09,160
Speaker 5: like because it took such a short amount of time

204
00:09:09,400 --> 00:09:12,760
Speaker 5: to write that, I sort of felt it I cheated

205
00:09:12,800 --> 00:09:17,480
Speaker 5: in some way because I was they Fred played me

206
00:09:17,520 --> 00:09:20,320
Speaker 5: this like instrumental piano thing this guy Sam had done,

207
00:09:20,360 --> 00:09:25,040
Speaker 5: and I was like, right, okay, metaphors, card Game, Joker, Queen,

208
00:09:25,240 --> 00:09:28,640
Speaker 5: Diamond Heart King when you fold cards on the table

209
00:09:28,679 --> 00:09:31,200
Speaker 5: and it just and it just went bang bang, and

210
00:09:31,240 --> 00:09:31,920
Speaker 5: then it was done.

211
00:09:32,080 --> 00:09:34,560
Speaker 4: And I was like, well, that's not very good, and

212
00:09:34,600 --> 00:09:35,439
Speaker 4: then like.

213
00:09:36,120 --> 00:09:39,600
Speaker 5: Later, like later on, like my brother did this huge,

214
00:09:39,640 --> 00:09:43,000
Speaker 5: like sweeping string arrangement for it, and then I was like, oh,

215
00:09:43,120 --> 00:09:46,720
Speaker 5: this actually, this actually could be the ballads from from

216
00:09:46,760 --> 00:09:48,439
Speaker 5: the record. And the more and more people I've played

217
00:09:48,440 --> 00:09:50,120
Speaker 5: it to, they're like, this song's the best and we

218
00:09:50,320 --> 00:09:52,240
Speaker 5: we love this. But at the time, it because it

219
00:09:52,280 --> 00:09:55,000
Speaker 5: was so for me. It was so paint by numbers

220
00:09:55,200 --> 00:09:56,600
Speaker 5: song wise, which is the same way.

221
00:09:56,480 --> 00:09:58,520
Speaker 4: I felt for you, like shape of You.

222
00:09:58,600 --> 00:10:01,280
Speaker 5: I just went in because it wasn't for me. I

223
00:10:01,320 --> 00:10:03,360
Speaker 5: was like, right, let me make the most current song

224
00:10:03,400 --> 00:10:05,720
Speaker 5: that I can. What's on the radio. Right, It's like

225
00:10:06,080 --> 00:10:08,560
Speaker 5: I need to I need to out, I need to

226
00:10:08,600 --> 00:10:11,559
Speaker 5: make like the song that Rihanna would sing, the big song.

227
00:10:11,640 --> 00:10:14,920
Speaker 5: Yeah yeah, yeah, And and it felt paint by numbers.

228
00:10:14,920 --> 00:10:19,040
Speaker 5: But then sometimes the paint by numbers stuff there's because

229
00:10:19,040 --> 00:10:21,640
Speaker 5: it's not thought about. There's a there's a little spark

230
00:10:21,640 --> 00:10:24,680
Speaker 5: in there that is you you couldn't recreate.

231
00:10:24,760 --> 00:10:28,400
Speaker 3: I think so tonight ed we need to talk about

232
00:10:28,400 --> 00:10:31,040
Speaker 3: it tonight because our listeners are so excited. It's a

233
00:10:31,200 --> 00:10:35,080
Speaker 3: huge Cantava's Red Room, and obviously we can't wait to

234
00:10:35,120 --> 00:10:36,800
Speaker 3: hear a lot of the new album. So you will

235
00:10:36,840 --> 00:10:39,280
Speaker 3: be playing a lot from the new album and a

236
00:10:39,280 --> 00:10:41,160
Speaker 3: few classics for our listeners tonight in.

237
00:10:42,240 --> 00:10:43,520
Speaker 4: I Will Be, Yeah, I will be.

238
00:10:43,679 --> 00:10:46,040
Speaker 5: I've got Maizie Peters is going to be opening up

239
00:10:46,080 --> 00:10:47,920
Speaker 5: for me as well, which is its great. You know,

240
00:10:48,000 --> 00:10:52,040
Speaker 5: She's this is like her first kind of intro into Australia.

241
00:10:52,080 --> 00:10:54,520
Speaker 5: She's done like a couple of intus and stuff like that.

242
00:10:54,559 --> 00:10:58,840
Speaker 5: But she she for me is the She reminds me

243
00:10:58,880 --> 00:11:01,320
Speaker 5: of how I was on Plus. It feels like which

244
00:11:01,400 --> 00:11:04,520
Speaker 5: is the same, the same sort of sentiments and the songs,

245
00:11:04,520 --> 00:11:07,400
Speaker 5: the same sort of fan base is bubbling and building,

246
00:11:07,400 --> 00:11:10,240
Speaker 5: and she's doing so well in the UK at the moment,

247
00:11:10,280 --> 00:11:12,040
Speaker 5: and I just feel like Australia is going to be

248
00:11:12,600 --> 00:11:15,600
Speaker 5: much much like Australia was. Australia was my first number one,

249
00:11:15,640 --> 00:11:18,520
Speaker 5: you know. Australia was the first country that I came

250
00:11:18,559 --> 00:11:20,840
Speaker 5: to outside of my own that embraced me.

251
00:11:20,880 --> 00:11:23,439
Speaker 4: And I feel like it's a good opportunity.

252
00:11:23,320 --> 00:11:26,559
Speaker 5: For you guys to hear Mazy, because I think I

253
00:11:26,640 --> 00:11:29,719
Speaker 5: think you guys will embrace her before anyone else.

254
00:11:30,640 --> 00:11:32,160
Speaker 2: Man, it's so good to see your face and we

255
00:11:32,200 --> 00:11:34,040
Speaker 2: can't waite for you to get here again. We we

256
00:11:34,160 --> 00:11:36,200
Speaker 2: all celebrate that Red Room at the Opera House as

257
00:11:36,200 --> 00:11:38,400
Speaker 2: well fits which was just one of the best nights ever.

258
00:11:38,600 --> 00:11:41,319
Speaker 3: So will can you give us a bit of a

259
00:11:41,559 --> 00:11:44,160
Speaker 3: just before you go it? Would it be twenty twenty two,

260
00:11:44,240 --> 00:11:46,400
Speaker 3: maybe twenty twenty three. You will come back? Will we

261
00:11:46,440 --> 00:11:47,040
Speaker 3: see your face?

262
00:11:47,600 --> 00:11:49,720
Speaker 4: You're going to see me early next year. I'm going

263
00:11:49,760 --> 00:11:50,800
Speaker 4: to fly in for three days.

264
00:11:50,840 --> 00:11:52,679
Speaker 5: I've been talking to Matt Matt Gadinsky about how we

265
00:11:52,760 --> 00:11:55,199
Speaker 5: launched the tour and I think it's disrespectful for a

266
00:11:55,240 --> 00:11:57,199
Speaker 5: country I love as much as Australia for a tour

267
00:11:57,200 --> 00:11:58,680
Speaker 5: to be announced with their Instagram posts.

268
00:11:58,679 --> 00:12:01,240
Speaker 4: So I'm going to fly in. We're going to work.

269
00:12:01,320 --> 00:12:03,120
Speaker 4: It might be January, it might be March, it might

270
00:12:03,120 --> 00:12:05,080
Speaker 4: be April. But I'll be there for three days and

271
00:12:05,400 --> 00:12:07,960
Speaker 4: it's going to be a hit and run, smashing rabbit.

272
00:12:08,160 --> 00:12:08,360
Speaker 4: Do it?

273
00:12:08,480 --> 00:12:08,760
Speaker 3: Do it?

274
00:12:08,840 --> 00:12:11,320
Speaker 4: Do every interurvie announced at all? But yeah, I can.

275
00:12:11,160 --> 00:12:13,680
Speaker 3: See there's an indigenous painting as well from Giddinsky in

276
00:12:13,720 --> 00:12:14,240
Speaker 3: the background.

277
00:12:14,520 --> 00:12:16,640
Speaker 2: Where are you kal? That is?

278
00:12:16,960 --> 00:12:17,640
Speaker 4: That is you?

279
00:12:18,160 --> 00:12:21,000
Speaker 3: And Giddinsky was known for giving his biggest artists some

280
00:12:21,000 --> 00:12:24,280
Speaker 3: of the most amazing indigenous art from around Do you.

281
00:12:24,320 --> 00:12:25,240
Speaker 4: Know what You're the first.

282
00:12:25,760 --> 00:12:28,760
Speaker 5: You're the first person to notice that that that did

283
00:12:28,840 --> 00:12:32,280
Speaker 5: we do? Is from I got given it by Archie

284
00:12:32,360 --> 00:12:35,240
Speaker 5: Roach I think it was Archie wrote Archie Ross Kid

285
00:12:35,280 --> 00:12:36,599
Speaker 5: at Michael's.

286
00:12:36,480 --> 00:12:38,320
Speaker 2: Memorial and the Koala pillow.

287
00:12:38,720 --> 00:12:41,319
Speaker 4: Oh mate, let me show you. I've got all these.

288
00:12:43,080 --> 00:12:45,200
Speaker 3: Awesome who got the trophy?

289
00:12:45,520 --> 00:12:50,760
Speaker 4: Melbourne Cup? Is it? I actually do you know?

290
00:12:51,120 --> 00:12:51,360
Speaker 1: Yeah?

291
00:12:53,840 --> 00:12:58,320
Speaker 4: Yeah, Michael always said we should win the Melbourne Cup together.

292
00:12:58,480 --> 00:13:01,280
Speaker 4: Oh my goodness that anyone there?

293
00:13:01,280 --> 00:13:04,720
Speaker 5: But yeah, it's this is this is basically my my

294
00:13:04,720 --> 00:13:05,200
Speaker 5: my office.

295
00:13:05,200 --> 00:13:07,360
Speaker 4: I've got lots of What have I got here? I've

296
00:13:07,400 --> 00:13:12,480
Speaker 4: got I met Nancy cart Right from the Simpsons. A awesome.

297
00:13:14,840 --> 00:13:21,280
Speaker 4: How's this for a treasure trying? It's great. My daughter's

298
00:13:21,280 --> 00:13:22,440
Speaker 4: footprints that I got.

299
00:13:22,760 --> 00:13:27,080
Speaker 3: Yeah, some bottles of pinfolds I can see in the

300
00:13:27,120 --> 00:13:27,720
Speaker 3: back and say.

301
00:13:27,679 --> 00:13:29,640
Speaker 2: Some signed Grange hanging on the wall.

302
00:13:29,679 --> 00:13:31,679
Speaker 4: There's a lot of Australia in that.

303
00:13:31,679 --> 00:13:34,959
Speaker 5: That's actually seven o seven. It was the night that

304
00:13:36,200 --> 00:13:38,839
Speaker 5: night that Michael passed away. My Dad's came around and

305
00:13:38,920 --> 00:13:40,120
Speaker 5: those are the three bottles we drunk.

306
00:13:40,480 --> 00:13:42,439
Speaker 4: I love that, mate, love them.

307
00:13:42,840 --> 00:13:46,319
Speaker 3: You have a special place in our hearts in Australia

308
00:13:46,360 --> 00:13:49,600
Speaker 3: and obviously, we love you so much. We can't see

309
00:13:49,720 --> 00:13:52,040
Speaker 3: we can't wait to see you tonight in Nova's Red Room,

310
00:13:52,080 --> 00:13:54,480
Speaker 3: but also have you back early next year. We appreciate

311
00:13:54,480 --> 00:13:56,160
Speaker 3: your time man, it's so good to see you again.

312
00:13:56,640 --> 00:13:59,120
Speaker 4: Thank you man, and yeah i'll see you. I'm going

313
00:13:59,160 --> 00:14:00,800
Speaker 4: to work out of times basically, love

314
00:14:00,840 --> 00:14:05,160
Speaker 3: Ad Agent, Thanks mate, thank you, Thanks by fits and

315
00:14:05,160 --> 00:14:05,520
Speaker 3: whipper