1 00:00:00,240 --> 00:00:03,120 Speaker 1: The Fit and with with Kate Richie podcast. 2 00:00:03,400 --> 00:00:06,680 Speaker 2: Anguliet is now playing at the Sydney Lyric Theater. Everyone 3 00:00:06,720 --> 00:00:12,640 Speaker 2: that has seen this has walked away well just in rapture. 4 00:00:13,119 --> 00:00:16,640 Speaker 2: This is unbelievable performances from some of these crew and 5 00:00:16,680 --> 00:00:18,720 Speaker 2: we have two of the best here right now. If 6 00:00:18,760 --> 00:00:20,760 Speaker 2: you want to go get your tickets, go to Anguliet 7 00:00:20,800 --> 00:00:23,239 Speaker 2: dot com dot au. But the magnificent Rob Meals and 8 00:00:23,280 --> 00:00:24,160 Speaker 2: Lorenda May Mary. 9 00:00:26,640 --> 00:00:29,000 Speaker 3: Hey, you must be rapped with how things are going. 10 00:00:29,120 --> 00:00:29,680 Speaker 4: It's the best. 11 00:00:29,920 --> 00:00:31,240 Speaker 2: It is awesome. 12 00:00:31,320 --> 00:00:33,000 Speaker 4: It is the best show in the world. 13 00:00:33,040 --> 00:00:34,240 Speaker 3: It feels good, does it? 14 00:00:34,360 --> 00:00:34,479 Speaker 1: Oh? 15 00:00:34,560 --> 00:00:34,800 Speaker 2: Mate? 16 00:00:34,920 --> 00:00:37,800 Speaker 4: You did you go to Taylor Swift concert? It's a 17 00:00:37,840 --> 00:00:40,600 Speaker 4: feeling it hot it is. 18 00:00:40,640 --> 00:00:42,880 Speaker 3: It's the same you for it, so you're Taylor Swift. 19 00:00:42,920 --> 00:00:47,519 Speaker 1: Basically, people are even bringing us friendship bracelets Juliet. 20 00:00:48,440 --> 00:00:51,480 Speaker 2: No, well, Lorenda, can I ask you? Because the man 21 00:00:51,600 --> 00:00:54,920 Speaker 2: behind these songs is a man called Max Martin, and 22 00:00:55,040 --> 00:01:01,160 Speaker 2: I am looking at his catalog, so let's talk about Swift. 23 00:01:00,720 --> 00:01:03,280 Speaker 2: He helped write Blank Space. 24 00:01:04,360 --> 00:01:06,280 Speaker 1: Yeah, the whole nineteen eighty nine album. 25 00:01:06,440 --> 00:01:09,480 Speaker 2: Shake It Off, some of the biggest hits. Give this 26 00:01:09,560 --> 00:01:11,800 Speaker 2: guy's behind it. We don't even know what this guy 27 00:01:11,840 --> 00:01:15,320 Speaker 2: looks like Larinda Swedish Jesus, have you met it genuinely? 28 00:01:15,520 --> 00:01:17,200 Speaker 1: Yeah, he came. He was with us about a year 29 00:01:17,200 --> 00:01:20,160 Speaker 1: ago in the for the Melbourne opening week and he 30 00:01:20,280 --> 00:01:21,760 Speaker 1: kind of gave us a few notes here and there. 31 00:01:21,800 --> 00:01:24,560 Speaker 1: It was so kind of surreal, being like, Oh, this 32 00:01:24,640 --> 00:01:26,840 Speaker 1: guy works in the studio with the biggest names in 33 00:01:26,959 --> 00:01:29,200 Speaker 1: music and pop around the world and he's here. 34 00:01:29,319 --> 00:01:32,240 Speaker 4: He wrote Baby, hit Me Baby, One More Time, Stronger, 35 00:01:32,360 --> 00:01:33,840 Speaker 4: He wrote everything for the backstrip. Boys. 36 00:01:33,920 --> 00:01:34,640 Speaker 2: Have we got a bit of. 37 00:01:34,600 --> 00:01:36,120 Speaker 5: Kelly clarkson this world? 38 00:01:36,319 --> 00:01:38,399 Speaker 2: Yeah? There is, yes the top of Bacta. 39 00:01:38,520 --> 00:01:40,160 Speaker 1: Since you've been gone. It's like one of my favorite 40 00:01:40,160 --> 00:01:42,160 Speaker 1: Cakelly clarks and songs ever, and it just sits in 41 00:01:42,160 --> 00:01:45,039 Speaker 1: the show so perfectly. That's one of the great things 42 00:01:45,040 --> 00:01:47,360 Speaker 1: about it is they've put the songs in in such 43 00:01:47,360 --> 00:01:49,520 Speaker 1: a way that the lyrics feel like they were written 44 00:01:49,520 --> 00:01:51,400 Speaker 1: for our show, like you almost forget they were ever 45 00:01:51,440 --> 00:01:51,960 Speaker 1: done before. 46 00:01:52,200 --> 00:01:55,160 Speaker 3: And did old mate Max didn't give you any tips 47 00:01:55,320 --> 00:01:57,560 Speaker 3: on how he does it, because we've spoken to Ryan 48 00:01:57,680 --> 00:02:01,920 Speaker 3: Teddor before. He's kind of spoken about different formulas that 49 00:02:02,000 --> 00:02:05,040 Speaker 3: you can write songs with. Did Max share anything like that? 50 00:02:05,440 --> 00:02:07,920 Speaker 4: Well, I went out for drinks with Max a few times, 51 00:02:07,960 --> 00:02:09,640 Speaker 4: and one of the things he said is like I 52 00:02:09,680 --> 00:02:11,720 Speaker 4: try and just get the best out of the performer. 53 00:02:11,760 --> 00:02:13,280 Speaker 4: I try and just get them to be their most 54 00:02:13,320 --> 00:02:16,600 Speaker 4: truthful version of themselves. He's very good at creating a 55 00:02:16,760 --> 00:02:19,880 Speaker 4: very comfortable space for people just to be. One of 56 00:02:19,919 --> 00:02:22,280 Speaker 4: the things he did say was, after I have like 57 00:02:22,320 --> 00:02:24,960 Speaker 4: a number one hit, I'm not out popping champagne corks 58 00:02:24,960 --> 00:02:27,160 Speaker 4: and partying like all these new producers. I just get 59 00:02:27,200 --> 00:02:28,440 Speaker 4: back in the studio the next day and I just 60 00:02:28,480 --> 00:02:29,080 Speaker 4: get back to work. 61 00:02:30,120 --> 00:02:30,600 Speaker 3: That's his thing. 62 00:02:31,000 --> 00:02:33,960 Speaker 4: Even when he was in Melbourne putting the show on, 63 00:02:34,160 --> 00:02:37,560 Speaker 4: like helping produce the sound in the theater, he was 64 00:02:37,560 --> 00:02:39,480 Speaker 4: still writing songs with ed Chair and Edwards in town. 65 00:02:39,560 --> 00:02:41,880 Speaker 4: So he's like, can I just bring my friend Ed over? 66 00:02:42,040 --> 00:02:44,799 Speaker 4: Like yeah, sure, So it came. It came and said gooday. 67 00:02:45,040 --> 00:02:47,360 Speaker 4: Troy Savan popped in just to say gooday because they 68 00:02:47,400 --> 00:02:48,560 Speaker 4: were working on some new music. 69 00:02:48,680 --> 00:02:51,000 Speaker 1: Well, what like two three days ago, he just released 70 00:02:51,040 --> 00:02:53,840 Speaker 1: Ariana Grande's new album. He wrote that whole thing with 71 00:02:53,880 --> 00:02:55,000 Speaker 1: her wild, isn't it. 72 00:02:55,320 --> 00:02:55,760 Speaker 2: Yeah, I. 73 00:02:57,280 --> 00:02:59,359 Speaker 5: Need to ask the question. I have a nine year 74 00:02:59,360 --> 00:03:01,640 Speaker 5: old and I haven't been able to get to the 75 00:03:01,639 --> 00:03:02,720 Speaker 5: show yet, but I do. 76 00:03:02,639 --> 00:03:03,679 Speaker 4: Want to go. 77 00:03:04,800 --> 00:03:08,000 Speaker 5: Can I take her? She's not no, I know, I'm 78 00:03:08,200 --> 00:03:14,720 Speaker 5: I'm allowed to take She's kind of on that cusper. 79 00:03:14,800 --> 00:03:18,320 Speaker 5: I mean, she loves to see live theater, and of 80 00:03:18,360 --> 00:03:20,399 Speaker 5: course we went to the Tailor concerts, so no doubt 81 00:03:20,440 --> 00:03:22,960 Speaker 5: she'll love the show. But is it is it age appropriate? 82 00:03:23,520 --> 00:03:27,359 Speaker 5: Like I would say eight to eighty, Yeah, everybody, That's 83 00:03:27,400 --> 00:03:28,200 Speaker 5: what I wanted to know. 84 00:03:29,639 --> 00:03:31,639 Speaker 4: Probably not, but like eight to eighty I would say 85 00:03:31,639 --> 00:03:33,880 Speaker 4: for this one, it is definitely one for everyone. 86 00:03:33,639 --> 00:03:36,160 Speaker 1: And everybody, even the whole audience, gets up and dances 87 00:03:36,200 --> 00:03:37,839 Speaker 1: by the end of the show. So I think it's 88 00:03:37,880 --> 00:03:40,040 Speaker 1: so much fun for kids to get your experience right, 89 00:03:40,240 --> 00:03:43,360 Speaker 1: especially young girls. I feel like this story just is 90 00:03:43,360 --> 00:03:44,200 Speaker 1: so inspirational. 91 00:03:44,640 --> 00:03:48,480 Speaker 2: So Lareinda, you're Juliet, Yes, okay, you are rapping. Guys, 92 00:03:48,480 --> 00:03:51,320 Speaker 2: you're up against Whipper and myself. What are we rapping 93 00:03:51,360 --> 00:03:55,800 Speaker 2: to again? We're actually rapping to a song that's Ariana. 94 00:03:56,840 --> 00:03:58,080 Speaker 4: This is in the show. 95 00:03:59,200 --> 00:04:00,160 Speaker 2: Mashed up in. 96 00:04:03,080 --> 00:04:04,400 Speaker 1: By the Weekend. 97 00:04:04,200 --> 00:04:08,720 Speaker 4: Wi Max also wrote, really use you. 98 00:04:08,640 --> 00:04:11,040 Speaker 5: Please don't start singing the lyrics to this rap tonight 99 00:04:11,040 --> 00:04:12,320 Speaker 5: when you imagine. 100 00:04:14,680 --> 00:04:17,080 Speaker 2: Don't go anywhere. Wrap up of the week we'll do 101 00:04:17,160 --> 00:04:17,520 Speaker 2: it next. 102 00:04:21,600 --> 00:04:25,600 Speaker 3: Okay, Ritchie, when you wrap that on Friday, I don't 103 00:04:25,680 --> 00:04:26,640 Speaker 3: know how much. 104 00:04:29,640 --> 00:04:34,200 Speaker 1: Buffy off. 105 00:04:35,040 --> 00:04:36,560 Speaker 3: You kick it off and then I'll bring it high. 106 00:04:37,360 --> 00:04:37,520 Speaker 1: Come. 107 00:04:39,520 --> 00:04:48,000 Speaker 2: I need everyone in the room. Oh no, what do 108 00:04:48,080 --> 00:04:51,640 Speaker 2: we have here? It's Juliet and the old Shakespeare. Thank 109 00:04:51,680 --> 00:04:53,720 Speaker 2: you for coming, but let's make it clear that you'll 110 00:04:53,720 --> 00:04:57,039 Speaker 2: be worse off than Van Goff's ear your deal, Laurinda, 111 00:04:57,120 --> 00:04:59,839 Speaker 2: look at you go, having a break from old Roami. 112 00:05:00,279 --> 00:05:04,480 Speaker 2: She's cunning, adventurous, bold and sneaky. She's basically on Elizabethan 113 00:05:04,560 --> 00:05:08,040 Speaker 2: Kentiki Millsy steps up to play our man William Chops 114 00:05:08,040 --> 00:05:10,919 Speaker 2: and he's plays like a smooth Brazilian. Disaster calls and 115 00:05:10,960 --> 00:05:14,240 Speaker 2: you should be forewarned. It's like following a team like Hawthorn. 116 00:05:14,640 --> 00:05:17,839 Speaker 2: We love you guys. You're entertainers. You're bright now day 117 00:05:17,920 --> 00:05:19,880 Speaker 2: like a new set of trainers. Just listen to the 118 00:05:19,920 --> 00:05:22,560 Speaker 2: fans and all the believers that stuff. And I'm sick 119 00:05:22,600 --> 00:05:24,240 Speaker 2: of wrapping against overachievers. 120 00:05:24,400 --> 00:05:30,320 Speaker 3: Oh what's a compliment? Is like the smooth cut Brazilian. 121 00:05:30,520 --> 00:05:33,880 Speaker 4: Yeah, it's true. I haven't grown hair yet. I'm forty 122 00:05:33,920 --> 00:05:36,800 Speaker 4: two nearly and I cannot grow hair. It's weird ye 123 00:05:37,640 --> 00:05:38,279 Speaker 4: on your face. 124 00:05:38,320 --> 00:05:39,240 Speaker 2: You've got a bit on your phone. 125 00:05:39,320 --> 00:05:42,200 Speaker 4: Thanks Matte, thank you. Let's just move on from weep 126 00:05:42,200 --> 00:05:43,160 Speaker 4: and let's go to Milsey. 127 00:05:43,520 --> 00:05:48,120 Speaker 3: I kind of feel like two come on with Okay, 128 00:05:48,400 --> 00:05:50,720 Speaker 3: I got to see yo. 129 00:05:50,880 --> 00:05:51,279 Speaker 6: Listen up. 130 00:05:51,279 --> 00:05:53,760 Speaker 3: I got a story to tell about a girl named Juliette. 131 00:05:53,760 --> 00:05:56,479 Speaker 3: And you know, well, well, Larinda May Mary Port the 132 00:05:56,480 --> 00:05:58,600 Speaker 3: star of the show stepping out of Shakespeare. 133 00:05:58,640 --> 00:06:01,560 Speaker 6: You're ready to go to other musicals here. You've got 134 00:06:01,560 --> 00:06:04,320 Speaker 6: the skills, the Sapphires, Carol KEI giving us the chills, 135 00:06:04,400 --> 00:06:06,400 Speaker 6: American idiot. You're rocked that scene. 136 00:06:06,400 --> 00:06:12,960 Speaker 3: But now it's Juliet's turned to live the dream here 137 00:06:13,040 --> 00:06:14,560 Speaker 3: right help from id Or? 138 00:06:14,560 --> 00:06:16,920 Speaker 6: We were your first John Bright to neighbors and whinners, 139 00:06:16,920 --> 00:06:19,880 Speaker 6: the losers taking flat with the stars. You own that 140 00:06:19,960 --> 00:06:22,159 Speaker 6: floor hosting you on talent thom Or is that a 141 00:06:22,160 --> 00:06:24,840 Speaker 6: bit sore? But being on the stage his life has 142 00:06:24,839 --> 00:06:28,440 Speaker 6: been a wildlie. I didn't mention anything about Paris Hilton 143 00:06:28,520 --> 00:06:31,640 Speaker 6: on the side. 144 00:06:32,680 --> 00:06:37,440 Speaker 2: I did. Now we go to your is that. 145 00:06:37,400 --> 00:06:38,080 Speaker 5: What it's called? 146 00:06:38,640 --> 00:06:44,719 Speaker 2: I like to say that just aw you actually started. 147 00:06:45,240 --> 00:06:49,360 Speaker 3: We all start just the word. Sorry, guys, who goes 148 00:06:49,360 --> 00:06:50,240 Speaker 3: first out of you too. 149 00:06:50,640 --> 00:06:51,560 Speaker 4: We're gonna go together. 150 00:06:51,680 --> 00:06:52,680 Speaker 3: But I love that. 151 00:06:54,560 --> 00:06:56,760 Speaker 6: Okay, here's the show. 152 00:06:57,800 --> 00:06:58,480 Speaker 3: Here's the show. 153 00:06:59,279 --> 00:07:05,680 Speaker 1: M hm, and Juliet is telling all the same old stories. Hey, 154 00:07:05,760 --> 00:07:10,040 Speaker 1: repeater pan like why are you so boring? Is gonna explode. 155 00:07:10,040 --> 00:07:16,320 Speaker 4: That's why the country road toad whipper is the nap 156 00:07:16,400 --> 00:07:17,679 Speaker 4: land giving you some stress. 157 00:07:17,720 --> 00:07:19,880 Speaker 3: You're so thick you'd study for a blood test. 158 00:07:20,200 --> 00:07:22,239 Speaker 4: Meanwhile, his kids have to help him with spelling. 159 00:07:22,320 --> 00:07:23,480 Speaker 3: The word is toss a whipper? 160 00:07:23,640 --> 00:07:24,560 Speaker 4: Must I keep telling? 161 00:07:29,560 --> 00:07:31,960 Speaker 1: Every day you're splitting your Ralph Lauren trousers. You want 162 00:07:31,960 --> 00:07:34,000 Speaker 1: your cash like ice cream. In the hundreds and thousands, 163 00:07:34,200 --> 00:07:36,840 Speaker 1: liverweest actors because he's not very tall, so his rap 164 00:07:36,920 --> 00:07:41,680 Speaker 1: name should be Piggies small. 165 00:07:41,800 --> 00:07:47,960 Speaker 3: I meant six six foot one in heels in the Hills. 166 00:07:47,120 --> 00:07:48,400 Speaker 4: Aren't you due for your nap? 167 00:07:48,520 --> 00:07:48,960 Speaker 3: Every day? 168 00:07:48,960 --> 00:07:50,880 Speaker 4: You look like a skull and a baseball cat. 169 00:07:51,520 --> 00:07:53,600 Speaker 3: So farewell to the Lord of the Fry. 170 00:07:53,720 --> 00:07:55,560 Speaker 1: Hey, didn't you play the lead role in the Hills? 171 00:07:55,600 --> 00:07:56,200 Speaker 1: Have pies? 172 00:07:58,400 --> 00:07:58,920 Speaker 6: That's good? 173 00:08:00,120 --> 00:08:00,600 Speaker 3: Really good? 174 00:08:03,320 --> 00:08:03,560 Speaker 2: You know? 175 00:08:03,720 --> 00:08:04,600 Speaker 1: Oh wow? 176 00:08:04,760 --> 00:08:12,000 Speaker 5: And I'm safe safe che four great in one road. 177 00:08:12,320 --> 00:08:15,080 Speaker 5: Really it's really tough, but I mean it has to 178 00:08:15,120 --> 00:08:16,960 Speaker 5: be Laurinda in nowadays. 179 00:08:19,000 --> 00:08:21,320 Speaker 3: Patologies on the Paris Hilton Liner. 180 00:08:21,760 --> 00:08:24,680 Speaker 6: Sits in Whipper with Kate Ritchie is a Nova podcast 181 00:08:24,880 --> 00:08:28,160 Speaker 6: walk great shows like this. Download the Nova Player via 182 00:08:28,240 --> 00:08:29,800 Speaker 6: the app Store or Google Play. 183 00:08:30,000 --> 00:08:30,920 Speaker 1: The player