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Speaker 1: The City and with Kate Wiki Podcast.

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Speaker 2: It's Fitty Member with Kate Richie. Welcome to the Tuesday Podcast.

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Speaker 2: Do you know what I've realized today? It's great that

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Speaker 2: my son's finally having a growth spurt at the moment

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Speaker 2: sixteen years of age.

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Speaker 3: But he's caught up to me. He's the same shoe size.

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Speaker 2: Mate, He's just flogging shoes wardrobe. Okay, I mean, is

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Speaker 2: this a moment that you should be happy about or

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Speaker 2: I don't know. I'm feeling really weird about it at

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Speaker 2: the moment that he's just going through my stuff and

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Speaker 2: flogging clothes out of my wardrobe.

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Speaker 4: To think he wants to wear anything that you've got

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Speaker 4: surprises in a big way.

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Speaker 3: It's crazy. So that's what we're going to be talking

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Speaker 3: about in the pot.

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Speaker 5: This is the Fitz and Whipper with Cape Ritchie Podcast.

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Speaker 3: Do you know the Ibtha Final Boss.

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Speaker 2: I'm trying to get my head around this stuff because

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Speaker 2: this bloke I've seen him before. He was the guy

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Speaker 2: there was a video that went viral right over in

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Speaker 2: Ibetha a guy on the dance floor and.

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Speaker 3: Did you see him? He had that comb over haircut, whip.

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Speaker 2: He's got a pair of sunglasses on muscles, tattoos.

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Speaker 4: Oh yes, I saw him, Yeah, that guy.

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Speaker 3: And then they put this over the top of it.

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Speaker 1: This was over the Nothing beats the Jets holiday.

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Speaker 3: Right now, you can this guy became.

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Speaker 2: He exploded, his his fame exploded overnight. And I don't

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Speaker 2: know why everyone just wanted to be around the Iba

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Speaker 2: final Boss. I'm trying to work out what a final

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Speaker 2: boss is. But I found out in the gaming world,

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Speaker 2: it's the big baddie that you face at the end

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Speaker 2: of the game. Okay, but it can meet the best

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Speaker 2: of something and a in a video game, the final

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Speaker 2: boss is what everyone's trying to get to. They're trying

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Speaker 2: to beat the final boss anyway. So he's his fame

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Speaker 2: has exploded. And now this would have been a few

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Speaker 2: months ago, but this guy is now. And I'm thinking

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Speaker 2: to myself, when you think about his fame exploding, what

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Speaker 2: is he just rocking up to? Is he rocking up

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Speaker 2: to a few nightclubs? Does he get paid just to

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Speaker 2: wave to everyone in the crowd.

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Speaker 4: Because I saw a bit a few people fits who

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Speaker 4: were getting his hairstyle, because his hair almost looked like

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Speaker 4: a lego man, it was like stuck on.

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Speaker 2: Yes, so he's brushed it forward. It's exactly like a

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Speaker 2: lego It's like a lego guy. So his name is

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Speaker 2: Jack Kay. He's twenty six years of age. He's from

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Speaker 2: Newcastle over in the UK and he works in construction.

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Speaker 2: Like he comes from a pretty bad area. Yeah sure,

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Speaker 2: And he's had one weekend with the mates and the

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Speaker 2: lads over an I BEFA and his world has changed.

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Speaker 2: Now there's a television show that's just been released and

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Speaker 2: he's been picked up by a talent agency called Neon

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Speaker 2: Management and Mats Skyton Dave Reid is this guy's name

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Speaker 2: from Neon Management, and he's sitting down with the final

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Speaker 2: Boss and telling him how his life has changed.

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Speaker 6: You're the most vocal guy on the planet probably at

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Speaker 6: the minute. The last thirty days you've had it got

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Speaker 6: a whach about one hundred and fifty million on your Instagram,

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Speaker 6: which is it's incredible. Even with someone with my years

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Speaker 6: of experience, I'm overwhelmed by it. So for you, I

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Speaker 6: can't imagine everybody's going to want to slay. Our office

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Speaker 6: has been receiving a boxibly four to five hundred individual

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Speaker 6: inquiries per day for you, but we've got to harness

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Speaker 6: that making sure you're getting paid and that's kind of

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Speaker 6: my job and that's what I'm doing at the moment.

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Speaker 3: Five hundred inquiries in a day, the rubbish.

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Speaker 2: For the ibetha Final Boss now and I'm thinking of myself,

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Speaker 2: what are some of these inquiries?

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Speaker 6: Here's one, you know, we're working on your own vodka brand,

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Speaker 6: Final Boss Vodka. If we can get this rolled out

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Speaker 6: into supermarkets and nightclubs and you're earning six figures, you know,

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Speaker 6: you earning hundreds of thousands is life changing many.

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Speaker 3: Now this is where I was like this, this cannot

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Speaker 3: be true.

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Speaker 2: And in Australia, You've really let us down here because

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Speaker 2: Australia has got involved.

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Speaker 3: Have a listen.

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Speaker 6: I had an inquiry from Australian mushrooms.

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Speaker 7: Australia's in the top three countries that you're that your

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Speaker 7: reaches from.

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Speaker 1: You have a huge audience over there.

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Speaker 6: They want to pay you a load of money talking

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Speaker 6: about why people should eat more mushrooms because they're healthy.

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Speaker 6: Some of these jobs are mad, but if you can

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Speaker 6: laugh with it, you're going to fly and bank the

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Speaker 6: check one hundred percent.

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Speaker 3: Boy, who is the.

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Speaker 2: Mushroom company in Australia that's prepared to pay a lot

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Speaker 2: of money for him.

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Speaker 3: Tommy, we've got to track down this mushroom company.

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Speaker 4: We have to. It can't be. There's no way a

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Speaker 4: mushroom company in Australia. That has to be a joke.

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Speaker 3: This guy is full of no no, no, Whip.

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Speaker 2: He's earning hundreds of thousands of dollars already. They're saying

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Speaker 2: that it could go into the millions now and obviously

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Speaker 2: there's seasons in IBTH so this guy is obviously he's

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Speaker 2: the the number one thing this season.

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Speaker 3: So he's going to cash in much care.

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Speaker 4: He's a new guy who looks like an idiot on

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Speaker 4: a dance floor or who's going to pop up tomorrow.

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Speaker 4: So then the mushroom company's going to want him and

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Speaker 4: not the lego haircut guy Whip.

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Speaker 2: If you you've shaved your hair a buzz cut, if

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Speaker 2: you could grow it out a little bit and be

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Speaker 2: the next five final boss, get me.

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Speaker 4: Over there at a single man. I'm ready for the

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Speaker 4: dance floor.

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Speaker 2: This could be good and then you'll be the face

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Speaker 2: of mushrooms here in Australia.

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Speaker 4: Oh years, you know you've made.

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Speaker 5: It when this is the fits in Whipper with Cape

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Speaker 5: Ritchie podcast.

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Speaker 2: It's the race that stops the world this Saturday. It's

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Speaker 2: the Everest ram week.

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Speaker 4: What surprise pool these days? Fifty billion, that's.

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Speaker 2: The it's twenty million is it twenty million? What does

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Speaker 2: first prize get Tommy?

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Speaker 8: Yeah, I'm just working out that now, but yeah, twenty

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Speaker 8: million dollars. The jockey receives five percent of the prize

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Speaker 8: pool plus.

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Speaker 4: Prize pool or winning amount five.

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Speaker 9: Percent of the total prize money.

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Speaker 3: Gee, and the.

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Speaker 2: Trainer gets okay, So there's a favorite. There's a a

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Speaker 2: standout favorite this Saturday. You've probably never heard of it,

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Speaker 2: but it's called car Ying Rising. It's trained by David Hayes.

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Speaker 2: It's owned by the car Ying Syndicate over in Hong Kong.

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Speaker 2: We're It's had sixteen races already, fourteen wins. It's already

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Speaker 2: won ten million dollars.

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Speaker 10: What a jit?

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Speaker 2: Now it's a dollar seventy favorite. This thing is unbelievable.

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Speaker 2: It's broken so many track records that they reckon that

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Speaker 2: this horse is going to win so easy, like.

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Speaker 4: It's been drug tested yet. How long is the Everest?

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Speaker 4: Is it a sprinter?

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Speaker 3: Is it a staate? Twelve hundred meters a sprint. It's

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Speaker 3: a sprint mate, it's the sprint.

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Speaker 2: It's the fastest race in I think it's the most

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Speaker 2: lucrative race in the world as well. So this everyone's

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Speaker 2: keeping an eye out for car Ying Rising but trained

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Speaker 2: by David Hayes.

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Speaker 3: This is the thing. I mean people watch, you watch.

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Speaker 2: Horses like this and you go, oh god, you know what,

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Speaker 2: fuckuld you get a couple of mates together.

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Speaker 3: We could own something like that. I imagine standing up

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Speaker 3: there and holding up the cup.

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Speaker 4: You know what I mean. We could have a name

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Speaker 4: in the book. And even if we only owned half

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Speaker 4: of it, you know what I mean, fits, I'll take

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Speaker 4: ten percent. Who's in it now? Seriously, who's in now?

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Speaker 4: I was.

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Speaker 2: I was quite foolish when I was a little bit

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Speaker 2: younger as well, and that's what I thought.

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Speaker 3: Every time the spring carnival comes around.

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Speaker 2: You watch, you know, there's always a syndicate, I don't know,

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Speaker 2: regional people.

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Speaker 10: You know what.

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Speaker 3: There's an old lady with a fascinator on that says,

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Speaker 3: and you know.

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Speaker 2: What, they've won a group one whip and they've all

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Speaker 2: won I don't know, fifty to one hundred thousand dollars

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Speaker 2: each and they're all at the train having a great time,

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Speaker 2: and everyone goes, that's what I want to do.

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Speaker 3: Doesn't always doesn't always work out like that, does it?

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Speaker 7: No?

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Speaker 10: No?

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Speaker 2: So I had a horse years and years ago called

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Speaker 2: die Golan with a few mates that I grew up with,

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Speaker 2: and we actually had it with David Hayes. And you

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Speaker 2: know when you get a horse and you go, okay,

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Speaker 2: maybe we start out in the country first, and then

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Speaker 2: it comes to a metropolitan track and if we can

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Speaker 2: win at a metropolitan metropolitan track, we get to put

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Speaker 2: a bag of fruit on, we put our suits on, and.

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Speaker 3: We get to go and this is going to be amazing.

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Speaker 2: Then you start getting a few messages back from the

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Speaker 2: trainers going, oh, yeah, the horse.

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Speaker 3: Is doing okay.

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Speaker 2: We're now the Metropolitan's probably not there anymore, so we're

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Speaker 2: going to go to a regional track. Then we got

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Speaker 2: a message back saying, oh, we might instead of it

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Speaker 2: going to be a sprint out, we might see if

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Speaker 2: it's a long distance horse.

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Speaker 3: Then we got another message.

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Speaker 2: Back going, then we're actually we might think about doing

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Speaker 2: it over the hurdles.

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Speaker 4: And then you get a few more emails and go, hey,

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Speaker 4: here's the vet bill that's come in here are your

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Speaker 4: training fees.

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Speaker 2: Well, I've actually found the last message that we got

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Speaker 2: from the David Hayes stable. It's from a guy called

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Speaker 2: Tom Davinik. Now, our horse was called Direglan. We thought

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Speaker 2: it was going to be the next car ying rising

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Speaker 2: and this was the last last voice message we got

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Speaker 2: on the horse.

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Speaker 11: Hi, it's Tom Damne, just letting you know that die

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Speaker 11: Goland had a hurdle trial this morning at Waterble. The

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Speaker 11: ground was between slow and heavy and today's hurdle trial

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Speaker 11: was all about getting his confidence. But he got around

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Speaker 11: safely and did everything that we asked of him.

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Speaker 4: Such great news. Didn't even get a band aid.

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Speaker 3: He got around safely and did everything we asked of him.

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Speaker 3: We didn't ask a lot.

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Speaker 4: We asked him to stay in the horse play wow,

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Speaker 4: so we asked him.

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Speaker 3: To run and guess what he ran. It's just unfortunately

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Speaker 3: he was forty leaks by and.

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Speaker 4: The term got around okay makes it sound like he

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Speaker 4: didn't know over the hurdles east of and run around them.

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Speaker 5: This is the Fits and Whipper with Cape Ritchie podcast.

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Speaker 4: Fitsy an absolute panic that his kids have reached a

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Speaker 4: size that just maybe they want to wear his gear.

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Speaker 3: So, huy on for my height, I mean, I don't

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Speaker 3: have a big foot. I'm size eleven.

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Speaker 2: So the other day here he goes, oh, dad, I

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Speaker 2: really like these added ass sambas that you got.

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Speaker 3: Can I have them?

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Speaker 2: What I like those shoes? Yeah, okay, you can have

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Speaker 2: him for a little bit. Then he starts going through

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Speaker 2: so with his authotics in whips the same shoe size

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Speaker 2: as me. So he's basically ten and a half at

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Speaker 2: the moment, he's six sixteen years of age. He's going

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Speaker 2: through a growth spurt. So I said, do you this

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Speaker 2: is the hardest thing for any parent out there, you know,

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Speaker 2: the question of do you want to go shopping today?

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Speaker 2: Clothes shopping with your kids because they think it's the

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Speaker 2: end of the.

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Speaker 4: World, end of the world. I would never try anything

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Speaker 4: on Huie.

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Speaker 2: Actually, I said, what do you want to want me

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Speaker 2: to take your shopping? Because he's never really I reckon,

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Speaker 2: We've done it once when he was younger. He said, yeah,

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Speaker 2: I'll go with you because he's into uniclo as well.

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Speaker 2: He likes the clothes from there. So I said, all right,

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Speaker 2: let's go shopping.

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Speaker 3: So we go shopping.

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Speaker 4: How's this?

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Speaker 2: So now he's basically getting up around my size. He's

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Speaker 2: starting to flog stuff from my wardrobe. But we talked

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Speaker 2: Hi about I go to Uniclon and I said, what

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Speaker 2: are you?

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Speaker 3: What are you looking for?

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Speaker 12: Like?

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Speaker 3: What are you into these days?

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Speaker 2: He goes to the he goes, do you know, like, Dad,

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Speaker 2: I want to dress like Jacob A Lordie the Australian actor.

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Speaker 3: Boy.

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Speaker 2: But he, I mean he can pull it off because

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Speaker 2: he's a good looking guy. I mean, I mean Huey

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Speaker 2: back again. So actually it was a really productive day

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Speaker 2: because he was he actually he bought a couple of

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Speaker 2: T shirts, he bought some baggy pants.

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Speaker 4: If I see him in a pair of what are

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Speaker 4: those shoes? Have many pairs of shoes?

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Speaker 3: If you got by the way, I do, I reckon,

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Speaker 3: I do offload my shoes to my mates. So I

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Speaker 3: passed them onto my mates. But I reckon, I reckon,

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Speaker 3: I'd have about thirty pears, thirty trainers.

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Speaker 4: If I see him in a pair of your runners

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Speaker 4: with a band T shirt on, I know exactly where

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Speaker 4: we're a pair of jawts.

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Speaker 3: There's four hundred band T shirts that he's got to

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Speaker 3: choose from as well. Well, he's actually he's rocking up.

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Speaker 2: He's asking me to drop him off at friend's house,

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Speaker 2: and I'm realizing that he's wearing.

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Speaker 3: A lot of my stuff.

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Speaker 4: Awesome, awesome, Jaquin.

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Speaker 3: Penrith, your kids flogging stuff from your wardrobe? Janet, Yeah, she's.

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Speaker 12: Eleven, Yeah, almost twelve.

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Speaker 7: She's as tall as I am, which is quite scary.

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Speaker 1: Yeah, but she says, all my shoes, like my heels,

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Speaker 1: my boots. She's like, oh thanks, mama walks out with them.

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Speaker 12: I'm like, I was looking for to wear myself. That's okay.

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Speaker 1: Yes, anytime I wear a dress, she's like, oh, that's

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Speaker 1: so pretty. I like that it's mine now and I'm like,

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Speaker 1: it doesn't fit you just yet. I grow a little

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Speaker 1: bit more.

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Speaker 4: Oh my god, she started young. Janet's good luck with that.

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Speaker 3: Kelly's in Rowsehel tell us about your daughter, kill Well,

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Speaker 3: I have.

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Speaker 7: My daughter's almost the same age as Hueye. I think

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Speaker 7: she's fifteen turning sixteen soon, and we're the same size. Now.

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Speaker 7: She takes everything of mine, my denim, shots, my makeup, everything.

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Speaker 7: She's even taken some of my underwear recently. My most

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Speaker 7: favorite thing was she has just cheap came up jewe

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Speaker 7: because she loses hers all the time. She wore a

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Speaker 7: very expensive pair of my ear rings to school just

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Speaker 7: because it was Tuesday.

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Speaker 4: Did they come home at the end of the day, Kelly,

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Speaker 4: They did.

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Speaker 7: They were George Jenison's. I did slip it a little bit.

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Speaker 7: I was like, what are you doing wearing those discools?

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Speaker 5: Don't mind?

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Speaker 4: My God's keep an eye on that one.

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Speaker 5: Kel.

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Speaker 2: There is an element though, that you are quite proud

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Speaker 2: that they don't mind your fashion sense and they want

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Speaker 2: to go out and show their friends.

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Speaker 7: I think that's really cool. I feel like if you

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Speaker 7: see it's like, it feels like it's like we could

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Speaker 7: be I don't mind if she should get a job, though,

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Speaker 7: because then maybe it can come.

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Speaker 3: Back to me.

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Speaker 4: You you like it because it's making you feel younger

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Speaker 4: and accepted by the younger crowd, and I need that. Yeah,

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Speaker 4: there's nothing wrong with them, Kelly, nothing wrong with that.

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Speaker 3: Maria in Gladesfield tell us about your daughter, Maria.

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Speaker 12: Yeah, so when she was like fifteen and sixteen, I

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Speaker 12: mean she was always saying how daggy I was and

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Speaker 12: how she was fashionable and all that, and yet I

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Speaker 12: would notice my handbags were missing, some of them were missing,

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Speaker 12: some clothing perfumes, all my makeup, and it's like I'm

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Speaker 12: looking for stuff. Then I happen to be up in

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Speaker 12: her room talking to her while she's getting ready to

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Speaker 12: go to school or do something. It's like, wait a minute,

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Speaker 12: that's all my handbags and now when I wear my makeup.

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Speaker 12: Because I was thinking I was going to be crazy

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Speaker 12: thinking things were disappearing.

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Speaker 1: And she goes, well, yeah, I want to use them.

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Speaker 12: It's like, well, did you ever think about asking me?

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Speaker 10: Oh?

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Speaker 4: No, Maria.

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Speaker 3: Do you know what?

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Speaker 4: There was a girl that worked on this show and

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Speaker 4: she borrowed her mum's handbag one time, and unfortunately mum

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Speaker 4: was hiding something in her handbag. So when she was

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Speaker 4: out and about and went to put the get the

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Speaker 4: keys out of the bag, there was something else already

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Speaker 4: in there. There's a bit of a right hiding place.

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Speaker 3: What it wasn't your book?

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Speaker 10: Was it?

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Speaker 5: No?

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Speaker 4: No, it wasn't my book, it was it was her

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Speaker 4: first Personal items can be a dangerous place to play marine.

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Speaker 3: I think I think you are right.

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Speaker 2: It does make you feel younger as a parent as

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Speaker 2: you're getting older and you've got teenage kids.

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Speaker 3: If they're prepared to wear what you wear in your wardrobe.

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Speaker 3: It makes you feel a lot better. I don't.

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Speaker 4: I mean, Tommy, if they get into sort of waistcoasts

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Speaker 4: and vests, then your kid, you'll be perfectly just for

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Speaker 4: your kid.

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Speaker 13: Yeah.

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Speaker 3: Does he dresses a lot like you?

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Speaker 9: He doestely a.

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Speaker 4: Middle aged woman.

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Speaker 2: Yeah, mate, I felt on top of the world. I

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Speaker 2: felt a bit weird hanging out at a house party.

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Speaker 3: With sixteen year olds on Saturday night. But I was like, yeah, man,

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Speaker 3: you can wear whatever you want.

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Speaker 4: This is cool. Who wants a drink? I'm here.

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Speaker 1: This is the Fitting and Whip with Kate Richie podcast.

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Speaker 5: Well, bomb, let's age lucky.

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Speaker 4: I don't have a lot of it, doesn't.

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Speaker 3: This song to be Well, it's not a brand new song.

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Speaker 3: It's from nineteen ninety eight. It's from the soundtrack of

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Speaker 3: a movie called City of Angels. I'm talking about Goo

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Speaker 3: Goo dolls iris the world. Who was in the movie?

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Speaker 4: Mate?

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Speaker 3: Okay?

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Speaker 2: Nicholas Cage Ryan, Yes, Now this is an unbeliever. I've

364
00:16:52,600 --> 00:16:55,040
Speaker 2: got to get through this. There's a great podcast called

365
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Speaker 2: song Exploder. Now I've got it off this because this

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Speaker 2: is fascinating how this song came together. The lead singer

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Speaker 2: is John Resnick, is his name, and John Resnick was

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Speaker 2: having writer's block whip couldn't come up with a song

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Speaker 2: months and months, and then Warner Brothers approached him to

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Speaker 2: write a song for this new movie. If you haven't

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00:17:16,640 --> 00:17:19,639
Speaker 2: seen City of Angels, this is what he was asked

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Speaker 2: to write a song about.

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Speaker 10: So it's the story about this angel who has immortality,

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Speaker 10: but he's lonely and he sees this woman and he

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Speaker 10: just wants to know what it feels like to feel

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Speaker 10: what all these humans are feeling, because he's just going

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Speaker 10: around watching them, and so he makes this leap and

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Speaker 10: he gives up his immortality for her for love.

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Speaker 2: Okay, So when you're struggling to write, right and they're

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Speaker 2: paying you a lot of money Warner Brothers to write

381
00:17:52,280 --> 00:17:55,399
Speaker 2: this song, I mean, he's freaking out, going what do

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Speaker 2: I do start?

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Speaker 7: So?

384
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Speaker 3: How do you start a song like that?

385
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Speaker 10: I thought, we're I'm going to rate this from and

386
00:18:02,000 --> 00:18:04,800
Speaker 10: I said, well, what would I say? What would I

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00:18:05,000 --> 00:18:09,040
Speaker 10: say to that woman? I had a guitar and because

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00:18:09,040 --> 00:18:12,399
Speaker 10: I D tuned and used alternate tunings, I'd gone a

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Speaker 10: little too far and I popped two strings off the guitar,

390
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Speaker 10: so I had four strings on this guitar left and

391
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Speaker 10: I detuned the low e to a B, the other

392
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Speaker 10: three strings to D's Yeah, and I'm just playing and

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Speaker 10: I'm just running this like basically the shape of a

394
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Speaker 10: power chore, but very simple.

395
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Speaker 3: Okay, so this is the fascinating bit.

396
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Speaker 4: WHI this is?

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Speaker 2: This is what blows my mind because you know, he

398
00:18:46,320 --> 00:18:48,879
Speaker 2: likes to riff and he likes to put his songs together.

399
00:18:48,920 --> 00:18:52,680
Speaker 2: When he impersonates other artists, it gets it gives him inspiration.

400
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Speaker 3: This, this bit blew my mind.

401
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Speaker 10: I did this when I read songs.

402
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Speaker 4: I'll be like.

403
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Speaker 10: You to be new, they got to be we going,

404
00:19:07,119 --> 00:19:09,080
Speaker 10: you know what I mean. I'll do I do like

405
00:19:09,160 --> 00:19:11,280
Speaker 10: the you know when people do their impersonation of Bob

406
00:19:11,359 --> 00:19:13,960
Speaker 10: Dylan Libo this.

407
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Speaker 4: Live, you know.

408
00:19:18,800 --> 00:19:21,240
Speaker 10: So that's how I get melodies. And I always find

409
00:19:21,320 --> 00:19:24,440
Speaker 10: melody first, what sits on top of the cords and

410
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Speaker 10: what does it make you feel? And then sometimes a

411
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Speaker 10: word will come out. You're sitting there going yeah.

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Speaker 4: Yeah, yeah.

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Speaker 10: And I don't to be like you, ah, don't to

414
00:19:35,119 --> 00:19:37,879
Speaker 10: be like I don't want to do.

415
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Speaker 12: And I don't.

416
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Speaker 10: Let's see me because I don't.

417
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Speaker 3: Think they understand.

418
00:19:48,680 --> 00:19:51,680
Speaker 2: Wheverything's made have been broken.

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Speaker 13: I just want you to know.

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Speaker 3: That, is that I hate just done that on the spot,

421
00:20:01,480 --> 00:20:02,359
Speaker 3: just mucking around.

422
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Speaker 2: So but then this blows my mind even more, is

423
00:20:07,200 --> 00:20:09,560
Speaker 2: that he Then they go in and they do their

424
00:20:09,600 --> 00:20:13,760
Speaker 2: first demo and it's really bad, whipped like the drum

425
00:20:13,880 --> 00:20:16,800
Speaker 2: peak just wasn't does it wasn't right. This is the

426
00:20:16,920 --> 00:20:18,720
Speaker 2: first demo of iris.

427
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Speaker 3: No doesn't work, terrible, terrible. So what happens right with

428
00:20:36,760 --> 00:20:37,480
Speaker 3: the soundtrack?

429
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Speaker 2: And because it's Warner Brothers and there's a lot of

430
00:20:39,560 --> 00:20:43,160
Speaker 2: mute money going into this, they bring in this producer,

431
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Speaker 2: Rob Cavallo is his name, and then Rob starts introducing

432
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Speaker 2: elements to the song because if you left it up

433
00:20:51,160 --> 00:20:53,639
Speaker 2: to the Goo Goo Dolls, I mean John Resnick, he

434
00:20:53,840 --> 00:20:54,960
Speaker 2: was going through writer's block.

435
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Speaker 3: He didn't know what to do.

436
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Speaker 2: So they've got this guy involved and then all of

437
00:21:00,200 --> 00:21:03,719
Speaker 2: a sudden, this Rob Cavallo comes in and starts adding stuff.

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Speaker 3: It's amazing. Who's playing that mandolin?

439
00:21:09,280 --> 00:21:12,480
Speaker 10: That's Tim Piers Player, one of the greatest session players

440
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Speaker 10: in the history of recorded music.

441
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Speaker 4: On the mandolin.

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Speaker 3: Do you know whose idea it was to bring him in? Rob?

443
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Speaker 10: This is where Rob turned us on to some crazy stuff.

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Speaker 2: So then then Rob goes, why don't we bring in

445
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Speaker 2: some strings? Why don't I bring in a violin and

446
00:21:34,880 --> 00:21:36,960
Speaker 2: all this kind of stuff and a bit of a

447
00:21:37,440 --> 00:21:39,640
Speaker 2: and the hit. They're like, no, that's not the Goo

448
00:21:39,640 --> 00:21:43,439
Speaker 2: Goo Dolls. So they were strongly against it. They didn't

449
00:21:43,520 --> 00:21:45,800
Speaker 2: want to bring in a string section, and Rob said,

450
00:21:45,880 --> 00:21:48,800
Speaker 2: can you just hear it? And this is the first

451
00:21:48,840 --> 00:21:49,760
Speaker 2: time that they heard us.

452
00:21:49,920 --> 00:21:57,200
Speaker 10: And when they came out and started playing, Robbie and

453
00:21:57,240 --> 00:22:01,000
Speaker 10: I were like, uh oh, uh oh, it's kind of cool.

454
00:22:10,560 --> 00:22:12,080
Speaker 10: And then I'm like, you know, if we do this,

455
00:22:12,200 --> 00:22:15,280
Speaker 10: there's no going back to what we were doing. And

456
00:22:15,400 --> 00:22:18,680
Speaker 10: He's like yeah, And then we were both like, pet,

457
00:22:18,800 --> 00:22:19,200
Speaker 10: let's do it.

458
00:22:34,119 --> 00:22:34,920
Speaker 3: Isn't that amazing?

459
00:22:35,160 --> 00:22:35,440
Speaker 13: You know what?

460
00:22:35,800 --> 00:22:39,119
Speaker 2: That song it wouldn't have It wouldn't have come together

461
00:22:39,560 --> 00:22:42,719
Speaker 2: if it wasn't on a soundtrack and it wasn't sponsored

462
00:22:42,760 --> 00:22:45,920
Speaker 2: by Warner Brothers, because Goo Goo Dolls would have put

463
00:22:46,000 --> 00:22:49,120
Speaker 2: together that first demo and they wouldn't have had Rob

464
00:22:49,240 --> 00:22:51,840
Speaker 2: Cavalo there going well you need a mandolin and you

465
00:22:51,920 --> 00:22:54,280
Speaker 2: need a string section, and it made it into the

466
00:22:54,359 --> 00:22:55,040
Speaker 2: song that it is.

467
00:22:55,480 --> 00:22:57,320
Speaker 3: It's had four billion streams.

468
00:22:57,359 --> 00:22:58,800
Speaker 4: Well that's the other thing. When they look at the

469
00:22:58,840 --> 00:23:01,480
Speaker 4: back catalog. Can you know another Gourgo Dolls song?

470
00:23:02,119 --> 00:23:02,280
Speaker 13: You know?

471
00:23:02,280 --> 00:23:04,320
Speaker 4: And they said there's no going back after this. Well

472
00:23:04,359 --> 00:23:05,359
Speaker 4: you're on the ways forward.

473
00:23:05,359 --> 00:23:07,400
Speaker 3: I would have thought, and it's you know what. They're

474
00:23:07,440 --> 00:23:10,560
Speaker 3: still touring to this day. They just played in Australia recently.

475
00:23:11,240 --> 00:23:15,159
Speaker 3: They have to play Iris eight times, but it's an

476
00:23:15,200 --> 00:23:15,960
Speaker 3: amazing song.

477
00:23:16,200 --> 00:23:19,000
Speaker 1: This is the Fits In with Kate Richie podcast.

478
00:23:19,359 --> 00:23:21,880
Speaker 4: Let's talk about phone etiquette. We're talking about this because

479
00:23:21,880 --> 00:23:24,440
Speaker 4: a lot of people talk loud in the office and

480
00:23:24,480 --> 00:23:26,680
Speaker 4: we'll get up very quickly and shut the door because

481
00:23:26,720 --> 00:23:29,320
Speaker 4: people don't really hold the phone to their ear anymore.

482
00:23:29,920 --> 00:23:33,760
Speaker 4: We were talking about this earlier and Fitz Tommy said, oh, yeah,

483
00:23:34,040 --> 00:23:38,280
Speaker 4: I'm a walkie squawky. Ah, I haven't heard that term,

484
00:23:38,400 --> 00:23:40,920
Speaker 4: tom That's really cute. Yes, squawk all the time. I'm

485
00:23:40,920 --> 00:23:45,280
Speaker 4: alwaukie squawky. So what that means, Tommy, in effect is

486
00:23:45,440 --> 00:23:48,639
Speaker 4: you hold your phone out on speakerphone and then you

487
00:23:48,720 --> 00:23:52,000
Speaker 4: have a conversation yelling, which is really annoying for everybody else.

488
00:23:52,359 --> 00:23:57,399
Speaker 3: You're the cockatoo of a phone talker. Yeah, I just

489
00:23:57,880 --> 00:23:58,360
Speaker 3: it's a lot.

490
00:23:58,520 --> 00:24:00,240
Speaker 8: Have you been a squawky for well, I just don't

491
00:24:00,320 --> 00:24:04,080
Speaker 8: like holding to my ear Yeah, it's frustrating and it's

492
00:24:04,160 --> 00:24:05,880
Speaker 8: uncomfortable on a long phone call.

493
00:24:06,000 --> 00:24:07,560
Speaker 3: COVID. You don't want to get well, I don't.

494
00:24:07,359 --> 00:24:10,160
Speaker 4: Want to get COVID and all those how many earbud guy?

495
00:24:10,320 --> 00:24:11,040
Speaker 4: Air bud guy?

496
00:24:11,920 --> 00:24:13,200
Speaker 3: No, you said they don't fit?

497
00:24:13,280 --> 00:24:15,880
Speaker 4: You know? I know the new ones do the original ones?

498
00:24:15,960 --> 00:24:17,600
Speaker 3: Don't you shaved your head?

499
00:24:17,880 --> 00:24:21,240
Speaker 4: I've got big features, mate, I got you shave your head.

500
00:24:22,040 --> 00:24:24,080
Speaker 3: Got a big task. Come to get your air pods

501
00:24:24,119 --> 00:24:28,320
Speaker 3: in nothing to do with they do they make bigger ones?

502
00:24:28,440 --> 00:24:29,400
Speaker 9: Can you care?

503
00:24:29,480 --> 00:24:30,200
Speaker 3: I think you can.

504
00:24:30,560 --> 00:24:32,600
Speaker 4: You can because it's the rubber piece which was the

505
00:24:32,680 --> 00:24:34,720
Speaker 4: add on, which wasn't huge heads.

506
00:24:34,800 --> 00:24:36,399
Speaker 3: Yeah, I think you know.

507
00:24:36,480 --> 00:24:39,160
Speaker 4: The other one that I used too is the metaglasses

508
00:24:40,920 --> 00:24:45,000
Speaker 4: So cool cool, it looks so cool. It's not a

509
00:24:45,080 --> 00:24:49,080
Speaker 4: walking squawky, which a lot of people are doing. A

510
00:24:49,119 --> 00:24:51,560
Speaker 4: public transport is the worst place to hear somebody doing

511
00:24:51,600 --> 00:24:52,840
Speaker 4: a walking squawky is talking.

512
00:24:53,119 --> 00:24:53,840
Speaker 3: Yeah, that's right.

513
00:24:54,240 --> 00:24:55,600
Speaker 4: I hate the sound of well.

514
00:24:55,800 --> 00:24:59,000
Speaker 2: Metaglasses on on on the metro is a great place

515
00:24:59,040 --> 00:25:01,119
Speaker 2: to where you meta glass because I could be halfway

516
00:25:01,160 --> 00:25:04,560
Speaker 2: through talk and talk to yourself when there's heaps of

517
00:25:04,600 --> 00:25:05,560
Speaker 2: people around and.

518
00:25:05,600 --> 00:25:10,440
Speaker 4: Then I look, okay, take photo. I came how to

519
00:25:10,480 --> 00:25:11,200
Speaker 4: start recording?

520
00:25:11,440 --> 00:25:12,560
Speaker 3: Where's the camera?

521
00:25:12,880 --> 00:25:13,800
Speaker 4: Cameras in the glasses?

522
00:25:14,960 --> 00:25:16,960
Speaker 2: So where are you looking back at yourself or you're

523
00:25:17,000 --> 00:25:19,359
Speaker 2: looking out? See you're taking photo of people in the train.

524
00:25:20,480 --> 00:25:22,600
Speaker 4: Tommy, grab my backpack and I'll throw the metas one.

525
00:25:23,640 --> 00:25:25,800
Speaker 9: You had an issue with producer Oli with something that

526
00:25:26,760 --> 00:25:27,280
Speaker 9: do you know what?

527
00:25:27,720 --> 00:25:31,120
Speaker 4: This is? Like something you see in the movies from

528
00:25:31,160 --> 00:25:33,360
Speaker 4: the US, right, and Americans do it all the time,

529
00:25:33,800 --> 00:25:37,600
Speaker 4: and it's where they don't actually say goodbye. How do

530
00:25:37,680 --> 00:25:38,439
Speaker 4: you answer a call?

531
00:25:38,520 --> 00:25:38,760
Speaker 13: Oli?

532
00:25:39,359 --> 00:25:42,920
Speaker 4: Do you go hello, Hi, it's Ollie speaking. What do

533
00:25:42,960 --> 00:25:43,520
Speaker 4: you normally go?

534
00:25:44,480 --> 00:25:47,680
Speaker 13: It depends I my generation. If someone's calling me, I

535
00:25:47,760 --> 00:25:49,719
Speaker 13: think something's wrong. So none of my friends we never

536
00:25:49,800 --> 00:25:52,880
Speaker 13: call with text, so when someone's calling, it's always like, hello,

537
00:25:53,080 --> 00:25:53,520
Speaker 13: what's going on?

538
00:25:53,720 --> 00:25:53,880
Speaker 7: Yeah?

539
00:25:53,880 --> 00:25:54,480
Speaker 4: Why are you calling it?

540
00:25:54,600 --> 00:25:56,440
Speaker 3: Yeah? But what about like if you want to meet

541
00:25:56,520 --> 00:25:59,000
Speaker 3: the crew out you know what I mean for lads

542
00:25:59,240 --> 00:26:02,160
Speaker 3: the crew? Do you so you don't ring each other?

543
00:26:03,720 --> 00:26:06,199
Speaker 13: Yeah, I would never call unless it's like you need

544
00:26:06,240 --> 00:26:08,520
Speaker 13: an answer quickly, you'd never call. Yeah.

545
00:26:08,600 --> 00:26:10,680
Speaker 4: So the next day, like if you're throwing around stories

546
00:26:10,720 --> 00:26:13,080
Speaker 4: because you've had a big night at karaoke bo that

547
00:26:13,240 --> 00:26:16,600
Speaker 4: you like to do. Will you not call the guys

548
00:26:16,640 --> 00:26:19,800
Speaker 4: and go, man, what happened? Where did we end up?

549
00:26:19,960 --> 00:26:20,760
Speaker 4: This was crazy?

550
00:26:20,840 --> 00:26:21,600
Speaker 8: What was her name?

551
00:26:22,240 --> 00:26:24,439
Speaker 13: Nah, you'd be on the group chat, and then if

552
00:26:24,440 --> 00:26:26,600
Speaker 13: everyone's acting in the group chat, then you'd see and

553
00:26:26,680 --> 00:26:27,359
Speaker 13: you might do like.

554
00:26:27,400 --> 00:26:30,360
Speaker 3: A video call. And then everyone's like, oh, no, you never.

555
00:26:30,480 --> 00:26:32,560
Speaker 3: You never go and take a phone call.

556
00:26:32,720 --> 00:26:35,520
Speaker 4: Here's the thing that I've noticed. You don't say goodbye. Yeah,

557
00:26:35,640 --> 00:26:38,359
Speaker 4: you never. You just hang up when you finished talking.

558
00:26:38,680 --> 00:26:40,560
Speaker 3: Yeah. I've been getting in trouble for this as well.

559
00:26:40,560 --> 00:26:42,760
Speaker 13: I didn't realize this until Jess brought it to my

560
00:26:42,800 --> 00:26:44,040
Speaker 13: attention that I don't say goodbye.

561
00:26:44,240 --> 00:26:48,040
Speaker 4: So Olie will say, yeah, that's a good idea, go on,

562
00:26:48,840 --> 00:26:49,960
Speaker 4: but that's the end of the call.

563
00:26:50,560 --> 00:26:51,879
Speaker 3: You've got to move on to the next thing. You

564
00:26:51,920 --> 00:26:58,720
Speaker 3: don't have time for formalities. You're there, mate, there's got

565
00:26:58,800 --> 00:27:00,720
Speaker 3: to be an official sort of yes.

566
00:27:01,200 --> 00:27:03,879
Speaker 13: Maddie and the producer booth as well. Maddie would be like,

567
00:27:03,920 --> 00:27:04,800
Speaker 13: did you say goodbye to her?

568
00:27:05,160 --> 00:27:07,359
Speaker 3: I wasn't. No, So I need to be better with

569
00:27:07,440 --> 00:27:08,719
Speaker 3: the callers and the listeners.

570
00:27:08,800 --> 00:27:10,919
Speaker 4: So the people that call the show, you just they

571
00:27:10,960 --> 00:27:12,680
Speaker 4: don't even know whether they're still on the call or not.

572
00:27:13,480 --> 00:27:14,920
Speaker 3: We've got to get through a lot of calls. We

573
00:27:15,000 --> 00:27:17,400
Speaker 3: get so many calls, especially with the Wonder Wonder. There's

574
00:27:17,440 --> 00:27:17,800
Speaker 3: a reason.

575
00:27:17,840 --> 00:27:19,639
Speaker 9: Do you know why they don't say it in movies?

576
00:27:19,800 --> 00:27:20,639
Speaker 3: Why so?

577
00:27:20,800 --> 00:27:23,560
Speaker 8: The reason in movies is because it saves time for

578
00:27:23,680 --> 00:27:25,800
Speaker 8: them to not say goodbye, the characters not say goodbye.

579
00:27:26,040 --> 00:27:30,399
Speaker 8: It also second, it maintains the scenes pacing and aligns

580
00:27:30,560 --> 00:27:34,560
Speaker 8: with narrative goals over realism, because it doesn't it stops

581
00:27:34,960 --> 00:27:36,280
Speaker 8: the scene moving forward.

582
00:27:36,320 --> 00:27:38,600
Speaker 4: If they say goodbye, oh doesn't mean well, I'm not

583
00:27:38,680 --> 00:27:41,360
Speaker 4: hold rubbish movies three and a half hours these days

584
00:27:41,400 --> 00:27:42,240
Speaker 4: they take half a day.

585
00:27:42,680 --> 00:27:45,680
Speaker 5: This is the Fits with Cape Ritchie podcast.

586
00:27:46,000 --> 00:27:48,320
Speaker 4: Graham Norton to come out and spoken about the worst interview.

587
00:27:50,119 --> 00:27:51,760
Speaker 8: No, not no.

588
00:27:53,240 --> 00:27:55,240
Speaker 4: Michael Fasbend was on the couch at the same time,

589
00:27:55,320 --> 00:27:58,480
Speaker 4: and unfortunately a guy by the name of Mark Wahlberg.

590
00:27:59,840 --> 00:28:03,520
Speaker 3: I mean right, he had a few, didn't He had

591
00:28:03,600 --> 00:28:04,360
Speaker 3: a few drinks?

592
00:28:04,560 --> 00:28:08,280
Speaker 4: Yeah, Graham Norton guys on to talk about how something

593
00:28:08,359 --> 00:28:13,000
Speaker 4: in Mark's system took over. This was back in twenty

594
00:28:13,119 --> 00:28:16,720
Speaker 4: thirteen and he came on to promote the movie Broken City.

595
00:28:18,000 --> 00:28:20,160
Speaker 4: But I love that it sort of ended with Mark

596
00:28:20,200 --> 00:28:23,000
Speaker 4: Wahlberg city on Graham Norton's knee, almost having him in

597
00:28:23,040 --> 00:28:26,399
Speaker 4: a headlock, which graham Norton just loved. But have a

598
00:28:26,440 --> 00:28:29,879
Speaker 4: listen to this what he was steering. I decided I

599
00:28:29,920 --> 00:28:33,160
Speaker 4: would do sort of I would sort of do opposite balance,

600
00:28:33,240 --> 00:28:36,280
Speaker 4: you know, so the outside tires would grip in. Essentially

601
00:28:36,320 --> 00:28:38,760
Speaker 4: you get most gripped and take the corners faster. It's

602
00:28:38,800 --> 00:28:41,200
Speaker 4: one of those trip and fell and landed in each others.

603
00:28:41,760 --> 00:28:43,200
Speaker 10: No, we crashed.

604
00:28:44,680 --> 00:28:45,920
Speaker 3: Close, close, but it's not.

605
00:28:46,560 --> 00:28:49,960
Speaker 5: Actually that's a happy tale. Okay, ruin the peek story.

606
00:28:50,040 --> 00:28:53,800
Speaker 3: Now you're going to Ruin the golf pro. I have

607
00:28:53,920 --> 00:29:02,080
Speaker 3: had I nap for six or seven minutes, and so

608
00:29:02,280 --> 00:29:02,920
Speaker 3: tell me how you.

609
00:29:05,560 --> 00:29:10,160
Speaker 2: McAvoy intertwined well his through his creative driving.

610
00:29:10,240 --> 00:29:12,840
Speaker 3: Essentially we pulled into and he was the driver. He

611
00:29:12,960 --> 00:29:14,840
Speaker 3: was the driver. I was comfortable.

612
00:29:14,400 --> 00:29:15,520
Speaker 5: Balancing at the back.

613
00:29:15,800 --> 00:29:18,160
Speaker 3: And then I said already if you were listening.

614
00:29:18,000 --> 00:29:25,000
Speaker 4: Mirk, Yes, he'd had a tip of when he falls

615
00:29:25,080 --> 00:29:27,280
Speaker 4: to State school, and I think he ended with him

616
00:29:27,320 --> 00:29:31,080
Speaker 4: sort of falling asleep on the couch. That's not like

617
00:29:31,240 --> 00:29:33,760
Speaker 4: Marky Mark, because he's he's a fitness freak.

618
00:29:34,000 --> 00:29:36,720
Speaker 2: Have we had anyone that's been a bit under the weather,

619
00:29:37,480 --> 00:29:39,520
Speaker 2: But I don't think we've had anyone who's been drunk

620
00:29:39,600 --> 00:29:40,720
Speaker 2: on the show, Tommy.

621
00:29:40,480 --> 00:29:41,920
Speaker 3: Have we perhaps not drunk?

622
00:29:41,960 --> 00:29:44,640
Speaker 8: You did have I believe was that Jason Priestley who

623
00:29:44,760 --> 00:29:46,560
Speaker 8: came in with a nasty pain guy.

624
00:29:47,680 --> 00:29:49,920
Speaker 4: That's different, tom Sometimes.

625
00:29:49,800 --> 00:29:51,000
Speaker 9: He'd been under something else.

626
00:29:51,160 --> 00:29:55,240
Speaker 2: But yeah, which then Whipper got pink eye eight times

627
00:29:55,320 --> 00:29:58,640
Speaker 2: after he yes, after we interviewed him, which was weird.

628
00:29:58,680 --> 00:30:00,720
Speaker 3: I don't know what you did with priests we afterwards,

629
00:30:00,800 --> 00:30:01,720
Speaker 3: but we wrestled.

630
00:30:02,000 --> 00:30:04,600
Speaker 4: Now that is not a cupcake.

631
00:30:04,680 --> 00:30:06,400
Speaker 3: I would continue, that's for sure.

632
00:30:06,440 --> 00:30:09,560
Speaker 4: We know that from the princess speaking big names red

633
00:30:09,640 --> 00:30:11,880
Speaker 4: auras on the show. Plus also this week Lenny Kravitz

634
00:30:11,960 --> 00:30:13,720
Speaker 4: is going to be joining us, Sam Pang and also

635
00:30:13,840 --> 00:30:17,160
Speaker 4: Jim Jeffries. How good is that? Tell me what a lineup?

636
00:30:17,520 --> 00:30:18,360
Speaker 9: It's a big get.

637
00:30:18,440 --> 00:30:22,200
Speaker 4: Finally, he moved on really quickly. I don't need to

638
00:30:22,400 --> 00:30:25,600
Speaker 4: talk about Pinky or did you want to go through

639
00:30:25,640 --> 00:30:27,520
Speaker 4: the series of songs you made up for my Pink?

640
00:30:27,600 --> 00:30:28,440
Speaker 4: I did you that?

641
00:30:28,560 --> 00:30:33,800
Speaker 3: Would I mean to find them?

642
00:30:34,240 --> 00:30:37,040
Speaker 4: Stuck the showdown and do Pinky's Pretty Fly?

643
00:30:37,280 --> 00:30:40,760
Speaker 2: You got pretty flying there and all the girly said,

644
00:30:40,920 --> 00:30:45,760
Speaker 2: speak I for the chile that crawl my laughing.

645
00:30:47,440 --> 00:30:49,360
Speaker 4: We had enough guys, but you got another one there.

646
00:30:49,440 --> 00:30:52,360
Speaker 4: Or you want to move on from the pink the traffic,

647
00:30:52,440 --> 00:30:54,720
Speaker 4: You want to go to the traffic, or you okay,

648
00:30:55,080 --> 00:30:57,920
Speaker 4: It's Whipper with Kate Ritchie is a not for podcast

649
00:30:58,160 --> 00:31:01,479
Speaker 4: a great shows like this down the Nova Player via

650
00:31:01,520 --> 00:31:03,120
Speaker 4: the app Store or Google Play.

651
00:31:03,320 --> 00:31:04,200
Speaker 1: The Nova player