1 00:00:00,360 --> 00:00:02,719 Speaker 1: High Scrollers is produced on gadigul Land. 2 00:00:02,920 --> 00:00:05,720 Speaker 2: We pay our respects to the traditional custodians of this country. 3 00:00:05,720 --> 00:00:07,320 Speaker 2: An elder's past and present. 4 00:00:07,360 --> 00:00:15,560 Speaker 1: Always was, always will be Aboriginal Land. Well well well. 5 00:00:15,120 --> 00:00:17,560 Speaker 3: Well, well, well, what I've got scared me? 6 00:00:17,760 --> 00:00:19,440 Speaker 1: I've got a cheese stringer? Would you like one? 7 00:00:19,560 --> 00:00:21,320 Speaker 3: No, I'm okay, thank you. I just put some gum in. 8 00:00:21,400 --> 00:00:23,120 Speaker 2: Sorry, if you can eat me chilling in this Close 9 00:00:23,160 --> 00:00:24,439 Speaker 2: Friends episode chilling. 10 00:00:25,239 --> 00:00:29,440 Speaker 1: We did a little video April and I and we 11 00:00:29,440 --> 00:00:31,640 Speaker 1: were eating you know, the biggest stringers, like the purple 12 00:00:31,680 --> 00:00:33,360 Speaker 1: ones that we used to have in school. 13 00:00:33,600 --> 00:00:34,720 Speaker 3: Yeah, yeah, yeah, yeah yeah. 14 00:00:34,760 --> 00:00:37,199 Speaker 1: And then this brand oh right, yeah, saw video and 15 00:00:37,240 --> 00:00:38,720 Speaker 1: cent it's like sixty of these. 16 00:00:38,880 --> 00:00:41,080 Speaker 3: Oh fine, so shout out to better. 17 00:00:41,600 --> 00:00:43,839 Speaker 1: Yeah. They taste a bit more like real cheese, but 18 00:00:43,880 --> 00:00:46,120 Speaker 1: I kind of like the plasticness of the other ones. 19 00:00:46,200 --> 00:00:48,080 Speaker 1: Yeah right, So I'm just going to be eating a 20 00:00:48,120 --> 00:00:51,680 Speaker 1: stringer during this Close Friends episode. If that's okay with. 21 00:00:51,680 --> 00:00:53,480 Speaker 3: You, that's fine, that's fine. 22 00:00:53,600 --> 00:00:55,160 Speaker 1: What have you got to tell us about? I think 23 00:00:55,200 --> 00:00:56,000 Speaker 1: you've been somewhere. 24 00:00:56,000 --> 00:01:00,280 Speaker 2: I'm exhausted. I don't stop doulging about. You don't know 25 00:01:00,280 --> 00:01:02,400 Speaker 2: what you do with your life. But my god, am 26 00:01:02,440 --> 00:01:03,320 Speaker 2: I exhausted? 27 00:01:03,680 --> 00:01:04,480 Speaker 1: What have you done now? 28 00:01:04,600 --> 00:01:08,640 Speaker 2: I just got back late last night from seeing Lady 29 00:01:08,680 --> 00:01:11,120 Speaker 2: Gaga in Melbourne? Oh my god, I could squeal? 30 00:01:11,400 --> 00:01:14,800 Speaker 1: Can I just say that the first night of Melbourne? 31 00:01:15,160 --> 00:01:16,800 Speaker 2: No, there were two nights, and I went the second 32 00:01:16,880 --> 00:01:19,399 Speaker 2: night because originally I wasn't planning on going to any 33 00:01:19,440 --> 00:01:21,640 Speaker 2: more than the one that we're going to, which when 34 00:01:21,680 --> 00:01:23,080 Speaker 2: this Close Friends comes out. 35 00:01:23,120 --> 00:01:24,560 Speaker 1: We're going tomorrow, morrow night. 36 00:01:24,680 --> 00:01:28,000 Speaker 2: Yeah, and so I don't know, like I kind of 37 00:01:28,040 --> 00:01:30,440 Speaker 2: wish this was coming out like earlier, because I just 38 00:01:30,600 --> 00:01:33,320 Speaker 2: want to say, if you can get a ticket, like 39 00:01:33,440 --> 00:01:35,200 Speaker 2: you need to get a ticket to this show. 40 00:01:35,319 --> 00:01:36,160 Speaker 1: Isn't it sold out? 41 00:01:36,880 --> 00:01:39,600 Speaker 2: There's some tickets available, like last minute tickets, and they 42 00:01:39,880 --> 00:01:41,720 Speaker 2: release last minute tickets as well. 43 00:01:41,760 --> 00:01:46,759 Speaker 1: Actually, did you see on TikTok someone? It's pretty funny. 44 00:01:47,040 --> 00:01:49,960 Speaker 1: They're like three hundred dollars for restricted view and this 45 00:01:50,160 --> 00:01:51,560 Speaker 1: is the few and they can't see shit. 46 00:01:51,880 --> 00:01:53,600 Speaker 3: And it's like, but you more restricted. 47 00:01:54,000 --> 00:01:55,880 Speaker 1: And I get there's three hundred dollars and that's a lot, 48 00:01:55,960 --> 00:01:58,440 Speaker 1: but like, if you're buying something that is called restricted, yeah, 49 00:01:58,800 --> 00:02:00,480 Speaker 1: just know that you might not be able to see anything. 50 00:02:00,560 --> 00:02:02,400 Speaker 2: Yeah, I reckon three hundred dollars is a bit steep, 51 00:02:02,480 --> 00:02:06,400 Speaker 2: but me too. I'll tell you what, this my favorite 52 00:02:06,400 --> 00:02:08,639 Speaker 2: concert of all time. That my top concert was monster Ball, 53 00:02:08,720 --> 00:02:13,360 Speaker 2: which is also from her back. Yeah not fifteen now 54 00:02:13,560 --> 00:02:17,680 Speaker 2: twenty ten. Newcastle Entertainment Center, no way, yeah she did. 55 00:02:17,840 --> 00:02:20,800 Speaker 2: That was her first tour. Wow, the music was so loud. 56 00:02:20,840 --> 00:02:23,040 Speaker 2: My dad picked us up from and was standing out 57 00:02:23,080 --> 00:02:25,240 Speaker 2: the front. And you know how Newcastle Entertainment Center has 58 00:02:25,280 --> 00:02:28,120 Speaker 2: the big letters on it that say Newcastle Entertainment Center. 59 00:02:28,280 --> 00:02:30,520 Speaker 2: He was like, when she was singing bad Romance, he 60 00:02:30,560 --> 00:02:32,480 Speaker 2: thought all of those were going to fall off. They 61 00:02:32,480 --> 00:02:35,000 Speaker 2: were shaking so hard because her music was so loud. 62 00:02:35,160 --> 00:02:35,440 Speaker 4: Go home. 63 00:02:36,040 --> 00:02:38,160 Speaker 2: I know they were ringing for days because I was 64 00:02:38,160 --> 00:02:40,440 Speaker 2: on the barricade as well for that, and it was 65 00:02:40,480 --> 00:02:43,800 Speaker 2: definitely like my favorite tour of all times. 66 00:02:43,840 --> 00:02:45,519 Speaker 1: I'm so excited now that you've been. 67 00:02:45,440 --> 00:02:46,440 Speaker 3: I'm not kidding, Brittany. 68 00:02:46,480 --> 00:02:50,920 Speaker 2: This is otherworldly, Like this was so euphoric and crazy 69 00:02:51,120 --> 00:02:51,480 Speaker 2: for me. 70 00:02:52,320 --> 00:02:53,400 Speaker 1: For me just cracking a kid. 71 00:02:53,560 --> 00:02:56,520 Speaker 2: Now, you're right, Joel, you go for your life. It 72 00:02:56,600 --> 00:03:00,240 Speaker 2: is truly. I don't think we'll ever see anyone like 73 00:03:00,320 --> 00:03:02,880 Speaker 2: Lady Garga ever again in our lifetime. I think about it. 74 00:03:02,960 --> 00:03:03,760 Speaker 1: Amazing, isn't she. 75 00:03:04,000 --> 00:03:07,120 Speaker 2: I think about all the artists that I've seen in 76 00:03:07,160 --> 00:03:10,640 Speaker 2: my life, and you know, not to compare, because I 77 00:03:10,680 --> 00:03:13,000 Speaker 2: don't like when people compare. And when you know, someone 78 00:03:13,040 --> 00:03:15,280 Speaker 2: says something good about Lady Gargar, like, someone will be. 79 00:03:15,240 --> 00:03:18,200 Speaker 3: Like, well, but Beyonce, yeah, or but Taylor Swift or 80 00:03:18,400 --> 00:03:19,119 Speaker 3: but Madonna. 81 00:03:19,200 --> 00:03:23,640 Speaker 2: You know, but I can't help but compare after seeing 82 00:03:23,840 --> 00:03:28,200 Speaker 2: this show and go, wow, the other girlies just are 83 00:03:28,240 --> 00:03:31,120 Speaker 2: not doing it like Lady Gaga is. She put her 84 00:03:31,200 --> 00:03:36,120 Speaker 2: whole fucking back into that show. The vocals were insane. 85 00:03:36,160 --> 00:03:41,040 Speaker 2: She's never sounded better. The dancing was insane. To be fair, 86 00:03:41,160 --> 00:03:45,840 Speaker 2: she's got fibromyalgia, so she's not dancing like she was 87 00:03:45,880 --> 00:03:48,480 Speaker 2: when she was fucking twenty two or whenever she came 88 00:03:48,520 --> 00:03:52,160 Speaker 2: out last time, but still giving it her all that 89 00:03:52,200 --> 00:03:55,600 Speaker 2: you can tell she's giving her She's putting in one hundred. 90 00:03:55,400 --> 00:03:57,240 Speaker 1: And fifty per second sctusly born for this year. 91 00:03:57,400 --> 00:03:57,680 Speaker 3: Yeah. 92 00:03:57,800 --> 00:04:00,880 Speaker 2: Then on top of that, the production level, the dancers. 93 00:04:00,960 --> 00:04:02,840 Speaker 2: The thing that you'll notice when you go is that 94 00:04:02,880 --> 00:04:05,920 Speaker 2: the dancers are not just dancers. Think of like, you know, 95 00:04:06,000 --> 00:04:08,960 Speaker 2: a dua lipa show for example, or even Beyonce. Let's 96 00:04:08,960 --> 00:04:12,200 Speaker 2: say Beyonce. You know you see the backup dancers and 97 00:04:12,240 --> 00:04:17,719 Speaker 2: they're just dancing. These dancers are putting on a theatrical 98 00:04:17,920 --> 00:04:19,359 Speaker 2: performance with emotion. 99 00:04:19,720 --> 00:04:21,760 Speaker 1: I've seen some of them popping up on TikTok and 100 00:04:21,760 --> 00:04:24,000 Speaker 1: I think some of them are like have become famous 101 00:04:24,880 --> 00:04:27,120 Speaker 1: and they've got their own like social profile and stuff. Yeah, 102 00:04:27,120 --> 00:04:28,200 Speaker 1: people love spotting them. 103 00:04:28,360 --> 00:04:28,600 Speaker 3: Yeah. 104 00:04:29,040 --> 00:04:32,600 Speaker 2: I saw an article actually just yesterday from an Australian 105 00:04:32,680 --> 00:04:35,880 Speaker 2: dancer who was a part of the art Rave, which 106 00:04:35,960 --> 00:04:38,520 Speaker 2: was the last time Lady Gaga was in Australia. Her 107 00:04:38,560 --> 00:04:42,000 Speaker 2: name's Tanaya Henry, and she did an interview about how 108 00:04:43,560 --> 00:04:48,000 Speaker 2: like full on, she described the rehearsals as twelve hour 109 00:04:48,120 --> 00:04:50,919 Speaker 2: torture sessions and that blood, sweat and tears is not 110 00:04:51,760 --> 00:04:56,760 Speaker 2: just a saying like yep, you literally bleed during the performances, 111 00:04:56,800 --> 00:04:59,720 Speaker 2: and like she really wanted to reiterate though that it 112 00:04:59,800 --> 00:05:03,240 Speaker 2: was the although it was torture, as she described like 113 00:05:03,440 --> 00:05:07,240 Speaker 2: it turned her into a diamond of a dancer. And 114 00:05:08,040 --> 00:05:11,640 Speaker 2: she said that there were just insane demands from Lady Gaga, 115 00:05:11,680 --> 00:05:13,839 Speaker 2: but everybody knew that that's what they were signing up for, 116 00:05:15,240 --> 00:05:18,760 Speaker 2: and they weren't she says they weren't just counting steps, 117 00:05:18,800 --> 00:05:22,200 Speaker 2: they were undergoing therapy on stage. I found the article 118 00:05:22,680 --> 00:05:28,320 Speaker 2: which is from top news source apparently, which is. 119 00:05:28,320 --> 00:05:29,560 Speaker 3: Like trust, who said that? 120 00:05:29,960 --> 00:05:32,000 Speaker 2: Who made that? Who said you were the top news source? 121 00:05:32,880 --> 00:05:37,760 Speaker 2: But that article was so interesting to me. She basically 122 00:05:37,839 --> 00:05:39,720 Speaker 2: said how full on it was, but also sung praise 123 00:05:39,720 --> 00:05:41,640 Speaker 2: to Lady Gaga, like the intensity is what makes her 124 00:05:41,680 --> 00:05:43,880 Speaker 2: Gago show legendary, but it is also what leaves her 125 00:05:43,960 --> 00:05:47,719 Speaker 2: dancers drained in every possible way, because she says that 126 00:05:48,080 --> 00:05:54,120 Speaker 2: she's not only dancing, she's giving an emotional performance. And 127 00:05:54,200 --> 00:05:56,920 Speaker 2: I read that article after seeing the show and I 128 00:05:56,960 --> 00:06:00,359 Speaker 2: was like, that is so true, like you can feel 129 00:06:00,480 --> 00:06:02,920 Speaker 2: and I mean then on top of that, lighting sound 130 00:06:03,040 --> 00:06:05,200 Speaker 2: was perfect. You know, remember when we went to Beyonce 131 00:06:05,279 --> 00:06:07,000 Speaker 2: and we were like, what the fuck? We can't hear 132 00:06:07,040 --> 00:06:08,240 Speaker 2: a blood And it was. 133 00:06:08,200 --> 00:06:11,880 Speaker 1: Like Beyonce's because I don't know if it was because 134 00:06:11,880 --> 00:06:14,320 Speaker 1: we we were but like you could hear her mike 135 00:06:14,480 --> 00:06:17,080 Speaker 1: echo around the whole arena and then back to us. Yeah, 136 00:06:17,120 --> 00:06:18,880 Speaker 1: like it was bouncing around the walls. 137 00:06:18,960 --> 00:06:19,159 Speaker 3: Yeah. 138 00:06:19,200 --> 00:06:22,000 Speaker 2: Like the acoustics were really awful. The acoustics in Marvel 139 00:06:22,040 --> 00:06:25,920 Speaker 2: Stadium were insane. I was like, this is the best 140 00:06:25,920 --> 00:06:29,800 Speaker 2: a concert has ever sounded to me. So anyway, I 141 00:06:29,800 --> 00:06:32,480 Speaker 2: cannot sing enough praise. It was also really nice because 142 00:06:33,279 --> 00:06:35,120 Speaker 2: one thing that I noticed as well is Sky and 143 00:06:35,240 --> 00:06:39,440 Speaker 2: I were able to like dance together without fear of 144 00:06:39,760 --> 00:06:42,800 Speaker 2: any judgment or anything like that. And so Sky and 145 00:06:42,800 --> 00:06:45,200 Speaker 2: I had our arms around each other, singing at the 146 00:06:45,240 --> 00:06:48,680 Speaker 2: top of our lungs like dancing. And I've never been 147 00:06:48,720 --> 00:06:52,160 Speaker 2: able to do that at a concert anywhere else because 148 00:06:52,400 --> 00:06:56,200 Speaker 2: I just you know, hello, the thoughts in the back 149 00:06:56,240 --> 00:06:59,560 Speaker 2: of my head and all the rest of that, like PDA, etc. 150 00:07:00,279 --> 00:07:03,400 Speaker 2: Just the vibe in the room. The crowd was on 151 00:07:03,400 --> 00:07:05,480 Speaker 2: one hundred and fifty percent of the entire right. 152 00:07:05,480 --> 00:07:07,840 Speaker 1: How did you have reception? By the way, because Matt's 153 00:07:07,880 --> 00:07:10,360 Speaker 1: like texting Kate and I when there must have been 154 00:07:10,400 --> 00:07:12,720 Speaker 1: like a down period. You're like, oh my god, this 155 00:07:12,760 --> 00:07:15,000 Speaker 1: is amazing, Like how the fuck every time I go 156 00:07:15,040 --> 00:07:16,640 Speaker 1: to a concert my phone does not work? 157 00:07:16,760 --> 00:07:20,480 Speaker 2: Yeah I'm not I'm really not sure you votaphone phone, 158 00:07:20,520 --> 00:07:23,360 Speaker 2: but yeah, I'm not sure. But thank goodness for that, 159 00:07:24,000 --> 00:07:27,160 Speaker 2: because I had to express I have not shut up 160 00:07:27,200 --> 00:07:29,480 Speaker 2: about it since I went, and I just wanted to 161 00:07:29,560 --> 00:07:32,280 Speaker 2: let everyone know I know that that there's only going 162 00:07:32,360 --> 00:07:34,720 Speaker 2: to be when this episode drops tonight in Sydney and 163 00:07:34,720 --> 00:07:35,640 Speaker 2: tomorrow in Sydney. 164 00:07:35,680 --> 00:07:38,600 Speaker 3: But is it there's one tonight and tomorrow tonight. 165 00:07:39,360 --> 00:07:41,880 Speaker 1: But we're not recording this day before the concept. 166 00:07:41,920 --> 00:07:44,920 Speaker 2: But if you could get a ticket last minute, if 167 00:07:44,920 --> 00:07:58,200 Speaker 2: you don't have one, it's just otherworldly. She was also 168 00:07:58,240 --> 00:07:59,920 Speaker 2: finally enough because what we're actually going to talk about 169 00:07:59,960 --> 00:08:02,680 Speaker 2: it this close Friend's episode. She was my number one 170 00:08:02,840 --> 00:08:07,920 Speaker 2: artist of the year. Yeah, which is surprising. 171 00:08:08,000 --> 00:08:10,200 Speaker 1: So we're going to talk about our Spotify talk about 172 00:08:10,400 --> 00:08:11,160 Speaker 1: Spotify rat. 173 00:08:11,360 --> 00:08:13,960 Speaker 2: It's kind of surprising. Wait, no, she wasn't my number 174 00:08:14,000 --> 00:08:17,560 Speaker 2: one artist. Sorry, she was my number one song. And 175 00:08:17,920 --> 00:08:20,440 Speaker 2: I want to compare our Spotify rat because you and 176 00:08:20,520 --> 00:08:25,640 Speaker 2: your music taste has always interested me because scrollers just 177 00:08:25,760 --> 00:08:28,080 Speaker 2: let you know, like if you come to my house 178 00:08:28,120 --> 00:08:29,120 Speaker 2: for a couple of drinks. 179 00:08:29,440 --> 00:08:32,400 Speaker 3: Yeah, we're putting on like a top forty. 180 00:08:32,520 --> 00:08:35,040 Speaker 2: We're putting on like Kyleimano, Lady Gaga, We're putting We're 181 00:08:35,040 --> 00:08:37,160 Speaker 2: putting on hits, right, we're putting on Murder on the 182 00:08:37,240 --> 00:08:39,800 Speaker 2: dance floor, spinning around like the songs that you know, 183 00:08:39,880 --> 00:08:41,719 Speaker 2: everybody knows and everyone wants to sing along too, like 184 00:08:41,760 --> 00:08:44,080 Speaker 2: that's fine. You go to drinks at Britney's house, she 185 00:08:44,240 --> 00:08:48,119 Speaker 2: is putting on ten hour I betha club mix on YouTube. 186 00:08:48,160 --> 00:08:48,920 Speaker 3: That's the fun. 187 00:08:50,360 --> 00:08:52,400 Speaker 2: And it's just like when you go to a viby 188 00:08:52,480 --> 00:08:57,400 Speaker 2: restaurant and it's just like beats, Like it's just. 189 00:08:57,360 --> 00:09:03,360 Speaker 4: Like it's ten hours, and I'm. 190 00:09:03,160 --> 00:09:04,760 Speaker 3: Like, darlinge, can we put it on? 191 00:09:04,840 --> 00:09:06,640 Speaker 2: Can't get you out of my head? So anyway, I'm 192 00:09:06,679 --> 00:09:08,680 Speaker 2: interested to see what your Spotify rap. 193 00:09:08,800 --> 00:09:11,200 Speaker 1: Let's just like go to our wrap and watch the 194 00:09:11,200 --> 00:09:16,560 Speaker 1: whole thing again. Okay, and let's just like go through it. 195 00:09:16,600 --> 00:09:19,640 Speaker 3: Okay, how do I do that or replay? There we go. 196 00:09:20,559 --> 00:09:25,439 Speaker 1: So let's start with minutes. Yep, I listened to forty 197 00:09:25,480 --> 00:09:26,400 Speaker 1: thousand minutes. 198 00:09:26,559 --> 00:09:27,200 Speaker 3: That's a lot, you know. 199 00:09:27,360 --> 00:09:30,720 Speaker 2: I actually didn't think, oh wait, no, I got thirty 200 00:09:30,720 --> 00:09:32,520 Speaker 2: seven and fifty five. 201 00:09:32,800 --> 00:09:34,320 Speaker 1: Because I feel like you would listen to music way 202 00:09:34,320 --> 00:09:34,760 Speaker 1: more than. 203 00:09:34,679 --> 00:09:38,880 Speaker 2: Me, because I'm reading true. If I've got spare time, 204 00:09:38,960 --> 00:09:40,080 Speaker 2: I'm reading true. 205 00:09:40,120 --> 00:09:43,800 Speaker 4: So the music's only really playing Okay, I don't know 206 00:09:43,840 --> 00:09:49,880 Speaker 4: when actually, Okay, top genres mine is so obvious dance 207 00:09:49,920 --> 00:09:53,000 Speaker 4: pop musicals and then low five beats and ambient because 208 00:09:53,000 --> 00:09:54,000 Speaker 4: sleep music. 209 00:09:53,800 --> 00:09:55,600 Speaker 3: Okay, and then dance what about. 210 00:09:55,400 --> 00:09:58,079 Speaker 1: You dance pop? Nice house? 211 00:09:58,800 --> 00:10:04,080 Speaker 3: Yeah, the house, Yeah, there you go indie pop nic 212 00:10:04,080 --> 00:10:06,360 Speaker 3: its indy pop. That's fun. But I guess that would 213 00:10:06,400 --> 00:10:07,240 Speaker 3: be like yea Addison. 214 00:10:07,440 --> 00:10:10,760 Speaker 1: Yeah, okay. IgE is just a number, so don't take 215 00:10:10,760 --> 00:10:12,320 Speaker 1: this personally. What listening age did. 216 00:10:12,240 --> 00:10:13,080 Speaker 3: You get twenty? 217 00:10:13,880 --> 00:10:17,160 Speaker 1: I got thirty four. One of my friends got sixty 218 00:10:17,280 --> 00:10:20,160 Speaker 1: on these that's crazy, but she listens to like seventies music. 219 00:10:20,240 --> 00:10:25,280 Speaker 2: You know what I felt was interesting about this. I 220 00:10:25,320 --> 00:10:26,880 Speaker 2: actually want to talk about We'll. 221 00:10:26,720 --> 00:10:28,120 Speaker 1: Get there twenty. 222 00:10:28,640 --> 00:10:32,000 Speaker 2: Yeah, I got twenty, which is weird. Yeah, because like 223 00:10:32,559 --> 00:10:33,920 Speaker 2: you'd expect, I was. 224 00:10:34,120 --> 00:10:35,800 Speaker 1: Listen you listening to Kylie and Gaga. 225 00:10:36,400 --> 00:10:37,600 Speaker 3: Yeah, you know, it's weird. 226 00:10:37,640 --> 00:10:39,240 Speaker 2: I feel like I should be listening to the Wiggles 227 00:10:39,280 --> 00:10:41,080 Speaker 2: and stuff to be bringing down the number, But I 228 00:10:41,080 --> 00:10:41,400 Speaker 2: don't know. 229 00:10:41,840 --> 00:10:42,480 Speaker 3: I got twenty. 230 00:10:43,920 --> 00:10:48,199 Speaker 2: I think this is a real social thing, like as 231 00:10:48,240 --> 00:10:52,040 Speaker 2: in Spotify has only included this number because it gives 232 00:10:52,080 --> 00:10:55,439 Speaker 2: people something to talk about online age. I shared it 233 00:10:55,440 --> 00:10:57,240 Speaker 2: straight to my story and went, lo, I'm twenty. 234 00:10:57,280 --> 00:10:59,360 Speaker 3: But also if it says you're sixty seven. 235 00:10:59,240 --> 00:10:59,920 Speaker 1: It's clever of this. 236 00:11:00,240 --> 00:11:04,040 Speaker 2: Yeah, I listened to sixteen hundred and ninety six songs 237 00:11:04,040 --> 00:11:07,040 Speaker 2: this year. What about you pour thousand, nine hundred guys. 238 00:11:07,640 --> 00:11:09,720 Speaker 2: But do you just put on a random playlist and go, oh, 239 00:11:09,880 --> 00:11:12,440 Speaker 2: just listen to that. Yeah, because I'm a creature of habit. 240 00:11:12,240 --> 00:11:20,080 Speaker 1: I'm always so then skip a few top songs. 241 00:11:20,720 --> 00:11:23,920 Speaker 2: Top songs. I had Abracadabra, Yeah. I had for the 242 00:11:24,000 --> 00:11:27,320 Speaker 2: Gaze from Death Becomes Her the musical. I had sports 243 00:11:27,360 --> 00:11:29,720 Speaker 2: Car by Tate McCray, which is kind of crazy, but 244 00:11:29,760 --> 00:11:31,200 Speaker 2: I think it's because at one point it was the 245 00:11:31,200 --> 00:11:32,839 Speaker 2: top song in my playlist, so as soon as I 246 00:11:32,840 --> 00:11:34,800 Speaker 2: would get in the car and say play my playlist, 247 00:11:35,880 --> 00:11:38,880 Speaker 2: that would play. I had Good As Gone by Kylie Minogue, 248 00:11:38,920 --> 00:11:40,440 Speaker 2: which is really random. 249 00:11:40,559 --> 00:11:42,000 Speaker 1: We listened to it quite a lot when we were 250 00:11:42,040 --> 00:11:44,960 Speaker 1: going to Kylie. Yeah, like I remember you playing that 251 00:11:45,080 --> 00:11:46,960 Speaker 1: heats like even before we went. 252 00:11:47,080 --> 00:11:49,920 Speaker 2: Yeah okay, because I heard it. It was a song 253 00:11:49,960 --> 00:11:51,880 Speaker 2: that on the album I didn't care for, and then 254 00:11:51,920 --> 00:11:54,280 Speaker 2: when I heard it live on the tour, I was like, Wow, 255 00:11:54,320 --> 00:11:55,480 Speaker 2: that's actually a really good song. 256 00:11:55,600 --> 00:11:57,679 Speaker 1: It's like I didn't know that song existed, and then 257 00:11:57,760 --> 00:11:59,599 Speaker 1: now I know it because you were listening to it. 258 00:12:00,120 --> 00:12:02,480 Speaker 2: EGO, and then I got if you want Perfection which 259 00:12:02,520 --> 00:12:04,200 Speaker 2: is also from Death Becomes Her. 260 00:12:04,240 --> 00:12:05,360 Speaker 3: The musical what About You. 261 00:12:05,880 --> 00:12:08,440 Speaker 2: Is Yours just all Addison Ray, Oh my god, it 262 00:12:08,520 --> 00:12:09,120 Speaker 2: literally is. 263 00:12:09,360 --> 00:12:13,120 Speaker 1: My top five songs are all Addison, So Diet, Pepsi, Aquamarine, 264 00:12:13,200 --> 00:12:16,679 Speaker 1: high Fashion, Fame is a Gun, and headphones on Nice. 265 00:12:17,640 --> 00:12:19,520 Speaker 3: I have fallen in love with headphones on since we 266 00:12:19,559 --> 00:12:19,959 Speaker 3: saw her. 267 00:12:20,760 --> 00:12:22,760 Speaker 1: I listened to fifty two albums. 268 00:12:22,400 --> 00:12:25,360 Speaker 3: I only listened to eleven, and my. 269 00:12:25,320 --> 00:12:28,800 Speaker 1: Top album is Addison Mine's. 270 00:12:28,480 --> 00:12:29,200 Speaker 3: Death Becomes Her. 271 00:12:30,160 --> 00:12:32,680 Speaker 1: I listened to it twelve hundred times. 272 00:12:32,960 --> 00:12:36,160 Speaker 3: I listened or Mine just says fifteen hundred minutes. 273 00:12:36,559 --> 00:12:38,800 Speaker 1: Your mind says you listened to it for oh yeah, 274 00:12:38,800 --> 00:12:40,640 Speaker 1: one two hundred and seventy eight minutes. 275 00:12:40,640 --> 00:12:42,600 Speaker 3: Okay, I was fifteen hundred and sixty seven. 276 00:12:43,200 --> 00:12:45,280 Speaker 1: And I haven't listened to an album a thousand times. 277 00:12:46,600 --> 00:12:49,720 Speaker 2: Also in my top album's Mayhem, Life of a show Girl, 278 00:12:50,080 --> 00:12:54,320 Speaker 2: Tales of the Strings, which is a sleep podcast, I 279 00:12:54,320 --> 00:12:55,720 Speaker 2: mean a sleep playlist. 280 00:12:55,760 --> 00:12:58,680 Speaker 3: And then it's not that deep Demi Levado see Yeah. 281 00:12:58,480 --> 00:13:02,560 Speaker 1: In my top I've got Addison and then number two. 282 00:13:03,040 --> 00:13:04,760 Speaker 1: I have no idea what it is, but I think 283 00:13:04,760 --> 00:13:07,280 Speaker 1: it's like when I put on an ADHD playlist. Yeah, 284 00:13:07,480 --> 00:13:11,080 Speaker 1: it is some random one with like Stars, and then 285 00:13:11,160 --> 00:13:14,560 Speaker 1: Life of a show Girl, a Tate McCrae album, and 286 00:13:14,600 --> 00:13:17,120 Speaker 1: then another random one. So two of my top albums 287 00:13:17,120 --> 00:13:18,760 Speaker 1: are like ambient music. 288 00:13:18,960 --> 00:13:21,960 Speaker 3: Nice. Then we have our top podcast. 289 00:13:22,480 --> 00:13:25,840 Speaker 1: I don't listen to podcasts, none of all business business 290 00:13:26,600 --> 00:13:29,080 Speaker 1: because we pre record big business really far in advance. 291 00:13:29,120 --> 00:13:31,920 Speaker 1: Always go oh what was that one about? Listen to it? 292 00:13:32,040 --> 00:13:33,520 Speaker 3: Mine was obviously high Scrollers. 293 00:13:33,600 --> 00:13:35,520 Speaker 1: How many minutes did you listened to a High Scrollers? 294 00:13:35,559 --> 00:13:36,880 Speaker 3: Only two hundred and twenty seven? 295 00:13:37,120 --> 00:13:40,679 Speaker 1: Okay, yeah, High Scrollers is in my top five at 296 00:13:40,760 --> 00:13:44,520 Speaker 1: number three. Nice, So I've got big Business case file 297 00:13:45,000 --> 00:13:47,480 Speaker 1: High Scrollers. But see, I don't listen to these, So 298 00:13:47,559 --> 00:13:50,320 Speaker 1: this is like the ten minutes a year that I've 299 00:13:50,320 --> 00:13:50,680 Speaker 1: listened to. 300 00:13:50,679 --> 00:13:51,040 Speaker 3: Pody. 301 00:13:51,200 --> 00:13:54,720 Speaker 2: Yes, and to all our scrollers who listen on Spotify, 302 00:13:54,760 --> 00:13:58,280 Speaker 2: I hope you loved our video message that we had. 303 00:13:58,679 --> 00:13:59,599 Speaker 3: It was very exciting to me. 304 00:13:59,720 --> 00:14:01,160 Speaker 1: I love that they picked the funny one. 305 00:14:01,280 --> 00:14:01,520 Speaker 3: I know. 306 00:14:02,040 --> 00:14:04,920 Speaker 2: I'm very excited to be contacted by Spotify to be 307 00:14:04,920 --> 00:14:09,400 Speaker 2: able to do that for you all. And we sent 308 00:14:09,440 --> 00:14:12,719 Speaker 2: Google Girl to options. One was a serious one and 309 00:14:12,800 --> 00:14:14,640 Speaker 2: one was the one of me picking my nose, and 310 00:14:14,679 --> 00:14:17,800 Speaker 2: we said choose whichever one, you know, because we didn't 311 00:14:17,840 --> 00:14:19,520 Speaker 2: know where the Google girl might have just wanted to 312 00:14:19,560 --> 00:14:20,360 Speaker 2: keep it serious. 313 00:14:21,760 --> 00:14:24,360 Speaker 3: But I'm glad you all loved that. We also I. 314 00:14:24,240 --> 00:14:26,440 Speaker 1: Get it too, like, yeah, I got it the top one. 315 00:14:26,520 --> 00:14:27,440 Speaker 3: I got it as well. 316 00:14:27,720 --> 00:14:30,640 Speaker 1: Yes, we were getting so many tags, like on the 317 00:14:30,760 --> 00:14:33,080 Speaker 1: day that Wrapped launched, like every ten minutes, I was 318 00:14:33,080 --> 00:14:35,840 Speaker 1: getting a new DN everyone tagging us on their story, 319 00:14:35,880 --> 00:14:36,720 Speaker 1: which was so cool. 320 00:14:36,800 --> 00:14:39,760 Speaker 2: Podcast, as we've spoke before, are really hard scrollers because 321 00:14:39,840 --> 00:14:41,840 Speaker 2: like we come in here and we record, and then 322 00:14:41,880 --> 00:14:43,920 Speaker 2: we don't see anything like Selo. 323 00:14:43,960 --> 00:14:46,720 Speaker 1: You might see one or two comments on Spotify and 324 00:14:46,720 --> 00:14:49,200 Speaker 1: then we'll post a video, but I don't really see 325 00:14:49,240 --> 00:14:50,840 Speaker 1: that as the podcast, So that's just like. 326 00:14:50,840 --> 00:14:51,880 Speaker 3: A real Yeah. 327 00:14:51,920 --> 00:14:55,640 Speaker 1: So it's actually really cool to have everyone tagging us 328 00:14:55,640 --> 00:14:57,240 Speaker 1: and like, holy shit, people actually listen. 329 00:14:57,320 --> 00:14:57,640 Speaker 3: I know. 330 00:14:58,000 --> 00:15:01,000 Speaker 2: And I have to give a shout out to Amelia, 331 00:15:01,040 --> 00:15:03,960 Speaker 2: who tagged us in a story which you may have 332 00:15:03,960 --> 00:15:08,040 Speaker 2: seen on my Instagram story because I reshared Amelia listened 333 00:15:08,200 --> 00:15:12,600 Speaker 2: to High Scrollers for twenty six thousand, three hundred and 334 00:15:12,720 --> 00:15:15,240 Speaker 2: twenty six minutes what this year. 335 00:15:15,360 --> 00:15:17,240 Speaker 1: I think I might have replied to her and she 336 00:15:17,480 --> 00:15:19,240 Speaker 1: I think she said she went back to the start 337 00:15:19,280 --> 00:15:21,320 Speaker 1: and started all over again, which. 338 00:15:21,080 --> 00:15:22,760 Speaker 3: Is crazy work from error. 339 00:15:23,520 --> 00:15:25,320 Speaker 1: I think that was her anyway, I was talking to 340 00:15:25,680 --> 00:15:26,800 Speaker 1: someone about that. 341 00:15:26,800 --> 00:15:31,080 Speaker 2: That's three hundred and eighty eight hours this year, which 342 00:15:31,240 --> 00:15:35,480 Speaker 2: is sixteen days. So for sixteen we were in these 343 00:15:36,360 --> 00:15:39,600 Speaker 2: of this year we were and it is so Amelia. 344 00:15:39,720 --> 00:15:42,640 Speaker 2: You know who you are, and thank you for listening. 345 00:15:42,800 --> 00:15:46,080 Speaker 2: Thanks for paying the bills. Still bloody out. Yeah, next 346 00:15:46,160 --> 00:15:47,480 Speaker 2: year rain for fifty thousand. 347 00:15:47,640 --> 00:15:50,280 Speaker 1: It was really cool to see. Maybe next year we 348 00:15:50,320 --> 00:15:53,080 Speaker 1: need to do a competition. Yeah, let's say that now, 349 00:15:53,160 --> 00:15:56,680 Speaker 1: when Spotify Wrap comes out next year, whoever, like in 350 00:15:56,680 --> 00:15:59,640 Speaker 1: the scrollers gets the most like minutes listened to our 351 00:15:59,680 --> 00:16:02,640 Speaker 1: party in the year, we'll give him a prize. It 352 00:16:02,640 --> 00:16:03,640 Speaker 1: can be a fake prize. 353 00:16:03,720 --> 00:16:05,560 Speaker 3: Yeah, I'm excited about that. 354 00:16:06,440 --> 00:16:10,440 Speaker 1: Hold us to that. By the way, everyone top artists. 355 00:16:10,240 --> 00:16:16,120 Speaker 2: Top artists, I mean give it a guest babe, Kylie Yeah, absolutely, Gaga. 356 00:16:17,600 --> 00:16:18,280 Speaker 3: Oh well where's that? 357 00:16:18,400 --> 00:16:21,720 Speaker 2: Yeah, Kyler Minoak, Lady Gaga, Taylor Swift, Meghan Hilty and 358 00:16:21,760 --> 00:16:23,000 Speaker 2: Sabrina Carpenter. 359 00:16:22,720 --> 00:16:25,760 Speaker 1: See minds Britney Spears. Nice, but then why wasn't she 360 00:16:25,920 --> 00:16:27,480 Speaker 1: like she's my top artist, but then not in my 361 00:16:27,520 --> 00:16:30,600 Speaker 1: top songs. How do they work that out? 362 00:16:31,160 --> 00:16:34,400 Speaker 2: So the only thing I can my theory is you 363 00:16:34,480 --> 00:16:38,160 Speaker 2: may have listened to one hundred Britney Spears songs, but 364 00:16:38,200 --> 00:16:40,800 Speaker 2: you only listened once, whereas Addison Ray doesn't have that 365 00:16:40,880 --> 00:16:42,800 Speaker 2: many songs, so you've listened to her more times. 366 00:16:42,840 --> 00:16:46,200 Speaker 1: So mind's Britney Spears Addison Kylie because I went through 367 00:16:46,200 --> 00:16:49,000 Speaker 1: a little obsession when we were and then I went 368 00:16:49,080 --> 00:16:53,040 Speaker 1: earlier in the year, I went through a Cyril Oh yeah, 369 00:16:53,080 --> 00:16:57,600 Speaker 1: you know, he's like DJ Missus. And then Tate mcray nice. 370 00:16:58,240 --> 00:16:59,560 Speaker 3: I got a message from Kyle Mino. 371 00:16:59,680 --> 00:17:01,480 Speaker 2: Did you get yea, I've got a personal miss from 372 00:17:01,480 --> 00:17:10,480 Speaker 2: Addison Nice. And then I really loved the scorecard as well. 373 00:17:10,600 --> 00:17:13,920 Speaker 2: The leader board where they say we made a leaderboard 374 00:17:13,920 --> 00:17:17,399 Speaker 2: for fans like you, and they tell you what number 375 00:17:17,480 --> 00:17:18,920 Speaker 2: in the world you are? 376 00:17:19,520 --> 00:17:21,119 Speaker 1: Wow, And where do I see that? 377 00:17:21,560 --> 00:17:22,880 Speaker 3: So, oh you're here? 378 00:17:23,560 --> 00:17:27,320 Speaker 2: Yeah, that one Britney Spears. So what number person in 379 00:17:27,320 --> 00:17:31,120 Speaker 2: the world are you? Britney Spears. That made no sense, 380 00:17:31,160 --> 00:17:31,439 Speaker 2: But you know what. 381 00:17:31,440 --> 00:17:33,879 Speaker 1: I mean, I'm twenty four thousand, Oh wow. 382 00:17:34,040 --> 00:17:35,840 Speaker 2: Like out of everyone in the world, you are the 383 00:17:35,880 --> 00:17:39,680 Speaker 2: twenty four thousandth big top fistener. I'm nineteen thousand for 384 00:17:39,760 --> 00:17:42,400 Speaker 2: Kylie Minog and I think that's way too low. And 385 00:17:42,480 --> 00:17:45,000 Speaker 2: this is what I wanted to talk about. This I 386 00:17:45,040 --> 00:17:49,600 Speaker 2: think is Spotify's biggest and best marketing tactic ever. 387 00:17:49,840 --> 00:17:51,480 Speaker 3: Okay, because I right. 388 00:17:51,359 --> 00:17:54,720 Speaker 2: Now look at me being the nineteen thousandth person in 389 00:17:54,760 --> 00:17:57,640 Speaker 2: the world listening to Kylie Mino ca and go, that's not. 390 00:17:57,640 --> 00:18:00,080 Speaker 1: Good enough be number one. 391 00:18:00,400 --> 00:18:04,879 Speaker 2: I'm gonna listen to Kylie Minogue so much more to 392 00:18:05,000 --> 00:18:06,320 Speaker 2: be as high as possible. 393 00:18:06,440 --> 00:18:08,280 Speaker 1: Yeah, because if someone's a mega fan that want that 394 00:18:08,400 --> 00:18:08,800 Speaker 1: number to be. 395 00:18:08,880 --> 00:18:12,639 Speaker 2: Lower, which not only one means I'm going to be 396 00:18:12,720 --> 00:18:16,080 Speaker 2: using Spotify more, which is what Spotify wants, but it 397 00:18:16,119 --> 00:18:20,040 Speaker 2: also means that Spotify will pay Kylie Minogue more for 398 00:18:20,080 --> 00:18:22,640 Speaker 2: the amount of times that I listened to her. So true, 399 00:18:22,640 --> 00:18:26,280 Speaker 2: meaning that next year artists should see if everyone's on 400 00:18:26,320 --> 00:18:30,800 Speaker 2: the same wavelength as me and increase in downloads and 401 00:18:30,840 --> 00:18:35,600 Speaker 2: also money yeap, which might get artists off Spotify's back 402 00:18:35,680 --> 00:18:39,080 Speaker 2: a little bit yep, because obviously everyone's you know, upset 403 00:18:39,119 --> 00:18:41,400 Speaker 2: that they get zero point seven of a cent per 404 00:18:41,480 --> 00:18:43,840 Speaker 2: ten streams or whatever it is. I don't know, but 405 00:18:44,280 --> 00:18:46,760 Speaker 2: that I think is the best marketing tactic ever because 406 00:18:46,800 --> 00:18:49,439 Speaker 2: I'm like, that makes me want to listen to Kylie Minogue. 407 00:18:49,480 --> 00:18:51,359 Speaker 1: Do you mean like the top one hundred? 408 00:18:51,440 --> 00:18:54,200 Speaker 2: Yeah, like top thousand. I reckon and I'm determined to 409 00:18:54,240 --> 00:18:58,359 Speaker 2: do it. The girl who was number one listener of 410 00:18:58,560 --> 00:19:02,040 Speaker 2: Taylor Swift in the world is on Spotify. She's going 411 00:19:02,119 --> 00:19:04,280 Speaker 2: viral at the moment for being the number one. She 412 00:19:04,400 --> 00:19:07,360 Speaker 2: listened to Taylor Swift for like three hundred and eighteen 413 00:19:07,440 --> 00:19:11,280 Speaker 2: days worth. Because she listens to Taylor Swift. I think 414 00:19:11,320 --> 00:19:13,359 Speaker 2: she said it was like folklore or ever more. She 415 00:19:13,400 --> 00:19:16,639 Speaker 2: listens to that while she sleeps, and she listens all 416 00:19:16,720 --> 00:19:19,040 Speaker 2: day while she works, and she only listens to Taylor Swift. 417 00:19:19,080 --> 00:19:20,399 Speaker 3: Basically, if you were listening. 418 00:19:20,160 --> 00:19:22,680 Speaker 1: To music while you sleep, sure your alarm wouldn't wake 419 00:19:22,680 --> 00:19:24,960 Speaker 1: you up, do you know what I mean? 420 00:19:25,160 --> 00:19:30,840 Speaker 2: Yeah, I reckon mine would because mine's like manuck. Yeah, 421 00:19:30,880 --> 00:19:33,000 Speaker 2: I don't wake up peacefully. I tried waking up peacefully 422 00:19:33,040 --> 00:19:34,199 Speaker 2: and I just kept sleeping through it. 423 00:19:34,280 --> 00:19:37,119 Speaker 1: So I don't wake up to an alarm. I just 424 00:19:37,200 --> 00:19:39,240 Speaker 1: wake up and I reckon. That's so much better. 425 00:19:41,280 --> 00:19:43,560 Speaker 2: Yeah, I can't do that. If I don't set an alarm, 426 00:19:43,600 --> 00:19:45,439 Speaker 2: I'll sleep for three days. Babe. 427 00:19:46,800 --> 00:19:47,440 Speaker 1: No, it's idea. 428 00:19:47,480 --> 00:19:50,760 Speaker 2: But I don't have a routine like you, like you're 429 00:19:51,160 --> 00:19:54,159 Speaker 2: you're up each day doing it because you're doing the 430 00:19:54,240 --> 00:19:56,240 Speaker 2: damn thing like my thing is. Like last night, I 431 00:19:56,240 --> 00:19:57,960 Speaker 2: didn't go bed to like two thirty because I had 432 00:19:58,000 --> 00:19:58,440 Speaker 2: shit to do it. 433 00:19:58,480 --> 00:20:00,600 Speaker 1: I actually couldn't get to sleep last night to one am, 434 00:20:00,640 --> 00:20:02,879 Speaker 1: and I actually thought that would still be awake too. 435 00:20:02,960 --> 00:20:06,320 Speaker 3: Yeah, I was working, so then I was just having 436 00:20:06,320 --> 00:20:06,800 Speaker 3: a shocker. 437 00:20:07,640 --> 00:20:11,480 Speaker 2: So then you know, if I didn't send an alarm 438 00:20:11,480 --> 00:20:14,960 Speaker 2: to get up for high scrollers today, honey, I'd still 439 00:20:14,960 --> 00:20:19,200 Speaker 2: be asleep till bloody I don't know when. Anyway, it's 440 00:20:19,240 --> 00:20:21,040 Speaker 2: been a long close friends. I hope you all loved it. 441 00:20:21,160 --> 00:20:23,159 Speaker 1: Yeah, well it makes up for me getting sick earlier 442 00:20:23,200 --> 00:20:25,600 Speaker 1: in no sorry about that. I was really sick. 443 00:20:25,720 --> 00:20:28,400 Speaker 2: We had to stop, drop and roll out of here, 444 00:20:28,680 --> 00:20:34,080 Speaker 2: and then a metaphobia warning she was not well. 445 00:20:34,640 --> 00:20:36,199 Speaker 1: I vomited and she did. 446 00:20:36,480 --> 00:20:39,160 Speaker 3: Yeah, just to let everyone know, twenty four hour bug. 447 00:20:39,320 --> 00:20:41,480 Speaker 1: I really held off vomity like you know when you're sick, 448 00:20:41,520 --> 00:20:43,760 Speaker 1: but you just like lay down and really try not to. 449 00:20:43,880 --> 00:20:46,520 Speaker 1: But then I eventually did so, but it was gone 450 00:20:46,560 --> 00:20:48,280 Speaker 1: after twenty four hours. Thank goodness for that. 451 00:20:48,400 --> 00:20:52,920 Speaker 3: Thank goodness for that. We'll see you next Tuesday.