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Speaker 1: Well, this man has been a part of our lives

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Speaker 1: for a very long time. When you think Channel nine,

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Speaker 1: you think of Peter Ovid and celebrating thirty years at

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Speaker 1: the stage and he got.

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Speaker 2: Good morning, Good morning.

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Speaker 3: Thirty years feels like yesterday.

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Speaker 4: Ish tell me this much.

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Speaker 3: Can you remember your first news story on Channel nine?

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Speaker 5: I can actually, and I remember the camera. It was

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Speaker 5: out at the tennis they remember the indoor tennis. They

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Speaker 5: used to have us out at the entertainment center. And

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Speaker 5: I remember I did my first piece to camera and thought,

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Speaker 5: I've made it Peter overt in National nine years. But

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Speaker 5: the cameraman forgot the color balance, so it came back

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Speaker 5: blue and they couldn't use it. So I got my

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Speaker 5: first blue movie and that was my first stander.

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Speaker 2: Wow.

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Speaker 4: Was that sort of the closest you ever came to

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Speaker 4: losing your job?

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Speaker 6: Do you think?

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Speaker 5: Well, I think they gave me a second chance. But

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Speaker 5: I will say it wasn't my fault. But I remember

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Speaker 5: those days very very clear. I remember there was one

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Speaker 5: where I remember the late grade Ean Ross. I was

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Speaker 5: reading the sport and the last thing he was doing

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Speaker 5: was about an undertaker in Britain in the UK, and

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Speaker 5: he said now to the UK where an undertaker has

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Speaker 5: actually discovered that his customer was alive. And Roscoe was

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Speaker 5: reading this and they had a grab of the Englishman

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Speaker 5: going and I looked down. I could see I said

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Speaker 5: the Gary, I said, I think he's breathing.

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Speaker 2: I think he's breathing it. And Roscoe was.

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Speaker 5: Holding it together and I you know when you get

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Speaker 5: the uncontrollable.

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Speaker 2: And he threw.

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Speaker 5: He threw to me, he got the uncontrollable laugh and

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Speaker 5: I had to kick going.

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Speaker 1: Oh, we've never we've never asked you about a very

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Speaker 1: iconic moment on sixty minutes when you sat down with

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Speaker 1: Tom Cruise and he said, Peter, put your manners back in.

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Speaker 1: Can you tell us what happened after that meeting, after

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Speaker 1: that interview? How did that go?

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Speaker 4: Have you been in contact with Tom since or was

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Speaker 4: that the end of it?

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Speaker 2: No? Tom hasn't called since that.

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Speaker 5: What was it in regards to firstly, why did he

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Speaker 5: say that to you? It was about the War of

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Speaker 5: the Worlds, I think, and the movie he was doing

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Speaker 5: and I had to do a scientology introduction course at

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Speaker 5: the celebrity He sent it before the interview and sort

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Speaker 5: of we ended up going down that sort of scientology path,

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Speaker 5: and I asked him why. It was a condition of

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Speaker 5: the interview, and I think I spoke to him about

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Speaker 5: his former wife, Nicole Kidman, and it just didn't go

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Speaker 5: so well. And he told me that I crossed the

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Speaker 5: line and put my manners back in and I will

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Speaker 5: say I have zero, I hold no ill will towards

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Speaker 5: Tom Cruise. It was just one of those interviews. It

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Speaker 5: was a great interview because that went around the world afterwards.

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Speaker 5: I actually I said, well, that was interesting, and he

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Speaker 5: said it was and he sort of shook my hand

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Speaker 5: and then he got a bit agitated. Then he shook

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Speaker 5: my hand again and that was the end of that.

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Speaker 5: I left the compound where we were doing it and

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Speaker 5: sort of.

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Speaker 2: Wondered, what the hell happen?

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Speaker 3: What do you mean he got a bit and agitated

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Speaker 3: between handsholds, because.

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Speaker 5: The interview was like, it's okay, it's okay, And then

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Speaker 5: it was oh, what you know, you.

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Speaker 2: Shouldn't have asked those questions, and so was he was

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Speaker 2: back and forth and then he left.

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Speaker 1: Those moments, though, are the most powerful of all time,

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Speaker 1: And as a sixty minutes reporter, that was I remember

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Speaker 1: as a kid growing up sixty minutes every Sunday night.

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Speaker 1: The family would sit there and watch, and some of

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Speaker 1: those interviews, whether it was serial killers or huge celebrities

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Speaker 1: around the world, there were those moments where you had

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Speaker 1: to ask ask the really hard questions. Are there any

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Speaker 1: others that sort of stick out in your mind, Pete

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Speaker 1: that you had?

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Speaker 5: I remember I always found the celebrity interviews the most challenging,

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Speaker 5: to be frank, because a lot of them actually don't

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Speaker 5: have a story to tell other than the movie they're spooking,

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Speaker 5: and I always found them really hard. And then so

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Speaker 5: as you guys know, you do the movie to please everyone,

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Speaker 5: and then you go down up the path.

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Speaker 2: I remember Bruce Willis was very, very.

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Speaker 5: Challenging, and I said to him I had great admiration

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Speaker 5: for him and Demi Moore, his ex wife, because it seems.

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Speaker 2: That they co parent very well. Back in the day.

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Speaker 2: It was very clear. And he said, what would you know?

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Speaker 5: And I said, well, I've just done a story actually

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Speaker 5: for sixty minutes about fifty to fifty custody, and it's

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Speaker 5: really stood out for and it was really like angry

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Speaker 5: now where you squirm in your seat and you think,

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Speaker 5: oh God, but you've got.

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Speaker 2: To keep going.

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Speaker 5: I remember Angelina Jolie. I interviewed her twice, fantastic woman.

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Speaker 5: She didn't have the whole entourage around her, fantastic And

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Speaker 5: we were at the I think it was the Odeon

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Speaker 5: Theater in Leicester Square in London for the big premiere

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Speaker 5: of one of her term Raider movies, and I was

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Speaker 5: front and center.

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Speaker 2: Of the red carpet behind the rope.

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Speaker 5: And the producer said, hey, when she comes through, because

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Speaker 5: I'd interviewed her for a couple of hours, give her

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Speaker 5: a kiss, Lena. I said, no, I'm not giving it

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Speaker 5: a kiss, said her, Give her a kiss. He said

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Speaker 5: it'd be a great moment. I said, okay, she came close.

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Speaker 5: I wanted to give her a kiss and.

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Speaker 4: Head did you?

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Speaker 2: It was terrible. I can still feel.

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Speaker 3: Did she say anything like did you just try to

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Speaker 3: kiss me?

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Speaker 5: Or did you just have to say sorry?

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Speaker 4: You go?

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Speaker 2: I said sorry and she moved on, never to be

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Speaker 2: seen again.

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Speaker 4: Wow, oh my god, Pete.

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Speaker 3: What was more awkward that moment or when you wrapped

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Speaker 3: on the show.

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Speaker 1: It is you know when we watch you though as

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Speaker 1: a newsreader, Pete, I think and you are well known

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Speaker 1: in this industry, especially with us is how accommodating you

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Speaker 1: are and how much the team means to you there

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Speaker 1: at Channel nine, and the people that you have around you.

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Speaker 1: I mean, you know the way that you talk to

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Speaker 1: Cam whether it's sport or Amber with its weather. You know,

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Speaker 1: you've got a great team around you there at Channel nine.

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Speaker 2: Yeah, and that's what it's about.

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Speaker 5: It's like you guys, it's the people and it's the team,

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Speaker 5: and we're very much like that. We I always say

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Speaker 5: to the incredible team of producers and hamerman and graphic

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Speaker 5: artists and editors that I merely represent their great work

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Speaker 5: every night. That's my role is to represent their work.

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Speaker 2: And I very much have that mindset every night.

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Speaker 4: And what do you get for thirty years?

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Speaker 3: I mean Channel nine turns around and says, Pete, your

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Speaker 3: commitment to the network is outstanding. Congratulations, He's I've got

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Speaker 3: I think I've got some cupcakes and a follow champagne

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Speaker 3: and you know those I walked into the dressing room

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Speaker 3: balloon with thirty You know, well.

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Speaker 4: That's not good enough.

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Speaker 1: But this is not Relia's best absolute rubbish news reader

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Speaker 1: right here.

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Speaker 4: You know what we have, Pete?

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Speaker 1: We have is it Vic Buck And she is your

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Speaker 1: director there at Channel nine, Is that correct?

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Speaker 5: She's director of public Relations, Communications and Publicity.

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Speaker 2: She is a very senior executive.

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Speaker 1: We can't well bad luck Pete, because we've we've tracked

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Speaker 1: down her phone number.

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Speaker 4: Now you need all right, this is Peter Overton.

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Speaker 1: We've asked you, Pete before this interview to write down

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Speaker 1: three requests that you want from Vic.

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Speaker 4: All right, thirty years.

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Speaker 1: I think it's time that you deserve to send out

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Speaker 1: this short list.

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Speaker 4: You know what I mean?

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Speaker 1: Okay, okay, So we're going to give Vick a call

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Speaker 1: right now?

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Speaker 4: Or do you want to come back, Tommy? I think

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Speaker 4: we'll come back.

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Speaker 1: Yeah, all right, So don't go anywhere, because when we

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Speaker 1: come back, we're going to ring Vic, Pete's director, and

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Speaker 1: he's got three requests that he needs to get over

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Speaker 1: the line. Thirty years at Channel nine. We'll do it

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Speaker 1: next it, Pete. Have you got your three requests? We're

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Speaker 1: about to ring one of your bosses, Vic Buck and

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Speaker 1: right now, thirty years at Channel nine. Three requests? What's

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Speaker 1: your first one that you're going to go with, Pete?

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Speaker 5: I think something in the Channel nine lobby, just to

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Speaker 5: make it a permanent reminder that I'm I'm at I'd

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Speaker 5: like a shrine, Pete.

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Speaker 4: Okay, all right, I don't.

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Speaker 2: Think Richard Wilms will be happy.

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Speaker 4: All right, let's give Vick a call.

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Speaker 2: Good luck, pet thank you? Hello, Oh Vic, It's Peter

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Speaker 2: Overton from the newsroom.

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Speaker 7: Oh hi, Ka, how are you?

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Speaker 2: I'm good? How are you?

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Speaker 7: I'm good? Thank you?

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Speaker 2: Well.

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Speaker 5: You know, I don't call you really at all because

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Speaker 5: you're very busy. But I just was thinking about a

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Speaker 5: couple of things with my thirty year anniversary. I don't

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Speaker 5: want you to think I'm being a I don't know,

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Speaker 5: a bit forward, but I was just wondering if there's

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Speaker 5: perhaps a way we could acknowledge it at nine.

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Speaker 2: And I've got a few ideas.

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Speaker 5: I wanted to run by you in this new building

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Speaker 5: we've got at nine, that beautiful lobby. It's beautiful, but

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Speaker 5: I think it's a bit plain, and I was just

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Speaker 5: thinking perhaps we could name it the Peter Overton Lobby

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Speaker 5: and commission an artist to do some sort of portrait

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Speaker 5: of me that could hang. It'll be only twenty four

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Speaker 5: or of me, what do you think?

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Speaker 2: Look?

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Speaker 7: Look, Peter, I think I understand. I mean, I hear

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Speaker 7: where you're coming from. But you know, we've got a

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Speaker 7: lot of really important people. And I know we had

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Speaker 7: hendos at Willoughby, which was you know, of the time.

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Speaker 7: But I think, you know, these days, I think the

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Speaker 7: kind of general view is to keep the business, you know,

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Speaker 7: pretty neutral, because we have a lot of really significant

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Speaker 7: people who contribute. And but look, I'm happy to kind

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Speaker 7: of run it by a few of the powers that be.

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Speaker 7: Have you got an artist in mind who could do it?

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Speaker 2: I think an Australian artist.

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Speaker 5: I'll come up with someone, But I think I just

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Speaker 5: love that sort of archibald feel, you know, the big,

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Speaker 5: big portrait. And yeah, again, it's taken me a lot

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Speaker 5: of courage to ask you this.

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Speaker 7: Look. Look, you know I understand that, and I know, look,

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Speaker 7: I won't talk to anybody about it. I'll just you know,

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Speaker 7: run it by a couple of people. Might be a

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Speaker 7: bit tricky.

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Speaker 2: I don't know, they don't.

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Speaker 7: Have portraits around the building. You know, It's okay, Well

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Speaker 7: what about the people and I'll come back to you.

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Speaker 2: Do you reckon?

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Speaker 5: I know that they were bar fridges from dressing rooms

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Speaker 5: and studios and offices, but I love iced coffee milk

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Speaker 5: with the company be able to get me I don't know.

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Speaker 5: A couple of fridges, one in the studio and one

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Speaker 5: in my that might be a compromise we could do

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Speaker 5: and fill it just with ice coffee milk for me

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Speaker 5: every day.

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Speaker 7: Look, look, let me talk that guys to engineering. Guys

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Speaker 7: might do it for you, because I know how much

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Speaker 7: they all love you. We've got to get anything tagged

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Speaker 7: properly to be in the building. And I know there's

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Speaker 7: a couple of execs who've been a bit missed about

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Speaker 7: not having fridge desivers. So maybe I can. I can

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Speaker 7: do a couple around the place and include you in it,

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Speaker 7: and we can do that that way. That might be possible.

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Speaker 7: Thank you, Carl or Karla one one as well, and

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Speaker 7: then I'll.

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Speaker 2: Have to do up and you know, just yeah, well

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Speaker 2: I could share my milk.

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Speaker 7: With them maybe, yes, that would be good, Like they'd

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Speaker 7: love that.

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Speaker 2: Yeah, yeah, I'll put one more in the mix.

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Speaker 5: If you're taking all this to the board or Mike

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Speaker 5: Sneezbe or whoever do you reckon, they'd be up for

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Speaker 5: helicopter transfers to and from work for me.

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Speaker 7: Oh oh, Pete, you know we don't have our own

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Speaker 7: helicopter anymore, as you know, and I think you to

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Speaker 7: try and get a helipad for the roof when we

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Speaker 7: were building the doing the building because you know, we

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Speaker 7: thought we might need it to go and do stories,

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Speaker 7: not to transport you pose, And it was a bit tricky.

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Speaker 7: I'm not sure where that got to. I might have

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Speaker 7: to but you know, these days, attractic isn't so bad

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Speaker 7: when you're diving.

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Speaker 2: Oh, I know, but I don't know. I just think

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Speaker 2: it'd be nice for the company to acknowledge me. I

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Speaker 2: don't think a helicopter.

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Speaker 7: Transfer to Absolutely, we do acknowledge you. And you know,

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Speaker 7: the other thing is there's lots of people who made

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Speaker 7: enormous contributions, so we have to be careful to not

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Speaker 7: make it too showy.

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Speaker 2: You know, yeah, I understand. But if you could put

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Speaker 2: those three requests that the portrait in the.

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Speaker 5: Lobby and name the Peter over the lobby, the fridges,

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Speaker 5: and the helicopter, I mean surely we've got to land

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Speaker 5: one of them.

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Speaker 7: Yes, look, let me see what I can do.

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Speaker 1: Hopefully the helicopter will then Hey, hey, Vicky.

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Speaker 4: There, Peter Eviden is not that important, is he?

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Speaker 1: It's I thought.

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Speaker 4: I thought thirty years and he's lost.

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Speaker 6: His mind, oh dear me hi with hut those three,

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Speaker 6: which one do you reckon?

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Speaker 4: He could have got over the line.

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Speaker 5: I reckon, I might have been.

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Speaker 7: Out of a sneak of fridging.

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Speaker 2: Theer boarder.

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Speaker 4: You did so well, pet she didn't hang up. We

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Speaker 4: love you, Vic, Thank you. Get back to your meeting.

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Speaker 2: I've got to go and I've got to love.

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Speaker 4: But you, Pete, that was so good. You're really Yeah.

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Speaker 4: You were so bashful and with a chance of the portrait,

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Speaker 4: I reckon.

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Speaker 2: I just was visualizing it and thinking, you buddy, idiot.

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Speaker 6: Asking you sounded so sweet.

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Speaker 1: You are an absolutely legend Peter Ivan and you can

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Speaker 1: catch him six pm every night on Channel nine. Pete,

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Speaker 1: thank you very much for doing that, buddy, than it

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Speaker 1: fits in Whipper