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Speaker 1: Guys talking with the Fitty and Weather podcast. Interesting one

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Speaker 1: today because we're talking about songs that you put on

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Speaker 1: in the bedroom to get intimate too. I didn't know

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Speaker 1: that there's research out there that if you can get

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Speaker 1: the right tempo, it can help you with your.

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Speaker 2: Rhythm room life.

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Speaker 3: I didn't realize that either. I mean, the one that

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Speaker 3: I do know is that when you're doing CPR on someone,

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Speaker 3: you do staying alive, and that's how you time the compressions,

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Speaker 3: the chess compressions. So it's concerned if you go from

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Speaker 3: you have to go from something romantic in the bedroom

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Speaker 3: to stay in alive, which.

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Speaker 2: Is as well because you're dead in the bedroom.

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Speaker 3: No, No, that's all right, mane Hang on a minute, go.

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Speaker 2: Back to when you lost your virginity, paying a live.

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Speaker 3: Never visited one of those establishments. That's it. The podcast

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Speaker 3: What song do you put on in the bedroom? And

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Speaker 3: whipp a podcast maca. If you've got any sexy music,

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Speaker 3: just anything rand and would be beautiful to set the

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Speaker 3: tone here before we get into the guts of what

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Speaker 3: I want to talk about, because when you are trying

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Speaker 3: to create that moment and you want a level of

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Speaker 3: intimacy that deserves the right setting. You might say, many

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Speaker 3: have tried different things, a beautiful home cooked meal, maybe

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Speaker 3: some candles, dimm the lights slightly, in fact, switch them

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Speaker 3: off for something a little more romantic, if you know

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Speaker 3: what I mean.

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Speaker 2: So BJ would put on especially for you.

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Speaker 1: But then I instantly get Sarah, why Jason Donovan come

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Speaker 1: on and Jason.

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Speaker 4: There was such a moment in time and.

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Speaker 3: What I'm making It was a great song.

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Speaker 1: Yeah, but you know what, if you're cooking a meal

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Speaker 1: or you're trying to get a little bit.

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Speaker 3: Not really wearing nothing but an apron over a hot stove,

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Speaker 3: it is this so cute it blows my mind.

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Speaker 4: Like she's just gorgeous.

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Speaker 2: She's still living in the eighties and nineties. She's just

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Speaker 2: so happy.

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Speaker 3: She is happy. Morning Bjay. Big shout out to Jason

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Speaker 3: busy fingers too, who I think is changing a light

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Speaker 3: bulb in your house at the moment. He's helping hard.

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Speaker 3: This guy's gone on to talk about how he was

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Speaker 3: very upset because when he first started out getting into

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Speaker 3: it with his girlfriend, he wanted to try and make

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Speaker 3: sure that he knew what he was doing. But he

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Speaker 3: was nervous and he was a little bit stiffer, and

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Speaker 3: he wasn't great at what he wanted to do. So

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Speaker 3: he said, I've heard when he was researching how to

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Speaker 3: be better in bed, I've heard that you can put

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Speaker 3: on certain songs, and the idea is that to keep

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Speaker 3: the right rhythm, you just stick to the beat of

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Speaker 3: the music, and that's how you know that you're in

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Speaker 3: a good rhythm and you're doing a good job. So

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Speaker 3: this has gone on for two years, and finally his

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Speaker 3: girlfriend has come out and said, you know what, that

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Speaker 3: song you put on every time we get into bed.

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Speaker 3: I don't like it. I don't like it at all.

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Speaker 2: It's fair enough. You both have to be into it,

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Speaker 2: he said.

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Speaker 3: The other night they got it on together without that

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Speaker 3: music playing. Didn't know what to do. He had to

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Speaker 3: have the song going in his head just to try

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Speaker 3: and keep the rhythm. The song was Hudson Mohawk. This

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Speaker 3: song here, that's.

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Speaker 5: Not a beat to keep.

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Speaker 2: That's really hard.

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Speaker 4: I guess you can set it up.

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Speaker 2: I am when you're in the bedroom, you don't have

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Speaker 2: a sound.

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Speaker 4: I guess it gives him his mojo rather than the rhythm.

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Speaker 3: Maybe I would suggest that putting on music is probably

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Speaker 3: pre kids. I don't reckon when you're a married man.

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Speaker 3: When you're married adults with kids, you go, hang on

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Speaker 3: a minute. Now they're in bed. Let me just get

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Speaker 3: out the playlist that I've got.

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Speaker 4: Because you've got to listen in case they come in.

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Speaker 3: Yeah, well that's true, says I. Remember when I was

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Speaker 3: a bit younger, I used to have a playliste Do

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Speaker 3: you know what? Though it wasn't just me. He would

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Speaker 3: use this playlist. Oh, you shared it with your mates. Yeah,

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Speaker 3: I did deliver the go called Gary and.

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Speaker 2: The playlist called you had this song when you were

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Speaker 2: with Garrey.

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Speaker 3: No, no, No. What I'm saying is please Gary. Is

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Speaker 3: that Gary and I live together. But he would use

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Speaker 3: the playlist to set the mood if he was to

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Speaker 3: find a girl. And I'll tell you what he was

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Speaker 3: as a boy.

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Speaker 2: That is such a light.

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Speaker 3: I go home and ask him, and he was a

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Speaker 3: busy boy. It was a rotating door for Gary and

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Speaker 3: that the playlist was called moments one song. One song

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Speaker 3: would have been this one. Yeah, that was kind of

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Speaker 3: at the start of it. What else was on there?

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Speaker 3: Then it would sort of transition to this, so you'd

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Speaker 3: change pace, you'd be straight into Cargne monster.

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Speaker 4: You were so lucky you gave him a fake name

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Speaker 4: because he would be suing you.

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Speaker 2: No one knew.

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Speaker 3: Went on a ten year drought, and he wanted this

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Speaker 3: on the playlist, this song kissing Now, and then this

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Speaker 3: is when I'd really step it up. Yeah, it would

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Speaker 3: transition into sort of a quiet ending to hear this,

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Speaker 3: and then you go, should we exchange numbers?

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Speaker 4: I mean his favorite band is Boom crash Op, but

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Speaker 4: you've just.

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Speaker 3: Rolled out, And then he wouldn't say it totally, and

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Speaker 3: then he would put Michael Buba on and cry.

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Speaker 4: Well, that part I think is true.

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Speaker 2: This is your plate.

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Speaker 3: You know, we shared it. We shared the routine using

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Speaker 3: for a woman. Yeah, it was a really to.

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Speaker 2: Go from Kanye West into ELV. It was a really weird.

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Speaker 2: So if you're at.

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Speaker 4: Different parts of your makeouts, you have to start the

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Speaker 4: song again.

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Speaker 3: The yeah you do say as it goes back to

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Speaker 3: the start. What about you guys? Was there anything in

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Speaker 3: the tank that you would hit play on just to

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Speaker 3: set the mood and make sure that it was right? Sarah,

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Speaker 3: don't smile like that without giving me an answer.

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Speaker 4: No, I didn't really, but I do like I do

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Speaker 4: like Narl Horn's slow hands. Whenever I hear about I.

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Speaker 3: Kinky now hurry up, Now, hurry up. Gary at the

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Speaker 3: door can.

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Speaker 2: Sweat year slow hands?

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Speaker 3: I like it, said sloppy hands.

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Speaker 1: I just I still to this day, and I'm so

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Speaker 1: embarrassed by it because I had too many on Big

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Speaker 1: Brother and I whispered the lyrics into one of the

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Speaker 1: girl's ears.

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Speaker 2: But Jeff Buckley's lover that you should have come over.

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Speaker 3: Great song.

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Speaker 1: I mean, the lyrics are amazing and this song is

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Speaker 1: one of this album is one of the greatest of

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Speaker 1: all time.

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Speaker 2: Great did this work for you? Well? I would put

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Speaker 2: it on, but I think I appreciated it more than

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Speaker 2: anyone else did.

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Speaker 3: It's quite a long song. I would suggest you didn't

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Speaker 3: finish the song.

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Speaker 1: Yeah, no good ending Well, it's funny and Tommy your

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Speaker 1: wedding waltz, which I thought was unbelievable, this one, which

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Speaker 1: was amazing, just.

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Speaker 3: Like that, what is funny for you now that we're

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Speaker 3: piling on? What was funny was the noise complain from

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Speaker 3: your neighbors, tom and they said, can you please turn

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Speaker 3: that song off?

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Speaker 2: The how dare you keep going?

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Speaker 3: Well?

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Speaker 2: Monica and Wollongung home on Hello do you have a

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Speaker 2: song at home that you get into. Yeah, Bruno Mars

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Speaker 2: is actually on the floor you like the big brands, Mon, Oh,

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Speaker 2: not exactly, but the.

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Speaker 3: Song is a bit fun. Yeah, we're just trying to

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Speaker 3: bring it up now, Mon, so we can not get

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Speaker 3: you in the mood. But I'm just working exactly what

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Speaker 3: you're talking about here. I don't remember the song as

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Speaker 3: soon as you hear it.

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Speaker 2: Well, he's coming out as well. You've got a chance.

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Speaker 1: You've got a chance to win tickets or to Bruno

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Speaker 1: Mars six am every morning if you ring in Mon, Yeah.

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Speaker 3: Aaron and St Mary's Hello, Hi, how's it going, Aaron?

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Speaker 3: Is there a song that you like to put on

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Speaker 3: at that moment? Wildflower by five seconds of summer?

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Speaker 2: Oh you five soust boys?

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Speaker 3: Yeah, and there's a whole like a whole dancewer thing. Okay,

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Speaker 3: what for you? Or during the song?

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Speaker 2: Oh there there's a bit of a capella at the start.

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Speaker 2: It's a slower song.

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Speaker 6: Erin well it speeds up.

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Speaker 7: It's very bit saucy, you know.

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Speaker 3: Yeah, it's it tough to keep the rhythm on that one.

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Speaker 1: Aeron Yeah, all right, going, all right, let's go to

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Speaker 1: Margaret now.

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Speaker 2: In Kelly Vie. Good morning, Margaret, good morning.

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Speaker 1: How are we.

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Speaker 2: Songs that you can get down and get into the

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Speaker 2: rhythm of? Margaret?

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Speaker 3: What have you got for us? It's not so much

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Speaker 3: the rhythm, it's the mood and it's sexuality by KD

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Speaker 3: Lang right.

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Speaker 1: Okay D Lange, I mean amazing lyrics. Shees your genius

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Speaker 1: and voice is unbelievable, Margaret. Is there a big crescendo?

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Speaker 1: Does it get up really high?

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Speaker 2: And then no, not.

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Speaker 7: Really, it's just it just sets the mood.

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Speaker 3: It's it's so it's romantic.

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Speaker 6: This was of course before children.

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Speaker 5: Yeah.

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Speaker 3: Yeah, Now it's as quick as you can get.

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Speaker 1: But yeah, the reality.

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Speaker 3: He's a thirty second song these days, Margaret.

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Speaker 2: Let's go to Paul and Glenn Olpine. What song do

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Speaker 2: you get down to? Paul Bitter Queen?

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Speaker 7: Another one?

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Speaker 3: Okay, okay, so you're in love, are you? Paul? We love?

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Speaker 2: But with kids as well? The bass to turn this

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Speaker 2: up making because the bass to this is big.

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Speaker 3: Rhythm that and Paul, has it worked for you in

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Speaker 3: the past? Mate?

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Speaker 1: Oh yeah, more with kids because you got the rhythm

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Speaker 1: of turn and then another one.

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Speaker 2: Yeah, yeah, and that's it.

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Speaker 3: Another edited song for Paul, Maria and Richmond.

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Speaker 2: What song do You Get Down and Dirty? Two? I

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Speaker 2: love old Town.

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Speaker 3: Mars.

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Speaker 1: Yeah right, okay, he's a bit of a sex symbol himself, Lias.

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Speaker 2: Isn't he very good looking?

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Speaker 3: All right? Maria? And he's coming to Sydney I believe.

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Speaker 3: So does that mean you'll go and see him live?

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Speaker 3: Just so you can really understand it.

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Speaker 2: Might be too dangerous?

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Speaker 1: Have you got just where the chat you wear the

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Speaker 1: chaps on, Maria and walk around with.

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Speaker 2: A cowboy hat on? Or no, you don't get into

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Speaker 2: it that much.

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Speaker 8: Away?

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Speaker 3: Good on you, Maria, Thanks for your call.

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Speaker 2: How good is exploring our amazing backyard again.

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Speaker 3: And taking off all the Bigussie things pineapples, bananas, melons.

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Speaker 2: For hearing you say that makes me hungry?

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Speaker 3: Head to what if dot com and start planning your

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Speaker 3: big Ossie adventure.

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Speaker 2: What if It's Ossy for travel.

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Speaker 1: They could be considered one of the most lethal successful

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Speaker 1: combinations of all time, especially in the basketball industry.

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Speaker 2: I'm talking about Michael Jordan.

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Speaker 1: And Scottie Pippen And if you saw the Last Dance documentary, Oh,

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Speaker 1: it's one of the greatest of all time.

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Speaker 2: And I mean it just goes to show that Michael

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Speaker 2: Jordan would have to be considered the greatest.

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Speaker 3: Of all time and you're my Pippin in this combination.

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Speaker 3: Thank you, mate, I thank you for being by my side.

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Speaker 3: Number twenty three is on my back. I'm the main

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Speaker 3: man in the team.

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Speaker 1: Just because you had a Shane Warn Nike tick ear ring,

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Speaker 1: didn't you.

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Speaker 3: It was a hoop earring made at the top of

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Speaker 3: my ear which I pierced myself.

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Speaker 2: That's because you're going to get twenty three mate.

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Speaker 3: It was really cool.

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Speaker 2: So last dance unbelievable.

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Speaker 1: I didn't know this though, but Scottie Pippen was not

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Speaker 1: happy with the way that he was portrayed in the documentary,

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Speaker 1: right okay, And then I also didn't know this as well,

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Speaker 1: because he spoke so glowingly of mj and how he

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Speaker 1: was the greatest and how good they were on the court,

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Speaker 1: but off the court he said, we didn't really have

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Speaker 1: a relationship. There's a real hatred for each other.

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Speaker 4: So really it would be that competitive of nature though,

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Speaker 4: because obviously Michael Jordan was just flying, Scottie Pippin would

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Speaker 4: have been so jealous when he was hitting the heart.

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Speaker 3: I loved also in the documentary where they would talk

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Speaker 3: about how Jordan would bluntly say, if there's a moment

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Speaker 3: on the court and and a game needs to be one,

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Speaker 3: get the ball to me, who's going to take the shot?

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Speaker 3: Who's the best in the team? Well, I'm the.

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Speaker 2: Best in the time.

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Speaker 4: That would be infuriating to work with if you ego totally.

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Speaker 4: But as if Scotty Pippin's not going to have our

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Speaker 4: growth feelings.

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Speaker 1: Towards it, I can confirm to whoevery are now that

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Speaker 1: Jordan and Pippen are back on it.

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Speaker 2: Wow, which money is great news, isn't it?

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Speaker 3: What are they releasing a song?

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Speaker 1: The thing is it's a little bit different because it's

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Speaker 1: it's Michael Jordan's son, Marcus. Jordan has been seen out

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Speaker 1: on a date with Scotty Pippen's wife.

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Speaker 2: Oh, Lasa, what.

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Speaker 3: Is Scotty Pippen that's still married?

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Speaker 2: No?

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Speaker 1: No, oh my god, I don't know if they're divorced.

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Speaker 1: He didn't end too well, didn't.

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Speaker 4: But they're on good terms now and she got a

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Speaker 4: monumental power and she was Besti's with Kim Kardash until

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Speaker 4: she kept putting up posts and the family cut her off.

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Speaker 4: Saying you give away too much, and she was talking

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Speaker 4: about Kanye not being right in the head.

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Speaker 3: So what can you imagine? Can you imagine Michael Jordan

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Speaker 3: and his son, right, They're sitting around and Michael Jordan

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Speaker 3: says to his son, you're not going to believe it's

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Speaker 3: got a Vippen still giving me this. He's just he's

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Speaker 3: been an email. He's been abusing me. Jordan's son said

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Speaker 3: to and says, Dad, don't worry about it. I got

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Speaker 3: an idea O going.

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Speaker 1: So it doesn't say he can you ever look Marcus Jordan.

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Speaker 1: There's Marcus with his old man there.

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Speaker 3: Michael.

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Speaker 1: Do you know what I what I'm reading between the

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Speaker 1: lines here? Awesomelo Lars is going through.

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Speaker 2: He's thirty one, that's all.

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Speaker 1: Right, Yeah, how old's LARSA Lars is going through Marcus

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Speaker 1: MJ's son to get to Michael.

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Speaker 3: I reckon, it's the other way around.

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Speaker 4: Lass is forty eight.

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Speaker 3: I reckon Jordan's son is going in there to get

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Speaker 3: up Scottie.

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Speaker 2: Isn't that amazing?

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Speaker 3: That's extraordinary play. I Mean, I've heard of strategy before,

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Speaker 3: but I've never seen anything like this.

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Speaker 1: So you reckon, it's an Allie Oop. Marcus is setting

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Speaker 1: up the alley Oop. Then you come in and bang

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Speaker 1: and slam. Duncy gets mate.

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Speaker 3: What a cracking hit out.

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Speaker 2: That would be a bit of dribbling going on there.

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Speaker 3: The podcast when you try for one more kid and

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Speaker 3: maybe you've got a couple of the same gender, so

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Speaker 3: you think, let's mix it up and go again. See

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Speaker 3: what we get? Always risky. Let me tell you about

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Speaker 3: Brianna and Quentin. They they are already from a mixed family,

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Speaker 3: which is great. So when Brianna met Quentin, they sat

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Speaker 3: down and they said, oh, have you got a couple

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Speaker 3: of kids and what's the deal with you? And Brianna said, yeah,

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Speaker 3: I've got three and Quentin said're kidding me, I've got three?

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Speaker 3: What do we move in together? So there's six kids

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Speaker 3: under the war roof already, and then they have to

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Speaker 3: get to know each other.

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Speaker 2: That's a tough one. All the kids are going to

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Speaker 2: get along.

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Speaker 3: Yeah, Well, let's tie Bailey, Sky, Laura, Shana, Siarra and Letty.

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Speaker 3: They're the kids at home that make up the finishes.

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Speaker 3: The last one for you wouldn't mind what happened though.

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Speaker 3: They thought maybe we should have one of our own together, right,

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Speaker 3: really cement the friendship and the relationship and our love,

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Speaker 3: and they decided to go for one. This is all natural,

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Speaker 3: by the way, And all of a sudden when doing

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Speaker 3: the ultrasound, one heart beat, okay, two heartbeats, you're having twins.

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Speaker 3: Oh wow, triplets. There's three heartbeats in here. Hold tight, guys,

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Speaker 3: there's a fourth. Welcome to the world, born yesterday, Nova Kingsley,

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Speaker 3: Emerson and Olie.

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Speaker 2: In there.

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Speaker 1: Yeah, Tommy, get that for a promo. It's not that

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Speaker 1: I've seen a jumpsuit for that kid.

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Speaker 3: They named the kids after things that they loved. Nova Kingsley,

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Speaker 3: I think is the stake restaurant? Oh yes, Medicine's a

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Speaker 3: hotel in Melbourne. And Olie I don't know. Damien Oliver,

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Speaker 3: huge place, huge right. That's the last leg of aquatic

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Speaker 3: only last leg of the quarter bringing it home, Damien Oliver.

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Speaker 3: This is awesome. So now they have ten kids under

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Speaker 3: the one roof. We worked with the guy once, remember that,

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Speaker 3: and he had three girls and they decided to go

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Speaker 3: for one more. I mean to take that step forget

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Speaker 3: the gender from three to four is massive, and he

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Speaker 3: got triplets naturally females all females. Why that is so six?

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Speaker 2: See that's I mean.

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Speaker 1: My sisters just had identical twins and they only wanted

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Speaker 1: one more. They already had little Sydney and had one more,

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Speaker 1: and now they've got three kids. And they said, it's

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Speaker 1: just their life is just over. My god, it's like

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Speaker 1: my mum and dad are helping out. And even they're like, no,

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Speaker 1: we're too old. I'm getting to madness. Dad's turned into

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Speaker 1: Danny Glover.

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Speaker 3: I'm getting too old. Remember we spoke to Madeline West

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Speaker 3: that time because had six, that's right, but they had four.

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Speaker 3: And then I think the story went that she went

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Speaker 3: to get a tubes tied and they went no, no, no, no, no,

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Speaker 3: we can't. You're having a baby. She went, no way, no,

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Speaker 3: w Yeah, you're having twins.

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Speaker 4: Amazing, isn't it.

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Speaker 3: You've already got four. A life change, congratulations two more.

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Speaker 1: The first thing you immediately, because if you've already had kids,

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Speaker 1: you go, well, there's your stuffed the first five six

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Speaker 1: years of their lives, because then they can start looking

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Speaker 1: after themselves a little bit more.

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Speaker 2: But you need to be there.

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Speaker 1: The whole time, and to be on the ball, you

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Speaker 1: need to concentrate. I don't like to concentrate.

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Speaker 3: I want to sit in the corner and not think.

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Speaker 3: I want to think about thinking and not actually think.

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Speaker 3: So who's going to look after these damn kids? Man?

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Speaker 3: After the night I've been having in the weekend I

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Speaker 3: had with a two and a half year old that

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Speaker 3: rolls the roost and.

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Speaker 1: Is extremely moody.

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00:17:54,400 --> 00:17:56,600
Speaker 3: Yeah, we had a bit of what a roller coaster?

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Speaker 1: Man?

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Speaker 2: We had a bit of hooping cough last night at

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Speaker 2: that time. Fun, isn't it?

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Speaker 3: How did that bought the house down?

383
00:18:02,359 --> 00:18:04,560
Speaker 4: The old schmack on the back shower going.

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Speaker 2: As well as I can.

385
00:18:05,240 --> 00:18:12,840
Speaker 1: That dying dog outside, man, and the way it spreads.

386
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Speaker 2: The PINSI and Whipper podcast. I want to talk about

387
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Speaker 2: my Ani Trish at the moment.

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Speaker 1: I mean, Arnie Trish is getting old, so's my old man,

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Speaker 1: and they've had a I mean.

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Speaker 2: They had a fruitful life the Fitzgerald's over the years.

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Speaker 1: Our old's only grandfather was quite colorful as well, and

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Speaker 1: hang out with some bikings with some hoods growing up.

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Speaker 1: But you know what, I love my Ani Trish so much.

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Speaker 1: I mean she's so passionate about our footy, our family,

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Speaker 1: all that kind of stuff. But it's unfortunate, sir. She's

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Speaker 1: getting the age now where she's getting a bit forgetful.

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Speaker 4: Oh dear, it's only bad when people take advantage of her.

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Speaker 1: So Lenny's received two birthday cards this year, and don't

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00:18:52,040 --> 00:18:54,879
Speaker 1: get me wrong, Lenny stokes because he's getting ten bucks

400
00:18:54,920 --> 00:18:57,080
Speaker 1: every time Ani Trish sends a new birthday card.

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00:18:57,160 --> 00:18:58,160
Speaker 3: Could be another one on the way.

402
00:18:58,240 --> 00:19:01,280
Speaker 2: He doesn't know that she's just sent one a few

403
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Speaker 2: months before.

404
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Speaker 3: Did you call and thank her for both? Yeah?

405
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Speaker 1: We do it every time, and Lennie's There was a

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00:19:07,480 --> 00:19:10,080
Speaker 1: moment there when Lennie was about to tell her that

407
00:19:10,200 --> 00:19:12,800
Speaker 1: his birthday was coming up in another couple of months

408
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Speaker 1: so we could get another ten bucks.

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Speaker 2: I like your thinking, son.

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Speaker 3: Does she write the same thing in the card?

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Speaker 4: No?

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Speaker 1: Yeah, she just basically it's a beautiful little message thinking

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Speaker 1: of you, happy birth here's your ten dollars.

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00:19:27,760 --> 00:19:30,119
Speaker 4: She's so cute ten bucks, because that's so much to

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Speaker 4: a kid.

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Speaker 2: Isn't that ama money? She still gives me ten dollars

417
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Speaker 2: for my birthday? How good is that.

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Speaker 3: To be here?

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Speaker 1: But then it's like what do you do? It gets

420
00:19:38,440 --> 00:19:40,399
Speaker 1: to the point and she's one of those old school

421
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Speaker 1: as well. She doesn't want to go to the doctor.

422
00:19:42,720 --> 00:19:45,240
Speaker 1: She says she's going to the doctor, she never goes.

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Speaker 1: What do you do in this situation't she right? Do

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Speaker 1: you really just try to get more money out of her?

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Speaker 1: Or what do you try to do?

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Speaker 3: Do you know what? I went out with a girl

427
00:19:53,600 --> 00:19:56,040
Speaker 3: once and her granny had started to lose her mind

428
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Speaker 3: a bit, and the helper that she had would say,

429
00:20:00,400 --> 00:20:04,240
Speaker 3: let's go for a walk to the atm. Again, that's terrible. Yeah,

430
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Speaker 3: this is marcha down the street with a card and

431
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Speaker 3: take the cash. And it wasn't until a family member

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00:20:10,240 --> 00:20:12,240
Speaker 3: looked at the bank statement and said, hang on a minute,

433
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Speaker 3: why are you taking money out every time this lady

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Speaker 3: comes around?

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Speaker 2: It's not good?

436
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Speaker 3: You know what I mean?

437
00:20:18,800 --> 00:20:21,320
Speaker 2: I mean, I want.

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Speaker 3: If you hit kind of ninety and you're all together upstairs,

439
00:20:28,280 --> 00:20:31,959
Speaker 3: be fun to play the forgetful game, wouldn't it? Who

440
00:20:32,040 --> 00:20:33,160
Speaker 3: are you again? Yeah?

441
00:20:34,920 --> 00:20:36,600
Speaker 4: I don't want to talk to a family member.

442
00:20:36,640 --> 00:20:38,760
Speaker 3: It's a perfect and we're not throw it all out

443
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Speaker 3: the window, manners anything, and.

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00:20:40,520 --> 00:20:42,760
Speaker 1: We're not taking the p and out of there because

445
00:20:42,760 --> 00:20:45,920
Speaker 1: you know, dementia and also you know, oh yeah, very sad.

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Speaker 3: It is sad.

447
00:20:47,400 --> 00:20:49,800
Speaker 1: But I wondered there if there is a moment where

448
00:20:49,840 --> 00:20:52,640
Speaker 1: you could say to yourself, all right, there's a few

449
00:20:52,680 --> 00:20:55,359
Speaker 1: family members I don't want to be around anymore, and

450
00:20:55,440 --> 00:20:58,760
Speaker 1: you just start to act like you are getting dementia

451
00:20:58,880 --> 00:21:01,280
Speaker 1: and you can forget people that you want.

452
00:21:01,359 --> 00:21:03,919
Speaker 3: You can you can choose, you can choose your memory loss.

453
00:21:04,680 --> 00:21:08,439
Speaker 3: I mean, my Granny god Bless when she was, you know,

454
00:21:08,480 --> 00:21:12,080
Speaker 3: in her later days, she would start talking to me

455
00:21:12,160 --> 00:21:16,280
Speaker 3: in English and then switch into Swiss, so she would

456
00:21:16,280 --> 00:21:20,520
Speaker 3: speak sweeter to me, no idea what she was saying.

457
00:21:20,640 --> 00:21:24,520
Speaker 3: That was impressive though, and form soon and I would

458
00:21:24,520 --> 00:21:28,080
Speaker 3: just say, they go yeah, yeah, you just absolutely wait

459
00:21:28,160 --> 00:21:32,360
Speaker 3: little she was you bet, I'd go, yeah, absolutely, yeah,

460
00:21:32,640 --> 00:21:33,159
Speaker 3: I saw you.

461
00:21:33,240 --> 00:21:44,240
Speaker 1: Yeah, another ginger nuts for you. I see swisky podcast

462
00:21:44,400 --> 00:21:45,240
Speaker 1: Do we Go.

463
00:21:50,119 --> 00:21:53,280
Speaker 3: As we stream live on the fift with a Facebook page, Tommy,

464
00:21:53,680 --> 00:21:55,800
Speaker 3: this is exciting. As the numbers start to roll in,

465
00:21:55,880 --> 00:22:00,920
Speaker 3: we welcome all international guests. We say hello, good to Morgan,

466
00:22:01,480 --> 00:22:03,240
Speaker 3: all those listening in Germany.

467
00:22:03,400 --> 00:22:07,040
Speaker 7: Yes, Scott is listening in Brum in the UK, Elaine

468
00:22:07,119 --> 00:22:08,240
Speaker 7: is listening in New South.

469
00:22:09,480 --> 00:22:19,480
Speaker 3: To everybody in Indonesia. Very good ten Green Bottles.

470
00:22:19,560 --> 00:22:20,680
Speaker 4: I mean I knew the song.

471
00:22:22,000 --> 00:22:23,440
Speaker 3: From BALI this.

472
00:22:23,440 --> 00:22:25,119
Speaker 7: Morning, maybe stuck at the airport waiting to get it.

473
00:22:25,280 --> 00:22:29,800
Speaker 7: Could be paying ten grand and Rebecca says. Revecca says,

474
00:22:29,800 --> 00:22:31,119
Speaker 7: good evening from Denmark.

475
00:22:31,600 --> 00:22:38,240
Speaker 3: From Denmark, as we say in Danish for tem which

476
00:22:38,320 --> 00:22:40,720
Speaker 3: means have a sensational day.

477
00:22:40,840 --> 00:22:42,240
Speaker 4: How many groups can you offend?

478
00:22:42,600 --> 00:22:45,840
Speaker 3: Culture? In multure? Here we go, guys, you know how

479
00:22:45,840 --> 00:22:47,479
Speaker 3: this works. I'm going to be one word. Put it

480
00:22:47,480 --> 00:22:50,400
Speaker 3: into a song. Good luck everybody. I think Sarah took

481
00:22:50,440 --> 00:22:51,240
Speaker 3: out last week.

482
00:22:51,320 --> 00:22:51,720
Speaker 4: I don't know.

483
00:22:51,880 --> 00:22:58,000
Speaker 3: On Fire says the word is run, run for Paradise

484
00:22:58,080 --> 00:23:01,960
Speaker 3: round parent, Hello, run baby, nice baby.

485
00:23:02,040 --> 00:23:03,119
Speaker 2: We were born to run.

486
00:23:04,400 --> 00:23:08,199
Speaker 3: Would you accept running? I don't know. Tom No, I

487
00:23:08,200 --> 00:23:10,200
Speaker 3: don't know the word.

488
00:23:10,280 --> 00:23:13,480
Speaker 7: Tom Oh running up that hill?

489
00:23:13,600 --> 00:23:16,920
Speaker 2: Not a yes, Tom, Now that's running.

490
00:23:17,520 --> 00:23:21,199
Speaker 3: You're dead right, Ryan, I'm sure. I just sad the

491
00:23:21,240 --> 00:23:24,520
Speaker 3: first three letters. I'll run this town, man, jay Z

492
00:23:26,440 --> 00:23:33,480
Speaker 3: maybeformed to run. Just discovered Bruce Springsteen wandering. Yeah, I'm

493
00:23:33,560 --> 00:23:36,920
Speaker 3: really late to the party dancing in the dark.

494
00:23:37,320 --> 00:23:39,040
Speaker 2: So it's he's pretty good, isn't he.

495
00:23:39,440 --> 00:23:43,480
Speaker 3: Yeah, without a word of a lie, I've just discovered it.

496
00:23:43,560 --> 00:23:45,240
Speaker 3: Do you not like him as a kid? I never really,

497
00:23:45,480 --> 00:23:47,240
Speaker 3: it wasn't I didn't like him. I just never got

498
00:23:47,240 --> 00:23:49,800
Speaker 3: into him. I mean, I knew the Boss was big

499
00:23:49,840 --> 00:23:54,080
Speaker 3: on stage and bond, but listening to.

500
00:23:54,040 --> 00:23:57,639
Speaker 2: The live I reckon, why you still moving?

501
00:23:57,640 --> 00:23:57,880
Speaker 3: Mate?

502
00:23:57,920 --> 00:23:58,720
Speaker 2: We'll be coming back.

503
00:23:58,880 --> 00:24:00,879
Speaker 3: He's still kicking, all right. That was the warm up

504
00:24:00,920 --> 00:24:04,000
Speaker 3: round We go through to round two, guys. Here we go. Officially,

505
00:24:04,520 --> 00:24:11,119
Speaker 3: the word is sugar sugar high your sugar on me?

506
00:24:12,320 --> 00:24:17,880
Speaker 2: Yeah, sugar sugar make me fears of.

507
00:24:20,200 --> 00:24:24,640
Speaker 3: Baby bash worldn for knowing where sugar sugar came from? Sarah, Well,

508
00:24:24,680 --> 00:24:30,919
Speaker 3: don everyone, you're all through. Great round sugar, sugar sugar

509
00:24:34,680 --> 00:24:36,920
Speaker 3: at some sugar on me, your naughty.

510
00:24:36,600 --> 00:24:38,959
Speaker 2: Thing death, weaford one arm all right, Here we go.

511
00:24:42,040 --> 00:24:44,919
Speaker 5: The word is never never going to give you up,

512
00:24:44,960 --> 00:24:50,479
Speaker 5: never ending stor the song from the Greatest Showman never again,

513
00:24:50,800 --> 00:24:55,520
Speaker 5: Never never could I hear never again ever.

514
00:24:55,680 --> 00:24:56,720
Speaker 2: Tom knows it because he's.

515
00:24:56,600 --> 00:25:00,960
Speaker 3: Said, Okay, what were you on Wright? Yes, you joined us,

516
00:25:00,960 --> 00:25:01,520
Speaker 3: didn't you?

517
00:25:01,640 --> 00:25:02,000
Speaker 2: He said?

518
00:25:02,040 --> 00:25:03,600
Speaker 3: Never an insta, Tom? What were you?

519
00:25:03,960 --> 00:25:04,800
Speaker 2: Is it? All saints?

520
00:25:04,840 --> 00:25:10,360
Speaker 3: Never ever have ever felt about about you, Eliza? Mate? Yes,

521
00:25:10,440 --> 00:25:13,719
Speaker 3: you are through Tom along with him, and I enjoyed it.

522
00:25:14,160 --> 00:25:16,240
Speaker 3: Here we go. The word is believe.

523
00:25:16,640 --> 00:25:20,000
Speaker 2: I believe if I can fly, do you believe in life.

524
00:25:22,160 --> 00:25:23,800
Speaker 2: I believe in a thing called low.

525
00:25:25,160 --> 00:25:28,040
Speaker 3: Well played, Tom coming last again, Slow Off the Start.

526
00:25:31,720 --> 00:25:32,720
Speaker 2: Kelly had another.

527
00:25:32,480 --> 00:25:39,000
Speaker 7: Song, I Believe in you, Kylie Minogue as I go.

528
00:25:39,920 --> 00:25:53,080
Speaker 3: Are you kidding? Yes? The darkness? Tom? How could you

529
00:25:53,160 --> 00:25:57,879
Speaker 3: not go? Do you believe in magic? How could I

530
00:25:57,960 --> 00:26:02,679
Speaker 3: not go that? So tell me you he's in didn't get.

531
00:26:02,920 --> 00:26:05,200
Speaker 4: Yeah he did before the buzzer, it was well.

532
00:26:05,000 --> 00:26:09,320
Speaker 3: Before Tom scrapes. Well, here we go four in the word.

533
00:26:09,200 --> 00:26:13,200
Speaker 2: Is die live and let die, Time to die.

534
00:26:13,359 --> 00:26:17,840
Speaker 3: It's time to die, die another day Madonna, Hello, I.

535
00:26:17,960 --> 00:26:24,480
Speaker 2: Die for you, I cray for you. Who is it?

536
00:26:26,359 --> 00:26:27,040
Speaker 3: Adams?

537
00:26:27,080 --> 00:26:28,000
Speaker 2: Everything I do?

538
00:26:28,080 --> 00:26:29,720
Speaker 4: Another crap song from Brian.

539
00:26:30,080 --> 00:26:31,639
Speaker 3: I do not pick on Brian.

540
00:26:31,960 --> 00:26:34,000
Speaker 4: Sorry you didn't know who Bruce Springsteen was.

541
00:26:33,920 --> 00:26:35,800
Speaker 3: To I didn't know who he was. I just didn't

542
00:26:35,840 --> 00:26:37,480
Speaker 3: enjoy it. Now I do it.

543
00:26:37,560 --> 00:26:40,680
Speaker 1: Did come in discovered whippers, just discovered Brian Adam Sarah

544
00:26:40,760 --> 00:26:41,720
Speaker 1: and he's really.

545
00:26:42,119 --> 00:26:44,160
Speaker 3: I've got discovered Brian a long time.

546
00:26:44,200 --> 00:26:46,240
Speaker 1: You should say that because I'm just about to announce

547
00:26:46,280 --> 00:26:48,920
Speaker 1: the Bruce Springsteen Brian Adams concert.

548
00:26:50,960 --> 00:26:55,320
Speaker 3: That is great news. Front seat guys, you're all through,

549
00:26:55,600 --> 00:26:56,920
Speaker 3: well done flying.

550
00:26:59,119 --> 00:27:01,280
Speaker 4: No one's more upset than him. That list is getting shorter.

551
00:27:01,440 --> 00:27:03,360
Speaker 3: I've had a coffee attack halfway through because I get

552
00:27:03,400 --> 00:27:05,720
Speaker 3: so nervous as we hit the pointy end of this.

553
00:27:06,680 --> 00:27:07,520
Speaker 3: The word is.

554
00:27:08,000 --> 00:27:10,240
Speaker 2: Falling, falling in love.

555
00:27:10,040 --> 00:27:15,040
Speaker 3: With you, falling for you. Colby Kelay, Yeah, great, Colby Calay.

556
00:27:15,200 --> 00:27:17,000
Speaker 4: So I'm not going to say it because I'm tired.

557
00:27:17,280 --> 00:27:25,600
Speaker 3: Okayly Oh, Sarah, water would be great, your own cup.

558
00:27:26,240 --> 00:27:31,959
Speaker 3: I'm not going to put my lips on. I'm out falling,

559
00:27:35,080 --> 00:27:38,200
Speaker 3: Tom get out of here. You're gone, done, dusted over

560
00:27:41,480 --> 00:27:44,159
Speaker 3: all right, So we're three left MDG, Ryan James, and

561
00:27:44,200 --> 00:27:46,840
Speaker 3: Sarah and mcgilbray. I've got to go where you've got

562
00:27:46,880 --> 00:27:50,359
Speaker 3: to go. Mate. The word is bird.

563
00:27:51,200 --> 00:27:51,920
Speaker 4: I'm like a bird.

564
00:27:52,960 --> 00:27:56,200
Speaker 2: I'm like a bird, away.

565
00:27:56,560 --> 00:27:59,639
Speaker 3: Bird, bird, Sarah.

566
00:28:00,440 --> 00:28:02,960
Speaker 2: Have you heard heard heard about the bird? That's not

567
00:28:03,320 --> 00:28:05,320
Speaker 2: everybody's head about the bird?

568
00:28:05,600 --> 00:28:09,600
Speaker 3: What's that? It's a song from the sixties.

569
00:28:10,200 --> 00:28:10,880
Speaker 2: I like it.

570
00:28:11,280 --> 00:28:12,959
Speaker 3: I don't know what it is, but I like it.

571
00:28:14,200 --> 00:28:18,720
Speaker 3: All right, MDG, we say goodbye, thank you for joining us.

572
00:28:17,800 --> 00:28:22,200
Speaker 2: About the bird? What a bad, bad bad is the word?

573
00:28:22,560 --> 00:28:25,159
Speaker 3: Yeah, bird is the word. As Ryan James sneaks in

574
00:28:25,200 --> 00:28:30,199
Speaker 3: from the sixties, here we go, guys. The word is reputation,

575
00:28:30,920 --> 00:28:36,040
Speaker 3: bad reputation. Hey bye that no, Tayler Swift, the Swift

576
00:28:36,600 --> 00:28:38,120
Speaker 3: you got no retation.

577
00:28:39,320 --> 00:28:40,240
Speaker 4: Bad reputation.

578
00:28:40,920 --> 00:28:42,080
Speaker 2: That was a terrible song.

579
00:28:42,400 --> 00:28:46,880
Speaker 3: Big reputation, bad reputation, Yeah, big bad.

580
00:28:47,920 --> 00:28:48,560
Speaker 8: What was the word?

581
00:28:48,720 --> 00:28:49,880
Speaker 3: No, you're right, it's bad?

582
00:28:50,720 --> 00:28:51,560
Speaker 2: Is it awesome?

583
00:28:51,840 --> 00:28:52,440
Speaker 3: Bad? Big?

584
00:28:52,560 --> 00:28:52,680
Speaker 1: No?

585
00:28:53,360 --> 00:28:57,280
Speaker 3: The word the word reputation. You're just confirming Taylor Swift.

586
00:28:57,280 --> 00:29:01,200
Speaker 3: It doesn't matter the time. It's going on, Miguel, well done,

587
00:29:01,360 --> 00:29:04,320
Speaker 3: you take an ANSWER's good job. You're listening to the

588
00:29:04,320 --> 00:29:05,800
Speaker 3: Fitzi and Whipper podcast.

589
00:29:06,880 --> 00:29:12,960
Speaker 4: Sure, Sarah the top trending stories and entertainment. All eyes

590
00:29:13,000 --> 00:29:16,080
Speaker 4: are on the Venice Film Festival this morning, because don't worry,

591
00:29:16,200 --> 00:29:17,400
Speaker 4: Darling has premiered.

592
00:29:17,720 --> 00:29:17,920
Speaker 2: Now.

593
00:29:17,960 --> 00:29:20,920
Speaker 4: This is the film produced by Olivia Wilde and starring

594
00:29:20,960 --> 00:29:23,560
Speaker 4: Harry Styles, and famously this is where she left her

595
00:29:23,640 --> 00:29:27,160
Speaker 4: husband and hooked up with Harry. There was a lot

596
00:29:27,200 --> 00:29:30,160
Speaker 4: of sort of rumors and carry on because Florence Pugh,

597
00:29:30,240 --> 00:29:33,600
Speaker 4: who plays the female lead Harry Styles's wife in the film,

598
00:29:34,000 --> 00:29:37,400
Speaker 4: she was sort of public about how it became public,

599
00:29:37,440 --> 00:29:39,840
Speaker 4: how unimpressed she was that the two of them had

600
00:29:39,880 --> 00:29:43,760
Speaker 4: started an affair on set. So we didn't know what

601
00:29:43,920 --> 00:29:46,120
Speaker 4: she was going to do. Her team had sort of

602
00:29:46,120 --> 00:29:49,080
Speaker 4: implied she wasn't interested in promoting this film because she's

603
00:29:49,120 --> 00:29:50,760
Speaker 4: so disenfranchised with Olivia.

604
00:29:51,160 --> 00:29:52,760
Speaker 2: So she wropped up to the red carpet.

605
00:29:52,800 --> 00:29:54,720
Speaker 4: They stood quite far apart, but I mean there's a

606
00:29:54,720 --> 00:29:55,520
Speaker 4: few cast members.

607
00:29:55,840 --> 00:29:56,280
Speaker 2: The thing is.

608
00:29:56,280 --> 00:29:58,920
Speaker 4: They then did a press conference, which she did not attend.

609
00:29:59,040 --> 00:30:00,240
Speaker 2: She had said that she.

610
00:30:00,120 --> 00:30:03,200
Speaker 4: Had duties with a different film. However, her team put

611
00:30:03,240 --> 00:30:06,360
Speaker 4: up videos of her just walking around Venae showing off

612
00:30:06,360 --> 00:30:08,760
Speaker 4: an outfit at the same time and made a little

613
00:30:08,880 --> 00:30:11,640
Speaker 4: quip that was sort of in reference to Olivia Wilde's

614
00:30:11,720 --> 00:30:14,120
Speaker 4: video to Shilah buffalast week. So this is this whole

615
00:30:14,120 --> 00:30:16,080
Speaker 4: thing is just loaded and layered.

616
00:30:16,480 --> 00:30:16,880
Speaker 5: Anyway.

617
00:30:17,680 --> 00:30:21,000
Speaker 4: Olivia was asked a few questions at the press conference.

618
00:30:21,040 --> 00:30:23,160
Speaker 4: One of them was if she and Harry would work

619
00:30:23,200 --> 00:30:25,920
Speaker 4: together again, which she just totally pretended she hadn't heard,

620
00:30:26,080 --> 00:30:29,040
Speaker 4: even though the person asked on microphone how awkward. The

621
00:30:29,080 --> 00:30:32,600
Speaker 4: big one she was asked why Florence wasn't at the

622
00:30:32,600 --> 00:30:33,480
Speaker 4: press conference.

623
00:30:34,320 --> 00:30:38,840
Speaker 8: This was her answer, as for all the endless tabloid

624
00:30:39,160 --> 00:30:41,160
Speaker 8: gossip and all the noise out there, I mean, the

625
00:30:41,200 --> 00:30:43,880
Speaker 8: internet feeds itself. I don't feel the need to contribute.

626
00:30:43,880 --> 00:30:45,640
Speaker 3: I think it's sufficiently well nourished.

627
00:30:47,120 --> 00:30:50,080
Speaker 6: From hollyd Reporter drashlections on the film. I thought it

628
00:30:50,120 --> 00:30:53,840
Speaker 6: was great, but I would also just like to ask about,

629
00:30:53,880 --> 00:30:58,760
Speaker 6: you know, the noise that you mentioned. Answer it's a separate.

630
00:31:00,120 --> 00:31:00,640
Speaker 3: Charla book.

631
00:31:01,800 --> 00:31:05,240
Speaker 1: I think those guns were as where's you're talking about

632
00:31:05,240 --> 00:31:05,960
Speaker 1: the internet? Yet?

633
00:31:07,080 --> 00:31:07,560
Speaker 3: Done there?

634
00:31:07,760 --> 00:31:08,120
Speaker 6: Thank you.

635
00:31:10,320 --> 00:31:12,000
Speaker 2: That was the end of the press conference.

636
00:31:12,080 --> 00:31:13,680
Speaker 3: Minders jumping in quickly.

637
00:31:13,840 --> 00:31:17,480
Speaker 4: Minders were all over it anyway, So there we go, guys.

638
00:31:17,480 --> 00:31:20,400
Speaker 4: Brandon Fraser also getting a huge standing ovation at the

639
00:31:20,440 --> 00:31:24,440
Speaker 4: Venice Film Festival. They're even saying oscar worthy performance. He

640
00:31:24,480 --> 00:31:27,360
Speaker 4: plays an overweight man in the Whale, and he's.

641
00:31:27,480 --> 00:31:30,280
Speaker 1: He's trying to get back with his daughter, isn't he

642
00:31:30,280 --> 00:31:32,840
Speaker 1: He's trying to have a relationship with his daughter. Again,

643
00:31:33,440 --> 00:31:38,360
Speaker 1: he's like six hundred pounds or it's massive in the whale, yes, yeah,

644
00:31:38,360 --> 00:31:40,160
Speaker 1: and it was a stage show suit.

645
00:31:40,440 --> 00:31:40,680
Speaker 2: Yeah.

646
00:31:40,720 --> 00:31:44,600
Speaker 4: So he plays this severely obese man and here's big tagaway.

647
00:31:44,640 --> 00:31:46,680
Speaker 4: He had to six hundred pounds what's that three hundred

648
00:31:46,680 --> 00:31:48,720
Speaker 4: and fifty killers something like that, and he had to

649
00:31:48,720 --> 00:31:51,120
Speaker 4: put a body so, I mean, he's not not small,

650
00:31:51,320 --> 00:31:53,280
Speaker 4: but he's certainly not that weight. But he said he

651
00:31:53,280 --> 00:31:55,520
Speaker 4: had to put on this bodysuit every day and by

652
00:31:55,520 --> 00:31:57,120
Speaker 4: the end of the day when he would take it off,

653
00:31:57,200 --> 00:32:01,200
Speaker 4: it was so physically and just mentally draining to have

654
00:32:01,240 --> 00:32:03,479
Speaker 4: had to navigate the world at that size.

655
00:32:03,560 --> 00:32:03,760
Speaker 3: Yeah.

656
00:32:03,800 --> 00:32:06,880
Speaker 4: Sure, So he's actually full of praise. He reckons overweight

657
00:32:06,960 --> 00:32:10,960
Speaker 4: people are incredibly strong mentally and physically, and it was

658
00:32:11,000 --> 00:32:13,400
Speaker 4: a really important role for him because he came to

659
00:32:13,480 --> 00:32:16,960
Speaker 4: understand people's trauma and how it manifests through your body, right,

660
00:32:17,200 --> 00:32:18,880
Speaker 4: which is absolutely part of I mean, you look back

661
00:32:18,920 --> 00:32:20,479
Speaker 4: on things like The Biggest Loser and it was all

662
00:32:20,520 --> 00:32:21,960
Speaker 4: well and good to make them run it out on

663
00:32:22,000 --> 00:32:24,280
Speaker 4: a treadmill, but no one ever got a therapist in

664
00:32:24,320 --> 00:32:27,000
Speaker 4: there to talk to these people about how each such

665
00:32:27,040 --> 00:32:30,440
Speaker 4: a weight. True, he got a huge standing ovation. People

666
00:32:30,440 --> 00:32:33,520
Speaker 4: are saying this is the biggest comeback and yeah, Oscar chat,

667
00:32:33,520 --> 00:32:34,400
Speaker 4: which it's great.

668
00:32:34,280 --> 00:32:37,160
Speaker 1: To go from Sino man something like this and be

669
00:32:37,240 --> 00:32:39,560
Speaker 1: up for It's a great because it hasn't done a lot,

670
00:32:39,600 --> 00:32:40,280
Speaker 1: has he No.

671
00:32:40,280 --> 00:32:41,760
Speaker 2: He became a bit of a recluse.

672
00:32:41,800 --> 00:32:44,160
Speaker 3: He sort of he gets I think he was depressed.

673
00:32:44,240 --> 00:32:48,680
Speaker 4: Well, he said that he was apparently physically abused.

674
00:32:49,120 --> 00:32:51,800
Speaker 1: Remember he had a big break and came back with

675
00:32:51,840 --> 00:32:52,840
Speaker 1: the wrestler and won an.

676
00:32:52,720 --> 00:32:54,960
Speaker 4: Oscar for it, and then was in Iron Man, which

677
00:32:55,000 --> 00:32:57,000
Speaker 4: I know is iron Man, but was a huge film.

678
00:32:56,760 --> 00:33:00,400
Speaker 1: At the John Travolta was gone until he did Pulp Fiction. Yep,

679
00:33:00,480 --> 00:33:01,680
Speaker 1: that's its gone.

680
00:33:01,680 --> 00:33:05,400
Speaker 3: I'm still waiting for you. Ho serious, It's not bad.

681
00:33:06,320 --> 00:33:07,040
Speaker 2: Was awesome.

682
00:33:07,520 --> 00:33:10,400
Speaker 4: Finally, guys, Harry and Meghan are in the UK, and

683
00:33:10,440 --> 00:33:12,560
Speaker 4: I thought this was nice because there's so much Meghan

684
00:33:12,760 --> 00:33:15,040
Speaker 4: bashing that goes on. She stood up to do a

685
00:33:15,080 --> 00:33:16,600
Speaker 4: speech there at the Manchester Summit.

686
00:33:16,600 --> 00:33:17,960
Speaker 2: They've got the train there.

687
00:33:17,960 --> 00:33:19,520
Speaker 4: The two of them just got on the on the

688
00:33:19,520 --> 00:33:21,440
Speaker 4: local train with their bodyguards and off they went.

689
00:33:21,640 --> 00:33:21,960
Speaker 2: Anyway.

690
00:33:22,040 --> 00:33:23,680
Speaker 4: She stood up to do a speech and it was

691
00:33:23,760 --> 00:33:26,400
Speaker 4: really quite humbling how she talked about being the first

692
00:33:26,480 --> 00:33:29,480
Speaker 4: time she was in the forum for this Young One

693
00:33:29,520 --> 00:33:31,640
Speaker 4: Young World summit. She'd been selected.

694
00:33:31,680 --> 00:33:32,720
Speaker 2: This was a few years ago.

695
00:33:33,000 --> 00:33:35,760
Speaker 4: She's in this room and she's quite humble and acknowledging

696
00:33:35,840 --> 00:33:39,280
Speaker 4: how overwhelmed she was by the status of the people

697
00:33:39,320 --> 00:33:39,840
Speaker 4: around her.

698
00:33:40,360 --> 00:33:43,360
Speaker 3: At that dinner, there were about thirty of us for

699
00:33:43,480 --> 00:33:44,880
Speaker 3: the counselors, and.

700
00:33:44,800 --> 00:33:45,360
Speaker 2: There I was.

701
00:33:45,440 --> 00:33:48,800
Speaker 1: I was the girl from suits.

702
00:33:49,400 --> 00:33:55,760
Speaker 3: And I was surrounded by world leaders, humanitarians, prime.

703
00:33:55,480 --> 00:33:59,920
Speaker 2: Ministers, and after this that I had such a d and.

704
00:34:00,120 --> 00:34:04,480
Speaker 3: Long standing respect and admiration for and I was invaded

705
00:34:04,920 --> 00:34:06,400
Speaker 3: to pull up a seat at the table.

706
00:34:06,920 --> 00:34:10,600
Speaker 1: I was so overwhelmed by this experience. I think they

707
00:34:10,719 --> 00:34:13,279
Speaker 1: even see my little peaper police card that said my

708
00:34:13,400 --> 00:34:13,799
Speaker 1: name on.

709
00:34:13,800 --> 00:34:16,600
Speaker 3: It says a good story for Megan Markle, thank you

710
00:34:16,640 --> 00:34:16,800
Speaker 3: for that.

711
00:34:17,400 --> 00:34:18,000
Speaker 2: It's nice.

712
00:34:18,040 --> 00:34:21,440
Speaker 3: She's such an easy target as everyone continues to bash.

713
00:34:21,520 --> 00:34:24,120
Speaker 4: When are good there and whip a podcast.

714
00:34:24,320 --> 00:34:25,880
Speaker 2: I want to talk about music royalty.

715
00:34:25,960 --> 00:34:27,680
Speaker 1: So we spoke about this before and I think you

716
00:34:27,719 --> 00:34:31,759
Speaker 1: know on Spotify the artists these days, streaming wise, you

717
00:34:31,880 --> 00:34:35,040
Speaker 1: need hundreds of millions of streams to actually start making

718
00:34:35,080 --> 00:34:36,240
Speaker 1: some serious.

719
00:34:35,800 --> 00:34:36,760
Speaker 2: Coin, don't you.

720
00:34:36,760 --> 00:34:37,520
Speaker 3: You don't make a lot.

721
00:34:37,600 --> 00:34:38,440
Speaker 2: It's really hard.

722
00:34:38,760 --> 00:34:39,960
Speaker 3: Back in the day they did not. I don't know

723
00:34:39,960 --> 00:34:40,720
Speaker 3: if it's changed.

724
00:34:42,040 --> 00:34:44,719
Speaker 1: This is a really interesting one because you know how

725
00:34:44,800 --> 00:34:48,759
Speaker 1: we've got Siri, now we've got Alexa, and we talk,

726
00:34:49,080 --> 00:34:51,160
Speaker 1: and that's how majority of households, and I think it

727
00:34:51,160 --> 00:34:54,960
Speaker 1: will obviously in the future more and more households will talk.

728
00:34:55,200 --> 00:34:56,879
Speaker 1: And you know all you have to do is say

729
00:34:56,960 --> 00:34:58,680
Speaker 1: played Sharon's Castle on the Hill.

730
00:34:58,760 --> 00:34:59,160
Speaker 2: That's us.

731
00:34:59,160 --> 00:35:01,279
Speaker 3: Every night and E will play it for you.

732
00:35:01,360 --> 00:35:05,400
Speaker 2: Hey Siri, yep, every night, NonStop. And that's how it happens.

733
00:35:06,000 --> 00:35:08,200
Speaker 1: I didn't know this, but if you put certain words

734
00:35:08,200 --> 00:35:11,600
Speaker 1: into them that if they play a song, as soon

735
00:35:11,600 --> 00:35:14,839
Speaker 1: as you play a song on Alexa or Siri, they

736
00:35:14,920 --> 00:35:17,600
Speaker 1: get royalty. So that's downloaded as a stream.

737
00:35:18,400 --> 00:35:18,600
Speaker 3: Right.

738
00:35:18,680 --> 00:35:21,840
Speaker 1: So this is an interesting story. When kids yell out

739
00:35:22,080 --> 00:35:25,440
Speaker 1: the word poop, there's certain songs that come up, and

740
00:35:25,440 --> 00:35:29,320
Speaker 1: the artists who came up with those poop songs actually

741
00:35:29,360 --> 00:35:31,480
Speaker 1: get paid money and get royalties.

742
00:35:31,719 --> 00:35:33,879
Speaker 3: In our house, this is what you hear. You'll hear

743
00:35:34,080 --> 00:35:37,920
Speaker 3: every dinner. Hey Siri, play poop in a bucket?

744
00:35:38,680 --> 00:35:42,279
Speaker 2: Seriously, it's starting on. Well, I don't have poop in

745
00:35:42,280 --> 00:35:43,640
Speaker 2: a bucket, and poop.

746
00:35:43,400 --> 00:35:46,359
Speaker 3: In a bucket comes on every and no, no, no, no,

747
00:35:46,400 --> 00:35:49,359
Speaker 3: poop chat. I don't know. It's just this guy game.

748
00:35:49,440 --> 00:35:52,040
Speaker 3: You can go poop in a bucket. It's not a

749
00:35:52,120 --> 00:35:54,560
Speaker 3: kid's song. Well I think it's four kids, but it's

750
00:35:54,600 --> 00:35:55,480
Speaker 3: not like a kid.

751
00:35:55,560 --> 00:35:57,759
Speaker 2: Have you heard of poopy diaper? This is this one?

752
00:35:57,920 --> 00:36:05,720
Speaker 3: Okay, what dape?

753
00:36:07,440 --> 00:36:10,920
Speaker 1: So the woman that sung this song went to go

754
00:36:11,320 --> 00:36:15,200
Speaker 1: completely forgot about it. She recorded the song about twelve

755
00:36:15,280 --> 00:36:17,960
Speaker 1: years ago. Went to her account recently there was ten

756
00:36:17,960 --> 00:36:20,960
Speaker 1: grand in there. You're kidding me, just from kids asking

757
00:36:21,000 --> 00:36:23,800
Speaker 1: for this song on Alexa. It's kicked off again poop songs.

758
00:36:24,320 --> 00:36:26,080
Speaker 1: Have you got the stupid butt song in there?

759
00:36:26,160 --> 00:36:28,799
Speaker 2: Is that one in there? Let's have a listen to

760
00:36:28,840 --> 00:36:29,200
Speaker 2: this one?

761
00:36:29,280 --> 00:36:35,160
Speaker 3: Be stupid. But legos are sitting on the body.

762
00:36:35,320 --> 00:36:42,120
Speaker 1: Yeah, that sounds like construt shit underwhere legos a bombing?

763
00:36:42,520 --> 00:36:42,880
Speaker 2: Nay?

764
00:36:43,200 --> 00:36:46,279
Speaker 1: This guy has gone crazy as well from kids just

765
00:36:46,320 --> 00:36:49,480
Speaker 1: going to Alexa and just asking for this song. And

766
00:36:49,520 --> 00:36:51,799
Speaker 1: this is the last one. This is the poop song

767
00:36:51,880 --> 00:36:53,560
Speaker 1: with my dog. Have a listen to this one?

768
00:36:54,400 --> 00:36:59,680
Speaker 8: Boop with my dog in the Backyard's quite on all four.

769
00:36:59,800 --> 00:37:05,880
Speaker 8: That's when we pushed real hard.

770
00:37:06,280 --> 00:37:09,640
Speaker 1: So these guys are making tens of thousands of dollars

771
00:37:09,680 --> 00:37:12,680
Speaker 1: just from kids asking for him and saying the word poop.

772
00:37:12,440 --> 00:37:17,200
Speaker 3: Onto Alexa Temmy in the commercial game that we play

773
00:37:17,239 --> 00:37:21,000
Speaker 3: in here, would it be too childish to suggest FITZI

774
00:37:21,040 --> 00:37:26,240
Speaker 3: and I both release our own song next week? See

775
00:37:26,360 --> 00:37:28,440
Speaker 3: how many streams it starts to get.

776
00:37:28,600 --> 00:37:30,719
Speaker 2: Does it have to be poop related?

777
00:37:30,880 --> 00:37:32,080
Speaker 3: Does it does?

778
00:37:32,840 --> 00:37:34,160
Speaker 4: On the other ones? You've done a bit?

779
00:37:34,719 --> 00:37:41,400
Speaker 3: Okay, mate, whipping Away was horrible, was massive, performed Whip

780
00:37:41,400 --> 00:37:43,600
Speaker 3: of the Whale at a shopping cink.

781
00:37:43,640 --> 00:37:46,120
Speaker 2: Couldn't even you wrote it, but couldn't remember the words.

782
00:37:46,120 --> 00:37:48,680
Speaker 3: That was a bit of an issue. Yeah, but Tom,

783
00:37:48,719 --> 00:37:50,560
Speaker 3: I mean by the end of next week we could

784
00:37:50,560 --> 00:37:55,680
Speaker 3: have They called me. That one was a bit on

785
00:37:55,719 --> 00:38:00,520
Speaker 3: the nose. The election is my home food. But if

786
00:38:00,520 --> 00:38:02,160
Speaker 3: we came up with a couple of great poop songs,

787
00:38:02,160 --> 00:38:04,560
Speaker 3: we could see how many streams we could get. It's

788
00:38:04,600 --> 00:38:13,360
Speaker 3: not crazy, man, it's not crazy. Right, Well, I'll do

789
00:38:13,400 --> 00:38:17,800
Speaker 3: it by myself. I will write the number one poop

790
00:38:17,920 --> 00:38:20,879
Speaker 3: song of the modern era. You're not going to take

791
00:38:20,920 --> 00:38:23,120
Speaker 3: on all of the other poop tracks out there.

792
00:38:23,400 --> 00:38:25,600
Speaker 2: You will not beat with my dog, Yes I will,

793
00:38:25,680 --> 00:38:26,799
Speaker 2: or poopy stupid.

794
00:38:26,800 --> 00:38:29,760
Speaker 3: I'll beat poop in a bucket. Hey, sirih play whippers

795
00:38:30,239 --> 00:38:36,960
Speaker 3: Poop marvelous Yet I haven't signed off on it yet, guys,

796
00:38:37,120 --> 00:38:40,239
Speaker 3: Good brain Story with Me with the Show is a

797
00:38:40,360 --> 00:38:44,000
Speaker 3: nov podcast. For more great comedy shows like this, head

798
00:38:44,040 --> 00:38:46,600
Speaker 3: to Nova Podcasts dot com. Doday you