WEBVTT - Keeping It Smooth With Cam Daddo

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<v Speaker 1>The amount of times as you know that I've quit.

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<v Speaker 1>I've quit on stuff, I've quit on songs, I've quit

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<v Speaker 1>on all sorts of stuff, quit on myself. And we

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<v Speaker 1>don't know where the end of the race is. To

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<v Speaker 1>quit at the ninety ninth meter of one hundred yard race.

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<v Speaker 1>I don't know how many times I've done that, but

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<v Speaker 1>I know i've quit before I got the end.

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<v Speaker 2>Hello, and welcome to separate bathrooms. We would like to

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<v Speaker 2>acknowledge the Gadigor people of the e your nation, the

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<v Speaker 2>traditional custodians of this land, and pay our respects to

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<v Speaker 2>the elders, both past and present. I'm Ali Datto and

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<v Speaker 2>I'm not really on my own. I do have a

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<v Speaker 2>special guest with me, but it is just me asking

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<v Speaker 2>the hard hitting questions.

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<v Speaker 1>I'm here, by the way, I am here.

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<v Speaker 2>I know now. I've known our guest for about coming

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<v Speaker 2>up to thirty five years. It's a long time to

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<v Speaker 2>know someone, and he's very special to me. He's very

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<v Speaker 2>special to a lot of people. He's very special to

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<v Speaker 2>our children. His name is Camon Dado, and Karon Dado

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<v Speaker 2>has a book out and it's a fantastic book. It's

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<v Speaker 2>called Keep It smooth life lessons in confidence. And we

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<v Speaker 2>just thought it would be a really good idea to

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<v Speaker 2>bring him into the bathroom and I have a bit

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<v Speaker 2>of a chat about the book. Welcome Karen Dado into

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<v Speaker 2>the bathroom.

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<v Speaker 1>Let me just turn the hot tap off, give himself

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<v Speaker 1>a little cold burst, yes, before we get started and

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<v Speaker 1>lighting up and yeah, on point.

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<v Speaker 2>You're just talking about your book today. You are my guest,

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<v Speaker 2>which is I can't really get Cameron Dado to interview

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<v Speaker 2>Cameron Dado exciting. Maybe I should have had you. Anyway,

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<v Speaker 2>we'll see if there's a question that you wish I

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<v Speaker 2>would ask you about your book at the end. Maybe

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<v Speaker 2>I have a think about that.

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<v Speaker 1>Okay, all right, we'll wait and see what questions you

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<v Speaker 1>ask me. I know I love doing this with you

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<v Speaker 1>with your book. Yes, and thank you for doing this

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<v Speaker 1>with me.

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<v Speaker 2>About is very good? Fair players, they say, your book again,

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<v Speaker 2>Cameron Dado, keep it smooth, life lessons and confidence will

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<v Speaker 2>just dive right in. What inspired you to write the book?

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<v Speaker 1>Ye? Are you? I saw you writing your book, and

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<v Speaker 1>I experienced you writing your book. Sure, and how much

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<v Speaker 1>work and effort you put in. I have, as you know,

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<v Speaker 1>I have been fiddling around making starts to one man shows,

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<v Speaker 1>making starts to a story book. Did I even have

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<v Speaker 1>a crack at writing a nonfiction book, or sorry, a

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<v Speaker 1>fiction book? Rather, I think I did. I've certainly got

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<v Speaker 1>a file on my computer that has followed me over.

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<v Speaker 1>I don't know how many incarnations of Apple books, apple

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<v Speaker 1>computers I've had, but it just seems to be there

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<v Speaker 1>of doing a book, and you did yours, and it

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<v Speaker 1>reignited this idea for me to write a book, and

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<v Speaker 1>then I thought, what am I going to write it about?

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<v Speaker 1>I'm really look honestly, I haven't arrived at the place

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<v Speaker 1>in my career where I thought I was going to

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<v Speaker 1>get to. At this age, I haven't achieved the level

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<v Speaker 1>of whatever it is success that I thought I was

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<v Speaker 1>going to do. So in order to write a memoir,

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<v Speaker 1>I'm looking at people like Michael Caine or I don't know.

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<v Speaker 1>I love Robert Redford's biography, autobiography, all these different people

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<v Speaker 1>that have written autobiography. So I thought, I'm just I'm

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<v Speaker 1>not famous enough to do that. So I needed a

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<v Speaker 1>I needed some tool that would get me into being

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<v Speaker 1>able to tell some of the stories that I had.

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<v Speaker 1>And it was our manager Kathy Baker said to me

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<v Speaker 1>one day, Gosh, I'd love to hear what you have

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<v Speaker 1>to say about confidence. And I still remember the moment

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<v Speaker 1>that she said it. I remember exactly where I was,

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<v Speaker 1>and the hair on my arm stood up, and I went,

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<v Speaker 1>that's your end. Yes, because I have wrestled with confidence

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<v Speaker 1>my entire life, and I can say that from them

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<v Speaker 1>my first memories, I'm wrestling with honesty, confidence that I

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<v Speaker 1>can that all these things. So I thought, oh, I

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<v Speaker 1>can plug a number of stories so it can be

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<v Speaker 1>entertaining at the same time as maybe not so much educational,

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<v Speaker 1>but just experiential that the reader can go, oh, either

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<v Speaker 1>have it as a story or maybe pick something up

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<v Speaker 1>to have a takeaway from it.

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<v Speaker 2>Yes, I know. With the title of my book, I

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<v Speaker 2>was nervous about it because it's called Queen Menopause, and

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<v Speaker 2>I didn't want people thinking that I was claiming I

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<v Speaker 2>was Queen menopause because I you know, as I keep saying,

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<v Speaker 2>I always wanted women to feel like they were queen

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<v Speaker 2>of their menopause. That's why that title exists. And I

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<v Speaker 2>always have to feel like I've got to explain the

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<v Speaker 2>title a little bit. Yeah, do you feel like you

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<v Speaker 2>have to explain your title in the sense that it's

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<v Speaker 2>like you're it's not a self help book about confidence,

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<v Speaker 2>because you've got it all together. It's exactly what you

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<v Speaker 2>just talked about. It's your wrestle with confidence, how you

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<v Speaker 2>take two steps forward, three steps back, and all the

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<v Speaker 2>incredible stories that you've garnered from really well known Aussies

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<v Speaker 2>about their crisis of confidence.

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<v Speaker 1>Right right with the title. As you know, it went

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<v Speaker 1>through different incarnations. I wanted to tie in with my

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<v Speaker 1>music as well, so there were it started off as

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<v Speaker 1>like song titles that I've that I've put out there

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<v Speaker 1>coming undone was one, and then Curious was another. And

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<v Speaker 1>I thought I thought the book was going to be

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<v Speaker 1>called Curious Curious about Confidence, And then the publishers were

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<v Speaker 1>actually I think it was the audiobook people said not

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<v Speaker 1>much cells with the title curious, with the word curious.

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<v Speaker 1>You know, that's strange because to me, curiosity is a

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<v Speaker 1>massive part of how to be confident when you stay

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<v Speaker 1>curious with things, because it keeps you in a positive

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<v Speaker 1>side of the of the ledger. And and then it

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<v Speaker 1>just was keep it smooth. There was the obviously the

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<v Speaker 1>obvious synergy of people that know me as an announcer

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<v Speaker 1>on smooth, but also keeping it smooth is a great

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<v Speaker 1>tool also to how to go through life and to

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<v Speaker 1>stay again feeling like you can. If you slow things down,

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<v Speaker 1>you don't have to go back and redo it. I

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<v Speaker 1>know we've explained this, fast is slow, slow as fast,

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<v Speaker 1>keep it smooth. Then you keep it just go slow

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<v Speaker 1>bit by bit, and you end up further down the

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<v Speaker 1>road than if you're trying to be fast and you

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<v Speaker 1>make mistakes and have to go back.

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<v Speaker 2>I think about you mowing the lawn for some reason,

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<v Speaker 2>which I love to do, I know which you love

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<v Speaker 2>that because if you if you sped over that lawn

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<v Speaker 2>you would you wouldn't do a good job. So you

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<v Speaker 2>have to go at a slow and steady pace and

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<v Speaker 2>keep that lawn mode beautifully. So that's keeping it smooth.

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<v Speaker 1>It's a great analogy. You're clearly on my side when

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<v Speaker 1>you say that.

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<v Speaker 2>Well, I knew to use a term that the lawn mowing,

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<v Speaker 2>because I know you love your lawn mowing.

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<v Speaker 1>Do you have to go back and redo it.

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<v Speaker 2>If you go to write that's right.

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<v Speaker 1>And you're like, you can do that if you're not

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<v Speaker 1>wearing your books exactly how much.

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<v Speaker 2>Of your personal experiences, whether from your career or your

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<v Speaker 2>personal life, is in the book. And was it challenging

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<v Speaker 2>to distill it down to stories, to add the ones

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<v Speaker 2>or delete the ones that you were like, oh, we

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<v Speaker 2>can't share that one.

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<v Speaker 1>Yeah, it was, as you know, and we've talked about this.

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<v Speaker 1>I think I'm a better writer than I am a speaker.

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<v Speaker 1>An amazing writer, thank you. I tend to waffle when

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<v Speaker 1>I speak and with the writing. The thing that I had,

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<v Speaker 1>I had a post it note on my desk. I

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<v Speaker 1>had a few, but one of the one the touchstones

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<v Speaker 1>that I had was too many words. Yeah, and it

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<v Speaker 1>was just keep coming back to distill, distill, distill, back

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<v Speaker 1>to the feeling of what it is I'm trying to

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<v Speaker 1>write because I can't stand waffle on the page reading

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<v Speaker 1>It loses me. I'll throw the book away. So I

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<v Speaker 1>just was like, just cut to it, cut to it,

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<v Speaker 1>cut to the point. I think. I think of John Candy, planes,

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<v Speaker 1>chains and automobile and Steve Martin when Steve Martin viciously

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<v Speaker 1>says to John Candy, when you tell a story, have

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<v Speaker 1>our points and it's so it's true, but it's just

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<v Speaker 1>so mean. In that moment, anyway, that's what I wanted

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<v Speaker 1>to do. And so, I mean you talked about before

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<v Speaker 1>about having the extra voices in there, the extra people,

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<v Speaker 1>these incredible people who gave up their time to share

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<v Speaker 1>their experiences with confidence. That wasn't the original intention was.

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<v Speaker 1>I never set out to interview other people. It was

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<v Speaker 1>only that during my exploration, and I'm writing all these

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<v Speaker 1>stories down, and I had I turned in something like

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<v Speaker 1>one hundred and six txty thousand words of my own

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<v Speaker 1>into this book, and they only wanted eighty, right, So

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<v Speaker 1>then I add another forty thousand of other people. So

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<v Speaker 1>now I've got to distill one hundred and sixty thousand

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<v Speaker 1>into forty thousand words.

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<v Speaker 2>You've basically got part two ready to go.

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<v Speaker 1>There's a whole bunch, yes, So so yeah, it was

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<v Speaker 1>a challenge to to take out because some of them

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<v Speaker 1>were a little precious, and like Bodie. I remember reading

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<v Speaker 1>a bit to Boad's our youngest daughter listener, and our

0:10:34.960 --> 0:10:37.360
<v Speaker 1>youngest daughter said to me, I read her a bit

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<v Speaker 1>and she goes, you know, Dad, it's really good. You

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<v Speaker 1>just kind of have to prune some of those roses. Yeah.

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<v Speaker 1>I needed to cut out some of that stuff because

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<v Speaker 1>it just had to relate to confidence first, right, Yes,

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<v Speaker 1>there's nothing in that book that does not relate to

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<v Speaker 1>how affected my confidence.

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<v Speaker 2>Yeah, yeah, you mentioned you know, the stories in the

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<v Speaker 2>book and the contributors, and you've got people like Marsha Hines,

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<v Speaker 2>Keith Urban, Heather Mitchell, dear friend, I know you love her.

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<v Speaker 2>We all love her. You have pilots and you've got

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<v Speaker 2>principles of schools. You've got a huge football stars and

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<v Speaker 2>the artistic director of the Australian Chamber Orchestra, just to

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<v Speaker 2>name a few. So it's not about just having celebrities

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<v Speaker 2>in there. You've You've gone across a cross section of

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<v Speaker 2>life and jobs all you know that you need confidence

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<v Speaker 2>in order to do the job.

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<v Speaker 1>You would think you would think you would. So why

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<v Speaker 1>didn't you ask me because you're my wife?

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<v Speaker 2>Okay, got it on the spot. Are there are there

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<v Speaker 2>sort of any particular stories or lessons from those contributors

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<v Speaker 2>that that really reflect your own journey with confidence?

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<v Speaker 1>Oh that's a great question. I think I got a

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<v Speaker 1>little bit from everybody. Yeah, I really do. Ian Baker

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<v Speaker 1>Finch the professional golfer Champion Golfer of the Year in

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<v Speaker 1>nineteen No, and you wont not believe he was the

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<v Speaker 1>champion golfer. He talks about having competence be in alignment

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<v Speaker 1>with your confidence or your you know, that's you know

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<v Speaker 1>to be to work on your competence level, and that's

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<v Speaker 1>really important, and that resonated with me because sometimes, you know,

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<v Speaker 1>you turn up to a thing and just I felt

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<v Speaker 1>like I haven't been competent enough at what I'm doing,

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<v Speaker 1>and that can erode things pretty fast. Marcia Hines brought

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<v Speaker 1>up a beauty and that is some advice that her

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<v Speaker 1>mum told her about dwelling and not to dwell too

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<v Speaker 1>long about things that haven't gone your way. And that

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<v Speaker 1>to me really resonated with me because I have dwelled

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<v Speaker 1>on stuff I have thought about, oh could I have

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<v Speaker 1>done better? And I think that's good to do a

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<v Speaker 1>post mortemon things that you haven't done very well, mistakes

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<v Speaker 1>you've made, outcomes that haven't turned out the way you wanted.

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<v Speaker 1>You go do a little post mortem on it. Go Okay,

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<v Speaker 1>why didn't it turn out that way? And then let

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<v Speaker 1>it go. Take the wisdom and let that thing be

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<v Speaker 1>it be its own thing. Keith Urban mentioned talked a

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<v Speaker 1>lot about being curious, you know, and understanding your value,

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<v Speaker 1>that just because you might be good at something doesn't

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<v Speaker 1>mean you're a dickhead, you know, and not to laud

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<v Speaker 1>that over someone. And he tells a beautiful story about

0:13:49.520 --> 0:13:51.480
<v Speaker 1>he's the lead singer of a band that he was

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<v Speaker 1>a stat guitar player for and the guy goes, what

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<v Speaker 1>do you get out the front? You know, I stand

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<v Speaker 1>on on the monitor and put your foot up there

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<v Speaker 1>and be a rock star. And he goes and Keith says, someone,

0:14:01.520 --> 0:14:04.200
<v Speaker 1>they'll think I'm a dickhead. And then guy Rusty says,

0:14:04.520 --> 0:14:07.680
<v Speaker 1>are you And he goes no, and he goes, well, fine,

0:14:08.120 --> 0:14:09.920
<v Speaker 1>isn't that great? So beautiful?

0:14:10.080 --> 0:14:10.480
<v Speaker 2>Simple?

0:14:10.640 --> 0:14:13.320
<v Speaker 1>Yeah, And that night Keith said, I went out the

0:14:13.320 --> 0:14:14.960
<v Speaker 1>front and stuck my foot on the wedge and I

0:14:14.960 --> 0:14:15.680
<v Speaker 1>played a solo.

0:14:15.760 --> 0:14:19.920
<v Speaker 3>Crowd went nuts and that was it. And he's still

0:14:19.960 --> 0:14:23.000
<v Speaker 3>doing it today and it brings tears. I mean it

0:14:23.000 --> 0:14:25.960
<v Speaker 3>brings tears to my eyes. I go, fuck, that's what

0:14:26.080 --> 0:14:28.560
<v Speaker 3>he did and he's still doing it today. And that's

0:14:28.560 --> 0:14:32.160
<v Speaker 3>why he's the guy that he is. He's just such

0:14:32.200 --> 0:14:36.760
<v Speaker 3>a good blow who loves what he does. So yeah,

0:14:37.120 --> 0:14:40.680
<v Speaker 3>and it's full of the book, is all those people Fitzi,

0:14:41.120 --> 0:14:50.120
<v Speaker 3>Michael O'Laughlin, Aaron the anesthetist, just great stuff. Scottie the pilot.

0:14:50.280 --> 0:14:56.720
<v Speaker 1>You know, I chose people that I think need confidence.

0:14:56.800 --> 0:15:00.680
<v Speaker 1>Like I fly in planes all the time. The pilot's

0:15:00.680 --> 0:15:02.840
<v Speaker 1>got to be there. I've been put under the under

0:15:03.240 --> 0:15:07.480
<v Speaker 1>an anesthetic, knocked out, Jesus, that's got to be that's

0:15:07.480 --> 0:15:10.480
<v Speaker 1>a job, you know, how does it work? And these

0:15:10.520 --> 0:15:16.600
<v Speaker 1>people were so brilliant in bringing their expertise and talking

0:15:16.640 --> 0:15:20.960
<v Speaker 1>about their vulnerabilities and where they've lost their confidence, and

0:15:20.960 --> 0:15:24.080
<v Speaker 1>it was just there's so much to learn from those stories.

0:15:24.200 --> 0:15:25.920
<v Speaker 1>Just read those stories if you don't to read mine,

0:15:27.720 --> 0:15:30.840
<v Speaker 1>they're really good read. In between business.

0:15:31.040 --> 0:15:32.960
<v Speaker 2>Speaking of bits, can I get you to read just

0:15:33.040 --> 0:15:35.480
<v Speaker 2>this little bit in here because I think it just

0:15:35.520 --> 0:15:38.240
<v Speaker 2>really speaks to exactly what you said, and you just

0:15:38.280 --> 0:15:40.880
<v Speaker 2>put it in a really wonderful, wonderful way.

0:15:41.960 --> 0:15:45.600
<v Speaker 1>Okay, here we go the more. And I said no

0:15:45.720 --> 0:15:47.760
<v Speaker 1>before because I thought, oh God, I'm going to get

0:15:47.800 --> 0:15:54.920
<v Speaker 1>emotional reading my own book. I am, but no, it

0:15:55.080 --> 0:15:58.000
<v Speaker 1>just I'm really proud of it too. I am proud

0:15:58.000 --> 0:16:01.560
<v Speaker 1>of it. Okay, here we go from page six. The

0:16:01.600 --> 0:16:04.320
<v Speaker 1>more I've talked with others who seem confident, the more

0:16:04.360 --> 0:16:08.720
<v Speaker 1>I've found myself saying you struggle with confidence too. That's

0:16:08.760 --> 0:16:11.000
<v Speaker 1>why I've rounded out the book with a roster of

0:16:11.040 --> 0:16:15.800
<v Speaker 1>guest stars interviews where friends and colleagues from high performance

0:16:15.840 --> 0:16:20.800
<v Speaker 1>fields like sports, entertainment, education, medicine, and aviation share their

0:16:20.840 --> 0:16:24.840
<v Speaker 1>definitions of confidence, their own crises of confidence, and how

0:16:24.880 --> 0:16:28.160
<v Speaker 1>they've become the extraordinary people that they are. I am

0:16:28.240 --> 0:16:32.520
<v Speaker 1>so grateful for their thoughtful participation. Each has been remarkably

0:16:32.600 --> 0:16:36.520
<v Speaker 1>generous with their time and spoken openly about aspects of

0:16:36.560 --> 0:16:38.000
<v Speaker 1>their confidence journey.

0:16:38.280 --> 0:16:41.560
<v Speaker 2>Yeah. I think you just it just was so beautifully put,

0:16:41.600 --> 0:16:45.080
<v Speaker 2>because it's exactly you know, you put so much thought

0:16:45.200 --> 0:16:47.960
<v Speaker 2>into who you were choosing and why you were choosing,

0:16:48.040 --> 0:16:51.800
<v Speaker 2>and I just think you wrote that really beautifully. Did

0:16:51.840 --> 0:16:57.040
<v Speaker 2>you face any unexpected challenges? I'm laughing while writing this

0:16:57.120 --> 0:17:01.360
<v Speaker 2>booker probably answer this question.

0:17:01.680 --> 0:17:05.520
<v Speaker 1>Yeah, a lot. Well, I had crisis of confidence. Of course,

0:17:06.160 --> 0:17:07.800
<v Speaker 1>who's going to be I mean, who's going to be

0:17:07.800 --> 0:17:14.880
<v Speaker 1>interested in reading this story? There were some that. I mean,

0:17:14.880 --> 0:17:17.960
<v Speaker 1>it was an interesting thing because I was writing the

0:17:18.000 --> 0:17:22.320
<v Speaker 1>book while I was shooting luxury escapes, so I was

0:17:22.320 --> 0:17:24.439
<v Speaker 1>heading overseas. A lot of the book was written at

0:17:24.440 --> 0:17:27.000
<v Speaker 1>thirty five thousand feet. I didn't watch many movies on

0:17:27.040 --> 0:17:29.920
<v Speaker 1>those planes. I just just beave it away on the

0:17:30.040 --> 0:17:34.239
<v Speaker 1>on the computer writing, and then once i'd arrive at

0:17:34.240 --> 0:17:41.159
<v Speaker 1>a destination, I would send the words off to my publisher, Tom,

0:17:42.080 --> 0:17:44.280
<v Speaker 1>and then Tom had be you know, he'd make comments.

0:17:44.280 --> 0:17:45.960
<v Speaker 1>Be goes, this is great, We'll throw it in the pile,

0:17:46.040 --> 0:17:48.520
<v Speaker 1>this is great. I love that bit, you know whatever,

0:17:49.080 --> 0:17:53.080
<v Speaker 1>And then some of the things that I thought were fabulous,

0:17:52.760 --> 0:17:56.000
<v Speaker 1>he he was like, yeah, we'll put that in the

0:17:56.040 --> 0:17:58.879
<v Speaker 1>next one. I'm thinking, what do you mean, what do

0:17:58.960 --> 0:18:01.560
<v Speaker 1>you mean you didn't like this? It's still d about it. Yeah,

0:18:01.840 --> 0:18:05.760
<v Speaker 1>that bit about Tom cruise and that was really funny

0:18:05.800 --> 0:18:12.480
<v Speaker 1>on the airplane and Maverick requesting a flyby. It's like nah.

0:18:12.520 --> 0:18:15.520
<v Speaker 1>So then I thought, oh, I'm shit, I'm a shit writer.

0:18:15.880 --> 0:18:18.280
<v Speaker 1>That's not that's not worthy of it.

0:18:18.520 --> 0:18:20.199
<v Speaker 2>How did you overcome those thoughts?

0:18:20.359 --> 0:18:24.040
<v Speaker 1>I just kept little by little, which is where I

0:18:24.040 --> 0:18:29.520
<v Speaker 1>came up with the idea of of doable chunks. And

0:18:29.600 --> 0:18:34.160
<v Speaker 1>what I mean by that is, instead of looking at

0:18:34.200 --> 0:18:36.520
<v Speaker 1>the end of the road of the thing that you

0:18:36.560 --> 0:18:40.080
<v Speaker 1>want to achieve, you know, the podium or the cash,

0:18:40.280 --> 0:18:43.800
<v Speaker 1>whatever it is that you're going for, know that that's

0:18:43.840 --> 0:18:46.280
<v Speaker 1>at the end of the road, your intention, But if

0:18:46.320 --> 0:18:49.080
<v Speaker 1>you just how you're going to get there is break

0:18:49.119 --> 0:18:53.359
<v Speaker 1>it down into doable chunks and small doable chunks so

0:18:53.400 --> 0:18:55.840
<v Speaker 1>that you can actually achieve it and then you move

0:18:56.000 --> 0:18:57.880
<v Speaker 1>on to the next one. So that's how I got through.

0:18:57.920 --> 0:18:59.520
<v Speaker 1>I was like, no, you've said you're going to write

0:18:59.520 --> 0:19:03.280
<v Speaker 1>a book, and the amount of times as you know

0:19:03.800 --> 0:19:07.800
<v Speaker 1>that I've quit. I've quit on stuff, I've quit on songs,

0:19:07.840 --> 0:19:10.879
<v Speaker 1>I've quit on all sorts of stuff, quit on myself,

0:19:11.920 --> 0:19:17.400
<v Speaker 1>and we don't know where the end of the race is.

0:19:18.119 --> 0:19:22.439
<v Speaker 1>So to quit at the ninety ninth meter of one

0:19:22.520 --> 0:19:27.320
<v Speaker 1>hundred yard race or one hundred meter race, I don't

0:19:27.359 --> 0:19:28.800
<v Speaker 1>know how many times I've done that, but I know

0:19:28.840 --> 0:19:30.920
<v Speaker 1>I've quit before I got the end. And I wasn't

0:19:30.920 --> 0:19:34.920
<v Speaker 1>going to do that with this because people were keeping

0:19:34.920 --> 0:19:38.120
<v Speaker 1>me accountable. I talked about in my men's team, I'm

0:19:38.119 --> 0:19:40.439
<v Speaker 1>writing a book, and part of that being in that

0:19:40.480 --> 0:19:44.840
<v Speaker 1>men's team was being accountable. I told my manager Kathy Baker,

0:19:44.880 --> 0:19:47.679
<v Speaker 1>I'm writing this book. I told obviously you knew, the

0:19:47.760 --> 0:19:51.199
<v Speaker 1>kids knew, so it was really important that I finished.

0:19:51.200 --> 0:19:54.399
<v Speaker 1>So I had to break it down into doable chunks

0:19:54.440 --> 0:19:57.560
<v Speaker 1>and look what happened. You know, there it is was sitting.

0:19:57.720 --> 0:19:58.720
<v Speaker 1>It's in the bookshelves.

0:19:58.840 --> 0:19:59.320
<v Speaker 2>You did it.

0:19:59.359 --> 0:20:02.679
<v Speaker 1>I did it. You did that, and it feels great

0:20:02.720 --> 0:20:03.320
<v Speaker 1>that I did it.

0:20:03.520 --> 0:20:09.280
<v Speaker 2>Yeah, of course it's a massive achievement. And that's what

0:20:09.359 --> 0:20:11.440
<v Speaker 2>I was saying. You know, I've said of along, just

0:20:11.520 --> 0:20:15.160
<v Speaker 2>the achievement is writing it and getting it. That's the achievement.

0:20:15.680 --> 0:20:18.960
<v Speaker 2>Where it goes from there, it doesn't really matter, but

0:20:19.160 --> 0:20:22.480
<v Speaker 2>just the fact that you've achieved finishing a book. And

0:20:22.920 --> 0:20:25.840
<v Speaker 2>I feel like that way for anyone who's anyone who's

0:20:25.840 --> 0:20:29.359
<v Speaker 2>written a book. You know, there are incredible writers and

0:20:29.400 --> 0:20:32.160
<v Speaker 2>books out there that don't make any money at all

0:20:32.520 --> 0:20:35.400
<v Speaker 2>that people will never get to read, but they're brilliant

0:20:36.119 --> 0:20:39.160
<v Speaker 2>and it's just the art of writing and being able

0:20:39.200 --> 0:20:42.280
<v Speaker 2>to do that. I think it's really amazing. How do

0:20:42.359 --> 0:20:46.040
<v Speaker 2>you feel writing compares to your work in acting and music?

0:20:46.600 --> 0:20:50.400
<v Speaker 2>Was it a different experience for you in writing this book?

0:20:51.840 --> 0:20:57.439
<v Speaker 1>Yes, it was different. It's still storytelling as such, but

0:20:57.520 --> 0:21:03.120
<v Speaker 1>it is actually pure storytelling because I know that when

0:21:03.200 --> 0:21:07.160
<v Speaker 1>I've read books, my imagination fills in. You know, we've

0:21:07.200 --> 0:21:08.919
<v Speaker 1>all read a book and then gone to see the

0:21:08.960 --> 0:21:12.240
<v Speaker 1>movie and it's like, it's not when I think that,

0:21:13.359 --> 0:21:16.280
<v Speaker 1>How many times have you heard I prefer the book.

0:21:16.760 --> 0:21:18.320
<v Speaker 1>Oh yeah, because you're.

0:21:18.119 --> 0:21:19.960
<v Speaker 2>Very rare, I prefer the movie.

0:21:20.080 --> 0:21:23.680
<v Speaker 1>Yeah, very rare. Yeah, you know, I think the Harry

0:21:23.680 --> 0:21:27.680
<v Speaker 1>Potter movies came pretty close to too emulating what was

0:21:27.720 --> 0:21:32.400
<v Speaker 1>on the page. For me, it was terrific. So it

0:21:32.480 --> 0:21:37.040
<v Speaker 1>was a great challenge for me too. And I love

0:21:37.119 --> 0:21:42.879
<v Speaker 1>this challenge of getting down on the page what was

0:21:42.920 --> 0:21:45.760
<v Speaker 1>happening and what I was feeling, Like those moments of

0:21:45.880 --> 0:21:49.480
<v Speaker 1>stuttering in the classroom, having to give a test result,

0:21:50.680 --> 0:21:54.800
<v Speaker 1>or with Big River or you know in America later on,

0:21:55.280 --> 0:21:58.600
<v Speaker 1>those sort of stories really important for me to be

0:21:58.680 --> 0:22:03.360
<v Speaker 1>succinct and give the most honest portrayal of what I

0:22:03.400 --> 0:22:08.440
<v Speaker 1>was doing, and then allowing the reader to have their

0:22:08.440 --> 0:22:11.720
<v Speaker 1>own to leave it open for that.

0:22:11.920 --> 0:22:15.840
<v Speaker 2>So risting is really about playing a completely different person.

0:22:15.960 --> 0:22:18.919
<v Speaker 2>So you're never Cameron Dado when you're acting, you know,

0:22:19.000 --> 0:22:22.360
<v Speaker 2>but this you have to strip away everything to the

0:22:22.359 --> 0:22:24.560
<v Speaker 2>core of Cameron Dado and right from there.

0:22:24.840 --> 0:22:29.480
<v Speaker 1>Correct. Yeah, I mean I had your example in my mind.

0:22:29.960 --> 0:22:31.680
<v Speaker 1>I had a couple of other guys. There's a couple

0:22:31.680 --> 0:22:34.160
<v Speaker 1>of guys. One bloke who runs a charity called spoke

0:22:34.200 --> 0:22:36.399
<v Speaker 1>to a bloke Scotty. He goes, I'm not going to

0:22:36.480 --> 0:22:38.000
<v Speaker 1>I'm not going to read your book if it's all

0:22:38.040 --> 0:22:42.160
<v Speaker 1>If it's fig jam, you know, you know, no, I've

0:22:42.160 --> 0:22:45.760
<v Speaker 1>never heard that. Fuck, I'm good. Just ask me. It's

0:22:45.800 --> 0:22:50.200
<v Speaker 1>a pentagram yeah, fig jams it's never had Yeah, yeah, fuck,

0:22:50.240 --> 0:22:54.160
<v Speaker 1>I'm good. Just ask me big jam jam very much jam.

0:22:54.640 --> 0:22:59.399
<v Speaker 1>He's like, I don't quite like big Jam, but no,

0:22:59.480 --> 0:23:02.159
<v Speaker 1>I don't want to be fig jam. Yeah. You know.

0:23:02.200 --> 0:23:04.400
<v Speaker 1>He goes, it's got to You've got to make this raw,

0:23:04.480 --> 0:23:06.639
<v Speaker 1>don't you. And I said, yeah, that's the whole point.

0:23:06.960 --> 0:23:10.119
<v Speaker 1>That's the whole exercise. So it was really important to

0:23:10.160 --> 0:23:12.840
<v Speaker 1>do that and to be as just cut it as

0:23:12.880 --> 0:23:16.280
<v Speaker 1>honestly as I can. The therapist I was seeing at

0:23:16.280 --> 0:23:19.439
<v Speaker 1>the time, you know, I gave her a couple of

0:23:19.480 --> 0:23:22.240
<v Speaker 1>things to read and she said, you don't need display

0:23:22.240 --> 0:23:26.680
<v Speaker 1>yourself open this much. So it's kind of like in acting.

0:23:26.800 --> 0:23:32.520
<v Speaker 1>Sometimes in an emotional role, it's better to hold back

0:23:33.240 --> 0:23:37.120
<v Speaker 1>the emotion, be seen to be fighting the emotion rather

0:23:37.200 --> 0:23:40.760
<v Speaker 1>than just blowing it out and look at me, I'm crying.

0:23:40.920 --> 0:23:43.200
<v Speaker 1>I'm feeling something, where the audience is going I don't

0:23:43.240 --> 0:23:46.479
<v Speaker 1>feel anything, but we actually feel a lot watching that

0:23:46.520 --> 0:23:49.280
<v Speaker 1>person fighting the tears, because I think that's a more

0:23:49.359 --> 0:23:53.600
<v Speaker 1>natural response of a human response, is to hold the

0:23:53.640 --> 0:23:56.040
<v Speaker 1>tears back and do everything. I'm not going to let

0:23:56.080 --> 0:23:56.680
<v Speaker 1>you see me cry.

0:23:56.920 --> 0:24:01.040
<v Speaker 2>Well, I'm going to say, Emma Thompson love Actually what

0:24:01.119 --> 0:24:04.640
<v Speaker 2>a scene that scene. People talk about that scene so

0:24:04.720 --> 0:24:08.240
<v Speaker 2>often because it's a woman keeping it to gather while

0:24:08.240 --> 0:24:11.080
<v Speaker 2>she's had the worst news of her life, and it

0:24:11.160 --> 0:24:15.080
<v Speaker 2>is so powerful, and it was so genius and she's

0:24:15.960 --> 0:24:19.560
<v Speaker 2>just the best actress and it's such a vivid memory

0:24:19.600 --> 0:24:21.160
<v Speaker 2>for so many people who've watched that film.

0:24:21.240 --> 0:24:23.800
<v Speaker 1>Absolutely, I mean, there's a whole acting school around it

0:24:23.840 --> 0:24:26.000
<v Speaker 1>is not to show any emotion and you allow the

0:24:26.040 --> 0:24:28.680
<v Speaker 1>audience to fill in the blanks, which is kind of

0:24:28.680 --> 0:24:34.440
<v Speaker 1>what reading is anyway. As a writer, you're writing, you're

0:24:34.440 --> 0:24:38.159
<v Speaker 1>writing the guide track, you know, and you're taking the

0:24:38.200 --> 0:24:42.440
<v Speaker 1>audience on this journey. It's I'm thinking about that movie

0:24:43.119 --> 0:24:46.320
<v Speaker 1>The Dry, the book The Dry, which I loved. It

0:24:46.359 --> 0:24:49.560
<v Speaker 1>was like, I'm following this narrative along and I'm filling

0:24:49.600 --> 0:24:53.359
<v Speaker 1>in the I know this bush, I know this creek,

0:24:53.680 --> 0:24:59.120
<v Speaker 1>I know I know I'm seeing this So yeah, it's

0:24:59.119 --> 0:25:03.159
<v Speaker 1>a different enjoyed it. And so with acting, it's a

0:25:03.160 --> 0:25:07.600
<v Speaker 1>given set of circumstances that I am playing as part

0:25:08.160 --> 0:25:12.440
<v Speaker 1>of a bigger story. And I feel the same way

0:25:12.480 --> 0:25:15.439
<v Speaker 1>when I'm when I'm singing on stage and with my

0:25:15.480 --> 0:25:19.560
<v Speaker 1>guitars and telling the story or a narrative within a

0:25:19.640 --> 0:25:23.360
<v Speaker 1>song and the music. That's why I love what I do.

0:25:23.480 --> 0:25:26.840
<v Speaker 1>I love this business of entertainment and that's why I've

0:25:26.840 --> 0:25:29.920
<v Speaker 1>done I guess you know across I'm answering other questions

0:25:29.960 --> 0:25:33.640
<v Speaker 1>you haven't even asked me. But so I like to distill.

0:25:33.880 --> 0:25:36.240
<v Speaker 1>But it's why it's so varied, because I love telling

0:25:36.240 --> 0:25:36.600
<v Speaker 1>a story.

0:25:37.400 --> 0:25:46.239
<v Speaker 2>Yeah, so you know, not telling you anything you don't know.

0:25:46.760 --> 0:25:50.200
<v Speaker 2>As we've always talked about Australia and it's it has

0:25:50.480 --> 0:25:53.480
<v Speaker 2>a bit of a terrible reputation in the sense of

0:25:53.880 --> 0:25:58.800
<v Speaker 2>the tall Poppy syndrome, where confidence can often be called

0:25:59.160 --> 0:26:04.320
<v Speaker 2>being a whanker. So what's the difference to you between

0:26:04.320 --> 0:26:07.080
<v Speaker 2>confidence and being a wanker? Is that is that the

0:26:07.240 --> 0:26:08.080
<v Speaker 2>fig jam?

0:26:08.680 --> 0:26:12.600
<v Speaker 1>Oh I think fig jam is being a wanker? Yes, sure, obviously.

0:26:14.440 --> 0:26:14.520
<v Speaker 3>No.

0:26:14.640 --> 0:26:19.080
<v Speaker 1>I think with confidence comes a certain amount of humility

0:26:19.680 --> 0:26:22.920
<v Speaker 1>and modesty because I think a truly confident person does

0:26:23.000 --> 0:26:25.159
<v Speaker 1>not go out of the way to show people and

0:26:25.200 --> 0:26:29.240
<v Speaker 1>tell people how good I am. You know, that's not

0:26:29.359 --> 0:26:31.919
<v Speaker 1>what confidence is. And I think it's that it's that

0:26:32.040 --> 0:26:35.400
<v Speaker 1>person that can walk into a room and know their value,

0:26:35.960 --> 0:26:37.760
<v Speaker 1>know who they are. They don't feel the need to

0:26:37.800 --> 0:26:41.000
<v Speaker 1>speak up or speak you know, it's not like he

0:26:41.200 --> 0:26:48.720
<v Speaker 1>notice me. They don't need that kind of validation. So yeah,

0:26:48.960 --> 0:26:52.800
<v Speaker 1>I mean, yeah, we could go down a whole spire

0:26:53.119 --> 0:26:57.400
<v Speaker 1>or tunnel of psychology here around it. But I think

0:26:57.440 --> 0:27:01.360
<v Speaker 1>the truly confident person is someone that knows their value

0:27:01.560 --> 0:27:05.160
<v Speaker 1>and is humble and steps up when they need when

0:27:05.160 --> 0:27:07.920
<v Speaker 1>they're called upon to step up. Yes, I can do that.

0:27:08.359 --> 0:27:12.720
<v Speaker 1>Here's here's what I know, Here's what I understand without

0:27:13.480 --> 0:27:19.040
<v Speaker 1>belittling anyone else around them, you know, without having to dominate,

0:27:19.200 --> 0:27:22.840
<v Speaker 1>without having to prove themselves to be right. It's just like, yeah, okay,

0:27:22.960 --> 0:27:25.760
<v Speaker 1>you know you have yours. Say. I mean, I think

0:27:25.800 --> 0:27:29.280
<v Speaker 1>that the mark of a truly mature person is someone

0:27:29.320 --> 0:27:34.240
<v Speaker 1>who can actually not look at someone else who's telling

0:27:34.280 --> 0:27:37.639
<v Speaker 1>a lie and feel the need to go, you're a liar.

0:27:37.880 --> 0:27:40.959
<v Speaker 1>You just go. You just be quiet and know and

0:27:41.640 --> 0:27:47.399
<v Speaker 1>move on. So it's just that quiet humility is a

0:27:47.680 --> 0:27:49.960
<v Speaker 1>is a massive part of it. No when to step up, No,

0:27:50.040 --> 0:27:52.880
<v Speaker 1>when to step in and do it with grace.

0:27:54.240 --> 0:27:57.359
<v Speaker 2>Yeah, it's a bit of a curly question.

0:27:57.600 --> 0:27:59.600
<v Speaker 1>I'm going to ask asking question about our dog.

0:27:59.720 --> 0:28:04.600
<v Speaker 2>Yes, bit of a curly one. So women, I'm so

0:28:04.720 --> 0:28:08.240
<v Speaker 2>grateful that you have women in your book telling their

0:28:08.280 --> 0:28:10.639
<v Speaker 2>stories of confidence as well. And I know that that

0:28:10.760 --> 0:28:16.040
<v Speaker 2>was something I was really on me on you please

0:28:16.080 --> 0:28:23.920
<v Speaker 2>have women because women are really challenged often with being

0:28:24.040 --> 0:28:29.760
<v Speaker 2>seen as confident. They're often targeted as as bitchy or

0:28:29.920 --> 0:28:33.200
<v Speaker 2>wanting to be a man if if they're if they're confident,

0:28:34.040 --> 0:28:38.520
<v Speaker 2>what did you learn about What did you learn from

0:28:38.560 --> 0:28:41.080
<v Speaker 2>the women you interviewed about confidence?

0:28:43.360 --> 0:28:48.560
<v Speaker 1>I loved Elisa Healey, Australian cricket captain, what she had

0:28:48.560 --> 0:28:51.880
<v Speaker 1>to say about it because she's been part of junior

0:28:51.920 --> 0:28:58.000
<v Speaker 1>cricket since she was, you know, a youngster, and she

0:28:58.240 --> 0:29:01.920
<v Speaker 1>just went about her business. She didn't and she ended

0:29:01.960 --> 0:29:04.880
<v Speaker 1>up she just played with the boys because that's what

0:29:04.960 --> 0:29:08.720
<v Speaker 1>she did and she got good and she was better

0:29:08.760 --> 0:29:11.360
<v Speaker 1>than like I think. She was the wicket keeper for

0:29:11.520 --> 0:29:14.520
<v Speaker 1>the first eleven at her school and got the position

0:29:14.600 --> 0:29:19.760
<v Speaker 1>over over one of the boys. And she was accepted

0:29:21.440 --> 0:29:24.920
<v Speaker 1>by the boys, by the other players because they knew

0:29:25.240 --> 0:29:29.000
<v Speaker 1>she was just that good. But she wasn't avert about it.

0:29:30.000 --> 0:29:33.240
<v Speaker 1>And I think that that was a great lesson for

0:29:33.280 --> 0:29:36.560
<v Speaker 1>anybody with confidence, if you're not to have just again,

0:29:36.680 --> 0:29:39.000
<v Speaker 1>know your value and know what you do.

0:29:39.920 --> 0:29:43.160
<v Speaker 2>I wonder, though, I wonder if she to interrupt you.

0:29:43.280 --> 0:29:46.720
<v Speaker 2>I wonder if she was told, oh, you play just

0:29:46.800 --> 0:29:49.000
<v Speaker 2>like a boy. It's great that you can play like

0:29:49.040 --> 0:29:50.440
<v Speaker 2>a boy and be part of the team. Do you know,

0:29:50.440 --> 0:29:53.440
<v Speaker 2>I mean that that's something that often women are often told.

0:29:54.000 --> 0:29:55.240
<v Speaker 1>I mean you have to ask her that.

0:29:55.800 --> 0:29:57.840
<v Speaker 2>You know what I mean. Like, it's an interesting one

0:29:57.880 --> 0:30:01.200
<v Speaker 2>that you bring that up, because that's something that you know,

0:30:01.240 --> 0:30:03.280
<v Speaker 2>and as we know, that term you play like a

0:30:03.320 --> 0:30:06.120
<v Speaker 2>girl has been used as a form of slander.

0:30:06.200 --> 0:30:08.200
<v Speaker 1>Yeah. Absolutely, so if you can.

0:30:08.040 --> 0:30:09.520
<v Speaker 2>Play like one of the boys, you can be part

0:30:09.520 --> 0:30:13.000
<v Speaker 2>of the team. You know, it's an interesting one.

0:30:13.400 --> 0:30:16.280
<v Speaker 1>So yeah, I think it's just allowing people to be

0:30:16.360 --> 0:30:20.400
<v Speaker 1>what they are. And I get why, you know. I

0:30:20.440 --> 0:30:27.200
<v Speaker 1>think of Margaret Thatcher, the Prime Minister of England, and

0:30:27.240 --> 0:30:29.920
<v Speaker 1>how she was known as the iron Lady and tough,

0:30:29.960 --> 0:30:35.200
<v Speaker 1>and Julia Gillard came across often sometimes as tough, and

0:30:37.720 --> 0:30:40.400
<v Speaker 1>it's this whole men and women thing, and men want

0:30:40.520 --> 0:30:45.680
<v Speaker 1>the woman to be nurturing, and when they're called upon

0:30:46.000 --> 0:30:51.760
<v Speaker 1>to make decisions and be tough, it's like men jar

0:30:52.240 --> 0:30:58.640
<v Speaker 1>especially old school guys, it jars them because they they

0:30:58.680 --> 0:31:01.800
<v Speaker 1>don't they don't expect that, they're not used to that.

0:31:03.160 --> 0:31:07.520
<v Speaker 1>So it's a tricky one, but it's I think it's

0:31:07.560 --> 0:31:12.240
<v Speaker 1>so great the shift. But now we're having these these

0:31:13.400 --> 0:31:20.160
<v Speaker 1>women and wonderfully strong women who are like yourself, you know, vulnerable,

0:31:20.360 --> 0:31:24.959
<v Speaker 1>and and that to me and okay with that. And

0:31:25.000 --> 0:31:27.760
<v Speaker 1>I think when you're okay and you're accepting of where

0:31:27.760 --> 0:31:33.680
<v Speaker 1>you're at it, it does there is a strength in that.

0:31:34.640 --> 0:31:38.640
<v Speaker 1>If I can turn it back into more of a

0:31:38.720 --> 0:31:46.560
<v Speaker 1>non gender thing, it's that the the more you understand

0:31:46.640 --> 0:31:51.560
<v Speaker 1>your own value, the more you know if people don't

0:31:51.560 --> 0:31:56.320
<v Speaker 1>want to hear your opinion, that's if the person that

0:31:56.640 --> 0:32:00.360
<v Speaker 1>knows their value and feels okay with themselves, they're not

0:32:00.400 --> 0:32:03.080
<v Speaker 1>going to try and impose it. And I just walk

0:32:03.120 --> 0:32:04.800
<v Speaker 1>away and go, well, I don't need to be around

0:32:04.800 --> 0:32:06.880
<v Speaker 1>those people. They don't want to hear from me. Yeah,

0:32:07.160 --> 0:32:09.280
<v Speaker 1>And I'm okay with that because I know that there

0:32:09.320 --> 0:32:11.240
<v Speaker 1>are people that do want to hear from me, so

0:32:11.240 --> 0:32:13.320
<v Speaker 1>I go find them rather than let it get to me.

0:32:13.600 --> 0:32:16.760
<v Speaker 2>Did you learn something new about yourself through the writing

0:32:16.840 --> 0:32:17.600
<v Speaker 2>of this book.

0:32:19.800 --> 0:32:25.040
<v Speaker 1>I learned to I think quiet and down coolma jets.

0:32:25.680 --> 0:32:32.520
<v Speaker 1>You know, I've been so critical of myself And I

0:32:32.600 --> 0:32:38.200
<v Speaker 1>talked a bit before about stopping before the race is

0:32:38.200 --> 0:32:42.200
<v Speaker 1>over or the task is done because of my critic

0:32:42.920 --> 0:32:44.200
<v Speaker 1>self criticism.

0:32:44.360 --> 0:32:47.560
<v Speaker 2>Has that has getting to that finish line as you

0:32:47.760 --> 0:32:49.600
<v Speaker 2>as you said, you've written the book, the book is

0:32:49.640 --> 0:32:53.440
<v Speaker 2>out there. Has that? Has that given you confidence because

0:32:53.480 --> 0:32:55.880
<v Speaker 2>you see that you've actually finished a project.

0:32:56.520 --> 0:33:01.200
<v Speaker 1>Yes, yeah, it has that. And Kevin Sheedy talks about

0:33:01.360 --> 0:33:06.280
<v Speaker 1>his definition of confidence was about experience. So when he

0:33:06.360 --> 0:33:13.280
<v Speaker 1>coaches people young footballers, boys and girls, he's taking them

0:33:13.320 --> 0:33:15.720
<v Speaker 1>out to do all these different experiences.

0:33:15.800 --> 0:33:18.640
<v Speaker 2>I read that, Yes, I take them to the museum.

0:33:19.360 --> 0:33:21.760
<v Speaker 2>He took them to an indigenous experience.

0:33:23.000 --> 0:33:26.640
<v Speaker 1>Ye. So because the more experiences you have, the more

0:33:26.720 --> 0:33:30.160
<v Speaker 1>confident you grow, knowing that you can do this. I've

0:33:30.200 --> 0:33:33.280
<v Speaker 1>done that, I've been there, I've tried that. I don't

0:33:33.360 --> 0:33:35.920
<v Speaker 1>like that or I did like that, And so yes,

0:33:36.120 --> 0:33:39.040
<v Speaker 1>in terms of like you've finished a book, I can

0:33:39.080 --> 0:33:42.360
<v Speaker 1>always look back at that moment and go. Mate, if

0:33:42.600 --> 0:33:44.840
<v Speaker 1>you did that, you worked, you can call on that

0:33:45.000 --> 0:33:49.000
<v Speaker 1>hours and go. And you wrote a book, and so

0:33:49.840 --> 0:33:53.400
<v Speaker 1>you can't light to yourself and tell yourself that you

0:33:53.440 --> 0:33:56.520
<v Speaker 1>can't do X, Y and Z, because you've done it.

0:33:57.120 --> 0:34:02.000
<v Speaker 1>So just small stay do it.

0:34:02.440 --> 0:34:04.920
<v Speaker 2>How has the How has the reception to the book

0:34:04.960 --> 0:34:05.680
<v Speaker 2>been so far?

0:34:08.200 --> 0:34:11.080
<v Speaker 1>I think pretty good. Yeah, you know, I haven't spoken

0:34:11.120 --> 0:34:14.680
<v Speaker 1>to a lot of people who have read it. I

0:34:14.719 --> 0:34:17.799
<v Speaker 1>know people, some people who have sent me d ms

0:34:17.880 --> 0:34:21.160
<v Speaker 1>on Instagram and things who have read it and enjoyed it.

0:34:22.480 --> 0:34:25.960
<v Speaker 1>I haven't, you know, I haven't had too much of

0:34:26.000 --> 0:34:31.120
<v Speaker 1>that response, so I must be honest. I don't really

0:34:31.400 --> 0:34:33.640
<v Speaker 1>really know. I know my dad loved it.

0:34:33.880 --> 0:34:37.000
<v Speaker 2>I know he did, and my dad dad in fact,

0:34:37.200 --> 0:34:40.160
<v Speaker 2>in fact, it's it's currently doing the round at his

0:34:40.840 --> 0:34:41.800
<v Speaker 2>retirement home.

0:34:42.719 --> 0:34:45.239
<v Speaker 1>That his version. I want them to go out and

0:34:45.280 --> 0:34:45.840
<v Speaker 1>buy their.

0:34:47.680 --> 0:34:50.520
<v Speaker 2>So it's it's big in the retirement age. No, No,

0:34:50.600 --> 0:34:56.200
<v Speaker 2>that's it's my dad. My dad reads, he's a prolific reader,

0:34:56.960 --> 0:35:02.120
<v Speaker 2>and he really loves it and it really took him

0:35:02.120 --> 0:35:05.920
<v Speaker 2>by surprise in a wonderful way. So he's been talking

0:35:05.960 --> 0:35:08.080
<v Speaker 2>about it so much. That's why people want to read it.

0:35:08.200 --> 0:35:12.319
<v Speaker 1>Yeah, and it's very kind. And I know John Bell,

0:35:12.560 --> 0:35:15.279
<v Speaker 1>who is an actor. For those listening who don't know,

0:35:15.360 --> 0:35:20.440
<v Speaker 1>John Bell's Australia's most you know, I would say he's

0:35:20.560 --> 0:35:26.280
<v Speaker 1>our national treasure in Shakespearean Theater, a Belle Shakespeare Company.

0:35:27.040 --> 0:35:30.200
<v Speaker 1>John read it and he's written a book himself, was

0:35:31.320 --> 0:35:34.080
<v Speaker 1>three books, I think, and he sent me a most

0:35:34.120 --> 0:35:36.800
<v Speaker 1>beautiful note and finished it with you really are a

0:35:36.920 --> 0:35:40.680
<v Speaker 1>very good writer. And so they was like, yeah, okay, yeah,

0:35:40.719 --> 0:35:43.279
<v Speaker 1>I'll take that from Thanks from John absolutely.

0:35:43.920 --> 0:35:47.920
<v Speaker 2>And finally, what messages do you hope readers take from

0:35:48.000 --> 0:35:48.480
<v Speaker 2>the book.

0:35:51.760 --> 0:35:55.520
<v Speaker 1>I think the message in the book is that I

0:35:55.520 --> 0:36:01.560
<v Speaker 1>think our creator put us here to feel and experience things.

0:36:02.560 --> 0:36:07.560
<v Speaker 1>I think we're meant to feel confident. We're also meant

0:36:07.640 --> 0:36:13.840
<v Speaker 1>to feel a little anxious and a little bit maybe

0:36:13.880 --> 0:36:18.399
<v Speaker 1>cautious because we don't feel that we might be able

0:36:18.400 --> 0:36:21.239
<v Speaker 1>to achieve what it is we want to do. And

0:36:21.280 --> 0:36:25.680
<v Speaker 1>that's normal. And I think the message I want to

0:36:25.680 --> 0:36:28.360
<v Speaker 1>put out there with the book is that we all

0:36:29.560 --> 0:36:34.080
<v Speaker 1>deserve to feel confident at some point, and yet we

0:36:34.160 --> 0:36:39.160
<v Speaker 1>are all experiencing that feeling of not being confident because

0:36:39.200 --> 0:36:43.319
<v Speaker 1>we don't know. The point is to take action. The

0:36:43.360 --> 0:36:47.600
<v Speaker 1>point is to be We'll start with curious, curiosity, and

0:36:47.640 --> 0:36:54.000
<v Speaker 1>then of feeling value. So if you're curious and you

0:36:54.080 --> 0:36:57.160
<v Speaker 1>have love for yourself, you feel value for what you have,

0:36:57.600 --> 0:37:01.279
<v Speaker 1>and then you take action as a result of those

0:37:01.320 --> 0:37:03.320
<v Speaker 1>three things, you can.

0:37:03.440 --> 0:37:06.560
<v Speaker 2>That's that's it.

0:37:06.960 --> 0:37:10.120
<v Speaker 1>That's I called that the confidence wheel, those three things,

0:37:10.560 --> 0:37:14.040
<v Speaker 1>and you can jump in at any place on that wheel.

0:37:14.360 --> 0:37:17.600
<v Speaker 2>Of curiosity and in the same place.

0:37:17.640 --> 0:37:21.000
<v Speaker 1>It has to has to have action in it, though. Yeah,

0:37:21.880 --> 0:37:24.279
<v Speaker 1>we have to take action and that's often the hardest thing.

0:37:24.360 --> 0:37:25.760
<v Speaker 1>So do it in a doable chunk.

0:37:27.160 --> 0:37:29.480
<v Speaker 2>I think, do you need a T shirt with doable

0:37:29.560 --> 0:37:30.200
<v Speaker 2>chunks on it?

0:37:30.600 --> 0:37:35.200
<v Speaker 1>I ever reads that. Well when I see chunks, I'm like,

0:37:35.640 --> 0:37:36.359
<v Speaker 1>that's just like.

0:37:37.880 --> 0:37:43.600
<v Speaker 2>But doable bit bits, doable steps. Yeah, small steps. Well,

0:37:44.120 --> 0:37:48.759
<v Speaker 2>Cameron Daddo, the book is Keep It Smooth Life Lessons

0:37:48.800 --> 0:37:52.280
<v Speaker 2>in Confidence. Thanks for joining me here in the bathroom.

0:37:52.320 --> 0:37:55.680
<v Speaker 1>It's my first podcast on about the book. This is

0:37:55.680 --> 0:37:56.439
<v Speaker 1>my first one.

0:37:56.960 --> 0:37:58.000
<v Speaker 2>It's a world first.

0:37:58.040 --> 0:38:01.680
<v Speaker 1>It is a world first, so yeah, thanks so much.

0:38:01.760 --> 0:38:04.320
<v Speaker 1>And it's going to look so good in Christmas stockings,

0:38:04.960 --> 0:38:05.479
<v Speaker 1>isn't it.

0:38:05.480 --> 0:38:11.759
<v Speaker 2>It's a beautiful looking book. Honestly, listeners, it is such

0:38:11.840 --> 0:38:14.200
<v Speaker 2>a good book. I'm not just saying that. It is

0:38:14.239 --> 0:38:20.560
<v Speaker 2>a delightful, rollicking read of like some amazing stories from

0:38:20.680 --> 0:38:24.080
<v Speaker 2>Cam and how he puts it all together, amazing stories

0:38:24.120 --> 0:38:27.040
<v Speaker 2>from other people. It honestly is such a good read.

0:38:27.719 --> 0:38:33.120
<v Speaker 2>So do yourself favor God bye book. Download it you'll

0:38:33.120 --> 0:38:34.760
<v Speaker 2>be able to. Oh you haven't done.

0:38:34.560 --> 0:38:37.160
<v Speaker 1>Then the audiobook yet, that it is coming, it's coming.

0:38:38.320 --> 0:38:42.680
<v Speaker 2>Read it on your kindle whatever. Good summer ready. Thanks Honey,

0:38:42.719 --> 0:38:45.640
<v Speaker 2>thanks for joining us here in the bathroom. Thanks Pistol,

0:38:46.960 --> 0:38:48.960
<v Speaker 2>thanks for listening everyone. Bye.