WEBVTT - Harry Houdini: The great escape - Part 1

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<v Speaker 1>You know, he would actually strip down, sometimes apparently completely naked,

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<v Speaker 1>or sometimes to his underwear, his closed to be placed

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<v Speaker 1>outside a cell. He'd be locked in a cell in handcuffs,

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<v Speaker 1>and the commissioner and various boys will go into another

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<v Speaker 1>room and sit down for a cup of tea, and then,

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<v Speaker 1>you know, ten minutes later, fifteen minutes later, he would

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<v Speaker 1>appear fully dressed.

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<v Speaker 2>I'm Jen Kelly from The Herald Son and this is

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<v Speaker 2>In Black and White, a podcast about some of Australia's

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<v Speaker 2>forgotten characters. Welcome to the very last in Black and

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<v Speaker 2>White episode after five years and almost two hundred and

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<v Speaker 2>eighty episodes. I'm immensely proud to have been able to

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<v Speaker 2>bring you a little slice of Australian history every week

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<v Speaker 2>for so long. I'll share some special messages at the

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<v Speaker 2>end of this final two part episode. Today's final episode

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<v Speaker 2>is fittingly enough with one of our most regular guests,

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<v Speaker 2>the brilliant Andrew McConville from State Library, Victoria, whose wealth

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<v Speaker 2>of knowledge of Australian history seems to be limitless, and

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<v Speaker 2>today he's sharing the story of none other than the

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<v Speaker 2>great Harry Houdini, the escape artist and illusionist. Hoodini certainly

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<v Speaker 2>wasn't Australian, but he caused a sensation on his Australian

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<v Speaker 2>tour with his spectacular stunts, including a death defying dive

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<v Speaker 2>in handcuffs into the Arrow River in Melbourne and the

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<v Speaker 2>historic first powered flight in Australia. Here's Andrew now with

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<v Speaker 2>part one. Come back tomorrow for part two. Welcome back

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<v Speaker 2>to the podcast, Andrew.

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<v Speaker 3>Thanks very much. Janet's great to be here now.

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<v Speaker 2>Obviously, we can without doubt say that Houdini was the

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<v Speaker 2>world's most famous entertainer in his era. But one of

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<v Speaker 2>the interesting things about Hoodini is that he's still incredibly

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<v Speaker 2>famous today. And just out of interest, I've got four

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<v Speaker 2>kids of my own, their age from twelve to seventeen. Obviously,

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<v Speaker 2>in this modern age of video games and YouTubers and influencers,

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<v Speaker 2>they have very a very different set of people that

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<v Speaker 2>they consider to be famous. But I checked with them

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<v Speaker 2>and they all instantly knew who Whodini.

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<v Speaker 3>Was and what he did.

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<v Speaker 2>And I just thought that was extraordinary that the name

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<v Speaker 2>Whodini is still so well known today.

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<v Speaker 1>Well, it is amazing, isn't it. And it has become

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<v Speaker 1>I mean, very few people have their name become part

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<v Speaker 1>of the language, really, but he is certainly someone, and

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<v Speaker 1>you can look up any newspaper every period of time

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<v Speaker 1>and there'll be some reference to Whodni, which will normally

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<v Speaker 1>be to do with escapes. And I mean obviously at

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<v Speaker 1>the time he was working, there were very famous illusionists,

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<v Speaker 1>very famous magicians, but their names haven't lived on to

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<v Speaker 1>the same extent. I think part of it might be

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<v Speaker 1>that his was genuinely death defying. I mean, while he

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<v Speaker 1>had tricks, he still was putting himself in very dangerous

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<v Speaker 1>situations and situations that people could right to. I mean,

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<v Speaker 1>everybody's terrified of drowning, so that sort of thing would

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<v Speaker 1>have been very resonant, I think. But also he did

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<v Speaker 1>huge public performances and that probably enhanced his fame and

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<v Speaker 1>meant that it lived on, and probably because he was

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<v Speaker 1>pretty original, I mean that idea. There were other escopologists,

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<v Speaker 1>and there has been subsequently, but he probably was doing

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<v Speaker 1>something that he made really famous. So it wasn't that

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<v Speaker 1>he was carrying on a long tradition. He really made

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<v Speaker 1>it very famous. But it's hard to put an exact

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<v Speaker 1>finger on but really it's probably an element of the

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<v Speaker 1>fact that what he was doing was quite unique, and

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<v Speaker 1>the big public spectacles he was putting on were quite unique,

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<v Speaker 1>and so they have resonated well beyond his lifetime and

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<v Speaker 1>as I say, have become part of the normal language.

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<v Speaker 1>And you see, his name would appear somewhere in the

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<v Speaker 1>world every day, I would think, And.

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<v Speaker 2>Even though he is still so famous, there are a

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<v Speaker 2>couple of incredibly spectacular and daring feats that he pulled

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<v Speaker 2>off while he was here in Melbourne during his Australian tour,

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<v Speaker 2>and I feel like those things have really been forgotten

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<v Speaker 2>over time, and that's why we've decided to do this

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<v Speaker 2>episode today. So excited that we're going to tell those

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<v Speaker 2>stories a little bit later in this episode. But let's

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<v Speaker 2>begin with his early life, because it's interesting that, like

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<v Speaker 2>so many great achievers, he came from great poverty.

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<v Speaker 1>He certainly did. He was born in nineteen seventy four

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<v Speaker 1>in Hungary and came over to America with his family

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<v Speaker 1>when he was only four, but they lived in pretty

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<v Speaker 1>much dire poverty. At one stage. He was quoted as saying,

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<v Speaker 1>we lived in New York, or rather I should say

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<v Speaker 1>we starved in New York. So they moved around quite

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<v Speaker 1>a bit. His father was a rabbi and his work

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<v Speaker 1>was really to establish a congregation that would then support him,

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<v Speaker 1>but he was pretty unsuccessful of that and the congregation

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<v Speaker 1>in effect fired him, so he was not bringing in

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<v Speaker 1>virtually any money, and young well Eric Weiss as he

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<v Speaker 1>was originally known Harrahudoni, he ran away from home when

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<v Speaker 1>he was eleven and just worked at odd jobs, and

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<v Speaker 1>he had.

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<v Speaker 3>Very little education.

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<v Speaker 1>He was a very intelligent man and really created an

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<v Speaker 1>enormous library over his lifetime, but he had very little

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<v Speaker 1>formal education. And when he was very young, about thirteen

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<v Speaker 1>or fourteen, he was working as a messenger boy. And

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<v Speaker 1>then his only real job outside of show business, and

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<v Speaker 1>he lasted any time at all, was as a cutter

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<v Speaker 1>in a tie factory, so he did that for a

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<v Speaker 1>short time, but he basically headed off on the road

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<v Speaker 1>when he was about seventeen to be a performer. And

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<v Speaker 1>even in those early days as a performer, it was

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<v Speaker 1>a very very hand of mouth existence, and he had

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<v Speaker 1>to take on any sort of work that he could.

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<v Speaker 1>I mean, they're often, you know, what might be called

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<v Speaker 1>dime shows or little itinerant circuses, and at that stage

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<v Speaker 1>he wasn't doing the capology he was trying his hand

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<v Speaker 1>as very magic tricks.

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<v Speaker 3>And one of the dime circuses.

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<v Speaker 1>He was working at they advertised a wild man that

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<v Speaker 1>they didn't actually have. Supposedly someone rescued from the deepest jungle.

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<v Speaker 1>So Harry put on oin cloth and put his hair

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<v Speaker 1>out in all directions and grunted and raved and raw

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<v Speaker 1>meat for the entertainment of the public. So he was

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<v Speaker 1>sort of willing to do anything. And he and his

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<v Speaker 1>wife he married very young. They married when he was

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<v Speaker 1>only about twenty and his wife was eighteen, and they

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<v Speaker 1>then performed together, but often they'd struggle to find anywhere

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<v Speaker 1>to stay. They often went without food. It was a

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<v Speaker 1>very tough existence, to the point where early in his

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<v Speaker 1>career he was almost ready to give up and try

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<v Speaker 1>something else.

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<v Speaker 2>And when and where did he get his first taste

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<v Speaker 2>of fame, Well.

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<v Speaker 3>It's really he started to experiment.

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<v Speaker 1>I think one of the things about him was he

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<v Speaker 1>had a very as I say, he had a very

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<v Speaker 1>good mind, and he was very interested in working out

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<v Speaker 1>how things were done and how things worked. And he

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<v Speaker 1>would do that when he talks about and sometimes what

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<v Speaker 1>he says about his early life can be questioned because

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<v Speaker 1>he was in show business, and he did like a

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<v Speaker 1>good story.

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<v Speaker 3>But he did talk about.

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<v Speaker 1>Saying when he was very young seeing a magician in Milwaukee,

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<v Speaker 1>and what he was concentrating on was how the tricks

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<v Speaker 1>were done, working out what was behind the trick, and

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<v Speaker 1>he became quite a depth at working locks, and so

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<v Speaker 1>he incorporated handcuffs into his stage show in ninety five,

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<v Speaker 1>and he still wasn't that successful. He was doing other

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<v Speaker 1>tricks and as a standard magician doing card tricks, he

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<v Speaker 1>called himself the King of Cards, and at one stage

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<v Speaker 1>he and his wife Beatrice were acting as spiritualists. I

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<v Speaker 1>think he was professor who Doney at that stage and

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<v Speaker 1>she was the psychometric madam whatever that means. So they

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<v Speaker 1>would do really anything. But he did start to incorporate

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<v Speaker 1>handcuff tricks. And then at about eight ninety nine, a chap

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<v Speaker 1>called Martin Beck, who worked for the Orphium Circuit, which

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<v Speaker 1>was a large circuit of vaudeville theaters. Sorry Schawan was

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<v Speaker 1>taken with the handcuff tricks and told him to drop

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<v Speaker 1>the other things because he was a competent magician, but

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<v Speaker 1>not outstanding, not above the rest, but his handcuff tricks

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<v Speaker 1>and those ideas of escape might be his future, and

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<v Speaker 1>he became successful in that orphium circuit and that really

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<v Speaker 1>set off a pretty metioric rise in America, but particularly

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<v Speaker 1>in Europe after that.

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<v Speaker 2>So, just going back to talking about picking the locks,

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<v Speaker 2>so obviously he was an illusionist, it sounds like you're

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<v Speaker 2>saying he really was getting himself out of those locks.

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<v Speaker 2>You never know with magicians, and illusionis what's real and

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<v Speaker 2>what's not real. But you're saying that he really was

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<v Speaker 2>learning to get himself out of those locks in a

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<v Speaker 2>matter of seconds.

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<v Speaker 1>He certainly had enormous skill at that. I mean, I think,

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<v Speaker 1>and I guess magicians and he, more than anyone, wouldn't

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<v Speaker 1>give away his tricks. And certainly, you know, he did

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<v Speaker 1>things that were seemingly impossible, which obviously you know there

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<v Speaker 1>were tricks involved. But he was I mean, he was

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<v Speaker 1>a phenomenal athlete. He was a great runner, He was

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<v Speaker 1>a terrific swimmer. He could hold his breath longer than

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<v Speaker 1>almost anybody for over three minutes, So he had enormous

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<v Speaker 1>physical skills. He did understand locks too, and worked out

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<v Speaker 1>how locks could be undone. And I think part of

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<v Speaker 1>it is that there's a mystake about handcuffs that they're

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<v Speaker 1>impossible to get out of. But when you think about it,

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<v Speaker 1>people don't spend a lot of time in handcuffs, and

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<v Speaker 1>usually if they're in handcuffs, they've got a couple of

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<v Speaker 1>police standing next to them, so I don't get much

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<v Speaker 1>chance to pick the locks. So he was someone who

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<v Speaker 1>studied them, and so he did have enormous capacity to

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<v Speaker 1>undo locks.

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<v Speaker 3>But he also used a few tricks. Some of his

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<v Speaker 3>sometimes had.

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<v Speaker 1>Supposedly a little bits of why that might be in

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<v Speaker 1>his mouth or in his hair that he could use

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<v Speaker 1>to pick a lock. But he certainly was very adept

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<v Speaker 1>at picking locks. So there were tricks, but probably more

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<v Speaker 1>than other magicians, a lot of it was through enormous

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<v Speaker 1>natural skill, that being able to escape from various perilous situations.

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<v Speaker 2>Now it sounds like he began using that name Ujinie

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<v Speaker 2>fairly early on. Where did he get that name from?

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<v Speaker 1>Well, there was a great French magician who was named

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<v Speaker 1>Jean Eugene Robert hoo Dan, So Robert who Dan was

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<v Speaker 1>his surname, and he died a few years before who

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<v Speaker 1>Deney was born. But he was considered, you know, a

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<v Speaker 1>father of modern magic, and he wrote a biography that

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<v Speaker 1>Who Deney read as a young boy and was very

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<v Speaker 1>taken with, and so that's where he took his name from.

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<v Speaker 1>So he took the second half of Robert hoo Dan's

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<v Speaker 1>name and just added an eye to it, and then

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<v Speaker 1>later on called himself Harry and became Harry Who Deny.

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<v Speaker 2>Now, I'd love you to tell us more about how

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<v Speaker 2>he became just so world famous in his various publicity

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<v Speaker 2>stuff and exactly what the show was like and all

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<v Speaker 2>the different tricks that he would do.

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<v Speaker 1>He was a master of publicity and he had some

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<v Speaker 1>very clever ways of getting publicity. He probably as a

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<v Speaker 1>stage magician, he probably didn't have the great pattern and

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<v Speaker 1>the great stage presence that perhaps a card someone doing

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<v Speaker 1>car tricks.

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<v Speaker 3>Or whatever would have and would rely on.

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<v Speaker 1>He was probably the type of magic he did, or

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<v Speaker 1>the type of escapes he did, really suited his demeanor.

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<v Speaker 1>But he have big public events that would attract crowds

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<v Speaker 1>and obviously enhance his fame. And one of the first

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<v Speaker 1>things he did was he would challenge various police stations

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<v Speaker 1>to lock him up in a cell and lock him

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<v Speaker 1>in handcuffs, and they would take that on because they thought, oh,

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<v Speaker 1>you know, this guy was a bit of a smart

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<v Speaker 1>elecant will show him, and you know, he would actually

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<v Speaker 1>strip down, sometimes apparently completely naked, or sometimes to his underwear.

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<v Speaker 1>His clothes would be placed outside a cell. He'd be

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<v Speaker 1>locked in a cell in handcuffs, and the commissioner and

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<v Speaker 1>various boys would go into another room and sit down

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<v Speaker 1>for a cup of tea, and then, you know, ten

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<v Speaker 1>minutes later, fifteen minutes.

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<v Speaker 3>Later, he would appear fully dressed.

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<v Speaker 1>And so part of that was that he may have had,

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<v Speaker 1>you know, things like bits of why things that you

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<v Speaker 1>can pick locks with. But I think he was also

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<v Speaker 1>extremely good at picking locks, and so that sort of

0:11:13.880 --> 0:11:16.520
<v Speaker 1>gained him fame. And then beyond that as he became

0:11:16.600 --> 0:11:19.480
<v Speaker 1>more famous, I mean when he went to after he

0:11:19.640 --> 0:11:23.640
<v Speaker 1>did the circuit at the Orphium Vaudeville theaters and he

0:11:23.800 --> 0:11:26.360
<v Speaker 1>gained some fame in America, he actually went off to

0:11:26.440 --> 0:11:29.720
<v Speaker 1>London without any sort of bookings, and that was in

0:11:29.800 --> 0:11:33.199
<v Speaker 1>I think god ninety nine, and he was holding a

0:11:33.200 --> 0:11:35.320
<v Speaker 1>press conference and there was another chap who felt that

0:11:35.360 --> 0:11:38.080
<v Speaker 1>he could escape from handcuffs, named the Great Circle, and

0:11:38.160 --> 0:11:40.920
<v Speaker 1>he challenged to Jerney, which he Jerney loved because he

0:11:41.000 --> 0:11:42.439
<v Speaker 1>was always felt that he was the best, and he

0:11:42.480 --> 0:11:44.960
<v Speaker 1>probably was. And of course the Great Circuit couldn't get

0:11:44.960 --> 0:11:46.920
<v Speaker 1>out of the handcuffs, and who Doney had handcuffed him

0:11:46.920 --> 0:11:49.959
<v Speaker 1>in Who Doney got out of Circle's handcuffs in about

0:11:49.960 --> 0:11:52.800
<v Speaker 1>five minutes, So that was great publicity. So he would

0:11:52.800 --> 0:11:54.360
<v Speaker 1>do a lot of things like that. One of the

0:11:54.360 --> 0:11:56.480
<v Speaker 1>most famous ones was when he was touring, and he

0:11:56.559 --> 0:11:58.920
<v Speaker 1>was very popular in Europe. And one of the theories

0:11:59.000 --> 0:12:01.280
<v Speaker 1>was that, particularly in count who is like Germany and Russia,

0:12:01.320 --> 0:12:05.640
<v Speaker 1>where the regimes kept very strict control of their populations

0:12:05.640 --> 0:12:08.480
<v Speaker 1>and people would often disappear in the jar without much trial,

0:12:09.040 --> 0:12:11.280
<v Speaker 1>that people were delighted to see someone who could escape

0:12:11.280 --> 0:12:13.560
<v Speaker 1>from handcuffs and could, to an extent make a bit

0:12:13.559 --> 0:12:16.800
<v Speaker 1>of a fool of the authorities. And in Russia they

0:12:16.800 --> 0:12:19.640
<v Speaker 1>had a train that used to take prisoners to Siberia,

0:12:20.040 --> 0:12:22.680
<v Speaker 1>and supposedly, once it was locked, the only key to

0:12:22.720 --> 0:12:23.800
<v Speaker 1>open that was in Siberia.

0:12:23.920 --> 0:12:26.319
<v Speaker 3>So of course he had himself locked.

0:12:26.040 --> 0:12:29.040
<v Speaker 1>In this train, in this prison train, and the publicity

0:12:29.200 --> 0:12:30.920
<v Speaker 1>was that if he didn't get out, he'd end up

0:12:30.920 --> 0:12:33.400
<v Speaker 1>in Siberia before he could get out, and of course

0:12:33.440 --> 0:12:35.720
<v Speaker 1>he did get out, and this sort of embarrassed the authorities,

0:12:35.720 --> 0:12:38.640
<v Speaker 1>but of course made him much more popular with the people.

0:12:38.679 --> 0:12:40.560
<v Speaker 1>And there was a whole range of things like that,

0:12:40.640 --> 0:12:42.800
<v Speaker 1>and they got a little bit more extreme. I mean,

0:12:43.280 --> 0:12:47.560
<v Speaker 1>later on he incorporated straight jackets into his routine, and

0:12:47.559 --> 0:12:49.200
<v Speaker 1>he was able to get out of straight trackets in

0:12:49.240 --> 0:12:50.120
<v Speaker 1>full view of people.

0:12:50.160 --> 0:12:51.440
<v Speaker 3>Often with his magic, as.

0:12:51.320 --> 0:12:53.200
<v Speaker 1>We'll talk about in a minute, a screen will be

0:12:53.200 --> 0:12:56.679
<v Speaker 1>put across and he would then appear after he'd escaped.

0:12:57.000 --> 0:13:00.319
<v Speaker 1>But with the straight jackets, he would be hanging forty

0:13:00.320 --> 0:13:01.720
<v Speaker 1>meters up in the air from the side of a

0:13:01.760 --> 0:13:04.920
<v Speaker 1>building in a straight jacket upside down and he would

0:13:04.920 --> 0:13:07.439
<v Speaker 1>wriggle out and then be lowered down and there might

0:13:07.440 --> 0:13:10.280
<v Speaker 1>be twenty thirty thousand people watching that. And the same

0:13:10.320 --> 0:13:13.040
<v Speaker 1>with was when he started to do his dives into

0:13:13.160 --> 0:13:14.920
<v Speaker 1>rivers around the world handcuffed.

0:13:15.320 --> 0:13:17.120
<v Speaker 3>And again, if you're handcuffed.

0:13:16.600 --> 0:13:18.760
<v Speaker 1>And you drive into a river, you haven't got many

0:13:18.800 --> 0:13:20.640
<v Speaker 1>minutes to get out, otherwise you'll drowned. But he would

0:13:20.679 --> 0:13:23.000
<v Speaker 1>always get out very quickly. So I mean, there are

0:13:23.120 --> 0:13:27.199
<v Speaker 1>enormous public events that many people attended but also got

0:13:27.320 --> 0:13:29.440
<v Speaker 1>enormous publicity for him. So that's one of the reasons.

0:13:29.480 --> 0:13:32.000
<v Speaker 1>I think why his name is so enduring because he

0:13:32.120 --> 0:13:34.400
<v Speaker 1>was able to build such an enormous amount of fame

0:13:34.480 --> 0:13:36.920
<v Speaker 1>through a lot of these public events that enhanced his

0:13:37.040 --> 0:13:40.280
<v Speaker 1>stage shows and enhanced his fame and had him press

0:13:40.360 --> 0:13:43.679
<v Speaker 1>all over the world. So he was pretty good at publicity.

0:13:43.720 --> 0:13:46.200
<v Speaker 1>But also, you know, what he did was regardless of

0:13:46.200 --> 0:13:49.320
<v Speaker 1>what tricks he used, it was still enormously skillful. And

0:13:49.360 --> 0:13:51.920
<v Speaker 1>there was that element of him, you know, literally but

0:13:52.360 --> 0:13:55.200
<v Speaker 1>he may die in this, and that wasn't that was

0:13:55.240 --> 0:13:56.800
<v Speaker 1>a risk. I mean, you know, if you're locked in

0:13:57.040 --> 0:13:59.839
<v Speaker 1>somewhere in an enclosed space in water, then there is

0:13:59.880 --> 0:14:02.360
<v Speaker 1>a risky you will drown. So whereas I think with

0:14:02.480 --> 0:14:04.680
<v Speaker 1>magicians on stage, even if they was sawing a woman

0:14:04.720 --> 0:14:07.199
<v Speaker 1>in half, I don't think anybody quite believed they'd saw

0:14:07.320 --> 0:14:10.000
<v Speaker 1>someone in half. But with who doney he was diving,

0:14:10.040 --> 0:14:12.160
<v Speaker 1>it was a nightmare for people, you know, to dive

0:14:12.200 --> 0:14:15.000
<v Speaker 1>in handcuffed into water. Everybody would feel that a great nightmare.

0:14:15.520 --> 0:14:17.599
<v Speaker 1>And often with those water tricks, people would try to

0:14:17.640 --> 0:14:20.080
<v Speaker 1>hold their breath and they could never hold it.

0:14:20.080 --> 0:14:21.040
<v Speaker 3>As long as he denie.

0:14:21.320 --> 0:14:24.680
<v Speaker 1>So I think he bought that that absolute death defining

0:14:24.760 --> 0:14:29.360
<v Speaker 1>literally death defying element that wasn't part of other other magicians' work.

0:14:30.680 --> 0:14:33.520
<v Speaker 2>And when he was doing these publicity stunts in rivers,

0:14:33.600 --> 0:14:36.680
<v Speaker 2>these were just open for hundreds or thousands of people

0:14:36.720 --> 0:14:38.720
<v Speaker 2>to watch for free, I assume.

0:14:38.720 --> 0:14:41.080
<v Speaker 1>Absolutely, yeah, And often they'd be in the city where

0:14:41.120 --> 0:14:44.560
<v Speaker 1>he was performing, so it was like an opportunity for

0:14:44.760 --> 0:14:47.680
<v Speaker 1>people for publicity for him, but also they would gain

0:14:47.720 --> 0:14:50.600
<v Speaker 1>publicity right around the country. So he would do those

0:14:50.680 --> 0:14:53.160
<v Speaker 1>and there'd be twenty thousand and thirty thousand people there,

0:14:53.680 --> 0:14:55.480
<v Speaker 1>but all of those were potential people to come and

0:14:55.520 --> 0:14:58.040
<v Speaker 1>see his shows, so his shows would sell out, and

0:14:58.400 --> 0:15:01.480
<v Speaker 1>for him, they probably there were big events for that town,

0:15:01.560 --> 0:15:04.240
<v Speaker 1>but he was just they didn't take him that long

0:15:04.280 --> 0:15:06.120
<v Speaker 1>because he was so quick at getting out, but they'd

0:15:06.440 --> 0:15:08.800
<v Speaker 1>give him enormous publicity, and he was very good at

0:15:08.800 --> 0:15:11.520
<v Speaker 1>a whole range of things. He'd often, you know, at

0:15:11.520 --> 0:15:14.200
<v Speaker 1>wherever he went with his shows, he would ask people

0:15:14.280 --> 0:15:19.360
<v Speaker 1>to concoct challenges that he would then try and escape from,

0:15:19.360 --> 0:15:22.880
<v Speaker 1>which again would enhance the publicity. So he was very

0:15:22.880 --> 0:15:26.160
<v Speaker 1>good at creating publicity and that made him a world figure.

0:15:26.200 --> 0:15:28.560
<v Speaker 2>I think did he make a lot of money from

0:15:28.600 --> 0:15:29.120
<v Speaker 2>his shows?

0:15:29.640 --> 0:15:31.680
<v Speaker 1>Yeah, certainly, once you know, by the turn of the century.

0:15:31.720 --> 0:15:34.040
<v Speaker 1>Once he became farmers, he made huge amounts of money.

0:15:34.040 --> 0:15:36.920
<v Speaker 1>He was sometimes getting paid, you know, a thousand dollars

0:15:37.000 --> 0:15:40.800
<v Speaker 1>a week or more, which was phenomenal money in the

0:15:40.840 --> 0:15:43.120
<v Speaker 1>early part of the twentieth century. It was probably you know,

0:15:43.560 --> 0:15:45.960
<v Speaker 1>one hundred times what somebody.

0:15:45.680 --> 0:15:47.280
<v Speaker 3>Would else would earn a week or more.

0:15:47.840 --> 0:15:50.760
<v Speaker 1>He wasn't great with money, though, I think after he died,

0:15:50.840 --> 0:15:53.840
<v Speaker 1>I think his wife found that, you know, he really

0:15:54.040 --> 0:15:55.800
<v Speaker 1>hadn't saved too much of his money, and he did

0:15:55.800 --> 0:15:59.280
<v Speaker 1>make a few bad investments. Probably might mention his film

0:15:59.320 --> 0:16:02.200
<v Speaker 1>crelated but he made a few bad investments, starting a

0:16:02.200 --> 0:16:05.240
<v Speaker 1>film company, a verse things like that. So he certainly

0:16:05.440 --> 0:16:07.480
<v Speaker 1>made a lot of money, but he also spent a

0:16:07.480 --> 0:16:09.160
<v Speaker 1>lot of money. And it was an expensive show to

0:16:09.160 --> 0:16:11.920
<v Speaker 1>put in and travel. But he was a very, very

0:16:11.960 --> 0:16:13.560
<v Speaker 1>highly paid entertainer of his day.

0:16:13.920 --> 0:16:15.960
<v Speaker 2>But he basically liked to put his money back into

0:16:16.000 --> 0:16:18.400
<v Speaker 2>his show. It wasn't like he was living the high

0:16:18.440 --> 0:16:20.800
<v Speaker 2>life or living lavishly, no.

0:16:20.880 --> 0:16:21.440
<v Speaker 3>To an extent.

0:16:21.440 --> 0:16:23.680
<v Speaker 1>I mean, he did have a nice house, but he

0:16:23.720 --> 0:16:25.920
<v Speaker 1>didn't live there that often. He was a great book

0:16:25.920 --> 0:16:29.680
<v Speaker 1>collector and a great collector of things that took his fancy.

0:16:29.840 --> 0:16:32.040
<v Speaker 1>So one of the things I think his wife did

0:16:32.600 --> 0:16:34.520
<v Speaker 1>after he died was to sell for a lot of

0:16:34.520 --> 0:16:35.160
<v Speaker 1>his items.

0:16:35.160 --> 0:16:36.960
<v Speaker 3>I mean he did all the tricks too.

0:16:36.960 --> 0:16:39.080
<v Speaker 1>Would have cost quite a bit of money, because I

0:16:39.080 --> 0:16:41.160
<v Speaker 1>mean there was an enormous amount of imitation going on,

0:16:41.240 --> 0:16:43.880
<v Speaker 1>and so he was coming up with new tricks and

0:16:43.920 --> 0:16:46.760
<v Speaker 1>they did require, you know, quite sophisticated apparatus. And he

0:16:46.760 --> 0:16:51.520
<v Speaker 1>would travel around with a number of very loyal helpers

0:16:51.560 --> 0:16:54.200
<v Speaker 1>who would probably know that whatever tricks he had, but

0:16:54.280 --> 0:16:56.520
<v Speaker 1>never divulge them. And even you know, we'll get on

0:16:56.560 --> 0:16:58.200
<v Speaker 1>to Australia in a minute, but you know, bring an

0:16:58.200 --> 0:17:01.000
<v Speaker 1>aeroplane and a mechanic act for Australia would be quite

0:17:01.040 --> 0:17:04.439
<v Speaker 1>expensive as well. So I think he probably spent his

0:17:04.520 --> 0:17:07.480
<v Speaker 1>money fairly freely. He probably wasn't great with looking after

0:17:07.520 --> 0:17:10.359
<v Speaker 1>his money, but his life was, you know, to a

0:17:10.359 --> 0:17:12.400
<v Speaker 1>great extent, on the road, really and.

0:17:12.400 --> 0:17:15.040
<v Speaker 2>I can imagine that he must have been more motivated

0:17:15.040 --> 0:17:16.919
<v Speaker 2>by adrenaline than money.

0:17:17.480 --> 0:17:17.920
<v Speaker 3>I think so.

0:17:18.080 --> 0:17:19.880
<v Speaker 1>And I think, you know, there was always that thing

0:17:19.920 --> 0:17:22.440
<v Speaker 1>of this you know, impoverished boy.

0:17:23.000 --> 0:17:23.080
<v Speaker 3>My.

0:17:23.119 --> 0:17:24.840
<v Speaker 1>I mean it was like the American dream, wasn't it,

0:17:24.840 --> 0:17:28.840
<v Speaker 1>This impoverished migrant making a huge name for himself. So

0:17:29.000 --> 0:17:30.960
<v Speaker 1>I think he did, you know, and you love the

0:17:30.960 --> 0:17:35.040
<v Speaker 1>adulation as you would, but I think it was, you know, adrenaline.

0:17:35.080 --> 0:17:38.760
<v Speaker 1>It was sort of the enormous popularity he got from

0:17:38.760 --> 0:17:40.600
<v Speaker 1>the from the public and what he got back from

0:17:40.600 --> 0:17:43.800
<v Speaker 1>the public, which would be a creative adrenaline, adrenaline rush.

0:17:43.840 --> 0:17:46.520
<v Speaker 1>But I think it was probably also someone coming from

0:17:46.600 --> 0:17:49.680
<v Speaker 1>such poverty, who had so little opportunities, so loot of education,

0:17:50.320 --> 0:17:53.520
<v Speaker 1>to have this idea of well, I am really worth something.

0:17:53.600 --> 0:17:56.479
<v Speaker 1>All these people say I'm worth something, and that would be,

0:17:56.560 --> 0:17:58.960
<v Speaker 1>you know, an enormous amount of motivation. But yeah, I'm

0:17:58.960 --> 0:18:00.520
<v Speaker 1>sure there was a fair bit of a in it,

0:18:00.520 --> 0:18:04.000
<v Speaker 1>because I mean, I'm not a swimmer, so I would

0:18:04.040 --> 0:18:06.720
<v Speaker 1>be horrified to be thrown into a river handcuffed.

0:18:06.920 --> 0:18:09.120
<v Speaker 2>Tell us more about the water trick. So was he

0:18:09.520 --> 0:18:13.560
<v Speaker 2>always handcuffed but otherwise free? Was he ever lowered into

0:18:13.600 --> 0:18:15.240
<v Speaker 2>the water in a box for equaently?

0:18:15.720 --> 0:18:15.920
<v Speaker 3>Yes?

0:18:16.000 --> 0:18:17.679
<v Speaker 1>Yeah, so they got, as with most things, they got

0:18:17.720 --> 0:18:19.560
<v Speaker 1>a bit more extreme. I mean he did start with

0:18:20.359 --> 0:18:23.080
<v Speaker 1>diving into various rivers. He drove off the dove, off

0:18:23.119 --> 0:18:26.720
<v Speaker 1>the Paris Morgue, into the Seine. He dive off rivers here,

0:18:26.720 --> 0:18:30.160
<v Speaker 1>there and everywhere, and obviously in Melbourne and in Sydney

0:18:30.200 --> 0:18:34.040
<v Speaker 1>he did the same thing. But he did later, yes,

0:18:34.560 --> 0:18:38.080
<v Speaker 1>have himself blowered into the water in a sealed box,

0:18:38.280 --> 0:18:41.199
<v Speaker 1>which was a very dangerous trick. Whatever tricks he had

0:18:41.240 --> 0:18:44.200
<v Speaker 1>to get out, it was still dangerous, still a chance

0:18:44.240 --> 0:18:44.840
<v Speaker 1>of drowning.

0:18:44.920 --> 0:18:48.520
<v Speaker 3>But he did do that successfully. But I mean he did.

0:18:48.800 --> 0:18:51.439
<v Speaker 1>His tricks obviously had to become a little bit more

0:18:51.440 --> 0:18:55.120
<v Speaker 1>extreme as he went because once he became the handcuff king,

0:18:55.600 --> 0:18:58.360
<v Speaker 1>they became a lot of other handcuffed royalty that were

0:18:58.359 --> 0:19:00.720
<v Speaker 1>following him and really copying him.

0:19:01.119 --> 0:19:03.400
<v Speaker 3>And so then he had to move on to other

0:19:03.480 --> 0:19:05.280
<v Speaker 3>tricks and other tricks that were perhaps a bit more

0:19:05.280 --> 0:19:06.639
<v Speaker 3>extreme or a bit more elaborate.

0:19:06.840 --> 0:19:09.000
<v Speaker 2>We'll be back soon to hear what happened to Hu

0:19:09.040 --> 0:19:19.960
<v Speaker 2>Deni next, So stay with us. Tell us now about

0:19:19.960 --> 0:19:20.919
<v Speaker 2>his Australian to her.

0:19:21.359 --> 0:19:23.760
<v Speaker 1>He obviously was very famous when he came to Australia.

0:19:24.200 --> 0:19:27.679
<v Speaker 1>He'd been very famous for you know, at least ten years,

0:19:27.800 --> 0:19:31.960
<v Speaker 1>and he arrived in Australia back in the start of

0:19:31.960 --> 0:19:35.159
<v Speaker 1>February nine hundred and ten. When he arrived at Fremantle,

0:19:35.240 --> 0:19:38.840
<v Speaker 1>he did an interview. Some enterprising journalists got on the

0:19:38.840 --> 0:19:40.439
<v Speaker 1>ship and did an interview, and he did say that

0:19:40.480 --> 0:19:43.399
<v Speaker 1>he would have dived off the ship into the ocean,

0:19:43.480 --> 0:19:46.320
<v Speaker 1>but he was scared of sharks. So he arrived in

0:19:46.320 --> 0:19:48.760
<v Speaker 1>Melbourne a few days later and then appeared on stage

0:19:49.119 --> 0:19:51.160
<v Speaker 1>his stage show in Melbourne. I mean he did later

0:19:51.200 --> 0:19:53.840
<v Speaker 1>in life, he did do much longer stage shows and incorporated,

0:19:53.920 --> 0:19:56.280
<v Speaker 1>you know, the sort of traditional magic that he hadn't

0:19:56.280 --> 0:19:59.119
<v Speaker 1>done for a long time. But in Melbourne his stage

0:19:59.119 --> 0:20:02.400
<v Speaker 1>show was enormous popular, but he was only on stage

0:20:02.400 --> 0:20:04.480
<v Speaker 1>for twenty or twenty five minutes, and he had quite

0:20:04.520 --> 0:20:09.639
<v Speaker 1>a few support acts. There were acrobats and comedians and

0:20:09.760 --> 0:20:13.120
<v Speaker 1>various other people who supported him, and he only did

0:20:13.119 --> 0:20:15.840
<v Speaker 1>about three or four tricks on stage. He got well reviewed,

0:20:15.840 --> 0:20:18.080
<v Speaker 1>although the reviewer did suggest that it would have been

0:20:18.160 --> 0:20:19.639
<v Speaker 1>nice if he come back for an encore and just

0:20:19.680 --> 0:20:22.639
<v Speaker 1>done a few handcuff tricks, because by that stage I

0:20:22.720 --> 0:20:25.119
<v Speaker 1>do refer to the fact that he's noted as a

0:20:25.119 --> 0:20:27.600
<v Speaker 1>handcuff king, but there was not a handcuff in sight.

0:20:27.800 --> 0:20:30.240
<v Speaker 1>So I mean, he started that show in Melbourne with

0:20:30.280 --> 0:20:35.440
<v Speaker 1>a couple of films actually off him diving chained into rivers,

0:20:35.840 --> 0:20:37.520
<v Speaker 1>So there was a couple of films and then he

0:20:37.560 --> 0:20:40.600
<v Speaker 1>did a few different tricks. He had audience members come

0:20:40.600 --> 0:20:43.040
<v Speaker 1>and tie his hands together and in no time he'd

0:20:43.119 --> 0:20:47.160
<v Speaker 1>undone those He did a trick in a straight jacket,

0:20:47.240 --> 0:20:49.679
<v Speaker 1>or he released himself from a straight jacket, and that

0:20:49.840 --> 0:20:53.800
<v Speaker 1>was not so much a trick, more just an ability

0:20:53.840 --> 0:20:58.000
<v Speaker 1>to manipulate his shoulders and to work around with the

0:20:58.040 --> 0:21:00.520
<v Speaker 1>straight jacket. And you know, they refer to the fact

0:21:00.520 --> 0:21:03.360
<v Speaker 1>that it appeared as though there were policemen there tightening

0:21:03.359 --> 0:21:06.439
<v Speaker 1>the straight jacket, and you can see films on YouTube

0:21:06.480 --> 0:21:09.879
<v Speaker 1>in fact of various efforts he made doing straight jacket

0:21:09.960 --> 0:21:13.720
<v Speaker 1>escapes and the various early policemen tightening it up to

0:21:13.760 --> 0:21:16.200
<v Speaker 1>a great extent. So that was something that he did

0:21:16.200 --> 0:21:18.159
<v Speaker 1>off and he did things behind a screen so he

0:21:18.160 --> 0:21:20.720
<v Speaker 1>would be trussed up. They put a screen over the front,

0:21:21.320 --> 0:21:23.520
<v Speaker 1>the band would play, people would sing along, and there'd

0:21:23.520 --> 0:21:26.480
<v Speaker 1>be anticipation, and then he would suddenly appear holding the

0:21:26.480 --> 0:21:27.600
<v Speaker 1>straight jacket in his hand.

0:21:28.160 --> 0:21:30.120
<v Speaker 3>But his main trick was one that he'd done.

0:21:29.920 --> 0:21:32.800
<v Speaker 1>With his wife Beatrice since about eight ninety five, which

0:21:32.880 --> 0:21:35.520
<v Speaker 1>was called I think metamorphosis, and that was where he

0:21:35.600 --> 0:21:38.680
<v Speaker 1>was locked in a big trunk or a cupboard and

0:21:38.840 --> 0:21:41.000
<v Speaker 1>he would perhaps have. In this case, he had a

0:21:41.040 --> 0:21:42.720
<v Speaker 1>coat from a member of the crowd and someone had

0:21:42.800 --> 0:21:46.320
<v Speaker 1>tied his hands and he was locked away, and I

0:21:46.359 --> 0:21:48.400
<v Speaker 1>think he was secured in a bag and locked away

0:21:48.440 --> 0:21:51.280
<v Speaker 1>in the cupboard or the cabinet, and a screen was

0:21:51.280 --> 0:21:53.959
<v Speaker 1>put across and then lie and behold he would appear,

0:21:54.359 --> 0:21:56.600
<v Speaker 1>screen will be taken back. He would then make a

0:21:56.600 --> 0:21:59.679
<v Speaker 1>big play of untrusting the cabinet that had chains all

0:21:59.720 --> 0:22:02.960
<v Speaker 1>over it, and his wife or his assistant Beatrice would

0:22:02.960 --> 0:22:05.399
<v Speaker 1>appear in the coke with a hands bound as well.

0:22:05.480 --> 0:22:07.280
<v Speaker 1>So even though that was a bit of a trick,

0:22:07.320 --> 0:22:09.679
<v Speaker 1>there was probably a false back in the cupboard. It

0:22:09.720 --> 0:22:11.960
<v Speaker 1>also had to be done very very quickly, and the

0:22:12.080 --> 0:22:14.679
<v Speaker 1>showmanship was that sort of play of this is so

0:22:14.800 --> 0:22:16.760
<v Speaker 1>hard to unlock and things like that.

0:22:17.280 --> 0:22:19.760
<v Speaker 2>So tell us now about his famous dive into the

0:22:19.800 --> 0:22:20.640
<v Speaker 2>era in Melbourne.

0:22:20.680 --> 0:22:23.240
<v Speaker 1>Andrew, Yeah, Well it was on the seventeenth of February

0:22:23.320 --> 0:22:26.000
<v Speaker 1>nine hundred and ten a Coensbridge and he had twenty

0:22:26.040 --> 0:22:28.840
<v Speaker 1>thousand people turn up to watch him dive into the era.

0:22:29.320 --> 0:22:31.680
<v Speaker 1>And there's photos of him being handcuffed and the paper

0:22:31.720 --> 0:22:35.080
<v Speaker 1>refers to him as being chained, handcuffed and peglocked and

0:22:35.119 --> 0:22:39.320
<v Speaker 1>he's there in his swimsuit and he jumps off, and

0:22:39.359 --> 0:22:41.720
<v Speaker 1>then a couple of minutes later he appears holding the

0:22:42.359 --> 0:22:45.320
<v Speaker 1>handcuffs and chains triumphantly in his hand and been picked up.

0:22:45.240 --> 0:22:45.840
<v Speaker 3>By a boat.

0:22:45.920 --> 0:22:48.800
<v Speaker 1>So it was all over relatively quickly, as you would imagine,

0:22:48.800 --> 0:22:50.320
<v Speaker 1>because he's holding his breath underwater.

0:22:51.359 --> 0:22:53.560
<v Speaker 3>But it created obviously a huge.

0:22:53.359 --> 0:22:56.440
<v Speaker 1>Sensation and a huge amount of publicity for his ongoing shows,

0:22:56.720 --> 0:22:58.800
<v Speaker 1>and that was something he tended to do in most

0:22:59.400 --> 0:23:00.159
<v Speaker 1>parts of the world.

0:23:00.160 --> 0:23:00.639
<v Speaker 3>Did he to it?

0:23:00.720 --> 0:23:03.240
<v Speaker 1>He certainly did it in Sydney as well. One of

0:23:03.280 --> 0:23:06.280
<v Speaker 1>the things that I suspect is probably not true, but

0:23:06.359 --> 0:23:09.000
<v Speaker 1>he's reported much later in papers and in books, is

0:23:09.040 --> 0:23:13.520
<v Speaker 1>that supposedly there was a dead body caught on branches

0:23:13.720 --> 0:23:15.560
<v Speaker 1>at the bottom of the era and he dislodged it.

0:23:15.640 --> 0:23:18.000
<v Speaker 1>But given that it's not reported in the papers, I

0:23:18.000 --> 0:23:20.120
<v Speaker 1>suspect that might be apocryphal.

0:23:20.160 --> 0:23:22.320
<v Speaker 3>But anyway, it's another bit to add to his legend.

0:23:22.760 --> 0:23:24.160
<v Speaker 2>Oh how was ah?

0:23:24.480 --> 0:23:24.640
<v Speaker 3>Now?

0:23:24.640 --> 0:23:27.480
<v Speaker 2>There are photos of his dive in the State Library collection,

0:23:27.520 --> 0:23:28.960
<v Speaker 2>aren't there? Can you tell us about those?

0:23:29.680 --> 0:23:32.040
<v Speaker 1>Yeah, there are there's photos of him sort of leaping in,

0:23:32.119 --> 0:23:35.960
<v Speaker 1>you know, to your photos actually showing him being handcuffed

0:23:35.960 --> 0:23:39.040
<v Speaker 1>by a barly policeman and then leaping into the Era

0:23:40.000 --> 0:23:43.480
<v Speaker 1>and then emerging triumphant being carried with in a rowboat

0:23:43.520 --> 0:23:46.399
<v Speaker 1>back to shore. So that is a great record of

0:23:46.440 --> 0:23:49.439
<v Speaker 1>that event. And obviously you know, twenty thousand people turned up,

0:23:49.440 --> 0:23:52.159
<v Speaker 1>which was a pretty big crowd for nine hundred and

0:23:52.200 --> 0:23:54.199
<v Speaker 1>ten to come and just crowd around the Era to

0:23:54.200 --> 0:23:55.920
<v Speaker 1>watch this man jump into the river and a few

0:23:55.920 --> 0:23:56.840
<v Speaker 1>minutes later appear.

0:23:57.640 --> 0:24:00.320
<v Speaker 3>So I did create a huge sensation in Melbourne and.

0:24:00.280 --> 0:24:02.240
<v Speaker 2>You can only imagine how many of those people then

0:24:02.320 --> 0:24:04.639
<v Speaker 2>would have gone out to buy tickets to the show

0:24:04.680 --> 0:24:06.480
<v Speaker 2>that night or over the next few days.

0:24:06.840 --> 0:24:09.240
<v Speaker 1>Absolutely, I mean, it was a brilliant piece of publicity

0:24:09.280 --> 0:24:11.160
<v Speaker 1>that he did in so many cities, and it got

0:24:11.200 --> 0:24:15.640
<v Speaker 1>him enormous press coverage and just you know, absolutely would

0:24:15.640 --> 0:24:16.920
<v Speaker 1>have prompted ticket sales.

0:24:17.040 --> 0:24:19.960
<v Speaker 2>So Andrew, just thinking about what the Yarraw River was

0:24:20.280 --> 0:24:23.120
<v Speaker 2>like in nineteen ten, that in itself must have been

0:24:23.200 --> 0:24:24.840
<v Speaker 2>quite the hazard for Houdini.

0:24:25.359 --> 0:24:27.480
<v Speaker 1>It would have been an enormous hazard, I would think,

0:24:27.520 --> 0:24:30.399
<v Speaker 1>because at that stage, there were of course lots of

0:24:30.440 --> 0:24:33.480
<v Speaker 1>factories along the Arrow in Collingwood, and lots of their

0:24:33.480 --> 0:24:35.440
<v Speaker 1>whatever they were using would end up in the Ara,

0:24:35.600 --> 0:24:38.280
<v Speaker 1>So it was a very fetid body of water, certainly

0:24:38.320 --> 0:24:40.320
<v Speaker 1>not as clean as it is today. So I think

0:24:40.359 --> 0:24:41.960
<v Speaker 1>if he escaped in a couple of minutes, that would

0:24:41.960 --> 0:24:43.439
<v Speaker 1>have been a very good thing, because I don't think

0:24:43.480 --> 0:24:45.600
<v Speaker 1>you'd want to spend too much time in the water

0:24:45.600 --> 0:24:48.400
<v Speaker 1>because it was a very very polluted waterway at that stage.

0:24:48.480 --> 0:24:50.720
<v Speaker 2>Did he tour us through a regional Victoria or was

0:24:50.720 --> 0:24:52.560
<v Speaker 2>he really just traveling through the big cities?

0:24:52.880 --> 0:24:55.200
<v Speaker 1>Well, really only Melbourne and Sydney. So he did about

0:24:55.520 --> 0:24:58.560
<v Speaker 1>a month or so in Melbourne and then similar in Sydney,

0:24:58.800 --> 0:24:59.840
<v Speaker 1>and similar shows.

0:25:00.040 --> 0:25:00.600
<v Speaker 3>Did different things.

0:25:00.640 --> 0:25:02.320
<v Speaker 1>I mean, one of the things that he always did

0:25:03.080 --> 0:25:06.000
<v Speaker 1>was to encourage the public, and again this is a

0:25:06.000 --> 0:25:09.320
<v Speaker 1>great publicity thing. Through the newspapers, he would challenge the

0:25:09.359 --> 0:25:12.560
<v Speaker 1>public to come up with some sort of trick that

0:25:12.720 --> 0:25:14.879
<v Speaker 1>or something that would contain him that he would be

0:25:14.880 --> 0:25:17.280
<v Speaker 1>able to get out of, and various people did that.

0:25:17.280 --> 0:25:18.560
<v Speaker 3>You had sailors who.

0:25:19.960 --> 0:25:21.960
<v Speaker 1>Challenged him to get out of knots that they would

0:25:21.960 --> 0:25:24.600
<v Speaker 1>time in, and he took up that challenge and of

0:25:24.600 --> 0:25:28.680
<v Speaker 1>course he did it successfully. He had another one where

0:25:28.800 --> 0:25:32.000
<v Speaker 1>a group of carpenters built a packing case and he

0:25:32.160 --> 0:25:34.680
<v Speaker 1>to do with his publicity. He created this poster about

0:25:34.680 --> 0:25:38.520
<v Speaker 1>a challenge to Houdini, the undersigning expert carpenters and joiners

0:25:38.520 --> 0:25:41.159
<v Speaker 1>here by challenge you to allow us to constructure large

0:25:41.160 --> 0:25:43.880
<v Speaker 1>and secure packing case from one inch tim by making

0:25:44.000 --> 0:25:45.720
<v Speaker 1>use of two and a half and three inch flat

0:25:45.760 --> 0:25:49.159
<v Speaker 1>headed wire nails. So and then they said they were

0:25:49.160 --> 0:25:52.520
<v Speaker 1>going to box that and rope it and nail the ropes,

0:25:53.000 --> 0:25:55.119
<v Speaker 1>and he had it on his poster, and then a

0:25:55.160 --> 0:25:58.560
<v Speaker 1>few days later he appeared on stage secure it in

0:25:58.560 --> 0:26:02.520
<v Speaker 1>this box, was put over the front and the band played,

0:26:02.880 --> 0:26:05.080
<v Speaker 1>and then he escaped. In about eleven minutes or so,

0:26:05.119 --> 0:26:07.280
<v Speaker 1>he'd escaped from that box. And I'm not sure how

0:26:07.280 --> 0:26:09.640
<v Speaker 1>he did that, because I think they were fairly genuine challenges,

0:26:09.680 --> 0:26:12.119
<v Speaker 1>and some of them in other parts of the world

0:26:12.119 --> 0:26:15.240
<v Speaker 1>did really challenge him. There was one occasion where somebody

0:26:15.280 --> 0:26:18.680
<v Speaker 1>constructed these almost unbreakable handcuffs and it took him about

0:26:18.680 --> 0:26:20.000
<v Speaker 1>an hour and a half to get out, and when

0:26:20.000 --> 0:26:22.560
<v Speaker 1>he got out his hands were all blooded. So he

0:26:22.640 --> 0:26:24.960
<v Speaker 1>usually was fairly careful to only take challenges that he

0:26:25.040 --> 0:26:27.640
<v Speaker 1>was fairly sure of getting out of. He would often

0:26:27.680 --> 0:26:33.520
<v Speaker 1>inspect the proposed challenge apparatus beforehand, but they were still

0:26:33.560 --> 0:26:35.880
<v Speaker 1>you know, these were still I think, pretty genuine challenges.

0:26:35.960 --> 0:26:38.959
<v Speaker 1>So whatever tricks he had, and he did have tricks,

0:26:39.000 --> 0:26:44.479
<v Speaker 1>but he was extraordinary at extraordinary dexterity and athleticism and

0:26:44.520 --> 0:26:47.200
<v Speaker 1>also bravery to be able to get out of these

0:26:47.280 --> 0:26:49.119
<v Speaker 1>sort of vines that he was placed in.

0:26:49.960 --> 0:26:52.440
<v Speaker 2>We'll leave part one there for now, but come back

0:26:52.440 --> 0:26:55.800
<v Speaker 2>tomorrow for part two of the story of Harry Houdini

0:26:56.119 --> 0:27:06.080
<v Speaker 2>and our final episode of In Black and White. Thanks

0:27:06.080 --> 0:27:08.520
<v Speaker 2>for listening. This has been In Black and White, a

0:27:08.560 --> 0:27:12.920
<v Speaker 2>podcast about some of Australia's forgotten characters, written and hosted

0:27:12.960 --> 0:27:16.560
<v Speaker 2>by me Jen Kelly, edited by Harry Hughes, and produced

0:27:16.560 --> 0:27:19.639
<v Speaker 2>by John Tyburton. You can find all the stories and

0:27:19.680 --> 0:27:23.560
<v Speaker 2>photos associated with our episodes at haroldsun dot com dot

0:27:23.600 --> 0:27:28.760
<v Speaker 2>au slash ibaw. If you've enjoyed this podcast, we'd love

0:27:28.760 --> 0:27:31.919
<v Speaker 2>you to leave a five star rating on Apple Podcasts.

0:27:32.280 --> 0:27:35.600
<v Speaker 2>Even better, leave a review. It's one simple way you

0:27:35.600 --> 0:27:37.840
<v Speaker 2>can help us get the word out to more listeners.

0:27:38.440 --> 0:27:41.919
<v Speaker 2>Any comments or questions please email me at In Black

0:27:42.000 --> 0:27:47.480
<v Speaker 2>and White at Heroldsun dot com dot au. Any clarifications

0:27:47.560 --> 0:27:50.240
<v Speaker 2>or updates will appear in the show notes for each

0:27:50.240 --> 0:27:51.040
<v Speaker 2>episode