1 00:00:08,960 --> 00:00:11,560 Speaker 1: From the Australian. This is the weekend edition of The Front. 2 00:00:11,720 --> 00:00:17,479 Speaker 1: I'm Claire Harvey. The Salt Path, a best selling memoir 3 00:00:17,560 --> 00:00:20,880 Speaker 1: by Rayna Winn, seems to be following what's becoming a 4 00:00:20,920 --> 00:00:25,400 Speaker 1: predictable trajectory. Faced with adversity, a protagonist embarks on an 5 00:00:25,440 --> 00:00:29,600 Speaker 1: epic quest, finding meaning on the way. The resulting memoir 6 00:00:29,840 --> 00:00:35,360 Speaker 1: is inspiring and labeled unflinchingly honest. Copies fly off the shells. 7 00:00:35,520 --> 00:00:38,160 Speaker 1: The manuscript is optioned and turned into a hit movie, 8 00:00:38,520 --> 00:00:43,280 Speaker 1: this one starring Gillian Anderson and Jason Isaacs. But similar 9 00:00:43,320 --> 00:00:46,720 Speaker 1: to James Fray's A Million Little Pieces, a memoir about 10 00:00:46,800 --> 00:00:49,599 Speaker 1: drug and alcohol addiction, which had to be reclassified as 11 00:00:49,640 --> 00:00:54,720 Speaker 1: semi fiction after various exaggerations and fabrications were uncovered, and 12 00:00:54,880 --> 00:00:58,880 Speaker 1: Belle Gibson's The Whole Pantry, a cancer miracle cure cookbook 13 00:00:58,920 --> 00:01:03,080 Speaker 1: written by A Kancas who never had cancer. The Saltpath's 14 00:01:03,200 --> 00:01:07,360 Speaker 1: authenticity has now been called into question after an investigation 15 00:01:07,520 --> 00:01:11,960 Speaker 1: published this week by the Observer. The author, Rayna Winn 16 00:01:12,120 --> 00:01:16,000 Speaker 1: is strongly denying The Observer's allegations, and you'll hear more 17 00:01:16,040 --> 00:01:19,840 Speaker 1: from her soon, joining me to unpack the saga is 18 00:01:19,959 --> 00:01:23,840 Speaker 1: Tim Douglas, in house expert on all things cultural and 19 00:01:24,120 --> 00:01:27,920 Speaker 1: editor of review published in the weekend edition of The Australian. 20 00:01:36,840 --> 00:01:39,800 Speaker 1: The Salt Path starts with the author, Rayna Wynn and 21 00:01:39,920 --> 00:01:43,560 Speaker 1: her husband Moth losing it all after an investment with 22 00:01:43,600 --> 00:01:48,360 Speaker 1: their friend goes south, homeless and destitute. The hits keep 23 00:01:48,400 --> 00:01:50,280 Speaker 1: coming for this middle aged couple. 24 00:01:51,080 --> 00:01:54,760 Speaker 2: We also house, We lost our livelihood, and a few 25 00:01:54,840 --> 00:01:57,880 Speaker 2: days later my husband of thirty two years received a 26 00:01:57,960 --> 00:02:01,320 Speaker 2: terminal diagnosis an we gosto future. 27 00:02:03,040 --> 00:02:07,480 Speaker 1: The diagnosis is for cordico basal degeneration, a rare and 28 00:02:07,720 --> 00:02:12,880 Speaker 1: degenerative brain disease with similarities to Parkinson's. With nothing to lose, 29 00:02:12,919 --> 00:02:16,120 Speaker 1: the couple embark on a thousand kilometer walk along the 30 00:02:16,160 --> 00:02:18,359 Speaker 1: southwest Coast path of Britain. 31 00:02:19,560 --> 00:02:22,560 Speaker 2: It became more than just a walk for us. It 32 00:02:22,600 --> 00:02:25,799 Speaker 2: became something that saved us. 33 00:02:27,200 --> 00:02:30,600 Speaker 1: Only this week, a widow named Ross Hemmings has detailed 34 00:02:30,639 --> 00:02:34,880 Speaker 1: in The Observer a very different sequence of events. Hemmings 35 00:02:34,960 --> 00:02:38,280 Speaker 1: alleges that Winn, whom she knew by her legal name 36 00:02:38,400 --> 00:02:42,600 Speaker 1: Sally Walker, had embezzled money from her late husband Martin 37 00:02:42,960 --> 00:02:46,480 Speaker 1: while working as his bookkeeper. The initial sum was thought 38 00:02:46,520 --> 00:02:50,480 Speaker 1: to be around nine thousand pounds. Winn pleaded for forgiveness, 39 00:02:50,560 --> 00:02:53,760 Speaker 1: according to Roz, and assured her employer the money would 40 00:02:53,800 --> 00:02:57,480 Speaker 1: be repaid only soon after it was established the missing 41 00:02:57,520 --> 00:03:01,720 Speaker 1: sum was much higher, like close to sixty thousand pounds higher. 42 00:03:02,680 --> 00:03:06,320 Speaker 1: Here's what Roz Hemmings told the Observer newspaper in Britain. 43 00:03:07,040 --> 00:03:09,040 Speaker 1: She's made a lot of money out of ruining my 44 00:03:09,200 --> 00:03:14,400 Speaker 1: family's life. Allegedly, Winn was arrested in questioned, but flew 45 00:03:14,440 --> 00:03:17,760 Speaker 1: the coup before further action could be taken. Then, a 46 00:03:17,880 --> 00:03:21,720 Speaker 1: distant relative of Wynn's husband, Tim also known as Morth, 47 00:03:22,200 --> 00:03:24,640 Speaker 1: bailed the couple out with a one hundred thousand pound 48 00:03:24,760 --> 00:03:28,280 Speaker 1: loan and in return, the Hemmings's agreed to drop the 49 00:03:28,280 --> 00:03:32,600 Speaker 1: matter and sign a non disclosure agreement. Then, reportedly the 50 00:03:32,639 --> 00:03:36,000 Speaker 1: loan was called in and that's how they lost the house. 51 00:03:36,800 --> 00:03:41,760 Speaker 1: Hardly a business venture gone south. Here's part of a 52 00:03:41,800 --> 00:03:46,360 Speaker 1: statement raynal Wynn has released. She's denying any wrongdoing. We've 53 00:03:46,360 --> 00:03:49,080 Speaker 1: included in the show notes a link to her full statement, 54 00:03:49,120 --> 00:03:51,720 Speaker 1: and we're including some of it here too. But it's 55 00:03:51,760 --> 00:03:54,360 Speaker 1: fair to say she has a detailed response to what 56 00:03:54,400 --> 00:03:57,920 Speaker 1: The Observer has reported We've used an AI voice to 57 00:03:57,960 --> 00:04:00,240 Speaker 1: read the statement, and you'll hear more of Rain and 58 00:04:00,280 --> 00:04:04,560 Speaker 1: Ween's responses throughout this episode. 59 00:04:04,600 --> 00:04:09,920 Speaker 3: The Observer article is grotesquely unfair, highly misleading, and seeks 60 00:04:09,960 --> 00:04:14,160 Speaker 3: to systematically pick apart my life. But as our walk 61 00:04:14,200 --> 00:04:17,080 Speaker 3: along the Salt Path taught us, when life has ground 62 00:04:17,160 --> 00:04:20,040 Speaker 3: you into the dirt, you need to stand up, turn 63 00:04:20,080 --> 00:04:23,880 Speaker 3: your face to the wind, and continue unafraid. So that 64 00:04:24,040 --> 00:04:26,880 Speaker 3: is what I must do. I worked for Martin Hemmings 65 00:04:26,920 --> 00:04:29,279 Speaker 3: in the years before the economic crash of two thousand 66 00:04:29,320 --> 00:04:32,320 Speaker 3: and eight. For me, it was a pressured time. It 67 00:04:32,440 --> 00:04:34,359 Speaker 3: was also a time when mistakes were being made in 68 00:04:34,360 --> 00:04:37,039 Speaker 3: the business. Any mistakes I made during the years in 69 00:04:37,080 --> 00:04:40,640 Speaker 3: that office I deeply regret and I am truly sorry. 70 00:04:41,360 --> 00:04:44,240 Speaker 3: Mister Hemmings made an allegation against me to the police, 71 00:04:44,680 --> 00:04:48,359 Speaker 3: accusing me of taking money from the company. I was questioned. 72 00:04:48,720 --> 00:04:52,200 Speaker 3: I was not charged, nor did I face criminal sanctions. 73 00:04:52,800 --> 00:04:55,800 Speaker 3: I reached a settlement with Martin Hemmings because I did 74 00:04:55,800 --> 00:04:58,640 Speaker 3: not have the evidence required to support what happened. 75 00:05:01,200 --> 00:05:03,800 Speaker 1: Let's talk about the decisions that have been made up 76 00:05:03,880 --> 00:05:07,440 Speaker 1: until this point. Penguin Random House would have given this 77 00:05:07,480 --> 00:05:09,760 Speaker 1: woman an advance to write this book, and how to 78 00:05:09,880 --> 00:05:12,640 Speaker 1: sign a contract in which presumably she would have given 79 00:05:12,640 --> 00:05:15,920 Speaker 1: an undertaking that it was true. This is not the 80 00:05:15,960 --> 00:05:19,039 Speaker 1: only literary scandal that's around at the moment, But but once 81 00:05:19,040 --> 00:05:21,200 Speaker 1: a year we hear that a best selling book is 82 00:05:21,200 --> 00:05:23,800 Speaker 1: based on an untruth or that there might be some 83 00:05:23,839 --> 00:05:26,320 Speaker 1: doubt about its origins. Do you think it matters for 84 00:05:26,360 --> 00:05:28,560 Speaker 1: the publishing house? They're now getting a huge amount of 85 00:05:28,600 --> 00:05:29,400 Speaker 1: publicity out of it. 86 00:05:30,800 --> 00:05:33,160 Speaker 4: Those books are sold, so it's already sold two million 87 00:05:33,400 --> 00:05:36,880 Speaker 4: books and counting. Whether this will harm that is another story. 88 00:05:37,080 --> 00:05:40,440 Speaker 4: So I think that it's an interesting question about whether 89 00:05:40,480 --> 00:05:43,279 Speaker 4: it matters. It's a really philosophical one. I mean, in 90 00:05:43,320 --> 00:05:46,200 Speaker 4: this country, of course, we've got Helen Dennadenko and Miles 91 00:05:46,200 --> 00:05:48,760 Speaker 4: Franklin winning the handsign the paper, and we have the 92 00:05:48,800 --> 00:05:51,480 Speaker 4: normal curity scandal of course that broke. We've got Bell 93 00:05:51,520 --> 00:05:53,840 Speaker 4: Gibson too, and there are shades of that with this 94 00:05:54,200 --> 00:05:57,440 Speaker 4: story also. So I think her subsequent books will be 95 00:05:57,600 --> 00:05:59,560 Speaker 4: harm She's got a book coming out in a month 96 00:05:59,680 --> 00:06:00,440 Speaker 4: or two, I believe. 97 00:06:00,839 --> 00:06:02,799 Speaker 5: But I think the film side of it is really interesting. 98 00:06:02,960 --> 00:06:07,160 Speaker 4: It had kind of a muted release here, opened in May, 99 00:06:07,400 --> 00:06:10,440 Speaker 4: took four hundred thousand on the opening weekend. But in 100 00:06:10,480 --> 00:06:13,039 Speaker 4: the UK it's massive. It's the third biggest film of 101 00:06:13,080 --> 00:06:16,239 Speaker 4: the year there already, it's taken almost eight million pounds 102 00:06:16,240 --> 00:06:18,599 Speaker 4: at the box office. It is yet to secure a 103 00:06:18,640 --> 00:06:21,520 Speaker 4: North American release, and I think it is an independent film, 104 00:06:21,600 --> 00:06:23,800 Speaker 4: so independent films have a slow burn. So this was 105 00:06:23,800 --> 00:06:27,080 Speaker 4: released last year at Toronto Film Festival in September, got 106 00:06:27,120 --> 00:06:29,640 Speaker 4: a lot of recognition there, then had a release in 107 00:06:29,680 --> 00:06:34,359 Speaker 4: the UK and Australia simultaneously. But the producers bank on 108 00:06:34,839 --> 00:06:36,919 Speaker 4: word of mouth from a big kind of UK release 109 00:06:36,960 --> 00:06:39,640 Speaker 4: to secure those theaters in the US to really make 110 00:06:39,640 --> 00:06:43,360 Speaker 4: their money back. Now, if social media is any indication, 111 00:06:43,440 --> 00:06:47,000 Speaker 4: I think that looks increasingly unlikely that major cinemas would 112 00:06:47,040 --> 00:06:48,160 Speaker 4: take a gamble on that. 113 00:06:48,400 --> 00:06:50,279 Speaker 5: They also wait for the streaming. 114 00:06:49,920 --> 00:06:52,200 Speaker 4: Rights to roll out. Will anyone want to watch this 115 00:06:52,279 --> 00:06:55,799 Speaker 4: on a streaming platform? If these allegations prove to be true, 116 00:06:56,240 --> 00:06:57,279 Speaker 4: It's an interesting question. 117 00:06:58,520 --> 00:07:03,120 Speaker 1: What do you think is the responsibility of publishers and 118 00:07:03,200 --> 00:07:06,480 Speaker 1: film houses when they're buying a story like this. Obviously 119 00:07:06,520 --> 00:07:09,560 Speaker 1: there's a commercial consideration, but is there also an ethical 120 00:07:10,200 --> 00:07:13,360 Speaker 1: question here, particularly when it relates to something medical? 121 00:07:14,040 --> 00:07:16,120 Speaker 5: Well, I mean there is. 122 00:07:16,320 --> 00:07:18,680 Speaker 4: I mean, I think as journalists we find it difficult 123 00:07:18,680 --> 00:07:21,960 Speaker 4: to understand how a publishing house might not perform due 124 00:07:22,000 --> 00:07:25,440 Speaker 4: diligence and get across that story and say, Okay, this 125 00:07:25,560 --> 00:07:28,360 Speaker 4: isn't your real name. This didn't actually happen. I mean, 126 00:07:28,560 --> 00:07:30,840 Speaker 4: one would have thought that there are people employed to 127 00:07:31,560 --> 00:07:33,080 Speaker 4: perhaps you know, tract. 128 00:07:34,080 --> 00:07:36,320 Speaker 1: Yeah, well, when you're signing a legal contract with someone, 129 00:07:36,440 --> 00:07:38,679 Speaker 1: surely you would be asking to see a driver's license 130 00:07:38,720 --> 00:07:39,120 Speaker 1: at least. 131 00:07:39,200 --> 00:07:40,000 Speaker 5: Yeah, that's right. 132 00:07:42,640 --> 00:07:47,240 Speaker 1: Rain and Winn responded with this, let me explain my names. 133 00:07:47,800 --> 00:07:50,760 Speaker 3: Win is my maiden name, and like most women who 134 00:07:50,800 --> 00:07:53,840 Speaker 3: have married, I've used both my maiden name Win and 135 00:07:53,960 --> 00:07:57,280 Speaker 3: married name Walker. In the early years after Math and 136 00:07:57,320 --> 00:08:00,520 Speaker 3: I met, I told him I disliked my name Sally Ann. 137 00:08:01,200 --> 00:08:03,960 Speaker 3: It made me think of ringlets and Gingham dresses and 138 00:08:04,000 --> 00:08:06,480 Speaker 3: how I wished I'd been given the family name of Raynor. 139 00:08:07,280 --> 00:08:09,680 Speaker 3: From then on, he called me ray It is the 140 00:08:09,760 --> 00:08:11,840 Speaker 3: name many people who are close to me have known 141 00:08:11,880 --> 00:08:14,360 Speaker 3: me by, and the name I love and chose as 142 00:08:14,400 --> 00:08:21,000 Speaker 3: my pen name, Moth is just an abbreviation of his name, Timothy. 143 00:08:22,200 --> 00:08:24,560 Speaker 4: I think the medical issue is a different concern, because, 144 00:08:24,560 --> 00:08:28,480 Speaker 4: of course it's patient doctor confidentiality. And there are from 145 00:08:28,520 --> 00:08:31,640 Speaker 4: one of the better term, miraculous things that happen in 146 00:08:31,720 --> 00:08:36,200 Speaker 4: terms of health, whether that is becoming a terminal, very rare, 147 00:08:36,640 --> 00:08:40,800 Speaker 4: serious neurological condition by going out for a stroll is. 148 00:08:40,760 --> 00:08:42,559 Speaker 5: A Is that the issue? 149 00:08:45,400 --> 00:08:49,559 Speaker 3: Here's what Rhina Wein said about that among the Observer's 150 00:08:49,640 --> 00:08:53,240 Speaker 3: many accusations, the most heartbreaking is the suggestion that Moth 151 00:08:53,280 --> 00:08:57,480 Speaker 3: has made up his illness. This utterly vile, unfair, and 152 00:08:57,600 --> 00:09:01,959 Speaker 3: false suggestion has emotionally dev stated Moth, who has fought 153 00:09:02,040 --> 00:09:06,439 Speaker 3: so hard against the insidious condition of cortico basil syndrome. 154 00:09:07,040 --> 00:09:09,319 Speaker 3: I have never sought to offer medical advice in my 155 00:09:09,400 --> 00:09:12,000 Speaker 3: books or suggests that walking might be some sort of 156 00:09:12,080 --> 00:09:16,240 Speaker 3: miracle cure for CBS. I am simply charting Moth's own 157 00:09:16,320 --> 00:09:19,439 Speaker 3: personal journey and battle with his illness and what has 158 00:09:19,480 --> 00:09:22,800 Speaker 3: helped him. We will always be grateful that Moth's version 159 00:09:22,840 --> 00:09:26,760 Speaker 3: of CBS is indolent. Its slow progression has allowed us 160 00:09:26,800 --> 00:09:33,640 Speaker 3: time to discover how walking helps him. Others aren't so lucky. 161 00:09:35,440 --> 00:09:39,040 Speaker 1: Publishing has survived against all the odds. Probably twenty years 162 00:09:39,040 --> 00:09:41,280 Speaker 1: ago there were predictions that publishing would die, but it's 163 00:09:41,320 --> 00:09:44,520 Speaker 1: books like beasts that have kept publishing, isn't it. Memoir 164 00:09:45,080 --> 00:09:49,000 Speaker 1: has been a big part of along with romanticy, of 165 00:09:49,200 --> 00:09:52,240 Speaker 1: why people are still buying books in paper discussing them 166 00:09:52,240 --> 00:09:54,640 Speaker 1: in book clubs. Do you think in the age of 167 00:09:54,679 --> 00:09:58,000 Speaker 1: social media, where publishing houses are very quick to leap 168 00:09:58,040 --> 00:10:01,680 Speaker 1: on something that's big on TikTok, that there's a diminution 169 00:10:01,840 --> 00:10:04,200 Speaker 1: of the checks and balances that they once would have 170 00:10:04,200 --> 00:10:05,880 Speaker 1: gone through. They've lost a bit of their power. 171 00:10:06,120 --> 00:10:07,080 Speaker 5: Yeah, they may have done that. 172 00:10:07,120 --> 00:10:09,760 Speaker 4: I mean, you're right, memoir is huge, and you know, 173 00:10:09,800 --> 00:10:12,120 Speaker 4: I'm waiting for yours to come out, actually, because I 174 00:10:12,120 --> 00:10:14,480 Speaker 4: think people would be quite interested, to be honest, I 175 00:10:14,520 --> 00:10:16,160 Speaker 4: expect to people in publishing all the time and they're 176 00:10:16,160 --> 00:10:17,080 Speaker 4: always looking for. 177 00:10:17,480 --> 00:10:18,199 Speaker 5: That new story. 178 00:10:18,240 --> 00:10:22,120 Speaker 4: I feel like this one was apparently the author wrote 179 00:10:22,160 --> 00:10:23,040 Speaker 4: the book. 180 00:10:23,240 --> 00:10:26,520 Speaker 5: Just for a husband. I mean, what do we believe anymore? 181 00:10:26,559 --> 00:10:29,400 Speaker 4: But it didn't intend for really to become a published 182 00:10:29,400 --> 00:10:33,199 Speaker 4: book or let alone a publishing phenomenon. But yeah, I 183 00:10:33,200 --> 00:10:35,959 Speaker 4: think it's interesting in the world of social media and 184 00:10:36,120 --> 00:10:41,439 Speaker 4: selfie culture and generation me that those personal stories, embellished 185 00:10:41,480 --> 00:10:43,320 Speaker 4: as they may be, are so interesting to people. 186 00:10:43,800 --> 00:10:47,240 Speaker 1: Let's talk about where the story goes after the loss 187 00:10:47,240 --> 00:10:51,240 Speaker 1: of the house and the diagnosis. In the book, they 188 00:10:51,440 --> 00:10:54,319 Speaker 1: set out on one of these walks that middle aged 189 00:10:54,320 --> 00:10:57,880 Speaker 1: people seem to be doing a lot now and what 190 00:10:58,000 --> 00:11:01,400 Speaker 1: happens on the course of that walk in the book, Well. 191 00:11:01,280 --> 00:11:03,240 Speaker 5: I read the book. There was a lot of whining 192 00:11:03,240 --> 00:11:06,240 Speaker 5: that happened in it. I've found really hard going. 193 00:11:06,520 --> 00:11:10,080 Speaker 4: Maybe I'm the only one, but basically they realized that 194 00:11:10,160 --> 00:11:13,000 Speaker 4: the pension they're going to get from the government isn't 195 00:11:13,440 --> 00:11:17,040 Speaker 4: enough to really keep them alive, so they beg borrow 196 00:11:17,080 --> 00:11:21,400 Speaker 4: and steal and steal in some cases from small business owners, 197 00:11:21,720 --> 00:11:23,760 Speaker 4: and you know, they meet other people along the path, 198 00:11:23,840 --> 00:11:29,080 Speaker 4: but invariably I found there's this really insufferable tone from 199 00:11:29,120 --> 00:11:31,439 Speaker 4: the author of the book about how they were doing 200 00:11:31,480 --> 00:11:33,440 Speaker 4: it the only righteous way, and that other people on 201 00:11:33,480 --> 00:11:35,160 Speaker 4: the path are always rude to them, and no one 202 00:11:35,200 --> 00:11:37,440 Speaker 4: could believe that they could possibly do this walk. 203 00:11:37,480 --> 00:11:39,520 Speaker 5: And it's a good walk. I mean six hundred and 204 00:11:39,520 --> 00:11:40,080 Speaker 5: thirty miles. 205 00:11:40,080 --> 00:11:44,160 Speaker 4: I think it's onenty twelve kilometers from Somerset to Dorset, 206 00:11:44,200 --> 00:11:46,480 Speaker 4: so it's a big effort. But I found some of 207 00:11:46,520 --> 00:11:48,439 Speaker 4: the writing quite difficult. 208 00:11:48,800 --> 00:11:58,400 Speaker 1: Going more of my chat with Tim Douglas after the 209 00:11:58,440 --> 00:12:14,079 Speaker 1: Break it's meant to be uplifting, obviously, and that's one 210 00:12:14,080 --> 00:12:16,880 Speaker 1: of the reasons why this book went viral. It was 211 00:12:16,920 --> 00:12:20,720 Speaker 1: a story of triumph over adversity. These people took their situation, 212 00:12:20,800 --> 00:12:24,160 Speaker 1: which was basically being homeless, and turned it into an adventure. 213 00:12:25,040 --> 00:12:27,120 Speaker 1: That's a new genre in publishing, isn't it. We used 214 00:12:27,160 --> 00:12:29,880 Speaker 1: to have misery memoirs. Now we have middle aged people 215 00:12:29,880 --> 00:12:31,280 Speaker 1: where something bad happens and then they. 216 00:12:31,200 --> 00:12:32,920 Speaker 5: Go for more. Yeah, it's true. 217 00:12:33,040 --> 00:12:37,000 Speaker 4: My wife or her friend's fortieth just did the Santiago 218 00:12:37,000 --> 00:12:39,600 Speaker 4: to Compostella Walk because one hundred and sixty kilometer walk 219 00:12:39,600 --> 00:12:43,199 Speaker 4: as part of the Camino de Santiago Walk. A friend 220 00:12:43,200 --> 00:12:46,079 Speaker 4: of hers, at a dinner party maybe three or four 221 00:12:46,080 --> 00:12:47,800 Speaker 4: weeks ago, said, you have to read this book. 222 00:12:47,840 --> 00:12:48,720 Speaker 5: I hadn't seen the film. 223 00:12:48,760 --> 00:12:50,840 Speaker 4: I still haven't seen it, but he said, you have 224 00:12:50,880 --> 00:12:53,280 Speaker 4: to read this book because it's just so uplifting. It's amazing, 225 00:12:53,320 --> 00:12:55,080 Speaker 4: You've got to do this walk, and so, Yeah, people 226 00:12:55,160 --> 00:12:57,840 Speaker 4: in their forties and fifties are now, you know, really 227 00:12:57,840 --> 00:12:59,959 Speaker 4: embarking on these kind of journeys trying to stay far. 228 00:13:00,440 --> 00:13:02,480 Speaker 4: But you're right, it's a new genre, and look, it's 229 00:13:02,520 --> 00:13:05,160 Speaker 4: worked for Raynal Winns. She's had three subsequent book deals 230 00:13:05,160 --> 00:13:09,280 Speaker 4: out of it, all of which detail her husband Moths 231 00:13:09,679 --> 00:13:13,480 Speaker 4: overcoming this horrible disease with which he has lived for 232 00:13:13,920 --> 00:13:15,120 Speaker 4: eighteen years, apparently. 233 00:13:15,440 --> 00:13:17,640 Speaker 1: And that's the other part of the story with which 234 00:13:17,640 --> 00:13:20,679 Speaker 1: the Observer has raised questions, isn't it because neurologists who 235 00:13:20,679 --> 00:13:24,200 Speaker 1: are specialists in this particular disease are saying nobody lives 236 00:13:24,200 --> 00:13:27,120 Speaker 1: for eighteen years, and certainly nobody lives in what appears 237 00:13:27,160 --> 00:13:27,880 Speaker 1: to be quite good. 238 00:13:27,760 --> 00:13:32,120 Speaker 4: Health exactly, and not just good health, but doing the 239 00:13:32,120 --> 00:13:35,400 Speaker 4: equivalent of as it says in the book for Summits 240 00:13:35,400 --> 00:13:38,199 Speaker 4: of Everest on this walk. I mean, these people are 241 00:13:38,200 --> 00:13:38,920 Speaker 4: in good nick. 242 00:13:39,360 --> 00:13:41,840 Speaker 1: There was obviously something about this book that had your 243 00:13:41,880 --> 00:13:44,839 Speaker 1: spidy senses tingling when you were reading it. Do you 244 00:13:44,880 --> 00:13:48,160 Speaker 1: feel justified now in your hatred of it as a 245 00:13:48,160 --> 00:13:50,400 Speaker 1: piece of literature? And doesn't mean you don't have to 246 00:13:50,400 --> 00:13:51,880 Speaker 1: go on one of these epic walks? 247 00:13:52,400 --> 00:13:54,360 Speaker 4: Well, okay, two things. It means I don't have to 248 00:13:54,360 --> 00:13:56,800 Speaker 4: watch the film, which I've managed to avoid doing. 249 00:13:57,800 --> 00:14:00,719 Speaker 5: I didn't hate it. I just found the Tony sufferable. 250 00:14:01,200 --> 00:14:04,560 Speaker 4: And you know this kind of inverse noobbery of being 251 00:14:04,600 --> 00:14:07,839 Speaker 4: out on the trail and all these people with their flashbackpacks. 252 00:14:07,920 --> 00:14:08,960 Speaker 5: We're doing it the right way. 253 00:14:09,080 --> 00:14:10,719 Speaker 4: You know, no one believed we could do it, and 254 00:14:10,960 --> 00:14:15,760 Speaker 4: all these serendipitous coincidences that I just found a little 255 00:14:15,760 --> 00:14:19,280 Speaker 4: bit darling. As for the walk, my wife wants to 256 00:14:19,280 --> 00:14:21,920 Speaker 4: do the Camino Way from Santiago to Compostella. I'm one 257 00:14:22,000 --> 00:14:24,640 Speaker 4: hundred percent in it's eight hundred ks. I just need 258 00:14:24,680 --> 00:14:26,800 Speaker 4: to convince the editor in chief to let me have 259 00:14:26,880 --> 00:14:29,000 Speaker 4: eight weeks off work fully paid. 260 00:14:29,160 --> 00:14:31,240 Speaker 1: Well, I mean, you could be writing a book about it. 261 00:14:32,120 --> 00:14:33,600 Speaker 5: I'm not sure anyone would want to read that. 262 00:14:41,160 --> 00:14:44,160 Speaker 1: Tim Douglas is the editor of Review. You can check 263 00:14:44,160 --> 00:14:45,880 Speaker 1: it out by picking up a copy of the Weekend 264 00:14:45,880 --> 00:14:50,160 Speaker 1: Australian or going to the Australian dot com dot auslash 265 00:14:50,320 --> 00:14:54,080 Speaker 1: Review anytime. This episode of the Front was hosted by 266 00:14:54,120 --> 00:14:57,080 Speaker 1: met Claire Harvey and produced by Jasper Leek, who edited 267 00:14:57,080 --> 00:14:59,920 Speaker 1: the episode and also wrote our theme. Thanks for joining 268 00:15:00,120 --> 00:15:02,480 Speaker 1: us on the Front this week. Our team also includes 269 00:15:02,600 --> 00:15:07,000 Speaker 1: Christian amyot Leat, Sammaglu, Tiffany Dimac, Joshua Burton and Stephanie Coombs.