WEBVTT - Finding love, interrogations and sniffer dogs: Rob Carlton & Elouise Eftos Pt.2 0:00:01.880 --> 0:00:04.880 The public has had a long held fascination with detectives. 0:00:05.360 --> 0:00:07.800 Detective see a side of life the average person is 0:00:07.880 --> 0:00:11.119 never exposed to. I spent thirty four years as a cop. 0:00:11.560 --> 0:00:14.040 For twenty five of those years I was catching killers. 0:00:14.440 --> 0:00:16.200 That's what I did for a living. I was a 0:00:16.200 --> 0:00:20.560 homicide detective. I'm no longer just interviewing bad guys. Instead, 0:00:20.600 --> 0:00:23.120 I'm taking the public into the world in which I operated. 0:00:23.840 --> 0:00:26.400 The guests I talk to each week have amazing stories 0:00:26.440 --> 0:00:28.760 from all sides of the law. The interviews are raw 0:00:28.800 --> 0:00:31.440 and honest, just like the people I talked to. Some 0:00:31.600 --> 0:00:34.640 of the content and language might be confronting. That's because 0:00:34.640 --> 0:00:37.640 no one who comes into contact with crime is left unchanged. 0:00:38.159 --> 0:00:40.400 Join me now as I take you into this world. 0:00:46.880 --> 0:00:50.200 Welcome back to Part two of the Eye Catch Killers 0:00:50.360 --> 0:00:53.040 Christmas Special. Yes, I'm a bit tired trying to keep 0:00:53.120 --> 0:00:56.280 up with Eloise and Rob Carlton, but Part two was 0:00:56.280 --> 0:00:59.000 a lot of fun. We actually went into the interview room, 0:00:59.200 --> 0:01:02.000 had a few laugh talked to some serious stuff and 0:01:02.600 --> 0:01:04.880 I hope you enjoy and have a merry Christmas. 0:01:06.560 --> 0:01:09.200 All right, friends, welcome back to the second half of 0:01:09.319 --> 0:01:13.000 the very special Christmas edition of Eye Catch Killers with 0:01:13.200 --> 0:01:18.480 Gary Jublin and Elouise Eftos and I'm the other guest host, 0:01:18.640 --> 0:01:23.040 Rob Carlton, just quickly. So it's a Christmas special which 0:01:23.120 --> 0:01:25.080 takes me to the first solo show I did. The 0:01:25.120 --> 0:01:30.440 opening story was a beautiful Christmas story where two cousins 0:01:30.480 --> 0:01:34.360 ended up having the most intimateive relations And that's the 0:01:34.880 --> 0:01:39.280 sneakiest segue I can get to show promotions. So, as 0:01:39.319 --> 0:01:42.280 I said, I met Elouise earlier this year, She's had 0:01:42.280 --> 0:01:46.360 the most extraordinary run of her show, Australia's first attractive comedian. 0:01:46.600 --> 0:01:49.240 She's won all sorts of awards. She went over to Edinburgh, 0:01:49.280 --> 0:01:50.920 had a sold out run. For those of you that 0:01:51.000 --> 0:01:53.520 know Edinburgh, you know what extraordinary feat that is. She 0:01:53.560 --> 0:01:56.360 got nominated I believe the first Australian to be nominated, 0:01:56.400 --> 0:01:59.640 as first Australian woman to be nominated as Best Newcomer. 0:02:00.200 --> 0:02:04.320 Just be creatively huge, pade all of those things. So, Elouise, 0:02:04.320 --> 0:02:06.280 You've got a news show coming next year, tell us 0:02:06.320 --> 0:02:06.600 about it. 0:02:06.640 --> 0:02:09.840 So I've got a new show. Also a few encores 0:02:09.880 --> 0:02:12.639 of my debut show which is which is exciting for 0:02:12.720 --> 0:02:16.960 anyone that missed it. So I'll be doing the encore 0:02:16.960 --> 0:02:19.400 of Australia's First Attractive Comedian. Will the debut in New 0:02:19.440 --> 0:02:21.280 York City if you have any listeners in New York 0:02:21.560 --> 0:02:22.000 in March. 0:02:22.080 --> 0:02:23.720 New York City is a city in America. 0:02:24.600 --> 0:02:27.239 City in America, the city that Never sleeps, the Big 0:02:27.280 --> 0:02:32.240 Apple you'll call it. Oh yeah, sorry, I can't see 0:02:32.240 --> 0:02:33.520 it in New York. You'll have to come to Hoe 0:02:33.560 --> 0:02:37.160 Bar so fifth to the fifteenth. I'll be doing Australia's 0:02:37.160 --> 0:02:40.600 First Attractive Comedian there. I'm also doing sorry, another encore 0:02:40.639 --> 0:02:42.280 in Adelaide, Adelaide Free and I'll be doing it on 0:02:42.360 --> 0:02:44.480 core of it, as well as the work in progress 0:02:44.480 --> 0:02:47.040 of my new show, which I don't know exactly what 0:02:47.080 --> 0:02:49.520 it's going to be called yet, but I'll be touring 0:02:49.600 --> 0:02:52.239 my new show, The Ill debut in Melbourne at Melbourne 0:02:52.240 --> 0:02:54.440 Comedy Festival the last two weeks and then I will 0:02:54.480 --> 0:02:58.520 tour it all around Sydney Brisbane. I'll also be going 0:02:58.520 --> 0:03:00.680 to New Zealand if we have any follows New Zealand, 0:03:01.440 --> 0:03:04.560 and then also to probably Canberra, I hope, because I 0:03:04.600 --> 0:03:07.880 do love can great audiences there and and Perth obviously 0:03:07.880 --> 0:03:09.760 got to go to the hometown. And then I'll be 0:03:10.160 --> 0:03:14.160 taking it overseas to Edinburgh and Oncooring as well. Australia's 0:03:14.200 --> 0:03:16.560 as Attractive Comeditis. It's going to be an interesting year. 0:03:16.639 --> 0:03:19.040 I'm going to be doing both shows, sort of tag 0:03:19.040 --> 0:03:21.519 teaming them at the same time. But yeah, really excited. 0:03:21.520 --> 0:03:22.800 The new show is about how I've never been in 0:03:22.800 --> 0:03:25.400 love and I don't know if it's real and it's 0:03:25.440 --> 0:03:26.840 a little bit we're talking to Rob a little bit 0:03:26.840 --> 0:03:29.440 about it and it's sort of, yeah, the part two 0:03:29.639 --> 0:03:32.080 of my first show and sort of is playing the 0:03:32.080 --> 0:03:35.400 persona stopping me from finding love? Or is being a 0:03:35.440 --> 0:03:36.920 strong woman on stage? 0:03:39.520 --> 0:03:39.720 Yeah? 0:03:39.840 --> 0:03:43.200 Is it? Is it? Like you know, yeah? Is it intimidating? 0:03:43.280 --> 0:03:43.560 Is it? 0:03:43.760 --> 0:03:45.640 There's a lot of questions I want to ask, Yeah, 0:03:45.800 --> 0:03:48.640 is it you know, to do with my own conditioning, 0:03:48.880 --> 0:03:52.920 you know, having Greek heritage and the working title currently radiety, 0:03:54.320 --> 0:03:56.200 Well that's the thing, that's the thing. But I'm going 0:03:56.440 --> 0:03:59.120 you know, is it these traditional values that we get 0:03:59.160 --> 0:04:01.960 taught and trying to be first? And then also, you know, 0:04:02.280 --> 0:04:04.600 Vogue just said having a boyfriend's embarrassing. So I'm trying 0:04:04.600 --> 0:04:07.280 to figure out what as a single woman, what's one 0:04:07.320 --> 0:04:09.360 of my one of my options and yeah, so that 0:04:09.480 --> 0:04:11.200 that's sort of what the new shows about. It should 0:04:11.200 --> 0:04:13.640 it should get very very silly. I sing and dance 0:04:13.680 --> 0:04:15.360 and play different characters in my shows as well as 0:04:15.360 --> 0:04:18.320 doing stand up, so it's going to be it should 0:04:18.360 --> 0:04:18.960 be very fun. 0:04:19.080 --> 0:04:22.520 Yeah, well, you're trying to find out why you can't 0:04:22.520 --> 0:04:26.080 find love. Well, just you couldn't really do a show like. 0:04:26.040 --> 0:04:31.520 That, either of you could. I'm going I swear, well, 0:04:31.560 --> 0:04:33.400 you've obviously found I. 0:04:33.520 --> 0:04:35.880 Found love, but I did lose my virginity very late. 0:04:35.960 --> 0:04:40.880 So it swings around the defense. I lost my virginity 0:04:40.880 --> 0:04:42.960 when I was eighteen, and people go, go, do you 0:04:42.960 --> 0:04:43.640 think that's late? 0:04:43.760 --> 0:04:46.279 I'm going, I was late later than you. 0:04:47.480 --> 0:04:51.360 This is what I catch killers is about people revealing. 0:04:51.800 --> 0:04:53.240 All I'm saying is that. 0:04:54.160 --> 0:04:55.600 It's an amazing ability to get this. 0:04:56.560 --> 0:05:00.800 I was saving myself for someone that wanted to do 0:05:00.880 --> 0:05:01.880 it with me now. 0:05:03.720 --> 0:05:06.560 That moment. 0:05:07.000 --> 0:05:09.600 So for those listeners out there, what I would say 0:05:09.600 --> 0:05:12.720 about Elawez's show, I'd get in on the ground floor. 0:05:13.200 --> 0:05:15.200 A young woman. She's got all these different skills. When 0:05:15.240 --> 0:05:17.280 she says she does characters, she does sing, she's an 0:05:17.279 --> 0:05:21.719 extraordinary sing, extraordinary characters. It's because it's that character actor work. 0:05:22.279 --> 0:05:26.120 It's also her shows to my eye, certainly Australia's first 0:05:26.120 --> 0:05:30.240 attractive comedian was predicated on some really interesting thinking. And 0:05:30.240 --> 0:05:32.200 then it's one thing for a comedian to have that 0:05:32.240 --> 0:05:34.600 interesting thinking, but then how to turn it funny. That's 0:05:34.640 --> 0:05:37.039 where the magic happens. So I'm really interested in seeing 0:05:37.040 --> 0:05:38.320 where you go with this next show. 0:05:38.360 --> 0:05:40.799 This is also what is so scary. It's like this 0:05:40.800 --> 0:05:42.840 this next show is about I guess me wanting to 0:05:42.920 --> 0:05:45.159 be more vulnerable with the audience, which is the first 0:05:45.160 --> 0:05:47.920 show is like I'm too hot to do comedy and 0:05:48.000 --> 0:05:50.440 the response that I got and it's quite staunch and 0:05:50.600 --> 0:05:53.000 sort of me going, you know, this is a feminist 0:05:53.000 --> 0:05:55.000 this is an act of it's like a political statement 0:05:55.080 --> 0:05:57.000 me doing this on stage and being a confident woman 0:05:57.000 --> 0:06:00.560 on stage in Australia. Heaven forbid, you know. But then 0:06:00.640 --> 0:06:02.960 this next show, I guess is it's about me being 0:06:02.960 --> 0:06:04.400 wanting to be vulnerable with the audience and I guess 0:06:04.480 --> 0:06:06.919 me wanting to be vulnerable in relationships and like, is 0:06:06.960 --> 0:06:09.240 that what? You know? That that's sort of it's all, yeah, 0:06:09.279 --> 0:06:10.280 there's a lot of layers, you know. 0:06:10.440 --> 0:06:12.760 And then so but with all of that how do 0:06:12.760 --> 0:06:13.440 you find the funny? 0:06:13.440 --> 0:06:14.720 Well, yeah, and how do you make it funny? It's 0:06:15.040 --> 0:06:17.000 quite sad that the amount of work I'm doing on 0:06:17.040 --> 0:06:19.360 it now, it's almost quite it's quite sad, but I 0:06:19.920 --> 0:06:22.440 am not sad in the way of like, oh my lord, 0:06:22.480 --> 0:06:24.359 but it just a bit there's moments where I'm like, oh, 0:06:24.440 --> 0:06:27.919 that is a really like sad revelation. Or you know, 0:06:27.960 --> 0:06:29.680 I listened to a lot of music when I write shows, 0:06:29.680 --> 0:06:31.479 and this theme of this show is very much in 0:06:31.520 --> 0:06:35.479 the disco sort of like that free that sort of 0:06:35.520 --> 0:06:38.839 disco fifty four or five. Yeah, a little bit more 0:06:38.920 --> 0:06:42.280 like I want to talk about, you know, these these 0:06:42.320 --> 0:06:44.480 things like you know, why are men scared of dancing? 0:06:44.760 --> 0:06:47.320 But no, just these like silly questions of you know, 0:06:47.600 --> 0:06:50.480 even the way the world's going modern dating everything. It's 0:06:50.480 --> 0:06:52.640 a little bit I think for women, we've been told 0:06:52.640 --> 0:06:55.119 to be independent and like, you know, which is great, 0:06:55.279 --> 0:06:57.159 But at the same time, it's like, is it bad 0:06:57.200 --> 0:06:59.400 that I still want love from a man? Is that 0:06:59.480 --> 0:07:01.479 like a bad thing? Is that something that am I 0:07:01.520 --> 0:07:04.760 pathetic for wanting that? Or a man going to meet 0:07:04.760 --> 0:07:07.040 me in that space? Or are we going to are 0:07:07.080 --> 0:07:09.000 we splitting apart? Is that the way the world's going. 0:07:09.120 --> 0:07:12.320 You take that into into humor and I look, I 0:07:12.360 --> 0:07:14.360 do the research. I know it's only two hours a 0:07:14.440 --> 0:07:21.400 day recording time. I love, I love sometimes I have 0:07:21.480 --> 0:07:22.960 to read three books for one guest. 0:07:22.960 --> 0:07:26.600 Because you've not a good point. 0:07:26.680 --> 0:07:29.560 Watch every TV show you've appeared on. 0:07:29.440 --> 0:07:33.239 That stand up to watch all of those. 0:07:34.160 --> 0:07:36.280 I wanted to make the point, like I do research, 0:07:36.360 --> 0:07:40.920 and your stuff is funny. I really I was watching it, 0:07:40.960 --> 0:07:45.360 and I thoroughly respect Rob's opinion because generally he lets 0:07:45.400 --> 0:07:47.560 me know when someone's performing around here because he needs 0:07:47.560 --> 0:07:52.160 a place to stay that normally comes with a ticket, 0:07:52.280 --> 0:07:57.600 and I offer him a bit beaut like I want 0:07:57.600 --> 0:07:59.560 to ask you to. I want to ask you to 0:08:00.360 --> 0:08:02.920 stand up comedy. I reckon that would have to be 0:08:03.000 --> 0:08:06.400 the hardest thing to do. And I'm comfortable talking on stage, 0:08:06.400 --> 0:08:09.320 but I can take it to heavy stuff. I could 0:08:09.720 --> 0:08:13.280 entertain people about making them laugh. But if I thinking 0:08:13.320 --> 0:08:15.000 I've got to get up there and make them laugh, 0:08:15.640 --> 0:08:19.840 I sit there and I feel nervous for you guys. YEA, yeah, yeah, 0:08:20.720 --> 0:08:21.480 you get nervous before. 0:08:21.520 --> 0:08:24.080 Absolutely. There's a part of me that I mean I 0:08:24.160 --> 0:08:26.760 sort of delve into in my show that it was 0:08:26.800 --> 0:08:28.560 a bucket list thing because I think I always was. 0:08:28.600 --> 0:08:31.280 I love comedy. I think it's an incredible art form. 0:08:31.560 --> 0:08:33.880 It's like magic. When you watch someone do comedy, it's like, 0:08:33.880 --> 0:08:36.080 how the hell are they doing? For me? I was 0:08:36.120 --> 0:08:37.800 in awe of it. But I was an actor, and 0:08:37.840 --> 0:08:40.360 I was I studied film and journalism. I never thought 0:08:40.400 --> 0:08:42.400 that I would do comedy. I was always that was 0:08:42.440 --> 0:08:43.839 the backup, and then I was going to do acting. 0:08:43.880 --> 0:08:45.400 I trained as a singer and a dancer, you know, 0:08:45.480 --> 0:08:48.560 and then but with comedy was stand up. It was 0:08:48.840 --> 0:08:51.439 something that I started m seeing these shows. I was 0:08:51.480 --> 0:08:53.560 a cabaret. I was dancing in cabarets, and it was 0:08:53.679 --> 0:08:55.520 like a bit of a sexy cabaret vibe and a 0:08:55.559 --> 0:08:57.200 bit of burlesque in it and stuff. And I was 0:08:57.240 --> 0:09:00.000 the MC. And I realized that I felt this power 0:09:00.160 --> 0:09:04.360 almost being this woman that was, you know, wearing a 0:09:04.440 --> 0:09:06.640 sexy dress or like laundry and almost being like you 0:09:06.640 --> 0:09:09.440 can't touch us up here, and making people laugh almost 0:09:09.480 --> 0:09:12.480 by being this powerful woman that you would have seen 0:09:12.720 --> 0:09:15.280 the way that I am on stage is very I'm 0:09:15.440 --> 0:09:18.160 untouchable or that I you know, I'm better than you. 0:09:18.200 --> 0:09:20.559 And there was something so fun and empowering about that, 0:09:20.920 --> 0:09:23.920 and the joke started to just come just this, yeah, 0:09:23.960 --> 0:09:26.960 this person, this persona which almost like she's like an affirmation, 0:09:27.480 --> 0:09:30.520 and then it's almost I don't think this is gonna 0:09:30.520 --> 0:09:32.800 sound so bad, probably if other committees listen to it, 0:09:32.840 --> 0:09:34.640 but I don't think it will give me enough credit 0:09:34.720 --> 0:09:36.680 out how hard it is to do that style of comedy, 0:09:36.679 --> 0:09:38.320 because comedy is hard. But if you can fall on 0:09:38.360 --> 0:09:41.520 your sword and go, oh, I don't like this about myself, 0:09:41.520 --> 0:09:43.840 people go ha ha, you know, or they go oh, yeah, 0:09:43.840 --> 0:09:45.120 I feel like I'm a bit of a loser, and 0:09:45.160 --> 0:09:48.280 people will laugh because they it's almost like this they 0:09:48.320 --> 0:09:50.440 feel I don't want to say sorry for you, but 0:09:50.480 --> 0:09:52.080 it is an easier way to make people laugh. If 0:09:52.120 --> 0:09:53.840 you fall on your sword, you're like the clown, you're 0:09:53.880 --> 0:09:56.840 the jester. But I'm doing the opposite, where I'm sort 0:09:56.840 --> 0:09:59.559 of trying to make people laugh by saying I think 0:09:59.600 --> 0:10:00.800 I'm better than you, and what are. 0:10:00.760 --> 0:10:01.240 You going to do? 0:10:01.840 --> 0:10:04.600 They can laugh at you with it then, and even 0:10:04.640 --> 0:10:07.240 then people still sometimes it goes over their head. But 0:10:07.320 --> 0:10:09.680 I also think that the message of what I'm trying 0:10:09.720 --> 0:10:11.560 to say, I hope that it makes people think and go, 0:10:11.679 --> 0:10:14.600 oh god, you know, maybe I am being a bit 0:10:14.679 --> 0:10:17.320 sexist or a little bit, you know, projecting my own 0:10:17.400 --> 0:10:20.640 insecurities onto this woman on stage who's talking about a 0:10:20.640 --> 0:10:22.640 certain thing. And yeah, if I can make people laugh 0:10:22.679 --> 0:10:24.360 while I do that, it is a nerve wrecking thing. 0:10:24.360 --> 0:10:26.400 And sometimes they don't laugh and you have to get 0:10:26.440 --> 0:10:29.520 over it. And I can't back down. I can't do 0:10:29.640 --> 0:10:31.360 my joke and then go that's the thing about doing 0:10:31.440 --> 0:10:33.600 high status. I can't not make them laugh and then 0:10:33.640 --> 0:10:36.160 be like, actually, I'm just joking. I actually really like 0:10:36.240 --> 0:10:38.200 you guys, and I don't think this about myself because 0:10:38.559 --> 0:10:41.920 that is the beauty. Yeah, undercustry what I'm doing. 0:10:41.640 --> 0:10:44.400 There's so much for the stage presence. And I learned 0:10:44.440 --> 0:10:47.280 a lot from you on that. Oh yeah, like I 0:10:47.320 --> 0:10:50.199 can laugh at someone talking about sharpening a pencil. You're 0:10:50.240 --> 0:10:56.240 doing it with confidence and incredible example that holding the 0:10:56.280 --> 0:10:59.360 space and just waiting for it and then the punchline comes. 0:10:59.679 --> 0:11:02.200 Yeah, I'm still and you know what, I'm still learning 0:11:02.240 --> 0:11:04.600 how to hold space. And I think I learned it. 0:11:04.600 --> 0:11:05.959 I was saying to Rob on the phone the other day. 0:11:06.000 --> 0:11:09.440 I learned that, you know, with my show, not just 0:11:09.440 --> 0:11:11.360 with my show, but even just doing stand up spots, 0:11:11.400 --> 0:11:14.600 like just gigs around and just not letting the silence 0:11:14.640 --> 0:11:16.760 get to me because I feel like there was there's 0:11:16.800 --> 0:11:18.560 times where you would even see it in my in 0:11:18.600 --> 0:11:20.600 my set or in my show. There's like a joke. 0:11:21.280 --> 0:11:23.640 I like to fill the space because I think that's 0:11:23.679 --> 0:11:25.280 just me as a person. I want to I want 0:11:25.320 --> 0:11:27.120 to make sure I'm not making them laugh every minute, 0:11:27.200 --> 0:11:30.320 you know, every second. But you also there's something about 0:11:30.600 --> 0:11:33.600 holding them and then the tension and then letting it out, 0:11:33.720 --> 0:11:36.480 and that for me is also more more rewarding. But 0:11:36.559 --> 0:11:38.640 I'm still getting used to it. It's scary. 0:11:38.920 --> 0:11:41.760 It is scary, but I think I if I'm talking, 0:11:42.080 --> 0:11:44.080 if I'm doing the talk, I know, if I'm holding 0:11:44.120 --> 0:11:46.280 the pace of it, yes, that's when I'm at my best. 0:11:46.400 --> 0:11:48.120 If I'm I'm going to get this done, got to 0:11:48.160 --> 0:11:52.160 get totally. But when I say something and you're the 0:11:52.160 --> 0:11:55.000 best out of rob you just you say something and 0:11:55.040 --> 0:11:57.720 you just sit with it and the audience that they're going. 0:11:57.960 --> 0:11:59.920 Yeah, exactly, you know what I mean, he's the mask, 0:12:00.160 --> 0:12:03.120 He's a master, whereas I mean I'm still learning how 0:12:03.120 --> 0:12:04.600 to do it. I also think that sometimes off these 0:12:04.640 --> 0:12:07.280 moments were like watching yourself. You know on stage, I'm 0:12:07.320 --> 0:12:09.000 not in my body. I need to get back into 0:12:09.080 --> 0:12:11.080 my body. But that's I think also a bit of 0:12:11.080 --> 0:12:12.960 an acting thing. You've been doing it for so long 0:12:13.040 --> 0:12:13.560 as well. 0:12:13.720 --> 0:12:16.480 I haven't heard anything after you guys said I was 0:12:16.480 --> 0:12:16.880 the master. 0:12:18.440 --> 0:12:22.320 You want to you want to a little bit just. 0:12:24.360 --> 0:12:25.360 Into that a little further. 0:12:26.400 --> 0:12:28.080 I was going to say sorry, and then I'm speaking 0:12:28.080 --> 0:12:30.760 of the master. We're going to talk about yours as well. 0:12:31.480 --> 0:12:34.720 Well, since you bring it up, I must so, yeah, 0:12:34.920 --> 0:12:38.160 gentle listener. So my last show is four True Stories. 0:12:38.160 --> 0:12:40.880 So my plugs are kind of funny. Basically, I've got 0:12:41.120 --> 0:12:44.480 a brand news show. It's called Virgin in a Knife Fight. 0:12:45.000 --> 0:12:46.600 Watch the name alone. 0:12:47.600 --> 0:12:50.120 It's Virgin in a knife Fight. It's four true stories. 0:12:50.720 --> 0:12:54.560 The first story is when I was a virgin in 0:12:54.600 --> 0:12:59.720 a knife fight. All I will say about that is 0:12:59.760 --> 0:13:06.640 that it's fair to say I was underprepared. I was 0:13:07.840 --> 0:13:10.200 what kind of knife fight? We talking, Well, virgins are 0:13:10.200 --> 0:13:16.040 really prepared for knife fights. Man, if you were to 0:13:16.080 --> 0:13:18.040 line up all the virgins that have been in knife fights, 0:13:18.040 --> 0:13:21.360 I'd say most of us wouldn't have would have been underprepared. 0:13:21.880 --> 0:13:25.200 And so and the other three stories are not about that, 0:13:25.200 --> 0:13:27.800 because I then grow up. But it's a show about 0:13:27.800 --> 0:13:32.160 being underprepared. It's a show about being surprised, about being sideswiped. 0:13:32.720 --> 0:13:35.000 And they're all true stories. And so as a results, 0:13:35.040 --> 0:13:38.440 I was eighteen. Look all I'll say about that moment, 0:13:39.160 --> 0:13:40.760 the moment where I did lose my visage. I was 0:13:40.760 --> 0:13:46.079 a little underprepared for that as welled, So there was 0:13:46.559 --> 0:13:50.160 so and then anyway, I tell three more stories. But 0:13:50.240 --> 0:13:53.360 as of course you get older, the things that surprise 0:13:53.440 --> 0:13:56.760 you are of a different nature. So that first surprise 0:13:56.920 --> 0:13:59.360 was an outward worldly thing coming at me, and like, 0:13:59.360 --> 0:14:02.880 oh dear, as we get older, sometimes surprises come from within. 0:14:03.440 --> 0:14:06.920 Sometimes surprises come from saying we've done to ourselves, and 0:14:07.000 --> 0:14:10.320 sometimes surprises come from a wa wacky, wacky world that 0:14:10.600 --> 0:14:13.960 just is a surprising place. So I've got four true stories. 0:14:14.040 --> 0:14:17.720 I can't wait to get around the country, premiering in 0:14:17.880 --> 0:14:21.920 Perth January twenty one. Then I've got eight days at 0:14:21.960 --> 0:14:24.520 the State Theater Center there. I then do Albany and Mandras, 0:14:24.520 --> 0:14:27.200 a little Western Australian tour. I come back to New 0:14:27.240 --> 0:14:30.200 South Wales Brunswick Picture House. Shout out to you, cost 0:14:30.280 --> 0:14:34.400 Jeddy Theater, shout out of Vocer Beach a Voker Beach Theater, 0:14:34.440 --> 0:14:37.360 my hometown. That's all in March. Can't wait to do that. 0:14:37.360 --> 0:14:40.720 We're doing Canberra Comedy Festival, Newcastle Fringe, then we're doing 0:14:40.800 --> 0:14:43.520 Adelaide Fringe. It's going to be mad, it's going to beautiful. 0:14:43.520 --> 0:14:46.640 I can't wait to see you out there. Yes, and 0:14:46.680 --> 0:14:50.440 then after Adelaide Fringe, we've also got Melbourne Comedy Festival. 0:14:50.720 --> 0:14:52.760 All those tickets will be on sale by December fifth. 0:14:52.760 --> 0:14:55.960 There's a whole stack on sale right now. Where my 0:14:55.960 --> 0:14:58.800 show and you're talking about stand up comedy before, where 0:14:58.800 --> 0:15:01.000 my show is different. It's not stand up comedy. I 0:15:01.080 --> 0:15:04.080 tell true stories, so it's a little more theatrical. I 0:15:04.200 --> 0:15:07.600 like to describe it as you'll get the laughs without 0:15:07.640 --> 0:15:13.880 the anxiety. The stand up thing is a bit a 0:15:13.920 --> 0:15:16.120 but all of this and then we've done this and 0:15:16.160 --> 0:15:18.960 get back and put the focus back on to Jubes 0:15:19.120 --> 0:15:21.000 because as a stack Moore questions of yours that I 0:15:21.000 --> 0:15:24.880 want to get to. But it's then come out of 0:15:25.120 --> 0:15:28.720 these true stories I write. For a storytelling night that 0:15:28.800 --> 0:15:31.600 my wife and I host are on the Central Coast 0:15:31.640 --> 0:15:34.120 at Gosford, the last Sunday of every month. That's called 0:15:34.160 --> 0:15:37.840 Brave Words Life, True Stories Told Well. We invite guests 0:15:37.880 --> 0:15:40.040 to tell stories. My wife and I write a story 0:15:40.160 --> 0:15:43.840 and it's simply this a true story. Now, the stories 0:15:43.880 --> 0:15:46.480 don't have to be funny, they have to be true 0:15:46.480 --> 0:15:49.720 and told well. They're about thirteen minutes long. So we're 0:15:49.760 --> 0:15:52.920 also releasing the podcast of that next week, so have 0:15:53.000 --> 0:15:54.600 a Google around of that. It's going to be called 0:15:54.600 --> 0:15:57.880 Brave Words the Podcast. And from that, what you'll get 0:15:58.280 --> 0:16:01.320 is stories from people that you might have heard of, 0:16:01.640 --> 0:16:04.960 some people with a profile. The engine room of this 0:16:05.600 --> 0:16:07.720 show will come from the incredible stories we've got from 0:16:07.760 --> 0:16:11.280 our community, from people that have done some writing classes 0:16:11.280 --> 0:16:13.360 with my wife, people that have just written a beautiful 0:16:13.360 --> 0:16:17.720 story and sent it to us, and these stories. When 0:16:17.720 --> 0:16:20.680 a community gets together and has the bravery to share 0:16:20.720 --> 0:16:26.040 stories and listen to stories, it's a closer community. It's 0:16:26.080 --> 0:16:29.640 easier to imagine the hardship others are going through. Gary, 0:16:29.680 --> 0:16:31.000 I don't need to tell you this, man, there's a 0:16:31.000 --> 0:16:33.040 lot of people doing it tough, real tough. 0:16:33.880 --> 0:16:35.840 I think there's a lot of power in telling stories, 0:16:35.880 --> 0:16:38.640 and that's why I like the forum of podcasts like 0:16:38.720 --> 0:16:41.560 you're going in the media, and I've worked in all aspects, 0:16:41.560 --> 0:16:45.640 all different aspects of media. People ask what I do now, 0:16:45.680 --> 0:16:48.280 and I sort of how do I describe what I do? 0:16:48.600 --> 0:16:50.640 Or what do you do? And I like to think 0:16:50.680 --> 0:16:53.120 I'm a storyteller and letting people tell stories. And I 0:16:53.160 --> 0:16:56.440 love telling stories or hearing people stories, and the stand 0:16:56.480 --> 0:16:59.800 up comedy space or even in not even but the 0:16:59.800 --> 0:17:01.880 way you do it and the way you do it, 0:17:01.880 --> 0:17:05.440 it just stimulates, doesn't it. It's really good to sit 0:17:05.520 --> 0:17:08.120 down and get to get a piece of that. 0:17:09.080 --> 0:17:12.760 All right, let's get back into some things now. During 0:17:12.760 --> 0:17:15.080 the break, Yellowise and I were talking about some of 0:17:15.119 --> 0:17:20.320 the prestigures that occur as detective and she said to him, 0:17:20.359 --> 0:17:22.520 and she said, man, it's Gary. He seems like a 0:17:22.520 --> 0:17:27.400 really nice guy. I can't imagine him being a. 0:17:26.359 --> 0:17:28.400 Guy no way. 0:17:28.359 --> 0:17:32.480 Yes, well, you haven't seen him interrogate somewhere, so I 0:17:32.520 --> 0:17:34.440 thought we might jump into that space for the least. 0:17:34.480 --> 0:17:38.640 Now we want to play this one, Okay, an interrogation, Yeah, okay, 0:17:39.160 --> 0:17:43.840 I reckon, you have to be the suspect, Yeah, suspect. Okay, 0:17:43.920 --> 0:17:47.840 all right, there's something about him, there is something. 0:17:48.200 --> 0:17:49.600 I mean that Daily Mail article. 0:17:52.760 --> 0:17:54.639 I saw that article, Rob. I didn't bring it to 0:17:54.680 --> 0:17:57.760 your attention because I wanted to protect you. 0:17:58.880 --> 0:18:01.200 Jacobson didn't want to protect He said it straight to me, 0:18:03.200 --> 0:18:05.640 along with the message, mate, you should see what they've 0:18:05.640 --> 0:18:09.720 written about me specifically over the year. Oh my god. Yeah. 0:18:09.840 --> 0:18:14.880 Anyway, Okay, so let's hypothetical. Rob's the Robs the suspect. 0:18:15.000 --> 0:18:18.399 We've just talked about your two shows. You're both put 0:18:18.400 --> 0:18:20.879 in on a show at let's say m More Theater. 0:18:21.160 --> 0:18:26.200 Terrific. Wow, that's been beautiful. Yeah, listen to me sell out. 0:18:29.680 --> 0:18:33.120 On a Saturday night, Rob's driving along and he gets 0:18:33.119 --> 0:18:38.360 stopped by a uniform please, and they get him out, 0:18:38.640 --> 0:18:42.400 search his car and they find a bag of cannabis. 0:18:42.480 --> 0:18:45.880 Let's say so that that's that's the crime that we're 0:18:45.920 --> 0:18:49.080 dealing with. Not a huge crime, Yeah, it's a crime. 0:18:49.520 --> 0:18:53.280 I'll be the local detective sergeant. Okay, you can be 0:18:53.359 --> 0:18:54.720 the detective senior constable. 0:18:54.880 --> 0:18:56.000 So I love this for me. 0:18:56.200 --> 0:18:58.520 Oh wow, how long has she been on the job 0:18:58.560 --> 0:19:02.000 for She got from very early into detectives. 0:19:02.040 --> 0:19:05.359 She's probably detective senior constable at least five or six years. 0:19:05.440 --> 0:19:09.840 Hell yeah, yes, ready, and I've got yeah I'm going. 0:19:11.200 --> 0:19:19.359 If I make a run for it, Rob, tell me 0:19:19.359 --> 0:19:20.480 where I am? Am I cuffed? 0:19:21.200 --> 0:19:22.560 Just let me get the book at first? 0:19:22.720 --> 0:19:23.359 Am I cuffed? 0:19:23.640 --> 0:19:24.080 Not yet? 0:19:24.280 --> 0:19:26.120 So please remain in your vehicle. 0:19:27.200 --> 0:19:30.040 That's good. No, but you're not there yet. We've been 0:19:30.119 --> 0:19:32.280 called out. Uniform police have stopped Rob. 0:19:32.800 --> 0:19:34.320 You're practicing your lines on the way there. 0:19:34.359 --> 0:19:36.000 Okay, I mean. 0:19:38.520 --> 0:19:42.280