1 00:00:00,280 --> 00:00:03,200 Speaker 1: This is the Fitting and Whipper with Kate Richie podcast. 2 00:00:04,360 --> 00:00:08,360 Speaker 2: I like the giant television just the most powerful force 3 00:00:08,760 --> 00:00:09,400 Speaker 2: in the world. 4 00:00:10,720 --> 00:00:12,560 Speaker 3: I don't think you really know what a bad day 5 00:00:12,680 --> 00:00:15,240 Speaker 3: is after those two Russell. 6 00:00:14,960 --> 00:00:19,759 Speaker 4: Crowe, no man has ever bitten me. 7 00:00:20,640 --> 00:00:24,680 Speaker 1: Oh my gosh, do you know what? He's playing the 8 00:00:24,760 --> 00:00:26,080 Speaker 1: villain too well at the moment. 9 00:00:26,200 --> 00:00:29,120 Speaker 3: He is a very very scary man in this movie 10 00:00:29,160 --> 00:00:29,840 Speaker 3: in Nuremberg. 11 00:00:30,760 --> 00:00:32,639 Speaker 1: Do you know what? You are? Such a bad man, 12 00:00:32,720 --> 00:00:36,920 Speaker 1: Russell Crowe? But for me personally, ekeliber Dick. 13 00:00:36,840 --> 00:00:37,000 Speaker 4: What. 14 00:00:38,600 --> 00:00:40,960 Speaker 1: I love? I love you, sir? You know that's true. 15 00:00:41,320 --> 00:00:43,760 Speaker 3: Now now Whipper would like to know Russell, welcome to 16 00:00:43,760 --> 00:00:48,880 Speaker 3: the show. First of all, Russell great as part of 17 00:00:48,920 --> 00:00:52,720 Speaker 3: the broadcast. I have German ancestors, and my mother used 18 00:00:52,760 --> 00:00:54,400 Speaker 3: to say to me every night when I went to bed, 19 00:00:54,480 --> 00:00:57,400 Speaker 3: was ikaliber Dick? Now, Whipper reckons, I'm getting it wrong? 20 00:00:58,000 --> 00:01:00,360 Speaker 3: But is that correct, Russell? Is that I love you 21 00:01:00,400 --> 00:01:00,880 Speaker 3: in German? 22 00:01:01,800 --> 00:01:05,200 Speaker 2: I am no expert in the language of Germany. 23 00:01:05,319 --> 00:01:06,600 Speaker 4: I am merely an actor. 24 00:01:06,760 --> 00:01:07,600 Speaker 5: Why did you ask him? 25 00:01:07,600 --> 00:01:10,240 Speaker 4: You know you want the show to start. 26 00:01:09,880 --> 00:01:11,520 Speaker 5: Why don't you just ask him? 27 00:01:11,520 --> 00:01:14,640 Speaker 6: I'm just I don't even want to say that sounds 28 00:01:14,680 --> 00:01:18,279 Speaker 6: so wrong, but you're you're very good russeller. Going from 29 00:01:18,440 --> 00:01:22,360 Speaker 6: Italian to in this film Germans it much work. I mean, 30 00:01:23,000 --> 00:01:25,200 Speaker 6: I only learned not long ago in the in the 31 00:01:25,240 --> 00:01:27,520 Speaker 6: movie world. Do you have a what do you call it, 32 00:01:27,520 --> 00:01:29,199 Speaker 6: an accent specialist on set? 33 00:01:30,840 --> 00:01:33,160 Speaker 2: Yeah, Well, you always work with a dialect coach when 34 00:01:33,160 --> 00:01:34,360 Speaker 2: you're doing accents. 35 00:01:35,520 --> 00:01:37,360 Speaker 4: So I've been doing that since. 36 00:01:39,760 --> 00:01:41,760 Speaker 2: I think the first time I used the dialect coach 37 00:01:41,920 --> 00:01:46,200 Speaker 2: was La Confidential. But sometimes it works really well for you, 38 00:01:46,200 --> 00:01:48,160 Speaker 2: and sometimes it doesn't because there's a very big difference 39 00:01:48,200 --> 00:01:52,720 Speaker 2: between dialect and act and language, you know, so accent 40 00:01:52,760 --> 00:01:55,360 Speaker 2: and language. So a lot of these films I've been 41 00:01:55,360 --> 00:01:59,040 Speaker 2: doing lately require me to do like a little Russian language, 42 00:01:59,120 --> 00:02:04,840 Speaker 2: a little Italian, as you were saying, And you have 43 00:02:04,880 --> 00:02:07,240 Speaker 2: to be a little bit careful because I used a guy. 44 00:02:07,920 --> 00:02:09,799 Speaker 2: He's a great guy and I worked with him a 45 00:02:09,840 --> 00:02:11,520 Speaker 2: number of times, but I used him on a movie 46 00:02:11,560 --> 00:02:14,200 Speaker 2: where I had to speak a language, and he doesn't 47 00:02:14,240 --> 00:02:17,040 Speaker 2: do languages, really only does accents. So I did all 48 00:02:17,120 --> 00:02:19,480 Speaker 2: this work learning this stuff, and then in post production 49 00:02:19,560 --> 00:02:21,480 Speaker 2: I had to go back in and I had to 50 00:02:21,560 --> 00:02:23,760 Speaker 2: change the whole because no Russian could understand what the. 51 00:02:23,680 --> 00:02:27,400 Speaker 4: Hell I was saying. So on this one. 52 00:02:28,840 --> 00:02:30,600 Speaker 2: I said to the production I was like, let me 53 00:02:30,639 --> 00:02:32,560 Speaker 2: not just get a dialect person, I want to get 54 00:02:32,560 --> 00:02:37,600 Speaker 2: a language person. So I met this sort of media figure, 55 00:02:37,960 --> 00:02:40,800 Speaker 2: a girl called Nerva Monrch in Germany in the early 56 00:02:40,840 --> 00:02:43,480 Speaker 2: two thousands. She'd done, you know, when I was doing 57 00:02:43,480 --> 00:02:46,600 Speaker 2: like Beautiful Mind and Gladiator and touring through Germany d 58 00:02:46,680 --> 00:02:49,440 Speaker 2: press quite a bit. So we'd become friends and just 59 00:02:49,520 --> 00:02:51,320 Speaker 2: you know, I hadn't talked her for a decade or so, 60 00:02:51,480 --> 00:02:53,440 Speaker 2: just out of the blue, I called her and said, hey, 61 00:02:54,440 --> 00:02:56,440 Speaker 2: how's her German? Because I knew she was really smart, 62 00:02:56,480 --> 00:02:59,120 Speaker 2: and I knew she wouldn't, you know, hear bullshit and 63 00:02:59,160 --> 00:03:03,040 Speaker 2: not say that's bullshit, you know, brutal with me, you know. 64 00:03:03,320 --> 00:03:07,440 Speaker 2: So I put it in front of her and she 65 00:03:07,639 --> 00:03:10,240 Speaker 2: took it up. So I had a German language person 66 00:03:10,280 --> 00:03:13,919 Speaker 2: with me all the time, every day. So every morning began, 67 00:03:15,000 --> 00:03:17,440 Speaker 2: you know, when you're in makeup, by just going through 68 00:03:17,720 --> 00:03:19,520 Speaker 2: the stuff that we had coming up with in terms 69 00:03:19,520 --> 00:03:21,880 Speaker 2: of the German language and understanding it and just getting 70 00:03:21,880 --> 00:03:24,639 Speaker 2: it to flow properly. But yeah, it's definitely a part 71 00:03:24,639 --> 00:03:26,960 Speaker 2: of the job that you do every time and you 72 00:03:27,040 --> 00:03:30,359 Speaker 2: have some new accent to cover, you work with somebody 73 00:03:30,560 --> 00:03:31,440 Speaker 2: on trying to get it right. 74 00:03:31,600 --> 00:03:35,440 Speaker 3: It's fascinating you play Herman going for anyone who doesn't 75 00:03:35,440 --> 00:03:38,920 Speaker 3: know he was second in command to Adolf Hitler. 76 00:03:39,520 --> 00:03:42,560 Speaker 1: It's this movie has blown my mind mate. 77 00:03:42,600 --> 00:03:45,800 Speaker 3: Congratulations, it's an amazing And when we talk about the 78 00:03:45,840 --> 00:03:47,400 Speaker 3: oscar buzz and all that kind of stuff, and I 79 00:03:47,440 --> 00:03:49,200 Speaker 3: know you don't like to talk about that, but it is. 80 00:03:49,680 --> 00:03:51,960 Speaker 3: This goes for two hours twenty and you are on 81 00:03:52,000 --> 00:03:53,520 Speaker 3: the edge of your seat the whole time. 82 00:03:53,920 --> 00:03:58,080 Speaker 1: The thing with this man, he was so notorious, but there's. 83 00:03:57,880 --> 00:04:00,960 Speaker 3: An element of him that there's a lot likability to 84 00:04:01,040 --> 00:04:03,560 Speaker 3: Herman Going that you had to bring to this Rustle 85 00:04:03,600 --> 00:04:07,240 Speaker 3: which I find really weird because I mean, the atrocities 86 00:04:07,280 --> 00:04:11,120 Speaker 3: that happened, but you get to you actually get to 87 00:04:11,440 --> 00:04:14,400 Speaker 3: like this character. So was that hard to do on 88 00:04:14,440 --> 00:04:18,000 Speaker 3: the set playing such a villain but also trying to 89 00:04:18,040 --> 00:04:19,480 Speaker 3: make it likable. 90 00:04:20,720 --> 00:04:22,560 Speaker 2: Well, we have to sort of take it from a 91 00:04:22,600 --> 00:04:28,520 Speaker 2: perspective of this guy doesn't get into that level of 92 00:04:28,600 --> 00:04:33,760 Speaker 2: power without charm, No, without charisma. He doesn't convince the 93 00:04:33,760 --> 00:04:39,760 Speaker 2: population of Germany to follow what Adolf and himself and 94 00:04:39,839 --> 00:04:43,640 Speaker 2: people like Himmler and Hydrick and Gebels have in mind 95 00:04:44,320 --> 00:04:48,440 Speaker 2: without being able to make people feel at home with 96 00:04:48,520 --> 00:04:49,320 Speaker 2: him and connect to him. 97 00:04:49,320 --> 00:04:51,360 Speaker 4: So, you know, the thing that I've been discussing with. 98 00:04:51,320 --> 00:04:55,120 Speaker 2: People is is charisma is one of evil's greatest weapons. 99 00:04:56,200 --> 00:04:58,279 Speaker 2: So it's had to be you know, we have to 100 00:04:58,279 --> 00:05:00,800 Speaker 2: be aware of that in our lives when we're listening 101 00:05:00,800 --> 00:05:04,240 Speaker 2: to public figures talk, and we have to be able 102 00:05:04,279 --> 00:05:07,320 Speaker 2: to disseminate that charm from reality sometimes you know, for 103 00:05:07,400 --> 00:05:12,200 Speaker 2: our own perspectives. But yeah, I mean, human man, what 104 00:05:12,279 --> 00:05:15,640 Speaker 2: an interesting, fascinating life. I mean, he got involved in 105 00:05:15,680 --> 00:05:18,480 Speaker 2: some very strange stuff, but you know, I sort of 106 00:05:18,520 --> 00:05:21,440 Speaker 2: love sort of rocking through it for people because it's 107 00:05:21,480 --> 00:05:23,720 Speaker 2: really interesting. So he's a terrible student at school, right 108 00:05:23,880 --> 00:05:26,400 Speaker 2: he's absolutely second or third from the bottom of the class. 109 00:05:26,640 --> 00:05:29,279 Speaker 2: As a punishment, he gets sent to military school, where 110 00:05:29,279 --> 00:05:32,719 Speaker 2: he suddenly becomes top of the class because he's interested now. 111 00:05:33,000 --> 00:05:35,080 Speaker 2: And then he comes out of the military his hobby 112 00:05:35,320 --> 00:05:36,360 Speaker 2: is mountain climbing. 113 00:05:36,560 --> 00:05:37,160 Speaker 4: And here's the thing. 114 00:05:37,160 --> 00:05:39,400 Speaker 2: When you're approaching a man to play as a character, 115 00:05:40,120 --> 00:05:42,640 Speaker 2: understanding realizing that he is the sort of men that 116 00:05:42,680 --> 00:05:44,880 Speaker 2: will stand at the bottom of the mountain and he'll 117 00:05:44,920 --> 00:05:48,559 Speaker 2: look up and then he'll climb and he won't stop 118 00:05:48,600 --> 00:05:49,680 Speaker 2: till he gets to the top. 119 00:05:50,000 --> 00:05:50,800 Speaker 4: So that's a very. 120 00:05:50,640 --> 00:05:53,400 Speaker 2: Interesting part of his personality to realize. Comes out of 121 00:05:53,920 --> 00:05:56,320 Speaker 2: military school straight into the military because the First World 122 00:05:56,320 --> 00:05:59,400 Speaker 2: War has begun. He's an infantry officer, gets injured on 123 00:05:59,400 --> 00:06:01,680 Speaker 2: the battlefield, says to himself, well, well, I don't like the 124 00:06:01,839 --> 00:06:02,240 Speaker 2: look of this. 125 00:06:02,600 --> 00:06:03,359 Speaker 4: I like those. 126 00:06:05,200 --> 00:06:05,479 Speaker 1: All. 127 00:06:05,880 --> 00:06:06,760 Speaker 5: Have we lost Russell? 128 00:06:06,880 --> 00:06:09,520 Speaker 6: We may have frozen on zoom there, cutting out and 129 00:06:09,560 --> 00:06:13,000 Speaker 6: then go on, sorry Russell dropped out for a moment, Yeah. 130 00:06:14,720 --> 00:06:17,680 Speaker 2: Right right, And then you know, inculcates himself into that 131 00:06:17,760 --> 00:06:20,360 Speaker 2: Air force, becomes a pilot, finishes the First World War 132 00:06:20,600 --> 00:06:23,000 Speaker 2: with twenty two confirmed air to air kills. 133 00:06:23,040 --> 00:06:24,880 Speaker 4: He is a three times flying ace. 134 00:06:25,120 --> 00:06:25,520 Speaker 3: Gosh. 135 00:06:25,520 --> 00:06:27,120 Speaker 2: Now, so at that point you have the Treaty of 136 00:06:27,120 --> 00:06:30,760 Speaker 2: assign Germany is economically destroyed, and he's looking at this 137 00:06:30,880 --> 00:06:34,320 Speaker 2: pathway because he finishes the First World War as the 138 00:06:34,360 --> 00:06:37,400 Speaker 2: squadron leader of Baron von Richtoff's squadron. 139 00:06:37,680 --> 00:06:39,320 Speaker 4: Yeah, the Red Baron squadron. 140 00:06:39,360 --> 00:06:39,600 Speaker 1: Wow. 141 00:06:39,640 --> 00:06:44,360 Speaker 2: So it's the coolest of you know, the sharpest squadron 142 00:06:44,400 --> 00:06:46,279 Speaker 2: that they have in the Air Force. So you know, 143 00:06:46,320 --> 00:06:51,640 Speaker 2: he's looking at that nineteen twenties situation in Germany economically collapsed. 144 00:06:51,920 --> 00:06:55,160 Speaker 2: You know, people are you know, as a country, they're 145 00:06:55,279 --> 00:06:58,080 Speaker 2: very downtrodden. And he looks at that and he thinks 146 00:06:58,080 --> 00:07:00,680 Speaker 2: to himself, as a patriot, I believe, what can I 147 00:07:00,720 --> 00:07:01,680 Speaker 2: do to help? 148 00:07:01,920 --> 00:07:02,680 Speaker 4: Now, here's the thing. 149 00:07:04,000 --> 00:07:07,800 Speaker 2: He connects himself to people who can accelerate his ambitions 150 00:07:08,040 --> 00:07:08,760 Speaker 2: the fastest. 151 00:07:09,000 --> 00:07:09,440 Speaker 1: Smart. 152 00:07:09,480 --> 00:07:14,520 Speaker 2: He accepts so many things that wouldn't necessarily be of 153 00:07:14,560 --> 00:07:18,600 Speaker 2: his moral judgment. Variety accepts them to bring people on board, 154 00:07:18,720 --> 00:07:20,960 Speaker 2: so he gets the largest amount of people going forward. 155 00:07:21,320 --> 00:07:24,120 Speaker 2: Here's the problem with Herman. He is such an egotist 156 00:07:24,400 --> 00:07:26,640 Speaker 2: that he thinks he can control the narrative no matter 157 00:07:26,680 --> 00:07:30,960 Speaker 2: what happens. And I think around about nineteen forty two 158 00:07:31,320 --> 00:07:35,480 Speaker 2: he loses control of that narrative. And you know, the 159 00:07:35,560 --> 00:07:37,760 Speaker 2: end result is the end result. If you lie down 160 00:07:37,760 --> 00:07:39,000 Speaker 2: with dogs, you're going to get flees. 161 00:07:39,120 --> 00:07:40,160 Speaker 5: Do you know what what I think? 162 00:07:40,160 --> 00:07:40,400 Speaker 1: I mean? 163 00:07:40,600 --> 00:07:42,440 Speaker 6: Because the other thing is too when you're learning about 164 00:07:42,440 --> 00:07:44,400 Speaker 6: Herman and you're learning that he has a family and everything, 165 00:07:44,400 --> 00:07:47,240 Speaker 6: and you talk about that charismatic side, which of course 166 00:07:47,640 --> 00:07:50,000 Speaker 6: got him up the ranks to where to the position 167 00:07:50,080 --> 00:07:52,440 Speaker 6: he achieved within the Nazi regime. 168 00:07:52,960 --> 00:07:56,440 Speaker 5: But the thing was when you then cut to the trial. 169 00:07:56,800 --> 00:07:59,520 Speaker 6: And I'm not giving too much away, but obviously evidence 170 00:07:59,760 --> 00:08:02,280 Speaker 6: is entered in the trial. I was sitting on the 171 00:08:02,320 --> 00:08:05,160 Speaker 6: couch with Lisa and I've seen this footage before. But 172 00:08:05,240 --> 00:08:07,800 Speaker 6: I think it's because the character is so well sold 173 00:08:08,720 --> 00:08:11,880 Speaker 6: that you can't believe that character had something to do 174 00:08:12,520 --> 00:08:16,280 Speaker 6: with the crimes that were committed in their murder and 175 00:08:16,320 --> 00:08:20,640 Speaker 6: the genocide of six million Jews. Like it is so 176 00:08:21,120 --> 00:08:26,480 Speaker 6: powerful and jarring and so crucial that this story has 177 00:08:26,560 --> 00:08:29,560 Speaker 6: continued to be told. Russell, I think that adds to 178 00:08:29,600 --> 00:08:31,040 Speaker 6: how powerful this film is. 179 00:08:32,280 --> 00:08:32,439 Speaker 4: Well. 180 00:08:32,520 --> 00:08:36,240 Speaker 2: Jamie Vanderbilt is a very clever filmmaker because he sort 181 00:08:36,240 --> 00:08:39,200 Speaker 2: of he puts bait on the ground, you know, he 182 00:08:39,320 --> 00:08:41,480 Speaker 2: sort of invites you into the world of the film. 183 00:08:42,120 --> 00:08:45,400 Speaker 2: Some of his attitudes towards things are slightly jaunty, you 184 00:08:45,400 --> 00:08:48,360 Speaker 2: know who. He introduces the character of Rudolph Elis, for example, 185 00:08:48,400 --> 00:08:51,560 Speaker 2: and it's got a slight Jacques Tatiller comedy aspect. Yeah, 186 00:08:52,880 --> 00:08:55,840 Speaker 2: he has a moment when the two mental health professionals 187 00:08:55,960 --> 00:08:58,720 Speaker 2: end up in a fistfight. You know, there's a sort 188 00:08:58,720 --> 00:09:01,319 Speaker 2: of a lightness of touch and so he kind of 189 00:09:01,760 --> 00:09:04,559 Speaker 2: brings you forward. Then he gets you into the courtroom 190 00:09:04,880 --> 00:09:05,960 Speaker 2: and he locks the door. 191 00:09:06,480 --> 00:09:10,360 Speaker 1: Yeah, and you feel it. You can feel it, Russell, 192 00:09:11,120 --> 00:09:13,199 Speaker 1: I think, and I'm throwing it. 193 00:09:13,400 --> 00:09:15,640 Speaker 3: I'd love to hear from you the greatest court scenes 194 00:09:15,640 --> 00:09:18,000 Speaker 3: in cinema that you've had over the years. 195 00:09:18,080 --> 00:09:19,720 Speaker 1: But I think it's right up there, Russell. 196 00:09:19,760 --> 00:09:23,160 Speaker 3: And you know when you're steering at Michael Shannon, who's 197 00:09:23,200 --> 00:09:25,200 Speaker 3: an unbelievable actor as. 198 00:09:25,080 --> 00:09:29,440 Speaker 1: Well, is that like, is that going Genoa? Remind him? 199 00:09:29,440 --> 00:09:29,520 Speaker 3: Now? 200 00:09:30,160 --> 00:09:32,920 Speaker 1: Are you going back into the coliseum? Is it like Gladiator? 201 00:09:33,040 --> 00:09:35,280 Speaker 3: Was that a moment like that when you're in the 202 00:09:35,320 --> 00:09:38,800 Speaker 3: courtroom for the Nuremberg Trial and you're looking at Michael Shannon? 203 00:09:39,360 --> 00:09:41,400 Speaker 3: Is that what you Is it like getting ready for 204 00:09:41,480 --> 00:09:43,960 Speaker 3: a rabbit O's game? Is it going into battle? 205 00:09:44,040 --> 00:09:44,880 Speaker 5: That so powerful? 206 00:09:45,240 --> 00:09:46,760 Speaker 1: Is that how you approach at Russell? 207 00:09:47,160 --> 00:09:48,480 Speaker 4: Think about think about that room. 208 00:09:48,640 --> 00:09:52,000 Speaker 2: Okay, So you've got Ramy Malik, who won the Academy 209 00:09:52,040 --> 00:09:54,720 Speaker 2: Award for playing Freddie Mercury and Bohemian. 210 00:09:54,360 --> 00:09:55,880 Speaker 4: RAPSI amazing great actor. 211 00:09:56,360 --> 00:09:59,040 Speaker 2: You've got Michael Shannon, who I've worked with before, and 212 00:09:59,640 --> 00:10:02,480 Speaker 2: you know we have a connection. You know, multiple Oscar 213 00:10:02,640 --> 00:10:07,040 Speaker 2: nominated actor, a very very fine theater actor, in my opinion, 214 00:10:07,280 --> 00:10:10,280 Speaker 2: one of the best working at the moment. Then you've 215 00:10:10,320 --> 00:10:14,719 Speaker 2: got Leo Woodhall bringing an absolute star making urn. You 216 00:10:14,840 --> 00:10:17,959 Speaker 2: have young New from Land actor Mark O'Brien, you have 217 00:10:18,360 --> 00:10:21,160 Speaker 2: Colin Hanks, who's very fine actor. 218 00:10:21,240 --> 00:10:24,720 Speaker 4: You have Richie y Grant. Obviously Academy will be dominated. 219 00:10:25,000 --> 00:10:28,160 Speaker 2: So this room, I've been likening it like you know, 220 00:10:28,280 --> 00:10:30,680 Speaker 2: walking into one of those old Western saloons and every 221 00:10:30,720 --> 00:10:32,640 Speaker 2: man in the room as it comes by, and it's 222 00:10:32,720 --> 00:10:36,079 Speaker 2: that energy. Every day, every single person is going to 223 00:10:36,120 --> 00:10:38,280 Speaker 2: bring their absolute best, So you better be sharp. 224 00:10:38,600 --> 00:10:38,720 Speaker 4: Now. 225 00:10:38,760 --> 00:10:41,319 Speaker 2: The thing with Michael, right, we had this moment. There's 226 00:10:41,360 --> 00:10:43,839 Speaker 2: a seventh that court thing between me and Michael. It's 227 00:10:43,840 --> 00:10:48,880 Speaker 2: a seventeen pacing. It's seventeen pages a movie, it's not theater, 228 00:10:49,800 --> 00:10:52,680 Speaker 2: that's right. And they had scheduled it to be shot 229 00:10:52,760 --> 00:10:55,599 Speaker 2: over four days. And I was looking at that and 230 00:10:55,960 --> 00:10:59,000 Speaker 2: I was wondering about it. So I called Michael. I said, 231 00:10:59,040 --> 00:11:00,760 Speaker 2: what do you think about this? You seen the schedule? 232 00:11:00,960 --> 00:11:02,480 Speaker 2: He goes, yeah, yeah, I was looking at it. He goes, 233 00:11:02,800 --> 00:11:04,679 Speaker 2: They're going to should have for days. There's no natural 234 00:11:04,760 --> 00:11:08,000 Speaker 2: breaks in that, right, Yeah. I don't see any either. Like, 235 00:11:08,080 --> 00:11:10,240 Speaker 2: and the problem you've got with that is you can 236 00:11:10,320 --> 00:11:13,000 Speaker 2: have a very certain type of energy on the set. 237 00:11:13,080 --> 00:11:15,640 Speaker 2: On one day you break four pages into a scene 238 00:11:15,640 --> 00:11:18,400 Speaker 2: and come back the next day, the energy might have changed. Yeah, 239 00:11:18,960 --> 00:11:21,200 Speaker 2: and it's sort of like and it's so it's going 240 00:11:21,280 --> 00:11:25,320 Speaker 2: to lose its power, because that's one conversation between these. 241 00:11:25,240 --> 00:11:27,520 Speaker 1: Trying to keep going. You've got to keep going, you know. 242 00:11:27,880 --> 00:11:29,719 Speaker 2: I talked to Michael about it. He said he was 243 00:11:29,800 --> 00:11:31,040 Speaker 2: up for it. You know, he's a theater boy, so 244 00:11:31,160 --> 00:11:34,280 Speaker 2: he knows the drill. So we then have to talk 245 00:11:34,320 --> 00:11:37,080 Speaker 2: to the director. And you know, I talked to Jamie 246 00:11:37,200 --> 00:11:39,240 Speaker 2: and I could see actually while I was saying out 247 00:11:39,280 --> 00:11:40,679 Speaker 2: loud that it was something in the back of his 248 00:11:40,840 --> 00:11:44,000 Speaker 2: mind that he really had wanted. He wanted to try, 249 00:11:44,240 --> 00:11:46,560 Speaker 2: you know, but you can't really demand that of people. 250 00:11:46,600 --> 00:11:48,920 Speaker 2: That's a lot, you know, And as he said at 251 00:11:48,920 --> 00:11:53,079 Speaker 2: the time, no production company could responsibly schedule that you're 252 00:11:53,080 --> 00:11:59,280 Speaker 2: going to nail seventeen script pages enough when you're normally 253 00:11:59,480 --> 00:12:01,880 Speaker 2: when you're not working at one and a half two 254 00:12:01,960 --> 00:12:05,319 Speaker 2: pages or sometimes four pages. Seventeen it's ridiculous, right, And 255 00:12:06,200 --> 00:12:07,599 Speaker 2: so I talked to him about it. He said he 256 00:12:07,720 --> 00:12:09,240 Speaker 2: was up for it, but he said, now he's got 257 00:12:09,280 --> 00:12:11,120 Speaker 2: to go to production. And he said, the problem is 258 00:12:11,200 --> 00:12:14,439 Speaker 2: I brought this up before and they said that, you know, 259 00:12:15,400 --> 00:12:18,400 Speaker 2: it's not humanly possible. The thing is, Michael and I 260 00:12:18,559 --> 00:12:21,439 Speaker 2: had worked together in a situation on a movie called 261 00:12:21,480 --> 00:12:26,640 Speaker 2: Man of Steel, where he played and I played Joerell, 262 00:12:26,760 --> 00:12:29,839 Speaker 2: Superman's father. So it was a great lead in for 263 00:12:30,200 --> 00:12:32,960 Speaker 2: a gag when Jamie Vanderbilt says it's not humanly possible, 264 00:12:32,960 --> 00:12:35,960 Speaker 2: live and except but Jamie, Michael and I have. 265 00:12:37,320 --> 00:12:38,560 Speaker 5: But I'm Superman's father. 266 00:12:38,800 --> 00:12:40,000 Speaker 1: I'm Superman's dad. 267 00:12:40,400 --> 00:12:42,920 Speaker 4: I'll do it extraterrestrial. No, you don't have to worry 268 00:12:42,920 --> 00:12:45,320 Speaker 4: about this human stuff anyway. 269 00:12:45,360 --> 00:12:48,839 Speaker 2: So yeah, fantastic cast, great energy on set, Incredible to 270 00:12:48,960 --> 00:12:51,760 Speaker 2: be involved in that, and it really is as one 271 00:12:51,800 --> 00:12:53,599 Speaker 2: of these things. You might be listening at home and 272 00:12:53,679 --> 00:12:56,280 Speaker 2: thinking the court case sounds very dry. I'm not sure 273 00:12:56,400 --> 00:12:59,160 Speaker 2: I might wait for streaming. I really really encourage you 274 00:12:59,240 --> 00:13:02,000 Speaker 2: to see this in the It's what the movie theater 275 00:13:02,080 --> 00:13:03,439 Speaker 2: has made for a film like this. 276 00:13:04,640 --> 00:13:09,240 Speaker 3: There's moments, there's some unbelievable scenes when Ramie Malick, you 277 00:13:09,320 --> 00:13:11,920 Speaker 3: know it, confronts you as well in the cell and 278 00:13:12,320 --> 00:13:14,920 Speaker 3: realize there's just there's so many great scenes in this 279 00:13:15,040 --> 00:13:16,480 Speaker 3: and like I said, you are on the edge of 280 00:13:16,520 --> 00:13:17,400 Speaker 3: your seat the whole time. 281 00:13:17,840 --> 00:13:21,440 Speaker 4: This is the Fitzian with Cape Ritchie podcast. 282 00:13:21,880 --> 00:13:24,520 Speaker 5: Indoor Garden Party. There's some gigs coming up to Russell. 283 00:13:24,559 --> 00:13:25,960 Speaker 6: We're going to make sure we put that on our 284 00:13:26,000 --> 00:13:28,439 Speaker 6: socials as well, Tommy where people can get tickets. I 285 00:13:28,440 --> 00:13:30,679 Speaker 6: think December twenty there's an indoor Garden Party show, Is 286 00:13:30,720 --> 00:13:31,679 Speaker 6: that right, Russell. 287 00:13:31,800 --> 00:13:34,000 Speaker 2: Well, that's the one show we're doing this year. Only 288 00:13:34,679 --> 00:13:37,400 Speaker 2: I've been doing so much work. I actually did a 289 00:13:37,520 --> 00:13:41,319 Speaker 2: completed five movies between December and August, and I've done 290 00:13:41,480 --> 00:13:44,760 Speaker 2: a bunch of traveling to do with Nuremberg and other things. 291 00:13:44,880 --> 00:13:46,920 Speaker 2: So it's been a very busy year and we've only 292 00:13:46,960 --> 00:13:48,839 Speaker 2: got time for the one show now. It's going to 293 00:13:48,840 --> 00:13:50,760 Speaker 2: be at the end More Theater December twentieth, and let's 294 00:13:50,760 --> 00:13:52,280 Speaker 2: taut You're on sale now. We've got a whole bunch 295 00:13:52,320 --> 00:13:54,959 Speaker 2: of people coming along as guests. We've got Troy Cassadaily, 296 00:13:56,280 --> 00:13:59,319 Speaker 2: Marsha Hines, We've got this young kid from America called Break. 297 00:13:59,440 --> 00:14:02,240 Speaker 2: You can see songs on on TikTok or Spotify or whatever, 298 00:14:02,400 --> 00:14:07,439 Speaker 2: he's fantastic, and then Loreno Riley from from Ireland, the 299 00:14:07,480 --> 00:14:10,920 Speaker 2: gentleman Barber's obviously backing me up. And then the ex 300 00:14:11,000 --> 00:14:13,040 Speaker 2: wife Danny L. Spencer is going to open the show. 301 00:14:13,200 --> 00:14:17,199 Speaker 1: I love that. How does that go? How does that? 302 00:14:17,480 --> 00:14:18,400 Speaker 1: Do you come out at all? 303 00:14:18,600 --> 00:14:18,800 Speaker 2: Is there? 304 00:14:19,000 --> 00:14:21,320 Speaker 1: Are you getting involved at all? Do you sing a 305 00:14:21,400 --> 00:14:22,880 Speaker 1: song with Dannyelle or what's happening? 306 00:14:23,200 --> 00:14:23,240 Speaker 2: No? 307 00:14:23,520 --> 00:14:25,720 Speaker 4: No, no, no. She does her own stuff obviously. 308 00:14:25,760 --> 00:14:28,240 Speaker 2: You know, she's been a musician for a long long 309 00:14:28,320 --> 00:14:30,760 Speaker 2: time and I just noticed that last year she put 310 00:14:30,800 --> 00:14:32,640 Speaker 2: out a new single and it's probably one of the 311 00:14:32,680 --> 00:14:34,960 Speaker 2: best songs that she's ever done. So, you know, I 312 00:14:35,040 --> 00:14:37,640 Speaker 2: was sitting somewhere with Europe with the boys and I said, 313 00:14:38,600 --> 00:14:40,040 Speaker 2: you think it's cool if I asked your mum if 314 00:14:40,080 --> 00:14:40,520 Speaker 2: she wants to be. 315 00:14:40,520 --> 00:14:42,480 Speaker 4: Part of the show. I know we're really enthusiastic about it. 316 00:14:42,600 --> 00:14:46,080 Speaker 1: So can I get free? They can trimple? 317 00:14:48,440 --> 00:14:49,640 Speaker 5: Did the boys get involved? 318 00:14:50,280 --> 00:14:51,040 Speaker 4: You don't want to grow? 319 00:14:52,600 --> 00:14:54,520 Speaker 5: Did I see one of them up on stage at one? 320 00:14:54,840 --> 00:14:55,920 Speaker 5: At one point Russell to. 321 00:14:55,960 --> 00:14:59,120 Speaker 4: The yeah man Charlie bro got up on stage with me. 322 00:15:00,080 --> 00:15:00,720 Speaker 4: When we toured. 323 00:15:02,120 --> 00:15:04,240 Speaker 2: We did a big Australian tour in twenty twenty three. 324 00:15:04,560 --> 00:15:05,960 Speaker 2: But then we went to Europe when we did some 325 00:15:06,040 --> 00:15:08,240 Speaker 2: shows in Italy and then in the Czech Republic in 326 00:15:08,240 --> 00:15:11,720 Speaker 2: a place called Calibervari and Charlie got up at those 327 00:15:11,760 --> 00:15:12,880 Speaker 2: shows which was. 328 00:15:13,640 --> 00:15:16,920 Speaker 3: What's what's his strength, Charlie voice or is he play 329 00:15:16,920 --> 00:15:17,440 Speaker 3: an instrument? 330 00:15:18,520 --> 00:15:21,480 Speaker 4: He's a singer. He's a singer, a really really good singer, 331 00:15:21,560 --> 00:15:22,040 Speaker 4: and he's. 332 00:15:21,920 --> 00:15:24,200 Speaker 2: Been working on that for a long time. However, I'm 333 00:15:24,240 --> 00:15:26,280 Speaker 2: not sure if that's something that he's going to be sure. 334 00:15:26,360 --> 00:15:29,040 Speaker 2: He's an excellent songwriter as well. His songs are fantastic, 335 00:15:29,280 --> 00:15:33,160 Speaker 2: but I think he has you know, he's seen what 336 00:15:33,360 --> 00:15:38,160 Speaker 2: this life is and you know he wants at the university. 337 00:15:38,520 --> 00:15:39,200 Speaker 4: No, I don't think so. 338 00:15:41,480 --> 00:15:44,320 Speaker 2: Loves the benefits, doesn't like the actual reality. 339 00:15:44,520 --> 00:15:44,840 Speaker 1: Russell. 340 00:15:45,400 --> 00:15:47,480 Speaker 6: What's funny that footage you send me to, Like you 341 00:15:47,560 --> 00:15:50,200 Speaker 6: get twelve thousand people you're performing in Siena in Italy. 342 00:15:50,440 --> 00:15:53,680 Speaker 6: It must be so full off for people for the 343 00:15:53,760 --> 00:15:56,880 Speaker 6: Italians to go, hang on a minute, the gladiators now 344 00:15:56,960 --> 00:15:59,880 Speaker 6: on stage, Like I was in Italy in July, I think, 345 00:16:00,360 --> 00:16:02,440 Speaker 6: and we had this tour guide in Rome and he said, 346 00:16:02,760 --> 00:16:05,480 Speaker 6: we have two things, you have two things that we 347 00:16:05,680 --> 00:16:07,280 Speaker 6: love and I said, what's that mate? 348 00:16:07,680 --> 00:16:10,520 Speaker 5: He said, you're Prime Minister is Italian and Russell Crowe. 349 00:16:10,920 --> 00:16:16,920 Speaker 4: You have the real A few years ago they gave 350 00:16:16,960 --> 00:16:18,840 Speaker 4: me the job over there. I am the. 351 00:16:20,320 --> 00:16:27,160 Speaker 2: Bashia daughter, so I'm the ambassador for Rome in the world, 352 00:16:27,400 --> 00:16:31,160 Speaker 2: son of Rome and son you know they actually really 353 00:16:32,240 --> 00:16:33,960 Speaker 2: I was so chaffed when that happened. 354 00:16:36,200 --> 00:16:37,600 Speaker 1: How are you though, young fellow. 355 00:16:37,600 --> 00:16:40,480 Speaker 3: We're a bit worried about you, because, you know what, 356 00:16:40,600 --> 00:16:42,760 Speaker 3: you have been working very hard and you just went on. 357 00:16:42,840 --> 00:16:45,800 Speaker 1: Joe Roagan recently and we've heard about your witching hours. 358 00:16:45,800 --> 00:16:46,440 Speaker 1: Have a listen to this. 359 00:16:47,200 --> 00:16:49,600 Speaker 4: I'm actually going through a really weird time at the moment. 360 00:16:49,760 --> 00:16:50,640 Speaker 4: For the last month. 361 00:16:50,800 --> 00:16:52,400 Speaker 2: Doesn't matter where i am in the world, if I'm 362 00:16:52,440 --> 00:16:54,520 Speaker 2: in Spain, if I'm in Australia, if I'm in America. 363 00:16:54,920 --> 00:16:59,760 Speaker 2: I cannot sleep between midnight and five am. It's just 364 00:17:00,240 --> 00:17:03,240 Speaker 2: very odd, and I think it's related to the feeling 365 00:17:03,280 --> 00:17:05,440 Speaker 2: that I was expressing before that somewhere in August I 366 00:17:05,520 --> 00:17:06,240 Speaker 2: broke my head. 367 00:17:07,200 --> 00:17:10,520 Speaker 4: I'd just done too much, too much, working too hard. 368 00:17:10,640 --> 00:17:14,360 Speaker 3: My friend a little bit on the farm. Are you're sleeping? 369 00:17:14,520 --> 00:17:15,159 Speaker 3: What's going on? 370 00:17:16,200 --> 00:17:16,360 Speaker 4: Well? 371 00:17:16,440 --> 00:17:19,440 Speaker 2: Yeah, so that thing I was talking about with Joe 372 00:17:19,480 --> 00:17:20,919 Speaker 2: and that was you know, a month ago I did 373 00:17:20,960 --> 00:17:25,879 Speaker 2: that show. I only just sold it last week, so I. 374 00:17:26,000 --> 00:17:26,680 Speaker 1: They just sold it. 375 00:17:27,840 --> 00:17:32,000 Speaker 4: Solved it solved sleep problem. It took. 376 00:17:33,480 --> 00:17:35,720 Speaker 1: Red Sheeran was it. It's not the punch that you know. 377 00:17:38,400 --> 00:17:40,840 Speaker 4: That that's that's a that's a sort of a type 378 00:17:40,880 --> 00:17:41,240 Speaker 4: of fix. 379 00:17:41,320 --> 00:17:43,200 Speaker 2: That's not true. So you have to wait till it 380 00:17:43,440 --> 00:17:47,440 Speaker 2: becomes more natural. Really, what I did is I just 381 00:17:47,520 --> 00:17:49,640 Speaker 2: gave gave into it. I was like, Okay, well I'm 382 00:17:49,640 --> 00:17:51,440 Speaker 2: going to sleep when I'm tired, and I'll hear wake 383 00:17:52,080 --> 00:17:54,640 Speaker 2: when I'm not, and sooner or later the clock will 384 00:17:54,680 --> 00:17:55,080 Speaker 2: come around. 385 00:17:55,200 --> 00:17:58,760 Speaker 4: So very helpful getting up here. So because the last 386 00:17:58,800 --> 00:17:59,440 Speaker 4: two nights. 387 00:17:59,240 --> 00:18:03,159 Speaker 2: I've had the most beautiful, MAGICALEP so, you know, so 388 00:18:03,280 --> 00:18:05,399 Speaker 2: that's good. But I think it was just too many planes, 389 00:18:05,440 --> 00:18:07,040 Speaker 2: too many planes, too many airports. 390 00:18:06,720 --> 00:18:07,240 Speaker 5: Too many times. 391 00:18:07,760 --> 00:18:09,840 Speaker 2: You've got to remember that every time I'm on a 392 00:18:09,920 --> 00:18:13,400 Speaker 2: film set, it's a journalized day, it's performance. So you're 393 00:18:13,440 --> 00:18:16,360 Speaker 2: in that kind of energy and to go through five 394 00:18:16,400 --> 00:18:19,080 Speaker 2: different characters. Because every time you go to different job, 395 00:18:19,119 --> 00:18:21,440 Speaker 2: it's like going to a new school. There's hundreds of 396 00:18:21,520 --> 00:18:23,200 Speaker 2: new people that you meet have to meet, you know, 397 00:18:23,280 --> 00:18:25,879 Speaker 2: the crew people that you know, the camera guys that 398 00:18:26,320 --> 00:18:28,680 Speaker 2: are around you all the time, the other actors, directors, 399 00:18:28,720 --> 00:18:31,560 Speaker 2: producers or whatever, and then you know that one finishes 400 00:18:31,600 --> 00:18:33,679 Speaker 2: and you go to the next one. And so there 401 00:18:33,760 --> 00:18:36,320 Speaker 2: was there was no time between them. And this wasn't 402 00:18:36,880 --> 00:18:40,320 Speaker 2: set out as an intended plan schedule. It's just that, 403 00:18:40,400 --> 00:18:42,560 Speaker 2: you know, I work a lot in independent film because 404 00:18:42,600 --> 00:18:45,640 Speaker 2: I enjoy that, and sometimes it can be very vague. 405 00:18:45,680 --> 00:18:48,760 Speaker 2: The financing can be vague. So for an example, you know, 406 00:18:48,840 --> 00:18:50,960 Speaker 2: we're talking about Numberg now, but I signed on to 407 00:18:51,040 --> 00:18:55,040 Speaker 2: Dune Numberg in twenty nineteen and we didn't know twenty 408 00:18:55,240 --> 00:19:00,119 Speaker 2: twenty four. So it never really takes a linear and 409 00:19:00,320 --> 00:19:03,640 Speaker 2: organized road. And so this year it's just the things 410 00:19:03,680 --> 00:19:05,360 Speaker 2: that I'd agreed to over the past couple of years 411 00:19:05,480 --> 00:19:07,320 Speaker 2: or just started to land, like it was air traffic 412 00:19:07,359 --> 00:19:08,080 Speaker 2: control management. 413 00:19:09,040 --> 00:19:11,560 Speaker 6: The other thing is too with Herman Goring, the character 414 00:19:11,600 --> 00:19:14,159 Speaker 6: you play in Nuremberg, you'd put on a fair bit 415 00:19:14,200 --> 00:19:15,679 Speaker 6: of weight. I mean, that was the role you had 416 00:19:15,720 --> 00:19:17,840 Speaker 6: to play, and I was just asking for a mate 417 00:19:18,119 --> 00:19:19,280 Speaker 6: because you're looking great. 418 00:19:19,400 --> 00:19:22,040 Speaker 5: How did you lose that weight afterwards? 419 00:19:22,040 --> 00:19:24,800 Speaker 2: Well, it's been it's been a very long process and 420 00:19:24,880 --> 00:19:28,879 Speaker 2: it's taken a holistic approach. See, the problem was I 421 00:19:29,080 --> 00:19:32,159 Speaker 2: was doing the loudest voice when they asked me to 422 00:19:32,240 --> 00:19:33,359 Speaker 2: do Are you kidding me? 423 00:19:33,560 --> 00:19:34,560 Speaker 4: Right? So I made the. 424 00:19:34,600 --> 00:19:37,080 Speaker 2: Decision, right, Okay, I'm going to stay here because I'm 425 00:19:37,080 --> 00:19:37,960 Speaker 2: thinking we're going to make this. 426 00:19:38,000 --> 00:19:39,280 Speaker 4: Film system months from that way. 427 00:19:39,320 --> 00:19:41,800 Speaker 2: I'm going to stay in this place because I want 428 00:19:41,840 --> 00:19:44,440 Speaker 2: to play Going at his most pompous. I don't want 429 00:19:44,480 --> 00:19:46,680 Speaker 2: to drop down and wait and play what he looked 430 00:19:46,800 --> 00:19:50,760 Speaker 2: like in reality in the courtroom, because I think that's 431 00:19:50,800 --> 00:19:52,840 Speaker 2: sort of like my joke is, you know, that. 432 00:19:52,880 --> 00:19:55,119 Speaker 4: Would make me too handsome and unfair. 433 00:19:56,680 --> 00:20:00,680 Speaker 2: I wanted to play him that drug fuel in a 434 00:20:00,760 --> 00:20:05,080 Speaker 2: pomposity extreme And so then I've got to sit there 435 00:20:05,200 --> 00:20:06,840 Speaker 2: for five years waiting for. 436 00:20:07,440 --> 00:20:12,320 Speaker 4: Life, and I'm going guys, guys, come on, Russell, stay fat. 437 00:20:13,040 --> 00:20:14,080 Speaker 4: So basically it's. 438 00:20:14,280 --> 00:20:19,040 Speaker 2: From the moment we finished on Nuremberg there was just 439 00:20:19,080 --> 00:20:22,800 Speaker 2: a whole bunch of changes that took place. One of 440 00:20:22,840 --> 00:20:26,920 Speaker 2: the things that I started with trying to take advantage 441 00:20:26,920 --> 00:20:29,040 Speaker 2: of science, and it was also an introduction from from 442 00:20:29,119 --> 00:20:33,760 Speaker 2: Joe Rogan actually to a guy called brigand Bueler a clinic. 443 00:20:33,520 --> 00:20:35,240 Speaker 4: In Austin, Texas, coolways too. Well. 444 00:20:35,920 --> 00:20:39,400 Speaker 2: So what I've been doing is I've been using stem 445 00:20:39,560 --> 00:20:43,040 Speaker 2: cell ivs to calm down the inflammation in my body, 446 00:20:43,400 --> 00:20:45,880 Speaker 2: because you know, Fitz, you probably have the same sort 447 00:20:45,880 --> 00:20:49,520 Speaker 2: of thing. I've got injuries everywhere. I've got like heel fascyatists. 448 00:20:49,520 --> 00:20:51,439 Speaker 2: I've got you know, great fourtees and the achilles. I've 449 00:20:51,440 --> 00:20:53,600 Speaker 2: got shin spins, i got bone marrow of demons under 450 00:20:53,600 --> 00:20:56,000 Speaker 2: both knees. I got a disintegrating hip. I've got a 451 00:20:56,680 --> 00:21:00,320 Speaker 2: rib on the upper thoracic departs this list, you know, 452 00:21:00,680 --> 00:21:04,680 Speaker 2: two ops on this shoulder arthritis and both risks both shoulders. 453 00:21:05,040 --> 00:21:07,000 Speaker 4: And so what I've started to do is use. 454 00:21:06,960 --> 00:21:10,840 Speaker 2: The science and layer these stem cell injections one at 455 00:21:10,840 --> 00:21:15,720 Speaker 2: a time over a period. And by approaching the inflammation first, 456 00:21:16,280 --> 00:21:19,640 Speaker 2: it is meant that my workouts are more effective. From 457 00:21:19,680 --> 00:21:22,119 Speaker 2: when I sweat, I'm actually losing weightless. But I went 458 00:21:22,200 --> 00:21:25,040 Speaker 2: through a five year period where I was really strong, 459 00:21:25,280 --> 00:21:27,800 Speaker 2: but it didn't matter what I did, I couldn't shift anything. 460 00:21:28,160 --> 00:21:32,160 Speaker 2: So you know, I decided, instead of like just going 461 00:21:32,240 --> 00:21:34,480 Speaker 2: with the bullshit diet, starvation or whatever, what. 462 00:21:34,600 --> 00:21:37,240 Speaker 4: Can science help me still that smart way? And so 463 00:21:37,359 --> 00:21:38,280 Speaker 4: it's starting to work. 464 00:21:38,400 --> 00:21:39,520 Speaker 1: That's great. Before you go. 465 00:21:40,359 --> 00:21:43,280 Speaker 3: I've had so many mates and we get text messages 466 00:21:43,320 --> 00:21:45,399 Speaker 3: on this as well. Have you heard from Gosling? And 467 00:21:45,520 --> 00:21:48,159 Speaker 3: everyone wants to know The Nice Guys is a bit 468 00:21:48,160 --> 00:21:50,560 Speaker 3: of a cult classic now and it's a great movie. 469 00:21:51,240 --> 00:21:53,919 Speaker 1: Is there an opportunity that the boys could be back 470 00:21:53,960 --> 00:21:54,719 Speaker 1: at some stage? 471 00:21:55,880 --> 00:21:58,840 Speaker 2: Look, you know, Ryan and I are definitely friends and 472 00:21:59,040 --> 00:22:02,960 Speaker 2: we enjoyed show's company. He's dangerous for me on a set. 473 00:22:03,000 --> 00:22:05,359 Speaker 2: He's the only actor I've had a man who can 474 00:22:05,480 --> 00:22:08,119 Speaker 2: make me laugh whenever he feels like you know. 475 00:22:08,880 --> 00:22:12,080 Speaker 1: Do you remember that remember the actors? 476 00:22:12,200 --> 00:22:14,639 Speaker 3: Do you remember the actor's video that you did with 477 00:22:14,760 --> 00:22:16,679 Speaker 3: Gosling and he interrupted. 478 00:22:17,720 --> 00:22:20,840 Speaker 2: And said that he's what was the line that you 479 00:22:20,880 --> 00:22:25,119 Speaker 2: know he's an honorary Australian because he spent time in 480 00:22:25,160 --> 00:22:25,639 Speaker 2: New Zealand. 481 00:22:28,119 --> 00:22:31,160 Speaker 4: You've got to understand, this kid's a freaking comic genius. 482 00:22:31,320 --> 00:22:33,000 Speaker 1: Mate is very funny. 483 00:22:34,960 --> 00:22:37,719 Speaker 2: So look, we'd love to work together again. And there 484 00:22:37,880 --> 00:22:41,200 Speaker 2: was a period of time when discussions about Nice Guys two, 485 00:22:41,600 --> 00:22:44,800 Speaker 2: you know, took place because we had this idea. I 486 00:22:44,880 --> 00:22:46,720 Speaker 2: don't even know why this is funny, but it made 487 00:22:46,800 --> 00:22:50,399 Speaker 2: us laugh. Nice Guys to Mexican detectives. 488 00:22:54,320 --> 00:22:54,720 Speaker 1: Why is that. 489 00:22:57,359 --> 00:22:57,959 Speaker 5: Ridiculous? 490 00:22:58,960 --> 00:23:01,800 Speaker 4: Right? Anyway, so we discussed it. 491 00:23:02,080 --> 00:23:04,600 Speaker 2: It sort of seems to have gone away, and you know, 492 00:23:04,680 --> 00:23:07,879 Speaker 2: with the x amount of time gone by, the longer 493 00:23:07,960 --> 00:23:09,320 Speaker 2: it gets the less likely. 494 00:23:09,760 --> 00:23:12,680 Speaker 4: But will we work together again? I really hope so. 495 00:23:13,240 --> 00:23:15,920 Speaker 2: And you know, there is actually a project at the moment, 496 00:23:16,359 --> 00:23:21,280 Speaker 2: which is it potentially could fit in into that because 497 00:23:21,520 --> 00:23:23,600 Speaker 2: the energy on screen together is undeniable. 498 00:23:24,000 --> 00:23:26,080 Speaker 4: And then smartint lewis. 499 00:23:26,040 --> 00:23:30,119 Speaker 2: It's like, you know, it's a classic Hope and Crosby. 500 00:23:30,200 --> 00:23:32,120 Speaker 2: It's a classic combination for some reason. 501 00:23:32,960 --> 00:23:36,520 Speaker 6: Hey, it's Sheeran is here in February, coming here in Februe. 502 00:23:37,480 --> 00:23:39,280 Speaker 6: I would like to think there's a bit of crossover 503 00:23:39,359 --> 00:23:39,720 Speaker 6: there for you. 504 00:23:39,800 --> 00:23:40,560 Speaker 4: Will you be around? 505 00:23:42,480 --> 00:23:45,520 Speaker 2: Yeah, I'm here till the end of that month, and 506 00:23:45,600 --> 00:23:49,320 Speaker 2: then I'm away again for a really long time. But yeah, 507 00:23:49,359 --> 00:23:51,800 Speaker 2: we've already had had chats. We've actually been planning it 508 00:23:51,840 --> 00:23:56,000 Speaker 2: for a couple of years. It's been on it's been 509 00:23:56,080 --> 00:23:58,920 Speaker 2: on his books for a while. But hopefully he gets 510 00:23:59,000 --> 00:24:01,000 Speaker 2: to bring the family up to the farm and spent 511 00:24:01,119 --> 00:24:03,680 Speaker 2: some time up here and just relax and everything. Because 512 00:24:03,720 --> 00:24:05,560 Speaker 2: that's how we first met. You know, we had some 513 00:24:05,680 --> 00:24:08,440 Speaker 2: friends in common and he was on tour, and he 514 00:24:08,600 --> 00:24:10,359 Speaker 2: was in the middle of that tour where he switched 515 00:24:10,359 --> 00:24:13,600 Speaker 2: from large rooms to arenas suddenly to stadiums in the year. 516 00:24:13,760 --> 00:24:17,640 Speaker 2: So his fame was kind of overwhelming him a little 517 00:24:17,640 --> 00:24:19,480 Speaker 2: bit at the time, you know, just getting used to it. 518 00:24:19,640 --> 00:24:21,879 Speaker 2: So through a friend of his, he reached out and 519 00:24:22,119 --> 00:24:24,080 Speaker 2: just said, can I come and meet you and hang 520 00:24:24,119 --> 00:24:26,080 Speaker 2: out for a couple of days, so, you know, our 521 00:24:26,160 --> 00:24:29,160 Speaker 2: first experience together as friends as him coming to the farm. 522 00:24:29,960 --> 00:24:33,920 Speaker 3: What if we write a little promotional song, parody song 523 00:24:34,040 --> 00:24:36,680 Speaker 3: kind of thing for Maffliqua and we presented it to 524 00:24:36,760 --> 00:24:39,159 Speaker 3: you and Andrew, maybe it could be a performance. Finally, 525 00:24:39,240 --> 00:24:43,480 Speaker 3: the collaboration that everyone's been asking and crow together. 526 00:24:45,960 --> 00:24:50,760 Speaker 2: In case people don't understand, I was working in Ireland 527 00:24:51,480 --> 00:24:54,840 Speaker 2: in twenty twenty one forgot about that bit, and I 528 00:24:54,960 --> 00:24:58,520 Speaker 2: heard this story about this this fellow called Phil mcclennan, 529 00:24:58,560 --> 00:25:01,920 Speaker 2: who was legitimately an Irish potato farm and how he 530 00:25:02,080 --> 00:25:04,919 Speaker 2: used to make poe chein, which is sort of moonshine 531 00:25:04,960 --> 00:25:06,479 Speaker 2: for his friends and they'd come around with their old 532 00:25:06,520 --> 00:25:08,240 Speaker 2: medicine bottles and fill them up on a Friday and have. 533 00:25:08,280 --> 00:25:09,200 Speaker 4: Themselves a good weekend. 534 00:25:09,400 --> 00:25:11,640 Speaker 2: And I'd heard this story about how his granddaughter, when 535 00:25:11,680 --> 00:25:13,640 Speaker 2: she was a small girl like six or seven or eight, 536 00:25:13,840 --> 00:25:16,560 Speaker 2: would see the fun that her grandfather created. Because obviously 537 00:25:16,600 --> 00:25:18,440 Speaker 2: it's a big bunch of Irish people. They're coming around 538 00:25:18,680 --> 00:25:20,760 Speaker 2: drinking moonshine. Of course there's going to be some songs 539 00:25:20,800 --> 00:25:23,000 Speaker 2: and some stories and some laughter, you know. So she 540 00:25:23,200 --> 00:25:25,680 Speaker 2: saw that and she said to herself and to her mother, 541 00:25:25,720 --> 00:25:27,840 Speaker 2: actually at the time, one day, when I'm older, I'm 542 00:25:27,880 --> 00:25:30,119 Speaker 2: going to legitimize well, granddad does for fun, make it 543 00:25:30,200 --> 00:25:33,600 Speaker 2: into a business. So I heard that story. And there's 544 00:25:33,600 --> 00:25:36,480 Speaker 2: a small town across the river from Derry called Muff, 545 00:25:37,400 --> 00:25:42,280 Speaker 2: and that's where the distillery started. And she called the 546 00:25:42,320 --> 00:25:46,880 Speaker 2: company the Muff Liquor Company, and so I was amused 547 00:25:46,880 --> 00:25:50,119 Speaker 2: by that. So I called Jimmy Carr and Ed Sheeran 548 00:25:50,320 --> 00:25:54,640 Speaker 2: and Ronan Keating and an Irish broadcast called Ryan Turberty, 549 00:25:55,040 --> 00:25:59,200 Speaker 2: and we all invested in the company. And it's going 550 00:25:59,320 --> 00:26:02,600 Speaker 2: very well. We're in forty states in America. But the 551 00:26:02,680 --> 00:26:03,840 Speaker 2: thing that you've got to do is a lot. We 552 00:26:04,000 --> 00:26:06,040 Speaker 2: try to stay it, we try to stay out of it, 553 00:26:06,480 --> 00:26:09,480 Speaker 2: and we won a lot of medals. So we're award 554 00:26:09,520 --> 00:26:14,000 Speaker 2: winning Mufflicker. Yes, so we try to sort of stay 555 00:26:14,040 --> 00:26:15,800 Speaker 2: back from it a little bit. We discussed it because 556 00:26:15,840 --> 00:26:17,840 Speaker 2: the real part of our lives, but we don't want 557 00:26:17,840 --> 00:26:19,800 Speaker 2: to be the faces of it because the product it 558 00:26:19,920 --> 00:26:20,960 Speaker 2: self is really good. 559 00:26:21,200 --> 00:26:21,760 Speaker 1: Let us talk. 560 00:26:21,920 --> 00:26:25,520 Speaker 4: He won seven or eight medals for the potato based gin. 561 00:26:25,920 --> 00:26:28,199 Speaker 2: We've won a couple of medals for the potato based vodka, 562 00:26:28,640 --> 00:26:31,840 Speaker 2: and we won two really significant awards for our whiskey. 563 00:26:32,840 --> 00:26:38,520 Speaker 2: We won double gold at the fifty Irish Whiskies and 564 00:26:38,680 --> 00:26:42,239 Speaker 2: we won gold at the for Best Irish Blended at 565 00:26:42,280 --> 00:26:44,200 Speaker 2: the World's Yeah. 566 00:26:44,320 --> 00:26:53,280 Speaker 3: I reckon you might be winning in another awards, Douglas. Okay, Nuremberg. 567 00:26:53,400 --> 00:26:56,520 Speaker 3: It's out next Thursday. And like I said, this this 568 00:26:57,200 --> 00:27:00,720 Speaker 3: is an unbelievable movie. And like Russell said, you've got 569 00:27:00,840 --> 00:27:02,560 Speaker 3: to go and see it in the cinema. It's huge, 570 00:27:02,680 --> 00:27:05,240 Speaker 3: it's massive, it's the only way to see it. Plus 571 00:27:05,359 --> 00:27:08,760 Speaker 3: indoor garden party. They're playing at the Endmore Theater December twenty. 572 00:27:08,960 --> 00:27:11,320 Speaker 3: See can get your tickets and go and check them out. 573 00:27:11,400 --> 00:27:11,600 Speaker 1: Mate. 574 00:27:11,640 --> 00:27:15,440 Speaker 3: We love you, ickle Dick, you know that, and always 575 00:27:15,760 --> 00:27:18,320 Speaker 3: pleasure and always welcome on the show. 576 00:27:18,400 --> 00:27:19,960 Speaker 1: Russ Also, thank you for your joining me. 577 00:27:20,119 --> 00:27:21,439 Speaker 4: Thanks boys, thanks great man. 578 00:27:21,520 --> 00:27:22,399 Speaker 5: Sobody Sits in. 579 00:27:22,400 --> 00:27:25,560 Speaker 6: Whipper with Kate Ritchie is a Nova podcast walk great 580 00:27:25,600 --> 00:27:28,800 Speaker 6: shows like this. Download the Nova Player by the app 581 00:27:28,880 --> 00:27:31,160 Speaker 6: store or Google Play in the nov Player