1 00:00:01,480 --> 00:00:04,520 Speaker 1: We are so excited about this because Mary Poppins What 2 00:00:04,600 --> 00:00:07,280 Speaker 1: a Dream is coming to the Sydney Lyric Theater from 3 00:00:07,360 --> 00:00:11,320 Speaker 1: May fifteen, and tickets are on sale now Ticketmaster Australia. 4 00:00:11,600 --> 00:00:13,159 Speaker 1: You better hurry up and get these because I think 5 00:00:13,200 --> 00:00:15,160 Speaker 1: they're going to go very very quick. And we have 6 00:00:15,360 --> 00:00:17,759 Speaker 1: got Mary and Bird with us. The small I. 7 00:00:17,720 --> 00:00:18,720 Speaker 2: Don't believe it. 8 00:00:18,720 --> 00:00:20,639 Speaker 1: It is Stephanie and Jack Welcome. 9 00:00:24,640 --> 00:00:27,040 Speaker 2: Is really exciting and I can't wait to see the 10 00:00:27,080 --> 00:00:29,200 Speaker 2: show because I think anybody that knows part of the 11 00:00:29,280 --> 00:00:32,000 Speaker 2: music or the story of Mary Poppins to live in 12 00:00:32,040 --> 00:00:33,680 Speaker 2: that world and then to see it played out on 13 00:00:33,720 --> 00:00:35,320 Speaker 2: stage would be such a special thing. 14 00:00:35,560 --> 00:00:39,239 Speaker 3: Oh yeah, there's so much nostalgia show like yes, so 15 00:00:39,360 --> 00:00:41,360 Speaker 3: many generations have loved it for a long time and 16 00:00:41,400 --> 00:00:43,760 Speaker 3: now we get to introduce it to a whole new generation. 17 00:00:44,320 --> 00:00:44,920 Speaker 3: So exciting. 18 00:00:45,000 --> 00:00:46,400 Speaker 2: That's the cover. You've got a bit of music in the. 19 00:00:48,960 --> 00:00:49,320 Speaker 3: Sugar. 20 00:00:53,080 --> 00:00:54,639 Speaker 2: Always used to watch it thinking how do they get 21 00:00:54,680 --> 00:00:57,120 Speaker 2: all that stuff out of the bag to the bottomless 22 00:00:57,160 --> 00:00:58,000 Speaker 2: bag on stage? 23 00:00:58,120 --> 00:00:59,840 Speaker 3: It's pure magic, won ask. 24 00:01:00,520 --> 00:01:03,320 Speaker 1: It's just such a sad story with Julie Andrews as well, 25 00:01:03,320 --> 00:01:04,640 Speaker 1: with her voice, wasn't it? 26 00:01:04,959 --> 00:01:07,280 Speaker 3: Yeah, it really kills me. Actually, it's very sad. One 27 00:01:07,319 --> 00:01:10,880 Speaker 3: of the best voices I think of the world. I 28 00:01:11,000 --> 00:01:15,240 Speaker 3: just think, well, she had vocal surgery that went wrong, unfortunately, 29 00:01:15,319 --> 00:01:16,640 Speaker 3: and they damaged her vocal career. 30 00:01:16,720 --> 00:01:18,120 Speaker 1: Nodules Did she have nodules? 31 00:01:18,200 --> 00:01:20,240 Speaker 3: Yeah, she needed to get a polyp removed or a 32 00:01:20,280 --> 00:01:22,520 Speaker 3: nodule or something of that description, and it didn't go 33 00:01:22,600 --> 00:01:23,080 Speaker 3: well at all. 34 00:01:23,080 --> 00:01:24,720 Speaker 1: How were your nodules stiff? They okay? 35 00:01:24,880 --> 00:01:26,920 Speaker 3: Currently nodule free? 36 00:01:27,800 --> 00:01:31,680 Speaker 2: Jackeels are okay? Feeling strong? Yes, so far, so good. Jack. 37 00:01:31,720 --> 00:01:36,880 Speaker 1: Have you ever up on stage lost your voice? No? 38 00:01:37,120 --> 00:01:37,840 Speaker 4: I don't think so. 39 00:01:37,959 --> 00:01:40,080 Speaker 2: No, that had many things happen, but that's not one. 40 00:01:40,240 --> 00:01:41,880 Speaker 1: Can you tell us some of the things that go wrong, 41 00:01:41,920 --> 00:01:45,240 Speaker 1: because it's because when it's live, it's just gotta keep going. 42 00:01:45,240 --> 00:01:46,080 Speaker 2: The show must go on. 43 00:01:46,200 --> 00:01:49,640 Speaker 1: Yeah, I know, I've I've tripped over things, I've gone 44 00:01:49,720 --> 00:01:52,280 Speaker 1: smacked down onto my face, my pants are fallen. 45 00:01:52,120 --> 00:01:55,280 Speaker 2: Down before awesome, there's lots of things that. 46 00:01:55,200 --> 00:02:00,280 Speaker 1: Was in the green room, Jack. 47 00:02:00,280 --> 00:02:02,440 Speaker 2: What about you've recently been touring with Hugh Jackman. You're 48 00:02:02,480 --> 00:02:03,680 Speaker 2: part of his show? Is that right? 49 00:02:03,760 --> 00:02:04,240 Speaker 4: That's correct? 50 00:02:04,280 --> 00:02:06,200 Speaker 2: How was touring with Hugh Jackman? 51 00:02:06,440 --> 00:02:06,600 Speaker 1: Oh? 52 00:02:06,600 --> 00:02:11,519 Speaker 2: Incredible, spend a bit of time backstage hanging out. Oh yeah, No, Hugh. 53 00:02:11,520 --> 00:02:13,679 Speaker 1: Is everything that we all think he is in terms 54 00:02:13,720 --> 00:02:15,240 Speaker 1: of the best of the best, best of the best. 55 00:02:15,520 --> 00:02:17,799 Speaker 1: He has to be slowing down Jack with his. 56 00:02:17,919 --> 00:02:20,160 Speaker 3: Arm on Broadway at the moment doing the music. 57 00:02:20,200 --> 00:02:24,600 Speaker 2: Man, are you slowing down? Eight Yeah? Eight shows a week. 58 00:02:25,080 --> 00:02:28,000 Speaker 1: That is unbelievable. So this is really really exciting. 59 00:02:28,040 --> 00:02:28,359 Speaker 2: Guys. 60 00:02:28,400 --> 00:02:31,040 Speaker 1: What is it? What is your preparation for a big night? 61 00:02:31,120 --> 00:02:33,720 Speaker 1: Because it takes a lot out of your body. Do 62 00:02:33,840 --> 00:02:36,359 Speaker 1: you just do absolutely nothing? All days are like preparing 63 00:02:36,360 --> 00:02:37,160 Speaker 1: for a footy match. 64 00:02:37,240 --> 00:02:39,840 Speaker 3: Yeah, you really have to refill the tank on your 65 00:02:39,840 --> 00:02:42,000 Speaker 3: one day off. Well, just sort of rest, do nothing, 66 00:02:42,080 --> 00:02:44,920 Speaker 3: rest the voice, a lot of water, a lot of tea, 67 00:02:45,000 --> 00:02:47,799 Speaker 3: and really good food, because yeah, it's just constant. It's 68 00:02:47,960 --> 00:02:50,160 Speaker 3: even you know, it's like the Iceberg theory. What you 69 00:02:50,200 --> 00:02:52,440 Speaker 3: see above the water, which is the show, is that much. 70 00:02:52,440 --> 00:02:55,200 Speaker 3: And then behind the scenes and backstage it just keeps going. 71 00:02:55,320 --> 00:02:58,320 Speaker 3: Like our quick changes off stage are just so exhausting, 72 00:02:58,360 --> 00:03:00,560 Speaker 3: and the running around and the grabby of the props, 73 00:03:00,560 --> 00:03:01,440 Speaker 3: it just never ends. 74 00:03:01,720 --> 00:03:02,280 Speaker 2: How do you fly? 75 00:03:02,880 --> 00:03:05,640 Speaker 3: Oh it's all magic. No, I have I have an 76 00:03:05,680 --> 00:03:09,040 Speaker 3: incredible team of mex who look after me very well, 77 00:03:09,080 --> 00:03:11,120 Speaker 3: and we've been practicing it a lot and it's an 78 00:03:11,120 --> 00:03:12,960 Speaker 3: incredible experience. I love it. 79 00:03:13,000 --> 00:03:16,000 Speaker 2: Can I ask it singing question? My wife is like 80 00:03:16,040 --> 00:03:18,639 Speaker 2: a bad set of bagpipes when she tries to sing, 81 00:03:18,720 --> 00:03:20,760 Speaker 2: it's just it's the worst sound you've ever heard. Oh, 82 00:03:21,200 --> 00:03:25,440 Speaker 2: it's terrible. And I'm trying to work out when you're 83 00:03:25,440 --> 00:03:28,320 Speaker 2: a singer and when you then look at a bad singer, 84 00:03:28,960 --> 00:03:31,800 Speaker 2: is it that she can't hear the note and therefore 85 00:03:31,840 --> 00:03:34,680 Speaker 2: she's not matching the note, or is it the fact 86 00:03:34,680 --> 00:03:38,760 Speaker 2: that she can't hear how bad she is? But I'm 87 00:03:38,800 --> 00:03:42,520 Speaker 2: trying to work out why you can't see singing. I 88 00:03:43,280 --> 00:03:45,840 Speaker 2: note for her, like if I if I play whatever 89 00:03:45,880 --> 00:03:47,040 Speaker 2: note it might be, and I say. 90 00:03:46,880 --> 00:03:50,160 Speaker 1: You sing that, but you can't hit notes. 91 00:03:50,240 --> 00:03:54,240 Speaker 2: I can hit a note, I can hold a tune, 92 00:03:55,040 --> 00:03:59,280 Speaker 2: but then she can't demonstrate when I give me a seed, 93 00:04:00,280 --> 00:04:02,320 Speaker 2: but then she won And I'm trying to work out 94 00:04:02,320 --> 00:04:06,360 Speaker 2: whether it's her hearing or it's her ability lack. 95 00:04:06,240 --> 00:04:08,400 Speaker 3: Of I think it's a lot to do with hearing. 96 00:04:08,760 --> 00:04:10,640 Speaker 3: My mum has always told me stories about how I 97 00:04:10,680 --> 00:04:12,560 Speaker 3: had a really good ear as a kid, like I 98 00:04:12,600 --> 00:04:15,080 Speaker 3: was really little in the back of the car, harmonizing 99 00:04:15,240 --> 00:04:17,440 Speaker 3: to the songs on the radio. Wow, I just sort 100 00:04:17,440 --> 00:04:19,200 Speaker 3: of had a natural I think a lot of it 101 00:04:19,279 --> 00:04:21,159 Speaker 3: is natural ability. And then if you have that natural 102 00:04:21,160 --> 00:04:24,240 Speaker 3: ability ability, you hone it and you study and you 103 00:04:24,240 --> 00:04:24,919 Speaker 3: you know, work on it. 104 00:04:25,040 --> 00:04:26,240 Speaker 2: Tarmonizing as a kid. 105 00:04:26,640 --> 00:04:29,680 Speaker 1: All right, Okay, you guys think you're so good. You 106 00:04:29,680 --> 00:04:33,800 Speaker 1: can see you can dance, but can you rap? Oh? 107 00:04:33,920 --> 00:04:35,679 Speaker 3: That is the big question, presidents. 108 00:04:35,720 --> 00:04:37,919 Speaker 1: Yes, because we've got an audition for Hamilton after this. 109 00:04:40,320 --> 00:04:43,800 Speaker 1: We're actually rapping too, Mary Poppins's hip hop beat? What 110 00:04:43,880 --> 00:04:44,560 Speaker 1: have you got there? 111 00:04:44,600 --> 00:04:45,200 Speaker 3: What have we got? 112 00:04:45,360 --> 00:04:45,600 Speaker 2: Love this? 113 00:04:48,520 --> 00:04:48,599 Speaker 3: Ye? 114 00:04:49,839 --> 00:04:51,800 Speaker 2: Hey? Because you guys are the guests. Would you like 115 00:04:51,839 --> 00:04:53,560 Speaker 2: to go first in this rap? Or would you like 116 00:04:53,600 --> 00:04:56,800 Speaker 2: ask to go first? Oh? What do you want to do? Guys? 117 00:04:56,839 --> 00:05:01,440 Speaker 1: I'd like to hear what you have to that's really. 118 00:05:02,800 --> 00:05:03,120 Speaker 2: All right? 119 00:05:08,480 --> 00:05:09,040 Speaker 1: I am fit. 120 00:05:09,640 --> 00:05:12,000 Speaker 2: I love it when you rap Battle on Friday. You 121 00:05:12,120 --> 00:05:15,760 Speaker 2: don't know how much, Dad, we're by way, that's letter on. 122 00:05:15,920 --> 00:05:18,160 Speaker 2: All right, here we go, there we go. 123 00:05:18,480 --> 00:05:21,840 Speaker 1: Okay, so step has to go first. This is going 124 00:05:21,880 --> 00:05:24,640 Speaker 1: to be an absolute. 125 00:05:23,560 --> 00:05:25,200 Speaker 2: Jack just had the moment where he went, what the 126 00:05:25,200 --> 00:05:28,120 Speaker 2: hell are we doing here? What the hell is going on? 127 00:05:28,200 --> 00:05:30,480 Speaker 2: You know what, Jack, We don't know either, Mate, I. 128 00:05:30,480 --> 00:05:33,680 Speaker 1: Reckon than this before here we go. 129 00:05:33,720 --> 00:05:35,520 Speaker 2: All right, kick it off. No, let's get stuck in 130 00:05:35,520 --> 00:05:36,120 Speaker 2: and I'm gone. 131 00:05:37,120 --> 00:05:38,240 Speaker 1: I need you support. 132 00:05:38,320 --> 00:05:41,960 Speaker 2: Come on, com let me hear from you here, Guddy 133 00:05:42,400 --> 00:05:44,080 Speaker 2: Wind full of sugar, Buddy. 134 00:05:44,279 --> 00:05:47,080 Speaker 1: Steph and Jack from the set of Mary Poppins Well 135 00:05:47,080 --> 00:05:49,760 Speaker 1: where the Batman's have rats. So watch us and learn. 136 00:05:49,920 --> 00:05:53,120 Speaker 1: Robin's first piece of advice to prep of hair for 137 00:05:53,200 --> 00:05:56,479 Speaker 1: what's coming up is a spoonful of concrete. Makes you 138 00:05:56,560 --> 00:05:59,800 Speaker 1: both hardenow step. When I think of nanny's I think 139 00:05:59,839 --> 00:06:02,680 Speaker 1: of little bit more left field, not a flying nanny, 140 00:06:02,720 --> 00:06:06,560 Speaker 1: but the one who says, mister Shiveryfield. There he speaks 141 00:06:06,600 --> 00:06:09,480 Speaker 1: to animals and moves objects of their mind. That sounds 142 00:06:09,520 --> 00:06:12,560 Speaker 1: like my auntie, or so she tells me when she's blind. Jack, 143 00:06:12,640 --> 00:06:16,360 Speaker 1: you're representing Burt the old chimney sweep. Is he saying 144 00:06:16,440 --> 00:06:18,120 Speaker 1: doing that job? Or is he a little bit of 145 00:06:18,160 --> 00:06:21,080 Speaker 1: a creep? Like to shill for Burt and how he 146 00:06:21,160 --> 00:06:23,880 Speaker 1: lives his life scrappily. I'd be straight down the chimney 147 00:06:23,880 --> 00:06:26,400 Speaker 1: of the banks and stealing everything from that family. It 148 00:06:26,480 --> 00:06:30,400 Speaker 1: is a wonderful story of happiness and love one family 149 00:06:30,440 --> 00:06:33,000 Speaker 1: who is wealthy. And on the other hand, it's POV. 150 00:06:33,320 --> 00:06:36,480 Speaker 1: It seems very familiar. I'd keep hearing about this caper. 151 00:06:36,560 --> 00:06:39,680 Speaker 1: Oh that's right. May twenty first, liberal versus label. 152 00:06:39,760 --> 00:06:45,520 Speaker 2: Oh he's tried it into topic, so I'm coming. 153 00:06:45,920 --> 00:06:47,239 Speaker 3: I get it. 154 00:06:47,520 --> 00:06:52,440 Speaker 2: If you thought yours was bad, chim chimmney, chim chimney, 155 00:06:52,560 --> 00:06:55,240 Speaker 2: more like chim chimmery. Look a look at these eies. 156 00:06:55,560 --> 00:06:58,359 Speaker 2: I'm the big man on this rooftop. Don't scrub the 157 00:06:58,400 --> 00:07:03,000 Speaker 2: soot off this wrapping flot. There's no spoonful of sugar 158 00:07:03,040 --> 00:07:05,920 Speaker 2: here or a bag that hides audiar here. And could 159 00:07:05,920 --> 00:07:09,080 Speaker 2: Mary Poppins really fly? Poor George Banks was hoping a 160 00:07:09,120 --> 00:07:18,680 Speaker 2: strong wind would pass by. Supercolor fragilic, stick explidocious, more 161 00:07:18,760 --> 00:07:23,160 Speaker 2: like supercolor bad linguistic. This is just atrocious. Sorry, I'm 162 00:07:23,160 --> 00:07:27,080 Speaker 2: better than that. More like super cool fraudulistic. Don't expect 163 00:07:27,080 --> 00:07:35,679 Speaker 2: the mosters step dear in neighbors, And now that's ending. 164 00:07:35,920 --> 00:07:38,239 Speaker 2: Tony's hairstyle is that still bending? 165 00:07:38,960 --> 00:07:40,400 Speaker 3: Now? Jack? 166 00:07:40,480 --> 00:07:42,360 Speaker 2: You once so you're think you could dance? And Todd 167 00:07:42,400 --> 00:07:46,480 Speaker 2: McKenny one, where did I leave my fans? I auditioned 168 00:07:46,520 --> 00:07:49,560 Speaker 2: for Shrek, but they didn't want even when I yelled out, get. 169 00:07:49,360 --> 00:07:50,520 Speaker 3: Out of my swamp. 170 00:07:52,720 --> 00:07:55,720 Speaker 2: Maybe I could be in Mary Poppins. After all, my 171 00:07:55,840 --> 00:07:57,600 Speaker 2: mates know me for doing drop in. 172 00:08:04,160 --> 00:08:09,200 Speaker 1: That is the worst produced Jack apologic. 173 00:08:10,480 --> 00:08:13,560 Speaker 2: Steph was clapping, She was clapping. 174 00:08:13,640 --> 00:08:14,280 Speaker 1: It was over. 175 00:08:14,480 --> 00:08:25,080 Speaker 4: Oh my god, you guys may have won already. 176 00:08:25,400 --> 00:08:29,760 Speaker 3: Well, I think we need to start Leave it there, Jack, 177 00:08:29,960 --> 00:08:38,240 Speaker 3: all right, okay, okay, time to celebrate the return of 178 00:08:38,480 --> 00:08:39,280 Speaker 3: Mary Poppins's. 179 00:08:39,559 --> 00:08:42,600 Speaker 1: Didn't whipp her get the lead role in Harry Blopping. 180 00:08:43,120 --> 00:08:46,280 Speaker 3: Perhaps Whipper, you'd be better in the Phantom of the Office, 181 00:08:46,320 --> 00:08:48,200 Speaker 3: where you just sleep under your desk all day and 182 00:08:48,240 --> 00:08:49,760 Speaker 3: take half the company's profit. 183 00:08:52,000 --> 00:08:54,760 Speaker 2: That is true, it was back in the day when 184 00:08:54,800 --> 00:08:56,720 Speaker 2: mister Banks needed a nanny. 185 00:08:57,040 --> 00:08:59,960 Speaker 3: Doesn't Whipper have ten nannies to look after his friend. 186 00:09:00,880 --> 00:09:03,760 Speaker 2: If you need some help around the house while you sleep, 187 00:09:04,200 --> 00:09:05,760 Speaker 2: you could even use bum. 188 00:09:05,559 --> 00:09:07,439 Speaker 1: Bum as a chimney sweep. 189 00:09:09,160 --> 00:09:09,640 Speaker 2: Perspective. 190 00:09:11,320 --> 00:09:14,640 Speaker 3: Mary Pobbins was kind and she loved to teach, but 191 00:09:14,760 --> 00:09:17,480 Speaker 3: even she refused to carry Whippers bags to the beach. 192 00:09:18,160 --> 00:09:22,000 Speaker 3: Whipper gets on the scales and then he frowns. 193 00:09:21,640 --> 00:09:24,880 Speaker 1: Because so spoonfuls of sugar doesn't help your weight go down. 194 00:09:27,559 --> 00:09:28,880 Speaker 2: That's really good actually, but. 195 00:09:29,000 --> 00:09:30,320 Speaker 1: Fitz loves his music. 196 00:09:30,400 --> 00:09:32,200 Speaker 2: To Coachella, he is addicted. 197 00:09:32,320 --> 00:09:34,560 Speaker 3: He's the only guy at that festival. 198 00:09:34,120 --> 00:09:38,319 Speaker 1: On a senior's ticket. Even gave you your own. 199 00:09:38,360 --> 00:09:41,120 Speaker 3: Entry lane, you know, the one reserved for people with 200 00:09:41,240 --> 00:09:45,240 Speaker 3: the zimmer frames fits. He ate fast, So his footy 201 00:09:45,280 --> 00:09:48,319 Speaker 3: games were poor because after every game he just pulled 202 00:09:48,400 --> 00:09:53,280 Speaker 3: up dinos. And now your radio content is sounding so grim. 203 00:09:53,400 --> 00:09:56,240 Speaker 3: You recycle your jokes so much even the Garbos don't 204 00:09:56,280 --> 00:09:57,280 Speaker 3: know which bin to put him in. 205 00:10:00,880 --> 00:10:04,000 Speaker 2: He comes Mary from the sky singing her loup tune. 206 00:10:04,160 --> 00:10:06,640 Speaker 3: Mary Poppins used a brolly, but Whip needs a hot 207 00:10:06,679 --> 00:10:09,400 Speaker 3: air balloon. And when all is said and done, Whip 208 00:10:09,480 --> 00:10:12,360 Speaker 3: you are the grossest because that's super calories. 209 00:10:12,440 --> 00:10:20,760 Speaker 2: Finger licking whippers got halatos? Now do you how do you? Oh? 210 00:10:21,040 --> 00:10:21,520 Speaker 3: Very dead? 211 00:10:21,800 --> 00:10:26,040 Speaker 2: Do you trump me on supercolor? Bad linguistic? This is 212 00:10:26,120 --> 00:10:26,720 Speaker 2: just a trifle. 213 00:10:27,200 --> 00:10:28,439 Speaker 1: We all know what the winner is. 214 00:10:28,480 --> 00:10:32,640 Speaker 2: Stefan Jack, very kind, very kind, Thank you. I'm not 215 00:10:32,679 --> 00:10:34,280 Speaker 2: coming to see the show anymore. 216 00:10:33,880 --> 00:10:37,560 Speaker 1: But don't forget. If you're a Tigermaster Australia, you can 217 00:10:37,559 --> 00:10:39,880 Speaker 1: go see Mary Poppins there. It's Sydney lyric Theater. It 218 00:10:39,920 --> 00:10:43,079 Speaker 1: starts May fifteen. Congratulations Steff and Jack can't wait to 219 00:10:43,120 --> 00:10:45,840 Speaker 1: see it and thanks for coming audience. 220 00:10:45,920 --> 00:10:49,280 Speaker 2: Thanks, I appreciate it. It fits and whipper