WEBVTT - Growing up Minogue: Dannii on matchmaking, motherhood & her lowest moment

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<v Speaker 1>Hello, and welcome to Something to Talk About the Stella Podcast.

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<v Speaker 1>I'm Sarah Lamarquin to your host, and every week I

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<v Speaker 1>see down with some of the biggest names in the country.

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<v Speaker 1>Because when Australia's celebrities are ready to talk, they come

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<v Speaker 1>to Something to talk about. When Danny Minogue convinced her

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<v Speaker 1>parents to let her try out for Young Talent Time

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<v Speaker 1>at the age of seven, she had no idea of

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<v Speaker 1>the impact it would have on not only her life,

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<v Speaker 1>but her entire family, her parents, her brother and of

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<v Speaker 1>course her sister, Kylie, because back in the early eighties,

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<v Speaker 1>Minogue was just another surname in the phone book. But today,

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<v Speaker 1>well it's a lot more than that. It's Danny, it's Kylie.

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<v Speaker 1>It's disco and dancing and reality TV. It's World Pride

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<v Speaker 1>and Mardi Gras and being an ally. It's a very

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<v Speaker 1>famous genie that never got back in the bottle. From

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<v Speaker 1>the moment Danny went from singing into a hairbrush in

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<v Speaker 1>her living room to performing her first song on national TV.

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<v Speaker 1>On today's episode is Something to Talk About, Danny joins

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<v Speaker 1>me to discuss her love of matchmaking, her lowest moments,

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<v Speaker 1>and what it was really like growing Up Minogue, Danny Minoque,

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<v Speaker 1>Welcome to the Stellar podcast. You are here in Sydney today.

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<v Speaker 1>You've come up from Melbourne. Thank you so much. Well,

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<v Speaker 1>we're putting it through quite the long day. You're here

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<v Speaker 1>with me in the Something to Talk About studio and

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<v Speaker 1>then you're straight onto set with Stella to shoot a coverup.

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<v Speaker 1>So you be exhausted by the time you get on

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<v Speaker 1>the plane.

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<v Speaker 2>No, but I'm so excited. I kind of last night

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<v Speaker 2>I was getting that thrill of you know, there's something

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<v Speaker 2>very very different about the Sydney energy when we come

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<v Speaker 2>from Melbourne, and Melbourne's my little home family bubble. So

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<v Speaker 2>it's like you get on the plane, you're all ready

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<v Speaker 2>mentally like, okay, I'm going somewhere different. This is going

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<v Speaker 2>to be a whole immersive day. It's just going to

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<v Speaker 2>go so fast from the second it starts. And then

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<v Speaker 2>you know, we get on the plane at night time

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<v Speaker 2>and it's like did that all just happen? But seeing

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<v Speaker 2>so many great faces, people that I know and I've

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<v Speaker 2>worked with before, so it's it's just enjoy good. Now.

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<v Speaker 1>For some people, the thought of having their photo taken

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<v Speaker 1>is like as scary as having to give a speech,

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<v Speaker 1>all the other things that insight fear in the average person.

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<v Speaker 1>So for you that knows you're going to go on

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<v Speaker 1>set and do this big shoot, the images are going

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<v Speaker 1>to go everywhere. How do you feel about the process.

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<v Speaker 2>It has changed wildly over the years, It really has.

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<v Speaker 2>I think there was the younger me that was on

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<v Speaker 2>Young Talent Time and it was just like smile and

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<v Speaker 2>we were in kind of some fantastic little family pop

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<v Speaker 2>bubble and everything was just like costumes and fun and

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<v Speaker 2>we genuinely did smile.

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<v Speaker 1>It was so easy.

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<v Speaker 2>Then I feel like I hit my teenages, my bodies

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<v Speaker 2>changing media were like maybe not so pleasant to me.

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<v Speaker 2>And then when I started to go into photographic studios,

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<v Speaker 2>I was really conscious. And I think most teens are like,

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<v Speaker 2>your body's just changing, whether it still looks perfect to

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<v Speaker 2>everyone else.

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<v Speaker 1>You were just like, what is going on?

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<v Speaker 2>But then to have which now people understand if I

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<v Speaker 2>have this conversation because everybody cops it from social media

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<v Speaker 2>with your celebrity or not. But back then you would

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<v Speaker 2>just be complaining about why are you complaining about that?

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<v Speaker 2>But it was you know, it's a lot to take

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<v Speaker 2>on board to do something that you love and then

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<v Speaker 2>to read, you know, wild criticism about it. And I

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<v Speaker 2>used to be very very nervous to be in front

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<v Speaker 2>of a camera because I was like, the camera looks

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<v Speaker 2>into your eyes and looks into your soul, and inside

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<v Speaker 2>I was just frightened. I was so scared of that

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<v Speaker 2>camera and I'm like, it can tell. I'm like just

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<v Speaker 2>just so stiff. And then I feel like everything changed

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<v Speaker 2>when I got pregnant. I whatever it was the hormones,

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<v Speaker 2>felt so fantastic about my body and every step of

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<v Speaker 2>every change, and felt incredible, proud of my body, happy

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<v Speaker 2>inside too, you know, be soon to be a mum

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<v Speaker 2>and it shows, you know, the camera it does read

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<v Speaker 2>into your soul. And now it's a whole other section

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<v Speaker 2>of my life where you know, my body's going through

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<v Speaker 2>another lot of changes with age, and I feel conflicted

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<v Speaker 2>about it. Once someone's on set, I'm fine.

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<v Speaker 1>I'm fine.

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<v Speaker 2>I've done it enough times to be know that if

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<v Speaker 2>you a very relaxed and in my mind, I just think,

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<v Speaker 2>just be jelly, Just be jelly, and that that works.

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<v Speaker 1>I loved that revelation that it was when you were pregnant,

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<v Speaker 1>that something clicked and it became a less confronting experience.

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<v Speaker 1>I wonder, as you say, outside of your own experience,

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<v Speaker 1>what that is that we could bottle.

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<v Speaker 2>I just think I was happy. I was full of

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<v Speaker 2>really great pregnancy hormones. It wasn't a difficult pregnancy, and

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<v Speaker 2>I was just like, I'd never thought that I was

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<v Speaker 2>going to be a mum, and then here I was,

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<v Speaker 2>I was pregnant, and it just felt like I was

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<v Speaker 2>embarking on this epic journey, which it is, and that

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<v Speaker 2>it was something to savor every second, so that it's

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<v Speaker 2>your the frame of your mind, how you perceive that journey,

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<v Speaker 2>how it's going to be, is how it's going to

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<v Speaker 2>be for you. So if you're excited or you're relaxed

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<v Speaker 2>about it, it's going to be great and exciting and

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<v Speaker 2>relaxing and good. It was like last night, you know,

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<v Speaker 2>the old me is like, oh, it's cover of shoot,

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<v Speaker 2>you know, am I ready for this? I have done

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<v Speaker 2>no working out, I've been eating too much over Christmas

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<v Speaker 2>all of that, and I'm like, you know, you just

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<v Speaker 2>got to forget it, relax, have fun, be confident in yourself.

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<v Speaker 2>And we don't always wake up with the same amount

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<v Speaker 2>of confidence. I believe not everybody does, and you think, Okay,

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<v Speaker 2>I wonder what it will be like when the alarm

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<v Speaker 2>goes off at four am. And I was pumped. I

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<v Speaker 2>was just so so excited. It's a joy to do

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<v Speaker 2>something like this. This is incredible work and really being

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<v Speaker 2>I know that media has changed a lot, and you know,

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<v Speaker 2>we're doing the photo shoot, we're doing podcasts, we're filming things,

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<v Speaker 2>there's behind the scenes and all of that, but we're

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<v Speaker 2>still all here creating. It scares me is that one

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<v Speaker 2>day we won't be here and AI is taking over

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<v Speaker 2>a few friends of mine that are models and maybe

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<v Speaker 2>grapple with a few insecurities about modeling. And I had

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<v Speaker 2>a conversation with one of my girlfriends the other day

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<v Speaker 2>and I said, the first commercial has come out that's

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<v Speaker 2>completely AI. There aren't models, the clothing hasn't even been created,

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<v Speaker 2>and nobody was there. Please, when you go to your

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<v Speaker 2>next photoshoot, just enjoy every second because these times we

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<v Speaker 2>don't know what's changing.

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<v Speaker 1>It's so true. I mean, as you say, the distribution

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<v Speaker 1>model might change, so content is being consumed and produced

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<v Speaker 1>on different platforms, but the notion of creating, whether it's

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<v Speaker 1>music or whether it's film or television or media. It's when,

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<v Speaker 1>as you say, people are starting to get outsourced by

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<v Speaker 1>the machines and.

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<v Speaker 2>Creativity, the one on one working as a team. I

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<v Speaker 2>get a buzz from that.

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<v Speaker 1>Because that's the humanity and the connection, which is something

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<v Speaker 1>that's very much at the core of a series that

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<v Speaker 1>we can currently see you on streaming on Binge. I

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<v Speaker 1>Kissed a Girl and then I Kissed a Boy is

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<v Speaker 1>about to start back later this week now. Danny, obviously

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<v Speaker 1>everyone knows you have worn many hats throughout your career.

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<v Speaker 1>You have worked as a singer and a recording artist,

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<v Speaker 1>television host, actor. When you see I Kissed a Girl

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<v Speaker 1>and there's Danny Minogue walking into the room in a

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<v Speaker 1>glorious outfit, this uber, glamorous matchmaker playing matchmaker to same

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<v Speaker 1>sex couples. You have been a lifelong advocate of the

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<v Speaker 1>LGBTQIA plus community. I think if ever there was a

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<v Speaker 1>role made for Danny Minogue, it's got to be this one,

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<v Speaker 1>does it.

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<v Speaker 2>Thank you? Thank you for seeing that. I really appreciate it.

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<v Speaker 2>My friends know that I love nothing more than at

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<v Speaker 2>least tempting to matchmake and I do it with friendships businesses,

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<v Speaker 2>not just in a romantic way, but it literally is

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<v Speaker 2>something that makes me feel incredible. So many my friends say,

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<v Speaker 2>you know, you introduced us, and you know, I can't

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<v Speaker 2>imagine what this would be like if we hadn't met

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<v Speaker 2>through you. So that's kind of at the base of

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<v Speaker 2>doing the show. I am a consumer of a lot

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<v Speaker 2>of dating shows. I love everything from Indian Matchmaker to.

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<v Speaker 1>Love Is Blind to.

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<v Speaker 2>You know, just so many different things. And it was

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<v Speaker 2>wild to me that we were making the show in

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<v Speaker 2>the UK and it was made for BBC and they

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<v Speaker 2>had never been a same sex dating reality show, and

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<v Speaker 2>that made me really sad because everybody wants to be seen.

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<v Speaker 2>There are a lot of people out there who really

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<v Speaker 2>know who they are who want to be seen. There

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<v Speaker 2>are a lot of people out there who are trying

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<v Speaker 2>to figure out who they are, who want to see

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<v Speaker 2>something and then go, ah, the pennies dropped. That's me

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<v Speaker 2>and I relate to that. So it was really important

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<v Speaker 2>for me to do something to try and get this

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<v Speaker 2>on TV, but something that was done in the right way.

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<v Speaker 2>So I didn't want it to be a really scrappy

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<v Speaker 2>dating show. I didn't want anyone to walk away from

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<v Speaker 2>having had a bad experience. I wanted it to feel

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<v Speaker 2>like a warm hug, that people were genuinely there for

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<v Speaker 2>the right reason. The casting is incredible, not only to

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<v Speaker 2>show different personalities, you get to see different people from

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<v Speaker 2>all over the UK. But it was the first time

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<v Speaker 2>in reality TV where it was not about being nasty.

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<v Speaker 2>The cast were not provoked by the producers and it

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<v Speaker 2>wasn't There wasn't some cookie cutter body mold that you

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<v Speaker 2>had to be in. You were not looking like Barbie

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<v Speaker 2>or Ken to get on this show. You were there

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<v Speaker 2>because you were looking for love and it cracked opened

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<v Speaker 2>this attention in the UK, Like the reviews for the

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<v Speaker 2>show were wild, like this is the game change, a

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<v Speaker 2>show of what reality now could be, and that everybody

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<v Speaker 2>was looking at this for how it's done.

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<v Speaker 1>And it is true. I mean that progress that you

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<v Speaker 1>see for people thinking if I had had that representation

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<v Speaker 1>when I was growing up, things would have been so

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<v Speaker 1>much easier and for you and me just observing that

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<v Speaker 1>change as well. Love to ask your thoughts about here

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<v Speaker 1>in Australia, because as you say, the show is a

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<v Speaker 1>British production. Now in Australia will have also seen over

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<v Speaker 1>the course of your lifetime massive progress. Same sex marriage

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<v Speaker 1>was legalized. Marriage equality was achieved in twenty seventeen, but

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<v Speaker 1>we don't have a local version yet of I mean

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<v Speaker 1>like that word, yeah, I was going to say, I

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<v Speaker 1>could think of somebody's sitting in this student I could

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<v Speaker 1>host it possibly with the initials DM. What do you

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<v Speaker 1>think about progress in Australia.

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<v Speaker 2>I think I have seen it come a long way,

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<v Speaker 2>and through Marti Grass, I've kind of had conversations where

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<v Speaker 2>I've learned more about the history of what's gone on

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<v Speaker 2>politically and what goes on with that event, and what's

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<v Speaker 2>happening with the community. And I think there's a lot

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<v Speaker 2>more there that can be documented and made into TV

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<v Speaker 2>shows to teach people. There is so far that we

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<v Speaker 2>still have to go, and I feel like in this

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<v Speaker 2>moment in time, we are quite affected by what is

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<v Speaker 2>happening in the rest of the world, whereas when we

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<v Speaker 2>were growing up we weren't. But news feels a lot

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<v Speaker 2>more global and politics feels a lot more global now.

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<v Speaker 2>I don't know if it's because I'm an adult and

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<v Speaker 2>I'm looking at it through a different lens, but it

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<v Speaker 2>felt like growing up what happened in Australia was we

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<v Speaker 2>were in a bubble of Australia and now we're not.

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<v Speaker 2>So it's kind of having an awareness that something that

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<v Speaker 2>maybe happens in another country has a dramatic effect on

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<v Speaker 2>what's happening here. But I think there are amazing stories

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<v Speaker 2>to tell people to meet. If we could make an

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<v Speaker 2>Australian version of this, it would be super important. I

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<v Speaker 2>had the good fortune to meet a guy who was

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<v Speaker 2>from the country and like a cattleman, and he had

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<v Speaker 2>wanted to kill himself many times because he knew he

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<v Speaker 2>was gay, and he lived in a small country town.

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<v Speaker 1>It's not gay bar. There's no Oxford Street, there's.

0:14:12.800 --> 0:14:16.400
<v Speaker 2>No you know, old continent in London, you know Old

0:14:16.400 --> 0:14:19.040
<v Speaker 2>Comton Street, or there's none of that. You don't know

0:14:19.080 --> 0:14:22.120
<v Speaker 2>who you are, You've got nothing, no one to reflect off,

0:14:22.200 --> 0:14:24.200
<v Speaker 2>no one to talk to, and there are a lot

0:14:24.240 --> 0:14:27.320
<v Speaker 2>of people that want to take their lives. And I

0:14:27.360 --> 0:14:31.960
<v Speaker 2>think there are some incredible stories in these shows that

0:14:32.000 --> 0:14:36.400
<v Speaker 2>we've filmed, and you'll learn a lot about the guys

0:14:36.400 --> 0:14:40.080
<v Speaker 2>and the girls coming from different places in such a

0:14:40.120 --> 0:14:45.240
<v Speaker 2>tiny country, the UK, but you can be a few

0:14:45.320 --> 0:14:47.800
<v Speaker 2>hours up the road and it's small part.

0:14:47.920 --> 0:14:48.880
<v Speaker 1>It's not all London.

0:14:50.440 --> 0:14:58.520
<v Speaker 2>Story. I think what is important for the community that

0:14:59.040 --> 0:15:02.320
<v Speaker 2>I can help with because I always think what can

0:15:02.400 --> 0:15:06.560
<v Speaker 2>I do? What can I personally do? So there's obviously

0:15:06.680 --> 0:15:10.960
<v Speaker 2>been a lot of joy through music, Mardi Gras and

0:15:11.040 --> 0:15:14.080
<v Speaker 2>prides and celebration, and music is something that a lot

0:15:14.080 --> 0:15:17.119
<v Speaker 2>of people turn to in the privacy of their bedroom,

0:15:17.440 --> 0:15:19.680
<v Speaker 2>whether they're growing up and finding out who they are,

0:15:19.760 --> 0:15:22.880
<v Speaker 2>or whether they're an adult driving in their car. But

0:15:23.000 --> 0:15:27.160
<v Speaker 2>in that private space, that music feels like a blanket

0:15:27.320 --> 0:15:32.120
<v Speaker 2>of comfort. And I've read so many handwritten letters from

0:15:32.160 --> 0:15:37.880
<v Speaker 2>people that explained to me so much about how that

0:15:38.000 --> 0:15:43.280
<v Speaker 2>music delivers a message of hope and security as well

0:15:43.280 --> 0:15:46.960
<v Speaker 2>as celebration and joy, and dancing around and singing along

0:15:47.000 --> 0:15:51.040
<v Speaker 2>to the lyrics takes you to a place of joy.

0:15:51.240 --> 0:15:54.000
<v Speaker 2>So I think we've come a long way in that.

0:15:55.120 --> 0:15:57.520
<v Speaker 2>At first I heard a lot of words like, you know,

0:15:57.560 --> 0:16:00.560
<v Speaker 2>they want to be tolerated. Then it was they want

0:16:00.560 --> 0:16:05.120
<v Speaker 2>to be accepted. What I would love to see is celebrated.

0:16:05.600 --> 0:16:08.080
<v Speaker 2>So in this TV show, what we do is celebrate

0:16:08.400 --> 0:16:12.080
<v Speaker 2>people for exactly who they are, not who you think

0:16:12.120 --> 0:16:15.920
<v Speaker 2>they should be or anything. Exactly who they are. We

0:16:16.000 --> 0:16:23.280
<v Speaker 2>make them feel incredibly safe and able to be themselves

0:16:23.880 --> 0:16:27.880
<v Speaker 2>and then you see people blossom and bloom and incredible

0:16:27.920 --> 0:16:30.520
<v Speaker 2>things happen, which is kind of the opposite from how

0:16:30.560 --> 0:16:32.200
<v Speaker 2>a lot of reality TV.

0:16:32.880 --> 0:16:37.240
<v Speaker 1>Is so true and that advocacy, as I said earlier,

0:16:37.400 --> 0:16:42.200
<v Speaker 1>life long ally to the community. When you mentioned Marti Grass,

0:16:42.240 --> 0:16:45.440
<v Speaker 1>so you performed in Marti Grass nineteen ninety eight. You

0:16:45.520 --> 0:16:49.720
<v Speaker 1>were performing in gay nightclubs in the early nineties in

0:16:49.800 --> 0:16:52.680
<v Speaker 1>London at a time where that would have been seen

0:16:52.760 --> 0:16:57.200
<v Speaker 1>by some managers and people in the industry is quite risky,

0:16:57.880 --> 0:17:00.320
<v Speaker 1>but everyone by everyone.

0:17:01.040 --> 0:17:04.240
<v Speaker 2>There wasn't one person that said, oh, there's no risk

0:17:04.280 --> 0:17:07.240
<v Speaker 2>attached to that, or you should do it, not one.

0:17:07.800 --> 0:17:09.600
<v Speaker 2>So again, is a very different time.

0:17:09.840 --> 0:17:12.400
<v Speaker 1>So then if you throw forward to something like now

0:17:12.480 --> 0:17:18.920
<v Speaker 1>where you're hosting a franchise like this, you are performing

0:17:19.040 --> 0:17:22.520
<v Speaker 1>on the opening night of World Pride, I mean talk

0:17:22.600 --> 0:17:26.960
<v Speaker 1>about a moment you are hailed as a gay icon.

0:17:27.720 --> 0:17:30.240
<v Speaker 1>You performed it well Pride with your sister Kyli Minok,

0:17:30.240 --> 0:17:33.960
<v Speaker 1>who's also hailed as a gay icon. I mean the

0:17:34.000 --> 0:17:37.080
<v Speaker 1>full circle moment of that of getting that pushback early

0:17:37.160 --> 0:17:39.639
<v Speaker 1>in your career that everyone was saying this is a

0:17:39.760 --> 0:17:42.520
<v Speaker 1>risk to something like that, and being on a truly

0:17:42.680 --> 0:17:47.080
<v Speaker 1>global stage and having that word icon attached to it,

0:17:47.960 --> 0:17:52.080
<v Speaker 1>that's really a snapshot of how far we've come, surely

0:17:52.359 --> 0:17:53.679
<v Speaker 1>in the course of your career.

0:17:53.760 --> 0:17:56.320
<v Speaker 2>Yeah, I mean for me, it's just all about love,

0:17:56.400 --> 0:18:02.480
<v Speaker 2>and it's an ongoing love give out as much as

0:18:02.520 --> 0:18:07.080
<v Speaker 2>we receive. It's just an amazing relationship that we have

0:18:07.160 --> 0:18:14.920
<v Speaker 2>with the community and we hope to I don't think

0:18:14.920 --> 0:18:17.640
<v Speaker 2>we've ever thought I'm going to do this and I'm

0:18:17.640 --> 0:18:20.480
<v Speaker 2>going to lead the way. Like when I was asked

0:18:20.480 --> 0:18:24.280
<v Speaker 2>to perform at Gay in London, I thought, that's the

0:18:24.359 --> 0:18:26.920
<v Speaker 2>kind of club I would love to perform in. They

0:18:27.000 --> 0:18:30.919
<v Speaker 2>play the music I want to listen to. Everybody who's

0:18:31.040 --> 0:18:38.560
<v Speaker 2>there is in this crazy, happy pop dance mood. I

0:18:38.600 --> 0:18:41.520
<v Speaker 2>would love to be a part of that. It was

0:18:41.640 --> 0:18:47.480
<v Speaker 2>very scary because press were making up staff able to

0:18:47.520 --> 0:18:49.560
<v Speaker 2>say what they wanted. You had no right of reply

0:18:49.640 --> 0:18:52.960
<v Speaker 2>and you couldn't complain about anything that was written that

0:18:53.600 --> 0:18:55.760
<v Speaker 2>wasn't true, and then if you denied it, people thought

0:18:55.880 --> 0:18:58.879
<v Speaker 2>it's even more true. And I just got to the

0:18:58.880 --> 0:19:02.919
<v Speaker 2>point where I thought, you know, actually stuff it like

0:19:03.200 --> 0:19:07.120
<v Speaker 2>if you stick to what makes you feel great and

0:19:07.160 --> 0:19:11.400
<v Speaker 2>what is true for you and cut forward to now

0:19:11.440 --> 0:19:17.200
<v Speaker 2>when you hear the word authenticity, if we all are

0:19:17.240 --> 0:19:20.520
<v Speaker 2>brave enough to go to that place, and for each

0:19:20.600 --> 0:19:29.359
<v Speaker 2>of us there's a different there's always bravery that is needed,

0:19:29.960 --> 0:19:33.880
<v Speaker 2>but in different doses for different things, for different people.

0:19:34.960 --> 0:19:37.399
<v Speaker 2>That's one thing that I've gone through that was like

0:19:38.200 --> 0:19:41.359
<v Speaker 2>I just had to go against noise of people saying

0:19:41.440 --> 0:19:45.800
<v Speaker 2>this is not a good idea, and I was like, well,

0:19:45.840 --> 0:19:48.320
<v Speaker 2>no one's done it before, so let's see what happens.

0:19:48.359 --> 0:19:53.960
<v Speaker 1>Huh right, let's see coming up. Danny opens up about

0:19:54.000 --> 0:19:57.679
<v Speaker 1>her lowest moments and reveals the very profound way Kylie's

0:19:57.680 --> 0:20:03.400
<v Speaker 1>cancer diagnosis changed her outlawk con life. You have been

0:20:03.440 --> 0:20:08.120
<v Speaker 1>working before you got to double digits. So I mean

0:20:09.040 --> 0:20:11.280
<v Speaker 1>we have children around the same age. My oldest son

0:20:11.359 --> 0:20:13.600
<v Speaker 1>is fifteen, so just getting into that point and maybe

0:20:13.600 --> 0:20:17.200
<v Speaker 1>getting that part time job, but you were working on

0:20:17.320 --> 0:20:20.800
<v Speaker 1>young talent time. I think you first started on the

0:20:20.840 --> 0:20:25.080
<v Speaker 1>show seven or eight and then came on as a

0:20:25.119 --> 0:20:27.840
<v Speaker 1>regular performance. So that's a really young age to be

0:20:27.960 --> 0:20:29.919
<v Speaker 1>working in that industry.

0:20:30.119 --> 0:20:33.080
<v Speaker 2>That now, Like looking at my son at seven, there

0:20:33.160 --> 0:20:38.440
<v Speaker 2>was like, if you're motivated and you want to do it,

0:20:38.720 --> 0:20:41.000
<v Speaker 2>me when I was inside that seven year old body.

0:20:41.040 --> 0:20:44.080
<v Speaker 2>I'm like, this makes total sense. Just got to talk

0:20:44.160 --> 0:20:45.879
<v Speaker 2>my parents into it. It's like if you want to

0:20:45.920 --> 0:20:48.119
<v Speaker 2>talk them into giving you that money for the to

0:20:48.160 --> 0:20:50.320
<v Speaker 2>go and buy some lollies at the local milk bar,

0:20:50.359 --> 0:20:53.520
<v Speaker 2>which we used to do, this was the same. I'm

0:20:53.520 --> 0:20:55.320
<v Speaker 2>just going to talk them into it because nobody sees

0:20:55.359 --> 0:20:59.240
<v Speaker 2>this makes total sense. He wasn't that kid. So when

0:20:59.240 --> 0:21:01.600
<v Speaker 2>you're looking at a kid that would have no desire

0:21:02.000 --> 0:21:06.240
<v Speaker 2>to work or do anything that was like work, then

0:21:06.440 --> 0:21:09.919
<v Speaker 2>it's like, WHOA, that's very different. Yeah, like my son's

0:21:09.960 --> 0:21:12.959
<v Speaker 2>fourteen now, and so I was just googling the other

0:21:13.040 --> 0:21:20.520
<v Speaker 2>day like at what age, and yeah, what the options are?

0:21:20.720 --> 0:21:23.720
<v Speaker 2>And I think there's something great to be said for

0:21:24.040 --> 0:21:28.360
<v Speaker 2>getting a job when you are young, learning some responsibility

0:21:28.920 --> 0:21:34.200
<v Speaker 2>outside the home where your parents and guardians aren't saying

0:21:34.440 --> 0:21:36.679
<v Speaker 2>do this, do that, or you haven't done it someone

0:21:36.920 --> 0:21:40.360
<v Speaker 2>else saying that, and it clicks in in that different way,

0:21:40.400 --> 0:21:43.560
<v Speaker 2>and then you I've seen my friend's kids just blossom

0:21:43.640 --> 0:21:46.200
<v Speaker 2>from that opportunity to really step up.

0:21:46.359 --> 0:21:49.600
<v Speaker 1>Definitely, it's at independence. I'd love to ask, do you

0:21:49.640 --> 0:21:53.119
<v Speaker 1>recall how you convinced your parents to let you go

0:21:53.240 --> 0:21:55.000
<v Speaker 1>on Young Talent Time If you had to talk them

0:21:55.040 --> 0:21:55.560
<v Speaker 1>into it.

0:21:56.880 --> 0:22:01.320
<v Speaker 2>There was a lot of consideration. My mom's sister was

0:22:01.359 --> 0:22:04.240
<v Speaker 2>doing acting, Kylie, and I had done a couple of

0:22:04.280 --> 0:22:07.160
<v Speaker 2>little acting spots, but it was nothing that was going

0:22:07.200 --> 0:22:09.720
<v Speaker 2>to change our dynamic.

0:22:09.280 --> 0:22:10.000
<v Speaker 1>As a family.

0:22:12.040 --> 0:22:14.960
<v Speaker 2>I watched Young Talent Time and I just wanted to

0:22:15.000 --> 0:22:18.320
<v Speaker 2>be in that TV set doing what those kids were doing.

0:22:18.720 --> 0:22:21.000
<v Speaker 2>But I had no idea of what impact that would

0:22:21.040 --> 0:22:23.879
<v Speaker 2>have on the family as far as the rehearsal schedule,

0:22:24.920 --> 0:22:30.680
<v Speaker 2>showing up being there and you then in the public

0:22:30.760 --> 0:22:36.600
<v Speaker 2>eye on the biggest entertainment show in the country every week.

0:22:37.480 --> 0:22:41.400
<v Speaker 2>I had no idea how that would affect Dad when

0:22:41.480 --> 0:22:43.280
<v Speaker 2>he walked in the office to go to work, how

0:22:43.320 --> 0:22:46.200
<v Speaker 2>it would affect mom. You know, when you've got to

0:22:46.200 --> 0:22:48.560
<v Speaker 2>put your name down for something, Minogue is the most

0:22:48.680 --> 0:22:52.879
<v Speaker 2>unusual name, and it's like, oh, are you related to?

0:22:53.520 --> 0:22:56.720
<v Speaker 2>And for my brother and sister, it was a lot

0:22:57.000 --> 0:22:59.639
<v Speaker 2>at school, like we all went to the same school,

0:22:59.640 --> 0:23:02.320
<v Speaker 2>so the kids knew we were all brothers and sister.

0:23:02.320 --> 0:23:04.560
<v Speaker 2>You couldn't go no, don't know. I've never seen him

0:23:04.600 --> 0:23:09.359
<v Speaker 2>before in my life. But there was a lot of

0:23:12.080 --> 0:23:16.280
<v Speaker 2>a lot of deliberating and what I respect and loved

0:23:16.320 --> 0:23:18.359
<v Speaker 2>about my parents was that they sat me down and

0:23:18.440 --> 0:23:22.359
<v Speaker 2>talked me through all of that. It wasn't just going

0:23:22.400 --> 0:23:24.200
<v Speaker 2>to be a yes or a no, and it's our

0:23:24.240 --> 0:23:25.000
<v Speaker 2>way and you have.

0:23:24.960 --> 0:23:28.320
<v Speaker 1>To deal with it, really.

0:23:29.680 --> 0:23:36.680
<v Speaker 2>Trying to have a young person understand that here is

0:23:36.720 --> 0:23:40.239
<v Speaker 2>the impact that we can foresee, and then there's a

0:23:40.400 --> 0:23:44.440
<v Speaker 2>huge section of question marks where there's stuff we don't

0:23:44.520 --> 0:23:46.360
<v Speaker 2>know what it's going to be like. And they were

0:23:46.480 --> 0:23:52.160
<v Speaker 2>smart enough to know that because I've seen so many kids, adults,

0:23:52.240 --> 0:23:56.920
<v Speaker 2>and families go through being on TV becoming famous, whether

0:23:56.960 --> 0:24:01.040
<v Speaker 2>it's through reality TV or as an or a singer

0:24:01.119 --> 0:24:04.840
<v Speaker 2>or whatever. And once you arrive there and it changes

0:24:04.920 --> 0:24:08.520
<v Speaker 2>your world, you're like, oh, whoa, whoa, whoah. Oh, I

0:24:08.560 --> 0:24:10.560
<v Speaker 2>didn't realize it was going to be that, and now

0:24:10.720 --> 0:24:14.520
<v Speaker 2>I don't want that anymore. You know, if you're an

0:24:14.560 --> 0:24:16.639
<v Speaker 2>adult and you're making your own choices, it really just

0:24:16.680 --> 0:24:19.840
<v Speaker 2>affects you. But at that stage, being a child and

0:24:19.880 --> 0:24:26.239
<v Speaker 2>being looked after, it affected everyone, and I don't know

0:24:26.280 --> 0:24:29.359
<v Speaker 2>how I would have coped being in their shoes trying

0:24:29.400 --> 0:24:33.600
<v Speaker 2>to make that decision. It's really also so admirable, I think,

0:24:34.040 --> 0:24:35.560
<v Speaker 2>And to answer your question, I think I put on

0:24:35.640 --> 0:24:39.639
<v Speaker 2>big puppy dog like they put those acting skills to

0:24:39.720 --> 0:24:44.640
<v Speaker 2>tell you how much joy Kylie and I had At

0:24:44.680 --> 0:24:48.520
<v Speaker 2>any given opportunity, we would be jumping around the lounde

0:24:48.600 --> 0:24:53.240
<v Speaker 2>room learning songs and dancers, literally singing into a hairbrush.

0:24:53.280 --> 0:24:56.160
<v Speaker 2>I know it sounds stupid, but anything that we could

0:24:56.160 --> 0:25:00.080
<v Speaker 2>do to try and pretend that we were these amazing

0:25:00.119 --> 0:25:05.199
<v Speaker 2>stars that we've seen in pop videos or on TV shows.

0:25:05.560 --> 0:25:09.639
<v Speaker 2>So they were like, it's really difficult because it's their world,

0:25:10.080 --> 0:25:15.399
<v Speaker 2>it's what makes them light up. And I was listening

0:25:15.400 --> 0:25:19.119
<v Speaker 2>to something the other day it's like, you will only

0:25:19.400 --> 0:25:24.840
<v Speaker 2>regret the things that you didn't do that really make

0:25:25.960 --> 0:25:30.320
<v Speaker 2>you excited. You may fail at it, that's still okay,

0:25:31.640 --> 0:25:37.280
<v Speaker 2>but to not go for something that ticks everything every

0:25:37.320 --> 0:25:40.800
<v Speaker 2>box for you makes your heart seeing something that you

0:25:40.840 --> 0:25:42.960
<v Speaker 2>can't stop thinking about before you go to sleep, when

0:25:43.040 --> 0:25:46.040
<v Speaker 2>you wake up, if it's that, you got to do it,

0:25:46.119 --> 0:25:47.520
<v Speaker 2>even if you don't know what you're.

0:25:47.320 --> 0:25:50.840
<v Speaker 1>Doing, because then there's no regrets and no what ifs,

0:25:51.000 --> 0:25:53.760
<v Speaker 1>which is obviously what a gift that your parents gave you,

0:25:53.840 --> 0:25:57.159
<v Speaker 1>because as you say, they were clearly very ahead of

0:25:57.480 --> 0:26:01.399
<v Speaker 1>their time in terms of not only engaging with you

0:26:01.520 --> 0:26:05.320
<v Speaker 1>and participating that conversation, because that's not always what parenting

0:26:05.680 --> 0:26:08.240
<v Speaker 1>was in the nineteen eighties is a lot more like

0:26:08.280 --> 0:26:11.840
<v Speaker 1>that now, But also to clearly had this sense that

0:26:12.119 --> 0:26:14.640
<v Speaker 1>it was something that could be a regret for you

0:26:15.160 --> 0:26:18.040
<v Speaker 1>and maybe for Kylie if they closed that door. But Danny,

0:26:18.119 --> 0:26:18.680
<v Speaker 1>it was just so.

0:26:18.640 --> 0:26:22.439
<v Speaker 2>Unbearable for them. Could you amree single day if they

0:26:22.520 --> 0:26:23.200
<v Speaker 2>said no.

0:26:23.200 --> 0:26:27.280
<v Speaker 1>Those puppy dog eyes would have turned into you held

0:26:27.320 --> 0:26:31.840
<v Speaker 1>me back. It's so interesting. I think so many of

0:26:31.920 --> 0:26:34.120
<v Speaker 1>us look back on those moments there, as you say,

0:26:34.160 --> 0:26:36.639
<v Speaker 1>not only our sliding door moments for us, but for

0:26:36.680 --> 0:26:40.399
<v Speaker 1>the people around us, And that really vivid picture that

0:26:40.440 --> 0:26:43.199
<v Speaker 1>you describe as you say, you can just imagine the

0:26:43.280 --> 0:26:46.800
<v Speaker 1>impact on your parents and your siblings of a name

0:26:46.880 --> 0:26:51.160
<v Speaker 1>like Minogue. Then suddenly that becomes a household name, and

0:26:51.240 --> 0:26:53.719
<v Speaker 1>that Genie never went back in the bottle, did it?

0:26:53.800 --> 0:26:57.680
<v Speaker 1>Because obviously some people, as you're talking about, they don't

0:26:57.680 --> 0:27:01.160
<v Speaker 1>know what they're getting into and then wow. But obviously

0:27:01.240 --> 0:27:03.440
<v Speaker 1>for some people, you know a few years later they'll

0:27:03.480 --> 0:27:06.560
<v Speaker 1>go and you know, fade away from the media of

0:27:06.720 --> 0:27:09.400
<v Speaker 1>the entertainment industry, they might do something else. But obviously

0:27:09.480 --> 0:27:13.800
<v Speaker 1>for your family, Minogue, that has become a household name

0:27:13.840 --> 0:27:17.040
<v Speaker 1>and never abated for one single second. So it must

0:27:17.080 --> 0:27:19.960
<v Speaker 1>feel like a real line in the sand to think

0:27:19.960 --> 0:27:23.359
<v Speaker 1>of that moment before you joined Young Talent Time, where

0:27:23.440 --> 0:27:26.120
<v Speaker 1>Minogue was just another name in the phone book because

0:27:26.119 --> 0:27:28.399
<v Speaker 1>we had phone books back then, exactly.

0:27:29.800 --> 0:27:34.120
<v Speaker 2>Yeah, And to paint the picture, my parents are very private.

0:27:34.800 --> 0:27:38.080
<v Speaker 2>They don't like being on stage in front of cameras.

0:27:38.880 --> 0:27:45.359
<v Speaker 2>They you know, they just they back away. So it

0:27:45.480 --> 0:27:48.680
<v Speaker 2>really had a wait to it. And my brothers the same.

0:27:50.280 --> 0:27:51.800
<v Speaker 2>He doesn't want to be in front of a camera.

0:27:52.840 --> 0:27:57.200
<v Speaker 2>He's a cameraman for many years, a camera happy there.

0:27:57.840 --> 0:28:00.840
<v Speaker 1>I mean, obviously it's been a long time then since

0:28:01.119 --> 0:28:06.840
<v Speaker 1>your family became that household name and you first went

0:28:06.880 --> 0:28:10.400
<v Speaker 1>on Too Young Talent Times, So obviously this is something

0:28:10.480 --> 0:28:14.439
<v Speaker 1>that everyone's lives have changed and evolved. But is that

0:28:14.600 --> 0:28:16.560
<v Speaker 1>anything that you still talk about. Do you think that

0:28:16.640 --> 0:28:18.959
<v Speaker 1>your parents or your brother in particular, might ever had

0:28:19.040 --> 0:28:22.720
<v Speaker 1>that moment of like how life might have been as

0:28:22.760 --> 0:28:25.879
<v Speaker 1>if Danny had we'd said no, and then maybe the

0:28:25.920 --> 0:28:30.400
<v Speaker 1>Minogue name wouldn't just be another name of a suburb

0:28:30.520 --> 0:28:33.639
<v Speaker 1>in Melbourne rather than this globally recognized name.

0:28:34.320 --> 0:28:41.640
<v Speaker 2>Ah. Yeah, I I don't know that we've spoken about

0:28:41.680 --> 0:28:45.960
<v Speaker 2>like exactly, like how would it be different? We just

0:28:47.200 --> 0:28:50.720
<v Speaker 2>I guess we've forgotten like what it was like before.

0:28:52.320 --> 0:28:57.840
<v Speaker 2>But we do cherish a lot of family moments that

0:28:58.040 --> 0:29:02.120
<v Speaker 2>were before that fame came in and before people who

0:29:02.160 --> 0:29:05.760
<v Speaker 2>knew who we were where we could just freely move

0:29:05.800 --> 0:29:09.680
<v Speaker 2>about and do so many things like you know, go

0:29:09.760 --> 0:29:14.400
<v Speaker 2>on our caravan holidays and just have fun together as

0:29:14.440 --> 0:29:18.120
<v Speaker 2>a family. But we we did talk the other day

0:29:18.160 --> 0:29:22.240
<v Speaker 2>about just with such a tight unit as a family,

0:29:22.280 --> 0:29:24.800
<v Speaker 2>and I think people get a real sense of that now,

0:29:24.880 --> 0:29:28.040
<v Speaker 2>Like we've been through everything thick and thin, and we've

0:29:28.080 --> 0:29:32.200
<v Speaker 2>always just stayed together. But we have such a huge

0:29:32.320 --> 0:29:37.120
<v Speaker 2>respect for each other and love celebrating each other in

0:29:37.480 --> 0:29:40.320
<v Speaker 2>what we're able to do, and very well aware that

0:29:40.800 --> 0:29:43.760
<v Speaker 2>we're only able to do those things because the other

0:29:43.880 --> 0:29:48.080
<v Speaker 2>members of the family support us in so many ways,

0:29:48.640 --> 0:29:55.200
<v Speaker 2>so time wise, emotionally, really like uplift each other to

0:29:55.280 --> 0:29:58.920
<v Speaker 2>do what they do to the best of their ability.

0:29:59.320 --> 0:30:03.480
<v Speaker 2>And that's we know that special. Not every family has that.

0:30:03.480 --> 0:30:06.400
<v Speaker 1>That's what a family is doing. What a family can

0:30:06.440 --> 0:30:08.800
<v Speaker 1>do best, isn't it when you've got that support and

0:30:08.840 --> 0:30:11.320
<v Speaker 1>from there you can take on the world, and you've

0:30:11.320 --> 0:30:13.880
<v Speaker 1>always got someone that's got your back. Yeah, no matter what.

0:30:14.160 --> 0:30:17.520
<v Speaker 2>Yeah, I often think I don't know what my personality

0:30:17.560 --> 0:30:20.600
<v Speaker 2>would have been like if I didn't have that, because

0:30:20.640 --> 0:30:23.959
<v Speaker 2>a lot of people have said to me recently, They're like,

0:30:24.040 --> 0:30:26.200
<v Speaker 2>oh my god, you were so super confident on Young

0:30:26.240 --> 0:30:29.600
<v Speaker 2>Talent Time. You were just like balancing through the screen.

0:30:29.680 --> 0:30:33.200
<v Speaker 2>I'm like, yeah, it was wasn't like I didn't know

0:30:33.320 --> 0:30:35.560
<v Speaker 2>any different at the time. It was like jump on

0:30:35.640 --> 0:30:38.800
<v Speaker 2>stage in this crazy costume and do that. I'm like, sure,

0:30:40.240 --> 0:30:42.480
<v Speaker 2>but I think it's because I knew I just had

0:30:42.480 --> 0:30:47.719
<v Speaker 2>a happy home to come to, was always stable and encouraging,

0:30:48.040 --> 0:30:51.880
<v Speaker 2>and therefore the only thing that would be stopping me

0:30:51.880 --> 0:30:52.400
<v Speaker 2>would be me.

0:30:53.200 --> 0:30:55.120
<v Speaker 1>And I mean, you had a lot of experiencing into

0:30:55.160 --> 0:30:57.440
<v Speaker 1>a hair brush, so I'm sure that prepared you for

0:30:57.480 --> 0:31:00.840
<v Speaker 1>being on National TV. One of your fellow performers from

0:31:00.840 --> 0:31:03.640
<v Speaker 1>that year on Young Talent Time, Tina Arena, was in

0:31:04.040 --> 0:31:06.000
<v Speaker 1>the podcast with me last year, and one of the

0:31:06.040 --> 0:31:09.120
<v Speaker 1>things we spoke about was how the nature of the

0:31:09.200 --> 0:31:11.800
<v Speaker 1>industry has changed, and also she was saying, in some

0:31:11.840 --> 0:31:14.440
<v Speaker 1>ways hasn't changed, but the one of the things we

0:31:14.560 --> 0:31:18.520
<v Speaker 1>discussed was this trope of women being pitted against one another,

0:31:18.600 --> 0:31:22.640
<v Speaker 1>and that's such a popular culture stereotype. As you and

0:31:22.680 --> 0:31:26.160
<v Speaker 1>I speaking, the Grammys were held earlier this month, and

0:31:26.240 --> 0:31:27.880
<v Speaker 1>I don't know what you thought, Daniel, if you saw

0:31:27.960 --> 0:31:30.880
<v Speaker 1>much of it, but obviously one of the observations being

0:31:30.920 --> 0:31:32.880
<v Speaker 1>made of that was that there were so many different

0:31:32.920 --> 0:31:38.240
<v Speaker 1>female performers, powerhouse women of all different backgrounds, different ages,

0:31:38.280 --> 0:31:42.800
<v Speaker 1>different ethnicities, different body type and really importantly women that

0:31:42.880 --> 0:31:44.520
<v Speaker 1>once would have been like, well there can only be

0:31:44.560 --> 0:31:47.600
<v Speaker 1>one winner, and she was jealous of her, but really

0:31:47.680 --> 0:31:52.640
<v Speaker 1>hugging and really embracing that. What are your observations of

0:31:52.680 --> 0:31:54.200
<v Speaker 1>that from the course of your career.

0:31:54.600 --> 0:31:59.880
<v Speaker 2>I've definitely experienced it pretty much. You know, the high

0:32:00.080 --> 0:32:03.640
<v Speaker 2>of moving to London and the media was very different

0:32:03.640 --> 0:32:06.200
<v Speaker 2>and there was no social media, there was no right

0:32:06.280 --> 0:32:10.040
<v Speaker 2>of reply, you couldn't complain. Any journalist could write whatever

0:32:10.080 --> 0:32:13.680
<v Speaker 2>they wanted. They just had to put a close source said,

0:32:15.360 --> 0:32:18.920
<v Speaker 2>and then it was a free for all. They knew

0:32:19.000 --> 0:32:25.239
<v Speaker 2>exactly what sold newspapers and once something was written, it

0:32:25.280 --> 0:32:28.440
<v Speaker 2>really it really stuck, and so it was so hard

0:32:28.560 --> 0:32:36.240
<v Speaker 2>to navigate that to then even though is something true

0:32:36.920 --> 0:32:40.959
<v Speaker 2>was the women now the media can't control it in

0:32:40.960 --> 0:32:44.840
<v Speaker 2>that way because the girls communicate direct with each other,

0:32:44.960 --> 0:32:46.959
<v Speaker 2>you don't have their phone number. That's okay, I can

0:32:47.040 --> 0:32:50.360
<v Speaker 2>DM you. You know me from the blue tick. Let's

0:32:50.480 --> 0:32:55.160
<v Speaker 2>go it is this something? No, it's not okay, cool, it's.

0:32:54.960 --> 0:32:57.920
<v Speaker 1>A great word. God that how that has really helped

0:32:57.960 --> 0:32:59.080
<v Speaker 1>change the whole dynamic.

0:32:59.280 --> 0:33:02.920
<v Speaker 2>Social media has really helped. And I think also seeing

0:33:03.080 --> 0:33:08.960
<v Speaker 2>women in behind the scenes in powerful positions has changed things.

0:33:09.000 --> 0:33:13.960
<v Speaker 2>So if you have female producers and executive producers, that's

0:33:14.000 --> 0:33:20.080
<v Speaker 2>a whole different story and mixing it up to have

0:33:20.160 --> 0:33:24.520
<v Speaker 2>different thoughts, emotions and represent women in different ways. And

0:33:26.040 --> 0:33:29.000
<v Speaker 2>it is changing. There's still a long way to go.

0:33:29.080 --> 0:33:31.440
<v Speaker 1>It's still a bit of progress to be made. I

0:33:31.560 --> 0:33:33.320
<v Speaker 1>featured you on the cover of Body and Soul a

0:33:33.320 --> 0:33:36.400
<v Speaker 1>few years ago when you turned fifty. In in that interview,

0:33:36.520 --> 0:33:39.200
<v Speaker 1>you were talking about how say your mum and her

0:33:39.280 --> 0:33:42.040
<v Speaker 1>generation growing up. There were no examples that you were

0:33:42.120 --> 0:33:45.120
<v Speaker 1>just being told, Okay, you've had your moment, now you've

0:33:45.160 --> 0:33:47.600
<v Speaker 1>got kids, sort of, you know, pack up, you're moving

0:33:47.640 --> 0:33:53.880
<v Speaker 1>into this clothing. God forbid, you'd be sexy or be visible.

0:33:54.360 --> 0:33:55.760
<v Speaker 1>I'd love to ask you about that.

0:33:56.360 --> 0:33:58.480
<v Speaker 2>Yeah, I don't feel like we had women that we

0:33:58.560 --> 0:34:03.160
<v Speaker 2>saw in film or tell vision or music that gave

0:34:03.240 --> 0:34:08.200
<v Speaker 2>us any idea that life still goes on. I'm loving

0:34:08.239 --> 0:34:11.520
<v Speaker 2>what Jane Fonder is doing. I'm loving what Demi Moore's doing.

0:34:11.640 --> 0:34:16.200
<v Speaker 2>I'm loving what Pamela Anderson's doing. Brookshields like a lot

0:34:16.200 --> 0:34:22.120
<v Speaker 2>of those girls that I grew up watching, and we

0:34:22.360 --> 0:34:27.040
<v Speaker 2>need to see what's possible, like with Kissed Girl, and

0:34:27.080 --> 0:34:31.239
<v Speaker 2>if you need to see yourself or what you could be.

0:34:33.719 --> 0:34:38.240
<v Speaker 2>And yes, things are definitely changing. I hope no women

0:34:38.280 --> 0:34:41.880
<v Speaker 2>feel like they're pressured to be either look like or

0:34:41.920 --> 0:34:46.399
<v Speaker 2>achieve like to mean more at that age, because we

0:34:46.440 --> 0:34:49.600
<v Speaker 2>don't all have to do that. But it's nice to

0:34:49.640 --> 0:34:51.719
<v Speaker 2>know that if you if you really want to go

0:34:51.800 --> 0:34:54.560
<v Speaker 2>for something, you can You can do it at any age.

0:34:54.960 --> 0:34:59.000
<v Speaker 2>You just got to have that energy behind that idea

0:34:59.120 --> 0:35:01.759
<v Speaker 2>to push it through, that real want, that desire, that

0:35:01.800 --> 0:35:04.440
<v Speaker 2>thing I was talking about before, like you cannot stop

0:35:04.480 --> 0:35:06.480
<v Speaker 2>thinking about it, it's all you want to do.

0:35:07.000 --> 0:35:09.400
<v Speaker 1>I think it's such an important clarification you make that

0:35:09.440 --> 0:35:13.560
<v Speaker 1>it's absolutely celebrating certain women in popular culture is not

0:35:13.640 --> 0:35:16.120
<v Speaker 1>about saying everyone needs to look like this, and if

0:35:16.120 --> 0:35:18.080
<v Speaker 1>you're not looking like it's okay to be sixty as

0:35:18.120 --> 0:35:21.040
<v Speaker 1>long as you look like Dememore, because like it's nobody,

0:35:21.280 --> 0:35:26.600
<v Speaker 1>most people twenty twenty five, thirty. But it's really just

0:35:26.680 --> 0:35:30.440
<v Speaker 1>about not feeling whatever you're living in your life, that

0:35:30.520 --> 0:35:32.560
<v Speaker 1>you have to pack up, or that there's a certain

0:35:32.640 --> 0:35:36.239
<v Speaker 1>cutoff age. Whatever it is that you're doing, whatever drives you,

0:35:36.320 --> 0:35:38.840
<v Speaker 1>whatever the nature of your work, whatever you look like,

0:35:39.440 --> 0:35:42.360
<v Speaker 1>that that's not what's the question. The question is just

0:35:42.480 --> 0:35:45.960
<v Speaker 1>your right to take up space, and it doesn't have

0:35:46.040 --> 0:35:50.520
<v Speaker 1>a cut off. Rebecca Gibney was on Miss Cover and

0:35:50.560 --> 0:35:54.040
<v Speaker 1>the podcast last week and she turned sixty in December,

0:35:54.400 --> 0:35:57.560
<v Speaker 1>and we were talking about I love the way she

0:35:57.680 --> 0:36:00.520
<v Speaker 1>frames growing older. She calls it a privilege, And we

0:36:00.560 --> 0:36:04.840
<v Speaker 1>were talking about how also being aware of mortality really

0:36:04.880 --> 0:36:07.680
<v Speaker 1>brings that into sharp perspective because, as she said, she's

0:36:07.760 --> 0:36:11.320
<v Speaker 1>lost people and that really then focus as well. Obviously

0:36:11.360 --> 0:36:13.399
<v Speaker 1>all of us have that moment with the birthday where

0:36:13.400 --> 0:36:17.080
<v Speaker 1>we think about where we've gone, how much closer we're

0:36:17.160 --> 0:36:19.680
<v Speaker 1>getting to, you know, whatever that era. Oh my gosh,

0:36:19.760 --> 0:36:23.560
<v Speaker 1>we could be eighty one day. We should be so

0:36:23.680 --> 0:36:26.400
<v Speaker 1>lucky as somebody wants, we should be so lucky to

0:36:26.400 --> 0:36:28.919
<v Speaker 1>get to eighty. You of course Danny, you've spoken you've

0:36:28.960 --> 0:36:31.319
<v Speaker 1>lost people through your life, as most of us have.

0:36:31.800 --> 0:36:34.640
<v Speaker 1>I know, for me, my mum was diagnosed with cancer

0:36:34.680 --> 0:36:36.680
<v Speaker 1>at forty and died when I was a teenager. So

0:36:37.000 --> 0:36:39.439
<v Speaker 1>I think about that every birthday. And I'm not saying

0:36:39.440 --> 0:36:41.480
<v Speaker 1>I always get it right, but I think, well, that's

0:36:41.800 --> 0:36:44.719
<v Speaker 1>that is a privilege, as Rebecca said, for you, has

0:36:44.760 --> 0:36:48.120
<v Speaker 1>that helped as well what you've been Obviously your sister

0:36:48.280 --> 0:36:52.400
<v Speaker 1>was diagnosed, we've canceered a young age, obviously survived. It

0:36:52.480 --> 0:36:55.919
<v Speaker 1>is really healthy. But those moments in life, they can

0:36:56.080 --> 0:36:59.879
<v Speaker 1>help bring mortality into sharp focus and put things into

0:37:00.760 --> 0:37:01.200
<v Speaker 1>can't they.

0:37:01.400 --> 0:37:03.880
<v Speaker 2>Yeah, I'm so sorry that you lost to your moment

0:37:04.040 --> 0:37:05.560
<v Speaker 2>such a oh.

0:37:05.320 --> 0:37:09.200
<v Speaker 1>Thank you, thank you. No, I appreciate that, I thank

0:37:09.239 --> 0:37:12.080
<v Speaker 1>you and I but I think it's, like I say,

0:37:12.160 --> 0:37:15.160
<v Speaker 1>really only mention it because I do think if you

0:37:15.600 --> 0:37:18.480
<v Speaker 1>were all shaped by different experiences, and I think that,

0:37:18.880 --> 0:37:21.640
<v Speaker 1>as I say, not pretending that it shapes every moment

0:37:21.680 --> 0:37:24.279
<v Speaker 1>about getting older, but it certainly does give you a

0:37:24.320 --> 0:37:28.200
<v Speaker 1>certain glimpse into well, what is the alternative? As the

0:37:28.239 --> 0:37:33.040
<v Speaker 1>saying goes, and the alternative is not something that is

0:37:34.320 --> 0:37:35.520
<v Speaker 1>a very appealing option.

0:37:36.080 --> 0:37:39.520
<v Speaker 2>I remember when Kylie was really sick, and there was

0:37:39.560 --> 0:37:44.600
<v Speaker 2>the chance that we were going to lose her as

0:37:44.640 --> 0:37:47.759
<v Speaker 2>she had recovered, and the world was celebrating yes this

0:37:47.920 --> 0:37:50.600
<v Speaker 2>as well. Again we were all celebrating. I lost my

0:37:50.640 --> 0:37:54.040
<v Speaker 2>best friend to cancer, and I was grieving. There was

0:37:54.080 --> 0:37:58.120
<v Speaker 2>this celebration and grieving, and also at the same time,

0:37:58.280 --> 0:38:04.239
<v Speaker 2>there were so many articles about women. What does she

0:38:04.280 --> 0:38:07.080
<v Speaker 2>look like? How old is she? The first line of

0:38:07.320 --> 0:38:11.719
<v Speaker 2>any interview Kylie da da da age, Danny da da

0:38:11.760 --> 0:38:16.520
<v Speaker 2>da or whoever you know, Prime minister, whoever you are,

0:38:17.040 --> 0:38:19.480
<v Speaker 2>it's your age and what do you look like? Does

0:38:19.520 --> 0:38:21.600
<v Speaker 2>she look good for her age or does she not?

0:38:21.800 --> 0:38:23.960
<v Speaker 2>Because if she doesn't look good for her age, she's

0:38:24.000 --> 0:38:28.600
<v Speaker 2>of no value to anybody. And I just thought, you know,

0:38:28.760 --> 0:38:35.319
<v Speaker 2>ages is such a privilege. Whatever that looks like. I

0:38:35.440 --> 0:38:39.840
<v Speaker 2>would really always just stop my friends if they were like,

0:38:40.320 --> 0:38:45.240
<v Speaker 2>I'm turning thirty and I'm like, okay, let's just let's

0:38:45.280 --> 0:38:49.239
<v Speaker 2>just have a look at that how you are viewing that,

0:38:49.680 --> 0:38:55.040
<v Speaker 2>because it is a privilege, like, and you know, the

0:38:55.200 --> 0:38:59.000
<v Speaker 2>younger you can understand that, the more joy you can

0:38:59.040 --> 0:38:59.960
<v Speaker 2>bring into your life.

0:39:00.000 --> 0:39:02.680
<v Speaker 1>I would love to just actually mention something before we

0:39:02.760 --> 0:39:06.960
<v Speaker 1>wrap up, because obviously, what sort of emerged quite organically.

0:39:07.000 --> 0:39:10.600
<v Speaker 1>I think from our conversation is is how things changed.

0:39:10.719 --> 0:39:14.520
<v Speaker 1>The role that people in the spotlight, such as yourself

0:39:14.560 --> 0:39:20.000
<v Speaker 1>can really help you move the dial on conversations, through representation,

0:39:20.280 --> 0:39:23.759
<v Speaker 1>through pushing back a bit, through taking on speaking up

0:39:23.800 --> 0:39:26.880
<v Speaker 1>for things that are difficult at the time, and really

0:39:27.000 --> 0:39:29.719
<v Speaker 1>helping people be seen and heard. And I wanted to

0:39:29.800 --> 0:39:33.239
<v Speaker 1>let you know, Danny that when I last interviewed you,

0:39:33.360 --> 0:39:35.360
<v Speaker 1>it was about twelve years ago. So I was a

0:39:35.400 --> 0:39:38.839
<v Speaker 1>feature writer at the time and we sat down new

0:39:39.040 --> 0:39:40.040
<v Speaker 1>on Bill Smiggs.

0:39:40.719 --> 0:39:43.399
<v Speaker 2>It wasn't that long ago, I know, I know, and.

0:39:43.360 --> 0:39:45.480
<v Speaker 1>So like Ethan was, you know, would have only been

0:39:45.480 --> 0:39:47.200
<v Speaker 1>a couple of years old. I was just back from

0:39:47.239 --> 0:39:50.279
<v Speaker 1>Mattlee with my second son, and I remember seeing we

0:39:50.320 --> 0:39:52.279
<v Speaker 1>had a really lovely interview, by the way, and I

0:39:52.320 --> 0:39:56.439
<v Speaker 1>really enjoyed talking to you. And then a few years

0:39:56.480 --> 0:40:00.960
<v Speaker 1>later I went on to launch Stella, And so about

0:40:01.440 --> 0:40:04.759
<v Speaker 1>three years after launching Stella, I had a moment where

0:40:04.800 --> 0:40:07.640
<v Speaker 1>I just felt really uncomfortable about the fact that it

0:40:07.760 --> 0:40:10.920
<v Speaker 1>was part of the celebrity interview, particularly with the woman

0:40:11.239 --> 0:40:13.759
<v Speaker 1>where we would say you think about having children, and

0:40:13.800 --> 0:40:16.560
<v Speaker 1>then if you do it a child, would you have

0:40:16.640 --> 0:40:20.720
<v Speaker 1>another one, and that was groundbreaking. I remember that interview

0:40:20.760 --> 0:40:23.399
<v Speaker 1>with you. I know that I asked, do you think

0:40:23.400 --> 0:40:26.200
<v Speaker 1>that you will have another baby? And you answered and

0:40:26.239 --> 0:40:29.359
<v Speaker 1>it wasn't an awkward moment and at the time, well

0:40:29.480 --> 0:40:31.560
<v Speaker 1>maybe it was for you that That's part of where

0:40:31.560 --> 0:40:34.000
<v Speaker 1>I'm headed with this is I just wanted to let

0:40:34.040 --> 0:40:35.880
<v Speaker 1>you know that that was one of the moments that

0:40:35.920 --> 0:40:38.840
<v Speaker 1>I look back on and thought I really should have

0:40:38.880 --> 0:40:41.480
<v Speaker 1>done better than that. And I don't think that was

0:40:41.520 --> 0:40:44.280
<v Speaker 1>a fair question to ask, even though some people disagree.

0:40:44.280 --> 0:40:47.160
<v Speaker 1>I know some people listening or go, I'll get over yourself, like,

0:40:47.400 --> 0:40:50.520
<v Speaker 1>can't we ask anything more? But it is about you

0:40:50.600 --> 0:40:53.920
<v Speaker 1>never know what someone's dealing with at the time, and

0:40:54.360 --> 0:40:56.120
<v Speaker 1>as I say, it was nothing that you said that

0:40:56.160 --> 0:40:58.880
<v Speaker 1>made me feel uncomfortable. I just wanted to let you

0:40:59.000 --> 0:41:01.360
<v Speaker 1>know that you really shaped a role in that and

0:41:01.600 --> 0:41:03.320
<v Speaker 1>I wish I hadn't asked you that, even though you

0:41:03.320 --> 0:41:06.040
<v Speaker 1>probably don't even remember me asking it, and wanted to

0:41:06.120 --> 0:41:07.960
<v Speaker 1>let you know that you really were one of the

0:41:08.000 --> 0:41:11.320
<v Speaker 1>people that played into that role with that policy taking shape.

0:41:11.480 --> 0:41:16.080
<v Speaker 2>I tell you, I remember when that policy change happened,

0:41:17.000 --> 0:41:22.839
<v Speaker 2>and it was so groundbreaking and so phenomenal and really like,

0:41:23.120 --> 0:41:25.719
<v Speaker 2>this is how it could be done. We're still going

0:41:25.760 --> 0:41:30.080
<v Speaker 2>to get amazing interviews and probably way better because you

0:41:30.160 --> 0:41:35.400
<v Speaker 2>haven't put someone in that fight or flight situation because

0:41:35.440 --> 0:41:39.000
<v Speaker 2>you don't know what's going on internally for me at

0:41:39.000 --> 0:41:43.360
<v Speaker 2>that point. So, after Ethan was born, I was very

0:41:43.440 --> 0:41:46.440
<v Speaker 2>ill for a long while. First I didn't know what

0:41:46.480 --> 0:41:49.920
<v Speaker 2>was wrong, but then my thyroid wasn't working. I had appendicitis.

0:41:50.120 --> 0:41:56.120
<v Speaker 2>I got down to like forty five kilos. It was

0:41:56.280 --> 0:42:04.000
<v Speaker 2>like clothing wouldn't even like hold on, and I just

0:42:04.560 --> 0:42:07.239
<v Speaker 2>knew I was at my worst when I was looking

0:42:07.320 --> 0:42:11.160
<v Speaker 2>at Ethan in his cot and I had no energy

0:42:11.239 --> 0:42:14.200
<v Speaker 2>to pick him up and get him out, and he's crying,

0:42:14.280 --> 0:42:19.120
<v Speaker 2>he wants feeding. Like that is like the lowest point

0:42:19.160 --> 0:42:22.840
<v Speaker 2>for me after enjoying all of this beautiful being pregnant

0:42:22.920 --> 0:42:25.719
<v Speaker 2>and stuff, and so yes, if you're faced with a

0:42:25.800 --> 0:42:28.920
<v Speaker 2>question like that, you're like, you know, it took me

0:42:28.960 --> 0:42:33.480
<v Speaker 2>a long while, a long way healthwise to get myself

0:42:33.520 --> 0:42:37.640
<v Speaker 2>back on my feet. I wasn't like upset that you

0:42:37.760 --> 0:42:41.160
<v Speaker 2>asked me, thankfully, but I know, like so many different

0:42:41.160 --> 0:42:46.480
<v Speaker 2>women have you know, had a different journey if the

0:42:46.520 --> 0:42:51.520
<v Speaker 2>policy hadn't changed and you'd ask me later down the track. Yeah,

0:42:51.560 --> 0:42:53.880
<v Speaker 2>that would have hit me in a completely different way

0:42:54.640 --> 0:42:58.919
<v Speaker 2>because there's, you know, been a lot of change since then.

0:43:00.560 --> 0:43:02.759
<v Speaker 2>I have a partner now that I've been with for

0:43:02.800 --> 0:43:06.680
<v Speaker 2>eleven years. Did Ethan ask me, you know, to have

0:43:06.800 --> 0:43:07.680
<v Speaker 2>a brother or sister?

0:43:08.040 --> 0:43:08.279
<v Speaker 1>Yes?

0:43:08.400 --> 0:43:11.680
<v Speaker 2>He did. Yeah, it's been it's been a long ride.

0:43:11.719 --> 0:43:16.880
<v Speaker 2>But you started off by saying, do women like myself

0:43:16.880 --> 0:43:20.000
<v Speaker 2>who are out there performing shape a lot of that?

0:43:20.160 --> 0:43:20.400
<v Speaker 1>You know?

0:43:21.320 --> 0:43:27.600
<v Speaker 2>The changes are moving forward, and I think editors, journalists,

0:43:28.520 --> 0:43:34.120
<v Speaker 2>performers and working together, I think is how we'll make

0:43:34.480 --> 0:43:38.960
<v Speaker 2>the most change, you know, quicker, and how we can

0:43:39.000 --> 0:43:45.600
<v Speaker 2>really speed this up. And after I had Ethan, I

0:43:45.680 --> 0:43:49.960
<v Speaker 2>remember contacting an editor and I would come out of

0:43:50.920 --> 0:43:55.000
<v Speaker 2>the maternal Health Center and his crash, and there would

0:43:55.000 --> 0:43:57.640
<v Speaker 2>be a car outside the door. There was no other

0:43:58.880 --> 0:44:00.960
<v Speaker 2>that car park wasn't there for any other thing other

0:44:01.040 --> 0:44:04.560
<v Speaker 2>than parents entering and exiting. And there was a car

0:44:04.600 --> 0:44:07.120
<v Speaker 2>and there was two maybe three photographers lying on the

0:44:07.160 --> 0:44:10.439
<v Speaker 2>top of it with long lens cameras like you would

0:44:10.440 --> 0:44:14.600
<v Speaker 2>see if somebody was in Africa with a rifle looking

0:44:14.680 --> 0:44:17.040
<v Speaker 2>to shoot an animal and there was a target. There

0:44:17.080 --> 0:44:21.560
<v Speaker 2>was a price on our heads, and I was used

0:44:21.600 --> 0:44:27.920
<v Speaker 2>to having paparazzi around, and I shook. My whole body shook.

0:44:27.960 --> 0:44:32.600
<v Speaker 2>I was so scared, and I thought, I need to

0:44:32.960 --> 0:44:36.080
<v Speaker 2>not be shaking and completely having this outer body experience

0:44:36.120 --> 0:44:39.600
<v Speaker 2>because I am looking after this tiny person. I also

0:44:40.239 --> 0:44:42.680
<v Speaker 2>am very well aware that the people who work there

0:44:42.680 --> 0:44:46.080
<v Speaker 2>and the other parents have never been subjected to this.

0:44:46.480 --> 0:44:50.640
<v Speaker 2>They don't know if those guys are pedophiles. I know

0:44:50.760 --> 0:44:55.680
<v Speaker 2>their paparazzi, but they don't know. And so I remember

0:44:55.719 --> 0:45:00.400
<v Speaker 2>sending the pictures to an editor to say, these pictures

0:45:00.480 --> 0:45:05.000
<v Speaker 2>with this background, to put in context where it is

0:45:05.000 --> 0:45:09.399
<v Speaker 2>is just this, and we are captive. I cannot go

0:45:09.520 --> 0:45:12.120
<v Speaker 2>to a health check that by government I need to

0:45:12.160 --> 0:45:15.719
<v Speaker 2>go to. I cannot do this, and all of these

0:45:15.760 --> 0:45:18.960
<v Speaker 2>other people are subjected to it. So just so that

0:45:19.040 --> 0:45:22.480
<v Speaker 2>you're aware when you purchase those photos, this is what

0:45:22.520 --> 0:45:26.399
<v Speaker 2>you're encouraging. And she said, I will never purchase those

0:45:26.440 --> 0:45:29.920
<v Speaker 2>photos again, and she didn't. And that's how you make change.

0:45:30.080 --> 0:45:34.799
<v Speaker 2>It's having uncomfortable conversations, not knowing the outcome, not knowing

0:45:34.840 --> 0:45:38.720
<v Speaker 2>if that editor will say screw you, because that sells

0:45:38.760 --> 0:45:44.960
<v Speaker 2>our magazine. So it there somewhere along the line, there's

0:45:44.960 --> 0:45:48.520
<v Speaker 2>a price because not everybody's going to say yes, but

0:45:49.239 --> 0:45:51.319
<v Speaker 2>at least try right.

0:45:51.239 --> 0:45:54.759
<v Speaker 1>Absolutely, that's right. Well, that's been a recurring theme and

0:45:54.840 --> 0:45:57.040
<v Speaker 1>that that's what was happening when you were first pushing

0:45:57.120 --> 0:46:00.600
<v Speaker 1>back in the early days in the ninety in London,

0:46:00.719 --> 0:46:03.280
<v Speaker 1>getting that pressure about Mardy gra Oh this is a risk,

0:46:03.320 --> 0:46:06.480
<v Speaker 1>but you push back, you speak up and then look

0:46:06.520 --> 0:46:07.080
<v Speaker 1>where we are.

0:46:07.560 --> 0:46:11.839
<v Speaker 2>Feel like it's a gentle way. It's not picketing and

0:46:11.960 --> 0:46:14.439
<v Speaker 2>I'm ready to take it on the chin. It's either

0:46:14.520 --> 0:46:17.440
<v Speaker 2>asking the question or showing up and doing it, not

0:46:17.560 --> 0:46:20.879
<v Speaker 2>knowing the outcome and just saying okay, here we go.

0:46:21.440 --> 0:46:25.320
<v Speaker 1>It's changing hearts and minds with step by step. Danny

0:46:25.360 --> 0:46:27.200
<v Speaker 1>Minogue has been such a pleasure to.

0:46:27.200 --> 0:46:30.160
<v Speaker 2>Tame to you. I need many more hours with you.

0:46:30.239 --> 0:46:30.919
<v Speaker 1>Absolutely.

0:46:31.280 --> 0:46:33.759
<v Speaker 2>I know many questions to you. I feel like I

0:46:33.760 --> 0:46:35.839
<v Speaker 2>could sit here and interview you. I have so many

0:46:35.920 --> 0:46:37.640
<v Speaker 2>questions anytime.

0:46:37.200 --> 0:46:40.640
<v Speaker 1>I would love for switch. Well, I will come to Melbourne.

0:46:40.760 --> 0:46:42.359
<v Speaker 1>You came to Sydney for this one, so I will

0:46:42.400 --> 0:46:44.799
<v Speaker 1>come to Melbourne. Let's get that in the diary And

0:46:44.920 --> 0:46:47.040
<v Speaker 1>of course you can see more of Danny Minogue on

0:46:47.080 --> 0:46:49.279
<v Speaker 1>I Kissed a Girl Now streaming on Binge and I

0:46:49.360 --> 0:46:52.000
<v Speaker 1>Kissed a Boy, which is starting this week February twenty

0:46:52.080 --> 0:46:54.560
<v Speaker 1>on Binge, with new episodes on Thursday at eight thirty.

0:46:54.560 --> 0:46:57.200
<v Speaker 1>We'll have a link in the show notes. Danny, all

0:46:57.200 --> 0:46:59.440
<v Speaker 1>the best with the shoot today. Very excited to see

0:46:59.440 --> 0:47:01.680
<v Speaker 1>you on the cover Stella. Thank you so much. You

0:47:01.719 --> 0:47:04.520
<v Speaker 1>can also watch this interview of the Stella Podcast on

0:47:04.560 --> 0:47:07.759
<v Speaker 1>YouTube by following the link in the show notes. Thank

0:47:07.800 --> 0:47:10.440
<v Speaker 1>you for joining me today. If you've enjoyed this episode,

0:47:10.520 --> 0:47:13.080
<v Speaker 1>let us know by leaving a review and make sure

0:47:13.080 --> 0:47:15.600
<v Speaker 1>you're following something to talk about, because we'll be back

0:47:15.680 --> 0:47:17.840
<v Speaker 1>with another exclusive guest next week.