1 00:00:00,240 --> 00:00:03,160 Speaker 1: This is the Fitting and Whip with Kate Richie podcast. 2 00:00:03,480 --> 00:00:06,320 Speaker 2: The immature antics on this show are always pulled back 3 00:00:06,320 --> 00:00:08,760 Speaker 2: into line when we get a gentleman by the name 4 00:00:08,800 --> 00:00:12,240 Speaker 2: of Sam Neil coming. He's here for the Sydney Writer's Festival. 5 00:00:13,560 --> 00:00:18,040 Speaker 2: Magnificent Sam Nil, welcome. 6 00:00:18,480 --> 00:00:20,919 Speaker 1: I always like being back here. But something about me 7 00:00:21,000 --> 00:00:23,919 Speaker 1: being here that breaks down. The coffee machine did the 8 00:00:23,920 --> 00:00:25,960 Speaker 1: same thing last time. You couldn't get a coffee here. 9 00:00:26,800 --> 00:00:28,320 Speaker 1: It shorts out the building or something. 10 00:00:28,400 --> 00:00:30,920 Speaker 3: Oh my god, because somebody organize a coffee for Sam. 11 00:00:31,240 --> 00:00:32,000 Speaker 3: There's nothing else. 12 00:00:32,000 --> 00:00:35,960 Speaker 4: Would you mine? Which whipper makes me mine coffee? I 13 00:00:36,000 --> 00:00:37,720 Speaker 4: get a little thimble of coffee. 14 00:00:37,560 --> 00:00:41,040 Speaker 1: For the test coffee. 15 00:00:41,200 --> 00:00:44,640 Speaker 2: The greatest caravan or slash green room that you've had? 16 00:00:44,920 --> 00:00:47,720 Speaker 2: Was it Jurassic Park? Who looks after you the most? 17 00:00:47,840 --> 00:00:48,000 Speaker 5: Is it? 18 00:00:48,040 --> 00:00:49,640 Speaker 2: The bigger the movie, the better you get? 19 00:00:51,000 --> 00:00:57,640 Speaker 1: Oh yeah, pretty much. But having said that, the best 20 00:00:57,640 --> 00:01:03,600 Speaker 1: food on films is in Australia catering as its really 21 00:01:03,680 --> 00:01:07,240 Speaker 1: cater well. And if I'm well catered for, everything else 22 00:01:07,319 --> 00:01:08,880 Speaker 1: is fads away. 23 00:01:09,560 --> 00:01:12,640 Speaker 4: Do you mean just with food, just food well catered 24 00:01:12,680 --> 00:01:14,520 Speaker 4: just in the food department. 25 00:01:14,959 --> 00:01:18,840 Speaker 1: Yeah, that what I have a department which I know. 26 00:01:20,200 --> 00:01:21,160 Speaker 5: What's really on your right. 27 00:01:22,560 --> 00:01:23,680 Speaker 4: Maybe it's just the way. 28 00:01:23,520 --> 00:01:25,119 Speaker 5: You sound, mister Neil. 29 00:01:25,840 --> 00:01:29,000 Speaker 4: You're like, as long as I'm well catered for, I 30 00:01:29,000 --> 00:01:32,080 Speaker 4: mean I'll turn up like, how many boxes. 31 00:01:31,720 --> 00:01:32,480 Speaker 2: Do we need to tell? 32 00:01:33,319 --> 00:01:33,440 Speaker 5: Well? 33 00:01:33,480 --> 00:01:35,120 Speaker 3: I like the idea of Sam Neil that you'd be 34 00:01:35,160 --> 00:01:37,679 Speaker 3: able to say, with your presence in the industry, you'd 35 00:01:37,680 --> 00:01:39,520 Speaker 3: be able to say, on a Friday, make sure as 36 00:01:39,560 --> 00:01:41,880 Speaker 3: part of the catering we have a wine called two 37 00:01:41,880 --> 00:01:46,200 Speaker 3: Paddocks please, and the cast and the crew can enjoy. 38 00:01:45,920 --> 00:01:47,560 Speaker 5: A nice red wine on the day. 39 00:01:47,800 --> 00:01:50,840 Speaker 1: Yeah. But then but then again, you're working with people 40 00:01:50,880 --> 00:01:55,800 Speaker 1: like Brian Brown. I'm here Brian Brown, who if he's 41 00:01:55,840 --> 00:01:57,640 Speaker 1: in the cart, it'll be just wasted on him. 42 00:02:00,440 --> 00:02:04,080 Speaker 5: Does he man? 43 00:02:05,560 --> 00:02:08,520 Speaker 2: Does he love his goon? This is interesting. Now you 44 00:02:08,560 --> 00:02:11,520 Speaker 2: are here for Sydney's right, a Sydney Writers Festival, and 45 00:02:11,560 --> 00:02:15,639 Speaker 2: you know he interviewed you last year for your memoir, 46 00:02:15,720 --> 00:02:19,520 Speaker 2: but this year you flipped the table and you're interviewing him. 47 00:02:19,639 --> 00:02:22,800 Speaker 2: So he's got a new book out, The Drowning, which 48 00:02:22,840 --> 00:02:27,880 Speaker 2: is a gripping new cry. You've obviously read it, Sam. 49 00:02:27,800 --> 00:02:33,600 Speaker 1: I have read it. It's it's surprisingly fantastically good. 50 00:02:33,880 --> 00:02:38,000 Speaker 2: He said something nice about Brian Brown doesn't make sense. 51 00:02:38,720 --> 00:02:42,760 Speaker 1: I said, I will be interviewing him. I'll be eviscerating him. 52 00:02:43,240 --> 00:02:48,079 Speaker 1: Fillitting Brian. That's on Saturday. I can't wait. 53 00:02:49,400 --> 00:02:51,040 Speaker 4: Up there for is it like an hour? 54 00:02:52,840 --> 00:02:57,560 Speaker 1: Something called the recital hall? There? Brainy people go there, 55 00:02:57,639 --> 00:03:01,880 Speaker 1: they have classical music. That's way I've been there, right, 56 00:03:03,200 --> 00:03:04,000 Speaker 1: that makes sense? 57 00:03:07,960 --> 00:03:10,480 Speaker 2: Can we bring this? We just brought up a suggestion before. 58 00:03:10,800 --> 00:03:13,080 Speaker 2: Can we maybe present it to Sam now? But we 59 00:03:13,160 --> 00:03:16,880 Speaker 2: were just saying before because another great video over the weekend. 60 00:03:16,919 --> 00:03:20,600 Speaker 2: You're on the ukulele singing, and we we have a 61 00:03:20,680 --> 00:03:23,520 Speaker 2: red room here at Nova where we get artists to perform. 62 00:03:23,680 --> 00:03:27,720 Speaker 2: And we were just brainstorming having an over red room 63 00:03:27,760 --> 00:03:32,200 Speaker 2: with Sam Neil calling it between two paddocks and you 64 00:03:32,280 --> 00:03:34,440 Speaker 2: just get off the hukulele for half an hour with 65 00:03:34,520 --> 00:03:36,280 Speaker 2: some Nova fans watching. 66 00:03:37,800 --> 00:03:39,119 Speaker 1: That's that's my worst note. 67 00:03:39,160 --> 00:03:41,440 Speaker 3: Man, Do we have a bit of the ukule in 68 00:03:41,480 --> 00:03:49,840 Speaker 3: the system without my careen? Can you not hang your 69 00:03:49,880 --> 00:03:52,200 Speaker 3: head because the sound is quite beautiful? And I said 70 00:03:52,240 --> 00:03:54,480 Speaker 3: to Tommy, imagine if we had a solid album with 71 00:03:54,520 --> 00:03:57,480 Speaker 3: twelve it's a perfect Sunday listening album. 72 00:03:57,760 --> 00:03:58,560 Speaker 5: I'd be all over the. 73 00:03:59,000 --> 00:04:04,000 Speaker 1: Well wants me to sleep, you know, imagine what to 74 00:04:04,080 --> 00:04:04,600 Speaker 1: the public. 75 00:04:05,240 --> 00:04:05,720 Speaker 5: It's good. 76 00:04:06,640 --> 00:04:10,080 Speaker 1: But I started singing on social media during and I'm 77 00:04:10,080 --> 00:04:13,040 Speaker 1: over sixteen by the way, yes you know your campaign. 78 00:04:13,200 --> 00:04:17,400 Speaker 1: Thank you are over sixteen, and during during lockdown and 79 00:04:17,440 --> 00:04:19,880 Speaker 1: all that because it seemed to make people laugh. I 80 00:04:19,960 --> 00:04:23,279 Speaker 1: love it, you know. I was singing seriously, but people 81 00:04:23,400 --> 00:04:24,680 Speaker 1: just on the floor instead. 82 00:04:26,279 --> 00:04:29,919 Speaker 5: It's annoying, isn't it. Oh well, I think there's a 83 00:04:29,960 --> 00:04:32,960 Speaker 5: real future in the ukulele. I think that'd be perfect. 84 00:04:33,360 --> 00:04:35,039 Speaker 3: Hey can I can I tell you about something else 85 00:04:35,040 --> 00:04:37,120 Speaker 3: that's going on here? This is like I'm through. I'm 86 00:04:37,160 --> 00:04:39,679 Speaker 3: shooting for the hip here, Sam, this is a wild one. 87 00:04:40,200 --> 00:04:44,919 Speaker 3: Next Thursday we have a very very exclusive event and 88 00:04:45,440 --> 00:04:48,120 Speaker 3: I don't know your status, but we're throwing a singles 89 00:04:48,160 --> 00:04:50,440 Speaker 3: ball in Sydney. 90 00:04:50,920 --> 00:04:53,320 Speaker 1: I'm a single man, are you? 91 00:04:53,320 --> 00:04:54,359 Speaker 5: You're not going to believe it. 92 00:04:55,120 --> 00:04:58,000 Speaker 3: Kate Richie is a single lady. 93 00:04:58,040 --> 00:05:05,360 Speaker 1: I think, don't be slightly inappropriate. It should be uncomfortable. 94 00:05:06,720 --> 00:05:09,680 Speaker 4: Insulted me he's coming here and said that I couldn't 95 00:05:09,720 --> 00:05:12,440 Speaker 4: go to that room because only brainy people. 96 00:05:16,400 --> 00:05:20,520 Speaker 1: So trying to make myself look attractor. 97 00:05:20,760 --> 00:05:22,160 Speaker 4: You're so clever, mister Neil. 98 00:05:23,440 --> 00:05:25,719 Speaker 3: So you know, we're getting all the single people of 99 00:05:25,760 --> 00:05:27,240 Speaker 3: Sydney and we've got. 100 00:05:27,080 --> 00:05:29,240 Speaker 5: A fantastic all of them, every one of them. 101 00:05:29,560 --> 00:05:33,880 Speaker 3: And there's a fantastic room at Taronga Zoo, a ballroom 102 00:05:33,920 --> 00:05:36,520 Speaker 3: as such, and we're having an event there. But I 103 00:05:36,600 --> 00:05:40,360 Speaker 3: think you know, as far as moments throughout the night, 104 00:05:40,520 --> 00:05:43,960 Speaker 3: one of the highlights will be the slow dance, where 105 00:05:44,000 --> 00:05:47,160 Speaker 3: you're invited to slow dance with someone of your choosing. 106 00:05:47,839 --> 00:05:49,720 Speaker 1: I don't know, Sam Neil, but I could say romantic. 107 00:05:49,960 --> 00:05:51,520 Speaker 5: Yeah, I could kind of see you and Kate having 108 00:05:51,600 --> 00:05:52,520 Speaker 5: sort of are you doing this? 109 00:05:54,920 --> 00:05:59,600 Speaker 4: I'm so I apologize to you. No, I don't even 110 00:05:59,600 --> 00:06:01,720 Speaker 4: know what just say now, because we did this yesterday 111 00:06:01,760 --> 00:06:03,479 Speaker 4: and I spoke to you after the show about the 112 00:06:03,480 --> 00:06:05,359 Speaker 4: fact that we agreed that this would not be about 113 00:06:05,360 --> 00:06:07,760 Speaker 4: finding me a date. This whole single ball to day 114 00:06:07,920 --> 00:06:13,560 Speaker 4: like fiasco that it's turning into. So I apologize. 115 00:06:14,720 --> 00:06:18,000 Speaker 1: I just think it sounds great, doesn't it. And we 116 00:06:18,040 --> 00:06:21,320 Speaker 1: call them dance and it's in New Zealand, but I 117 00:06:21,360 --> 00:06:23,359 Speaker 1: grew up on the dancers and then you know, you know, 118 00:06:23,560 --> 00:06:26,240 Speaker 1: you had to you had to ask a girl for 119 00:06:26,279 --> 00:06:30,839 Speaker 1: a dance, and you learned a lot, and you learned 120 00:06:30,839 --> 00:06:31,839 Speaker 1: how to take rejection? 121 00:06:33,400 --> 00:06:33,880 Speaker 2: It was weird. 122 00:06:34,600 --> 00:06:36,240 Speaker 1: Well how would you ask me then? 123 00:06:36,640 --> 00:06:37,919 Speaker 4: Like, if we do it now, you'd be. 124 00:06:37,920 --> 00:06:39,520 Speaker 1: Good enough to take the floor with me. 125 00:06:40,640 --> 00:06:41,200 Speaker 3: Wow? 126 00:06:41,640 --> 00:06:42,320 Speaker 1: Well, do you know what? 127 00:06:42,440 --> 00:06:44,120 Speaker 4: I know? 128 00:06:44,240 --> 00:06:45,000 Speaker 5: Well, nervous. 129 00:06:47,800 --> 00:06:49,760 Speaker 4: You know me too well because the fact that you're 130 00:06:49,800 --> 00:06:52,039 Speaker 4: a little bit mean to me when you asked me 131 00:06:52,120 --> 00:06:54,440 Speaker 4: to dance, You've got me wrapped around your finger. 132 00:06:56,000 --> 00:07:00,000 Speaker 2: Now, So what what? What were the occasions? 133 00:07:00,120 --> 00:07:00,400 Speaker 5: Sam? 134 00:07:00,520 --> 00:07:03,480 Speaker 2: Was it just one side, the boys on one side, 135 00:07:03,560 --> 00:07:05,640 Speaker 2: the girls on the other, and then you would go 136 00:07:05,760 --> 00:07:06,560 Speaker 2: over and ask. 137 00:07:06,680 --> 00:07:09,640 Speaker 1: It was absolutely terrible. You had to pluck up your 138 00:07:09,720 --> 00:07:13,040 Speaker 1: courage to cross that floor, but the girls had to 139 00:07:13,080 --> 00:07:17,720 Speaker 1: stay in one place, right, And I hope someone asked 140 00:07:17,720 --> 00:07:20,720 Speaker 1: me to dance, you know. It was mortifying occasion really, 141 00:07:21,080 --> 00:07:24,640 Speaker 1: so I'm glad people don't do that really anymore. But 142 00:07:24,840 --> 00:07:30,520 Speaker 1: slow dancing had its own rewards, you know. 143 00:07:31,600 --> 00:07:34,680 Speaker 5: I don't know. I forgot where I was going, do 144 00:07:34,720 --> 00:07:35,080 Speaker 5: you know what. 145 00:07:35,160 --> 00:07:37,160 Speaker 3: I'll never forget doing a slow dance with a girl 146 00:07:37,280 --> 00:07:40,440 Speaker 3: one time at dancing class, and I was so nervous 147 00:07:40,480 --> 00:07:42,440 Speaker 3: about it, and then I held her hands, I said, 148 00:07:42,440 --> 00:07:43,960 Speaker 3: would you like to dance with me? And Mom and 149 00:07:44,040 --> 00:07:45,840 Speaker 3: I had gone through the routine of how to ask. 150 00:07:45,920 --> 00:07:48,880 Speaker 3: And as I held her hand, the first thing she 151 00:07:48,920 --> 00:07:50,960 Speaker 3: said was you've got really sweaty hands. 152 00:07:52,120 --> 00:07:53,480 Speaker 1: Yeah. That kills things, isn't it? 153 00:07:54,200 --> 00:07:57,960 Speaker 3: I said next? Yeah, and that really devastating. 154 00:07:58,080 --> 00:08:00,520 Speaker 2: And that was your appearance on Perfect, which is a 155 00:08:00,520 --> 00:08:01,560 Speaker 2: great show with Greg. 156 00:08:03,640 --> 00:08:04,840 Speaker 5: Removed on to celebrity think. 157 00:08:04,880 --> 00:08:06,680 Speaker 1: Do you know the worst thing a woman ever said 158 00:08:06,720 --> 00:08:06,920 Speaker 1: to me? 159 00:08:07,040 --> 00:08:07,200 Speaker 5: Oh? 160 00:08:07,280 --> 00:08:13,320 Speaker 1: No, You're the slowest person I've ever come across. There's 161 00:08:13,360 --> 00:08:16,320 Speaker 1: something about you. You're just You're just slow. You talk slowly, 162 00:08:16,480 --> 00:08:21,760 Speaker 1: you move slowly, you think slowly. You're just slow. And 163 00:08:22,880 --> 00:08:25,640 Speaker 1: it wasn't meant kindly. It wasn't meant you know, you're 164 00:08:25,680 --> 00:08:28,760 Speaker 1: a relaxed sort of person. It was just mean, what 165 00:08:28,800 --> 00:08:29,680 Speaker 1: did you reply with? 166 00:08:29,920 --> 00:08:31,160 Speaker 5: How do you respond to that? 167 00:08:32,040 --> 00:08:34,720 Speaker 1: I was signer on a sofa and perhaps I was. 168 00:08:35,040 --> 00:08:38,360 Speaker 1: Perhaps I should have made a move or something really slowly, 169 00:08:38,720 --> 00:08:41,200 Speaker 1: now that I think about it, Yeah, yeah. 170 00:08:42,960 --> 00:08:43,760 Speaker 2: How many years ago? 171 00:08:43,920 --> 00:08:46,960 Speaker 4: Was this as a teen? Or in like, not that 172 00:08:47,040 --> 00:08:47,480 Speaker 4: long ago? 173 00:08:47,600 --> 00:08:49,960 Speaker 1: It was probably twenty or something at that time. 174 00:08:50,720 --> 00:08:53,320 Speaker 2: Wasn't me you worked before? 175 00:08:53,480 --> 00:08:54,280 Speaker 5: Was it, Sam? No? 176 00:08:54,320 --> 00:08:59,440 Speaker 1: It wasn't. It wasn't Meryll. No, it wasn't Meryl No. No, 177 00:09:00,120 --> 00:09:04,319 Speaker 1: Meror's Meror's are good pounds. She would never say anything 178 00:09:04,360 --> 00:09:06,600 Speaker 1: like that. I thought that was cruel. And I've always 179 00:09:06,600 --> 00:09:09,800 Speaker 1: felt like a slow person ever since, since your twenties. 180 00:09:09,800 --> 00:09:10,600 Speaker 4: You felt like that. 181 00:09:10,720 --> 00:09:12,000 Speaker 1: Yeah, but you don't. 182 00:09:11,880 --> 00:09:15,040 Speaker 4: Change anything after that, or did you continue to be yourself? 183 00:09:15,080 --> 00:09:17,719 Speaker 1: No, you can't just sort of change character and speed up. 184 00:09:17,880 --> 00:09:20,800 Speaker 1: Be a speedy person. Do not understuck with it. 185 00:09:20,920 --> 00:09:22,800 Speaker 3: What I love about some of the articles and in 186 00:09:22,840 --> 00:09:25,000 Speaker 3: your book you mentioned and that you use this phrase. 187 00:09:25,040 --> 00:09:27,360 Speaker 3: And I've said it to my mum because she's the 188 00:09:27,400 --> 00:09:30,600 Speaker 3: same age of you as you, and she says, well, 189 00:09:30,640 --> 00:09:32,920 Speaker 3: you say, don't let the old man in. 190 00:09:33,600 --> 00:09:38,240 Speaker 1: And I love Yeah, I love that, And I tell 191 00:09:38,280 --> 00:09:41,120 Speaker 1: myself that all the time. It doesn't really work. 192 00:09:41,400 --> 00:09:43,080 Speaker 5: You're still working and everything's sticking. Well. 193 00:09:43,440 --> 00:09:45,960 Speaker 1: Yeah, yeah. I had a very busy year last year 194 00:09:46,280 --> 00:09:52,160 Speaker 1: and this year this year, I thought i'd actually cut 195 00:09:52,200 --> 00:09:54,679 Speaker 1: back a bit. I'm going to work again. We're doing 196 00:09:54,720 --> 00:09:59,040 Speaker 1: the third series of something called The Twelve in October 197 00:09:59,200 --> 00:10:02,880 Speaker 1: in Western Australia. Fantastic, but I think I'll take the 198 00:10:02,920 --> 00:10:04,160 Speaker 1: rest of the year off before that. 199 00:10:04,400 --> 00:10:07,439 Speaker 5: Yeah, well, just to slow down a bit more. 200 00:10:07,600 --> 00:10:09,920 Speaker 1: So, down a bit, yeah, I mean I'm knocking on 201 00:10:09,960 --> 00:10:12,200 Speaker 1: a bit now, no one. 202 00:10:12,200 --> 00:10:15,080 Speaker 2: Accept that and you're running. You've got your own winery 203 00:10:15,120 --> 00:10:17,880 Speaker 2: as well. It's all happening. You've got the great Australian 204 00:10:17,920 --> 00:10:20,800 Speaker 2: movie coming out soon as well. It's you know, my 205 00:10:20,880 --> 00:10:23,120 Speaker 2: wife and I have just got into Peaky Blinds as well. 206 00:10:23,200 --> 00:10:25,960 Speaker 2: Chester cammebel Oh my god, you're an absolute pricking that, 207 00:10:25,960 --> 00:10:26,600 Speaker 2: that's for sure. 208 00:10:27,080 --> 00:10:29,079 Speaker 1: Yeah, it's an unredeemable character. 209 00:10:30,640 --> 00:10:32,600 Speaker 2: Can I ask because we haven't gone, I mean we're 210 00:10:32,600 --> 00:10:35,520 Speaker 2: onto our third series. But are you in the new movie? 211 00:10:35,720 --> 00:10:36,559 Speaker 5: Or is he. 212 00:10:37,400 --> 00:10:40,400 Speaker 2: Probably giving away something here? But is he still around 213 00:10:40,520 --> 00:10:41,239 Speaker 2: or no? 214 00:10:41,240 --> 00:10:43,679 Speaker 1: No, I think he's well did and I saw I 215 00:10:43,720 --> 00:10:47,280 Speaker 1: saw Achillian the other day. He came came to stay 216 00:10:47,320 --> 00:10:48,040 Speaker 1: down on the farm. 217 00:10:48,320 --> 00:10:49,000 Speaker 5: What an actor? 218 00:10:49,280 --> 00:10:49,960 Speaker 2: What an actor? 219 00:10:50,080 --> 00:10:51,360 Speaker 1: Didn't bring his oscar with him? 220 00:10:52,840 --> 00:10:53,640 Speaker 4: Does he travel with it? 221 00:10:53,880 --> 00:10:56,280 Speaker 1: He doesn't? Trust me, I might have just kept it. 222 00:10:56,679 --> 00:10:57,720 Speaker 1: Where does your doorstop? 223 00:10:58,320 --> 00:11:01,640 Speaker 2: Where do you rate him in when it comes to acting, Chops? 224 00:11:01,760 --> 00:11:04,719 Speaker 2: Where where's Killian Murphy for you? Because he is a 225 00:11:04,840 --> 00:11:06,040 Speaker 2: special special act that. 226 00:11:06,240 --> 00:11:10,679 Speaker 1: He's as good as it gets. Yeah, he's fantastic and 227 00:11:10,720 --> 00:11:14,720 Speaker 1: he works terribly hard. He's a really really hard worker. 228 00:11:15,960 --> 00:11:20,800 Speaker 1: And I can say this because I'm Irish. Basically see 229 00:11:20,840 --> 00:11:22,760 Speaker 1: it's the hardest working Irish man I ever came in. 230 00:11:25,040 --> 00:11:25,640 Speaker 5: He beats you. 231 00:11:25,720 --> 00:11:27,760 Speaker 4: Then can I ask you a quick question about having 232 00:11:27,840 --> 00:11:28,600 Speaker 4: him come to stay? 233 00:11:28,640 --> 00:11:28,800 Speaker 5: Then? 234 00:11:29,160 --> 00:11:32,400 Speaker 4: When he comes to stay your house, not in a 235 00:11:32,440 --> 00:11:36,520 Speaker 4: creepy way, but like, do you do you put your 236 00:11:36,520 --> 00:11:38,200 Speaker 4: pajamas on before you go to bit? Like you in 237 00:11:38,200 --> 00:11:41,000 Speaker 4: the last room having a glass of wine? Your wine 238 00:11:41,520 --> 00:11:44,559 Speaker 4: in your jarmys or do you, like like grown men, 239 00:11:44,600 --> 00:11:46,080 Speaker 4: have a glass one and then go off to your 240 00:11:46,160 --> 00:11:47,240 Speaker 4: room and put your army's on. 241 00:11:47,440 --> 00:11:51,800 Speaker 1: That's a very very intelligent question, and I congratulate you 242 00:11:51,960 --> 00:11:55,600 Speaker 1: on that. But here's the thing not floating. 243 00:11:55,600 --> 00:11:57,200 Speaker 4: What I'm saying, is I like that when you said 244 00:11:57,240 --> 00:11:58,320 Speaker 4: he came to floating. 245 00:12:00,280 --> 00:12:00,640 Speaker 5: I haven't. 246 00:12:00,640 --> 00:12:02,640 Speaker 4: No one flirted with me for a very long time. 247 00:12:03,440 --> 00:12:04,840 Speaker 4: I don't know how to pick up the cues. 248 00:12:05,600 --> 00:12:08,240 Speaker 1: No, No, here's the thing. I built myself a house. 249 00:12:08,280 --> 00:12:10,160 Speaker 1: Now I am an old bachelor. Now that's why I'm 250 00:12:10,200 --> 00:12:16,760 Speaker 1: suitable for your slow down. I built myself. It's what 251 00:12:16,880 --> 00:12:20,040 Speaker 1: I used to call single man's quarters. I built a 252 00:12:20,040 --> 00:12:23,240 Speaker 1: house with one bedroom and it's got one little cupboard 253 00:12:23,240 --> 00:12:26,600 Speaker 1: where I put my clothes and that's it. Wow, so killian, 254 00:12:26,840 --> 00:12:31,800 Speaker 1: But I've got sort of I've got some accommodation across 255 00:12:31,800 --> 00:12:35,440 Speaker 1: the driveway. So Killian stayed in the other single. Amount's 256 00:12:37,800 --> 00:12:39,199 Speaker 1: no pajamas, But you wanted. 257 00:12:39,000 --> 00:12:40,120 Speaker 5: To know what hemall? 258 00:12:40,200 --> 00:12:43,240 Speaker 4: Not what his pajama's done, but etiquette around. Do you 259 00:12:43,280 --> 00:12:44,880 Speaker 4: go and have a shower and put your jarmy's on 260 00:12:44,960 --> 00:12:46,720 Speaker 4: and have a glass of wine in front of the fire, 261 00:12:47,559 --> 00:12:49,839 Speaker 4: or do you do grown up things and then go 262 00:12:49,880 --> 00:12:50,319 Speaker 4: to your steps? 263 00:12:52,280 --> 00:12:53,960 Speaker 5: Would you mind if she came to stay? 264 00:12:54,679 --> 00:12:56,600 Speaker 4: What I'm saying is and do you know what I'm 265 00:12:56,600 --> 00:12:58,520 Speaker 4: doing in my head right now? All I'm thinking is 266 00:12:58,800 --> 00:13:02,600 Speaker 4: you had an opportun tunity. She asks him about Killian 267 00:13:02,840 --> 00:13:05,439 Speaker 4: and he's a really highly educated man and. 268 00:13:05,440 --> 00:13:07,960 Speaker 1: What sort of pajamasy with? Yeah, I don't have an 269 00:13:08,000 --> 00:13:11,120 Speaker 1: answer for that. Okay, does he wear pajamas at all? 270 00:13:11,160 --> 00:13:11,800 Speaker 1: I can't tell you. 271 00:13:11,920 --> 00:13:12,480 Speaker 4: Let's hope not. 272 00:13:14,280 --> 00:13:16,160 Speaker 5: I loves on the farm, stoves on the. 273 00:13:18,360 --> 00:13:21,480 Speaker 2: City Riders festival is So it's this weekend you'll be 274 00:13:21,520 --> 00:13:23,680 Speaker 2: interviewing Brian for his book The Browning. 275 00:13:23,840 --> 00:13:26,679 Speaker 1: Yeah, on May the twenty first, I think that's Saturday. 276 00:13:26,800 --> 00:13:27,280 Speaker 1: I think. 277 00:13:29,480 --> 00:13:34,000 Speaker 2: Brian you'll be fileting Brian Brown. It's the magnificent Sam Neil. 278 00:13:34,040 --> 00:13:35,880 Speaker 2: Thank you so much for coming in so we love 279 00:13:35,920 --> 00:13:36,360 Speaker 2: having you with. 280 00:13:36,360 --> 00:13:37,600 Speaker 1: Its lovely to see you guys. 281 00:13:37,600 --> 00:13:40,240 Speaker 5: Thanks Sam, see your mate, appreciate you. Sing Whippa with 282 00:13:40,360 --> 00:13:41,439 Speaker 5: Kate Ritchie is a. 283 00:13:41,440 --> 00:13:45,120 Speaker 3: Nov podcast walk great shows like this. Download the Nova 284 00:13:45,120 --> 00:13:48,600 Speaker 3: player by the app Store or Google playing the player