1 00:00:01,600 --> 00:00:04,200 Speaker 1: Love getting this man in. I mean he was coming 2 00:00:04,240 --> 00:00:06,600 Speaker 1: in quite a bit for Celebrity Apprentice with Whip. But 3 00:00:07,160 --> 00:00:10,479 Speaker 1: you can see Ross Noble now live Sydney Comedy Festival. 4 00:00:10,520 --> 00:00:12,879 Speaker 1: It runs until May twenty second. If you want to go, 5 00:00:12,880 --> 00:00:16,120 Speaker 1: get your tickets. They're available from Sydney Coomedyfest dot com 6 00:00:16,160 --> 00:00:17,480 Speaker 1: dot as. 7 00:00:20,120 --> 00:00:24,599 Speaker 2: It's lovely to see your facessual human face. It's good 8 00:00:24,600 --> 00:00:26,640 Speaker 2: to have you in here, to smell you and to 9 00:00:26,640 --> 00:00:29,600 Speaker 2: touch you. Oh my god. Actually, Ross, I think that 10 00:00:29,640 --> 00:00:32,120 Speaker 2: was a weird way of meat. I mean, I think 11 00:00:32,120 --> 00:00:34,280 Speaker 2: people need to know that you've set up it. It's 12 00:00:34,360 --> 00:00:36,280 Speaker 2: like a sort of a spit, isn't it like a 13 00:00:36,360 --> 00:00:38,839 Speaker 2: big spit We all sniff to all of the guests 14 00:00:38,880 --> 00:00:41,879 Speaker 2: get put on the spit and slowly revolve and you 15 00:00:41,920 --> 00:00:45,480 Speaker 2: all just sniff and little and I tried to tried 16 00:00:45,479 --> 00:00:47,400 Speaker 2: to shove an apple in your mouth, and that's when 17 00:00:47,440 --> 00:00:52,120 Speaker 2: it got really weird. Well, yes you did, you did? 18 00:00:52,159 --> 00:00:56,560 Speaker 1: Mar the character outside the Ross For other comedians as 19 00:00:56,600 --> 00:01:00,600 Speaker 1: they come in all this, how does how does comedian 20 00:01:00,640 --> 00:01:01,960 Speaker 1: mark their territory when. 21 00:01:05,480 --> 00:01:08,080 Speaker 2: Stared at the bottom? Only one way I can go 22 00:01:08,200 --> 00:01:16,640 Speaker 2: it with with glitter and pure showbiz Showby's juices, Noble 23 00:01:16,680 --> 00:01:21,440 Speaker 2: Showbiz juices? Are you looking to rehydrate yourself? Oh? Wow, yes, 24 00:01:21,800 --> 00:01:24,880 Speaker 2: where you get that? Can I ask Ross? You can 25 00:01:24,959 --> 00:01:29,120 Speaker 2: ask me anything. The new promos are running around for 26 00:01:29,240 --> 00:01:32,080 Speaker 2: Celebrity Apprentice. I don't know if you guys have seen 27 00:01:32,120 --> 00:01:35,679 Speaker 2: the ads on Channel Lines. Did that when you saw 28 00:01:36,080 --> 00:01:44,400 Speaker 2: the ads, did that bring back any feelings of stress? Yes? Yeah, massively? Yeah, yeah, 29 00:01:44,520 --> 00:01:47,640 Speaker 2: very much. So well, they've gone with the same concept, 30 00:01:47,760 --> 00:01:50,360 Speaker 2: haven't there of the giants walking through the street. Yes, 31 00:01:50,560 --> 00:01:52,240 Speaker 2: street would look at that, and god, that's a fun 32 00:01:52,640 --> 00:01:55,960 Speaker 2: that's just a fun thing seeing the celebrities and I 33 00:01:56,160 --> 00:02:00,320 Speaker 2: genuinely coward behind the Oh god no it's and then 34 00:02:00,320 --> 00:02:02,000 Speaker 2: again yeah, and. 35 00:02:02,600 --> 00:02:04,760 Speaker 1: Let's can we also talk about what I lie to you? 36 00:02:04,800 --> 00:02:07,000 Speaker 1: Because you did the Australian version with Chrissy and we 37 00:02:07,080 --> 00:02:08,240 Speaker 1: know how popular. 38 00:02:08,080 --> 00:02:09,079 Speaker 2: Is over in the UK as well. 39 00:02:09,600 --> 00:02:13,160 Speaker 1: Mike, can we focus on this same castle that you 40 00:02:13,240 --> 00:02:16,640 Speaker 1: built with Rod Stewart on a beach in France? 41 00:02:16,760 --> 00:02:19,440 Speaker 2: Yeah? Did you do? How did that come about? Well? Yeah, 42 00:02:19,600 --> 00:02:22,399 Speaker 2: it's even after I said that was true, they still 43 00:02:22,440 --> 00:02:26,000 Speaker 2: were like, really yeah it was. It was a genuousness. 44 00:02:26,000 --> 00:02:28,200 Speaker 2: So I was on a beach right as I am. 45 00:02:28,800 --> 00:02:30,600 Speaker 2: I was on a beach in this heart of France, 46 00:02:32,480 --> 00:02:35,520 Speaker 2: and so they've got all these like well what it is? Right? 47 00:02:35,560 --> 00:02:39,280 Speaker 2: I do this thing where I'll sometimes see somebody in 48 00:02:39,360 --> 00:02:43,240 Speaker 2: the distance that and like that isn't the celebrity, and 49 00:02:43,280 --> 00:02:45,600 Speaker 2: I'll pretend so my wife for a bit of a laugh, 50 00:02:46,000 --> 00:02:48,360 Speaker 2: I'll go like like it happened. Once we were walking 51 00:02:48,360 --> 00:02:50,079 Speaker 2: down the street and I went, don't look now, don't 52 00:02:50,080 --> 00:02:52,920 Speaker 2: don't know that. She was like, what this is in London? 53 00:02:54,320 --> 00:02:56,040 Speaker 2: Who is it? Who is it? Who's just and I 54 00:02:56,240 --> 00:02:58,320 Speaker 2: just don't look, don't who is it? Right? And there's 55 00:02:58,320 --> 00:03:02,280 Speaker 2: he's still looks walking towards us, and one of my glasses, 56 00:03:02,320 --> 00:03:04,959 Speaker 2: one of them had a beard, and she she's looking 57 00:03:05,000 --> 00:03:07,000 Speaker 2: at her and I said, it's it's Ben and Jerry 58 00:03:07,040 --> 00:03:10,959 Speaker 2: off the ice cream, like and she was like what 59 00:03:11,120 --> 00:03:13,320 Speaker 2: what what ware way well like that, and then I 60 00:03:13,400 --> 00:03:15,679 Speaker 2: got distract not like me. I got distracted, right, and 61 00:03:15,760 --> 00:03:19,040 Speaker 2: then so and I forgot to say, I'm just being 62 00:03:19,080 --> 00:03:21,400 Speaker 2: in it joking, it's not Ben and Jerry off the 63 00:03:21,480 --> 00:03:25,440 Speaker 2: ice and then she was I missed them anyway, forgot 64 00:03:25,480 --> 00:03:27,799 Speaker 2: all about it. And then we were at a friend's 65 00:03:27,840 --> 00:03:29,919 Speaker 2: house a bit of a party like a week later, 66 00:03:30,160 --> 00:03:33,640 Speaker 2: and somebody went, I saw Ringo star on Good Street. 67 00:03:34,120 --> 00:03:37,320 Speaker 2: And then my wife pipes up in front of everyone 68 00:03:37,800 --> 00:03:40,600 Speaker 2: and goes, who was it? We saw the other dear 69 00:03:40,760 --> 00:03:48,000 Speaker 2: us right puts me in the andy because I didn't 70 00:03:48,000 --> 00:03:49,880 Speaker 2: want to hang her out to dry, of course, and 71 00:03:49,960 --> 00:03:52,760 Speaker 2: then and then the question start, what do you mean 72 00:03:52,840 --> 00:03:54,560 Speaker 2: Ben and Jerry off the ice? I thought one of 73 00:03:54,600 --> 00:03:58,880 Speaker 2: them was dead, and so I'm now arguing I don't 74 00:03:58,960 --> 00:04:02,920 Speaker 2: know if Ben or Jerry either or alive or dead. 75 00:04:03,240 --> 00:04:05,640 Speaker 2: So I'm not arguing that he's still alive. And people 76 00:04:05,640 --> 00:04:07,600 Speaker 2: are getting their phones. I've got Let's move on, and 77 00:04:07,720 --> 00:04:13,680 Speaker 2: we started with Ringo. Start. So I saw this fella 78 00:04:13,840 --> 00:04:16,120 Speaker 2: coming down the beach like, and he was just like 79 00:04:16,200 --> 00:04:19,840 Speaker 2: this old man, Yeah, this sort of old fella, but 80 00:04:19,960 --> 00:04:23,160 Speaker 2: he had sort of tied blonde hair. So I start 81 00:04:23,360 --> 00:04:28,280 Speaker 2: my joke that he comes with his joke and I go, now, 82 00:04:29,080 --> 00:04:34,320 Speaker 2: now it's and I'm thinking she's going to turn round 83 00:04:34,720 --> 00:04:38,159 Speaker 2: see an old man with blonde hair, and god, it's 84 00:04:38,200 --> 00:04:40,600 Speaker 2: just no man with blonde hair. Anyway, she turns on 85 00:04:40,760 --> 00:04:44,239 Speaker 2: it is rog and she turns around and looks straight 86 00:04:44,320 --> 00:04:47,000 Speaker 2: at him and goes bright red. And he got off 87 00:04:47,040 --> 00:04:48,760 Speaker 2: there was. It was like, you know there's big yachts 88 00:04:48,800 --> 00:04:51,520 Speaker 2: that have them super so he's coming on a little 89 00:04:51,680 --> 00:04:55,720 Speaker 2: launch right. It was like exactly, that's the only reason 90 00:04:55,800 --> 00:05:00,640 Speaker 2: he does it. He hit he it's being on the 91 00:05:00,720 --> 00:05:03,200 Speaker 2: water and he goes, but you know, it's my brand. 92 00:05:04,080 --> 00:05:07,840 Speaker 2: It's like whenever you visit the mull of Kin tire, 93 00:05:08,720 --> 00:05:13,120 Speaker 2: there's old there's all Macartney with his bagpipes. Come on, 94 00:05:13,960 --> 00:05:17,560 Speaker 2: so he said, so become like, you know, he's storming 95 00:05:17,640 --> 00:05:20,240 Speaker 2: the beat like like a like a rocker and a 96 00:05:20,360 --> 00:05:23,360 Speaker 2: pension of rocket like oh my, he comes up to 97 00:05:23,480 --> 00:05:26,800 Speaker 2: be saving private Ryan style doddering up there anyway, So 98 00:05:26,920 --> 00:05:29,840 Speaker 2: he sits on the table oppositeters and this restaurant it's 99 00:05:29,880 --> 00:05:32,760 Speaker 2: got its own private beach. So we finish our food 100 00:05:32,839 --> 00:05:35,040 Speaker 2: and then we go down and I start building a 101 00:05:35,120 --> 00:05:38,840 Speaker 2: sand and when I build a sand castle atomy foot 102 00:05:38,880 --> 00:05:41,880 Speaker 2: at one point and I didn't get it, didn't tell 103 00:05:41,960 --> 00:05:44,800 Speaker 2: us on the TV they have the the you know 104 00:05:44,880 --> 00:05:48,560 Speaker 2: the guys with the sort of the ice cream carts. Yeah, 105 00:05:49,000 --> 00:05:52,119 Speaker 2: with the big sand wheels on it. My sand castle 106 00:05:52,240 --> 00:05:55,480 Speaker 2: was so big that the guy could no longer get 107 00:05:55,600 --> 00:05:58,760 Speaker 2: beach accessed through the property that we built so at 108 00:05:58,760 --> 00:06:01,080 Speaker 2: one point he's like, well, ham gonna, So I had 109 00:06:01,160 --> 00:06:03,800 Speaker 2: to help him wait until the waves went out, and 110 00:06:03,839 --> 00:06:06,360 Speaker 2: then push him into the seat and went round and 111 00:06:06,560 --> 00:06:10,600 Speaker 2: so so digging away. And then Rod stewartt like his 112 00:06:10,839 --> 00:06:13,920 Speaker 2: kids came over and just started joining in. And and 113 00:06:14,040 --> 00:06:18,400 Speaker 2: his wife, Penny, Penny new woman, said all right, if 114 00:06:18,440 --> 00:06:20,680 Speaker 2: the kids join in with the handcast, of course it 115 00:06:20,839 --> 00:06:23,760 Speaker 2: is getting involved. So now and we're building several walls, 116 00:06:23,800 --> 00:06:26,920 Speaker 2: and there's turrets and bats and and and then sure enough, 117 00:06:27,000 --> 00:06:29,680 Speaker 2: like Rod, who is like fastest because he's an old 118 00:06:30,680 --> 00:06:33,120 Speaker 2: all he wants to do, he just wants to He 119 00:06:33,200 --> 00:06:36,040 Speaker 2: wants to lie there sleeping, thinking about all of the 120 00:06:36,120 --> 00:06:40,240 Speaker 2: women in his life, you know, and when his hips worked, 121 00:06:40,600 --> 00:06:43,640 Speaker 2: you know, yes, what he wants to think about. And 122 00:06:44,160 --> 00:06:46,640 Speaker 2: anyway he gets he gets the nudge go on and 123 00:06:46,720 --> 00:06:49,520 Speaker 2: play with the kids. And you can see you could 124 00:06:49,520 --> 00:06:52,720 Speaker 2: hear his hips. Oh I've been on two of the 125 00:06:52,880 --> 00:06:56,120 Speaker 2: last thirty years. I just want I just want to 126 00:06:56,200 --> 00:07:00,760 Speaker 2: lie down. Why did I have such young children? And anyway, 127 00:07:00,839 --> 00:07:02,920 Speaker 2: so he gets it and he starts building and he 128 00:07:03,040 --> 00:07:06,120 Speaker 2: gets so into it, like they do this, well, come on, 129 00:07:06,320 --> 00:07:09,240 Speaker 2: get around yet, really, and we're digging away, and we're 130 00:07:09,400 --> 00:07:12,040 Speaker 2: going for it, and then I want I stopped and 131 00:07:12,160 --> 00:07:14,960 Speaker 2: I literally turned around and went, have you noticed anything wrong? 132 00:07:15,200 --> 00:07:17,800 Speaker 2: Then he went, no, what, I went, the kids aren't 133 00:07:17,800 --> 00:07:21,680 Speaker 2: with us anywhere? And the kids had literally his kids 134 00:07:21,760 --> 00:07:24,680 Speaker 2: had gone off to play football. My kids were doing 135 00:07:24,800 --> 00:07:28,480 Speaker 2: some beach or whatever, and Rod and I but there 136 00:07:28,560 --> 00:07:31,000 Speaker 2: was a moment, and this was the beautiful thing, right, 137 00:07:31,080 --> 00:07:33,280 Speaker 2: It's the fact that they went, oh yeah, the kids 138 00:07:33,720 --> 00:07:36,880 Speaker 2: and we both paused and we went back to So 139 00:07:37,000 --> 00:07:39,960 Speaker 2: there wasn't there wasn't like a bit, Well, let's let's 140 00:07:40,000 --> 00:07:49,360 Speaker 2: go ab who you were. Yeah, look, I didn't want 141 00:07:49,440 --> 00:08:00,600 Speaker 2: I don't know. I mean, could you imagine we've had 142 00:08:00,600 --> 00:08:05,400 Speaker 2: a hit. I'm just we might have played some of 143 00:08:05,480 --> 00:08:10,960 Speaker 2: the same venues. That is such a sorry roder your 144 00:08:11,000 --> 00:08:16,760 Speaker 2: head with Shina, But that's always that, that's always the weird. 145 00:08:16,960 --> 00:08:19,280 Speaker 2: But like, do you have like do you have this 146 00:08:19,440 --> 00:08:23,960 Speaker 2: right if you see somebody that you recognize? Do you 147 00:08:24,320 --> 00:08:29,080 Speaker 2: how much do you assume that they know who you are? Never? Never, 148 00:08:29,880 --> 00:08:32,520 Speaker 2: you can never do. But then there's that weird thing 149 00:08:33,120 --> 00:08:36,800 Speaker 2: of if you're in a situation where you see somebody 150 00:08:37,200 --> 00:08:39,760 Speaker 2: and they do know who you are, and you and 151 00:08:39,840 --> 00:08:42,480 Speaker 2: you're in that weird situation of kind of going, well, 152 00:08:42,520 --> 00:08:44,959 Speaker 2: we don't like we don't know each other, don't we 153 00:08:45,040 --> 00:08:47,240 Speaker 2: know each other, but we do know and there's a 154 00:08:47,640 --> 00:08:50,120 Speaker 2: you know, there's a shorthand. And I also think there's 155 00:08:50,160 --> 00:08:52,199 Speaker 2: a thing of like you know, when you say somebody 156 00:08:52,320 --> 00:08:54,439 Speaker 2: and you just because it happened to me once. I 157 00:08:54,480 --> 00:08:56,480 Speaker 2: was walking down the corridor and I saw this blook 158 00:08:56,600 --> 00:08:59,000 Speaker 2: and I thought he was a cameraman at a studio 159 00:08:59,120 --> 00:09:00,959 Speaker 2: that I was and I hadn't worked there for you, 160 00:09:01,240 --> 00:09:03,640 Speaker 2: and I was I saw this bloke and it's like, oh, 161 00:09:03,720 --> 00:09:05,920 Speaker 2: I know him. And I went and there must be 162 00:09:06,040 --> 00:09:07,760 Speaker 2: like a word. Germans probably have a word for this, 163 00:09:08,200 --> 00:09:11,200 Speaker 2: and I just went, they always you know, there was Yeah, 164 00:09:16,559 --> 00:09:22,880 Speaker 2: that's a different thing. So that's that's when you get 165 00:09:23,000 --> 00:09:26,000 Speaker 2: up when you're sitting there on a on a plastic chain, 166 00:09:26,080 --> 00:09:33,800 Speaker 2: you get up too quickly, you know. So I saw 167 00:09:33,880 --> 00:09:36,160 Speaker 2: this fella and he was just in the corridor and 168 00:09:36,480 --> 00:09:39,959 Speaker 2: I went, all right, I met anyway there and I went, oh, 169 00:09:40,040 --> 00:09:43,360 Speaker 2: that's Paul McCartney. And it was one of those things 170 00:09:43,400 --> 00:09:47,440 Speaker 2: where he's such a recognizing face and camera man. Yeah, 171 00:09:47,480 --> 00:09:50,160 Speaker 2: and I just just of course you just think like, yes, 172 00:09:50,440 --> 00:09:53,440 Speaker 2: of course, and he was so famous that he's sort 173 00:09:53,480 --> 00:09:56,600 Speaker 2: of tipped and there is on the other side exactly, 174 00:09:56,679 --> 00:09:59,439 Speaker 2: and I just went and then I, oh, no, that's it, 175 00:10:00,080 --> 00:10:03,599 Speaker 2: you're talking this. I was. I went to see you 176 00:10:05,800 --> 00:10:11,880 Speaker 2: commercial radio, just because this links back to what you're seeing. 177 00:10:12,440 --> 00:10:15,520 Speaker 2: I went there was I went to see a comedian 178 00:10:16,240 --> 00:10:20,040 Speaker 2: in London was yeah, before the pandemic. I went to 179 00:10:20,080 --> 00:10:23,520 Speaker 2: see a comedian on it. And afterwards went backstage and 180 00:10:23,679 --> 00:10:25,599 Speaker 2: we were chatting it and I was We're in the 181 00:10:25,880 --> 00:10:28,480 Speaker 2: dressing room, and there was quite a few people in 182 00:10:28,520 --> 00:10:30,480 Speaker 2: the dressing room, and there was like, out of the 183 00:10:30,600 --> 00:10:33,839 Speaker 2: corner of my eye, I see like a sort of nana, 184 00:10:34,400 --> 00:10:36,720 Speaker 2: you know, like just little it sounds like I'm knocking 185 00:10:36,760 --> 00:10:39,480 Speaker 2: the old people. I'm really not sort of a nana, 186 00:10:39,600 --> 00:10:45,200 Speaker 2: just sort of ridiculous show. So I see this Nana 187 00:10:45,240 --> 00:10:46,920 Speaker 2: out of the corner. I think that's a bit weird. 188 00:10:47,360 --> 00:10:49,600 Speaker 2: There's quite a lot of sort of quite hip types 189 00:10:49,679 --> 00:10:53,000 Speaker 2: in there. Nana doing it and chatting to it. And 190 00:10:53,080 --> 00:10:56,400 Speaker 2: then the person I'm talking to literally just like no 191 00:10:56,640 --> 00:11:02,640 Speaker 2: to just goes that's Madonna, and I'm sure enough it's Madonna. 192 00:11:02,840 --> 00:11:07,280 Speaker 2: Was mad And the whole time you're the reason she's 193 00:11:07,360 --> 00:11:11,280 Speaker 2: dating a twenty year old. I thought I thought she 194 00:11:11,400 --> 00:11:13,720 Speaker 2: was there with a care. I thought it was a care. 195 00:11:14,480 --> 00:11:17,319 Speaker 2: There was literally but you know all, I said, my 196 00:11:17,480 --> 00:11:22,400 Speaker 2: peripheral vision just recognized us polite. Wow, my peripheral vision thinks. 197 00:11:24,000 --> 00:11:25,800 Speaker 2: And then I've had a look that would have helped 198 00:11:25,840 --> 00:11:29,480 Speaker 2: her across the road Madona, the tail ladies around and 199 00:11:29,520 --> 00:11:37,240 Speaker 2: wonder she's doing cookies? Exactly gets a kitt you know that. Anyway, 200 00:11:37,440 --> 00:11:39,920 Speaker 2: I like this, I like to officially see it. I 201 00:11:40,120 --> 00:11:40,760 Speaker 2: am sure. 202 00:11:44,920 --> 00:11:48,760 Speaker 1: And once again, once again, if you want to go 203 00:11:48,880 --> 00:11:51,000 Speaker 1: see Ross at the Sydney Comedy Fast all go to 204 00:11:51,120 --> 00:11:53,480 Speaker 1: Sydney Comedy Fast dot com. 205 00:11:53,600 --> 00:11:54,720 Speaker 2: Do I love your Ross? 206 00:11:54,760 --> 00:11:56,679 Speaker 1: Thanks to company it Fits and whipp