1 00:00:00,360 --> 00:00:03,840 Speaker 1: Fitsy and with with Kate Ritchie podcast Ladies and Gentlemen, 2 00:00:04,040 --> 00:00:09,120 Speaker 1: Girls Gaze and Nay's. Welcome to the Far Too Personal Podcast, 3 00:00:09,640 --> 00:00:13,039 Speaker 1: where I have managed to track down the author of 4 00:00:13,280 --> 00:00:16,560 Speaker 1: the newest erotic novel to hit the shelves. No need 5 00:00:16,560 --> 00:00:19,560 Speaker 1: for a pause, The Far Too Personal Trainer. Michael Whipley, 6 00:00:20,120 --> 00:00:24,279 Speaker 1: Welcome to the podcast and congratulations on your ability to 7 00:00:24,360 --> 00:00:25,000 Speaker 1: write a book. 8 00:00:25,040 --> 00:00:26,640 Speaker 2: Well, thank you so much, Jess. Can I just ask 9 00:00:26,640 --> 00:00:27,280 Speaker 2: where you're from? 10 00:00:27,320 --> 00:00:30,200 Speaker 1: What? Yes, I'm from your show The Breakfast Show Nov. 11 00:00:30,320 --> 00:00:32,839 Speaker 1: Ninety six point n'em Fitzy Whipper and Kate. 12 00:00:32,720 --> 00:00:35,479 Speaker 2: Richard right, a really interesting introduction. I appreciate it. When 13 00:00:35,520 --> 00:00:39,240 Speaker 2: you said Nay's is that the equine community. 14 00:00:38,880 --> 00:00:42,160 Speaker 1: I said they in all our non binary friends. 15 00:00:42,240 --> 00:00:45,120 Speaker 2: I was sure if we had some all nay listening. 16 00:00:45,800 --> 00:00:49,280 Speaker 2: That's fine, Jess, thanks for having me on this podcast. Yes, 17 00:00:49,920 --> 00:00:52,760 Speaker 2: appropriately titled The Far Too Personal Trainer. I'm not a 18 00:00:52,760 --> 00:00:56,840 Speaker 2: personal trainer, but what I am is an author. Now 19 00:00:56,880 --> 00:00:59,800 Speaker 2: that doesn't mean I need to wear a beret or 20 00:00:59,840 --> 00:01:02,279 Speaker 2: some thing artistic to say that I have had a 21 00:01:02,440 --> 00:01:05,800 Speaker 2: wild creative flair in my day. But yes, I have 22 00:01:05,880 --> 00:01:08,280 Speaker 2: written a book which is an erotic novel. 23 00:01:09,000 --> 00:01:12,080 Speaker 3: And the first question I have for you is this legit? 24 00:01:12,400 --> 00:01:12,560 Speaker 2: Right? 25 00:01:12,600 --> 00:01:14,720 Speaker 1: Because we've been pushing this out on the show, You've 26 00:01:14,720 --> 00:01:16,080 Speaker 1: been going and doing morning. 27 00:01:15,800 --> 00:01:17,000 Speaker 3: Television and all of that. 28 00:01:17,760 --> 00:01:20,319 Speaker 1: There's a website apparently we give a code name out 29 00:01:20,319 --> 00:01:20,880 Speaker 1: every day. 30 00:01:21,400 --> 00:01:23,280 Speaker 3: But is this legit? Did you do this with a 31 00:01:23,360 --> 00:01:24,760 Speaker 3: legit intention in mind? 32 00:01:24,920 --> 00:01:27,880 Speaker 2: The book is one hundred percent legitimate, and the idea 33 00:01:27,959 --> 00:01:31,279 Speaker 2: behind it was to write a successful erotic novel. 34 00:01:31,640 --> 00:01:35,280 Speaker 3: And so far you've written an erotic novel. 35 00:01:35,080 --> 00:01:39,680 Speaker 2: Which is getting successful. So it's building Jess far too 36 00:01:39,760 --> 00:01:43,280 Speaker 2: personal trainer dot com is the website you were talking about. Yes, 37 00:01:44,319 --> 00:01:47,280 Speaker 2: you know what's interesting? I honestly thought, wouldn't it be 38 00:01:47,360 --> 00:01:50,360 Speaker 2: fun to write a book? Right, there's one. Wouldn't it 39 00:01:50,400 --> 00:01:53,600 Speaker 2: be fun to write something that people would talk about? 40 00:01:53,720 --> 00:01:57,520 Speaker 2: That's the erotic novel. Wouldn't it be fun to challenge 41 00:01:57,640 --> 00:02:01,480 Speaker 2: fifty shades of gray and see if this thing had 42 00:02:01,560 --> 00:02:04,000 Speaker 2: legs and more than just Matt Degrut's legs on the 43 00:02:04,000 --> 00:02:04,360 Speaker 2: front of it. 44 00:02:04,440 --> 00:02:06,960 Speaker 3: Yeah, he's done a good job there, job that's men's legacy. 45 00:02:07,000 --> 00:02:08,239 Speaker 1: Well, this is what I want to know, right, So 46 00:02:08,280 --> 00:02:10,119 Speaker 1: I want to unpack the writing process. 47 00:02:10,320 --> 00:02:12,000 Speaker 3: So you start the book off. 48 00:02:12,160 --> 00:02:14,920 Speaker 1: It's written as Ben Holder, which is first of all, 49 00:02:15,040 --> 00:02:17,360 Speaker 1: quite jarring for the reader. Can you explain that a 50 00:02:17,360 --> 00:02:19,760 Speaker 1: little bit how it actually works in terms of what 51 00:02:19,760 --> 00:02:22,360 Speaker 1: you're reading first person, second person, third person, what are 52 00:02:22,360 --> 00:02:22,679 Speaker 1: we talking? 53 00:02:22,720 --> 00:02:23,200 Speaker 3: Fourth person? 54 00:02:23,280 --> 00:02:25,639 Speaker 2: Yeah, great question, Jess, Thanks so much for the opportunity 55 00:02:25,680 --> 00:02:28,840 Speaker 2: to share, to share what was interesting. I've never written 56 00:02:28,840 --> 00:02:30,960 Speaker 2: a book before, believe it or not, and I just 57 00:02:31,040 --> 00:02:33,519 Speaker 2: thought a lot of books that I have read, maybe 58 00:02:33,520 --> 00:02:37,000 Speaker 2: one a decade ago, it was he said, she said, 59 00:02:37,080 --> 00:02:40,840 Speaker 2: He said, she said. So I wrote it like you're 60 00:02:40,840 --> 00:02:44,400 Speaker 2: watching a documentary. So it's as if Ben Holder, the 61 00:02:44,440 --> 00:02:47,160 Speaker 2: main character, the personal trainer, is being followed by a camera, 62 00:02:48,040 --> 00:02:50,320 Speaker 2: and so Ben is talking to the camera. And I 63 00:02:50,360 --> 00:02:53,200 Speaker 2: think that's quite a trend, which you'll see on TV these. 64 00:02:53,080 --> 00:02:55,160 Speaker 3: Days or ahead of the curve. 65 00:02:56,360 --> 00:02:58,280 Speaker 2: It was, Yeah, it's funny you bring that up. But 66 00:02:58,360 --> 00:03:00,519 Speaker 2: now that you'll see a lot in TV where there'll 67 00:03:00,520 --> 00:03:02,760 Speaker 2: be a scene happening and then the person in the 68 00:03:02,800 --> 00:03:05,359 Speaker 2: scene will turn to address the camera, which is the viewer. 69 00:03:05,639 --> 00:03:08,079 Speaker 1: Yeah, cutting through that fourth pot. We see that a 70 00:03:08,120 --> 00:03:09,880 Speaker 1: lot in the Modern Family or the Office. 71 00:03:09,919 --> 00:03:12,040 Speaker 2: Yes, and you'll see it over here there's the action. 72 00:03:12,720 --> 00:03:14,720 Speaker 2: And then I thought to myself, what is he even 73 00:03:14,760 --> 00:03:17,200 Speaker 2: talking about? And then they go back to the scene. 74 00:03:17,680 --> 00:03:19,880 Speaker 2: That's what I was trying to create, or that's what 75 00:03:19,919 --> 00:03:22,919 Speaker 2: I was leading all these streaming services into. Whichever way 76 00:03:22,960 --> 00:03:26,440 Speaker 2: you look at your words, Michael, So when he talks, 77 00:03:26,440 --> 00:03:28,840 Speaker 2: he talks to the camera. So you're right because it's 78 00:03:28,880 --> 00:03:31,560 Speaker 2: slightly jarring because it's a different way of writing. But 79 00:03:31,600 --> 00:03:34,280 Speaker 2: it's like I'm talking to you. So that's why at 80 00:03:34,280 --> 00:03:36,400 Speaker 2: the start of the book, I say I'm talking to 81 00:03:36,480 --> 00:03:37,520 Speaker 2: you the. 82 00:03:37,560 --> 00:03:40,600 Speaker 1: Reader, because there's been rumblings around the office that maybe 83 00:03:40,680 --> 00:03:43,800 Speaker 1: you just weren't bothered to finish each quote, you know, 84 00:03:43,840 --> 00:03:46,560 Speaker 1: of a sentence when someone's talking with said Ben, or 85 00:03:46,600 --> 00:03:49,800 Speaker 1: said said the bulky trainer, and have to describe things, 86 00:03:49,800 --> 00:03:51,600 Speaker 1: and you've just maybe taken the easy way out. 87 00:03:51,680 --> 00:03:53,760 Speaker 2: Now it's not the easy way out because the hardest 88 00:03:53,760 --> 00:03:57,320 Speaker 2: part about that is when in conversation to avoid saying 89 00:03:57,360 --> 00:04:00,240 Speaker 2: he said, she said, you have to add in things 90 00:04:00,400 --> 00:04:04,440 Speaker 2: like Ben looked at her, and then the comment comes out. 91 00:04:04,720 --> 00:04:08,960 Speaker 2: So you have to creatively make sure that the reader 92 00:04:09,040 --> 00:04:12,240 Speaker 2: knows where it is. And a lot of those set 93 00:04:12,280 --> 00:04:14,400 Speaker 2: up through painting the picture because I go into quite 94 00:04:14,400 --> 00:04:17,839 Speaker 2: a lot of detail because I'm very much a visual person, Jess. 95 00:04:18,600 --> 00:04:22,320 Speaker 1: Yes, that's quite evident by the illustrations in the back 96 00:04:22,320 --> 00:04:22,680 Speaker 1: of the book. 97 00:04:22,800 --> 00:04:24,520 Speaker 3: Or was that just the copy? IROs that was just 98 00:04:24,600 --> 00:04:27,159 Speaker 3: my own sketches, And thank you for our label. Have 99 00:04:27,240 --> 00:04:30,159 Speaker 3: you everything so clearly white to be. 100 00:04:30,320 --> 00:04:33,440 Speaker 2: Education diagram on where different bits are what I want. 101 00:04:33,320 --> 00:04:35,719 Speaker 1: To sort of stop down on right now because it 102 00:04:35,760 --> 00:04:36,640 Speaker 1: is an erotic novel. 103 00:04:36,720 --> 00:04:36,880 Speaker 2: Yeah. 104 00:04:36,920 --> 00:04:39,280 Speaker 1: Yeah, when you've written the book right, and you've got 105 00:04:39,320 --> 00:04:41,279 Speaker 1: all the set up scenes and we meet the characters 106 00:04:41,279 --> 00:04:44,240 Speaker 1: of Ben and Emily and everyone like that, when we 107 00:04:44,320 --> 00:04:46,640 Speaker 1: get to the first scene that you had to write 108 00:04:47,000 --> 00:04:48,359 Speaker 1: that gets a little spicy. 109 00:04:48,880 --> 00:04:50,880 Speaker 3: What was going through your head? Are you feeling a 110 00:04:50,880 --> 00:04:51,880 Speaker 3: little bit naughty? 111 00:04:52,080 --> 00:04:52,320 Speaker 2: Yep? 112 00:04:52,400 --> 00:04:55,520 Speaker 1: Did you think this is inappropriate? What would my mother 113 00:04:55,600 --> 00:04:57,359 Speaker 1: be thinking at this time? Or did it flow so 114 00:04:57,480 --> 00:04:59,360 Speaker 1: naturally that most of us should be concerned? 115 00:04:59,480 --> 00:04:59,760 Speaker 3: Do you know? 116 00:05:00,000 --> 00:05:02,719 Speaker 2: It did flow quite naturally. But take like if we 117 00:05:02,880 --> 00:05:06,279 Speaker 2: the spicy part, I mean, sure, you have to create 118 00:05:06,279 --> 00:05:08,080 Speaker 2: the image in your mind or you're not able to 119 00:05:08,080 --> 00:05:10,760 Speaker 2: describe it or talk about it, right, So yes, you 120 00:05:10,839 --> 00:05:13,839 Speaker 2: paint the picture. Some of the parts in there, Jess, 121 00:05:13,960 --> 00:05:17,880 Speaker 2: are real. When I say real, they're inspired by true events. 122 00:05:18,120 --> 00:05:21,400 Speaker 2: But I one in particular is about a personal trainer, 123 00:05:21,960 --> 00:05:26,560 Speaker 2: and it involves her in the garage and him coming 124 00:05:26,600 --> 00:05:28,000 Speaker 2: in to train her that day. So when you get 125 00:05:28,040 --> 00:05:29,799 Speaker 2: to that bit, you'll know that that's a true story. 126 00:05:30,080 --> 00:05:33,800 Speaker 2: But there's other things, like there's about the time. There's 127 00:05:33,800 --> 00:05:36,040 Speaker 2: a part where he meets Emily for the first time 128 00:05:36,800 --> 00:05:42,320 Speaker 2: and he has just found a English to German dictionary, right, 129 00:05:43,120 --> 00:05:46,680 Speaker 2: and he's pretending to be German at the bar, and 130 00:05:46,720 --> 00:05:48,839 Speaker 2: then she comes out and says, oh you're German. I'm 131 00:05:48,880 --> 00:05:51,200 Speaker 2: just I'm heading to Germany. I'm going over to a study. 132 00:05:51,720 --> 00:05:53,279 Speaker 2: Now he has to work out whether to keep the 133 00:05:53,320 --> 00:05:56,159 Speaker 2: accent up or not. This is also a true story 134 00:05:56,160 --> 00:05:58,799 Speaker 2: about a mate of mine. I won't mention any names. 135 00:05:59,279 --> 00:06:01,360 Speaker 2: Go on, I won't mention any name. 136 00:06:01,480 --> 00:06:02,320 Speaker 3: Go on, I'll beep it. 137 00:06:03,240 --> 00:06:07,480 Speaker 2: I won't mention any names. But you know, he went 138 00:06:07,520 --> 00:06:09,960 Speaker 2: out one night. This was a great story, Hamish Blake. 139 00:06:10,000 --> 00:06:12,800 Speaker 2: And he went out one night and found on the 140 00:06:12,839 --> 00:06:18,760 Speaker 2: way to the pub a Australia Australia to German dictionary, right, 141 00:06:18,800 --> 00:06:21,080 Speaker 2: so the translation book. He gets the pub, he meets 142 00:06:21,080 --> 00:06:23,960 Speaker 2: a girl, he pretends to be German. This actually happened. 143 00:06:24,360 --> 00:06:27,680 Speaker 2: He then kissed the girl at the pub, right the 144 00:06:27,720 --> 00:06:29,840 Speaker 2: next thing, you know, and he knew at the time 145 00:06:29,880 --> 00:06:33,440 Speaker 2: that she was a school teacher, right yeah. So he 146 00:06:33,480 --> 00:06:36,480 Speaker 2: then is invited to go and talk at a school. 147 00:06:36,800 --> 00:06:39,000 Speaker 2: This woman still thinks he's German. 148 00:06:39,120 --> 00:06:40,279 Speaker 3: Oh no, he's. 149 00:06:40,080 --> 00:06:42,680 Speaker 2: Invited to go and speak it to school. He gets 150 00:06:42,760 --> 00:06:44,880 Speaker 2: up there on stage to speak at the leg terum 151 00:06:45,240 --> 00:06:49,280 Speaker 2: looks over and there's the girl. So then obviously the 152 00:06:49,400 --> 00:06:52,080 Speaker 2: joke is over. She doesn't look him in the eyes 153 00:06:52,160 --> 00:06:53,160 Speaker 2: because she feels like. 154 00:06:53,120 --> 00:06:55,080 Speaker 3: This guy's completely commit to the bit. 155 00:06:55,440 --> 00:06:58,279 Speaker 2: What he turns up and everybody goes from harsh Andy 156 00:06:58,720 --> 00:06:59,400 Speaker 2: hamish Blake. 157 00:06:59,600 --> 00:07:04,440 Speaker 3: There's name, sorry, homes Hamish Blake. 158 00:07:04,920 --> 00:07:06,960 Speaker 2: He can't for the crowd of eight hundred choose to 159 00:07:07,000 --> 00:07:10,160 Speaker 2: focus on one and keep the good German accent going. 160 00:07:10,280 --> 00:07:14,200 Speaker 1: Do you not say good everyone? But I would like 161 00:07:14,280 --> 00:07:18,120 Speaker 1: to do it in my native tongue that's not German. 162 00:07:18,840 --> 00:07:21,480 Speaker 3: But I haven't spoken to so. 163 00:07:21,520 --> 00:07:24,360 Speaker 2: Those little little bits of detail that are built into 164 00:07:24,400 --> 00:07:27,960 Speaker 2: the book from moments in my past which I've sort 165 00:07:28,000 --> 00:07:31,320 Speaker 2: of collected and banked in my head as funny relationship moments, 166 00:07:31,520 --> 00:07:32,120 Speaker 2: Well I like. 167 00:07:32,120 --> 00:07:33,920 Speaker 3: That, and that is a great moment in the novel. 168 00:07:33,960 --> 00:07:36,679 Speaker 1: I mean, there are so many standout moments in terms 169 00:07:36,720 --> 00:07:38,760 Speaker 1: of when you do get to those saucier bits, And 170 00:07:38,800 --> 00:07:42,520 Speaker 1: there's the language whip. It's quite it can be graphics 171 00:07:43,280 --> 00:07:48,080 Speaker 1: of the scene beautifully written, but quite aggressive to read 172 00:07:48,200 --> 00:07:48,960 Speaker 1: in one's mind. 173 00:07:49,040 --> 00:07:51,280 Speaker 2: Before with the word aggressive, I think what's interesting to 174 00:07:51,280 --> 00:07:54,480 Speaker 2: point out for all the females thinking about reading it 175 00:07:54,520 --> 00:07:56,640 Speaker 2: is that all the women hit on Ben. Ben never 176 00:07:56,720 --> 00:07:58,680 Speaker 2: hits on a girl in this is in love with 177 00:07:58,720 --> 00:08:02,000 Speaker 2: Emily at one stage, but he never, never, never hits 178 00:08:02,000 --> 00:08:02,560 Speaker 2: on the girls. 179 00:08:02,680 --> 00:08:05,920 Speaker 1: So Ben, it's definitely not an autobiography. 180 00:08:06,360 --> 00:08:09,240 Speaker 2: He is treated like a piece of mate sometimes, and 181 00:08:09,320 --> 00:08:11,520 Speaker 2: you know what, He's all right with that. It works 182 00:08:11,520 --> 00:08:14,280 Speaker 2: for him and it works for them. He likes married women. 183 00:08:14,720 --> 00:08:16,200 Speaker 3: And they like him. Evidently. 184 00:08:17,240 --> 00:08:19,160 Speaker 1: I just want to know this is because I'm here 185 00:08:19,200 --> 00:08:21,480 Speaker 1: with the author. Yeah, yeah, you don't often get this 186 00:08:21,520 --> 00:08:22,440 Speaker 1: opportunity to gratulation. 187 00:08:22,560 --> 00:08:24,760 Speaker 3: Thanks you, and thank you for the privilege and the 188 00:08:24,760 --> 00:08:28,560 Speaker 3: pleasure which is all mine. You're writing it. 189 00:08:28,720 --> 00:08:32,120 Speaker 1: Yeah, did you have to do any erotic research in 190 00:08:32,200 --> 00:08:34,320 Speaker 1: order to write some of these scenes or is it 191 00:08:34,480 --> 00:08:36,800 Speaker 1: just your imagination went wild? 192 00:08:37,080 --> 00:08:38,959 Speaker 3: I'm going to batter against the desk. 193 00:08:38,960 --> 00:08:41,439 Speaker 2: Sorry, Jess, No, I didn't do any research. There's only 194 00:08:41,480 --> 00:08:43,200 Speaker 2: one bit of research I did for it, and that 195 00:08:43,280 --> 00:08:45,880 Speaker 2: was to look up a certain stretch that personal trainers do. 196 00:08:46,360 --> 00:08:47,839 Speaker 3: Where het websites that on. 197 00:08:49,320 --> 00:08:51,520 Speaker 2: The far too personal trainer dot com, and that's where 198 00:08:51,520 --> 00:08:53,760 Speaker 2: you'll learn about the stretch that the personal trainer does 199 00:08:53,920 --> 00:08:56,280 Speaker 2: with a couple of females where one woman during the 200 00:08:56,320 --> 00:08:59,920 Speaker 2: stretch stares into his eyes with a bit of a glint. 201 00:09:00,559 --> 00:09:03,200 Speaker 2: What happens next? You'll have to find out. 202 00:09:03,320 --> 00:09:05,600 Speaker 3: Can I just say, can I do. 203 00:09:05,559 --> 00:09:07,960 Speaker 2: This stretch for you now? 204 00:09:08,080 --> 00:09:10,960 Speaker 3: And stop trying? That would be sorry, That would be nice. 205 00:09:11,400 --> 00:09:14,480 Speaker 1: In terms of an excuse for being caught on an 206 00:09:14,480 --> 00:09:18,800 Speaker 1: adult website, writing an erotic novel is actually genius, isn't it. 207 00:09:18,920 --> 00:09:22,120 Speaker 1: Thank you use You can only use it one time, 208 00:09:22,240 --> 00:09:24,800 Speaker 1: can't you? Oh honey, I wasn't on that for that reason, 209 00:09:25,280 --> 00:09:27,560 Speaker 1: And you do have to then write a novel, which 210 00:09:27,559 --> 00:09:30,160 Speaker 1: I feel like maybe it did. That's that's where this 211 00:09:30,200 --> 00:09:33,360 Speaker 1: has stemmed from. You got caught out looking at a 212 00:09:33,400 --> 00:09:35,319 Speaker 1: little bit of no adult context. 213 00:09:35,360 --> 00:09:38,960 Speaker 2: I would never do that militarymend dot com. Maybe, Jess, 214 00:09:39,960 --> 00:09:43,640 Speaker 2: there's an only fans page in this I would read 215 00:09:43,720 --> 00:09:45,839 Speaker 2: the book and you pay for. 216 00:09:46,440 --> 00:09:48,480 Speaker 3: A month to get you to put your shirt back on, 217 00:09:49,280 --> 00:09:49,600 Speaker 3: and I. 218 00:09:49,679 --> 00:09:54,520 Speaker 2: Read the chapter out, so you watch me read the book. 219 00:09:55,559 --> 00:09:57,600 Speaker 2: What do you reckon? People would love that? 220 00:09:58,040 --> 00:10:01,520 Speaker 3: I don't know. I mean maybe if we have any. 221 00:10:01,400 --> 00:10:05,240 Speaker 2: It's not often the author will ask the interview office 222 00:10:06,200 --> 00:10:06,760 Speaker 2: on fans. 223 00:10:07,720 --> 00:10:11,040 Speaker 1: Look, we might have blind fans out there, right only 224 00:10:11,080 --> 00:10:13,560 Speaker 1: fans might be the place to go, only because it's 225 00:10:13,679 --> 00:10:16,160 Speaker 1: cheaper than the audiobook, which is available now twenty dollars 226 00:10:16,240 --> 00:10:19,360 Speaker 1: ninety nine cents the far Too Personal trainer dot com. 227 00:10:19,120 --> 00:10:21,400 Speaker 2: Jess, would you like me just to give you a 228 00:10:21,559 --> 00:10:25,040 Speaker 2: slight bit here, a small reading which I feel would 229 00:10:25,040 --> 00:10:25,839 Speaker 2: be appropriate. 230 00:10:26,080 --> 00:10:27,199 Speaker 3: That would be wonderful. 231 00:10:27,559 --> 00:10:29,320 Speaker 2: I mean, it's not off that I do the readings. 232 00:10:29,360 --> 00:10:32,160 Speaker 2: We get big names late. We asked Russell. 233 00:10:31,880 --> 00:10:33,679 Speaker 1: Crowe, based on all the live reads we do, I 234 00:10:33,720 --> 00:10:34,959 Speaker 1: didn't even realize you could read. 235 00:10:35,000 --> 00:10:37,560 Speaker 3: But please, Russell. 236 00:10:37,240 --> 00:10:39,520 Speaker 2: Crowe, he was keen on the idea. Hasn't done it? 237 00:10:39,520 --> 00:10:41,800 Speaker 2: He said, He said no, but he was definitely on text. 238 00:10:42,400 --> 00:10:44,960 Speaker 2: This girl goes down to the gym. Her name is Mia, 239 00:10:45,360 --> 00:10:49,320 Speaker 2: Ben has actually trained her mum, which is great. Her 240 00:10:49,360 --> 00:10:51,439 Speaker 2: name is Annabelle, who carried the lamp. 241 00:10:51,200 --> 00:10:53,440 Speaker 3: In for Oh yes, you know the saucy lamps. 242 00:10:53,600 --> 00:10:57,480 Speaker 2: Oh my god. Okay, so here we go. I'm doing 243 00:10:57,520 --> 00:11:00,520 Speaker 2: her ponytail. She tilts her head back, waving hair from 244 00:11:00,559 --> 00:11:03,640 Speaker 2: side to side. No man, no matter whether he's wise 245 00:11:03,760 --> 00:11:06,559 Speaker 2: or simple, strong or weak, wealthy or poor, can ignore this. 246 00:11:06,920 --> 00:11:08,840 Speaker 2: I'm a man and she is a woman, and right 247 00:11:08,880 --> 00:11:12,800 Speaker 2: now we are both wanting more. Her breath is getting 248 00:11:12,800 --> 00:11:15,680 Speaker 2: heavier against my neck, holding me tighter and tighter as 249 00:11:15,760 --> 00:11:18,360 Speaker 2: she's preparing for how her body will react. I can 250 00:11:18,400 --> 00:11:20,000 Speaker 2: feel the lace on the back of my hand as 251 00:11:20,000 --> 00:11:24,240 Speaker 2: I slide. I'll stop. I'm going to stop there because 252 00:11:24,280 --> 00:11:29,880 Speaker 2: the slider is sliding his hand in. Slide on down. 253 00:11:30,040 --> 00:11:32,000 Speaker 1: Do you know what this is the this is the 254 00:11:32,080 --> 00:11:33,439 Speaker 1: far too personal podcast? 255 00:11:33,600 --> 00:11:35,120 Speaker 3: Yeah, read the next line. 256 00:11:35,120 --> 00:11:38,959 Speaker 1: I know I'm an Employeeah yeah, adjacent to being my boss. 257 00:11:39,000 --> 00:11:40,080 Speaker 3: But go on, I want to hear it. 258 00:11:40,160 --> 00:11:43,000 Speaker 2: No one walk in, please, no one walk in. And 259 00:11:43,040 --> 00:11:44,600 Speaker 2: if this is still good to be true, if this 260 00:11:44,640 --> 00:11:46,680 Speaker 2: is a joke set up by the boys, then finally 261 00:11:47,520 --> 00:11:50,400 Speaker 2: you've chosen a brilliant method actor. And secondly, please don't 262 00:11:50,400 --> 00:11:53,600 Speaker 2: surprise us now I'm just warming up. God, how can 263 00:11:53,640 --> 00:11:57,959 Speaker 2: she be so excited? Ben stop? Stop, shit, don't tell 264 00:11:58,000 --> 00:12:08,600 Speaker 2: me she's freaking out. She's pull her hand from. 265 00:12:03,200 --> 00:12:07,000 Speaker 3: Who come on, big breath. It can't be that bad. 266 00:12:07,040 --> 00:12:07,560 Speaker 3: You wrote it. 267 00:12:07,800 --> 00:12:10,360 Speaker 2: Ripping my shorts down, I think I can film my 268 00:12:10,400 --> 00:12:15,920 Speaker 2: heart no snapping back against my stomach. I am all 269 00:12:15,960 --> 00:12:18,880 Speaker 2: on show. It is free from my shorts and a spipe. 270 00:12:19,040 --> 00:12:23,280 Speaker 3: No, no, I shouldn't. I shouldn't have to this. I 271 00:12:23,280 --> 00:12:24,760 Speaker 3: shouldn't have to listen to this. 272 00:12:24,760 --> 00:12:28,679 Speaker 2: This is a workplace. No full audio book, Jess no vailable. 273 00:12:28,920 --> 00:12:32,080 Speaker 2: The Far Too Person honestly can't hear anymore. 274 00:12:32,400 --> 00:12:33,320 Speaker 3: Can't hear anymore. 275 00:12:33,480 --> 00:12:38,359 Speaker 2: He's just taking his shorts off, dropping to her knees. No, no, no, okay. 276 00:12:38,160 --> 00:12:41,160 Speaker 3: All right, let's let's jump in. We'll do another pod soon. 277 00:12:41,240 --> 00:12:43,200 Speaker 1: I want to hear your favorite part from the book, 278 00:12:43,280 --> 00:12:45,079 Speaker 1: so your job, go away, grab the audio. 279 00:12:45,240 --> 00:12:47,400 Speaker 2: I'm sorry, was that a bit rough? Let me kiss 280 00:12:47,400 --> 00:12:47,760 Speaker 2: it better? 281 00:12:48,640 --> 00:12:49,880 Speaker 3: All right, turning off the mics. 282 00:12:50,200 --> 00:12:52,679 Speaker 2: Okay, see you for the next episode of The Far 283 00:12:52,760 --> 00:12:55,000 Speaker 2: Too Personal Trainer and Wipper with Kate. 284 00:12:54,920 --> 00:12:58,040 Speaker 3: Ritchie is a Nova podcast. For more great comedy shows 285 00:12:58,080 --> 00:13:00,839 Speaker 3: like this, Head to Nova podcast Calm Jodd, are you