1
00:00:00,200 --> 00:00:00,600
Speaker 1: Morning.

2
00:00:01,320 --> 00:00:04,320
Speaker 2: That is Guy Sebastian. The brand new single is maybe

3
00:00:04,360 --> 00:00:06,240
Speaker 2: It's just gone nineteenth past.

4
00:00:06,080 --> 00:00:08,520
Speaker 3: Days been to kiss and tell? Why not try their

5
00:00:08,560 --> 00:00:10,600
Speaker 3: sister companies of Hochi, Mama.

6
00:00:10,400 --> 00:00:13,039
Speaker 4: Straight out Us like God Wins Are One Room and

7
00:00:13,119 --> 00:00:14,480
Speaker 4: Susie q Book Online.

8
00:00:14,480 --> 00:00:19,159
Speaker 1: Now, hey, it's Guy Sebastian here. I can't wait to

9
00:00:19,239 --> 00:00:21,440
Speaker 1: see all of the mums and perform for them at

10
00:00:21,520 --> 00:00:23,600
Speaker 1: Jason Lawrence Mother's Day lunch.

11
00:00:25,400 --> 00:00:28,360
Speaker 2: Yeah, that's right. He is the special guest at our

12
00:00:28,400 --> 00:00:30,760
Speaker 2: mother's and your Mother's Day lunch today, which is getting

13
00:00:30,760 --> 00:00:34,040
Speaker 2: bigger and bigger. I'm warning and our guy the wheels

14
00:00:34,040 --> 00:00:34,760
Speaker 2: come off at lunch.

15
00:00:35,920 --> 00:00:38,640
Speaker 1: Go mad. Been at a Mother's Day thing with you

16
00:00:38,720 --> 00:00:40,360
Speaker 1: guys before, it's a few years ago.

17
00:00:41,680 --> 00:00:44,600
Speaker 4: Go a bit, don't they? What does jewels your wife

18
00:00:44,600 --> 00:00:45,959
Speaker 4: do she for Mother's Day?

19
00:00:46,040 --> 00:00:46,320
Speaker 3: Is there?

20
00:00:46,360 --> 00:00:46,479
Speaker 1: Like?

21
00:00:46,600 --> 00:00:49,920
Speaker 4: Because the school a lot of schools like yesterday and

22
00:00:49,960 --> 00:00:51,080
Speaker 4: the mums go wild.

23
00:00:51,280 --> 00:00:53,080
Speaker 1: Well, she's just got up. I was just saying to

24
00:00:53,080 --> 00:00:58,000
Speaker 1: your offair she's just got home from from a holidays gone. Yes,

25
00:00:58,400 --> 00:01:03,320
Speaker 1: it literally was, And I will say, go your hardest

26
00:01:03,360 --> 00:01:05,600
Speaker 1: if you're a mum, because like you know, when you

27
00:01:05,680 --> 00:01:09,399
Speaker 1: when your wife goes away just before Mother's Day. It's

28
00:01:09,560 --> 00:01:12,480
Speaker 1: very good timing because then you're doing every drop off

29
00:01:12,480 --> 00:01:15,160
Speaker 1: and pick up and every lunch every day. And I

30
00:01:15,200 --> 00:01:17,840
Speaker 1: reckon it was good timing on her part because she's

31
00:01:17,840 --> 00:01:22,840
Speaker 1: made us appreciate just before Mother's Day, dad.

32
00:01:22,760 --> 00:01:27,360
Speaker 2: This afternoon to pick up, it's it'll be all the dads.

33
00:01:26,280 --> 00:01:30,320
Speaker 4: It's Actually it was like a mensa meeting in here

34
00:01:30,400 --> 00:01:34,000
Speaker 4: yesterday when jose was like, right, so Archie is in

35
00:01:34,040 --> 00:01:36,399
Speaker 4: a car seats?

36
00:01:36,640 --> 00:01:39,039
Speaker 3: How do I pick him up if I'm not driving?

37
00:01:40,920 --> 00:01:41,600
Speaker 2: Is that a good look?

38
00:01:46,000 --> 00:01:47,520
Speaker 1: I don't think they need a car seat?

39
00:01:48,160 --> 00:01:48,960
Speaker 2: Is it a good look?

40
00:01:50,000 --> 00:01:51,560
Speaker 3: And then I need to think it's fun?

41
00:01:51,720 --> 00:01:54,640
Speaker 1: I mean, it's you. They've seen worse. Yeah, that's true.

42
00:01:55,360 --> 00:01:58,440
Speaker 1: I think there's been there's been worse. That's that you're

43
00:01:58,480 --> 00:01:58,920
Speaker 1: a good dad.

44
00:01:58,920 --> 00:02:02,040
Speaker 4: I think there to the dadsy's you are on driving

45
00:02:02,120 --> 00:02:04,160
Speaker 4: duty today, not about you.

46
00:02:04,640 --> 00:02:07,400
Speaker 1: But so they should get loose to the moms. I

47
00:02:07,440 --> 00:02:10,400
Speaker 1: think they need a bit of a day to let go.

48
00:02:10,560 --> 00:02:12,840
Speaker 2: The school Mother's Day lunch my wife's going to today.

49
00:02:13,040 --> 00:02:14,840
Speaker 2: They've sold tickets to an after party.

50
00:02:15,160 --> 00:02:17,280
Speaker 1: Oh wow, with my girlfriends.

51
00:02:17,280 --> 00:02:20,680
Speaker 4: They've got after why don't you come after the Mother's

52
00:02:20,720 --> 00:02:21,160
Speaker 4: say lunch?

53
00:02:21,200 --> 00:02:22,320
Speaker 3: And I was like, I'm not a mom.

54
00:02:23,000 --> 00:02:27,720
Speaker 2: I don't think, yeah, well you're offering no, well do

55
00:02:27,760 --> 00:02:30,320
Speaker 2: they need to. I Am not sending a guy in

56
00:02:30,360 --> 00:02:32,480
Speaker 2: to a mother's day after party.

57
00:02:32,240 --> 00:02:35,440
Speaker 3: Lunch are amazing, though, aren't they amazing?

58
00:02:35,520 --> 00:02:38,119
Speaker 1: I mean, it's just they do so much and it's

59
00:02:38,120 --> 00:02:41,000
Speaker 1: so relentless. I think it's it's It's funny because when

60
00:02:41,000 --> 00:02:44,120
Speaker 1: I'm on tour, you know, people will often say, oh,

61
00:02:44,160 --> 00:02:46,560
Speaker 1: you must like you must be so tired, and you

62
00:02:46,639 --> 00:02:49,160
Speaker 1: must be and I'm like, no, no, Jules is tired.

63
00:02:49,200 --> 00:02:51,440
Speaker 1: Like what, I'm not home to help with a juggle.

64
00:02:52,000 --> 00:02:53,600
Speaker 1: I wake up and I do a show for two

65
00:02:53,600 --> 00:02:56,440
Speaker 1: hours at night, and then I'm sweet for the rest

66
00:02:56,440 --> 00:02:58,320
Speaker 1: of the day and I'm just in a hotel like

67
00:02:58,440 --> 00:03:01,720
Speaker 1: whereas when you're a mom, it's just brilliantly never stopped.

68
00:03:02,800 --> 00:03:04,320
Speaker 2: So it's just going to say saying to my wife, like,

69
00:03:04,560 --> 00:03:07,200
Speaker 2: you know, you talk about you know what's important. I'm

70
00:03:07,200 --> 00:03:09,560
Speaker 2: going to work. I'm playing Gary Sebastian's new song No Offense.

71
00:03:09,760 --> 00:03:11,960
Speaker 2: She's at home teaching him how to become men you

72
00:03:12,000 --> 00:03:13,640
Speaker 2: know legacy.

73
00:03:13,800 --> 00:03:21,880
Speaker 1: Yeah it's ary maybe, yeah, but yeah, I don't know.

74
00:03:21,919 --> 00:03:24,680
Speaker 1: I'm just trying not to be offended at that. Now

75
00:03:24,720 --> 00:03:27,440
Speaker 1: I'm dumb joking. It's it's it's pretty obvious. It's like

76
00:03:27,600 --> 00:03:30,880
Speaker 1: such an important job. On top of that, like Jules,

77
00:03:31,160 --> 00:03:34,920
Speaker 1: she works her off as well, so that it's like

78
00:03:35,200 --> 00:03:36,800
Speaker 1: she's so busy.

79
00:03:36,640 --> 00:03:39,080
Speaker 2: And that's why you've planned what you've planned for Sunday.

80
00:03:39,120 --> 00:03:41,240
Speaker 1: Hey, oh yes, I have not.

81
00:03:41,680 --> 00:03:46,040
Speaker 4: Yes, it's massive. It's the lady you leave it, the

82
00:03:46,040 --> 00:03:48,480
Speaker 4: better the present gets. Because, as I explained to Jay,

83
00:03:48,720 --> 00:03:50,800
Speaker 4: you throw money at the problem when you're running out

84
00:03:50,840 --> 00:03:51,119
Speaker 4: of time.

85
00:03:51,520 --> 00:03:53,280
Speaker 1: You know what I've done in the past is throw

86
00:03:53,320 --> 00:03:58,880
Speaker 1: a song at the problem. So that's everyone. That's that's

87
00:03:58,920 --> 00:04:00,880
Speaker 1: the little ace card I've got. It was I was

88
00:04:00,880 --> 00:04:03,760
Speaker 1: in Bali doing a songwriting camp and I was like, God,

89
00:04:03,760 --> 00:04:07,440
Speaker 1: it's Jules's birthday tomorrow, and that day it actually it

90
00:04:07,520 --> 00:04:10,880
Speaker 1: actually changed the course of the writing for that day

91
00:04:10,880 --> 00:04:13,720
Speaker 1: because I was like, I'll write jewels, something I'll write but.

92
00:04:13,800 --> 00:04:15,080
Speaker 2: Hang on, how many years you've been together?

93
00:04:15,600 --> 00:04:20,760
Speaker 1: Twenty it's been twenty two years, twenty five years.

94
00:04:20,800 --> 00:04:22,479
Speaker 2: Yeah, yeah, it's a song get me a car?

95
00:04:23,760 --> 00:04:24,400
Speaker 1: Yeah, exactly.

96
00:04:24,440 --> 00:04:27,200
Speaker 3: How many songs have you written for jewels or about heaps?

97
00:04:27,240 --> 00:04:30,320
Speaker 1: I mean? The problem is, like I like I had

98
00:04:30,680 --> 00:04:32,560
Speaker 1: I had girlfriends and stuff when I was young. But

99
00:04:32,600 --> 00:04:35,320
Speaker 1: then when I was eighteen, Chiles and I got together.

100
00:04:35,400 --> 00:04:37,599
Speaker 1: She was twenty, and I was just I was a

101
00:04:37,640 --> 00:04:39,919
Speaker 1: bit of an idiot, like I was just not I

102
00:04:39,920 --> 00:04:41,479
Speaker 1: wasn't ready. I was a kid, but I was also

103
00:04:41,520 --> 00:04:44,160
Speaker 1: an immature kid, like I wasn't very like I just

104
00:04:44,320 --> 00:04:48,200
Speaker 1: I was very sheltered and she was twenty and back

105
00:04:48,440 --> 00:04:51,840
Speaker 1: at that stage, two years is massive, like when you're

106
00:04:51,880 --> 00:04:54,320
Speaker 1: a woman and you're dating some eighteen year old who's

107
00:04:54,360 --> 00:04:57,440
Speaker 1: just obsessed with sport and music, and so I just

108
00:04:57,560 --> 00:05:00,120
Speaker 1: wasn't a very good boyfriend, just wasn't attentive, and so

109
00:05:00,200 --> 00:05:04,600
Speaker 1: she dumped me. I was gutted, like heartbroken, and then

110
00:05:04,640 --> 00:05:06,719
Speaker 1: we sort of went started to get back together. I

111
00:05:06,760 --> 00:05:09,240
Speaker 1: sort of crawled back and just begged her to get

112
00:05:09,240 --> 00:05:11,600
Speaker 1: back basically, and then we did start to get back.

113
00:05:11,640 --> 00:05:14,760
Speaker 3: Nothing sexier than a man to take him back.

114
00:05:19,120 --> 00:05:22,640
Speaker 1: So then idle happens, and I helped I move. Yeah,

115
00:05:22,680 --> 00:05:25,200
Speaker 1: I moved to Sydney and then.

116
00:05:25,320 --> 00:05:26,840
Speaker 3: So you were single when you did Australia.

117
00:05:27,160 --> 00:05:29,799
Speaker 1: Yeah, yeah, we went together, like and I was still

118
00:05:29,839 --> 00:05:32,560
Speaker 1: in that zone of like, oh, like what if she

119
00:05:32,600 --> 00:05:34,279
Speaker 1: does that again, Like what if she broakes up with

120
00:05:34,279 --> 00:05:34,640
Speaker 1: me again.

121
00:05:34,680 --> 00:05:36,000
Speaker 3: How old were you when you did idle?

122
00:05:36,200 --> 00:05:40,159
Speaker 1: Twenty one? Yeah, twenty one. So she had just broken

123
00:05:40,240 --> 00:05:42,400
Speaker 1: up with me not long before that happened. And then

124
00:05:42,480 --> 00:05:44,520
Speaker 1: I was single for a little bit. And then I

125
00:05:44,600 --> 00:05:46,159
Speaker 1: rang her one day and I was like, oh, look,

126
00:05:46,360 --> 00:05:49,200
Speaker 1: it's just I'm in Sydney now, like we just let's.

127
00:05:48,960 --> 00:05:50,679
Speaker 2: Just I'm still begging the voice.

128
00:05:51,160 --> 00:05:53,440
Speaker 1: Now I said, let's call it. And then and then

129
00:05:53,600 --> 00:05:56,240
Speaker 1: it was just like I just really missed her and

130
00:05:56,279 --> 00:05:57,600
Speaker 1: then ended up getting back together.

131
00:05:57,680 --> 00:06:02,240
Speaker 3: So gorgeous. Your wife had not throwing themselves out. Oh yeah,

132
00:06:02,440 --> 00:06:03,200
Speaker 3: she chose you.

133
00:06:03,640 --> 00:06:06,240
Speaker 1: She did choose me, which is also a single off

134
00:06:06,279 --> 00:06:10,400
Speaker 1: my album available on I Chose Good. It was the

135
00:06:10,440 --> 00:06:14,640
Speaker 1: first single that's about.

136
00:06:14,080 --> 00:06:18,040
Speaker 2: Let's talk music. New single is maybe Great Give Us

137
00:06:18,040 --> 00:06:18,560
Speaker 2: the Rundown.

138
00:06:19,920 --> 00:06:22,320
Speaker 1: It was actually the last song I wrote on the album.

139
00:06:22,440 --> 00:06:24,560
Speaker 3: And do you write this in the balley writing cap No,

140
00:06:24,720 --> 00:06:25,120
Speaker 3: This was.

141
00:06:25,080 --> 00:06:28,960
Speaker 1: In Sydney, about fifteen minutes down the road with this guy.

142
00:06:29,040 --> 00:06:31,360
Speaker 1: He's it's so good. We do very different things.

143
00:06:32,960 --> 00:06:34,840
Speaker 3: You went to a bali wellness, I went.

144
00:06:34,760 --> 00:06:39,520
Speaker 1: To a little retreat with it really is very much

145
00:06:39,520 --> 00:06:43,720
Speaker 1: for Rossie's like at extreme ends of the of the.

146
00:06:43,720 --> 00:06:46,320
Speaker 3: Scale wellness and unwellness, and.

147
00:06:49,680 --> 00:06:52,480
Speaker 1: So maybe you wrote it pretty quickly. Actually I often

148
00:06:52,520 --> 00:06:54,440
Speaker 1: work backwards, so I had the last I went in

149
00:06:54,480 --> 00:06:56,800
Speaker 1: with this idea. I find if I'm writing with other

150
00:06:56,839 --> 00:06:59,839
Speaker 1: people and not just myself, it always makes it easier

151
00:06:59,839 --> 00:07:01,839
Speaker 1: For I got a whole concept ready to go, maybe

152
00:07:01,839 --> 00:07:04,160
Speaker 1: some chords or whatever. It just makes it easier than

153
00:07:04,200 --> 00:07:07,560
Speaker 1: starting from complete nothing. And so I went in and

154
00:07:07,600 --> 00:07:09,760
Speaker 1: one of the concepts I had was that phrase. You know,

155
00:07:09,880 --> 00:07:12,280
Speaker 1: they say good things come to those who wait, But

156
00:07:12,320 --> 00:07:14,320
Speaker 1: why would I want good if I got great? And

157
00:07:14,360 --> 00:07:16,800
Speaker 1: I thought, oh, that would be a cool way to

158
00:07:16,840 --> 00:07:19,960
Speaker 1: finish a chorus. And then I always work backwards.

159
00:07:20,000 --> 00:07:21,920
Speaker 2: Yeah, But what I got out of that Laurent is

160
00:07:21,960 --> 00:07:24,280
Speaker 2: he likes working with other people. Did you notice that?

161
00:07:24,560 --> 00:07:27,520
Speaker 2: Because we were we're going through the back catalog on

162
00:07:27,560 --> 00:07:29,640
Speaker 2: the air this week, we went right back to the.

163
00:07:29,640 --> 00:07:32,600
Speaker 3: Og some royalties from this.

164
00:07:34,680 --> 00:07:37,680
Speaker 1: If you want to know something though, it's the only

165
00:07:37,760 --> 00:07:46,800
Speaker 1: song I've haven't written winning Jerg and Olivesen.

166
00:07:47,040 --> 00:07:48,280
Speaker 3: Oh yeah, he's in my back catal.

167
00:07:49,760 --> 00:07:52,680
Speaker 1: I mean in those days, right, it was the Swedes

168
00:07:52,720 --> 00:07:57,240
Speaker 1: that were writing everything for Britney, Like there was this

169
00:07:57,280 --> 00:08:01,800
Speaker 1: little writing house in Sweden, and I mean the writing House,

170
00:08:02,200 --> 00:08:05,960
Speaker 1: like a huge mansion. I went there. I went there

171
00:08:06,000 --> 00:08:08,880
Speaker 1: and and and there's like bloodshine of all these people

172
00:08:08,880 --> 00:08:16,600
Speaker 1: that like did you know that all the big Max Martin,

173
00:08:16,920 --> 00:08:18,560
Speaker 1: like he's he's over there as.

174
00:08:18,440 --> 00:08:20,040
Speaker 3: Well in the house like the Big Brother.

175
00:08:21,080 --> 00:08:23,080
Speaker 1: And there's like every room is a different studio and

176
00:08:23,440 --> 00:08:27,280
Speaker 1: in there are the most ridiculous talented people. I remember

177
00:08:27,320 --> 00:08:28,960
Speaker 1: my first trip over that was with Nick L.

178
00:08:31,960 --> 00:08:36,800
Speaker 3: Marrington. He was just remember the show.

179
00:08:36,520 --> 00:08:41,040
Speaker 1: Yeah, And I've just got this memory of of me

180
00:08:41,040 --> 00:08:43,880
Speaker 1: me throwing because right next to this mansion was this

181
00:08:44,080 --> 00:08:46,280
Speaker 1: like grass field and then there was this little.

182
00:08:46,280 --> 00:08:47,440
Speaker 3: House like a sweetish.

183
00:08:48,640 --> 00:08:51,360
Speaker 1: It was weird because there was some nudity involved. I

184
00:08:51,400 --> 00:08:54,079
Speaker 1: remember Nick. Nick was like he's a real football head, right,

185
00:08:55,120 --> 00:08:56,920
Speaker 1: He had an NFL ball and we were just throwing

186
00:08:56,920 --> 00:08:58,760
Speaker 1: it to each other. I mean Nick just weirdly in

187
00:08:58,800 --> 00:09:01,160
Speaker 1: this break lunch boat were just on the ball and

188
00:09:01,160 --> 00:09:03,760
Speaker 1: I'm telling him about a f L and blah blah blah.

189
00:09:03,760 --> 00:09:06,240
Speaker 1: Oh yeah, yeah, I've seen a f L. Yeah, they're

190
00:09:06,280 --> 00:09:10,360
Speaker 1: they're hard, man. We must go to the house so

191
00:09:10,400 --> 00:09:12,480
Speaker 1: that we're thrown out of the front of this At

192
00:09:12,480 --> 00:09:16,360
Speaker 1: this point, no, no, so worth throwing it, and this chick,

193
00:09:16,679 --> 00:09:19,200
Speaker 1: like a good sort, just comes out of the house

194
00:09:19,600 --> 00:09:23,520
Speaker 1: like an angel, wearing just undies like no bra nothing.

195
00:09:24,080 --> 00:09:25,920
Speaker 3: Just hangs up, hangs up.

196
00:09:25,840 --> 00:09:28,600
Speaker 1: This towel on the line, and then just walks back in.

197
00:09:28,760 --> 00:09:29,760
Speaker 3: Had you been in the sauner?

198
00:09:30,000 --> 00:09:33,360
Speaker 1: No, it's not a sauna. I think you did. You see?

199
00:09:33,400 --> 00:09:34,240
Speaker 1: Angels brought me.

200
00:09:34,240 --> 00:09:36,880
Speaker 3: Here like you're in heaven.

201
00:09:37,760 --> 00:09:41,960
Speaker 4: Swedes are a beautiful race to gorgeous. Now I do

202
00:09:42,040 --> 00:09:45,360
Speaker 4: have a question. Do you still perform angels?

203
00:09:45,720 --> 00:09:49,040
Speaker 1: Because because you do you, I mean not like it's

204
00:09:49,080 --> 00:09:49,679
Speaker 1: not it's not.

205
00:09:50,120 --> 00:09:51,160
Speaker 3: Is it called angels and angels?

206
00:09:51,840 --> 00:09:52,120
Speaker 1: Angel?

207
00:09:52,920 --> 00:09:53,240
Speaker 2: You know what?

208
00:09:53,240 --> 00:09:53,600
Speaker 1: You could do?

209
00:09:53,640 --> 00:09:55,280
Speaker 2: The wrap on battle scars.

210
00:09:54,920 --> 00:09:57,880
Speaker 1: Though still.

211
00:10:00,080 --> 00:10:02,040
Speaker 3: I know all the words, the fire.

212
00:10:03,600 --> 00:10:05,120
Speaker 2: For a moment that feels more.

213
00:10:05,360 --> 00:10:07,240
Speaker 1: I saw a baselight up then I don't like.

214
00:10:07,200 --> 00:10:09,040
Speaker 3: Them all right, So what are our moms in for

215
00:10:09,160 --> 00:10:10,120
Speaker 3: a Mother's Day today?

216
00:10:10,240 --> 00:10:13,800
Speaker 1: Are you suggesting today that you will I swear that

217
00:10:13,840 --> 00:10:16,040
Speaker 1: it's going that you will jump up? Yes for a duet?

218
00:10:16,200 --> 00:10:24,040
Speaker 4: Yeah, just even the backgrounds.

219
00:10:21,240 --> 00:10:25,040
Speaker 2: We cannot clinton. I can't stress enough. If you open

220
00:10:25,120 --> 00:10:28,240
Speaker 2: this door, yeah, it will be very hard to close it.

221
00:10:28,240 --> 00:10:30,600
Speaker 3: It's fine, maybe somes.

222
00:10:31,000 --> 00:10:34,439
Speaker 1: Yeah, what what I'll say is backing.

223
00:10:33,640 --> 00:10:36,080
Speaker 3: Vocal starts get with the Swedish writing house linger.

224
00:10:36,280 --> 00:10:39,719
Speaker 1: So it's the equivalent. I'm trying to think of an equivalent, right,

225
00:10:39,760 --> 00:10:43,600
Speaker 1: it's probably the equivalent like you're doing radio right, and

226
00:10:43,600 --> 00:10:48,560
Speaker 1: you're quick, you're articulate, and then you just got well.

227
00:10:48,559 --> 00:10:56,760
Speaker 1: In general, people generally they're intelligent, quick, witty. It's like

228
00:10:56,840 --> 00:10:59,960
Speaker 1: putting someone else on Brecky radio who just can't get

229
00:11:00,160 --> 00:11:01,400
Speaker 1: thoughts out, stutters, and.

230
00:11:01,679 --> 00:11:03,360
Speaker 2: We did that with Lauren and it worked down.

231
00:11:04,720 --> 00:11:05,440
Speaker 3: Years.

232
00:11:05,480 --> 00:11:09,280
Speaker 1: So if she's really bad in that Mother's Day audience,

233
00:11:09,480 --> 00:11:13,920
Speaker 1: just going guys, bloody easy. Not everyone can do it.

234
00:11:14,000 --> 00:11:15,920
Speaker 1: So the worse you are, the better I look at.

235
00:11:16,120 --> 00:11:18,840
Speaker 3: Well, you are going to look like absolutely.

236
00:11:19,240 --> 00:11:24,480
Speaker 1: Look like yeah, back end, just do it?

237
00:11:24,960 --> 00:11:30,719
Speaker 3: Yeah, have you got a good do not open? I'm

238
00:11:30,720 --> 00:11:32,920
Speaker 3: going to have to have a few and turn me down.

239
00:11:33,040 --> 00:11:35,440
Speaker 1: All right, just quickly. I just read on the on

240
00:11:35,480 --> 00:11:41,079
Speaker 1: the twitters, Gojo Eurovision the place that you've been. He's

241
00:11:41,120 --> 00:11:43,000
Speaker 1: stepping out of a gigantic blender.

242
00:11:44,320 --> 00:11:47,520
Speaker 3: Have you heard? Have you heard the Eurovision song the

243
00:11:47,520 --> 00:11:52,560
Speaker 3: Milkshake Man? When I say, Sweetweat, I saw it. Do

244
00:11:52,559 --> 00:11:53,400
Speaker 3: you think he's going to go?

245
00:11:53,880 --> 00:11:56,640
Speaker 1: I think he's going to go to Eurovision. I don't.

246
00:11:56,760 --> 00:11:58,720
Speaker 1: I think he was in the Swedish house with all

247
00:11:58,720 --> 00:12:00,600
Speaker 1: the women.

248
00:12:01,400 --> 00:12:04,600
Speaker 2: Hey guys, about student single is maybe it is a

249
00:12:04,720 --> 00:12:07,280
Speaker 2: cracker banger, mate, thank you for joining us for Mothers

250
00:12:07,320 --> 00:12:07,679
Speaker 2: Day lunch.

251
00:12:08,280 --> 00:12:09,319
Speaker 1: I'll see you guys a bit later.

252
00:12:09,360 --> 00:12:10,040
Speaker 2: It's going to be hurt.

253
00:12:10,320 --> 00:12:11,800
Speaker 3: Are you going to go do some vocal warm up?

254
00:12:11,840 --> 00:12:12,080
Speaker 1: Please?

255
00:12:12,120 --> 00:12:14,640
Speaker 2: Do That won't help. But keep an eye on our

256
00:12:14,640 --> 00:12:20,560
Speaker 2: socials today for Lauren's appearance. It's run on a thirty Jason, Lauren,

257
00:12:21,200 --> 00:12:22,480
Speaker 2: Lauren wake up

258
00:12:22,600 --> 00:12:26,960
Speaker 4: Feeling good following them on the socials