1 00:00:04,400 --> 00:00:07,480 Speaker 1: Hello, podcast listeners. It is Leno here back for twenty 2 00:00:07,600 --> 00:00:10,640 Speaker 1: twenty because FITZI and Whipp are doing their only intros. 3 00:00:10,720 --> 00:00:13,720 Speaker 1: Lasted all of one day, but it is great. 4 00:00:13,480 --> 00:00:14,200 Speaker 2: To be back here. 5 00:00:14,440 --> 00:00:17,480 Speaker 1: And in this episode, of course, we know the bushfires 6 00:00:17,520 --> 00:00:20,360 Speaker 1: have had their devastating effect, and Eric Banner has jumped 7 00:00:20,360 --> 00:00:23,720 Speaker 1: on the fundraising effort. He is offering up a dinner 8 00:00:24,000 --> 00:00:26,279 Speaker 1: that you can have with him. Will chat to the 9 00:00:26,280 --> 00:00:29,320 Speaker 1: Great Man soon? And what is the song that defines 10 00:00:29,520 --> 00:00:32,280 Speaker 1: your life? Apparently whatever song was number one when you 11 00:00:32,280 --> 00:00:35,120 Speaker 1: were fourteen years old is the song. 12 00:00:35,200 --> 00:00:36,559 Speaker 3: So if you want to give that a Google. 13 00:00:36,720 --> 00:00:39,200 Speaker 1: While you're listening, you'll hear the guys songs that define 14 00:00:39,240 --> 00:00:41,400 Speaker 1: their lives very soon, married. 15 00:00:41,200 --> 00:00:43,200 Speaker 2: At first sight or a couple of weeks away. 16 00:00:43,320 --> 00:00:44,360 Speaker 4: And I feel it sticking down. 17 00:00:44,640 --> 00:00:49,120 Speaker 2: It's unbelievable. Okay, so this is how big this show is. Okay, well, 18 00:00:49,280 --> 00:00:50,839 Speaker 2: look I'm addicted to it. 19 00:00:50,960 --> 00:00:52,080 Speaker 5: Yeah you were from day one. 20 00:00:52,200 --> 00:00:54,840 Speaker 2: Yeah, But I get very angry because I've told you 21 00:00:54,840 --> 00:00:58,720 Speaker 2: guys every year, because I don't understand how these people 22 00:00:59,240 --> 00:01:01,920 Speaker 2: can register and go on a show like this because 23 00:01:01,960 --> 00:01:03,680 Speaker 2: they know exactly what's coming up. 24 00:01:03,800 --> 00:01:06,000 Speaker 3: And we mentioned last year, if you are going on 25 00:01:06,040 --> 00:01:08,399 Speaker 3: the show like a friend of ours, Mikey Pembroke, this 26 00:01:08,480 --> 00:01:10,920 Speaker 3: is the last Christmas you would have had with your family. Well, 27 00:01:10,920 --> 00:01:13,360 Speaker 3: it won't be welcome back this December if you're on 28 00:01:13,440 --> 00:01:13,880 Speaker 3: this show. 29 00:01:13,959 --> 00:01:16,040 Speaker 2: Well, it'll be interesting to see how Mikey goes. So, 30 00:01:16,200 --> 00:01:18,360 Speaker 2: Mikey used to work here at nov He's a young fella, 31 00:01:18,520 --> 00:01:22,000 Speaker 2: was a casanova. He's going to be one of the husbands. Sarah. Yeah, 32 00:01:22,120 --> 00:01:26,680 Speaker 2: night number two or something. We don't know whose wife is. See, 33 00:01:26,720 --> 00:01:29,280 Speaker 2: but this is how big this show is, right, And 34 00:01:29,440 --> 00:01:32,160 Speaker 2: this is Michael Whitfley, and this sums him up right. 35 00:01:32,440 --> 00:01:34,679 Speaker 2: It's always a monetary value, Sarah. This is how big 36 00:01:34,720 --> 00:01:36,959 Speaker 2: Married at First Sight is because I've got a post 37 00:01:36,959 --> 00:01:40,160 Speaker 2: it note above my computer right that he put up 38 00:01:40,160 --> 00:01:43,119 Speaker 2: there in November. Yeah, he goes okay, he goes mate 39 00:01:43,240 --> 00:01:44,840 Speaker 2: Married at First Sight. This is how big it is. 40 00:01:45,440 --> 00:01:48,640 Speaker 2: Channel nine share price a dollar sixty seven. I'm going 41 00:01:48,680 --> 00:01:51,960 Speaker 2: to put that up above your computer right right, and 42 00:01:52,000 --> 00:01:55,480 Speaker 2: then you watch their show share price go up around 43 00:01:55,560 --> 00:01:56,360 Speaker 2: Married at First Sight? 44 00:01:56,640 --> 00:01:59,320 Speaker 3: What now you're the one that owns the shares. I'm 45 00:01:59,320 --> 00:02:02,440 Speaker 3: doing you over here? What did it close out yesterday? 46 00:02:02,640 --> 00:02:05,520 Speaker 3: What did I say a November it was a dollar 47 00:02:05,600 --> 00:02:08,400 Speaker 3: ninety or something, wasn't it's a dollar ninety six the 48 00:02:08,520 --> 00:02:10,720 Speaker 3: lead up by the time Mike he gets married, will 49 00:02:10,760 --> 00:02:12,600 Speaker 3: be at two dollars by the end of the season, 50 00:02:12,600 --> 00:02:14,359 Speaker 3: and when we hit our dinner party as we did 51 00:02:14,400 --> 00:02:16,160 Speaker 3: last year, it'll be a dollar twenty twelve. 52 00:02:16,240 --> 00:02:18,320 Speaker 2: Do you know what we're every year? What we say? 53 00:02:18,360 --> 00:02:20,760 Speaker 2: And this is how this article and JMO wrote this 54 00:02:20,840 --> 00:02:23,240 Speaker 2: in the Daily Telegraph, this is how it starts. Married 55 00:02:23,280 --> 00:02:25,360 Speaker 2: at first sight appears to have hit rock bottom and 56 00:02:25,360 --> 00:02:27,040 Speaker 2: you go, well, wait up, we've seen the last kind 57 00:02:27,080 --> 00:02:33,400 Speaker 2: of series. It's hit. It hasn't even started yet, and 58 00:02:33,560 --> 00:02:36,919 Speaker 2: one of the husbands has put up a video before 59 00:02:36,960 --> 00:02:40,480 Speaker 2: the show's even started that has disgusted viewers. What is ready? 60 00:02:41,040 --> 00:02:44,240 Speaker 2: So David Cannon is his name there, that's David there. 61 00:02:44,240 --> 00:02:48,480 Speaker 2: He's full of tats. Yeah, And he's marrying Hayley Vernon 62 00:02:48,520 --> 00:02:50,519 Speaker 2: down the bottom there. And she's the one that's caused 63 00:02:50,560 --> 00:02:53,480 Speaker 2: a bit of controversy already because she said, first of all, 64 00:02:53,560 --> 00:02:56,560 Speaker 2: my wedding shot you photo shop that I look disgusting 65 00:02:56,600 --> 00:02:59,000 Speaker 2: and it she's not happy, she looks good, she looks 66 00:02:59,280 --> 00:03:02,919 Speaker 2: she doesn't like it. She thinks it doesn't look like her, right, Okay, 67 00:03:03,560 --> 00:03:05,600 Speaker 2: she was the one that was. Also, they don't know 68 00:03:05,639 --> 00:03:09,000 Speaker 2: what job she has. Her job is unknown, and they're 69 00:03:09,080 --> 00:03:12,080 Speaker 2: saying that she was a former drug addict. Easy to 70 00:03:12,120 --> 00:03:15,160 Speaker 2: match with someone, so for a casting agent. 71 00:03:16,680 --> 00:03:18,840 Speaker 4: Put it with a guar with five. 72 00:03:19,080 --> 00:03:22,400 Speaker 2: So obviously these two don't get along. Because David has 73 00:03:22,400 --> 00:03:26,920 Speaker 2: put up a video last night Sarah of he's taking 74 00:03:27,080 --> 00:03:32,920 Speaker 2: a toothbrush is supposedly hers, and let's just say he's 75 00:03:32,919 --> 00:03:35,480 Speaker 2: not a big fan of summernats and he's trying to 76 00:03:35,480 --> 00:03:39,200 Speaker 2: get a few marks that were in the bathroom, in 77 00:03:39,280 --> 00:03:43,120 Speaker 2: the toilet, we've brushed a brush on man. 78 00:03:43,520 --> 00:03:44,560 Speaker 5: Then show her user. 79 00:03:44,920 --> 00:03:47,080 Speaker 2: No, that is just so, that is wrong. 80 00:03:47,200 --> 00:03:48,840 Speaker 5: Isn't any but. 81 00:03:48,840 --> 00:03:51,000 Speaker 4: That'll drive the share price up over two dollars. 82 00:03:51,920 --> 00:03:54,119 Speaker 3: Tommy, you said this is the most romantic story you've 83 00:03:54,120 --> 00:03:56,800 Speaker 3: ever heard. Well, big call for twenty twenty. As we 84 00:03:56,880 --> 00:03:58,720 Speaker 3: kick it off, we chase these topics down. 85 00:03:58,880 --> 00:04:01,240 Speaker 4: You gave it a great tea. It's just going is. 86 00:04:01,160 --> 00:04:03,800 Speaker 3: This the best love story you've ever heard? Wait for 87 00:04:03,880 --> 00:04:07,200 Speaker 3: this one, guys. A couple they held hands a long 88 00:04:07,240 --> 00:04:16,080 Speaker 3: time ago, still holding hands today. I can't get out 89 00:04:16,080 --> 00:04:16,559 Speaker 3: of the car. 90 00:04:16,839 --> 00:04:18,320 Speaker 4: I mean, do you know what the problem one. 91 00:04:18,320 --> 00:04:20,679 Speaker 2: Was comfortable to sleep together while you've been holding hands 92 00:04:20,720 --> 00:04:21,400 Speaker 2: the whole time. 93 00:04:21,480 --> 00:04:23,680 Speaker 3: I got halfway through it and realized that if I 94 00:04:23,720 --> 00:04:24,920 Speaker 3: said what I was about to say, I would have 95 00:04:24,960 --> 00:04:28,640 Speaker 3: given away the entire story. They died holding hands. This 96 00:04:28,760 --> 00:04:31,040 Speaker 3: couple has been together for sixty five years, and this 97 00:04:31,120 --> 00:04:35,200 Speaker 3: is such a beautiful story. It's about Jack and Harriet Morrison. 98 00:04:35,360 --> 00:04:39,080 Speaker 3: Murrie bloody weapon he was they met this. 99 00:04:39,200 --> 00:04:41,560 Speaker 2: When he does some stuff like that, that's the best bit. 100 00:04:41,480 --> 00:04:43,120 Speaker 4: Of no, do you know what I mean? 101 00:04:43,640 --> 00:04:47,840 Speaker 3: The kind of sound effects me doing that, distracting from 102 00:04:47,839 --> 00:04:50,000 Speaker 3: me actually needing to read the article. 103 00:04:49,640 --> 00:04:50,680 Speaker 2: Which I'm doing right now. 104 00:04:50,720 --> 00:04:52,240 Speaker 5: More minutes of rihanna to do it? 105 00:04:52,440 --> 00:04:53,440 Speaker 3: Yeah, No, I wonder what now? 106 00:04:53,480 --> 00:04:53,800 Speaker 2: Guys. 107 00:04:54,080 --> 00:04:56,000 Speaker 3: He was eighty three when he died, and she died 108 00:04:56,040 --> 00:04:59,000 Speaker 3: that afternoon as well. They were holding now I know. 109 00:05:00,240 --> 00:05:03,920 Speaker 5: Isn't it to die to die? 110 00:05:03,520 --> 00:05:04,880 Speaker 2: To die? 111 00:05:05,600 --> 00:05:06,799 Speaker 4: Yeah, holding hands? 112 00:05:06,920 --> 00:05:09,040 Speaker 3: If I can go out with that way, I pay 113 00:05:09,120 --> 00:05:12,960 Speaker 3: ten thousand dollars right now, pay ten grand to die 114 00:05:12,960 --> 00:05:15,040 Speaker 3: with lisa money left around. 115 00:05:15,040 --> 00:05:15,600 Speaker 4: I'll tell you what. 116 00:05:15,640 --> 00:05:19,799 Speaker 2: My mild men's freaking out hypochondria at the moment because 117 00:05:19,839 --> 00:05:22,360 Speaker 2: he needs to be there. Well, it is good I 118 00:05:22,440 --> 00:05:24,599 Speaker 2: must have looked. I mean because I got my first 119 00:05:24,680 --> 00:05:27,000 Speaker 2: I told you my first colass. He's getting them every 120 00:05:27,080 --> 00:05:29,760 Speaker 2: I think he's getting them every two weeks, is going 121 00:05:29,760 --> 00:05:33,080 Speaker 2: out with He's getting checkups mums. He's freaking out so 122 00:05:33,240 --> 00:05:37,560 Speaker 2: much that he's got that Mum's going to go before him, right, okay, 123 00:05:37,640 --> 00:05:41,000 Speaker 2: So he's pushing it onto her as well, and Mum's like, Mick, 124 00:05:41,080 --> 00:05:44,840 Speaker 2: it's okay, I'm fine, but he's like, get another check up. 125 00:05:45,040 --> 00:05:47,320 Speaker 2: That's it would be tough when you get to that age. 126 00:05:47,400 --> 00:05:48,080 Speaker 2: You know, when your. 127 00:05:48,000 --> 00:05:51,240 Speaker 5: Partner, if they've been looking after you, like the way 128 00:05:51,279 --> 00:05:52,120 Speaker 5: your mum looks after you? 129 00:05:52,320 --> 00:05:54,440 Speaker 3: Is that why mix concerned? Because if she goes, how 130 00:05:54,440 --> 00:05:55,640 Speaker 3: am I going to look after myself? 131 00:05:55,640 --> 00:05:57,599 Speaker 5: Who's going to make me have a turn on your 132 00:05:57,680 --> 00:05:58,440 Speaker 5: vibrating chairs? 133 00:06:00,200 --> 00:06:02,280 Speaker 2: To him, you don't need to worry dad. We'll put 134 00:06:02,320 --> 00:06:04,240 Speaker 2: you straight in the Perry Park nursing home. And when 135 00:06:04,279 --> 00:06:04,720 Speaker 2: we never have. 136 00:06:04,680 --> 00:06:06,839 Speaker 4: To worry about you again, you won't make Christmas. 137 00:06:06,880 --> 00:06:10,760 Speaker 3: And I'm glad you, said cheer Sarah. Anyway, so they 138 00:06:10,839 --> 00:06:12,640 Speaker 3: it was a beautiful story. They went on their first 139 00:06:12,720 --> 00:06:14,720 Speaker 3: date Halloween nineteen fifty five. 140 00:06:16,920 --> 00:06:17,960 Speaker 2: Just lost where I was reading. 141 00:06:21,760 --> 00:06:23,960 Speaker 3: I went to a little diner and from that day 142 00:06:24,000 --> 00:06:28,159 Speaker 3: on they were never separated. She actually met his father 143 00:06:28,400 --> 00:06:32,200 Speaker 3: on a Drum and Bugle Corp trip that he played in. 144 00:06:32,320 --> 00:06:37,080 Speaker 2: And now they then, this is unnecessary details. 145 00:06:38,600 --> 00:06:43,040 Speaker 3: Became a bus driver and drove drove the Drum and 146 00:06:43,120 --> 00:06:44,560 Speaker 3: Bugle Corps around. 147 00:06:44,279 --> 00:06:45,600 Speaker 4: To a lot of its concerts. 148 00:06:45,720 --> 00:06:48,200 Speaker 6: He's preprepared the sound effects that we thought this was. 149 00:06:48,120 --> 00:06:48,880 Speaker 2: A key detail. 150 00:06:50,839 --> 00:06:54,120 Speaker 3: They then had the VK bus line and they raised 151 00:06:54,120 --> 00:06:55,360 Speaker 3: a daughter called Wagner. 152 00:06:55,880 --> 00:06:56,960 Speaker 1: No, they didn't. 153 00:06:59,040 --> 00:06:59,800 Speaker 4: Wagner Robert. 154 00:07:02,080 --> 00:07:05,360 Speaker 3: They were active Moola Shriners of the Fraternal Order, devoted 155 00:07:05,400 --> 00:07:06,280 Speaker 3: to philanthropy. 156 00:07:07,120 --> 00:07:08,640 Speaker 2: It's interesting, isn't it. 157 00:07:09,080 --> 00:07:14,320 Speaker 7: Oh No, if you saw Harriet, you saw Jack. They 158 00:07:14,320 --> 00:07:24,600 Speaker 7: went everywhere together. He tripped over while walking the dog wagoners. 159 00:07:24,680 --> 00:07:30,040 Speaker 2: It's not so now Wagner's telling the story. 160 00:07:30,760 --> 00:07:35,320 Speaker 4: Break his pelvis and it so what moved into the 161 00:07:35,400 --> 00:07:36,040 Speaker 4: nursing home? 162 00:07:36,400 --> 00:07:39,080 Speaker 2: Okay, so this is where it starts going downhill? Okay? 163 00:07:39,240 --> 00:07:40,320 Speaker 3: What kind of dog did they have? 164 00:07:40,640 --> 00:07:41,160 Speaker 4: I don't know. 165 00:07:41,560 --> 00:07:42,800 Speaker 3: I was just saying, if that was in there, I 166 00:07:42,840 --> 00:07:45,920 Speaker 3: would assume it was quite small and capable for someone 167 00:07:45,920 --> 00:07:50,520 Speaker 3: a hound. 168 00:07:50,760 --> 00:07:54,480 Speaker 5: It's not spelt, but it's not dashened. 169 00:07:54,680 --> 00:07:56,400 Speaker 2: Dashed. It's spelled like that. 170 00:07:56,480 --> 00:07:57,120 Speaker 3: I know what you mean. 171 00:07:57,240 --> 00:07:59,440 Speaker 4: And you thought I was doing the story in justin I'm. 172 00:07:59,280 --> 00:08:00,760 Speaker 8: Trying to save you a few more minutes. 173 00:08:01,280 --> 00:08:02,040 Speaker 4: It's a dash hound. 174 00:08:02,120 --> 00:08:03,560 Speaker 2: So he started going downhill. 175 00:08:03,600 --> 00:08:04,960 Speaker 4: Yeah, but then she got dementia. 176 00:08:05,200 --> 00:08:09,320 Speaker 3: Oh gosh, okay, so she's looking towards the nursing home 177 00:08:09,360 --> 00:08:09,720 Speaker 3: as well. 178 00:08:10,560 --> 00:08:13,960 Speaker 4: September falls blood. It's broken his neck. 179 00:08:15,040 --> 00:08:17,840 Speaker 2: So then he couldn't move, so to do with the dog. 180 00:08:17,960 --> 00:08:22,160 Speaker 4: So they moved four doors down. Then at night he's 181 00:08:22,200 --> 00:08:22,960 Speaker 4: telling the story. 182 00:08:23,040 --> 00:08:27,080 Speaker 3: Then at night he would call to her bedroom four 183 00:08:27,120 --> 00:08:28,440 Speaker 3: doors down, and. 184 00:08:28,400 --> 00:08:32,160 Speaker 2: She'd have no idea who he was. Sad. 185 00:08:32,520 --> 00:08:34,440 Speaker 3: Why would you not put this couple in the same 186 00:08:34,480 --> 00:08:37,160 Speaker 3: room to start with, because he's got a kip. 187 00:08:36,960 --> 00:08:39,160 Speaker 5: And a broken back and she doesn't know who he is, 188 00:08:39,200 --> 00:08:40,080 Speaker 5: and she would wake up. 189 00:08:40,120 --> 00:08:42,200 Speaker 3: I imagine him freak out, not knowing who the guy 190 00:08:42,240 --> 00:08:44,000 Speaker 3: was in the room, having a kid that doesn't sleep, 191 00:08:44,520 --> 00:08:47,360 Speaker 3: You're right, said. They finally decided to move them in 192 00:08:47,600 --> 00:08:51,880 Speaker 3: right to each other's rooms. So Jack and Harriet, according 193 00:08:51,920 --> 00:08:56,920 Speaker 3: to Wagner, were in the same room holding hands on 194 00:08:56,960 --> 00:09:00,240 Speaker 3: the first night that they were together. They looked, did 195 00:09:00,280 --> 00:09:04,319 Speaker 3: each other shut their eyes? And with the power of Love. 196 00:09:05,080 --> 00:09:07,480 Speaker 4: Both passed away. We got Selendia. 197 00:09:07,559 --> 00:09:09,040 Speaker 5: I was gonna say that would be the high point. 198 00:09:09,120 --> 00:09:11,240 Speaker 3: Also, when I say power of Love, you play Celendi on. 199 00:09:12,800 --> 00:09:13,240 Speaker 4: Thanks Man. 200 00:09:13,600 --> 00:09:16,200 Speaker 3: They looked at each other, heads rolled to the side, 201 00:09:16,480 --> 00:09:17,600 Speaker 3: hands held. 202 00:09:17,600 --> 00:09:19,120 Speaker 4: I think Wagner had to hold them up a bit. 203 00:09:19,320 --> 00:09:21,440 Speaker 4: They actually hold their hands up, and then they were 204 00:09:21,480 --> 00:09:22,200 Speaker 4: holding hands. 205 00:09:22,320 --> 00:09:24,199 Speaker 5: It definitely wasn't no. 206 00:09:24,360 --> 00:09:27,560 Speaker 3: And their spirits drifted off together. Ten thousand bucks. 207 00:09:27,600 --> 00:09:30,679 Speaker 2: I'd pay for that any honestly. You send me ten 208 00:09:30,720 --> 00:09:31,840 Speaker 2: thousand dollars and I can. 209 00:09:31,760 --> 00:09:34,800 Speaker 3: Ensure get If you're just waking up, maybe you had 210 00:09:34,800 --> 00:09:36,680 Speaker 3: a rotten sleep last night and that seems to be 211 00:09:36,679 --> 00:09:38,160 Speaker 3: happening a fair bit at my house. 212 00:09:38,240 --> 00:09:39,600 Speaker 4: Sorry for sleeping in this morning. 213 00:09:39,600 --> 00:09:43,720 Speaker 3: Team got into a quarter to six, didn't I took 214 00:09:43,760 --> 00:09:45,880 Speaker 3: a sleeping tablet because there was weird things going on 215 00:09:45,880 --> 00:09:46,320 Speaker 3: at my house. 216 00:09:46,480 --> 00:09:50,040 Speaker 2: Second day back at work and you rock up. We 217 00:09:50,360 --> 00:09:52,160 Speaker 2: ten minutes to go before you go away. 218 00:09:52,240 --> 00:09:55,000 Speaker 3: I'm doing sleeping tuesdays. I meant to brief the team yesterday. 219 00:09:55,080 --> 00:09:56,719 Speaker 3: I get him just before the knock a six, and 220 00:09:56,760 --> 00:10:00,040 Speaker 3: then we just roll into it. Tommy turn the it 221 00:10:00,120 --> 00:10:00,960 Speaker 3: falls out of the mouth. 222 00:10:01,000 --> 00:10:01,640 Speaker 4: We just go for it. 223 00:10:01,720 --> 00:10:04,280 Speaker 3: Yeah, you're not that dedicated, as you know, of you 224 00:10:04,520 --> 00:10:05,560 Speaker 3: what You've actually been. 225 00:10:05,440 --> 00:10:07,800 Speaker 2: More prepared this morning than you are any other time. 226 00:10:08,800 --> 00:10:09,720 Speaker 4: Do you know what's scary? 227 00:10:09,760 --> 00:10:11,800 Speaker 3: We've moved into this new house and everything's settled and 228 00:10:12,679 --> 00:10:15,880 Speaker 3: been doing a couple of renovations and doing it tough, 229 00:10:16,000 --> 00:10:17,360 Speaker 3: doing it tough, hanging in there. 230 00:10:17,720 --> 00:10:20,360 Speaker 4: What's weird when you move into a new house is 231 00:10:20,440 --> 00:10:23,120 Speaker 4: your you're telling me, says, do we really have to 232 00:10:23,160 --> 00:10:23,360 Speaker 4: do that? 233 00:10:23,400 --> 00:10:23,559 Speaker 1: Bit? 234 00:10:23,640 --> 00:10:23,760 Speaker 9: Oh? 235 00:10:23,760 --> 00:10:24,280 Speaker 2: We do, do we? 236 00:10:24,400 --> 00:10:28,120 Speaker 3: Okay, it's costing me an fortune, Fitz. You've spoken about 237 00:10:28,120 --> 00:10:29,600 Speaker 3: this before. When you move into a new house, you 238 00:10:29,679 --> 00:10:31,040 Speaker 3: just start to become familiar. 239 00:10:30,720 --> 00:10:32,160 Speaker 4: With the sounds of the place. 240 00:10:32,320 --> 00:10:34,960 Speaker 2: First night is always the most interesting. 241 00:10:34,960 --> 00:10:37,079 Speaker 4: Things are ticking. What was that downstairs? 242 00:10:37,080 --> 00:10:37,760 Speaker 2: The creaking? 243 00:10:37,960 --> 00:10:40,320 Speaker 3: Have I left the door open? I'll go downstairs and 244 00:10:40,360 --> 00:10:43,240 Speaker 3: have a quick look. Luckily I do martial arts, so 245 00:10:43,240 --> 00:10:44,280 Speaker 3: the whole house is safe. 246 00:10:44,640 --> 00:10:48,079 Speaker 2: The pool cleaner that lady has just quickly just scrambled 247 00:10:48,120 --> 00:10:51,040 Speaker 2: into a spare room trying to make his way. 248 00:10:51,200 --> 00:10:53,199 Speaker 4: Have some noise coming from the cupboard. It's a bloke 249 00:10:53,200 --> 00:10:54,280 Speaker 4: in there with a basket. 250 00:10:54,320 --> 00:10:55,240 Speaker 2: It's clearing the pool. 251 00:10:55,960 --> 00:10:57,960 Speaker 4: Anyway, here's the thing. 252 00:10:59,080 --> 00:11:02,079 Speaker 3: Jack hasn't been slow been very well at all. Now, 253 00:11:02,080 --> 00:11:03,800 Speaker 3: there was a couple of moments that happened in the house. 254 00:11:03,880 --> 00:11:06,080 Speaker 2: No one is he possessed by Satan. I don't know. 255 00:11:06,120 --> 00:11:08,120 Speaker 3: I don't know, but the way he behaves when he's tired, 256 00:11:08,240 --> 00:11:11,240 Speaker 3: I would think he might be, because he's absolutely mental. 257 00:11:11,840 --> 00:11:15,840 Speaker 3: So the other day, I'm turning all the lights off, 258 00:11:16,120 --> 00:11:18,280 Speaker 3: I put my glasses down on the kitchen bench, and 259 00:11:18,320 --> 00:11:20,600 Speaker 3: I'm walking up the stairs and hear this noise. I think, 260 00:11:20,679 --> 00:11:23,120 Speaker 3: hang on a minute, get the scary music they know? 261 00:11:23,520 --> 00:11:26,640 Speaker 3: That sounded like my glasses falling onto the floor. I 262 00:11:26,679 --> 00:11:29,640 Speaker 3: walked back into the kitchen and I looked down, and 263 00:11:29,720 --> 00:11:33,920 Speaker 3: my glasses are on the floor. Oh, that's really weird. 264 00:11:34,040 --> 00:11:34,760 Speaker 4: I look around. 265 00:11:35,440 --> 00:11:39,280 Speaker 3: There's no windows open, there's no doors open, there's nothing 266 00:11:39,320 --> 00:11:41,320 Speaker 3: to have moved my glasses from the bench. 267 00:11:41,120 --> 00:11:41,640 Speaker 2: To the floor. 268 00:11:41,679 --> 00:11:43,080 Speaker 5: So you didn't just put them on the edge? 269 00:11:43,200 --> 00:11:44,080 Speaker 4: Thought about that's there. 270 00:11:44,280 --> 00:11:45,760 Speaker 3: But I put them in the same spot every night, 271 00:11:45,800 --> 00:11:47,320 Speaker 3: so I don't know why I would have misplaced them 272 00:11:47,320 --> 00:11:50,600 Speaker 3: this time. It just wouldn't have made sense. And then 273 00:11:50,679 --> 00:11:54,560 Speaker 3: then I walked upstairs, I went to bed, got up. 274 00:11:54,559 --> 00:11:57,439 Speaker 3: Halfway through the night, Jack was restless, so I went 275 00:11:57,440 --> 00:11:59,199 Speaker 3: in there to try and settle him down. I look 276 00:11:59,240 --> 00:12:01,200 Speaker 3: at the wall, and there's those curtains, you know, the 277 00:12:01,200 --> 00:12:02,680 Speaker 3: ones that come on the string and you pull it 278 00:12:02,720 --> 00:12:03,760 Speaker 3: up and then you tie it off. 279 00:12:04,080 --> 00:12:05,520 Speaker 4: There's curtains like that in his room. 280 00:12:06,160 --> 00:12:09,600 Speaker 3: The curtains down, but it's pulled to the side, so 281 00:12:09,640 --> 00:12:11,480 Speaker 3: it's not as if the bottom was uneven. The actual 282 00:12:11,520 --> 00:12:13,760 Speaker 3: curtain is pulled to the side. And I look at 283 00:12:13,760 --> 00:12:17,920 Speaker 3: the curtain and the curtain swings straight. 284 00:12:19,120 --> 00:12:20,439 Speaker 4: Now I had a question. 285 00:12:20,200 --> 00:12:21,960 Speaker 3: Mark over whether i'd put the glasses on the edge 286 00:12:21,960 --> 00:12:24,000 Speaker 3: of the bench, and that's why they'd fallen. When I 287 00:12:24,120 --> 00:12:28,200 Speaker 3: stared at this curtain, and the curtain swung straight without 288 00:12:28,240 --> 00:12:30,000 Speaker 3: even touching it. Because I looked at it and I went, 289 00:12:30,120 --> 00:12:33,120 Speaker 3: why is that on an angle? And it swung straight 290 00:12:33,160 --> 00:12:36,160 Speaker 3: and corrected itself. I went, hang on a minute, what's 291 00:12:36,200 --> 00:12:37,000 Speaker 3: going on here. 292 00:12:37,000 --> 00:12:38,760 Speaker 5: For a guy who doesn't like Star Wars. 293 00:12:38,800 --> 00:12:41,120 Speaker 3: Now you think you have the force, it's not the force, 294 00:12:41,160 --> 00:12:45,800 Speaker 3: says this spirit living in the house before or after 295 00:12:45,880 --> 00:12:47,880 Speaker 3: you ate that special cookie. Well, that was the thing 296 00:12:48,360 --> 00:12:50,240 Speaker 3: when you never know what gets dropped in your ailbox. 297 00:12:50,280 --> 00:12:54,760 Speaker 3: But the builders left me something for Christmas, left me 298 00:12:54,800 --> 00:12:55,280 Speaker 3: some cookies. 299 00:12:55,320 --> 00:12:56,360 Speaker 4: So Brazilian specials. 300 00:12:56,720 --> 00:12:57,559 Speaker 5: You are known to. 301 00:12:57,559 --> 00:13:04,080 Speaker 3: Drink a bit you love or whatever it's held at dinner. 302 00:13:04,240 --> 00:13:06,760 Speaker 5: You know, two three four glass of red, have a beer. 303 00:13:07,240 --> 00:13:09,400 Speaker 2: You're cutting a bad picture. 304 00:13:11,160 --> 00:13:15,199 Speaker 3: You're looking I fell over or I passed out on 305 00:13:15,240 --> 00:13:16,839 Speaker 3: the kids. Bet all right, you've got me. You've got 306 00:13:16,840 --> 00:13:17,640 Speaker 3: me an absolute beauty. 307 00:13:17,679 --> 00:13:22,560 Speaker 4: I blacked out. I was having no Sarah. That didn't happen. 308 00:13:22,640 --> 00:13:24,800 Speaker 4: The curtain from side to straight. 309 00:13:24,880 --> 00:13:26,440 Speaker 2: I can move on from the curtain. I don't give 310 00:13:26,480 --> 00:13:28,320 Speaker 2: a stuff about the curtain, mate. So the other night 311 00:13:28,400 --> 00:13:29,120 Speaker 2: about your child. 312 00:13:29,280 --> 00:13:31,560 Speaker 3: I'm there, it's eleven thirty. I've got a camera in 313 00:13:31,600 --> 00:13:33,720 Speaker 3: the bedroom at the moment, right, so I can see 314 00:13:33,720 --> 00:13:34,360 Speaker 3: what the poison do. 315 00:13:34,600 --> 00:13:35,800 Speaker 2: It just makes it at least. 316 00:13:37,080 --> 00:13:40,240 Speaker 4: Not in Lisa's bed, not in our bedroom. I'll tell 317 00:13:40,280 --> 00:13:42,040 Speaker 4: you what. With the baby two months away, there's not 318 00:13:42,080 --> 00:13:45,360 Speaker 4: a lot going on there. So I'm looking at this. 319 00:13:45,480 --> 00:13:47,800 Speaker 3: I've got the footage the camera open because I can 320 00:13:47,800 --> 00:13:50,040 Speaker 3: hear this noise upstairs. Because I can hear I think 321 00:13:50,240 --> 00:13:54,120 Speaker 3: Jack's not asleep again. I then look at the camera. 322 00:13:54,840 --> 00:13:58,840 Speaker 3: Jack's rolling around in bed. He's fallen out of the bed. 323 00:13:59,280 --> 00:14:03,280 Speaker 3: That's because he's rolled then climbed up onto to Ted's 324 00:14:03,320 --> 00:14:05,960 Speaker 3: bed which is next to him, stood up on the 325 00:14:06,040 --> 00:14:09,520 Speaker 3: edge and catapulted himself back onto his bed. Because he 326 00:14:09,679 --> 00:14:13,000 Speaker 3: lands on the end of his bed and just lies there, 327 00:14:13,000 --> 00:14:15,040 Speaker 3: he's back to sleep again. Pretty amazing. He looks like 328 00:14:15,080 --> 00:14:17,360 Speaker 3: a little monk. So this camera records every time there's 329 00:14:17,440 --> 00:14:21,080 Speaker 3: movement throughout the night, and it's on him. He moves 330 00:14:21,320 --> 00:14:24,880 Speaker 3: non stop throughout the night. What's going on is he's 331 00:14:24,960 --> 00:14:27,920 Speaker 3: moved by the spirits that exist in this place that 332 00:14:27,920 --> 00:14:29,080 Speaker 3: we're for Bourbon. 333 00:14:29,920 --> 00:14:31,880 Speaker 4: No, no, don't go back to there. 334 00:14:32,160 --> 00:14:33,760 Speaker 3: When I put it up, the amount of comments I've 335 00:14:33,800 --> 00:14:35,800 Speaker 3: had of people going, well, my brother used to do 336 00:14:35,840 --> 00:14:38,320 Speaker 3: this in their sleep. Oh, I had assisted that did this. 337 00:14:38,360 --> 00:14:40,320 Speaker 3: It's okay, it's perfectly normally. Your kid's not the only 338 00:14:40,360 --> 00:14:43,240 Speaker 3: weirdo out there. Thirteen twenty four to ten extreme things 339 00:14:43,280 --> 00:14:46,560 Speaker 3: you've seen in someone's sleep. That's not bad. The anchor 340 00:14:46,600 --> 00:14:49,200 Speaker 3: welco on to the show. Your brother used to sleepwalk? 341 00:14:49,280 --> 00:14:49,720 Speaker 4: Is that right? 342 00:14:50,400 --> 00:14:50,760 Speaker 2: He did? 343 00:14:50,920 --> 00:14:51,320 Speaker 8: He did. 344 00:14:51,360 --> 00:14:54,640 Speaker 10: He was a massive sleepwalker, and he used to go 345 00:14:54,680 --> 00:14:57,440 Speaker 10: to the toilet in his sleep. But he's going to 346 00:14:57,440 --> 00:14:59,920 Speaker 10: actually go to the toilet. He would just we random 347 00:15:00,800 --> 00:15:04,200 Speaker 10: in different places. One of his favorite places within our wardrobe. 348 00:15:04,400 --> 00:15:08,040 Speaker 4: Ah, so annoying in the wardrobe. 349 00:15:08,720 --> 00:15:11,840 Speaker 2: Jewe Bolton did juwe Bolton did that in the oven once? 350 00:15:12,360 --> 00:15:12,680 Speaker 4: Did he? 351 00:15:12,800 --> 00:15:17,320 Speaker 2: Yeah? He honestly thought he was he was pulling yea 352 00:15:17,600 --> 00:15:20,400 Speaker 2: toilet seed up, but he was actually pulling the oven 353 00:15:20,440 --> 00:15:22,640 Speaker 2: door down. Awesome. Got on your bolt, set it to 354 00:15:22,680 --> 00:15:25,320 Speaker 2: one hundred and eighty degrees. It's not horrible the next day. 355 00:15:25,840 --> 00:15:27,800 Speaker 3: But was there anywhere else that they weed? 356 00:15:27,840 --> 00:15:28,760 Speaker 4: That was strange? 357 00:15:29,760 --> 00:15:31,200 Speaker 10: Look in the fridge ones. 358 00:15:34,280 --> 00:15:36,160 Speaker 3: As we lived with bolts to just be both in 359 00:15:36,160 --> 00:15:40,000 Speaker 3: the kitchen breakfast, Ryan, Welcome to the show. 360 00:15:40,000 --> 00:15:41,040 Speaker 4: What's your story? Buddy? 361 00:15:42,080 --> 00:15:44,720 Speaker 8: My sister when she was about five and six used 362 00:15:44,720 --> 00:15:47,400 Speaker 8: to walk down stairs out of the house, go on 363 00:15:47,400 --> 00:15:49,200 Speaker 8: a tire swing and swing out the front all night 364 00:15:49,200 --> 00:15:50,120 Speaker 8: while she was still asleep. 365 00:15:50,240 --> 00:15:54,200 Speaker 2: That's freaking because if you walking past with your dog 366 00:15:54,280 --> 00:15:57,120 Speaker 2: and you see a young kid asleep on the middle 367 00:15:57,160 --> 00:16:01,000 Speaker 2: of the night on a on a swing horror movie. 368 00:16:01,280 --> 00:16:01,960 Speaker 3: Is she normal? 369 00:16:02,440 --> 00:16:07,560 Speaker 8: Not really? But she's not that weird gosh. 370 00:16:07,240 --> 00:16:10,160 Speaker 2: That I mean. Can we get someone in the go 371 00:16:10,280 --> 00:16:12,400 Speaker 2: see if there are any spirits in the house or something. 372 00:16:12,640 --> 00:16:16,720 Speaker 11: There's only one person who could do this job. One person, 373 00:16:16,760 --> 00:16:19,280 Speaker 11: Bruce Willis. 374 00:16:19,400 --> 00:16:20,840 Speaker 3: Send him to your house. 375 00:16:21,040 --> 00:16:23,160 Speaker 11: Let's do it, Francis. 376 00:16:22,640 --> 00:16:29,440 Speaker 4: Be no, no, no, he's got to give me my address. 377 00:16:29,520 --> 00:16:32,040 Speaker 4: Tom that makes no sense. Let's move on for this 378 00:16:32,320 --> 00:16:32,960 Speaker 4: very quickly. 379 00:16:34,000 --> 00:16:35,320 Speaker 2: Now we've got to do a shout out for a 380 00:16:35,360 --> 00:16:37,160 Speaker 2: good mate who is in the jungle at the moment. 381 00:16:37,200 --> 00:16:40,880 Speaker 2: I'm a celebrity. It's actually been a good series. Perez 382 00:16:40,960 --> 00:16:45,240 Speaker 2: Hilton went in last night with the viper Room, which, yes, snakes. 383 00:16:45,320 --> 00:16:47,720 Speaker 2: Claustrophobia is the first thing that I wouldn't be able 384 00:16:47,760 --> 00:16:50,960 Speaker 2: to do. Second of all those snakes. Now, one man 385 00:16:51,240 --> 00:16:53,920 Speaker 2: we are lucky didn't go into the viper room last 386 00:16:54,000 --> 00:16:55,680 Speaker 2: night is our good mate Tommy Williams. 387 00:16:55,680 --> 00:16:57,600 Speaker 3: Did you know he was scared of snakes to the 388 00:16:57,640 --> 00:16:59,640 Speaker 3: point of the freak out. 389 00:16:59,680 --> 00:17:01,640 Speaker 2: I knew he was scared of snakes, and it was 390 00:17:01,680 --> 00:17:05,480 Speaker 2: interesting to hear Chris Brown and Julia talk about there's 391 00:17:05,520 --> 00:17:08,440 Speaker 2: a difference that you I hate snakes, right, I don't 392 00:17:08,520 --> 00:17:11,560 Speaker 2: like snakes. But then there's a difference with a phobia 393 00:17:12,359 --> 00:17:15,800 Speaker 2: where I've never seen Tommy have the physical reaction that 394 00:17:15,880 --> 00:17:19,840 Speaker 2: he has, like he vomits Sarah and he was dry 395 00:17:19,920 --> 00:17:23,000 Speaker 2: reaching and he was crying, but it was he was 396 00:17:23,080 --> 00:17:25,040 Speaker 2: so determined to do it. And this is what I 397 00:17:25,160 --> 00:17:27,240 Speaker 2: talk to you about the fear of flying as well, 398 00:17:27,640 --> 00:17:31,280 Speaker 2: because seeing Tommy overcome that snake challenge, I sort of 399 00:17:31,440 --> 00:17:33,440 Speaker 2: you know, and that's springing the step that he had. 400 00:17:33,800 --> 00:17:35,720 Speaker 2: I want to see you that with flying. 401 00:17:36,240 --> 00:17:38,600 Speaker 3: But the difference is Tommy knows he's probably never going 402 00:17:38,640 --> 00:17:40,600 Speaker 3: to have to face that snake again. I'm going to 403 00:17:40,640 --> 00:17:43,560 Speaker 3: have to get on a plane again. How you feel 404 00:17:44,359 --> 00:17:46,159 Speaker 3: not to that extent, I don't vomit unless I've had 405 00:17:46,200 --> 00:17:47,840 Speaker 3: a bottle of wine. And through still Knox, you've seen 406 00:17:47,880 --> 00:17:50,160 Speaker 3: that says But I mean I've got better over the years. 407 00:17:50,240 --> 00:17:52,800 Speaker 3: But still it's irrational, and that's why it's a phobia. 408 00:17:53,000 --> 00:17:53,160 Speaker 10: Yea. 409 00:17:53,560 --> 00:17:55,040 Speaker 4: Your extreme levels that you. 410 00:17:55,040 --> 00:17:58,399 Speaker 3: Go to are beyond the reality of the situation that 411 00:17:58,440 --> 00:18:01,639 Speaker 3: you're facing. And that's the frustrating part because you can't 412 00:18:01,680 --> 00:18:04,440 Speaker 3: control that. You saw Warning with the spider that time. 413 00:18:04,720 --> 00:18:07,479 Speaker 3: Remember he got written into his clause two things. One, 414 00:18:07,480 --> 00:18:09,320 Speaker 3: I want to be able to smoke out the back. Second, 415 00:18:09,359 --> 00:18:10,080 Speaker 3: no spiders. 416 00:18:10,560 --> 00:18:12,639 Speaker 2: And heardly, I want to hook up with one of 417 00:18:12,640 --> 00:18:13,680 Speaker 2: the productions. 418 00:18:13,200 --> 00:18:18,000 Speaker 3: For if you were to do at a time, and 419 00:18:18,040 --> 00:18:19,879 Speaker 3: I'm going to tell an appropriate stories A coup on 420 00:18:19,960 --> 00:18:22,320 Speaker 3: my microphone that's another story. 421 00:18:22,359 --> 00:18:24,679 Speaker 4: But he then said, okay, I'll do the spider thing. 422 00:18:24,720 --> 00:18:25,960 Speaker 4: But you saw the. 423 00:18:25,920 --> 00:18:29,440 Speaker 3: Way he was shaking and the intensity in his eyes 424 00:18:29,640 --> 00:18:31,360 Speaker 3: as this spider came towards him. 425 00:18:31,480 --> 00:18:33,440 Speaker 2: Tommy's doing well, all right, so we want to get in. 426 00:18:33,600 --> 00:18:35,719 Speaker 2: We want to get behind him now, so that tonight 427 00:18:35,840 --> 00:18:38,119 Speaker 2: isn't eviction. I've got a voice message for you that 428 00:18:38,160 --> 00:18:41,000 Speaker 2: I'm about to play, but please help us out and 429 00:18:41,119 --> 00:18:42,800 Speaker 2: keep Tommy in there because you're going to get some 430 00:18:42,800 --> 00:18:45,280 Speaker 2: good value out of him. You've got to text tom 431 00:18:45,760 --> 00:18:49,800 Speaker 2: to nineteen nine five ten ten. That's nineteen nine five 432 00:18:49,920 --> 00:18:53,399 Speaker 2: ten ten and text the word tom. So this was 433 00:18:53,800 --> 00:18:56,400 Speaker 2: the night that he was going into the Jungles era. 434 00:18:56,600 --> 00:18:57,840 Speaker 2: He's in the car. 435 00:18:58,000 --> 00:19:02,040 Speaker 3: You had no idea he was going suspicions. 436 00:19:01,520 --> 00:19:06,320 Speaker 2: No, I did you knew? I set it up? Well 437 00:19:06,400 --> 00:19:09,879 Speaker 2: they Okay, I'm going to tell the story now. I 438 00:19:09,960 --> 00:19:11,919 Speaker 2: got a phone call saying, do you want to do 439 00:19:12,040 --> 00:19:15,560 Speaker 2: the Jungle? Yeah? And I usually we get this every year, 440 00:19:15,600 --> 00:19:17,399 Speaker 2: and I said, nah, no, no, well I can't with 441 00:19:17,440 --> 00:19:20,600 Speaker 2: work anyway, We go back to work on on jan twenty. 442 00:19:20,800 --> 00:19:22,399 Speaker 2: I said I can't do it. I got off the 443 00:19:22,440 --> 00:19:26,080 Speaker 2: phone and I thought, you know who would be perfect, 444 00:19:26,320 --> 00:19:27,800 Speaker 2: and he's got a bit of time up his sleeve 445 00:19:27,880 --> 00:19:30,240 Speaker 2: to do it. I said, Tommy would be great. So 446 00:19:30,320 --> 00:19:32,200 Speaker 2: I rang them back and I said, if you want 447 00:19:32,240 --> 00:19:35,240 Speaker 2: someone who's a bit of a bogain like me and 448 00:19:35,320 --> 00:19:37,160 Speaker 2: you want to go into the jungle, I said, Tommy 449 00:19:37,200 --> 00:19:38,320 Speaker 2: Williams would be awesome. 450 00:19:38,440 --> 00:19:38,919 Speaker 4: Oh wow. 451 00:19:39,119 --> 00:19:41,239 Speaker 2: So then I didn't know what happened after that, and 452 00:19:41,240 --> 00:19:42,800 Speaker 2: then I found out. I found out that he's in. 453 00:19:42,880 --> 00:19:45,760 Speaker 2: So this is he was about to go into the jungle, 454 00:19:46,520 --> 00:19:49,040 Speaker 2: and this was one of his last phone calls. He 455 00:19:49,160 --> 00:19:51,160 Speaker 2: rang his wife after me, but one of his last 456 00:19:51,200 --> 00:19:54,560 Speaker 2: phone calls, and it was late at night, so I 457 00:19:54,600 --> 00:19:56,520 Speaker 2: didn't pick up the phone. So he left a voice 458 00:19:56,560 --> 00:19:58,960 Speaker 2: message on my phone. This is Tommy before he ran in. 459 00:20:01,200 --> 00:20:02,479 Speaker 9: I'm on my way to the jungle. 460 00:20:02,520 --> 00:20:02,680 Speaker 1: Man. 461 00:20:03,080 --> 00:20:07,399 Speaker 9: Yeah, I'm coming in. So if you could chime in 462 00:20:07,760 --> 00:20:10,160 Speaker 9: and take care of some sister committee while I'm away, 463 00:20:10,200 --> 00:20:12,920 Speaker 9: that would be awesome. And also ring Rachel and tell 464 00:20:12,960 --> 00:20:15,159 Speaker 9: her to turn the lights off at home. Man, I 465 00:20:15,200 --> 00:20:17,119 Speaker 9: know she always reads the month. If I think of 466 00:20:17,160 --> 00:20:20,280 Speaker 9: anything else, I'll call you back. But yeah, big cool man, 467 00:20:20,320 --> 00:20:21,719 Speaker 9: I know it's going to be a while. I'm going 468 00:20:21,760 --> 00:20:23,760 Speaker 9: to really miss you say how to Tommy and the 469 00:20:23,800 --> 00:20:26,520 Speaker 9: Whip and sound? Oh of God, just say about. 470 00:20:31,359 --> 00:20:31,960 Speaker 2: A voicemail? 471 00:20:32,080 --> 00:20:37,280 Speaker 12: Wow, this is Kat and that from the mom Truth podcast. 472 00:20:37,400 --> 00:20:40,760 Speaker 12: Does your little one love Paw Patrol? What about dinosaurs? Well, 473 00:20:40,880 --> 00:20:43,560 Speaker 12: the new season of Paw patrols here and guess. 474 00:20:43,359 --> 00:20:45,280 Speaker 2: What, it's a dino Rescue. 475 00:20:45,359 --> 00:20:48,080 Speaker 12: I can't wait for my kid to watch each episode 476 00:20:48,160 --> 00:20:50,719 Speaker 12: ten times a night. All of your holiday and birthday 477 00:20:50,760 --> 00:20:53,560 Speaker 12: gift shopping is pretty much done because, of course, there 478 00:20:53,600 --> 00:20:56,199 Speaker 12: are a whole new batch of Dinah Rescue toys and 479 00:20:56,280 --> 00:20:59,320 Speaker 12: for a limited time at Target, get fifteen percent off 480 00:20:59,359 --> 00:21:02,240 Speaker 12: the new pot patrolled Daniel Rescue toys with the code 481 00:21:02,359 --> 00:21:05,720 Speaker 12: par fifteen. Check it out. It's gonna be posom. 482 00:21:08,680 --> 00:21:10,600 Speaker 2: How goods music? Guys, we love music. 483 00:21:10,720 --> 00:21:11,359 Speaker 4: We just debate. 484 00:21:11,480 --> 00:21:14,320 Speaker 3: Was just raging about what decade was the best for music. 485 00:21:14,280 --> 00:21:17,840 Speaker 2: Without a doubt, mate, But in the nineties, without a doubt, 486 00:21:17,920 --> 00:21:19,560 Speaker 2: it's got to be the one that you spent most 487 00:21:19,560 --> 00:21:19,919 Speaker 2: time in. 488 00:21:20,520 --> 00:21:23,440 Speaker 5: Yeah, you know it's a period of your life, because 489 00:21:23,480 --> 00:21:25,240 Speaker 5: don't you reckon, You look back on moments of your 490 00:21:25,240 --> 00:21:27,840 Speaker 5: life and a song appears to remind you of like 491 00:21:27,960 --> 00:21:31,159 Speaker 5: a break up. Obviously, every time I hear Mariah Carey. 492 00:21:31,760 --> 00:21:32,760 Speaker 11: I remember being. 493 00:21:32,600 --> 00:21:36,680 Speaker 2: Done, sot, who which brother was it? 494 00:21:37,080 --> 00:21:38,399 Speaker 4: Because you're a couple of brothers. 495 00:21:39,000 --> 00:21:42,560 Speaker 2: Don't say stuff like that. Don't say your YouTube teacher, my. 496 00:21:43,200 --> 00:21:47,240 Speaker 5: Boyfriend, you're okay for my trial exams. He took me 497 00:21:47,359 --> 00:21:50,600 Speaker 5: to Tamara Oval and we were sitting in his barna 498 00:21:50,760 --> 00:21:51,520 Speaker 5: and he said. 499 00:21:51,440 --> 00:21:55,000 Speaker 2: No, no, what a horror Okay, first of all, you 500 00:21:55,280 --> 00:21:59,120 Speaker 2: drive in a barinas, I said, second of all, okay, 501 00:21:59,720 --> 00:22:03,200 Speaker 2: horror ale night, You've just been dumped. Even more horrible. 502 00:22:03,240 --> 00:22:06,679 Speaker 2: You have to listen to Mariah care Tommy, did you ever. 503 00:22:06,520 --> 00:22:08,560 Speaker 3: Come across a breakup song the girl that shaved her 504 00:22:08,560 --> 00:22:09,560 Speaker 3: head when you goes. 505 00:22:09,520 --> 00:22:11,520 Speaker 2: Or when you broke up with Mariah care in time 506 00:22:11,600 --> 00:22:13,040 Speaker 2: that was shattering for you? 507 00:22:13,040 --> 00:22:14,000 Speaker 4: No, she shaved her hair. 508 00:22:14,359 --> 00:22:16,359 Speaker 11: We did a lot of sumon and guffunkle together, but 509 00:22:16,400 --> 00:22:19,000 Speaker 11: that's what the sound side. 510 00:22:21,680 --> 00:22:25,400 Speaker 4: I was the one with the big hair. So what's 511 00:22:25,440 --> 00:22:26,280 Speaker 4: that of you found? 512 00:22:26,760 --> 00:22:26,920 Speaker 2: Well? 513 00:22:26,960 --> 00:22:27,720 Speaker 4: This is awesome. 514 00:22:27,840 --> 00:22:31,000 Speaker 5: So yesterday this Twitter went nuts for this. Basically, the 515 00:22:31,080 --> 00:22:33,680 Speaker 5: song that was number one when you turned fourteen years 516 00:22:33,720 --> 00:22:35,560 Speaker 5: old defines your life. 517 00:22:35,640 --> 00:22:36,000 Speaker 2: Okay. 518 00:22:36,040 --> 00:22:37,920 Speaker 3: I did the chalcu on this so I was ninety three. 519 00:22:38,119 --> 00:22:40,280 Speaker 4: Okay, So you mean the number one song for that 520 00:22:40,320 --> 00:22:41,400 Speaker 4: on the on the. 521 00:22:41,440 --> 00:22:45,199 Speaker 5: Day that you were at fourteen, so your birthday, fourteenth birthday? 522 00:22:45,240 --> 00:22:47,480 Speaker 2: What was number one? And that song to fine this 523 00:22:48,080 --> 00:22:50,720 Speaker 2: is do you want? Do you want an old man? 524 00:22:50,800 --> 00:22:53,359 Speaker 2: Time to kick it on? He is, because this is 525 00:22:53,400 --> 00:22:56,480 Speaker 2: the most ridiculous study I've ever heard in money. I 526 00:22:56,560 --> 00:22:57,000 Speaker 2: love it. 527 00:22:57,040 --> 00:22:57,520 Speaker 4: Do you know why? 528 00:22:57,800 --> 00:23:00,560 Speaker 3: Probably tell me if I'm right here, heirs, It's because 529 00:23:00,600 --> 00:23:02,400 Speaker 3: you're in that point in your life where there are 530 00:23:02,480 --> 00:23:06,720 Speaker 3: so many changes going on. Music often that that becomes 531 00:23:06,720 --> 00:23:09,000 Speaker 3: the soundtrack for that stage. 532 00:23:08,640 --> 00:23:11,040 Speaker 4: Of your life, which sort of launches you through. 533 00:23:10,960 --> 00:23:12,560 Speaker 3: And you kind of between a boy and a man 534 00:23:12,680 --> 00:23:14,879 Speaker 3: or a girl and a woman at that age. And 535 00:23:16,359 --> 00:23:18,480 Speaker 3: don't look at me like I've been launching you. 536 00:23:18,480 --> 00:23:20,879 Speaker 2: You're talking to your kids, mate, No I'm not. 537 00:23:20,920 --> 00:23:22,720 Speaker 4: But I'm just saying this is why a song of. 538 00:23:22,680 --> 00:23:26,160 Speaker 5: That age would have impact, meaning, find. 539 00:23:27,720 --> 00:23:32,520 Speaker 3: You developers before you're growing pure later. 540 00:23:33,520 --> 00:23:36,200 Speaker 2: Fourteen years of age, you're in year nine, you are 541 00:23:36,240 --> 00:23:39,159 Speaker 2: discovering music, You're supering, discovering everything. 542 00:23:39,200 --> 00:23:39,600 Speaker 4: Mate. 543 00:23:40,040 --> 00:23:45,720 Speaker 2: Okay, this is so ridiculous because mine's nineteen ninety. This 544 00:23:45,800 --> 00:23:49,280 Speaker 2: is you. This is if you think I'm defined by 545 00:23:49,320 --> 00:23:52,920 Speaker 2: Wilson Phillips, hold on where you can go and get stuck. 546 00:23:52,720 --> 00:23:53,840 Speaker 4: Because you're still holding on. 547 00:23:53,960 --> 00:23:55,840 Speaker 3: Mate, you are still at the age of forty two, 548 00:23:55,920 --> 00:23:56,800 Speaker 3: you're still holding on. 549 00:23:57,200 --> 00:23:58,040 Speaker 2: It does written true. 550 00:23:58,080 --> 00:24:00,840 Speaker 5: I mean you reference Big Brother alike career. 551 00:24:00,880 --> 00:24:03,080 Speaker 4: You hold on to me, You're a holder. 552 00:24:03,240 --> 00:24:05,920 Speaker 5: By contrast, she is no more flattering. 553 00:24:05,960 --> 00:24:07,400 Speaker 2: You are clutching at straws. 554 00:24:07,480 --> 00:24:08,840 Speaker 4: Where did Wilson Phillips go? 555 00:24:09,200 --> 00:24:10,320 Speaker 2: They didn't need to do anything else? 556 00:24:10,520 --> 00:24:16,520 Speaker 4: What did you have? Says you were developing rapidly? Thank you, 557 00:24:16,520 --> 00:24:19,399 Speaker 4: You've got to get in my BURNA seven. 558 00:24:19,520 --> 00:24:21,920 Speaker 3: Yeah, it's not a flattering reflection on my life. 559 00:24:22,000 --> 00:24:24,520 Speaker 2: Want to be okay? Well, I love this song though, 560 00:24:24,640 --> 00:24:27,080 Speaker 2: So this does define you spice girls. 561 00:24:27,119 --> 00:24:29,720 Speaker 3: Yeah, this is weird for me. Leon know if you've 562 00:24:29,720 --> 00:24:32,200 Speaker 3: got mine in the system there from ninety three, I was. 563 00:24:34,080 --> 00:24:35,920 Speaker 4: Nobody knows what he's actually saying. 564 00:24:37,160 --> 00:24:41,040 Speaker 3: It's continued throughout my life, he says informant and everyone's confused. 565 00:24:41,760 --> 00:24:43,160 Speaker 4: That represents me perfectly. 566 00:24:43,240 --> 00:24:45,120 Speaker 2: Snow and at a private school, you were going through 567 00:24:45,160 --> 00:24:52,159 Speaker 2: twenty all right, it's but to grou it's difficult with 568 00:24:52,240 --> 00:24:52,680 Speaker 2: this one. 569 00:24:53,119 --> 00:24:56,320 Speaker 6: I feel like Richard Wilkin to fully appreciate why this 570 00:24:56,400 --> 00:24:57,120 Speaker 6: would be the song. 571 00:24:57,440 --> 00:24:59,200 Speaker 4: What year it was? 572 00:24:59,240 --> 00:25:04,400 Speaker 6: Two thousand, he's that young and so December two thousand, 573 00:25:05,040 --> 00:25:09,199 Speaker 6: this song was number one independent woman, and I was 574 00:25:10,520 --> 00:25:12,320 Speaker 6: they were more of an independent woman than I watch 575 00:25:12,320 --> 00:25:14,560 Speaker 6: When I was fourteen growing up in Sorta. 576 00:25:14,400 --> 00:25:16,080 Speaker 3: You were looking for an independent woman. 577 00:25:16,600 --> 00:25:20,400 Speaker 4: Always he's ahead of yourself. It's interesting. It's an interesting 578 00:25:20,520 --> 00:25:21,520 Speaker 4: status bank account. 579 00:25:21,680 --> 00:25:26,879 Speaker 3: Every dollar she doesn't make a very bit sometime doesn't tbi. 580 00:25:27,200 --> 00:25:29,920 Speaker 11: Oh yeah, mine lots of big songs. My year was 581 00:25:30,040 --> 00:25:33,080 Speaker 11: nineteen ninety eight, so truly madly deeply by Savage God. 582 00:25:33,400 --> 00:25:36,760 Speaker 2: That sums you up massively getting ye. 583 00:25:36,920 --> 00:25:39,359 Speaker 11: But the on the actual day twenty six of FEM 584 00:25:39,440 --> 00:25:43,560 Speaker 11: nineteen ninety eight, the song was a remix by Martha 585 00:25:43,640 --> 00:25:47,359 Speaker 11: Wash featuring Rupe Haul. Have a listener This. 586 00:25:52,520 --> 00:25:58,880 Speaker 4: What opink time not the last time rounding men the sequel. 587 00:25:58,480 --> 00:25:58,960 Speaker 3: That was. 588 00:26:00,760 --> 00:26:00,920 Speaker 10: There. 589 00:26:02,520 --> 00:26:07,680 Speaker 2: It's your Saturday, nay right. There's beautiful restaurant to zart. 590 00:26:07,760 --> 00:26:12,280 Speaker 2: It's a seven course Degas station. Twelve friends or business 591 00:26:12,280 --> 00:26:15,560 Speaker 2: associates can come along as well. And if you would 592 00:26:15,640 --> 00:26:18,080 Speaker 2: like to be a part of this option, you can 593 00:26:18,119 --> 00:26:20,560 Speaker 2: go to Pickles dot com dot au. When you get there, 594 00:26:21,040 --> 00:26:23,440 Speaker 2: just put into the search engine private dinner and it 595 00:26:23,480 --> 00:26:26,000 Speaker 2: will come up and you can sit down and have 596 00:26:26,080 --> 00:26:29,000 Speaker 2: a great dinner with Mark Webber, Pat Rafter and this 597 00:26:29,080 --> 00:26:30,120 Speaker 2: man as well, Eric Banner. 598 00:26:33,040 --> 00:26:34,159 Speaker 4: Eric, this is a great idea. 599 00:26:34,600 --> 00:26:36,560 Speaker 3: We're going to talk about everything you've been involved in 600 00:26:36,600 --> 00:26:39,840 Speaker 3: with the fires in recent times. But just to clarify it, 601 00:26:40,320 --> 00:26:42,840 Speaker 3: if it's twelve friends, could I say bug of the group, 602 00:26:42,880 --> 00:26:45,160 Speaker 3: it's just going to be me. So it's myself, Eric Banner, 603 00:26:45,240 --> 00:26:47,520 Speaker 3: Mark Weber and Pat Rafter. That would be a nice four, 604 00:26:47,560 --> 00:26:48,000 Speaker 3: wouldn't it. 605 00:26:48,480 --> 00:26:51,960 Speaker 8: I'm a bit of an introvert. I actually prefer that idea. 606 00:26:52,600 --> 00:26:54,520 Speaker 8: So if you want to do that, mate, let's that's 607 00:26:54,560 --> 00:26:56,760 Speaker 8: that's that's just be the four of us. 608 00:26:56,800 --> 00:26:58,480 Speaker 3: It'd feel like a job in the view I'm turning 609 00:26:58,520 --> 00:26:59,919 Speaker 3: up and you're all sitting there. I don't know what 610 00:27:00,040 --> 00:27:04,280 Speaker 3: job I'm going for. I love the idea, do. 611 00:27:04,280 --> 00:27:04,600 Speaker 9: You know what? 612 00:27:04,680 --> 00:27:07,240 Speaker 2: Though? Eric, I know how much of a car fan 613 00:27:07,359 --> 00:27:09,760 Speaker 2: you are and I reckon over the years. You have 614 00:27:09,800 --> 00:27:12,280 Speaker 2: a great relationship with Mark Webber, but I dare say 615 00:27:12,320 --> 00:27:15,600 Speaker 2: you would have chewed his ear off plenty of times 616 00:27:15,640 --> 00:27:17,840 Speaker 2: over the years about Formula one and all that kind 617 00:27:17,840 --> 00:27:18,240 Speaker 2: of stuff. 618 00:27:18,320 --> 00:27:20,320 Speaker 8: Yeah, I go a bit deep on the tech. Sometimes 619 00:27:20,320 --> 00:27:25,159 Speaker 8: it does roll. Sometimes it's got to back off a 620 00:27:25,200 --> 00:27:26,359 Speaker 8: bit and keep it more general. 621 00:27:26,440 --> 00:27:28,720 Speaker 4: You're right, what is your one love? 622 00:27:28,880 --> 00:27:29,080 Speaker 2: Eric? 623 00:27:29,080 --> 00:27:30,679 Speaker 3: When it comes to the car, what's sitting in the 624 00:27:30,680 --> 00:27:32,600 Speaker 3: garage at the moment that means the world to you? 625 00:27:33,600 --> 00:27:38,240 Speaker 8: I look, the beasts is always always pride of place. 626 00:27:38,359 --> 00:27:41,400 Speaker 8: But the one that sort of gets out probably more 627 00:27:41,440 --> 00:27:43,280 Speaker 8: than the beasts. I've got an old sister's FOSS one 628 00:27:43,320 --> 00:27:47,240 Speaker 8: hundred which I loved. Oh great, now three on the tree, 629 00:27:47,560 --> 00:27:49,720 Speaker 8: completely original. That seems a bit of action. 630 00:27:49,960 --> 00:27:52,480 Speaker 2: Do you know what I mate? This was overnight right, 631 00:27:52,560 --> 00:27:55,040 Speaker 2: My first ever car, Eric was a dats In two 632 00:27:55,119 --> 00:27:59,080 Speaker 2: forty z s and I saw I sold it for 633 00:27:59,240 --> 00:28:04,440 Speaker 2: fifty dollars right overnight. Fortun now overnight. I haven't told 634 00:28:04,480 --> 00:28:07,880 Speaker 2: you guys this in Tokyo, Yeah, broke the record. Adat's 635 00:28:07,920 --> 00:28:10,720 Speaker 2: in two forty s s sold for one point one 636 00:28:10,880 --> 00:28:12,040 Speaker 2: million dollars. 637 00:28:11,720 --> 00:28:13,800 Speaker 4: And it was yours. It was your old car. The 638 00:28:13,840 --> 00:28:14,719 Speaker 4: guy got a P fifty. 639 00:28:15,040 --> 00:28:21,119 Speaker 8: That's your figs are on the glove like the Carol 640 00:28:21,200 --> 00:28:23,520 Speaker 8: Shelby initial on the. 641 00:28:25,240 --> 00:28:27,120 Speaker 4: Isn't that amazing? Mate? This is a great thing you're doing. 642 00:28:27,119 --> 00:28:29,760 Speaker 3: And you've also been helping out and donating other things 643 00:28:29,880 --> 00:28:33,000 Speaker 3: like the pair of chopper pants, which oh I can't. 644 00:28:33,080 --> 00:28:34,920 Speaker 8: I can't take credit for the chopper pants that was 645 00:28:34,960 --> 00:28:38,400 Speaker 8: actually donated by a maid of mine who bought it 646 00:28:38,400 --> 00:28:42,200 Speaker 8: an option many years ago. That's private collection hand cons 647 00:28:42,800 --> 00:28:45,880 Speaker 8: they were the real deal, but no, that was someone else. 648 00:28:45,920 --> 00:28:47,400 Speaker 4: What a great item to get your hands on. Do 649 00:28:47,440 --> 00:28:48,240 Speaker 4: you know what they sold for? 650 00:28:49,120 --> 00:28:51,200 Speaker 8: I don't know in the end, actually yeah, well. 651 00:28:51,120 --> 00:28:54,320 Speaker 2: A sans fantastic mate, you know this, this is great. 652 00:28:54,920 --> 00:28:57,400 Speaker 2: What is your relationship with Mark Weber and Pat Rafter? 653 00:28:57,480 --> 00:29:00,080 Speaker 2: Are you guys close over the years, Eric, I don't. 654 00:28:59,840 --> 00:29:01,760 Speaker 8: Know at all, and I haven't told them at the dinner. 655 00:29:04,640 --> 00:29:09,040 Speaker 4: I love that now. 656 00:29:09,120 --> 00:29:12,480 Speaker 8: Look just the idea of my initial idea was to 657 00:29:12,960 --> 00:29:14,840 Speaker 8: auction off for dinner with myself and a couple of 658 00:29:14,840 --> 00:29:18,200 Speaker 8: my unfamous friends. Yeah, but I just didn't think that 659 00:29:18,240 --> 00:29:20,960 Speaker 8: would fly, so I wrote them in I don't have 660 00:29:21,040 --> 00:29:24,040 Speaker 8: too many famous friends. But went to the Taladex and 661 00:29:24,080 --> 00:29:25,840 Speaker 8: I thought that would be a good a good tree. 662 00:29:25,920 --> 00:29:28,400 Speaker 8: So the way we went, they said yes straight away 663 00:29:28,400 --> 00:29:30,720 Speaker 8: within about thirty seconds, and then just a case of 664 00:29:31,040 --> 00:29:33,600 Speaker 8: working at the timing. So all good, mate. 665 00:29:33,600 --> 00:29:35,479 Speaker 2: It's going to the Australian Red Cross and the gipps 666 00:29:35,520 --> 00:29:39,680 Speaker 2: Land emergency relief, fun mate being, you know, and you 667 00:29:39,720 --> 00:29:42,920 Speaker 2: travel around the world so much with work Eric, you know, 668 00:29:44,080 --> 00:29:46,480 Speaker 2: seeing the scenes that we've seen over the last couple 669 00:29:46,520 --> 00:29:50,400 Speaker 2: of months here, I mean, how heartbreaking was it for 670 00:29:50,440 --> 00:29:52,760 Speaker 2: you to see that all that vision and these images 671 00:29:52,800 --> 00:29:54,240 Speaker 2: on the television made. 672 00:29:54,360 --> 00:29:56,760 Speaker 8: Yeah, and that was really really hard and they're all 673 00:29:56,800 --> 00:30:00,000 Speaker 8: theres a as a as a writer, I go through 674 00:30:00,040 --> 00:30:02,200 Speaker 8: there all the time. So in one way you sort 675 00:30:02,240 --> 00:30:04,480 Speaker 8: of feel you shocked and you're just sort of hoping 676 00:30:04,480 --> 00:30:07,240 Speaker 8: that all your olds stills still standing, like the pubyn 677 00:30:07,280 --> 00:30:10,120 Speaker 8: Amio and yeah yeah, Motale and corry On and this 678 00:30:10,560 --> 00:30:14,760 Speaker 8: and that and Dansdale and wherever, but also sort of feel, 679 00:30:14,920 --> 00:30:18,600 Speaker 8: you know, as as an adventure ride sort of good 680 00:30:18,640 --> 00:30:21,440 Speaker 8: that you can sort of it's part of where you 681 00:30:21,520 --> 00:30:24,160 Speaker 8: go through and you'll continue to support it. So if 682 00:30:24,240 --> 00:30:26,800 Speaker 8: you don't feel as passive as when you're seeing something 683 00:30:26,800 --> 00:30:28,280 Speaker 8: happen on the other side of the world, you know 684 00:30:28,320 --> 00:30:31,840 Speaker 8: what I mean. So hopefully the support has a really 685 00:30:31,880 --> 00:30:34,040 Speaker 8: long tail. I think that's the most important thing. And 686 00:30:34,120 --> 00:30:36,680 Speaker 8: I often wonder where I go through places you know, 687 00:30:36,800 --> 00:30:40,000 Speaker 8: like King Lake and Marysville and so forth, thor out 688 00:30:40,040 --> 00:30:42,959 Speaker 8: the Black Saturday. I just really hope that they received 689 00:30:42,960 --> 00:30:45,360 Speaker 8: the long term support that they were promised back in 690 00:30:45,400 --> 00:30:48,440 Speaker 8: the day. You know, so same gays as time around. 691 00:30:48,720 --> 00:30:48,880 Speaker 9: Eric. 692 00:30:48,920 --> 00:30:50,560 Speaker 3: The other thing we've been talking about, and we chatted 693 00:30:50,640 --> 00:30:54,520 Speaker 3: to Gladys s urgically and yesterday the Premier, but we. 694 00:30:53,280 --> 00:30:55,400 Speaker 4: Were celebrating the easy spirit too. 695 00:30:55,560 --> 00:30:56,920 Speaker 3: Just to see the amount of people that put their 696 00:30:56,920 --> 00:30:59,120 Speaker 3: hand up and said hey, I'm here to help you know, 697 00:30:59,160 --> 00:31:00,000 Speaker 3: that's touching as well. 698 00:31:00,120 --> 00:31:01,120 Speaker 4: You must have been moved by that. 699 00:31:02,080 --> 00:31:04,720 Speaker 8: Yeah, not surprised, but I think I was. I was 700 00:31:04,720 --> 00:31:07,680 Speaker 8: surprised by how many females out of the blue I 701 00:31:07,720 --> 00:31:11,320 Speaker 8: was getting from overseas and how much traction it's got 702 00:31:11,680 --> 00:31:14,400 Speaker 8: it's got over there. I think Australian Australians always responding 703 00:31:14,440 --> 00:31:17,040 Speaker 8: incredibly well, but the generosity this time ound has been 704 00:31:17,120 --> 00:31:20,920 Speaker 8: has been really something else and something I think's touched 705 00:31:20,920 --> 00:31:22,520 Speaker 8: a lot of Australian Now. 706 00:31:22,720 --> 00:31:25,920 Speaker 2: Eric, we've known you as Poiter, we've known you as Chopper. 707 00:31:27,040 --> 00:31:29,720 Speaker 2: Have you been recognized in the street over the past 708 00:31:29,800 --> 00:31:32,920 Speaker 2: year as dirty John yemongrel Because a lot of people 709 00:31:32,920 --> 00:31:35,760 Speaker 2: are still talking about gies on Netflix. Have you had 710 00:31:35,760 --> 00:31:38,320 Speaker 2: any women come up to you and say you are 711 00:31:38,560 --> 00:31:41,600 Speaker 2: doing they wouldn't come up to him a bit. 712 00:31:42,000 --> 00:31:43,760 Speaker 8: I've got a bit of work to do to wash 713 00:31:43,840 --> 00:31:52,920 Speaker 8: him off. I mean it was star reaching and that. 714 00:31:53,160 --> 00:31:56,080 Speaker 8: You know. Every now and then I will go somewhere 715 00:31:56,080 --> 00:31:58,320 Speaker 8: and there'll be a young lady behind the count who 716 00:31:58,320 --> 00:32:00,600 Speaker 8: may not be as similarly wished by all the body 717 00:32:00,640 --> 00:32:04,600 Speaker 8: of work. And you know it's it's it's not good. 718 00:32:04,920 --> 00:32:05,640 Speaker 4: Do you know what it is? 719 00:32:06,000 --> 00:32:08,200 Speaker 3: He started out such a nice guy, but you you 720 00:32:08,280 --> 00:32:10,320 Speaker 3: do this look which is doing in shopper and it's 721 00:32:10,360 --> 00:32:13,120 Speaker 3: almost like it is that right, It's that look you 722 00:32:13,160 --> 00:32:15,120 Speaker 3: do where you turn your hand and you just that's 723 00:32:15,160 --> 00:32:17,520 Speaker 3: where you know, there's a little bit of cycle turned. 724 00:32:17,960 --> 00:32:18,600 Speaker 2: He's turned. 725 00:32:19,280 --> 00:32:20,240 Speaker 4: We've seen the eyes. 726 00:32:21,800 --> 00:32:24,840 Speaker 8: Yes, well, what can I say? I hate to say. 727 00:32:24,920 --> 00:32:30,880 Speaker 8: I had a ball playing the part. I really did. Yeah, 728 00:32:30,920 --> 00:32:34,480 Speaker 8: look it has it has flowed me how how it 729 00:32:34,560 --> 00:32:36,440 Speaker 8: wasn't how well the show went, it was, it was. 730 00:32:36,600 --> 00:32:37,320 Speaker 8: It was a great thing. 731 00:32:37,680 --> 00:32:39,760 Speaker 2: You've got another crime thriller coming out. It's called The 732 00:32:39,840 --> 00:32:41,720 Speaker 2: Dry Are you about? Are you a villain in that 733 00:32:41,800 --> 00:32:44,720 Speaker 2: as well? Can you say? 734 00:32:46,280 --> 00:32:51,360 Speaker 8: I'd rather not say, who have read the book? I 735 00:32:51,440 --> 00:32:55,200 Speaker 8: may not may not be a villain, but yeah, based 736 00:32:55,200 --> 00:33:01,080 Speaker 8: on Jane Harper's huge, hugely successful novel and it's genre 737 00:33:01,080 --> 00:33:03,520 Speaker 8: which we don't often do here in Australia. And to 738 00:33:03,600 --> 00:33:10,000 Speaker 8: have a beautiful, big, kind of epic country location and 739 00:33:10,680 --> 00:33:12,880 Speaker 8: a thriller on top of that, it's just yeah, we'll 740 00:33:12,920 --> 00:33:14,760 Speaker 8: just put the finishing touches on the film and I 741 00:33:14,760 --> 00:33:16,680 Speaker 8: couldn't be more excited about it. Looks amazing. 742 00:33:17,560 --> 00:33:20,400 Speaker 2: Wait done well to find the time to do this, mate, 743 00:33:20,440 --> 00:33:23,800 Speaker 2: We really really appreciate it. It's Eric Banner, Mark Webber 744 00:33:23,880 --> 00:33:25,959 Speaker 2: and Pat Rafter. If you would like to go and 745 00:33:25,960 --> 00:33:28,840 Speaker 2: bid on this exclusive dinner, it'll be a great night. 746 00:33:28,920 --> 00:33:31,520 Speaker 2: Go to Pickles dot com dot au. When you're there, 747 00:33:31,560 --> 00:33:33,600 Speaker 2: going to the search engine and just put in private 748 00:33:33,640 --> 00:33:35,560 Speaker 2: dinner and it will pop up. You can put a 749 00:33:35,560 --> 00:33:37,640 Speaker 2: bid in and all that money goes to the Australian 750 00:33:37,680 --> 00:33:40,880 Speaker 2: Red Cross and the Gipsland Emergency Relief fun Eric always 751 00:33:40,880 --> 00:33:42,960 Speaker 2: appreciate your time, buddy, thanks for coming. 752 00:33:42,760 --> 00:33:48,240 Speaker 8: On, Thanks for having us guys. 753 00:33:49,160 --> 00:33:50,960 Speaker 4: Sylvia Nerella and welcome to the show. What did you 754 00:33:51,000 --> 00:33:51,640 Speaker 4: want to say. 755 00:33:53,080 --> 00:33:59,560 Speaker 2: On god? Okay, so this is the photo. Everywhere at 756 00:33:59,560 --> 00:34:02,080 Speaker 2: the SAG Awards yesterday there was an embrace, but there's 757 00:34:02,080 --> 00:34:05,560 Speaker 2: a photo where Jenn's leaving them, but Brad's sort of 758 00:34:05,640 --> 00:34:09,120 Speaker 2: holding onto her hand, her arms, still looking back, and 759 00:34:09,160 --> 00:34:12,680 Speaker 2: everyone's going he doesn't want her to leave. I think 760 00:34:12,680 --> 00:34:15,400 Speaker 2: everyone's looking into it too much. What do you think, Sylph? 761 00:34:16,280 --> 00:34:19,400 Speaker 8: I think there is unfinished business there. I think they 762 00:34:19,480 --> 00:34:21,960 Speaker 8: need to re write a claim and just get back 763 00:34:22,000 --> 00:34:22,480 Speaker 8: together us. 764 00:34:22,640 --> 00:34:23,799 Speaker 4: Do you know what the other thing is too? 765 00:34:23,880 --> 00:34:25,920 Speaker 3: It's either that or it's just this level of respect 766 00:34:25,920 --> 00:34:28,600 Speaker 3: that we shared something really great like and when they 767 00:34:28,640 --> 00:34:31,440 Speaker 3: see each other, it's not that they're it's not that 768 00:34:31,440 --> 00:34:33,440 Speaker 3: they're completely in love with each other. It's just the 769 00:34:33,960 --> 00:34:35,640 Speaker 3: wasn't a good bad adoring much? 770 00:34:35,719 --> 00:34:36,520 Speaker 4: Yeah, it's adoring. 771 00:34:36,680 --> 00:34:38,520 Speaker 3: Yeah, I love you and you love me, and we'll 772 00:34:38,560 --> 00:34:39,800 Speaker 3: always have something special. 773 00:34:39,800 --> 00:34:40,920 Speaker 4: Maybe we're not together now. 774 00:34:40,960 --> 00:34:42,960 Speaker 3: I hope it's more than that, and says we went 775 00:34:43,000 --> 00:34:44,680 Speaker 3: around the room and I said, yes, yeah. 776 00:34:44,880 --> 00:34:46,520 Speaker 4: My money is on them getting back together. 777 00:34:46,640 --> 00:34:48,960 Speaker 5: I just think she must be a really good bird 778 00:34:49,080 --> 00:34:52,760 Speaker 5: because she has a lot of girlfriends and her exes 779 00:34:52,800 --> 00:34:56,439 Speaker 5: all really speak highly of her. Who's the last one justin? 780 00:34:57,520 --> 00:34:57,719 Speaker 2: Yeah? 781 00:34:57,760 --> 00:35:02,959 Speaker 5: He always posts lovely things, Yeah, and about them that they. 782 00:35:02,600 --> 00:35:05,239 Speaker 2: Aren't they together? Then that's the question. It's a bit 783 00:35:05,320 --> 00:35:09,279 Speaker 2: like marriages don't work well. I mean, last night, she's 784 00:35:09,320 --> 00:35:13,000 Speaker 2: such a good person. Why is everyone just leaving? 785 00:35:13,320 --> 00:35:15,120 Speaker 3: Lisa and I were sitting there watching it and Brad 786 00:35:15,160 --> 00:35:17,040 Speaker 3: came on, and you're right, fits you had an issue 787 00:35:17,080 --> 00:35:18,600 Speaker 3: with his hair last night. I thought he was a 788 00:35:18,600 --> 00:35:20,560 Speaker 3: ten out of ten. I hate admitting that that guy 789 00:35:20,600 --> 00:35:24,000 Speaker 3: seems perfect. This is how Lisa referred to Brad Pitt 790 00:35:24,040 --> 00:35:25,680 Speaker 3: last night. We were talking about it on the couch 791 00:35:25,719 --> 00:35:26,360 Speaker 3: and I hit record. 792 00:35:26,400 --> 00:35:32,960 Speaker 4: Have listened to her comments, bod his hair, it's his hair. 793 00:35:33,080 --> 00:35:34,560 Speaker 8: It's more than just his hair. 794 00:35:35,239 --> 00:35:37,680 Speaker 3: I think he's had a hair transplant. 795 00:35:38,440 --> 00:35:43,000 Speaker 5: He is God's gift to women, and he's getting better 796 00:35:43,000 --> 00:35:44,440 Speaker 5: with her age single. 797 00:35:45,600 --> 00:35:47,520 Speaker 4: Yes, it's obviously struggling. 798 00:35:47,160 --> 00:35:47,640 Speaker 2: With the women. 799 00:35:48,239 --> 00:35:49,000 Speaker 3: No, it's not. 800 00:35:49,960 --> 00:35:53,600 Speaker 5: He would be having his fast share of women, I 801 00:35:53,640 --> 00:35:58,440 Speaker 5: would say, but Brad is Honestly, Brad is a unique 802 00:35:58,440 --> 00:36:02,440 Speaker 5: beast least beast beast. 803 00:36:02,640 --> 00:36:04,480 Speaker 8: He's quite unbelievable. 804 00:36:06,239 --> 00:36:09,759 Speaker 3: Jennifer Anderson's nipples are always her, so I told you 805 00:36:09,800 --> 00:36:11,680 Speaker 3: snitch to cut that bit out of conversation. 806 00:36:12,560 --> 00:36:13,200 Speaker 4: They are always. 807 00:36:13,880 --> 00:36:15,960 Speaker 5: I think she knew that when she wore that dress 808 00:36:16,000 --> 00:36:19,520 Speaker 5: that that woman friends always has. She doesn't wear bras 809 00:36:19,719 --> 00:36:22,480 Speaker 5: I don't think he's the thing. 810 00:36:22,239 --> 00:36:24,839 Speaker 3: And that bring us to the end of the podcast. 811 00:36:24,960 --> 00:36:26,440 Speaker 3: But we've got Snitch here. 812 00:36:26,760 --> 00:36:29,000 Speaker 1: Snitch did if I ask you to cut the nipples 813 00:36:29,040 --> 00:36:29,359 Speaker 1: bit out? 814 00:36:29,960 --> 00:36:31,640 Speaker 3: He told me that he was going to say that, 815 00:36:31,960 --> 00:36:33,160 Speaker 3: and he told me to leave it in because it 816 00:36:33,160 --> 00:36:34,160 Speaker 3: would be funny if you said it. 817 00:36:35,000 --> 00:36:36,320 Speaker 4: Heep behind the curtain, guys,