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Speaker 1: It's the city and with Kate looking podcast.

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Speaker 2: Jason Clark as the actor kicking huge goals in Hollywood.

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Speaker 3: See everything a problem, guys, you just go I'm not

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Speaker 3: letting you.

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Speaker 1: God.

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Speaker 4: We both have families. You want to protect yours.

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Speaker 1: I want to protect money. It's our only chance for peace.

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Speaker 5: Jason Clark in Morning, Jason Clark, Jason Clark, everybody amazing.

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Speaker 6: We go to Jason Clark, who it is?

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Speaker 1: I want?

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Speaker 3: I want that to happen every time I walk into

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Speaker 3: a room at home.

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Speaker 4: I need to tell my boys. Guys.

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Speaker 7: It's almost like Jason Derulo, very different because you we're

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Speaker 7: proud of you and you are Australian.

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Speaker 6: M call on your Clarky today, welcome to the show.

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Speaker 8: Well, we were trying to work out because Kate said,

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Speaker 8: I wonder if anybody calls him Clarky.

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Speaker 9: No no, no, no no no, they do that.

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Speaker 3: It's funny they do, you know, and it's like coming back.

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Speaker 4: You get it all.

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Speaker 3: You know that the old nickname Clarky. Mate, I'm back again.

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Speaker 3: You know what I mean, Clark, He's in the house.

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Speaker 3: I'm talking about myself in third person or if you.

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Speaker 10: Like, like coming home, would now anytime you heard the

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Speaker 10: word clark.

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Speaker 4: Of course it does. I'm waiting for my little boys

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Speaker 4: to walk up and say hey Clarky and right back

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Speaker 4: at you. What's going on?

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Speaker 7: You're a clerkyations, Jason. I mean, the crew has been amazing.

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Speaker 7: When did you make the move over to Hollywood? Because

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Speaker 7: it's it's been an amazing career.

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Speaker 6: Yeah, it made the move pretty much after.

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Speaker 4: Raubbert Proofence.

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Speaker 3: Yeah, okays, Yeah, I just talking about David golbl who

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Speaker 3: passed away, and I remember Philip and I, my makeup artist,

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Speaker 3: worked with David and Philip and I spoke to him

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Speaker 3: when he was you know, he's dying in hospital. Philip

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Speaker 3: Noyse and I and we.

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Speaker 4: Face timed him. We're on stage in Paris.

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Speaker 3: Wow, and you've got all these just these strange connections.

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Speaker 4: That just go wow.

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Speaker 3: I mean, you know, yeah, there was David not long

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Speaker 3: before he passed away, and Philip noys and I had

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Speaker 3: worked with Devid many many years ago, and then we

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Speaker 3: were in Parwis.

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Speaker 2: Yeah, it's the plan when you got on that plane,

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Speaker 2: you make it buck to make.

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Speaker 4: My head and hopefully find someone to marry them and

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Speaker 4: have children.

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Speaker 6: Is that how it's worked out?

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Speaker 4: That is how it's worked out so far, because for.

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Speaker 2: So many people, and not only in your industry, but

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Speaker 2: many it's like, do I make the move? Do I

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Speaker 2: put all my eggs in that basket?

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Speaker 6: Do I actually follow.

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Speaker 2: This dream that almost seems out of out of reach or.

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Speaker 3: Maybe reaching also, there's no there's no you know, you

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Speaker 3: don't have a backup plan.

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Speaker 4: There's no.

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Speaker 3: I mean that's why I think Brad pitt Carty's company

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Speaker 3: plan B, because we don't really.

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Speaker 4: Have a plan B.

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Speaker 3: You know, it's like you it kind of works or

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Speaker 3: it doesn't, doesn't it, and then you hopefully have the

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Speaker 3: the nouse and the you know, the awareness to go,

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Speaker 3: you know what, this is not working on a move

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Speaker 3: into something else where you can relearn or train or

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Speaker 3: do something else.

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Speaker 10: Was there a backup plan?

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Speaker 4: No? I think there was, you know, there was always

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Speaker 4: always in the back of my head. And I think

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Speaker 4: you have to have a close touch on reality. This

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Speaker 4: is working.

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Speaker 3: Am I able to pay my bills and my being

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Speaker 3: creatively fulfilled? And you know, is this the life I

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Speaker 3: want to live? Because they come to the big cost,

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Speaker 3: you know, and that cost keeps going. But when you

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Speaker 3: have children, even if you do well, but you know,

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Speaker 3: at a certain point, if you don't keep in contact

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Speaker 3: with is this working out for you?

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Speaker 4: You can become deluded and then you're not going to

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Speaker 4: be a very good actor. Anyway.

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Speaker 8: When you talk about cost, I mean Russell craw Is

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Speaker 8: on sixty Minutes on Sunday Night, and it was fascinating

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Speaker 8: to hear him say, look, I got the new movie

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Speaker 8: coming out in Nearenburg. But he said, the cost is

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Speaker 8: the hard work of Hollywood that comes with it.

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Speaker 10: So the more success you have, I suppose the cost.

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Speaker 8: Is losing your identity in a way and your private

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Speaker 8: life as well.

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Speaker 10: Is that draining on you.

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Speaker 8: The bigger the movie, the greater the impact socially for

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Speaker 8: you and your family.

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Speaker 3: Yeah, yes, I mean you know, yes, hard work. There's

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Speaker 3: hard work. I mean the children don't ask for it,

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Speaker 3: you know, my wife often doesn't ask for it.

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Speaker 4: So there's things like that.

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Speaker 3: There's also like the more you have choice, the more

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Speaker 3: you're responsible for your choices, and when things are been

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Speaker 3: thrown at you that you don't really know about you,

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Speaker 3: you're never to be going to make some bad choices

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Speaker 3: as well. And so in terms of losing yourself, you

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Speaker 3: can lose yourself just by becoming somebody.

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Speaker 4: It's not just the people of the town.

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Speaker 3: It's it's your own ability to go no, or your

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Speaker 3: own ability to say, well, actually, what's important to me.

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Speaker 7: Now you've learned your career, you've learned off the best.

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Speaker 6: Can I ask, is there anyone that's influenced you more?

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Speaker 7: Because I mean, you've worked with Leonardo on The Great Gatsby,

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Speaker 7: You've worked with Gary Oldman on Dorn on the Planet

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Speaker 7: of the Apes, Gosling, Hardy, Michael Douglas. Is there anyone

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Speaker 7: that's really sort of taken you under their wing?

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Speaker 6: Jason or you know, I love Gary.

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Speaker 4: Oldman, who is my favorite drama school. You know, Prick

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Speaker 4: Up Your Ears and that I remember.

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Speaker 3: I remember the first year I said, I said that

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Speaker 3: I can I just ask one favor.

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Speaker 4: Can I take a picture of you? But can you be?

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Speaker 4: Can you be?

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Speaker 3: You know Joe Orton in Prick Up your Ears, Jen?

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Speaker 3: I mean, if you know that picture and I'll be,

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Speaker 3: you know, I'll be the other dude. And I want

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Speaker 3: to send that around all my friends.

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Speaker 4: You know, whatever he.

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Speaker 3: Calls that one comes up and he's got that grin

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Speaker 3: on his face. And I won't even tell you what

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Speaker 3: the grin is you know what he was thinking about

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Speaker 3: when he did that smile of Joe Orton. If you've

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Speaker 3: seen the movie, you know what I'm talking about. But

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Speaker 3: that's what comes up when gas rings were o ring him.

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Speaker 6: Gaz. I love how you call him.

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Speaker 8: You talk about high impact films like Zero Dark thirty.

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Speaker 8: So many people and we were lucky enough to interview

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Speaker 8: the guy who shot Bin Laden on this show. But yeah,

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Speaker 8: there you must have learnt so much during that film

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Speaker 8: about what happened and it played out.

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Speaker 3: Yeah, just you know, the seals and the people that

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Speaker 3: worked on that at that level, that level of expertise

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Speaker 3: of execution of like, what do you remember from that? Oh, Jordan,

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Speaker 3: I remember India. I remember Condition Babs and you know,

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Speaker 3: I remember the streets and the smell and the foreignness

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Speaker 3: and the adventure of it. I remember being on like

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Speaker 3: it felt like for me because I worked and I

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Speaker 3: just saw Catherine two weeks ago in La you know,

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Speaker 3: and the new films coming out on you know, it's

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Speaker 3: not so much a cinematic release anymore.

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Speaker 4: So it's just weird kind of difference.

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Speaker 3: At that time, we were making a movie before the

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Speaker 3: journalists had gotten hold of the story god, you know,

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Speaker 3: and that feeling of being in a in a cinematic

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Speaker 3: piece that that hadn't been written of in books or

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Speaker 3: print was extraordinary.

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Speaker 6: You know that that still really well, it really felt like.

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Speaker 3: We were we were journalist, actors and tourist story you know,

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Speaker 3: from the edge of something, you know, And that's kind

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Speaker 3: of what I remember that it was an insanely exciting

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Speaker 3: every day was an adventure.

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Speaker 4: On that just awesome, Oh man, it was.

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Speaker 6: And then connecting with.

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Speaker 3: Her again on on House of Dynamite was just one

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Speaker 3: of the best full circles.

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Speaker 2: How do you feel about the fact that a lot

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Speaker 2: of films now don't get that cinematic release. I mean,

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Speaker 2: I know it's out of your control, no doubt, but

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Speaker 2: the industry itself has kind of really changed, like the

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Speaker 2: old days of it just going to the cinema, you know,

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Speaker 2: people only being able to see something by buying box

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Speaker 2: at pop popcorn. I mean, how do how does that

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Speaker 2: does that affect down the line or not?

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Speaker 7: A guy?

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Speaker 3: You know, I miss I went and watched Zero. I

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Speaker 3: went and watched House of Dynamite in the cinema in

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Speaker 3: New York when we were there for the premiere and

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Speaker 3: it was. It was wonderful to see that movie with

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Speaker 3: you know, five hundred other people in the room.

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Speaker 4: You feel that communal thing. It's a different thing.

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Speaker 3: It's not just the business. It's it's we've changed after COVID,

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Speaker 3: haven't we. I mean, we can go to the cinema now,

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Speaker 3: but we don't, you know, And it's like it's like

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Speaker 3: we've grown a fifth you know, a sixth finger. It's

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Speaker 3: like something's changed in it as that we no longer

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Speaker 3: want to go and have that communal experience.

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Speaker 2: Are you a cricketer because you just held up your

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Speaker 2: sixth finger? You don't have six fingers.

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Speaker 3: But it's like I've got a broken You watch a

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Speaker 3: lot of things that I do. You can see me

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Speaker 3: hiding it really a million miles away. If I lit

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Speaker 3: it up like that, I'm now I feel proud of

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Speaker 3: my you know, how did you break it?

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Speaker 6: Chase Aussie rule.

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Speaker 3: A lot of buzzy rules, you know, a ball, catching

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Speaker 3: a ball on a wet field.

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Speaker 4: I'll be bugging if I wasn't going to get.

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Speaker 1: It held waterlog sharing.

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Speaker 3: Oh it was a waterlog, but I committed, you know

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Speaker 3: what I mean, My finger was sideways.

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Speaker 4: I still was after that ball a.

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Speaker 10: Bit of a tree in the studio. Jason Clark is

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Speaker 10: with us. The new show, The Last Frontier on Apple TV. Fits.

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Speaker 6: Oh, it is magnificent.

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Speaker 7: If you have not seen it yet, there's five episodes out,

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Speaker 7: there's ten that's up for grabs.

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Speaker 6: But he's a bit of a snippet.

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Speaker 5: Rot.

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Speaker 4: Everyone circle up. We're down playing two miles south from here.

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Speaker 4: It has used to move in meets around the country.

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Speaker 3: Eleven a capture, fifteen is still missing.

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Speaker 4: This is going to be the one shot at freedom.

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Speaker 10: Mister Ramnik, Sydney Schofield, CIA, do whatever it takes to

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Speaker 10: secure the perimeter.

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Speaker 4: Scofield.

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Speaker 1: This is Alaska. There is no perimeter.

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Speaker 7: When your agent says to you, I've got a great

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Speaker 7: role for you on Apple TV, The Last Frontier and

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Speaker 7: then they say that you have to filming.

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Speaker 6: In an Alaska to Alaska, I mean, but.

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Speaker 7: The conditions are extreme jays like what we're dealing with

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Speaker 7: every day.

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Speaker 3: Yeah, well, I mean, you know it starts off at

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Speaker 3: minus twenty five up to minus forty wow.

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Speaker 4: Yeah, and then but by.

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Speaker 3: The end of the time it's it's twenty six positive

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Speaker 3: and you're running around you know this this stuff.

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Speaker 4: Sweating like a lunatic.

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Speaker 3: You know what I mean, you know, with special effects,

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Speaker 3: you don't worry there's snow here, Jason, okay man, because

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Speaker 3: I'm just seeing mosquitoes.

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Speaker 8: So I mean, if we go back to the environment,

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Speaker 8: the landscapes of episode one, yeah you arrive.

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Speaker 10: I'm not giving too much one Oh no, No, it's

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Speaker 10: at the airplane run.

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Speaker 4: Yeah, and that was a plane.

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Speaker 3: It was was oh man, that was a seven three

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Speaker 3: seven just burning in the on the tundra was beautiful.

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Speaker 2: The art department wouldn't been working pretty hard.

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Speaker 4: They did.

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Speaker 3: The art department worked very very hard. I mean, you know,

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Speaker 3: you got to how do they get that in? How

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Speaker 3: do you get seven.

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Speaker 4: I'm an actor, dude, I don't care.

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Speaker 9: I don't know how.

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Speaker 10: Someone your action.

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Speaker 4: Lunch. It was brought me a coffee since I come

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Speaker 4: into this Studio's so.

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Speaker 10: Sorry, Clark classroom quick as cracking.

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Speaker 3: But you know, I mean, you know, you go that

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Speaker 3: day when we shot the helic when they bring in

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Speaker 3: a helicopter and you know, you and Sam and his

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Speaker 3: stunt and film team and you're going to shoot you know,

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Speaker 3: one shot take, you know, a seven minute action.

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Speaker 1: Yeah.

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Speaker 4: But I remember coming up, you know, and you're in.

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Speaker 3: I'm in my thing, getting ready to get normarm because

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Speaker 3: you've got to come out, ready to go because's freezing

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Speaker 3: out there.

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Speaker 4: But I came out.

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Speaker 3: We're doing a walk through what we've rehearsed in the

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Speaker 3: in the studio, and I'm.

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Speaker 4: About to go. Okay, so going to come in here.

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Speaker 7: Who it was so cold.

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Speaker 4: And I ran back into this warming.

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Speaker 3: Tent because I was so cold.

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Speaker 4: Underestimated this seven. Yeah, you give me some more heat warmers,

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Speaker 4: give me some of those.

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Speaker 6: Things down the pants.

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Speaker 3: Yes, you know, okay, let's just try that again. You know,

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Speaker 3: you get used to it and you find a way

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Speaker 3: to operate it, to answer the aristal quick. It makes

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Speaker 3: it easy in some kind of way because you're reacting

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Speaker 3: to these natural things out there.

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Speaker 4: Hurt, the pain, the pace is real.

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Speaker 3: As long as you keep it real and don't think

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Speaker 3: I've got to do this as some slick action thing.

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Speaker 4: It actually really works. Well.

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Speaker 6: Yeah, well it's not a green screen, is it. You're

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Speaker 6: actually out there.

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Speaker 2: And I have to say when I started watching it

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Speaker 2: that the opening scene of the plane and the stuff,

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Speaker 2: without giving too much away. Quite often with these shows,

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Speaker 2: people will say to you, you really must watch it.

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Speaker 6: But stick around to lap three. That's when it gets

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Speaker 6: really good.

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Speaker 2: But I have to say the last rounds here, you

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Speaker 2: kind of don't have a set like you can't make it.

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Speaker 2: You can't put it on the telly and then make

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Speaker 2: a quick cup of tea.

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Speaker 4: I love the old song that too.

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Speaker 3: There's a sense of humor in John's music, in the

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Speaker 3: way that he's done it as well. You know, it's

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Speaker 3: it's it's it's an enjoyable watch and it keeps pounding

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Speaker 3: along right to the very end.

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Speaker 6: It's great.

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Speaker 4: I mean, the last three episodes are beautiful.

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Speaker 2: Well, we don't have that.

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Speaker 10: We got five.

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Speaker 6: We didn't know that there's a tie into Kate Richie

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Speaker 6: on this show.

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Speaker 7: Jason Clark didn't know this now I don't know before

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Speaker 7: we actually do this.

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Speaker 6: Do you know what the tieing is with Kate Richie?

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Speaker 6: We haven't dated.

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Speaker 4: I teach you up and perfectly beautiful.

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Speaker 6: You know what we're talking about? You know, actually to

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Speaker 6: tell me though early in your career.

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Speaker 4: Yes, no, you have to tell you what was Do

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Speaker 4: you remember the name of my character?

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Speaker 6: I think it was you got it? Kick?

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Speaker 5: It was me.

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Speaker 9: Kick no way, some some bizarrely floral kind of shirt

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Speaker 9: and some not even Birkenstock, some you know, some keen

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Speaker 9: sandals on or something.

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Speaker 4: It was like it was a proper get up. I

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Speaker 4: wish I had a man bun now could have gone

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Speaker 4: back and done it again.

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Speaker 6: We had lush hair. Thing is to go there.

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Speaker 8: So you were kick on home and rolled and kick play.

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Speaker 6: He was a T shirt.

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Speaker 4: And there was some bus accident. There's some terrible bus crass.

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Speaker 2: And thank goodness for the bus crash because it got

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Speaker 2: you completely prepared for the plane crash on the last

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Speaker 2: front here.

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Speaker 6: I mean, that's what you were thinking.

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Speaker 2: You learned all your skills in Summer Bay.

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Speaker 6: Did you know that?

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Speaker 4: Absolutely?

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Speaker 1: Well?

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Speaker 3: You know what it's like when the somebody's shaking the

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Speaker 3: bus or shaking the plane.

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Speaker 4: You know the bus is not upside down.

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Speaker 3: You just like get a three self sideways with a

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Speaker 3: look while the guys there with a hold of the camera.

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Speaker 4: Just on three, let's go and look.

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Speaker 2: Unfortunately, I can't even say. I'd love to be able

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Speaker 2: to say I've worked alongside Jason Clark, but although we

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Speaker 2: were on the same show, I think that Jason came

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Speaker 2: in as the teacher because apparently Sally was out of

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Speaker 2: town at that time.

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Speaker 6: Yeah, no, I don't know where she was.

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Speaker 10: I think we have a little bit of the teaching.

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Speaker 10: Who's having a disagreement with.

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Speaker 6: Flat heead.

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Speaker 1: It's seb.

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Speaker 7: He feels awkward about doing a written essay, but he's

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Speaker 7: prepared to make a video.

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Speaker 4: Who gave him commission to do so?

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Speaker 11: Did you know very well the problem he's got with writing?

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Speaker 7: What's wrong with leveling of the plane field a little bit?

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Speaker 11: You're being totally impractical, That's what's rolled. Some will be

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Speaker 11: taking his school certificates soon and then hopefully is AHOC

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Speaker 11: handing out video cameras in the exam room that I

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Speaker 11: think we'd be far better off with a written examination.

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Speaker 11: Request denied.

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Speaker 3: Yeah, that reminds me of the scene in Top Gun,

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Speaker 3: doesn't you know what I mean?

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Speaker 6: It doesn't you know?

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Speaker 4: Just to lead my imagination to myself, you know what

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Speaker 4: I mean? My memory of it's different.

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Speaker 10: You wanted to head but Floodkky.

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Speaker 6: We are proud of you.

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Speaker 3: You dug up that our Instagram.

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Speaker 7: Well done mate, It's it's an amazing career and for anyone.

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Speaker 7: Now if you do over the weekend, you want to

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Speaker 7: start streaming the last front here it's on Apple TV.

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Speaker 7: With new episodes weekly up until the fifth of December. Mate,

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Speaker 7: thank you so much for finding the time and having

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Speaker 7: a chat to you.

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Speaker 6: Mate. We're a big fan.

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Speaker 4: Lovely God. Thank you very much, Thank you all, Thank

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Speaker 4: you all, thank you all.

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Speaker 10: Can't wait till next time.

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Speaker 1: It fits in Whip with Kate Ridgie podcast.

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Speaker 5: Television is the most powerful force in the world.

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Speaker 7: I don't think you really know what a bad day

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Speaker 7: is as those two Russell Crowe.

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Speaker 1: No man has ever bitten me.

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Speaker 7: Oh my gosh, do you know what he's playing?

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Speaker 6: The villain too well? At the moment.

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Speaker 7: He is a very very scary man in this movie

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Speaker 7: in Nuremberg.

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Speaker 6: Do you know what you are? Such a bad man,

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Speaker 6: Russell Crowe? But for me personally, ekaliber Dick, what I love?

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Speaker 6: I love you, sir? You know that that's true.

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Speaker 7: Now now Whipper would like to know Russell welcome to

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Speaker 7: the show.

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Speaker 6: First of all, Russell.

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Speaker 10: Are great as part of the broadcast.

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Speaker 7: I have German ancestors, and my mother used to say

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Speaker 7: to me every night when I went to bed, was

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Speaker 7: I kaliber Dick? Now Whipper reckons, I'm getting it wrong,

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Speaker 7: But is that correct?

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Speaker 6: Russell? Is that I love you? In German.

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Speaker 5: I am no expert in the language of Germany.

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Speaker 1: I am merely an actor.

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Speaker 6: What did you ask him?

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Speaker 1: You want the show to start, don't you?

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Speaker 8: Why don't you just ask him? I'm just I don't

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Speaker 8: even want to say. That sounds so wrong, but you're

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Speaker 8: you're very good russeller. Going from Italian to in this

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00:16:53,840 --> 00:16:55,880
Speaker 8: film Germans it much work.

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Speaker 10: I mean, I only learned not long ago in the

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Speaker 10: in the movie world. Do you the what do you

403
00:17:01,160 --> 00:17:03,120
Speaker 10: call it? An accent specialist on set?

404
00:17:04,760 --> 00:17:07,080
Speaker 5: Yeah, Well, you always work with a dialect coach when

405
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Speaker 5: you're doing accents. So I've been doing that since I

406
00:17:13,800 --> 00:17:15,919
Speaker 5: think the first time I used a dialect coach was

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Speaker 5: La Confidential. But sometimes it works really well for you,

408
00:17:20,119 --> 00:17:22,080
Speaker 5: and sometimes it doesn't because there's a very big difference

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Speaker 5: between dialect and ac and language, you know, so accent

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00:17:26,680 --> 00:17:29,280
Speaker 5: and language. So a lot of these films I've been

411
00:17:29,280 --> 00:17:32,119
Speaker 5: doing lately require me to do like a little Russian

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Speaker 5: language or a little Italian, as you were saying, And

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00:17:38,520 --> 00:17:40,320
Speaker 5: you have to be a little bit careful because I

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Speaker 5: used a guy.

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Speaker 1: He's a great guy, and I've worked with.

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Speaker 5: Him a number of times, but I used him on

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Speaker 5: a movie where I had to speak a language, and

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Speaker 5: he doesn't do languages really only does accents. So I

419
00:17:50,720 --> 00:17:52,760
Speaker 5: did all this work learning this stuff, and then in

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Speaker 5: post production I had to go back in and I

421
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Speaker 5: had to change the whole because no Russian could understand

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Speaker 5: what the hell.

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Speaker 1: I was saying. So on this one.

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Speaker 5: I said to the production it's like, let me not

425
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Speaker 5: just get a dialect person, I want to get a

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Speaker 5: language person. So I met this sort of media figure,

427
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Speaker 5: a girl called Neva Manrch in Germany in the early

428
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Speaker 5: two thousands. She'd done, you know, when I was doing

429
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Speaker 5: like Beautiful Mind and Gladiator and touring through Germany do

430
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Speaker 5: press quite a bit. So we'd become friends and just

431
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Speaker 5: you know, I hadn't talked her for a decade or so,

432
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Speaker 5: just out of the blue, I called her and said.

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Speaker 10: Hey, how's your German?

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Speaker 5: Because I knew she was really smart, and I knew

435
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Speaker 5: she wouldn't you know, hear bullshit and not say that's bullshit,

436
00:18:34,040 --> 00:18:40,480
Speaker 5: you know, brutal with me, you know, So I put

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Speaker 5: it in front of her and she took it up.

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Speaker 5: So I had a German language person with me all

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Speaker 5: the time every day. So every every morning began, you know,

440
00:18:49,119 --> 00:18:52,080
Speaker 5: when you're in makeup, by just going through the stuff

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Speaker 5: that we had coming up with in terms of the

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Speaker 5: German language and understanding it and just getting it to

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Speaker 5: flow properly. But yeah, it's definitely a part of the

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00:18:58,800 --> 00:19:01,320
Speaker 5: job that you do every time and you have some

445
00:19:01,400 --> 00:19:04,560
Speaker 5: new accent to cover you. You work with somebody on

446
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Speaker 5: trying to get it right.

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Speaker 7: It's fascinating you play Herman going for anyone who doesn't

448
00:19:09,359 --> 00:19:13,880
Speaker 7: know he was second in command to Adolf Hitler. It's

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Speaker 7: this movie has blown my mind, mate. Congratulations, it's an

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00:19:17,920 --> 00:19:20,280
Speaker 7: amazing stand And when we talk about the oscar buzz

451
00:19:20,320 --> 00:19:21,600
Speaker 7: and all that kind of stuff, and I know you

452
00:19:21,600 --> 00:19:23,800
Speaker 7: don't like to talk about that, but it is. This

453
00:19:23,960 --> 00:19:25,960
Speaker 7: goes for two hours twenty and you are on the

454
00:19:26,080 --> 00:19:27,440
Speaker 7: edge of your seat the whole time.

455
00:19:27,840 --> 00:19:30,680
Speaker 6: The thing with this man, he was so notorious.

456
00:19:30,119 --> 00:19:34,720
Speaker 7: But there's an element of him that there's a likability

457
00:19:34,800 --> 00:19:37,480
Speaker 7: to Herman Goring that you had to bring to this Rustle,

458
00:19:37,520 --> 00:19:41,160
Speaker 7: which I find really weird because I mean, the atrocities

459
00:19:41,200 --> 00:19:45,040
Speaker 7: that happened, but you get to you actually get to

460
00:19:45,359 --> 00:19:48,040
Speaker 7: like this character. So it was that hard to do

461
00:19:48,200 --> 00:19:51,200
Speaker 7: on the set you're playing such a villain, but also

462
00:19:51,520 --> 00:19:53,399
Speaker 7: trying to make it likable.

463
00:19:54,640 --> 00:19:56,480
Speaker 5: Well, we have to sort of take it from a

464
00:19:56,520 --> 00:20:02,320
Speaker 5: perspective of of this guy doesn't get into that level

465
00:20:02,320 --> 00:20:03,680
Speaker 5: of power without charm.

466
00:20:03,880 --> 00:20:05,960
Speaker 1: No, without charisma.

467
00:20:06,359 --> 00:20:12,000
Speaker 5: He doesn't convince the population of Germany to follow what

468
00:20:12,200 --> 00:20:16,240
Speaker 5: Adolf and himself and people like Himmler and Hydrick and

469
00:20:16,320 --> 00:20:21,440
Speaker 5: Gebels have in mind without being able to make people

470
00:20:21,480 --> 00:20:23,199
Speaker 5: feel at home with him and connect to him.

471
00:20:23,240 --> 00:20:25,280
Speaker 1: So, you know, the thing that I've been discussing with.

472
00:20:25,240 --> 00:20:29,040
Speaker 5: People is is charisma is one of evil's greatest weapons.

473
00:20:30,119 --> 00:20:32,280
Speaker 5: So he's actually be you know, we have to be

474
00:20:32,359 --> 00:20:34,800
Speaker 5: aware of that in our lives when we're listening to

475
00:20:35,240 --> 00:20:38,280
Speaker 5: public figures talk, and we have to be able to

476
00:20:38,280 --> 00:20:41,439
Speaker 5: disseminate that charm from reality sometimes, you know, for our

477
00:20:41,480 --> 00:20:46,840
Speaker 5: own perspectives. But yeah, I mean, Whoman man, what an interesting,

478
00:20:47,040 --> 00:20:49,719
Speaker 5: fascinating life. I mean, obviously he got involved in some

479
00:20:49,880 --> 00:20:52,600
Speaker 5: very strange stuff, but you know, I sort of love

480
00:20:52,680 --> 00:20:56,000
Speaker 5: sort of rocking through it for people because it's really interesting.

481
00:20:56,040 --> 00:20:58,560
Speaker 5: So he's a terrible student at school, right, He's absolutely

482
00:20:58,640 --> 00:21:01,359
Speaker 5: second or third from the bottom of the As a punishment,

483
00:21:01,480 --> 00:21:04,240
Speaker 5: he gets sent to military school, where he suddenly becomes

484
00:21:04,400 --> 00:21:07,159
Speaker 5: top of the class because he's interested now. And then

485
00:21:07,200 --> 00:21:10,560
Speaker 5: he comes out of the military. His hobby is mountain climbing. Now,

486
00:21:10,600 --> 00:21:12,680
Speaker 5: here's the thing when you're approaching a man to play

487
00:21:12,680 --> 00:21:16,200
Speaker 5: as a character, understanding realizing that he is the sort

488
00:21:16,200 --> 00:21:17,720
Speaker 5: of men that will stand at the bottom of the

489
00:21:17,760 --> 00:21:21,800
Speaker 5: mountain and he'll look up and then he'll climb and

490
00:21:21,880 --> 00:21:24,000
Speaker 5: he won't stop till he gets to the top. So

491
00:21:24,040 --> 00:21:26,440
Speaker 5: that's a very interesting part of his personality to realize.

492
00:21:26,720 --> 00:21:29,479
Speaker 5: Comes out of a military school straight into the military

493
00:21:29,480 --> 00:21:32,560
Speaker 5: because the First World War has begun. He's an infantry officer,

494
00:21:32,720 --> 00:21:35,080
Speaker 5: gets injured on the battlefield, says to himself, well, well, I

495
00:21:35,160 --> 00:21:36,159
Speaker 5: don't like the look of this.

496
00:21:36,520 --> 00:21:37,280
Speaker 1: I like those.

497
00:21:39,240 --> 00:21:40,720
Speaker 10: Or have we lost Russell?

498
00:21:40,800 --> 00:21:43,399
Speaker 8: We may have frozen on zoom there cutting out and

499
00:21:43,440 --> 00:21:45,879
Speaker 8: then go on, sorry Russell dropped out for a moment.

500
00:21:46,520 --> 00:21:51,520
Speaker 5: Ye're right right, And then you know, inclicates himself into

501
00:21:51,520 --> 00:21:54,080
Speaker 5: that air force, becomes a pilot, finishes the First World

502
00:21:54,119 --> 00:21:55,520
Speaker 5: War with twenty two.

503
00:21:55,400 --> 00:21:58,119
Speaker 1: Confirmed air to air kills. He is a three times

504
00:21:58,160 --> 00:21:58,800
Speaker 1: flying ace.

505
00:21:59,040 --> 00:21:59,280
Speaker 7: God.

506
00:21:59,440 --> 00:22:01,960
Speaker 5: Now that point, you have the Treaty of assign Germany

507
00:22:02,280 --> 00:22:05,720
Speaker 5: is economically destroyed, and he's looking at this pathway because

508
00:22:05,720 --> 00:22:09,240
Speaker 5: He finishes the First World War as the squadron leader

509
00:22:09,359 --> 00:22:11,360
Speaker 5: of Baron von Richtoff's squadron.

510
00:22:12,040 --> 00:22:13,960
Speaker 1: He read Baron squadron, so it's the.

511
00:22:14,359 --> 00:22:18,639
Speaker 5: Coolest of you know, the sharpest squadron that they have

512
00:22:18,720 --> 00:22:20,879
Speaker 5: in the air force. So, you know, he's looking at

513
00:22:20,880 --> 00:22:26,000
Speaker 5: that nineteen twenties situation in Germany economically collapsed. You know,

514
00:22:26,160 --> 00:22:30,600
Speaker 5: people are you know, as a country, they're very downtrodden.

515
00:22:30,840 --> 00:22:32,440
Speaker 5: And he looks at that and he thinks to himself,

516
00:22:32,480 --> 00:22:36,000
Speaker 5: as a patriot, I believe, what can I do to help? Now,

517
00:22:36,040 --> 00:22:40,160
Speaker 5: here's the thing. He connects himself to people who can

518
00:22:40,200 --> 00:22:42,359
Speaker 5: accelerate his ambitions.

519
00:22:41,960 --> 00:22:43,360
Speaker 4: The fastest, smart.

520
00:22:43,400 --> 00:22:48,440
Speaker 5: He accepts so many things that wouldn't necessarily be of

521
00:22:48,480 --> 00:22:52,560
Speaker 5: his moral judgment. He accepts them to bring people on board,

522
00:22:52,600 --> 00:22:54,879
Speaker 5: so he gets the largest amount of people going forward.

523
00:22:55,240 --> 00:22:58,080
Speaker 5: Here's the problem with Hermann. He is such an egotist

524
00:22:58,320 --> 00:23:00,560
Speaker 5: that he thinks he can control the narration no matter

525
00:23:00,600 --> 00:23:04,920
Speaker 5: what happens. And I think around about nineteen forty two

526
00:23:05,240 --> 00:23:09,399
Speaker 5: he loses control of that narrative. And you know, the

527
00:23:09,520 --> 00:23:11,680
Speaker 5: end result is the end result. If you lie down

528
00:23:11,680 --> 00:23:12,920
Speaker 5: with dogs, you're going to get throughes.

529
00:23:13,080 --> 00:23:14,840
Speaker 8: Do you know what what I think I mean, because

530
00:23:14,840 --> 00:23:16,600
Speaker 8: the other thing is too when you're learning about Herman

531
00:23:16,640 --> 00:23:18,320
Speaker 8: and you're learning that he has a family and everything,

532
00:23:18,320 --> 00:23:21,159
Speaker 8: and you talk about that charismatic side, which of course

533
00:23:21,560 --> 00:23:23,920
Speaker 8: got him up the ranks to where to the position

534
00:23:23,960 --> 00:23:26,360
Speaker 8: he achieved within the Nazi regime.

535
00:23:26,880 --> 00:23:30,360
Speaker 10: But the thing was when you then cut to the trial.

536
00:23:30,720 --> 00:23:33,440
Speaker 8: And I'm not giving too much away, but obviously evidence

537
00:23:33,720 --> 00:23:36,199
Speaker 8: is presented in the trial. I was sitting on the

538
00:23:36,200 --> 00:23:39,080
Speaker 8: couch with Lisa and I've seen this footage before. But

539
00:23:39,160 --> 00:23:41,719
Speaker 8: I think it's because the character is so well sold

540
00:23:42,640 --> 00:23:45,800
Speaker 8: that you can't believe that character had something to do

541
00:23:46,440 --> 00:23:50,199
Speaker 8: with the crimes that were committed in the murder and

542
00:23:50,240 --> 00:23:54,359
Speaker 8: the genocide of six million Jews. Like it is so

543
00:23:55,040 --> 00:24:00,439
Speaker 8: powerful and jarring and so crucial that this store has

544
00:24:00,480 --> 00:24:03,480
Speaker 8: continued to be told. Russell, I think that adds to

545
00:24:03,520 --> 00:24:04,959
Speaker 8: how powerful this film is.

546
00:24:06,200 --> 00:24:06,360
Speaker 1: Well.

547
00:24:06,440 --> 00:24:10,160
Speaker 5: Jamie Vanderbilt is a very clever filmmaker because he sort

548
00:24:10,160 --> 00:24:13,119
Speaker 5: of he puts bait on the ground, you know, he

549
00:24:13,240 --> 00:24:15,400
Speaker 5: sort of invites you into the world of the film.

550
00:24:15,720 --> 00:24:19,200
Speaker 5: Here's some of his attitudes towards things are slightly jaunty,

551
00:24:19,240 --> 00:24:21,600
Speaker 5: you know who He introduces the character of Rudolph Else

552
00:24:21,720 --> 00:24:25,480
Speaker 5: for example, and it's got a slight Jacques Tatier comedy aspect. Yeah,

553
00:24:26,800 --> 00:24:29,800
Speaker 5: he has a moment when the two mental health professionals

554
00:24:29,840 --> 00:24:32,640
Speaker 5: end up in a fistfight. You know, there's this sort

555
00:24:32,640 --> 00:24:35,199
Speaker 5: of a lightness of touch and so he kind of

556
00:24:35,680 --> 00:24:38,480
Speaker 5: brings you forward. Then he gets you into the courtroom

557
00:24:38,800 --> 00:24:39,880
Speaker 5: and he locks the door.

558
00:24:40,400 --> 00:24:44,280
Speaker 6: Yeah, and you feel it. You can feel it, Russell.

559
00:24:44,320 --> 00:24:48,160
Speaker 7: I think, and I'm throwing I'd love to hear from

560
00:24:48,200 --> 00:24:51,240
Speaker 7: you the greatest court scenes in cinema that you've had

561
00:24:51,240 --> 00:24:53,639
Speaker 7: over the years, but I think it's right up there, Russell.

562
00:24:53,680 --> 00:24:57,080
Speaker 7: And you know when you're steering at Michael Shannon, who's

563
00:24:57,119 --> 00:24:59,560
Speaker 7: an unbelievable actor as well.

564
00:24:59,640 --> 00:25:03,240
Speaker 6: Is that like is that going you know? Whata reminded?

565
00:25:03,320 --> 00:25:03,480
Speaker 5: Now?

566
00:25:04,080 --> 00:25:06,880
Speaker 6: Are you going back into the coliseum? Is it like Gladiator?

567
00:25:06,960 --> 00:25:09,239
Speaker 7: Was that a moment like that when you're in the

568
00:25:09,240 --> 00:25:12,719
Speaker 7: courtroom for the Nuremberg Trial and you're looking at Michael Shannon?

569
00:25:13,280 --> 00:25:15,359
Speaker 7: Is that what you Is it like getting ready for

570
00:25:15,400 --> 00:25:17,879
Speaker 7: a rabbit O's game? That is it going into battle

571
00:25:17,920 --> 00:25:20,240
Speaker 7: that's so powerful? Is that how you approached it?

572
00:25:20,359 --> 00:25:20,679
Speaker 6: Russell?

573
00:25:21,080 --> 00:25:22,440
Speaker 1: Think about think about that room?

574
00:25:22,560 --> 00:25:25,960
Speaker 5: Okay, So You've got Ramy Malik who won the Academy

575
00:25:25,960 --> 00:25:29,840
Speaker 5: Award for playing Freddie Mercury and Bohemian RAPSI, a great actor.

576
00:25:30,280 --> 00:25:33,240
Speaker 5: You've got Michael Shannon, who I've worked with before and

577
00:25:33,320 --> 00:25:36,399
Speaker 5: we know we have a connection. You know, multiple Oscar

578
00:25:36,560 --> 00:25:41,040
Speaker 5: nominated actor, a very very fine theater actor, in my opinion,

579
00:25:41,200 --> 00:25:44,240
Speaker 5: one of the best working at the moment. Then you've

580
00:25:44,240 --> 00:25:48,679
Speaker 5: got Leo Woodhall bringing an absolute star making urn. You

581
00:25:48,760 --> 00:25:52,040
Speaker 5: have young New from Land actor Mark O'Brien. You have

582
00:25:52,280 --> 00:25:56,240
Speaker 5: Colin Hanks who's a very fine actor. You have Richard

583
00:25:56,280 --> 00:26:00,440
Speaker 5: y Grant obviously Academy a will dominated. So this I've

584
00:26:00,480 --> 00:26:02,879
Speaker 5: been likening it like, you know, walking into one of

585
00:26:02,920 --> 00:26:05,440
Speaker 5: those old Western saloons and every man in the room.

586
00:26:05,240 --> 00:26:07,200
Speaker 1: As it comes by, and it's that energy.

587
00:26:07,440 --> 00:26:10,400
Speaker 5: Every day, every single person is going to bring their

588
00:26:10,440 --> 00:26:12,240
Speaker 5: absolute best, So you better be sharp.

589
00:26:12,520 --> 00:26:12,680
Speaker 1: Now.

590
00:26:12,680 --> 00:26:15,240
Speaker 5: The thing with Michael, right, we had this moment. There's

591
00:26:15,280 --> 00:26:17,760
Speaker 5: a seven that court thing between me and Michael. It's

592
00:26:17,760 --> 00:26:22,280
Speaker 5: a seventeen page scene. It's seventeen pages a movie. It's

593
00:26:22,280 --> 00:26:26,280
Speaker 5: not theater, that's right. And they had scheduled it to

594
00:26:26,320 --> 00:26:27,439
Speaker 5: be shot over four days.

595
00:26:28,119 --> 00:26:28,840
Speaker 1: And I was.

596
00:26:28,800 --> 00:26:32,119
Speaker 5: Looking at that and I was wondering about it. So

597
00:26:32,119 --> 00:26:33,719
Speaker 5: I called Michael. I said, what do you think about this?

598
00:26:33,800 --> 00:26:35,679
Speaker 5: Have you seen the schedule? He goes, yeah, yeah, I

599
00:26:35,720 --> 00:26:37,399
Speaker 5: was looking at it. He goes they're going to shoot

600
00:26:37,400 --> 00:26:39,840
Speaker 5: over four days. There's no natural breaks in that, right,

601
00:26:39,920 --> 00:26:42,399
Speaker 5: and said, yeah, I don't see any either. And the

602
00:26:42,440 --> 00:26:44,480
Speaker 5: problem you've got with that is you can have a

603
00:26:44,560 --> 00:26:47,560
Speaker 5: very certain type of energy on the set. On one day,

604
00:26:47,880 --> 00:26:50,160
Speaker 5: you break four pages into a scene, you come back

605
00:26:50,200 --> 00:26:51,480
Speaker 5: the next day, the energy.

606
00:26:51,240 --> 00:26:51,919
Speaker 1: Might have changed.

607
00:26:52,080 --> 00:26:54,960
Speaker 5: Yeah, and it's sort of like and it's so it's

608
00:26:55,000 --> 00:26:59,320
Speaker 5: going to lose its power, because that's one conversation between these.

609
00:26:59,119 --> 00:27:01,480
Speaker 6: Trying to keep going. I've got to keep going, you know.

610
00:27:01,800 --> 00:27:03,679
Speaker 5: I talked to Michael about it. He said he was

611
00:27:03,720 --> 00:27:05,040
Speaker 5: up for it. You know, he's a theater boy, so

612
00:27:05,080 --> 00:27:08,240
Speaker 5: he knows the drill. So we then have to talk

613
00:27:08,240 --> 00:27:11,000
Speaker 5: to the director, and you know, I talked to Jamie

614
00:27:11,119 --> 00:27:13,400
Speaker 5: and I could see, actually while I was saying out loud,

615
00:27:13,400 --> 00:27:15,080
Speaker 5: that it was something in the back of his mind

616
00:27:15,480 --> 00:27:18,399
Speaker 5: that he really had wanted. He wanted to try, you know,

617
00:27:18,600 --> 00:27:21,040
Speaker 5: but you can't really demand that of people. That's a lot,

618
00:27:21,080 --> 00:27:23,399
Speaker 5: you know, And as he said at the time, no

619
00:27:23,960 --> 00:27:27,560
Speaker 5: production company could responsibly schedule that you're going to nail

620
00:27:27,680 --> 00:27:33,280
Speaker 5: seventeen script pages in try gud enough when you're normally

621
00:27:33,400 --> 00:27:35,840
Speaker 5: when you're normally working at one and a half two

622
00:27:35,880 --> 00:27:40,040
Speaker 5: pages or sometimes four pages, seventeen it's ridiculous, right, And

623
00:27:40,119 --> 00:27:41,560
Speaker 5: so I talked to him about it. He said he

624
00:27:41,600 --> 00:27:43,159
Speaker 5: was up for it, but he said, now he's got

625
00:27:43,200 --> 00:27:45,119
Speaker 5: to go to production and he said, the problem is

626
00:27:45,160 --> 00:27:48,520
Speaker 5: I brought this up before and they said that, you know,

627
00:27:49,320 --> 00:27:52,439
Speaker 5: it's not humanly possible. The thing is, Michael and I

628
00:27:52,480 --> 00:27:55,360
Speaker 5: had worked together in a situation on a movie called

629
00:27:55,400 --> 00:27:59,280
Speaker 5: Man of Steel, where he played the general and I

630
00:27:59,359 --> 00:28:03,520
Speaker 5: played Jorel, Superman's father. So it was a great lead

631
00:28:03,560 --> 00:28:06,040
Speaker 5: in for a gag when Jamie Vandbilt says it's not

632
00:28:06,119 --> 00:28:11,320
Speaker 5: humanly possible. Lived but Jamie, Michael and I have But

633
00:28:11,400 --> 00:28:12,520
Speaker 5: I'm Superman's father.

634
00:28:12,760 --> 00:28:14,000
Speaker 6: I'm Superman's dad.

635
00:28:14,320 --> 00:28:18,000
Speaker 5: I can do it extraterrestaurant to worry about this human

636
00:28:18,040 --> 00:28:21,560
Speaker 5: stuff anyway. So yeah, fantastic cast, great energy on set,

637
00:28:21,600 --> 00:28:25,320
Speaker 5: and incredible to be involved in that. And it really

638
00:28:25,359 --> 00:28:26,879
Speaker 5: is is one of these things you might be listening

639
00:28:27,040 --> 00:28:29,359
Speaker 5: at home and thinking in the court case sounds very

640
00:28:29,440 --> 00:28:31,639
Speaker 5: dry I'm not sure I might wait for streaming. I

641
00:28:31,720 --> 00:28:34,080
Speaker 5: really really encourage you to see this in the theater.

642
00:28:34,400 --> 00:28:37,119
Speaker 5: It's what the movie theater is made for a film

643
00:28:37,200 --> 00:28:37,399
Speaker 5: like this.

644
00:28:38,560 --> 00:28:43,360
Speaker 7: There's moments, there's some unbelievable scenes when Ramie Mallick, you know,

645
00:28:43,760 --> 00:28:47,000
Speaker 7: confronts you as well in the cell and realize it's

646
00:28:47,080 --> 00:28:49,200
Speaker 7: just there's so many great scenes in this and like

647
00:28:49,240 --> 00:28:50,840
Speaker 7: I said, you are on the edge of your seat

648
00:28:50,840 --> 00:28:51,400
Speaker 7: the whole time.

649
00:28:51,840 --> 00:28:53,800
Speaker 8: There's some gigs coming up to Russell. We're going to

650
00:28:53,840 --> 00:28:55,520
Speaker 8: make sure we put that on our socials as well,

651
00:28:55,600 --> 00:28:58,120
Speaker 8: dummy where people can get tickets. I think December twenty

652
00:28:58,160 --> 00:28:59,480
Speaker 8: there's an indoor garden party show.

653
00:28:59,520 --> 00:29:00,000
Speaker 10: Is that right?

654
00:29:00,680 --> 00:29:02,360
Speaker 5: Well, that's the one show we're doing this year. We

655
00:29:02,680 --> 00:29:06,120
Speaker 5: only I've been doing so much work I actually did.

656
00:29:06,240 --> 00:29:10,040
Speaker 5: I completed five movies between December and August, and I've

657
00:29:10,040 --> 00:29:12,880
Speaker 5: done a bunch of traveling to do with Nuremberg and

658
00:29:13,120 --> 00:29:15,440
Speaker 5: other things. So it's been a very busy year and

659
00:29:15,480 --> 00:29:16,960
Speaker 5: we've only got time for the one show.

660
00:29:17,160 --> 00:29:17,240
Speaker 1: Now.

661
00:29:17,320 --> 00:29:19,320
Speaker 5: It's going to be at the m Or Theater December twentieth,

662
00:29:19,360 --> 00:29:21,000
Speaker 5: and let's you're on sale now. We've got a whole

663
00:29:21,000 --> 00:29:23,200
Speaker 5: bunch of people coming along as guests. We've got Troy

664
00:29:23,280 --> 00:29:27,200
Speaker 5: Cassa Daily, Marcia Hines, We've got this young kid from

665
00:29:27,240 --> 00:29:28,240
Speaker 5: America called Break.

666
00:29:28,360 --> 00:29:31,160
Speaker 1: You can see his songs on TikTok or Spotify or whatever.

667
00:29:31,280 --> 00:29:32,480
Speaker 1: He's fantastic.

668
00:29:32,920 --> 00:29:37,560
Speaker 5: And then Loreno Riley from Ireland, the gentleman Barber's obviously

669
00:29:37,720 --> 00:29:41,000
Speaker 5: backing me up. And then the ex wife danniel Spencer

670
00:29:41,080 --> 00:29:41,960
Speaker 5: is going to open the show.

671
00:29:42,080 --> 00:29:42,720
Speaker 4: I love.

672
00:29:44,480 --> 00:29:46,840
Speaker 6: How does that go? How does that? Do you come

673
00:29:46,840 --> 00:29:47,320
Speaker 6: out at all?

674
00:29:47,480 --> 00:29:47,720
Speaker 5: Is there?

675
00:29:47,880 --> 00:29:50,240
Speaker 6: Are you getting involved at all? Do you sing a

676
00:29:50,280 --> 00:29:51,840
Speaker 6: song with Dannielle or what's happening?

677
00:29:52,080 --> 00:29:54,640
Speaker 5: No? No, no, no. She does her own stuff obviously.

678
00:29:54,640 --> 00:29:57,480
Speaker 5: You know, she's been a musician for a long long time,

679
00:29:57,840 --> 00:29:59,760
Speaker 5: and I just noticed that last year she put out

680
00:29:59,800 --> 00:30:01,800
Speaker 5: a new single and it's probably one of the best

681
00:30:01,800 --> 00:30:04,000
Speaker 5: songs that she's ever done. So you know, I was

682
00:30:04,040 --> 00:30:06,520
Speaker 5: sitting somewhere with Europe with the boys, and I said,

683
00:30:07,480 --> 00:30:08,959
Speaker 5: you think it's cool if I asked your mum if

684
00:30:08,960 --> 00:30:09,400
Speaker 5: she wants to.

685
00:30:09,320 --> 00:30:11,040
Speaker 1: Be part of the show. I know we're really enthusiastic

686
00:30:11,080 --> 00:30:11,400
Speaker 1: about it.

687
00:30:11,520 --> 00:30:15,000
Speaker 6: So can I get free? They can trimple?

688
00:30:17,320 --> 00:30:18,560
Speaker 10: Do the boys get involved?

689
00:30:19,200 --> 00:30:19,720
Speaker 1: You don't want to?

690
00:30:21,480 --> 00:30:23,280
Speaker 10: Did I see one of them up on stage at

691
00:30:23,280 --> 00:30:24,960
Speaker 10: one At one point Russell.

692
00:30:24,720 --> 00:30:27,719
Speaker 5: To the yeah man, Charlie bro got up on stage

693
00:30:27,760 --> 00:30:32,040
Speaker 5: with me when we toured. We did a big Australian

694
00:30:32,080 --> 00:30:34,120
Speaker 5: tour in twenty twenty three, but then we went to

695
00:30:34,120 --> 00:30:36,160
Speaker 5: Europe and we did some shows in Italy and then

696
00:30:36,200 --> 00:30:39,080
Speaker 5: in the Czech Republic in a place called Calibovari, and

697
00:30:39,440 --> 00:30:41,920
Speaker 5: Charlie got up at those shows, which was.

698
00:30:42,520 --> 00:30:45,800
Speaker 6: What's what's his strength, Charlie voice or is he play

699
00:30:45,840 --> 00:30:46,360
Speaker 6: an instrument?

700
00:30:47,440 --> 00:30:50,720
Speaker 1: He's a singer. He's a singer, a really really good singer.

701
00:30:50,440 --> 00:30:52,880
Speaker 5: And he's been working on that for a long time. However,

702
00:30:52,960 --> 00:30:54,760
Speaker 5: I'm not sure if that's something that he's going to

703
00:30:54,760 --> 00:30:57,240
Speaker 5: be sure he's an excellent songwriter as well. His songs

704
00:30:57,240 --> 00:31:01,480
Speaker 5: are fantastic. But I think he has you know, he's

705
00:31:01,560 --> 00:31:05,840
Speaker 5: seen what this life is and you know he wants

706
00:31:06,000 --> 00:31:07,080
Speaker 5: currently university.

707
00:31:07,400 --> 00:31:08,120
Speaker 1: No, I don't think so.

708
00:31:10,160 --> 00:31:13,920
Speaker 5: He loves it, loves the benefits, doesn't like the actual Russell.

709
00:31:14,320 --> 00:31:16,400
Speaker 8: What's funny that footage you send me to Like you

710
00:31:16,440 --> 00:31:19,160
Speaker 8: get twelve thousand people you're performing in Siena in Italy.

711
00:31:19,320 --> 00:31:22,640
Speaker 10: It must be so full of for people for the

712
00:31:22,680 --> 00:31:25,800
Speaker 10: Italians to go hang on a minute. The gladiators now

713
00:31:25,840 --> 00:31:26,400
Speaker 10: on stage.

714
00:31:26,440 --> 00:31:29,320
Speaker 8: Like I was in Italy in July, I think, and

715
00:31:29,360 --> 00:31:31,360
Speaker 8: we had this tour guide in Rome and he said,

716
00:31:31,640 --> 00:31:34,760
Speaker 8: we have two things. You have two things that we love.

717
00:31:35,080 --> 00:31:37,320
Speaker 8: And I said, what's that mate? He said, you're Prime

718
00:31:37,320 --> 00:31:39,400
Speaker 8: Minister is Italian and Russell Crowe.

719
00:31:39,800 --> 00:31:40,640
Speaker 10: You have the real.

720
00:31:42,480 --> 00:31:43,320
Speaker 6: For them to be you know.

721
00:31:43,640 --> 00:31:46,880
Speaker 1: Yeah, a few years ago they gave me the job

722
00:31:46,920 --> 00:31:50,040
Speaker 1: over there. I am the Ambashia.

723
00:31:49,600 --> 00:31:56,120
Speaker 5: Daughter Theroma, so I'm the ambassador for Rome in the world,

724
00:31:56,280 --> 00:31:59,600
Speaker 5: son of Rome and son of you know they actually

725
00:31:59,760 --> 00:32:02,880
Speaker 5: really I was so chuffed when that happened.

726
00:32:05,080 --> 00:32:06,480
Speaker 6: How are you though, young fellow.

727
00:32:06,480 --> 00:32:09,440
Speaker 7: We're a bit worried about you, because, you know what,

728
00:32:09,480 --> 00:32:11,560
Speaker 7: you have been working very hard and you just went

729
00:32:11,560 --> 00:32:14,680
Speaker 7: on Joe Rogan recently and we've heard about your witching hours.

730
00:32:14,720 --> 00:32:15,400
Speaker 6: Have a listen to this.

731
00:32:16,080 --> 00:32:18,480
Speaker 5: I'm actually going through a really weird time at the moment.

732
00:32:18,640 --> 00:32:20,720
Speaker 5: For the last month. Doesn't matter where I am in

733
00:32:20,720 --> 00:32:22,680
Speaker 5: the world, if I'm in Spain, if I'm in Australia,

734
00:32:22,760 --> 00:32:27,480
Speaker 5: from in America, I cannot sleep between midnight and five am.

735
00:32:28,280 --> 00:32:31,200
Speaker 5: It's just very odd, and I think it's related to

736
00:32:31,680 --> 00:32:33,400
Speaker 5: the feeling that I was expressing before that.

737
00:32:33,480 --> 00:32:36,800
Speaker 1: Somewhere in August, I broke my head. I'd just done

738
00:32:37,440 --> 00:32:37,960
Speaker 1: too much.

739
00:32:37,840 --> 00:32:41,640
Speaker 8: Too much, working too hard, my friend a little bit

740
00:32:41,720 --> 00:32:42,320
Speaker 8: on the farm.

741
00:32:42,360 --> 00:32:44,160
Speaker 6: Are you sleeping? What's going on?

742
00:32:45,080 --> 00:32:48,320
Speaker 5: Well, yeah, so that thing I was talking about with Joe,

743
00:32:48,360 --> 00:32:49,800
Speaker 5: and that was, you know, a month ago, I did

744
00:32:49,880 --> 00:32:54,479
Speaker 5: that show. I only just sold it last week, so

745
00:32:54,640 --> 00:32:59,880
Speaker 5: I only just sold it. Solved it, solved it sleeping problem.

746
00:33:00,400 --> 00:33:00,880
Speaker 1: It took.

747
00:33:02,360 --> 00:33:04,600
Speaker 6: Red sheering, was it. It's not the punch that you know.

748
00:33:07,280 --> 00:33:09,760
Speaker 5: That that's that's a that's a sort of a type

749
00:33:09,760 --> 00:33:11,800
Speaker 5: of fix. That's not true. So you have to wait

750
00:33:11,920 --> 00:33:16,040
Speaker 5: till it becomes more natural. Really, what I did is

751
00:33:16,080 --> 00:33:18,320
Speaker 5: I just gave gave into it. I was like, Okay, well,

752
00:33:18,360 --> 00:33:19,960
Speaker 5: I'm going to sleep when i'm tired, and I'll be

753
00:33:20,040 --> 00:33:23,120
Speaker 5: awake when i'm not and as sooner or later the

754
00:33:23,160 --> 00:33:24,040
Speaker 5: clock will come around.

755
00:33:24,080 --> 00:33:26,840
Speaker 1: So very helpful getting up here.

756
00:33:26,920 --> 00:33:29,320
Speaker 5: So because the last two nights I've had the most

757
00:33:29,720 --> 00:33:31,320
Speaker 5: beautiful magic, so.

758
00:33:31,400 --> 00:33:32,560
Speaker 1: You know, so that's good.

759
00:33:32,600 --> 00:33:34,320
Speaker 5: But and I think it was just too many planes,

760
00:33:34,320 --> 00:33:36,800
Speaker 5: too many planes, too many airports, too many time. You've

761
00:33:36,800 --> 00:33:39,280
Speaker 5: got to remember that. Every time I'm on a film set,

762
00:33:39,320 --> 00:33:42,560
Speaker 5: it's a journalized day. It's performance, so you're in that

763
00:33:42,640 --> 00:33:46,080
Speaker 5: kind of energy and to go through five different characters,

764
00:33:46,120 --> 00:33:48,200
Speaker 5: because every time you go to a different job, it's

765
00:33:48,240 --> 00:33:50,560
Speaker 5: like going to a new school. There's hundreds of new

766
00:33:50,560 --> 00:33:52,280
Speaker 5: people that you meet, have to meet, you know, the

767
00:33:52,320 --> 00:33:55,400
Speaker 5: crew people that you know, the camera guys that are

768
00:33:55,560 --> 00:33:58,040
Speaker 5: around you all the time, the other actors, directors, producers

769
00:33:58,120 --> 00:34:00,600
Speaker 5: or whatever. And then you know that one finishes and

770
00:34:00,880 --> 00:34:02,760
Speaker 5: you go to the next one. And so there was

771
00:34:02,800 --> 00:34:06,000
Speaker 5: there was no time between them. And this wasn't set

772
00:34:06,040 --> 00:34:09,480
Speaker 5: out as an intended plan schedule. It's just that, you know,

773
00:34:09,560 --> 00:34:12,799
Speaker 5: I work a lot in independent film because I enjoy that,

774
00:34:12,840 --> 00:34:15,359
Speaker 5: and sometimes it can be very vague. The financing can

775
00:34:15,400 --> 00:34:18,120
Speaker 5: be vague. Yeah, for an example, you know we're talking

776
00:34:18,200 --> 00:34:20,520
Speaker 5: about Nuremberg now, but I signed on to Dune Nuremberg

777
00:34:20,560 --> 00:34:24,640
Speaker 5: in twenty nineteen and we didn't know twenty twenty four.

778
00:34:25,200 --> 00:34:31,040
Speaker 5: So it never really takes a linear and organized road.

779
00:34:31,120 --> 00:34:32,839
Speaker 5: And so this year it's just the things that I'd

780
00:34:32,840 --> 00:34:34,560
Speaker 5: agreed to over the past couple of years or just

781
00:34:34,560 --> 00:34:37,040
Speaker 5: started to land, like it was air traffic control management.

782
00:34:37,960 --> 00:34:40,480
Speaker 8: The other thing is too with Herman Goring, the character

783
00:34:40,480 --> 00:34:43,080
Speaker 8: you play in Nuremberg, you'd put on a fair bit

784
00:34:43,080 --> 00:34:44,600
Speaker 8: of weight. I mean, that was the role you had

785
00:34:44,640 --> 00:34:46,880
Speaker 8: to play, and I was just asking for a mate

786
00:34:47,040 --> 00:34:48,200
Speaker 8: because you're looking great.

787
00:34:48,280 --> 00:34:50,920
Speaker 10: How did you lose that weight afterwards?

788
00:34:50,920 --> 00:34:53,719
Speaker 5: Well, it's been it's been a very long process and

789
00:34:53,760 --> 00:34:56,120
Speaker 5: it's taken a holistic approach.

790
00:34:56,320 --> 00:34:56,520
Speaker 1: See.

791
00:34:56,520 --> 00:35:00,680
Speaker 5: The problem was I was doing us voice when they

792
00:35:00,719 --> 00:35:04,520
Speaker 5: asked me to do. So I made the decision, right, Okay,

793
00:35:04,600 --> 00:35:06,480
Speaker 5: I'm going to stay here because I'm thinking we're going

794
00:35:06,520 --> 00:35:08,920
Speaker 5: to make this film since some months from that, I'm

795
00:35:08,920 --> 00:35:10,799
Speaker 5: going to stay in this place because I want to

796
00:35:10,800 --> 00:35:13,440
Speaker 5: play going at his most pompous. I don't want to

797
00:35:13,760 --> 00:35:15,759
Speaker 5: drop down and wait and play what he looked like

798
00:35:16,239 --> 00:35:19,919
Speaker 5: in reality in the courtroom, because I think that's sort

799
00:35:19,920 --> 00:35:21,239
Speaker 5: of like my joke is.

800
00:35:21,200 --> 00:35:24,560
Speaker 1: You know, that would make me too handsome and unfair buntage.

801
00:35:24,960 --> 00:35:25,080
Speaker 1: You know.

802
00:35:25,560 --> 00:35:29,560
Speaker 5: I wanted to play hid that drug fueled in a

803
00:35:29,680 --> 00:35:34,000
Speaker 5: pomposity extreme And so then I've got to sit there

804
00:35:34,120 --> 00:35:40,520
Speaker 5: for five years waiting and I'm going, guys, guys, come on, Russell,

805
00:35:40,640 --> 00:35:44,880
Speaker 5: stay fat. So basically it's from the moment we finished

806
00:35:44,960 --> 00:35:48,640
Speaker 5: on on Nuremberg, there was just a whole bunch of

807
00:35:49,040 --> 00:35:52,640
Speaker 5: changes that took place. One of the things that I

808
00:35:52,680 --> 00:35:56,360
Speaker 5: started with trying to take advantage of science, and it

809
00:35:56,400 --> 00:35:59,160
Speaker 5: was clsom an introduction from from Joe Rogan actually to

810
00:35:59,360 --> 00:36:03,320
Speaker 5: a guy called brigand Bueler, a clinic in Austin, Texas,

811
00:36:03,320 --> 00:36:03,920
Speaker 5: caolways too.

812
00:36:03,920 --> 00:36:04,120
Speaker 1: Well.

813
00:36:04,800 --> 00:36:08,400
Speaker 5: So what I've been doing is I've been using stem

814
00:36:08,440 --> 00:36:12,000
Speaker 5: cell ivs to calm down the inflammation in my body,

815
00:36:12,280 --> 00:36:14,560
Speaker 5: because you know, you probably have the same cell that

816
00:36:14,640 --> 00:36:17,160
Speaker 5: sort of thing. I've got injuries everywhere. I've got like

817
00:36:17,440 --> 00:36:19,719
Speaker 5: heel fassy artists. I've got you know, greade fourtees and

818
00:36:19,719 --> 00:36:21,839
Speaker 5: the achilles. I've got shin spins, i got bone marrow

819
00:36:21,840 --> 00:36:24,480
Speaker 5: of demas under both knees. I got a disintegrating hip.

820
00:36:24,520 --> 00:36:27,200
Speaker 5: I've got a rib on the upper thoracic departs. I've

821
00:36:27,200 --> 00:36:30,120
Speaker 5: got this list of injuries, you know, two ops on

822
00:36:30,160 --> 00:36:34,279
Speaker 5: this shoulder arthritis and both wrists, both shoulders. And so

823
00:36:34,400 --> 00:36:36,400
Speaker 5: what I've started to do is to use the science

824
00:36:36,440 --> 00:36:40,160
Speaker 5: and layer these stem cell injections one at a time

825
00:36:40,320 --> 00:36:45,279
Speaker 5: over a period. And by approaching the inflammation first, it

826
00:36:45,360 --> 00:36:48,719
Speaker 5: is meant that my workouts are more effective. So when

827
00:36:48,760 --> 00:36:51,279
Speaker 5: I sweat, I'm actually losing weightless but I went through

828
00:36:51,280 --> 00:36:54,239
Speaker 5: a five year period where I was really strong, but

829
00:36:54,280 --> 00:36:56,720
Speaker 5: it didn't matter what I did, I couldn't shift anything.

830
00:36:57,040 --> 00:37:01,080
Speaker 5: So you know, I decided instead of like just going

831
00:37:01,120 --> 00:37:04,480
Speaker 5: with the bullshit diet, starvation or whatever, what can science.

832
00:37:04,120 --> 00:37:05,839
Speaker 6: Help him still that smart way?

833
00:37:05,960 --> 00:37:07,200
Speaker 1: And so it's starting to work.

834
00:37:07,280 --> 00:37:07,680
Speaker 4: That's great.

835
00:37:07,840 --> 00:37:11,120
Speaker 7: Before you go, I've had so many mates and we

836
00:37:11,160 --> 00:37:12,879
Speaker 7: get text messages on this as well.

837
00:37:13,000 --> 00:37:14,200
Speaker 6: Have you heard from Gosling?

838
00:37:14,239 --> 00:37:16,920
Speaker 7: And everyone wants to know The Nice Guys is a

839
00:37:16,920 --> 00:37:19,600
Speaker 7: bit of a cult classic now and it's a great movie.

840
00:37:20,120 --> 00:37:22,839
Speaker 7: Is there an opportunity that the Boys could be back

841
00:37:22,880 --> 00:37:23,799
Speaker 7: at some stage?

842
00:37:24,760 --> 00:37:27,879
Speaker 5: Look, you know, Ryan and I are definitely friends and

843
00:37:27,920 --> 00:37:31,879
Speaker 5: we enjoy show's company. He's dangerous for me on a set.

844
00:37:31,880 --> 00:37:34,279
Speaker 5: He's the only actor I've had a man who can

845
00:37:34,360 --> 00:37:37,080
Speaker 5: make me laugh whenever he feels like you know.

846
00:37:37,800 --> 00:37:41,000
Speaker 6: Do you remember that except remember the actors?

847
00:37:41,080 --> 00:37:44,120
Speaker 7: Do you remember the actor's video that you did with Gosling?

848
00:37:44,160 --> 00:37:46,479
Speaker 6: And he interrupted that.

849
00:37:46,800 --> 00:37:49,759
Speaker 5: And said that he's what was the line that you

850
00:37:49,800 --> 00:37:54,000
Speaker 5: know he's an honorary Australian because he spent time in

851
00:37:54,040 --> 00:37:58,960
Speaker 5: New Zealand. You've got to understand, this kid's a freaking

852
00:37:59,080 --> 00:38:00,839
Speaker 5: comic Genie space.

853
00:38:00,840 --> 00:38:03,600
Speaker 6: Is very funny.

854
00:38:03,840 --> 00:38:06,680
Speaker 5: So look, we'd love to work together again. And there

855
00:38:06,760 --> 00:38:09,360
Speaker 5: was a period of time when discussions about Nice cos

856
00:38:09,920 --> 00:38:13,200
Speaker 5: two you know, took place because we had this idea.

857
00:38:13,640 --> 00:38:15,360
Speaker 5: I don't even know why this is funny, but it

858
00:38:15,400 --> 00:38:19,279
Speaker 5: made us laugh. Nice guys to Mexican detectives.

859
00:38:23,200 --> 00:38:26,880
Speaker 8: Why is that articulous?

860
00:38:27,840 --> 00:38:30,960
Speaker 1: Right? Anyway, So we discussed it.

861
00:38:30,960 --> 00:38:33,520
Speaker 5: It sort of seems to have gone away, and you know,

862
00:38:33,560 --> 00:38:36,800
Speaker 5: with the X amount of time gone by, the longer

863
00:38:36,840 --> 00:38:38,239
Speaker 5: it gets the less likely.

864
00:38:38,640 --> 00:38:41,680
Speaker 1: But will we work together again? I really hope so.

865
00:38:42,120 --> 00:38:44,840
Speaker 5: And you know, there is actually a project at the moment,

866
00:38:45,239 --> 00:38:50,240
Speaker 5: which is it potentially could fit in into that because

867
00:38:50,400 --> 00:38:55,239
Speaker 5: the energy on screen together is undeniable. Smartnt Lewis. It's like,

868
00:38:55,320 --> 00:38:59,319
Speaker 5: you know, it's a classic Hope and Crosby. It's a

869
00:38:59,360 --> 00:39:00,719
Speaker 5: classic combination with some.

870
00:39:01,840 --> 00:39:06,239
Speaker 8: Hey, it's Sheeran is here in February, coming here in February.

871
00:39:06,360 --> 00:39:08,200
Speaker 10: I would like to think there's a bit of crossover

872
00:39:08,239 --> 00:39:09,480
Speaker 10: there for you. Will you be around?

873
00:39:11,360 --> 00:39:14,440
Speaker 5: Yeah, I'm here till the end of that month and

874
00:39:14,480 --> 00:39:16,680
Speaker 5: then I'm away again for a really long time.

875
00:39:17,040 --> 00:39:19,600
Speaker 1: But yeah, we've already had had chats.

876
00:39:19,600 --> 00:39:23,080
Speaker 5: We've actually been planning it for a couple of years.

877
00:39:23,239 --> 00:39:26,680
Speaker 5: It's on it's been on his books for a while.

878
00:39:26,880 --> 00:39:29,040
Speaker 5: But hopefully he gets to bring the family up to

879
00:39:29,080 --> 00:39:31,640
Speaker 5: the farm and spend some time up here and just

880
00:39:31,719 --> 00:39:32,600
Speaker 5: relax and everything.

881
00:39:32,360 --> 00:39:33,480
Speaker 1: Because that's how we first met.

882
00:39:33,480 --> 00:39:35,799
Speaker 5: You know, we had some friends in common and he

883
00:39:35,880 --> 00:39:38,040
Speaker 5: was on tour and he was in the middle of

884
00:39:38,040 --> 00:39:40,680
Speaker 5: that tour where he switched from large rooms to arenas

885
00:39:40,680 --> 00:39:43,880
Speaker 5: suddenly to stadiums in the year, so his fame was

886
00:39:43,960 --> 00:39:47,160
Speaker 5: kind of overwhelming him a little bit at the time,

887
00:39:47,200 --> 00:39:49,400
Speaker 5: you know, just getting used to it. So through a

888
00:39:49,400 --> 00:39:51,480
Speaker 5: friend of his, he reached out and just said, can

889
00:39:51,520 --> 00:39:53,239
Speaker 5: I come and meet you and hang out for a

890
00:39:53,280 --> 00:39:56,240
Speaker 5: couple of days. So, you know, our first experience together

891
00:39:56,320 --> 00:39:58,080
Speaker 5: as friends is him coming to the farm.

892
00:39:58,120 --> 00:40:01,680
Speaker 7: So what if we write a a little promotional song,

893
00:40:02,200 --> 00:40:05,360
Speaker 7: parody song kind of thing for Maffliqua and we presented

894
00:40:05,400 --> 00:40:06,480
Speaker 7: it to you and Andrew.

895
00:40:06,320 --> 00:40:07,600
Speaker 6: Maybe it could be a performance.

896
00:40:07,680 --> 00:40:11,440
Speaker 7: Finally, the collaboration that everyone's been asking, what there and

897
00:40:11,560 --> 00:40:12,360
Speaker 7: Crow together.

898
00:40:14,840 --> 00:40:19,680
Speaker 5: In case people don't understand, I was working in Ireland

899
00:40:20,360 --> 00:40:23,799
Speaker 5: in twenty twenty one forgot about that bit and I

900
00:40:23,840 --> 00:40:27,440
Speaker 5: heard this story about this This fellow called Phil mccleannan,

901
00:40:27,440 --> 00:40:30,840
Speaker 5: who was legitimately an Irish potato farm, and how he

902
00:40:30,960 --> 00:40:33,839
Speaker 5: used to make poa chin, which is sort of moonshine

903
00:40:33,840 --> 00:40:35,399
Speaker 5: for his friends and they'd come around with their old

904
00:40:35,400 --> 00:40:37,120
Speaker 5: medicine bottles and film up on a Friday and have

905
00:40:37,200 --> 00:40:39,480
Speaker 5: themselves a good weekend. And I'd heard the story about

906
00:40:39,480 --> 00:40:41,640
Speaker 5: how his granddaughter, when she was a small girl like

907
00:40:41,680 --> 00:40:43,680
Speaker 5: six or seven or eight, would see the fun that

908
00:40:43,760 --> 00:40:46,120
Speaker 5: her grandfather created. Because obviously it's a big bunch of

909
00:40:46,200 --> 00:40:48,680
Speaker 5: virriush people that are coming around drinking moonshine. Of course

910
00:40:48,680 --> 00:40:50,400
Speaker 5: there's going to be some songs and some stories and

911
00:40:50,400 --> 00:40:52,799
Speaker 5: some laughter, you know. So she saw that and she

912
00:40:52,880 --> 00:40:55,440
Speaker 5: said to herself and to her mother, actually at the time,

913
00:40:55,600 --> 00:40:57,719
Speaker 5: one day, when I'm older, I'm going to legitimize what

914
00:40:57,840 --> 00:40:59,760
Speaker 5: granddad does for fun, make it into a business.

915
00:41:00,040 --> 00:41:03,799
Speaker 1: So I heard that story. And there's a small town across.

916
00:41:03,480 --> 00:41:07,239
Speaker 5: The river from Derry called Muff and that's where the

917
00:41:07,280 --> 00:41:13,040
Speaker 5: distillery started. And she called the company the liquor Company,

918
00:41:13,239 --> 00:41:16,920
Speaker 5: and so I was amused by that. So I called

919
00:41:17,160 --> 00:41:21,840
Speaker 5: Jimmy Carr and Ed Sheeran and Ronan Keating and an

920
00:41:21,880 --> 00:41:25,440
Speaker 5: Irish broadcast called Ryan Turberty, and we all invested in

921
00:41:25,480 --> 00:41:30,560
Speaker 5: the company and it's going very well. We're in forty

922
00:41:30,560 --> 00:41:32,160
Speaker 5: states in America. But the thing that you've got to

923
00:41:32,160 --> 00:41:33,880
Speaker 5: do is a lot. We try to stay it. We

924
00:41:33,960 --> 00:41:35,880
Speaker 5: try to stay out of it. And we won a

925
00:41:35,920 --> 00:41:42,120
Speaker 5: lot of metals so award winning muff Liquor, so we

926
00:41:42,160 --> 00:41:43,839
Speaker 5: try to sort of stay back from it a little bit.

927
00:41:43,880 --> 00:41:45,840
Speaker 5: We discussed it because the real part of our lives,

928
00:41:46,080 --> 00:41:47,840
Speaker 5: but we don't want to be the faces of it

929
00:41:47,880 --> 00:41:51,239
Speaker 5: because the product it self is really good. He won

930
00:41:51,680 --> 00:41:54,960
Speaker 5: seven or eight medals for the potato based gin. We've

931
00:41:54,960 --> 00:41:57,279
Speaker 5: won a couple of medals for the potato based vodka,

932
00:41:57,560 --> 00:42:00,760
Speaker 5: and we won two really significant awards for our whiskey.

933
00:42:01,719 --> 00:42:04,760
Speaker 1: We won double gold at.

934
00:42:04,600 --> 00:42:09,160
Speaker 5: The fifty Irish Whiskies and we won gold at the

935
00:42:09,440 --> 00:42:11,719
Speaker 5: for best Irish Blended at the World.

936
00:42:11,880 --> 00:42:12,520
Speaker 6: That's good, March.

937
00:42:12,680 --> 00:42:16,440
Speaker 7: Yeah, I reckon you might be winning another awards.

938
00:42:17,200 --> 00:42:18,120
Speaker 10: Michael Douglass.

939
00:42:21,000 --> 00:42:23,560
Speaker 6: Okay, Nuremberg. It's out next Thursday.

940
00:42:23,680 --> 00:42:27,560
Speaker 7: And like I said, this, this is an unbelievable movie,

941
00:42:27,600 --> 00:42:30,239
Speaker 7: and like Russell said, you've got to go and see

942
00:42:30,239 --> 00:42:32,960
Speaker 7: it in the cinema. It's huge, it's massive, it's the

943
00:42:33,000 --> 00:42:35,120
Speaker 7: only way to see it plus indoor garden party.

944
00:42:35,120 --> 00:42:36,480
Speaker 6: They're playing at the Endmore Theater.

945
00:42:36,920 --> 00:42:39,440
Speaker 7: December twenty see can get your tickets and go and

946
00:42:39,560 --> 00:42:40,239
Speaker 7: check them out.

947
00:42:40,280 --> 00:42:42,400
Speaker 6: Mate. We love you ib Dick, you know that.

948
00:42:43,000 --> 00:42:47,640
Speaker 7: And always pleasure and always welcome on the show, Russell,

949
00:42:47,680 --> 00:42:48,640
Speaker 7: so thank you for your John.

950
00:42:49,960 --> 00:42:51,319
Speaker 1: Thanks boys, Thanks great man.

951
00:42:51,360 --> 00:42:54,360
Speaker 7: Seyboddy sits in Whippa with Kate Ritchie is a Nova

952
00:42:54,400 --> 00:42:56,399
Speaker 7: podcast A great shows like this.

953
00:42:56,719 --> 00:42:59,760
Speaker 5: Download the Nova player, Fie the App store or Google

954
00:42:59,760 --> 00:43:03,160
Speaker 5: Plays even over play am