1 00:00:01,080 --> 00:00:03,720 Speaker 1: This is the City and with Kate Winki. 2 00:00:03,520 --> 00:00:08,640 Speaker 2: Podcast, let's talk about men in relationships fits because this 3 00:00:08,680 --> 00:00:11,960 Speaker 2: is what we've touched on earlier about the emotional intimacy 4 00:00:12,440 --> 00:00:14,200 Speaker 2: that happens in a relationship. 5 00:00:14,480 --> 00:00:15,200 Speaker 1: And I didn't. 6 00:00:15,000 --> 00:00:17,360 Speaker 3: Realize And if anybody wants to argue this fact thirteen 7 00:00:17,400 --> 00:00:22,120 Speaker 3: twenty four to ten, men apparently need more emotional intimacy 8 00:00:22,320 --> 00:00:22,840 Speaker 3: than women. 9 00:00:24,520 --> 00:00:26,000 Speaker 1: Okay, I would. 10 00:00:25,800 --> 00:00:29,440 Speaker 4: Agree with that, So can we can you give us 11 00:00:29,440 --> 00:00:33,520 Speaker 4: an explanation of emotional intimacy and what do we need 12 00:00:33,560 --> 00:00:35,600 Speaker 4: to do actually take this. 13 00:00:35,560 --> 00:00:39,960 Speaker 3: Off conversations, being told that I love you, being told 14 00:00:40,000 --> 00:00:43,400 Speaker 3: you love me, all of those things, there's your emotionals, 15 00:00:43,440 --> 00:00:45,839 Speaker 3: because that's the one. And apparently it stems from when 16 00:00:45,880 --> 00:00:51,720 Speaker 3: you are younger, as young boys need emotional assurance more 17 00:00:51,760 --> 00:00:54,920 Speaker 3: than young girls. So young boys need to be told 18 00:00:54,960 --> 00:00:57,120 Speaker 3: I love you, you're doing a great job, you're a great kid. 19 00:00:57,320 --> 00:00:59,440 Speaker 3: And then as we get older, we still want to 20 00:00:59,440 --> 00:01:01,520 Speaker 3: walk in the door the age of forty five of 21 00:01:01,560 --> 00:01:03,760 Speaker 3: our wife, so oh, you're doing a great. 22 00:01:03,600 --> 00:01:04,640 Speaker 1: Job, you're a good kid. 23 00:01:05,080 --> 00:01:07,640 Speaker 3: And I think when I look at my relationship, I'm 24 00:01:07,680 --> 00:01:10,119 Speaker 3: the one that says I mean physically, I'm the one 25 00:01:10,160 --> 00:01:10,920 Speaker 3: that says. 26 00:01:10,800 --> 00:01:12,320 Speaker 1: Oh, where are you come and sit on the couch 27 00:01:12,360 --> 00:01:12,800 Speaker 1: next to me? 28 00:01:13,280 --> 00:01:15,480 Speaker 3: Why are you over there ten meters away having a 29 00:01:15,480 --> 00:01:17,120 Speaker 3: cup of tea watching the movie when you could just 30 00:01:17,160 --> 00:01:18,000 Speaker 3: struggle next to me. 31 00:01:18,600 --> 00:01:22,039 Speaker 4: She's relaxing, mate, She just wants to she just wants 32 00:01:22,080 --> 00:01:22,960 Speaker 4: to have a good time. 33 00:01:23,120 --> 00:01:25,360 Speaker 3: And I'm the one that also I get into bed 34 00:01:25,400 --> 00:01:29,120 Speaker 3: probably before her, so I'm the one that will give 35 00:01:29,160 --> 00:01:30,160 Speaker 3: her a kiss good night. 36 00:01:30,200 --> 00:01:31,679 Speaker 1: So I do all of that sort of stuff. And 37 00:01:31,720 --> 00:01:32,679 Speaker 1: then she wanders off. 38 00:01:32,520 --> 00:01:35,080 Speaker 3: To her own bedroom and whatever she does is does 39 00:01:35,120 --> 00:01:37,880 Speaker 3: there is her thing, puts her mouth tape on, and 40 00:01:37,920 --> 00:01:39,040 Speaker 3: then falls asleep. 41 00:01:40,480 --> 00:01:42,360 Speaker 1: But I think you know the other thing. 42 00:01:43,440 --> 00:01:45,600 Speaker 3: I saw a TikTok video the other day and it 43 00:01:45,680 --> 00:01:49,240 Speaker 3: was about how a girl can't run up the stairs 44 00:01:49,280 --> 00:01:53,920 Speaker 3: without a guy tapping her on the bum in a relationship. 45 00:01:54,400 --> 00:01:56,480 Speaker 1: Ash, do you know what I'm talking about? Jump in 46 00:01:56,520 --> 00:01:57,600 Speaker 1: here and. 47 00:01:57,520 --> 00:02:00,560 Speaker 3: Against a love tap on the bum as wife goes 48 00:02:00,640 --> 00:02:02,560 Speaker 3: up the stairs or down the hallway. 49 00:02:02,520 --> 00:02:05,320 Speaker 5: Or while you're cooking, or while you're walking past or 50 00:02:05,360 --> 00:02:08,320 Speaker 5: while you're doing any of a day to day task. 51 00:02:08,880 --> 00:02:10,880 Speaker 1: So it happens in every relationship, doesn't it. 52 00:02:11,200 --> 00:02:14,120 Speaker 3: And it's a sign to say I'm here I love you, 53 00:02:14,240 --> 00:02:17,799 Speaker 3: this is cute, this is fun, And then recently I've 54 00:02:17,800 --> 00:02:19,720 Speaker 3: been getting a little bit of can you. 55 00:02:19,560 --> 00:02:21,400 Speaker 1: Not tap me on the bum? 56 00:02:21,639 --> 00:02:21,839 Speaker 5: Ah? 57 00:02:21,919 --> 00:02:23,120 Speaker 6: Right, you've been doing it too. 58 00:02:23,160 --> 00:02:25,840 Speaker 4: You've seen one TikTok video and you're doing it everywhere. 59 00:02:26,080 --> 00:02:29,520 Speaker 1: I was doing it long before TikTok arrived. But then 60 00:02:29,560 --> 00:02:32,440 Speaker 1: I said to her, Honey, the day I stop tapping 61 00:02:32,480 --> 00:02:36,280 Speaker 1: you on the bum, there's an issue. So if the 62 00:02:36,360 --> 00:02:40,680 Speaker 1: taps stop, that means I'm losing interest. Yeah, these are 63 00:02:40,720 --> 00:02:43,520 Speaker 1: not tap ashleyse taps are a sign of love. 64 00:02:44,080 --> 00:02:46,679 Speaker 5: I get that. But the problem I have is then 65 00:02:46,880 --> 00:02:50,040 Speaker 5: when we're in a scenario, say dinner with my parents, 66 00:02:50,120 --> 00:02:53,000 Speaker 5: when he forgets about the surroundings and he does it, 67 00:02:53,040 --> 00:02:55,040 Speaker 5: and I'm like, can we monitor? 68 00:02:55,480 --> 00:02:56,920 Speaker 1: And then you do my jabbing there? 69 00:02:57,200 --> 00:02:58,959 Speaker 5: Yes, that's why I say. 70 00:02:59,120 --> 00:02:59,880 Speaker 1: He's got to run up. 71 00:03:01,480 --> 00:03:04,160 Speaker 6: As you're viewing the body of your aunty at a funeral, 72 00:03:04,480 --> 00:03:06,720 Speaker 6: not to give me a bum tap. 73 00:03:06,840 --> 00:03:07,600 Speaker 7: Do you have a time and. 74 00:03:07,639 --> 00:03:08,400 Speaker 5: Place you know? 75 00:03:08,720 --> 00:03:11,640 Speaker 3: Tap to tap tap tap Stephen Crow's ness, what do 76 00:03:11,680 --> 00:03:12,080 Speaker 3: you think? 77 00:03:12,960 --> 00:03:13,120 Speaker 8: Oh? 78 00:03:13,240 --> 00:03:16,720 Speaker 9: Men are hopeless? They need so much attention and validation. 79 00:03:17,000 --> 00:03:19,440 Speaker 1: No offense, but no, I get it. So what do 80 00:03:19,480 --> 00:03:21,320 Speaker 1: you give your man? Or what have you seen? 81 00:03:22,760 --> 00:03:27,400 Speaker 9: I don't have a man, but they just hopeless. You 82 00:03:27,440 --> 00:03:31,000 Speaker 9: see them come out of divorces and move on straight away, 83 00:03:31,200 --> 00:03:37,560 Speaker 9: not even divorces relationships as well. So independent men they're 84 00:03:37,640 --> 00:03:39,760 Speaker 9: like puppies. They just need attention. 85 00:03:40,440 --> 00:03:42,760 Speaker 6: We do need validation regularly. 86 00:03:42,800 --> 00:03:45,280 Speaker 1: Don't we just say? I love it? It's all you need? Know? 87 00:03:46,200 --> 00:03:48,200 Speaker 1: I mean, can can we get like a sense? 88 00:03:48,320 --> 00:03:50,480 Speaker 6: Is there a sensor around the office Tom that you 89 00:03:50,560 --> 00:03:53,840 Speaker 6: walk past and it's like, oh Tom, great effort today, you. 90 00:03:53,840 --> 00:03:54,760 Speaker 7: Did really well. 91 00:03:55,120 --> 00:03:56,200 Speaker 1: That's a good idea. 92 00:03:56,760 --> 00:03:58,520 Speaker 7: Is that a good idea? Is that all you need? 93 00:03:58,640 --> 00:03:59,000 Speaker 1: Yeah? 94 00:03:59,080 --> 00:04:03,480 Speaker 6: Hey you're looking Also, yeah, hey, Grandma, he looks. 95 00:04:04,720 --> 00:04:09,600 Speaker 1: Happy. It sits in Whipper with Kate Bridgie podcast. 96 00:04:09,760 --> 00:04:12,440 Speaker 3: There's a brand new movie it's called Spit that stars 97 00:04:12,520 --> 00:04:16,919 Speaker 3: David Wenham. Says Hotace oberation. 98 00:04:19,040 --> 00:04:20,720 Speaker 7: I do not believe this darkness world. 99 00:04:20,800 --> 00:04:22,800 Speaker 1: Do I need to get across the bridge into Pearl Bay? 100 00:04:23,160 --> 00:04:23,919 Speaker 7: It's not possible. 101 00:04:23,960 --> 00:04:24,279 Speaker 8: I'm fro. 102 00:04:24,560 --> 00:04:25,440 Speaker 1: This is Australia. 103 00:04:25,520 --> 00:04:27,080 Speaker 7: It's still a free country, isn't it. 104 00:04:27,320 --> 00:04:30,720 Speaker 1: Sean Francis Scatiri has been located alive. 105 00:04:30,880 --> 00:04:34,080 Speaker 7: I'm currently suffering from a very bad case of amnus causia. 106 00:04:35,200 --> 00:04:37,840 Speaker 6: So twenty two years ago, Australia was gifted with the 107 00:04:37,920 --> 00:04:43,040 Speaker 6: amazing movie Getting Square and Johnny Spatiri was born, and 108 00:04:43,120 --> 00:04:45,280 Speaker 6: twenty two years later we have a brand new movie. 109 00:04:45,480 --> 00:04:46,520 Speaker 1: David Wenham joins us. 110 00:04:46,560 --> 00:04:49,560 Speaker 7: Now, David, David, Oh, good morning, good to be here. 111 00:04:49,839 --> 00:04:52,000 Speaker 1: Do you know what I've seen? The film fits? Its 112 00:04:52,040 --> 00:04:54,160 Speaker 1: bloody hilarious. I've got to see it and it is 113 00:04:54,440 --> 00:04:55,080 Speaker 1: so great. 114 00:04:55,640 --> 00:04:58,520 Speaker 3: It must be, David's such a huge reward to sit 115 00:04:58,600 --> 00:05:01,440 Speaker 3: there in the cinema and see a crowd reacting the 116 00:05:01,480 --> 00:05:02,560 Speaker 3: way they were the other night. 117 00:05:02,880 --> 00:05:03,560 Speaker 1: Yeah, it is. 118 00:05:03,800 --> 00:05:06,560 Speaker 7: I've been sort of traveling around the country showing the 119 00:05:06,640 --> 00:05:10,320 Speaker 7: film before it opens much to six, and you're right, 120 00:05:10,400 --> 00:05:12,600 Speaker 7: the reaction has been pretty extraordinary. Actually, I was at 121 00:05:12,839 --> 00:05:17,840 Speaker 7: two sessions last night in Sydney and the cremorn Orphium one. 122 00:05:17,880 --> 00:05:19,640 Speaker 7: I thought they were going to you know, the roof 123 00:05:19,760 --> 00:05:22,320 Speaker 7: was about to blow off with the level of laughter. Yeah, 124 00:05:22,520 --> 00:05:23,520 Speaker 7: very very very poch. 125 00:05:23,520 --> 00:05:24,760 Speaker 3: Do you know what the other thing I love about 126 00:05:24,760 --> 00:05:28,520 Speaker 3: it too is your character is a true supporter, if 127 00:05:28,640 --> 00:05:30,599 Speaker 3: not a role model, for the mullet. 128 00:05:31,320 --> 00:05:33,800 Speaker 1: Now, there was eighty hours went into that wig, is 129 00:05:33,880 --> 00:05:34,360 Speaker 1: that correct? 130 00:05:35,160 --> 00:05:39,479 Speaker 7: Eighty hours of hand sewing, hair by hair right onto 131 00:05:39,520 --> 00:05:41,800 Speaker 7: a piece of lace to make the wig, and then 132 00:05:41,839 --> 00:05:44,640 Speaker 7: once it's put on my head, I sit in front 133 00:05:44,680 --> 00:05:48,119 Speaker 7: of a mirror myself and makeup and hair artists testna totally. 134 00:05:48,200 --> 00:05:50,240 Speaker 7: We sort of craft and she cuts and we'll take 135 00:05:50,279 --> 00:05:52,880 Speaker 7: that bit there. That did there. And there's also in 136 00:05:53,000 --> 00:05:55,280 Speaker 7: the in the wig a lovely piece of devon as 137 00:05:55,320 --> 00:05:58,240 Speaker 7: I caught it the ball patch at the back. 138 00:05:58,560 --> 00:06:00,680 Speaker 6: So it was that. But what there moment where you 139 00:06:00,760 --> 00:06:03,360 Speaker 6: thought about growing it yourself, David, Were you're going to 140 00:06:03,480 --> 00:06:04,800 Speaker 6: do it yourself before. 141 00:06:04,600 --> 00:06:07,040 Speaker 7: You made the movie? Well, the mullet's fine, but it's 142 00:06:07,080 --> 00:06:08,880 Speaker 7: having the piece of devon at the back of your head. 143 00:06:08,880 --> 00:06:10,320 Speaker 7: I'd have to do a bit of a shaved job 144 00:06:10,360 --> 00:06:11,520 Speaker 7: and I wasn't prepared to do that. 145 00:06:11,760 --> 00:06:13,000 Speaker 1: And if you had a snack with a bit of 146 00:06:13,080 --> 00:06:15,120 Speaker 1: tomato sauce, yeah. 147 00:06:15,000 --> 00:06:15,160 Speaker 4: I know. 148 00:06:15,240 --> 00:06:17,080 Speaker 7: But did I think I'd smell it a little bit 149 00:06:17,120 --> 00:06:18,840 Speaker 7: too much? Johnny probably wi. You know, he's got a 150 00:06:18,880 --> 00:06:20,080 Speaker 7: bit of a whip, but not that much. 151 00:06:20,160 --> 00:06:22,880 Speaker 6: Well, tell us about like leading into a role, because 152 00:06:22,920 --> 00:06:25,120 Speaker 6: you've been Faramir in the Lord of the Rings trilogy. 153 00:06:25,200 --> 00:06:31,320 Speaker 6: Fry Carlin van helsing Dillios for three hundred rips David, So, 154 00:06:31,480 --> 00:06:37,000 Speaker 6: how do you prepare for Johnny Spatiri. Literally the wardrobe is. 155 00:06:37,000 --> 00:06:39,880 Speaker 7: The key for me with this one. And I hadn't 156 00:06:39,920 --> 00:06:42,720 Speaker 7: worn a pair of thongs in twenty two years. I'd 157 00:06:42,760 --> 00:06:47,600 Speaker 7: graduated to birkenstocks. Yeah, sometimes I should admit at birkenstocks 158 00:06:47,600 --> 00:06:51,240 Speaker 7: and socks, but in twenty two years, out of the thongs. 159 00:06:51,240 --> 00:06:53,800 Speaker 7: But seriously, the minute I put the thongs back on, 160 00:06:54,680 --> 00:06:56,640 Speaker 7: the character sort of came back to me. And the 161 00:06:56,760 --> 00:06:59,160 Speaker 7: thongs dictate how the character walks, and you know, then 162 00:06:59,800 --> 00:07:02,880 Speaker 7: I feel it. Then I squeeze into his lovely, lovely 163 00:07:02,960 --> 00:07:05,240 Speaker 7: type jeans and you know, the mullet with a ball 164 00:07:05,320 --> 00:07:08,080 Speaker 7: patch goes on, and yeah, it comes back pretty quickly. 165 00:07:08,600 --> 00:07:09,960 Speaker 1: You know what I thought was so great too. 166 00:07:10,080 --> 00:07:12,120 Speaker 3: And you look at how when you look at world 167 00:07:12,240 --> 00:07:15,080 Speaker 3: stage films that are made here in Australia, like Elvis 168 00:07:15,160 --> 00:07:17,800 Speaker 3: that you were in and Helen Thompson was also in that. 169 00:07:17,880 --> 00:07:19,600 Speaker 7: Which she plays Elvis's dad. 170 00:07:19,800 --> 00:07:22,720 Speaker 3: Yeah, she's in Spit two, which is phenomenal. But when 171 00:07:22,720 --> 00:07:26,360 Speaker 3: you look at Ossie talent and Ossie films being made. 172 00:07:26,600 --> 00:07:29,480 Speaker 3: It's great to see the Hollywood version of Basis Elvis, 173 00:07:30,040 --> 00:07:34,120 Speaker 3: but to see the Ossie character in Australia. I mean, 174 00:07:34,160 --> 00:07:36,960 Speaker 3: it's just so relatable that everybody can fall in love 175 00:07:37,040 --> 00:07:39,080 Speaker 3: with you know, you just want more and more of it. 176 00:07:39,160 --> 00:07:39,760 Speaker 7: It's pretty cool. 177 00:07:39,840 --> 00:07:40,040 Speaker 1: Yeah. 178 00:07:40,200 --> 00:07:41,880 Speaker 7: As you say, we've got a number of the cast 179 00:07:41,960 --> 00:07:44,520 Speaker 7: members from Getting Square who come back twenty two years ago, 180 00:07:44,720 --> 00:07:46,720 Speaker 7: twenty two years ago, and we'd look exactly the same. 181 00:07:49,640 --> 00:07:53,560 Speaker 7: Please don't laugh at me, love towards me. But we 182 00:07:53,720 --> 00:07:58,960 Speaker 7: also have the same crew essentially, same director, same cinematographer, 183 00:07:59,000 --> 00:08:01,400 Speaker 7: same designer and whatever. And a lot of those people 184 00:08:01,680 --> 00:08:04,920 Speaker 7: they do get offered big jobs on big American films. 185 00:08:05,520 --> 00:08:08,360 Speaker 7: They turned down so much work in order to actually 186 00:08:08,440 --> 00:08:12,280 Speaker 7: work on this little independent Australian production because it actually 187 00:08:12,360 --> 00:08:14,680 Speaker 7: meant so much to them, and we had We shot 188 00:08:14,760 --> 00:08:18,200 Speaker 7: it seven weeks, very very quick to show. Yeah, and 189 00:08:18,320 --> 00:08:21,160 Speaker 7: it was I got to say, the most productive and 190 00:08:21,280 --> 00:08:24,080 Speaker 7: creative time that I've worked on a film shoot in 191 00:08:24,160 --> 00:08:28,240 Speaker 7: many a year, and probably the most uplifting and joyous 192 00:08:28,520 --> 00:08:30,320 Speaker 7: for the whole crew. Yeah, we loved it. 193 00:08:30,440 --> 00:08:33,920 Speaker 6: Well, it's obviously a comedy, but we are being told 194 00:08:34,120 --> 00:08:36,880 Speaker 6: and we have to get this lady on some We've 195 00:08:36,920 --> 00:08:39,360 Speaker 6: had someone's been ringing us all morning knowing that you're 196 00:08:39,400 --> 00:08:40,120 Speaker 6: coming on the show. 197 00:08:40,200 --> 00:08:40,640 Speaker 7: Her name is. 198 00:08:40,640 --> 00:08:44,320 Speaker 6: Cianne, She's from Elwood and she's seen the movie. Ceanne, 199 00:08:44,360 --> 00:08:45,559 Speaker 6: what did you want to say to David? 200 00:08:45,800 --> 00:08:46,800 Speaker 1: The floor is yours. 201 00:08:47,400 --> 00:08:50,839 Speaker 9: Oh look, I absolutely loved the movie. I saw Getting 202 00:08:50,880 --> 00:08:53,640 Speaker 9: Square when it first came back the Wheeler's first release, 203 00:08:54,280 --> 00:08:57,080 Speaker 9: many many years ago, and the only character I could 204 00:08:57,120 --> 00:09:00,880 Speaker 9: remember out of the entire movie was john theecurity. So 205 00:09:01,600 --> 00:09:03,760 Speaker 9: when I saw that the rit Cinema was having a 206 00:09:03,800 --> 00:09:06,880 Speaker 9: special screening of it, I not only booked tickets for me, 207 00:09:06,960 --> 00:09:09,480 Speaker 9: but I booked it for my imaginary friend I was 208 00:09:09,520 --> 00:09:12,720 Speaker 9: going to take with me. I hadn't even seen the movie, 209 00:09:13,360 --> 00:09:16,000 Speaker 9: and I went and I absolutely adored it. 210 00:09:16,160 --> 00:09:17,920 Speaker 1: I laughed, I cried. 211 00:09:18,840 --> 00:09:21,480 Speaker 9: I just loved Johnny. I loved how you ran in 212 00:09:21,600 --> 00:09:25,120 Speaker 9: his song, and he's such an ozzy little battler and 213 00:09:25,240 --> 00:09:28,720 Speaker 9: it was the best fun and it was so joyful. 214 00:09:28,840 --> 00:09:31,160 Speaker 9: And at the end of the screening last night, everyone 215 00:09:31,240 --> 00:09:32,959 Speaker 9: clapped so brilliant. 216 00:09:33,120 --> 00:09:36,839 Speaker 6: So the emotional what is the emotional side to it, David? 217 00:09:36,960 --> 00:09:37,200 Speaker 9: Is there? 218 00:09:38,480 --> 00:09:40,880 Speaker 7: Yeah, there's a little bit of a surprise for the audience. 219 00:09:40,920 --> 00:09:42,760 Speaker 7: Because we didn't want to make Getting Square two, so 220 00:09:42,840 --> 00:09:44,480 Speaker 7: there had to be a really good reason to bring 221 00:09:45,160 --> 00:09:48,120 Speaker 7: the character back. And the first time I read the 222 00:09:48,200 --> 00:09:51,160 Speaker 7: very first draft of this script Chris Nist, who wrote it, 223 00:09:51,640 --> 00:09:54,920 Speaker 7: I just thought, oh my god, it is inspired. Yeah, 224 00:09:54,960 --> 00:09:58,199 Speaker 7: he's absolutely nailed it. And without giving too much away, 225 00:09:59,160 --> 00:10:01,760 Speaker 7: we get to we get to see Johnny's backstory, we 226 00:10:01,880 --> 00:10:04,520 Speaker 7: get to understand why Johnny is the way he is, 227 00:10:05,600 --> 00:10:07,760 Speaker 7: and we also get to see him in a really 228 00:10:07,920 --> 00:10:13,040 Speaker 7: interesting environment. He's basically like an alien thrown into on 229 00:10:13,120 --> 00:10:15,240 Speaker 7: another planet whereby here we go. I'll give you a 230 00:10:15,280 --> 00:10:17,240 Speaker 7: little bit of a spoiler. At the beginning, he tries 231 00:10:17,320 --> 00:10:21,040 Speaker 7: to sneak into Australia using a fast false passport, but 232 00:10:21,160 --> 00:10:23,760 Speaker 7: doesn't get too far, so he gets thrown into immigration 233 00:10:23,920 --> 00:10:27,840 Speaker 7: to tension, and so we meet some fantastic new friends 234 00:10:27,880 --> 00:10:32,480 Speaker 7: in there, and yeah, very much more. Suffice to say 235 00:10:32,520 --> 00:10:35,920 Speaker 7: that it's extremely funny and yeah, quite poignant. 236 00:10:36,760 --> 00:10:39,360 Speaker 1: David j done a F bomb count on the film. 237 00:10:41,760 --> 00:10:44,559 Speaker 7: All I know is that we're willing to triple figures. 238 00:10:45,360 --> 00:10:47,800 Speaker 7: Jonathan and I knew there were rather a few F 239 00:10:47,880 --> 00:10:49,839 Speaker 7: bombs in it, but I've got to be honest, we 240 00:10:49,920 --> 00:10:52,240 Speaker 7: weren't aware of how many until the very first time 241 00:10:52,280 --> 00:10:55,679 Speaker 7: we screened the film at Johnny's Pateria Spiritual Home on 242 00:10:55,760 --> 00:10:58,160 Speaker 7: the Gold Coast Course. And at the end of the film, 243 00:10:58,200 --> 00:11:00,640 Speaker 7: we both turned to each other and, oh, we didn't 244 00:11:00,679 --> 00:11:01,120 Speaker 7: realize this. 245 00:11:03,160 --> 00:11:05,240 Speaker 1: They make sense because there's teaching in it. 246 00:11:05,400 --> 00:11:08,440 Speaker 7: There is a clue. Every one of every f bomb 247 00:11:08,520 --> 00:11:09,160 Speaker 7: is justified. 248 00:11:09,240 --> 00:11:10,160 Speaker 1: When you talk about. 249 00:11:09,960 --> 00:11:12,000 Speaker 3: Big films that you can talk about crew and casts 250 00:11:12,040 --> 00:11:14,040 Speaker 3: that you want to work on, Ozzie films and local 251 00:11:14,120 --> 00:11:16,640 Speaker 3: films are there films are the states that you've said 252 00:11:16,720 --> 00:11:18,719 Speaker 3: no to or that you regret turning down when it 253 00:11:18,800 --> 00:11:19,400 Speaker 3: was on the table. 254 00:11:19,679 --> 00:11:24,880 Speaker 7: Yeah, any characters, Yeah, there has been a few. I 255 00:11:25,000 --> 00:11:27,600 Speaker 7: tell you one little story I got quite so many 256 00:11:27,840 --> 00:11:30,319 Speaker 7: years ago. I got off at a film. It was 257 00:11:30,320 --> 00:11:32,920 Speaker 7: an American job and it was only five days work 258 00:11:33,280 --> 00:11:35,400 Speaker 7: and they said it's only five days work and this 259 00:11:35,600 --> 00:11:38,560 Speaker 7: is the amount of money. Went, oh yeah, I'm in great, okay, 260 00:11:39,400 --> 00:11:42,679 Speaker 7: and send the script. The script came. I started to 261 00:11:42,720 --> 00:11:45,600 Speaker 7: read it. Then my character in Inverted Commas came up 262 00:11:46,080 --> 00:11:48,520 Speaker 7: and it was I thought, I can't do it. It's 263 00:11:48,600 --> 00:11:53,760 Speaker 7: like the character was so unbelievably violent but with no reason. 264 00:11:53,880 --> 00:11:56,400 Speaker 7: It wasn't justified, and I thought, you know, I've got kids. 265 00:11:56,600 --> 00:11:59,040 Speaker 7: I can't do it. So I rang my agent. I said, 266 00:11:59,080 --> 00:12:00,600 Speaker 7: I'm sorry, I'm going to have to turn it down, 267 00:12:00,960 --> 00:12:03,560 Speaker 7: and he said, are you serious? And I said, yeah, 268 00:12:03,880 --> 00:12:06,600 Speaker 7: I can't do it, and he said really, okay, okay, 269 00:12:07,800 --> 00:12:11,160 Speaker 7: cut to nobody has ever seen that film. It died 270 00:12:11,160 --> 00:12:13,079 Speaker 7: at the box office. No one saw it. Cut to 271 00:12:13,240 --> 00:12:14,880 Speaker 7: the very next thing. I got offered to do a 272 00:12:15,800 --> 00:12:18,280 Speaker 7: Marvel job and I didn't get to read the script 273 00:12:18,400 --> 00:12:21,040 Speaker 7: or anything. It was a television series. I find myself 274 00:12:21,160 --> 00:12:24,000 Speaker 7: not too many months after turning down that film on 275 00:12:24,120 --> 00:12:26,920 Speaker 7: the Marvel job that I hadn't read. Two o'clock in 276 00:12:26,960 --> 00:12:30,240 Speaker 7: the morning in a warehouse in New York. I'm bent 277 00:12:30,480 --> 00:12:33,880 Speaker 7: over this body on the floor with a hammer in 278 00:12:34,160 --> 00:12:38,079 Speaker 7: each hand, bashing the skull of this persons. Yeah, and 279 00:12:38,160 --> 00:12:41,040 Speaker 7: I had two special effects people on either side of 280 00:12:41,120 --> 00:12:42,920 Speaker 7: me squirting me with blood. 281 00:12:43,320 --> 00:12:47,559 Speaker 8: And I'm thinking, oh my god, what I could have 282 00:12:47,640 --> 00:12:52,600 Speaker 8: taken the cash on comp completely you are what are 283 00:12:52,679 --> 00:12:54,200 Speaker 8: these casting agents? 284 00:12:54,240 --> 00:12:59,319 Speaker 6: So like n he'd be perfect role? Yeah, exactly, we 285 00:12:59,400 --> 00:13:03,120 Speaker 6: had Hugo. He said his favorite Australian. Australian film industry 286 00:13:03,280 --> 00:13:05,040 Speaker 6: is very healthy at the moment, and I know you're 287 00:13:05,040 --> 00:13:08,360 Speaker 6: a massive supporter. His favorite movie was Ten Canoes, what's 288 00:13:08,440 --> 00:13:10,240 Speaker 6: your favorite Australian movie of all time? 289 00:13:10,360 --> 00:13:12,640 Speaker 7: David, have you got one that I'm in or not in? 290 00:13:12,880 --> 00:13:17,839 Speaker 7: No spit that I'm in definitely spit and yeah, yeah, 291 00:13:17,920 --> 00:13:21,839 Speaker 7: no spit, Spit, Spit. And what I'm not in is 292 00:13:21,880 --> 00:13:24,160 Speaker 7: a film that was made in the nineteen seventies. It's 293 00:13:24,200 --> 00:13:27,240 Speaker 7: called Wake in Fright, which I think is probably it's 294 00:13:27,320 --> 00:13:29,520 Speaker 7: my favorite, I grasp, best Australian film ever made. I 295 00:13:29,559 --> 00:13:31,760 Speaker 7: could go on and on about you know, some greatest films, 296 00:13:31,800 --> 00:13:32,559 Speaker 7: but I'll stop there. 297 00:13:32,720 --> 00:13:35,000 Speaker 3: Well, David, why are you're in here? Because it's commercial radio. 298 00:13:35,080 --> 00:13:36,520 Speaker 3: We want to maximize your talent. 299 00:13:36,840 --> 00:13:37,720 Speaker 7: Do I have to read something? 300 00:13:37,800 --> 00:13:38,559 Speaker 1: No, you don't have to read. 301 00:13:38,640 --> 00:13:40,760 Speaker 3: But we want you to play a game called brand Man. 302 00:13:41,760 --> 00:13:43,319 Speaker 3: It's a brand new game. I'll explain it when we 303 00:13:43,400 --> 00:13:45,920 Speaker 3: come back. If you could stick around, that'd be great. 304 00:13:45,800 --> 00:13:46,600 Speaker 7: Standing by thanks. 305 00:13:47,120 --> 00:13:50,000 Speaker 1: This is the Fitsy and Whipper with Kate Richie podcast. 306 00:13:52,200 --> 00:13:52,720 Speaker 1: I thought David. 307 00:13:52,760 --> 00:13:54,280 Speaker 3: At the Premierre the other art of the new movie 308 00:13:54,440 --> 00:13:57,120 Speaker 3: Spit Out March six, he said, I will come into 309 00:13:57,160 --> 00:13:59,440 Speaker 3: the studio as long as we can play Brand. 310 00:13:59,480 --> 00:14:07,280 Speaker 1: Okay, gagging your dream honest, very. 311 00:14:07,440 --> 00:14:10,199 Speaker 3: Very simple game here. So you look, let's have a 312 00:14:10,240 --> 00:14:12,520 Speaker 3: half a bit a million brands in the world. So 313 00:14:13,440 --> 00:14:18,719 Speaker 3: the game is simple. You buzz a David right, So 314 00:14:18,760 --> 00:14:20,480 Speaker 3: you've got to get I'm going to read a question 315 00:14:20,560 --> 00:14:22,520 Speaker 3: about a brand, and you've got to answer to score 316 00:14:22,520 --> 00:14:25,960 Speaker 3: a point ten questions. Whoever gets the most right is 317 00:14:26,040 --> 00:14:28,480 Speaker 3: the winner. Question can be from anything from colors of 318 00:14:28,520 --> 00:14:30,880 Speaker 3: the logo to a slogan to a jingle. 319 00:14:31,640 --> 00:14:32,400 Speaker 1: All right, here we go. 320 00:14:32,840 --> 00:14:35,520 Speaker 3: Let's go with the first one, which the odorant brand's 321 00:14:35,600 --> 00:14:36,920 Speaker 3: logo includes. 322 00:14:36,520 --> 00:14:43,200 Speaker 1: A tick days start with R. Yes, it is good. 323 00:14:44,080 --> 00:14:47,560 Speaker 1: David goes bang. I was down. 324 00:14:49,600 --> 00:14:49,760 Speaker 3: Here. 325 00:14:50,120 --> 00:14:51,720 Speaker 7: You're going to go down the links right there? 326 00:14:51,840 --> 00:14:54,880 Speaker 1: Okay, Open Happiness. There's a tagline for which brand. 327 00:14:55,080 --> 00:14:56,000 Speaker 6: Open Happiness? 328 00:14:56,840 --> 00:14:57,720 Speaker 1: Open Happiness? 329 00:14:58,120 --> 00:15:00,280 Speaker 7: Tommy, do you want to get involved? Hinder? 330 00:15:03,160 --> 00:15:06,200 Speaker 1: You've let your mind run a little farther. But it's not. 331 00:15:06,480 --> 00:15:07,640 Speaker 1: It's not only fans either. 332 00:15:07,960 --> 00:15:08,200 Speaker 4: It's not. 333 00:15:08,640 --> 00:15:09,480 Speaker 6: That's for sure. 334 00:15:10,480 --> 00:15:11,160 Speaker 1: Open Happy? 335 00:15:11,280 --> 00:15:11,400 Speaker 3: Is it? 336 00:15:11,480 --> 00:15:12,200 Speaker 6: Can We have a clue. 337 00:15:12,840 --> 00:15:18,720 Speaker 1: It's a popular soft drink, opens tom It's not Coca. 338 00:15:21,640 --> 00:15:22,520 Speaker 6: Heard that campaign? 339 00:15:22,520 --> 00:15:25,200 Speaker 7: Who came up with that happiness? 340 00:15:25,360 --> 00:15:27,480 Speaker 1: Yeh open it? There's the happiness. 341 00:15:27,720 --> 00:15:29,560 Speaker 3: Here we go, snap, crackle and pop a found on 342 00:15:29,600 --> 00:15:36,440 Speaker 3: which cereals it's David Rice bubbles, David Good on. 343 00:15:36,480 --> 00:15:38,880 Speaker 1: Which streaming service would you hear this noise? 344 00:15:42,560 --> 00:15:42,960 Speaker 6: Netflix? 345 00:15:44,360 --> 00:15:48,200 Speaker 1: James? The Law and Order? Isn't it very law in order? 346 00:15:49,880 --> 00:15:52,280 Speaker 1: How many do you do? Is a question asked by 347 00:15:52,400 --> 00:15:57,200 Speaker 1: which brand? Wheat bitch? Congratulations? How many do you do? 348 00:15:57,360 --> 00:15:57,600 Speaker 6: David? 349 00:15:57,720 --> 00:15:59,520 Speaker 7: How many did you do back in the day the 350 00:15:59,640 --> 00:16:02,000 Speaker 7: day out be, I'd be three, you'd be you'd be 351 00:16:02,080 --> 00:16:05,440 Speaker 7: the dozen day we got up to twelve? Well, Trevor, 352 00:16:05,520 --> 00:16:08,800 Speaker 7: do you remember Trevor Hindy used to do twelve and 353 00:16:08,960 --> 00:16:09,480 Speaker 7: so that's. 354 00:16:09,400 --> 00:16:10,920 Speaker 1: I tried to keep up with him. Do you and 355 00:16:10,960 --> 00:16:15,840 Speaker 1: Trevor Handy? You really put on nfortunate? Okay? What brand 356 00:16:16,000 --> 00:16:18,680 Speaker 1: uses the tagline the Happiest place on Earth? 357 00:16:21,720 --> 00:16:28,360 Speaker 7: Disneyland? It's very close to call them between Queensland and Disneyland. 358 00:16:28,560 --> 00:16:31,280 Speaker 6: And I love how you're going into the Johnny'sbuteri character 359 00:16:31,360 --> 00:16:33,680 Speaker 6: and that's just nerves. 360 00:16:35,040 --> 00:16:37,360 Speaker 1: Which brand does this jingle belong to? 361 00:16:47,560 --> 00:16:52,120 Speaker 7: My dad makes the fruit? That makes. 362 00:16:53,480 --> 00:16:53,520 Speaker 6: That? 363 00:16:53,720 --> 00:16:56,960 Speaker 1: I like members were my dad pixies? 364 00:16:57,040 --> 00:16:59,640 Speaker 7: No that I don't remember that? 365 00:17:00,360 --> 00:17:04,320 Speaker 1: Which that one? Josi would have loved that. Okay? Which 366 00:17:04,480 --> 00:17:08,600 Speaker 1: brand has a polaroid camera within its logo? 367 00:17:09,080 --> 00:17:09,600 Speaker 3: Just go on? 368 00:17:10,680 --> 00:17:12,480 Speaker 7: Probably not, but I'm going to guess you can go 369 00:17:12,520 --> 00:17:13,680 Speaker 7: out on the Limono codec. 370 00:17:14,240 --> 00:17:14,720 Speaker 1: But it's not. 371 00:17:15,280 --> 00:17:19,120 Speaker 7: No, it's not Instagram is r Yes, I really wanted 372 00:17:19,160 --> 00:17:20,720 Speaker 7: to say Polaroid. I've got to be honest. 373 00:17:22,359 --> 00:17:24,520 Speaker 1: Would have made sense. Okay, here we go. 374 00:17:24,680 --> 00:17:29,000 Speaker 3: It probably does, it creates Okay, takes the rainbow? Is 375 00:17:29,000 --> 00:17:30,160 Speaker 3: the slogan for which brand? 376 00:17:31,280 --> 00:17:33,080 Speaker 1: That's Skittle? You are flying? Ryan James? 377 00:17:33,119 --> 00:17:35,600 Speaker 6: Well, if I hit the lead, I think I've taken it. 378 00:17:36,359 --> 00:17:37,719 Speaker 7: I thought it was going to be pride. 379 00:17:39,320 --> 00:17:43,800 Speaker 1: What about this on the Skittles log the iye dot 380 00:17:44,440 --> 00:17:47,879 Speaker 1: is dotted with a skittle? What color is the skittle? David? 381 00:17:48,320 --> 00:17:55,520 Speaker 1: Is we go out on a high? Ryan James? You've 382 00:17:55,520 --> 00:17:58,159 Speaker 1: bet them? David? When them by one? You Tom you 383 00:17:58,240 --> 00:18:02,720 Speaker 1: were pathetic? Well, everybody, what a great game, don't you 384 00:18:02,720 --> 00:18:03,840 Speaker 1: think David the best? 385 00:18:04,000 --> 00:18:05,960 Speaker 3: Just that not we're not recording or anything, but could 386 00:18:05,960 --> 00:18:08,439 Speaker 3: you if you could just say, Hi, I'm David Wenham. 387 00:18:08,960 --> 00:18:10,280 Speaker 1: Brand Man is a great game. 388 00:18:11,160 --> 00:18:14,920 Speaker 7: Hi, I'm David Wenham. I only play brand game. 389 00:18:15,320 --> 00:18:18,640 Speaker 1: Okay, the brand man. Yeah, because the brand. 390 00:18:18,720 --> 00:18:21,720 Speaker 7: Well you're not recording that. We're recording. Okay, Hi, I'm 391 00:18:21,800 --> 00:18:25,040 Speaker 7: David Wenham and I only play brand Man. 392 00:18:26,320 --> 00:18:29,439 Speaker 1: You don't have to set him up just before he's picking. 393 00:18:30,119 --> 00:18:30,680 Speaker 1: It's hard to work. 394 00:18:32,160 --> 00:18:33,200 Speaker 7: Do you do cash for comment? 395 00:18:33,800 --> 00:18:36,520 Speaker 1: I don't know what you're talking about talking about? Can 396 00:18:36,560 --> 00:18:37,480 Speaker 1: we get him out of the building? 397 00:18:38,480 --> 00:18:41,280 Speaker 3: Sits in Whipper with Kate Ritchie is a Nova podcast 398 00:18:41,560 --> 00:18:44,880 Speaker 3: walk great shows like this. Download the Nova player fine 399 00:18:44,920 --> 00:18:46,720 Speaker 3: the app store or Google playing the