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Speaker 1: Ritchie Podcast member with Kate Richie.

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Speaker 2: Welcome to the Tuesday podcast Choose Kate, you have found

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Speaker 2: something out about another.

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Speaker 3: Podcast that you want to bring up in this podcast today.

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Speaker 4: That's correct, And I didn't even know whether to bring

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Speaker 4: it to our show or whether it was a conversation

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Speaker 4: I needed to have quietly with Whipper in the office.

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Speaker 4: But I figured if you were talking about it on

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Speaker 4: the Imperfect podcast.

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Speaker 1: Then you think it's open slather with open book. Should

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Speaker 1: I say, there we go?

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Speaker 4: That is a very good open slather book which fits

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Speaker 4: the segway the slather.

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Speaker 3: Okay, he's written a book.

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Speaker 5: Is well, apparently he's written a book.

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Speaker 4: He said that he gave an erotic novel to Ryan

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Speaker 4: Shelton and he wrote it. It was it's all his own,

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Speaker 4: you know, homegrown fantasies.

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Speaker 1: Because the word slather in the book, Slather isn't in

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Speaker 1: the book. The book is also not about Ryan about leather.

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Speaker 1: Lather is not in the lather lather, gather, leather, leather.

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Speaker 1: Maybe in the book. You'd have to read it, Kate Richie.

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Speaker 1: What's exciting is to think, Kate, that we could hear

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Speaker 1: from you doing a bit of reading from the book.

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Speaker 5: I mean, I don't know. That's we haven't negotiated, right,

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Speaker 5: are a.

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Speaker 1: Very large fee. Kate's voices are quite larger.

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Speaker 5: Know about that.

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Speaker 4: Let's just show let's just break down the book. Let's

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Speaker 4: just have a little Can I just get a little

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Speaker 4: bit sent to me.

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Speaker 5: Maybe to have a look.

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Speaker 1: All right, we'll go from there, see where.

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Speaker 5: We're going to get to the y and Weather with

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Speaker 5: Kate Ritchie podcast.

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Speaker 2: The national anthem for any musician is really well, it's

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Speaker 2: tough to do because you've got to get your voice

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Speaker 2: up high. You don't want to forget any of the lyrics.

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Speaker 5: Hi, it's an honor though, wouldn't it be a bit

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Speaker 5: to be usked?

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Speaker 1: Oh yeah, because it's a ceremonial event. If you're doing

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Speaker 1: the national anthem, it's an event of importance.

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Speaker 2: One of the hardest national anthems around the world would

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Speaker 2: have to be the Star Spangled Banner, wouldn't it without

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Speaker 2: a doubt, because you've got to get up really high

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Speaker 2: at the end. You gotta you gotta build, you know

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Speaker 2: what I mean. And over in the States, some of

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Speaker 2: the artists have had a real cracket it. I mean, Fergie,

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Speaker 2: she wanted to put her.

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Speaker 3: Mark on it.

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Speaker 2: You don't remember for Black Eyed Jays, this was Fergie

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Speaker 2: doing it.

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Speaker 5: Sad Jus star.

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Speaker 2: Spangled you reckon she win Flora. What about Chuka Kahan?

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Speaker 2: Remember Chuka Kahan? She had a real crack at it

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Speaker 2: as well.

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Speaker 1: Said sauce Vegel.

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Speaker 6: Yeah, because every want drug.

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Speaker 5: I think less less is more some kids.

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Speaker 2: See The thing is, I mean, Jackie Kahan and Fergie

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Speaker 2: have got amazing voices and they can get it up

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Speaker 2: on you. But when Flavor fla from Public Enemy was

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Speaker 2: asked to perform at the Milwaukee Bucks game over the weekend,

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Speaker 2: I mean, Flavor Flavor is a rapper.

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Speaker 3: Do you know him from Public Enemy?

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Speaker 6: I mean this is did you do a version?

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Speaker 7: This is what I thought he was going to do well,

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Speaker 7: But he's gone for it, and he said exited him

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Speaker 7: tweet afterwards he said that was fun.

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Speaker 2: I can't live my life worried about what people might

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Speaker 2: say about me. I won't let that stop me from

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Speaker 2: trying new things and doing things I want to do.

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Speaker 2: Some people might not like that, but a sure failure

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Speaker 2: is if you do stop trying.

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Speaker 1: That's true.

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Speaker 2: So when they asked him to do it, he went

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Speaker 2: for it. This is this is flavor Flavor at the

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Speaker 2: end of the Star Spangled banner, Oh.

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Speaker 1: Does b store spacegle span.

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Speaker 5: With all the land, the three.

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Speaker 8: That's so bad it's away and there.

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Speaker 1: We got the bread.

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Speaker 5: You know, bodies like I haven't done it before. I

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Speaker 5: don't want to die not knowing whether I.

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Speaker 3: Could, and I'll never do it.

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Speaker 2: If you've been waiting to skip school holiday crowds for

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Speaker 2: your next trip, now's your chance.

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Speaker 1: Take a sneaky weekend with what if dot com.

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Speaker 5: Just imagine all those empty beaches.

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Speaker 1: Book accommodation and more on the what if what if

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Speaker 1: it's ouzzy for travel.

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Speaker 4: I wanted to bring up something this morning. I was

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Speaker 4: listening to a podcast the other day. We've actually had

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Speaker 4: Hugh Van Yes from the Imperfect. I don't know if

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Speaker 4: you've listened to much of it, FITZI, but to our

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Speaker 4: very own or whipper was he was on one of

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Speaker 4: the episodes.

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Speaker 5: It was actually really nice.

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Speaker 1: Thank you.

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Speaker 5: I have to say I did a lap around Centennial

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Speaker 5: Park and how to listen to you talking about job

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Speaker 5: with Ryan Shelton. Yes, Ryan Shelton, you did radio with

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Speaker 5: Ryan Yes, yep?

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Speaker 1: Where was that at Nova?

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Speaker 5: How many years on this on this station?

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Speaker 9: No, I wasn't.

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Speaker 5: I think it was in betwe wasn't in between when

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Speaker 5: I did American rosso and then when I came back.

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Speaker 1: I'm not across your career. I'm visits some stuff on TV,

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Speaker 1: but I think you've.

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Speaker 5: Spoken a lot.

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Speaker 4: I don't know what your name is, No, but I

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Speaker 4: wanted to ask you about it because a lot of

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Speaker 4: a lot of what was on the podcast was actually

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Speaker 4: quite emotional, and you talked about your mental health and

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Speaker 4: all of that. And I have to say, I've been

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Speaker 4: meaning to listen to it for a while. You know

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Speaker 4: what whips like. It tends to kind of bug you.

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Speaker 4: If you haven't taken interest, taken an interest in.

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Speaker 3: His career, he'll keep emailing you.

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Speaker 2: Yeah, have you listened to the Bodo? I haven't listened

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Speaker 2: your favorite listen to the whole thing first five minutes

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Speaker 2: and then I tuned out.

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Speaker 3: It's great.

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Speaker 1: That is good. It's a great episode.

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Speaker 5: There was But what was your favorite bit? Was it

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Speaker 5: the bit at the end that I'm.

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Speaker 2: About it was telling you about I thought the introduction

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Speaker 2: to it it was really good and then thanks for

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Speaker 2: joining us today subscribe at the end, and then I

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Speaker 2: drifted off.

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Speaker 4: No, there was something you spoke about at the end,

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Speaker 4: which I wanted to talk to you about, and I

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Speaker 4: knew Fitzy wouldn't be across it.

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Speaker 5: I knew FITZI hadn't listened to it.

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Speaker 4: But it was something that you were talking to Ryan

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Speaker 4: Shelton about. And I don't know why it hasn't kind

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Speaker 4: of made the Daily Mail or whether we why we

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Speaker 4: haven't spoken about it previously.

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Speaker 5: And it was something that you gave him happen. Yeah,

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Speaker 5: you have a listen.

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Speaker 10: I've done something creatively I've never spoken to anybody about,

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Speaker 10: but I have it here gift wrapped for you.

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Speaker 1: A book of some sort. Why it's soft paperback. Yeah.

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Speaker 10: I wrote an erotic novel called The Far Too Personal Trainer.

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Speaker 10: Have you seen how many people in the idiot have

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Speaker 10: been writing kids books? Who's writing for the adult His

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Speaker 10: name's Ben Holder and he's in love with this girl

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Speaker 10: called Emily Shine. But his reputation is terrible. He's a

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Speaker 10: pig of a man because he trains these women. They

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Speaker 10: start to feel good and then all of a sudden

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Speaker 10: they think about who made them feel good?

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Speaker 6: Then?

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Speaker 5: Did Now, why haven't we heard about Ben Holden before?

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Speaker 1: Was wondering, But do you know what was proof.

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Speaker 4: What I think is hilarious is you've probably been asking

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Speaker 4: Fitzi what he thought of the podcast, and if he'd

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Speaker 4: actually listened, surely, surely he would have brought up the

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Speaker 4: erotic novel before.

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Speaker 5: Have you heard about this?

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Speaker 11: No?

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Speaker 3: I did. Someone did mention something to me. I haven't

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Speaker 3: listened to it.

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Speaker 1: Explain something.

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Speaker 5: Have you written an erotic novel or is it a joke?

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Speaker 1: It's a novel about a guy who's growing up. Yes,

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Speaker 1: I have written.

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Speaker 3: How many parts?

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Speaker 1: You writing a book? You can't read a book?

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Speaker 5: Even Nagella Lawson knew that.

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Speaker 1: Yeah, it's like an erotic fiction. And it's a story

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Speaker 1: like it says an that audio about a guy Ben.

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Speaker 1: But Ben goes through because he's training these girls and

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Speaker 1: he's a good looking guy. He's twenty six years old,

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Speaker 1: blonde hair, six foot two. He lives with his mate.

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Speaker 1: And it's a story based here. And this was like

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Speaker 1: twenty fourteen. I wrote this book.

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Speaker 5: And how many pages is it? And how many copies

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Speaker 5: of it are there?

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Speaker 1: There's no copies?

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Speaker 5: Well, who did you give one to write?

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Speaker 1: But I just printed it?

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Speaker 3: Did someone write it for you?

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Speaker 11: No?

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Speaker 6: I wrote it.

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Speaker 5: There's a ghostwriter.

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Speaker 1: This is not about me. It's a made up story

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Speaker 1: about this guy. But then the thing is, what you

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Speaker 1: learned through the book is the reason he doesn't treat

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Speaker 1: people very well is because he got his heart broken

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Speaker 1: because he did the wrong thing to this girl, Emily Shine,

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Speaker 1: that he's in love with, but she goes off and

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Speaker 1: marries somebody else. So it's a story of personal growth.

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Speaker 1: We're the lead a bit of naughty stuff.

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Speaker 5: I hope you haven't written this at work because I don't.

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Speaker 1: Think he's fitcase. Sorry, As an author, I ask you

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Speaker 1: to step back and don't cheapen. What is it has

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Speaker 1: to be a personal side too, there's no personal you

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Speaker 1: have to.

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Speaker 4: Because if you're writing anything, even when I just couldn't

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Speaker 4: wait to meet you, that was about the arrival of

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Speaker 4: my daughter, if you're writing about a guy who's had

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Speaker 4: his heart broken and then treats everyone like rubbish and

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Speaker 4: thinks he's a bit of all.

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Speaker 1: Right, okay, what do you think I have in common

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Speaker 1: with a six foot two blonde personal trainer.

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Speaker 3: Well, Lebillo, No, it's the person that you want to be.

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Speaker 1: Nah, this guy's a bit of a shocker.

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Speaker 5: Can I say this? There's money in there is big

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Speaker 5: money in erotic novels.

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Speaker 3: Interesting meals or boon interesting.

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Speaker 1: You mention that because at the time that I wrote,

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Speaker 1: and I'll be completely honest to you, I think I

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Speaker 1: read an article that said something like, fifty Shades of

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Speaker 1: Gray makes a million dollars every four hours? Is that true?

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Speaker 1: And I went, I could do that. It's all about

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Speaker 1: making money, it is.

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Speaker 5: Is this another hair brain idea?

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Speaker 1: You thought I could do that?

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Speaker 5: Fifty Shades of Gray's like that. You still haven't told

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Speaker 5: me how many pages?

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Speaker 1: It's like two hundred.

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Speaker 5: Print.

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Speaker 3: How erotic does it get? It's erotic? What do you see?

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Speaker 1: If you can imagine it? It's in the book? What

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Speaker 1: you what detail?

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Speaker 2: Where did you think that you could write an erotic

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Speaker 2: novel and earn a million dollars every forty minutes?

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Speaker 12: Do you know?

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Speaker 5: Though? I was talking and this is Lily, my makeup

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Speaker 5: artist I work with sometimes.

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Speaker 3: Does she want to go that was his ex girlfriend?

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Speaker 5: No, well, maybe we were laughing the other day.

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Speaker 4: I mean not laughing at them, but like talking about

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Speaker 4: the fact that they're like people do erotic novel like

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Speaker 4: book swaps and things like that like this. I think

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Speaker 4: if we have a little Tommy get onto it now

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Speaker 4: like a Mossman Moss then mothers exchange the erotic novels.

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Speaker 1: Isn't it?

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Speaker 3: Isn't it a boomer thing?

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Speaker 12: Like?

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Speaker 5: Isn't it?

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Speaker 3: A young girls?

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Speaker 12: Right?

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Speaker 3: Reading? Massive? Stand that? But Mills and Boone Mum used

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Speaker 3: to read that with Was that erotic?

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Speaker 5: Or was that just romantic?

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Speaker 3: Mills and Boone was very.

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Speaker 1: Is there a difference between erotic and romantic? I suppose

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Speaker 1: so The Far two Personal Trainer has both.

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Speaker 5: Both romance and a lot of loving?

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Speaker 3: Can we use Can I pitch it? Did you pitch

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Speaker 3: it to anyone?

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Speaker 12: No?

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Speaker 1: I don't do anything with that.

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Speaker 5: Where have you got a copy at home? Don't tell

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Speaker 5: me there's one in the office, because that's gross.

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Speaker 3: Is there a publisher that we can actually send it to?

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Speaker 13: Tom?

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Speaker 6: Tom?

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Speaker 9: Well?

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Speaker 3: Would you? Would you?

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Speaker 1: Would you let us read some? If I'm not reading,

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Speaker 1: you could read some?

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Speaker 11: No?

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Speaker 3: No, you brought this up. Now you have to read them. No,

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Speaker 3: I'm sorry you are.

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Speaker 5: I'm not reading out whippers fantasy.

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Speaker 1: It's it's not my fantasy. It's a story, Kate.

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Speaker 3: I'm a writer.

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Speaker 1: To create, you need a vision first, So you love

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Speaker 1: been thinking about it? If you wanted to write a

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Speaker 1: novel or a story about war. Then you would creatively

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Speaker 1: think what it was like in war, and you would

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Speaker 1: detail what you thought it would be.

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Speaker 3: You have you have no experience at all at war.

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Speaker 1: I know I none at all, But if you took

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Speaker 1: yourself there creatively, you would paint a picture. And as

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Speaker 1: an artist, as an author, That's what I've done in

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Speaker 1: the far two person train.

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Speaker 5: I think we need to be the church Kate, Richie,

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Speaker 5: what if.

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Speaker 1: You and I'm also picking up fourteen.

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Speaker 3: Must have been a.

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Speaker 1: Tommy who could read their book clubs out there. If

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Speaker 1: there's a let's see how.

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Speaker 5: Many stars it might get out there in the suburbs.

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Speaker 1: The Sydney Book Society. Guys they read rac Let's.

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Speaker 3: Jane Carroll or something like that.

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Speaker 1: Kate needs to this time tomorrow.

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Speaker 3: Why don't we read the.

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Speaker 1: Part Tommy. Maybe you're in charge of censor, Okay, so

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Speaker 1: tom can be like, sure, why is it that bad?

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Speaker 12: Oh?

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Speaker 1: It's got everything?

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Speaker 11: Well?

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Speaker 1: Is it that creative? Is what you're seeing?

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Speaker 3: So the intimacy you go into explicit details.

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Speaker 1: It's an erotic novel.

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Speaker 3: Ryan, you are a sick out, but you're going.

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Speaker 6: To say so did I?

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Speaker 1: And with Kate Richie Podcast every time it hits Sunday night.

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Speaker 1: Ted turns to me and says, isn't the weekend longer?

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Speaker 1: What do we have three days off and then you

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Speaker 1: can just work for four And I said, oh mate,

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Speaker 1: you've just ended a bigger debate than you know.

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Speaker 5: Ted's the Prime Minister.

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Speaker 1: Oh my god, vote one eighty eight percent of companies,

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Speaker 1: so their workforce is still highbred means some coming in,

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Speaker 1: some stay at home, come in one day, come in

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Speaker 1: the next day.

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Speaker 3: It's going to continue and I can't see it changing.

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Speaker 1: I mean, it's a running joke on a Friday fits.

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Speaker 1: It's very funny. Fits. He walks out. We finished a

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Speaker 1: shot at nine. He walks out of the open plan

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Speaker 1: floor and says, hey, everybody, no one in here. You

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Speaker 1: like the show this morning, there, guys, which is the

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Speaker 1: same response that we get when there is people in

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Speaker 1: the office.

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Speaker 5: Exactly, they are listening. They don't even look up.

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Speaker 1: What's the rule in here at the moment? Monday Friday,

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Speaker 1: don't bother.

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Speaker 2: Yeah, that's kind it is, and that's the no one

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Speaker 2: I mean, no one's going. No one's Mondays. You're not

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Speaker 2: going into work on a Monday. If you have the

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Speaker 2: opportunity to work from home.

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Speaker 5: Don't you want to kick the week off? I mean,

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Speaker 5: you don't need to kind of studies into the week

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Speaker 5: having mondays.

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Speaker 2: We say that because we have to come into work, right,

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Speaker 2: But if you had the option, I know exactly what

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Speaker 2: which one you would pick?

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Speaker 5: No, I think you love a Monday to get into

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Speaker 5: the workplace. Yesterday, for example, I was I went to

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Speaker 5: Coujie before I did school pickup. I took a photo

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Speaker 5: of the beach. The amount of.

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Speaker 1: People on the beach chockers.

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Speaker 4: Monday absolutely packed full of people, And I thought, what

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Speaker 4: doesn't everyone have a job?

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Speaker 1: Anyone working like a people there on laptops.

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Speaker 3: Okay, can I throw this out there?

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Speaker 2: Thirteen twenty fourteen, if you were working from home yesterday

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Speaker 2: and went to the beach, yeah, it's thirty three degrees.

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Speaker 5: But you would have pre planned that. You were telling

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Speaker 5: us it was going to be thirty two on Monday.

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Speaker 3: On Friday, Well, if you can get all your stuff

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Speaker 3: out of the way early or do it later, why

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Speaker 3: can't you spend a few hours down at the bat.

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Speaker 1: The other one they said is twenty percent of people

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Speaker 1: are quitting their jobs when told they have to come

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Speaker 1: back in. Oh, they said, actually, don't worry about it.

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Speaker 1: If you want job, if you want me in the office,

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Speaker 1: I need something more flexible and I'll find that elsewhere. Well,

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Speaker 1: but thanks very much.

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Speaker 3: I agree.

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Speaker 2: It's the first time that employees have basically had rights,

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Speaker 2: haven't they.

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Speaker 1: Thirteen twenty fourteen? If you did quit when you were

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Speaker 1: told you had to come back into work, well.

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Speaker 3: See, this is the thing. Is that going to last?

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Speaker 3: Because that's what it will come down to, because you

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Speaker 3: can go for a job.

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Speaker 2: Now, you can go for a job interview and then

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Speaker 2: say well can I work from home two days a

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Speaker 2: week or one day a week? And if they deny it,

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Speaker 2: there's a lot of people now going well okay, noways

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Speaker 2: will go to the next job.

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Speaker 3: Yeah, where up the road and do it.

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Speaker 2: Whereas you know, when we were growing up back in mind,

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Speaker 2: you would beg just to have a job. I will

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Speaker 2: do anything that you want. I'll do over time or whatever.

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Speaker 2: Just say you can give me a job.

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Speaker 3: Do you think how they have rights?

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Speaker 4: Is it no one should have rights? Do you think

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Speaker 4: that it's people with children that they still like going

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Speaker 4: to the office. Do you think it's single, single people

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Speaker 4: or people without children? Who liked to work from home

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Speaker 4: because they can. You know, the household is purely theirs,

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Speaker 4: which if you've got kids at home, it's very it's

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Speaker 4: I think it's a little harder to get focused.

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Speaker 1: Well, I'm going to be distracted, made of mind. He

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Speaker 1: works for a sporting a betting agency. Anyway, he was

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Speaker 1: interviewing people for a new role, and the kid turned

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Speaker 1: up and sat down in front of him, and he said,

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Speaker 1: why should I work for you? Tell me what sell

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Speaker 1: to me why I should.

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Speaker 3: Work for you.

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Speaker 1: Hang on a minute, sell to me why I should

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Speaker 1: employ you.

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Speaker 3: Oh, it's changed.

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Speaker 1: And then after the inter you the kid rang the

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Speaker 1: guy back and said, I've decided to not work for you.

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Speaker 1: I've decided I'll move on from the offer. But see

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Speaker 1: on the offer wasn't even on the table.

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Speaker 2: On the flip side of that, if you're smart and

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Speaker 2: you have a good work ethic and you want to

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Speaker 2: work your way up in a company, now is the

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Speaker 2: perfect opportunity to go into an office, get a job,

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Speaker 2: set up your disk around where the CEO is or.

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Speaker 3: The boss is. Just turn up and just turn up

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Speaker 3: Monday to Friday and do overtime.

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Speaker 2: You'll be the only one that he gets or she

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Speaker 2: gets to see and bang, you're getting promotion.

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Speaker 1: Not long ago, okay fits in. I went out to

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Speaker 1: Optus Land to speak to Ash Barty. Anyway, Optus on

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Speaker 1: a Wednesday, they put on a big show. So you

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Speaker 1: can work from home, but you've got to come in.

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Speaker 1: It's compulsory to be there on a Wednesday. So on

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Speaker 1: a Wednesday they have bands at lunchtime. They have a

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Speaker 1: great spread of furs, a different worldca free thing there.

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Speaker 1: So nobody wakes up on a Wednesday morning thinking I

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Speaker 1: don't want to go to work time.

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Speaker 5: This is an hum day. I'm winning.

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Speaker 1: It's a party to have their own canteen and a

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Speaker 1: mode of coffee. It's start going there on Wednesdays.

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Speaker 2: There's a basketball court. I'm talking into the UFC after

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Speaker 2: government and noted down, but I.

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Speaker 1: Still had fun because it was a Wednesday, thirteen twenty fourteen.

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Speaker 1: Get involved if you've decided to pull a pin on

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Speaker 1: your work because they told you to come back in

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Speaker 1: love to hear from you. Daniel and Hurstville, what's your story,

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Speaker 1: Danny boy?

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Speaker 14: Hi there?

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Speaker 15: Yeah, So I'm a parent and I actually like playing

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Speaker 15: at home to look up to make his while I'm

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Speaker 15: working on the laptop yep. Whereas if I were single,

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Speaker 15: I think I will be in the office five days

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Speaker 15: a week.

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Speaker 5: You're saying a bit more social.

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Speaker 3: How does your How does your employers go with that? Daniel?

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Speaker 3: Do they want you back in the office more?

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Speaker 8: Yeah?

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Speaker 13: So.

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Speaker 15: Funnily enough, my boss he's got this trick where he

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Speaker 15: doesn't put on the team's chat sorry, the team's meeting

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Speaker 15: detail until the morning of the meeting, so everyone will

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Speaker 15: be thinking that that's being person meeting and then they's

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Speaker 15: ente up to and he put on the team the templing.

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Speaker 1: He's not having there either, Daniel. He's not turning up either.

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Speaker 5: That's very tricky, isn't it?

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Speaker 3: Would you, Daniel if they said to you, here's one

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Speaker 3: for you.

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Speaker 2: If they said, Daniel, you have to come into the

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Speaker 2: office five days a week, would you leave and go

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Speaker 2: find another job?

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Speaker 15: I reckon? So yeah, I mean there's so many jobs

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Speaker 15: out there that off they standing.

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Speaker 1: Yeah, I think you, Daniel's are bricky and still getting

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Speaker 1: the job done, very clever man.

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Speaker 8: It fits with Kate Ritchie podcast.

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Speaker 2: We are joined by Kate Ritchie in the studio, but

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Speaker 2: we're also trying to get a very good friend.

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Speaker 3: Up on the screen.

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Speaker 1: Oh this is Kate Langbrook.

455
00:20:43,960 --> 00:20:49,040
Speaker 12: Pretty are you are about to be in a Kate sandwich?

456
00:20:50,840 --> 00:20:52,440
Speaker 5: I love that good morning.

457
00:20:54,119 --> 00:20:58,840
Speaker 1: I loved you very I hadn't actually considered how lucky

458
00:20:58,960 --> 00:21:02,480
Speaker 1: I was. Kateline Brook, can we talk about your mum

459
00:21:02,560 --> 00:21:04,920
Speaker 1: my dad? Season two? This is all about you? Which

460
00:21:04,960 --> 00:21:05,480
Speaker 1: I ask you?

461
00:21:05,680 --> 00:21:05,920
Speaker 11: Do? You know?

462
00:21:06,080 --> 00:21:09,080
Speaker 1: The funny thing about this show is to me, it

463
00:21:09,280 --> 00:21:13,680
Speaker 1: represents a public version of every kid's nightmare. And that's

464
00:21:13,760 --> 00:21:16,080
Speaker 1: the idea of you walking in on your mum and

465
00:21:16,200 --> 00:21:17,560
Speaker 1: dad possibly doing something.

466
00:21:17,880 --> 00:21:22,040
Speaker 12: Well, it's true, isn't it. And yes, here is the irony.

467
00:21:22,800 --> 00:21:26,440
Speaker 12: It's the children who have nominated their parents to go

468
00:21:26,600 --> 00:21:29,359
Speaker 12: on this show. And in many ways I think the

469
00:21:29,480 --> 00:21:32,840
Speaker 12: kids are much more onto things than the parents are,

470
00:21:33,280 --> 00:21:36,399
Speaker 12: which is probably fair enough, because the kids are dating,

471
00:21:36,600 --> 00:21:39,560
Speaker 12: whereas the parents have largely not all of them, some

472
00:21:39,680 --> 00:21:44,680
Speaker 12: of them are pins, but the parents have largely given

473
00:21:44,800 --> 00:21:48,119
Speaker 12: up that notion of romantic love and dating. Okay, because

474
00:21:48,119 --> 00:21:51,399
Speaker 12: of the sacrifice of having children. You know, Kate, you

475
00:21:51,640 --> 00:21:53,760
Speaker 12: put sometimes put that on the back burner if you

476
00:21:53,840 --> 00:21:56,399
Speaker 12: find yourself in the situation of being a solo parent.

477
00:21:56,720 --> 00:21:59,800
Speaker 4: Yes, but isn't that nice that the kids seem to

478
00:22:00,000 --> 00:22:04,000
Speaker 4: want their parents to be happy. Well, find love, but

479
00:22:04,640 --> 00:22:09,560
Speaker 4: does love? Does love really create happiness? That's a big question.

480
00:22:11,080 --> 00:22:14,600
Speaker 12: What's happened to you, Kate Richie, You're a jessicated of

481
00:22:14,680 --> 00:22:15,120
Speaker 12: a woman.

482
00:22:17,440 --> 00:22:21,359
Speaker 1: How do we build it back up? It's the alarm cloth,

483
00:22:21,880 --> 00:22:25,240
Speaker 1: you know, Kate Langbrook. What I love about it too

484
00:22:25,680 --> 00:22:28,480
Speaker 1: is that it goes back to basics, like if you're

485
00:22:28,600 --> 00:22:31,640
Speaker 1: dating now and you'll say in your early twenties, it's

486
00:22:31,840 --> 00:22:34,040
Speaker 1: very in your face, I like you. Let's do this

487
00:22:34,840 --> 00:22:38,480
Speaker 1: where our parents kind of what For.

488
00:22:38,680 --> 00:22:43,080
Speaker 12: Example, what would your this be open? A fine bottle

489
00:22:43,119 --> 00:22:44,280
Speaker 12: of shot Blues.

490
00:22:46,240 --> 00:22:50,320
Speaker 1: With the right cheese platter would be lovely while wearing

491
00:22:50,480 --> 00:22:54,560
Speaker 1: the shop We could do that in the back of

492
00:22:54,600 --> 00:22:57,240
Speaker 1: the range rover, hopefully at the polo. There are many

493
00:22:57,280 --> 00:22:59,240
Speaker 1: options of how you can date, Kate.

494
00:22:59,320 --> 00:23:01,720
Speaker 4: I want need to ask you though obviously this is

495
00:23:02,280 --> 00:23:06,720
Speaker 4: series number two, So the first series mum and dad

496
00:23:06,920 --> 00:23:09,440
Speaker 4: or the mums and dads didn't know that the kids

497
00:23:09,520 --> 00:23:13,600
Speaker 4: were watching, whereas I'm guessing now in this series people

498
00:23:13,640 --> 00:23:16,200
Speaker 4: have seen the show, they know what they're signing up for.

499
00:23:16,600 --> 00:23:19,639
Speaker 4: Has that made the behavior of the parents better or worse?

500
00:23:19,920 --> 00:23:25,520
Speaker 16: Okay, bizarrely Kate Richie, it has not affected the behavior

501
00:23:25,600 --> 00:23:29,080
Speaker 16: of the parents at all. It doesn't seem to make

502
00:23:29,080 --> 00:23:32,359
Speaker 16: a difference to them, like they're not editing themselves, and

503
00:23:32,480 --> 00:23:35,080
Speaker 16: in fact, if they were editing themselves, there are some

504
00:23:35,320 --> 00:23:37,960
Speaker 16: parts themselves that some of them would edit out, and

505
00:23:38,080 --> 00:23:40,639
Speaker 16: they haven't. And that comes with a shock to the

506
00:23:41,000 --> 00:23:44,840
Speaker 16: kids who have maybe seen their parents in a different way,

507
00:23:45,119 --> 00:23:48,760
Speaker 16: you know, like true rose tinted glasses, because they're very

508
00:23:48,880 --> 00:23:52,240
Speaker 16: close to their parents of this, but some of them

509
00:23:52,359 --> 00:23:56,000
Speaker 16: see some aspects of their parents that actually shock them

510
00:23:56,040 --> 00:23:58,680
Speaker 16: to their core. And it's not even to do with

511
00:23:58,840 --> 00:24:02,600
Speaker 16: the kissing or the whatever. It's actually to do with

512
00:24:02,680 --> 00:24:05,639
Speaker 16: the essence or an aspect of their parents.

513
00:24:06,960 --> 00:24:07,800
Speaker 12: It's riveting.

514
00:24:08,240 --> 00:24:10,480
Speaker 1: Kate. Can I ask, what is there anything that stands

515
00:24:10,520 --> 00:24:13,720
Speaker 1: out in your mind that your parents saw you in

516
00:24:15,960 --> 00:24:17,960
Speaker 1: it something that was revealing on TV?

517
00:24:19,040 --> 00:24:22,240
Speaker 5: Or is it an on screen creepy I'm surprised in.

518
00:24:22,320 --> 00:24:25,680
Speaker 1: This on screen kiss that may have happened on TV

519
00:24:25,920 --> 00:24:27,480
Speaker 1: that you've done or he.

520
00:24:27,520 --> 00:24:29,920
Speaker 12: Wants Kate Richie, he wants me to talk about Chances

521
00:24:30,240 --> 00:24:33,640
Speaker 12: and that is such ancient history but also a brilliant

522
00:24:33,680 --> 00:24:34,280
Speaker 12: Channel nine.

523
00:24:35,200 --> 00:24:37,680
Speaker 1: Tell me how that show worked and what you did there, Kate.

524
00:24:39,240 --> 00:24:42,200
Speaker 12: You know what, I was an aptoor. I didn't know you,

525
00:24:43,280 --> 00:24:44,480
Speaker 12: and I gave my all.

526
00:24:44,960 --> 00:24:49,200
Speaker 5: Chances was very I wasn't allowed to watch Chances.

527
00:24:48,960 --> 00:24:55,080
Speaker 12: No Channel nine and you're on channel well yeah, and

528
00:24:55,200 --> 00:24:57,600
Speaker 12: you're nothing if not a company.

529
00:24:57,320 --> 00:25:01,800
Speaker 1: Gal straordinary because you then went on to do the

530
00:25:02,440 --> 00:25:04,119
Speaker 1: Spencer Tunic photo shoot, didn't you.

531
00:25:04,200 --> 00:25:04,360
Speaker 12: Kate?

532
00:25:05,000 --> 00:25:05,440
Speaker 1: That's true.

533
00:25:07,040 --> 00:25:10,760
Speaker 12: You seem to be quite familiar with my body of work.

534
00:25:10,840 --> 00:25:12,000
Speaker 2: My rough.

535
00:25:13,680 --> 00:25:19,359
Speaker 12: Girl from Chances Photo Shoes actually asked me for an

536
00:25:19,440 --> 00:25:23,400
Speaker 12: autograph and I said to him, where do you think

537
00:25:23,480 --> 00:25:31,600
Speaker 12: I'm holding a pen like seriously naked photo shoot? If

538
00:25:31,640 --> 00:25:34,000
Speaker 12: people don't know my mum your.

539
00:25:33,960 --> 00:25:36,640
Speaker 1: Dad Season two Premious Night seven thirty on Channel nine

540
00:25:36,880 --> 00:25:39,840
Speaker 1: and nine. Now we love you, Kate Lanebrook and.

541
00:25:39,960 --> 00:25:42,760
Speaker 12: I love you and it's a cracker.

542
00:25:42,560 --> 00:25:47,280
Speaker 5: Okay, tuning in lovely to chat Kate your door Bye Kate.

543
00:25:49,400 --> 00:25:51,200
Speaker 17: With Kate Ritchie Podcast.

544
00:25:52,000 --> 00:25:54,320
Speaker 2: Have you ever made a fool of yourself in front

545
00:25:54,320 --> 00:25:56,520
Speaker 2: of us celebrity before? Because you know, when you get

546
00:25:56,560 --> 00:25:59,000
Speaker 2: that moment you get the courage to actually build up

547
00:25:59,080 --> 00:26:01,080
Speaker 2: and go over and say hello to someone, you can

548
00:26:01,240 --> 00:26:05,399
Speaker 2: just fall apart, Okay, especially when it's someone quite huge thirteen,

549
00:26:05,440 --> 00:26:06,040
Speaker 2: twenty fourteen.

550
00:26:06,040 --> 00:26:07,480
Speaker 3: If this has happened to you before.

551
00:26:07,600 --> 00:26:11,240
Speaker 1: Osborne and his entire family in the Quantus Club, what

552
00:26:11,359 --> 00:26:13,480
Speaker 1: did you do? I went over for a photo and

553
00:26:13,880 --> 00:26:16,959
Speaker 1: a meter from one side, decided to find the courage

554
00:26:17,000 --> 00:26:21,040
Speaker 1: to go over. Huge security jumped up just before I

555
00:26:21,119 --> 00:26:24,760
Speaker 1: got there. Not today. I got a hand to the face.

556
00:26:25,119 --> 00:26:25,600
Speaker 1: Not today.

557
00:26:25,680 --> 00:26:26,080
Speaker 12: Do you know what?

558
00:26:26,720 --> 00:26:29,120
Speaker 2: Do you know? We had in the Corners Club Slash

559
00:26:29,240 --> 00:26:31,399
Speaker 2: from Guns n' Roses. No way, And I said, the

560
00:26:31,880 --> 00:26:34,159
Speaker 2: beja said take the boys over with you, because then

561
00:26:34,200 --> 00:26:35,800
Speaker 2: he will have to get a photo with you if

562
00:26:35,840 --> 00:26:37,800
Speaker 2: you've got the boys with you. So I went over

563
00:26:37,880 --> 00:26:41,000
Speaker 2: and he was sitting his wife was sitting on his lap,

564
00:26:41,280 --> 00:26:42,440
Speaker 2: which is harder as well.

565
00:26:42,920 --> 00:26:46,159
Speaker 3: So it's Slash. We are massive fans as a family.

566
00:26:46,280 --> 00:26:48,200
Speaker 1: Can we get a photo? And as he got he

567
00:26:48,320 --> 00:26:50,840
Speaker 1: was like, I can hear this groan come from him?

568
00:26:51,520 --> 00:26:52,359
Speaker 5: Did he have a pat on?

569
00:26:52,560 --> 00:26:54,639
Speaker 2: Then as he got up, he goes, he looked at

570
00:26:54,680 --> 00:26:57,400
Speaker 2: my two boys, and he goes, your kids, they haven't

571
00:26:57,440 --> 00:26:59,000
Speaker 2: heard one song from the guns?

572
00:27:04,080 --> 00:27:04,440
Speaker 5: Do you know what?

573
00:27:04,520 --> 00:27:12,159
Speaker 1: I had a slash next to Slash? Yes I did, didn't, no,

574
00:27:12,800 --> 00:27:15,959
Speaker 1: not at all. He was in town doing some interviews

575
00:27:16,000 --> 00:27:18,399
Speaker 1: and we'd spoken to him whim that day. If I

576
00:27:18,520 --> 00:27:20,240
Speaker 1: hadn't have done that, I wouldn't have even known it

577
00:27:20,359 --> 00:27:22,159
Speaker 1: was him, because he doesn't get around with a hat

578
00:27:22,200 --> 00:27:22,720
Speaker 1: on the head.

579
00:27:22,840 --> 00:27:24,520
Speaker 4: I was going to say, well, that was like when

580
00:27:24,600 --> 00:27:27,320
Speaker 4: I I know this, I didn't embarrass myself in front

581
00:27:27,359 --> 00:27:30,040
Speaker 4: of him. But the guy from the Cure, Robert Smith,

582
00:27:30,160 --> 00:27:33,879
Speaker 4: Robert Smith were flying quantus and you know, and you

583
00:27:34,280 --> 00:27:35,600
Speaker 4: know that's that's.

584
00:27:35,359 --> 00:27:38,639
Speaker 1: Robert Smith because you can tell from his head and he's.

585
00:27:38,760 --> 00:27:41,679
Speaker 5: A bit of muscum, but he's in his quantous pajamas.

586
00:27:45,000 --> 00:27:48,560
Speaker 5: He wasn't very it wasn't a very rock star anyway.

587
00:27:48,680 --> 00:27:52,400
Speaker 2: We left him to so my mates and I went

588
00:27:52,480 --> 00:27:54,800
Speaker 2: to the Harvest Rock Festival down in Adelaide over the weekend.

589
00:27:54,800 --> 00:27:57,200
Speaker 2: I had some great bands, Ni Rogers, played Chic and

590
00:27:57,520 --> 00:27:59,879
Speaker 2: Freak Out. There were some really good acts and the

591
00:28:00,160 --> 00:28:03,320
Speaker 2: main act, the headliner on the Saturday night, was Jamiroqui

592
00:28:03,400 --> 00:28:05,600
Speaker 2: and I loved jamiroque in the nineties.

593
00:28:06,520 --> 00:28:07,359
Speaker 1: He was the best.

594
00:28:07,480 --> 00:28:09,640
Speaker 3: I mean, my favorite song was Corner of the Earth.

595
00:28:09,680 --> 00:28:12,240
Speaker 2: The guy's got an amazing voice, and as he's got older,

596
00:28:13,359 --> 00:28:14,560
Speaker 2: his voices got better.

597
00:28:15,359 --> 00:28:18,359
Speaker 1: Yeah, I think he was on fire. Saturday night.

598
00:28:18,400 --> 00:28:18,879
Speaker 3: It was awesome.

599
00:28:18,960 --> 00:28:21,399
Speaker 5: Remember he was married to that lovely Denise fan out.

600
00:28:21,880 --> 00:28:25,399
Speaker 1: Yes, Denise Drasta, and he loved he loved.

601
00:28:25,240 --> 00:28:27,520
Speaker 2: Fast cars, and he blew a lot of money. But

602
00:28:27,760 --> 00:28:30,320
Speaker 2: he's back now, Jamiroquai. And there was a moment when

603
00:28:30,440 --> 00:28:33,240
Speaker 2: Nile Rodgers was on. I didn't know this, but backstage

604
00:28:34,720 --> 00:28:37,399
Speaker 2: the whispers were going around that Jamiroquai is here to

605
00:28:37,480 --> 00:28:39,800
Speaker 2: see Nia Rogers side of stage. So I had a

606
00:28:39,920 --> 00:28:41,600
Speaker 2: drink in my hand, I was talking to a mate.

607
00:28:41,600 --> 00:28:44,440
Speaker 2: We had our heads down, similar to justin Bieber over

608
00:28:44,480 --> 00:28:47,960
Speaker 2: in Coachella. All of a sudden, I've looked up JK.

609
00:28:48,160 --> 00:28:50,640
Speaker 1: Right in front of me, Kay, right in front of me,

610
00:28:50,760 --> 00:28:51,200
Speaker 1: and I'm like.

611
00:28:51,400 --> 00:28:54,840
Speaker 3: Oh my gosh, Jamiroqui and I freaked out. And the

612
00:28:54,880 --> 00:28:56,720
Speaker 3: first thing I said to him, I said, welcome to

613
00:28:56,880 --> 00:28:59,280
Speaker 3: South Australia. And I looked at him and he was

614
00:28:59,400 --> 00:29:00,680
Speaker 3: in a track suit okay.

615
00:29:01,000 --> 00:29:03,560
Speaker 2: And the first thing I said, I said, it looks

616
00:29:03,640 --> 00:29:07,040
Speaker 2: like you've been dressed in Adelaide And he paused and

617
00:29:07,120 --> 00:29:08,120
Speaker 2: he goes, what does that mean?

618
00:29:09,920 --> 00:29:12,520
Speaker 3: Just tracks that we'd like to wear tracksuits here.

619
00:29:14,080 --> 00:29:17,640
Speaker 1: And he was like, so you've gone for an observational joke.

620
00:29:17,960 --> 00:29:19,800
Speaker 1: You've gone for a little bit of I've got nothing

621
00:29:19,880 --> 00:29:21,480
Speaker 1: to say, say what you see.

622
00:29:21,360 --> 00:29:24,320
Speaker 5: But I've got to say something. This is my moment.

623
00:29:24,600 --> 00:29:27,040
Speaker 2: Then there was a moment where he looked quite angry

624
00:29:27,200 --> 00:29:29,000
Speaker 2: and I said, no, I didn't mean to upset you.

625
00:29:29,160 --> 00:29:31,160
Speaker 1: And then he laughed and said, I got ya, I

626
00:29:31,280 --> 00:29:31,640
Speaker 1: got YEA.

627
00:29:31,760 --> 00:29:35,320
Speaker 3: Everything fine. And he wears like a tracksuit up on stage.

628
00:29:35,640 --> 00:29:38,120
Speaker 5: What kind of tracksuit? It was an expensive one.

629
00:29:38,200 --> 00:29:39,560
Speaker 3: It's like an oda jacket.

630
00:29:40,200 --> 00:29:43,600
Speaker 2: It's awesome with his head peace on steal like Amy Shark,

631
00:29:43,720 --> 00:29:46,800
Speaker 2: Bim's given us a call from Waterloo tell us about

632
00:29:46,880 --> 00:29:49,120
Speaker 2: making a fall of yourself in front of a celebrity.

633
00:29:50,640 --> 00:29:52,560
Speaker 12: Hi, it wasn't actually me.

634
00:29:52,720 --> 00:29:55,680
Speaker 9: It was a friend and she was at Marti Gars

635
00:29:55,840 --> 00:29:58,400
Speaker 9: and it was a few years ago, having an absolute

636
00:29:58,720 --> 00:30:02,160
Speaker 9: fall pushing her way to the front so she could

637
00:30:02,200 --> 00:30:06,200
Speaker 9: see the parade, swept a lady aside and basically said

638
00:30:06,320 --> 00:30:11,080
Speaker 9: move your push, but in a rather cross way, and

639
00:30:11,320 --> 00:30:13,800
Speaker 9: the lady turned and looked at her, and it was

640
00:30:13,920 --> 00:30:21,360
Speaker 9: Susan Saradon, she the actress, and she apologized that I'm

641
00:30:21,600 --> 00:30:26,320
Speaker 9: so sorry for booking your view and where my friend

642
00:30:26,800 --> 00:30:28,040
Speaker 9: readily said no, no, no.

643
00:30:28,040 --> 00:30:30,239
Speaker 12: No, no, no, you're fine. There you are?

644
00:30:30,920 --> 00:30:31,160
Speaker 2: You are.

645
00:30:33,000 --> 00:30:34,880
Speaker 5: I thought it was going to be there or something,

646
00:30:35,120 --> 00:30:38,160
Speaker 5: so yes, plunk into the crowd.

647
00:30:38,960 --> 00:30:41,800
Speaker 3: There you go, Costa and Castle. Here which celebrity heard

648
00:30:41,880 --> 00:30:42,600
Speaker 3: you insult them?

649
00:30:44,000 --> 00:30:47,760
Speaker 18: Jamie Dury? Did you probably know? The guy embarrassed saying

650
00:30:47,800 --> 00:30:51,440
Speaker 18: it's what happened, Costa. I worked in marketing. I went

651
00:30:51,520 --> 00:30:54,600
Speaker 18: to a Channel nine event to meet, you know, ambassadors

652
00:30:54,640 --> 00:30:57,160
Speaker 18: to bring him on board for our brand, and Jamie

653
00:30:57,240 --> 00:30:59,200
Speaker 18: all went good or walking back to the car park

654
00:30:59,240 --> 00:31:02,320
Speaker 18: and had my media contact with me and I said, oh, jeez,

655
00:31:02,760 --> 00:31:08,760
Speaker 18: Jamie is a rule short. And then all of a sudden,

656
00:31:08,960 --> 00:31:12,200
Speaker 18: I hear, thanks Boston and I've been you. Janie was

657
00:31:12,200 --> 00:31:15,760
Speaker 18: about to meet it behind you and I was like

658
00:31:16,120 --> 00:31:17,840
Speaker 18: a week later. I got the price and it was

659
00:31:17,880 --> 00:31:19,760
Speaker 18: like three times in amount of what he was already

660
00:31:19,800 --> 00:31:21,640
Speaker 18: going to chust so he priced himself down.

661
00:31:22,040 --> 00:31:24,120
Speaker 1: Oh you didn't want the job.

662
00:31:24,040 --> 00:31:27,800
Speaker 2: If you were there, Costa Guide story Loretta in Camden,

663
00:31:27,840 --> 00:31:29,240
Speaker 2: give us a celebrity, Loretta.

664
00:31:30,200 --> 00:31:32,040
Speaker 11: I'm Kevin rud What.

665
00:31:32,120 --> 00:31:32,480
Speaker 3: Did you do?

666
00:31:33,760 --> 00:31:36,520
Speaker 9: I was in event management and I had to go

667
00:31:36,640 --> 00:31:39,280
Speaker 9: around a network and I just.

668
00:31:39,560 --> 00:31:42,680
Speaker 11: Was oblivious to who he was when I introduced myself

669
00:31:42,720 --> 00:31:43,840
Speaker 11: and I said, watch your name.

670
00:31:43,760 --> 00:31:44,440
Speaker 12: And what do you do?

671
00:31:46,640 --> 00:31:48,240
Speaker 1: Said the Prime Minister?

672
00:31:49,400 --> 00:31:50,240
Speaker 12: Yeah pretty much?

673
00:31:51,480 --> 00:31:54,280
Speaker 5: Not know who it was Loretta my goodness.

674
00:31:55,120 --> 00:32:00,200
Speaker 3: I was, yeah, yes, that's so when you do your

675
00:32:00,280 --> 00:32:05,360
Speaker 3: own from a minister a working camera.

676
00:32:07,200 --> 00:32:09,320
Speaker 1: The country, Rabigail in BONDI, what's your story?

677
00:32:10,600 --> 00:32:14,200
Speaker 13: I hit Tamila Cabo with some dirty seatols.

678
00:32:14,760 --> 00:32:15,400
Speaker 1: What do you mean?

679
00:32:17,240 --> 00:32:19,680
Speaker 13: I used to work at Star Casino and when she

680
00:32:20,320 --> 00:32:23,960
Speaker 13: still was part of Fifth Harmony, I was round in

681
00:32:24,040 --> 00:32:27,240
Speaker 13: the corner after a long sift and accidentally hit this

682
00:32:27,400 --> 00:32:29,360
Speaker 13: girl with some teatails and I could just hear this

683
00:32:29,920 --> 00:32:31,440
Speaker 13: contact that it made with her.

684
00:32:31,360 --> 00:32:33,800
Speaker 11: And I went, oh, I'm so sorry, I'm so sorry,

685
00:32:33,880 --> 00:32:36,160
Speaker 11: and I just had this American accent go yeah, yeah,

686
00:32:36,240 --> 00:32:38,840
Speaker 11: no problems, it's fine. And she turned around and all

687
00:32:38,880 --> 00:32:41,840
Speaker 11: these screaming fans like came at her and I went, oh,

688
00:32:41,920 --> 00:32:43,600
Speaker 11: I know who you are, Esmela Cabert.

689
00:32:44,120 --> 00:32:45,680
Speaker 1: Yeah, you got a bit of spaghetti bill and eyes

690
00:32:45,720 --> 00:32:47,760
Speaker 1: on your face, got her beauty.

691
00:32:47,920 --> 00:32:50,000
Speaker 3: Cool work ever, go Let's go to Mark and Pimball

692
00:32:50,080 --> 00:32:51,280
Speaker 3: give us the celebrity Mark.

693
00:32:51,880 --> 00:32:55,200
Speaker 14: Good morning. Many many years ago, Robin Williams was in

694
00:32:55,240 --> 00:32:57,840
Speaker 14: Australia staying at a hotel down and it's no longer

695
00:32:57,880 --> 00:33:01,000
Speaker 14: there down in King's Cross area, and I was walking

696
00:33:01,040 --> 00:33:04,040
Speaker 14: in through the poyer to meet my sister and I

697
00:33:04,160 --> 00:33:06,760
Speaker 14: made all those stupid electronic noises as I approached the

698
00:33:07,000 --> 00:33:10,720
Speaker 14: lift button, and he turned around and said, keep it up, son,

699
00:33:10,760 --> 00:33:11,840
Speaker 14: you'll make it on the stage.

700
00:33:12,960 --> 00:33:14,920
Speaker 1: Can you give us an example of the noises?

701
00:33:15,040 --> 00:33:23,360
Speaker 2: Marks to make those noises in Moran?

702
00:33:25,440 --> 00:33:31,080
Speaker 1: Exactly? Did he laugh at off Mark? Did you have

703
00:33:31,160 --> 00:33:32,040
Speaker 1: a conversation with you?

704
00:33:33,040 --> 00:33:34,920
Speaker 14: He had a cackle and said, you keep it up, son,

705
00:33:34,960 --> 00:33:36,320
Speaker 14: you'll make it to the stage one day.

706
00:33:36,920 --> 00:33:39,680
Speaker 1: And what do you do with yourself you're on the stage.

707
00:33:39,440 --> 00:33:41,280
Speaker 14: Or no, nowhere near it.

708
00:33:43,200 --> 00:33:44,520
Speaker 3: That is a brilliant story.

709
00:33:44,640 --> 00:33:46,920
Speaker 2: Thanks for you told Katie and Palm beate here did

710
00:33:46,960 --> 00:33:48,080
Speaker 2: you embarrass yourself in.

711
00:33:48,120 --> 00:33:52,040
Speaker 19: Front of I was in Kinsellas many years ago and

712
00:33:52,120 --> 00:33:54,280
Speaker 19: I kept this guy on the shoulder and said, oh,

713
00:33:54,360 --> 00:33:57,000
Speaker 19: excuse me, are you Jonathan Cohen's brother who is my

714
00:33:57,440 --> 00:33:58,720
Speaker 19: friend's boyfriend?

715
00:33:59,080 --> 00:34:00,680
Speaker 12: And he said no, spart back at me.

716
00:34:01,240 --> 00:34:02,960
Speaker 19: Oh I mean I tapped him on the Shouldergain I said,

717
00:34:02,960 --> 00:34:06,040
Speaker 19: oh sorry, I didn't say Johnson Coleman. I said, Johnathan Cohen,

718
00:34:06,400 --> 00:34:09,120
Speaker 19: I heard your first time and it was Russell Crowe.

719
00:34:14,440 --> 00:34:15,640
Speaker 1: I thought you said.

720
00:34:18,560 --> 00:34:20,400
Speaker 14: He wasn't late famous like.

721
00:34:20,480 --> 00:34:27,600
Speaker 1: News now, So yeah, rus So you didn't catch up

722
00:34:27,640 --> 00:34:28,640
Speaker 1: with Rusty again, Cody.

723
00:34:29,400 --> 00:34:32,480
Speaker 19: No, I haven't seen him from that day to this,

724
00:34:32,680 --> 00:34:35,200
Speaker 19: but he's he's probably looking a bit like, oh yeah.

725
00:34:35,040 --> 00:34:37,280
Speaker 12: No, what go there, Kat?

726
00:34:37,480 --> 00:34:40,239
Speaker 1: He was not entertained that day, Katie, thank you very

727
00:34:40,320 --> 00:34:41,200
Speaker 1: much for your call.

728
00:34:42,200 --> 00:34:43,600
Speaker 17: With Kate Richie podcast.

729
00:34:44,960 --> 00:34:47,040
Speaker 5: How about this for a cool little club you want

730
00:34:47,080 --> 00:34:47,640
Speaker 5: to be part of?

731
00:34:47,920 --> 00:34:48,200
Speaker 12: Go on?

732
00:34:49,760 --> 00:34:53,160
Speaker 4: I think we've spoken about this before and it doesn't

733
00:34:53,160 --> 00:34:55,480
Speaker 4: seem to be going away. It's a story that's come

734
00:34:55,520 --> 00:34:57,000
Speaker 4: out of New Zealand, I think in the on the

735
00:34:57,080 --> 00:35:03,040
Speaker 4: North Island. And what the club does is basically drive

736
00:35:03,160 --> 00:35:06,400
Speaker 4: to an area in a town that sits in a basis.

737
00:35:07,160 --> 00:35:08,760
Speaker 5: No, they take their cars.

738
00:35:09,520 --> 00:35:12,720
Speaker 4: If you've seen photographs, they're utes, but they're all decked

739
00:35:12,760 --> 00:35:15,160
Speaker 4: out with like the big speakers, right.

740
00:35:16,600 --> 00:35:16,799
Speaker 5: Yeah.

741
00:35:16,840 --> 00:35:20,120
Speaker 4: So they go, they all kind of get together and

742
00:35:20,239 --> 00:35:23,279
Speaker 4: they play music. Over a very long period of time,

743
00:35:23,400 --> 00:35:27,560
Speaker 4: they've decided that Celene Dion is their music of choice.

744
00:35:27,640 --> 00:35:28,520
Speaker 5: What do you mean now?

745
00:35:28,560 --> 00:35:31,560
Speaker 4: I know that this sounds like Celene Dion, but when

746
00:35:31,640 --> 00:35:34,200
Speaker 4: you're hearing Celene Dion out of the speakers of the

747
00:35:34,320 --> 00:35:37,279
Speaker 4: cars and you're getting that. I mean, the basin of

748
00:35:37,320 --> 00:35:40,120
Speaker 4: the area is kind of working as a speaker itself.

749
00:35:40,239 --> 00:35:57,360
Speaker 5: It sounds more like this. It's driving the neighbors absolutely bonkers.

750
00:35:57,480 --> 00:35:57,600
Speaker 11: Now.

751
00:35:57,880 --> 00:36:00,440
Speaker 4: I mean, I was just talking to Tommy work out

752
00:36:00,480 --> 00:36:03,040
Speaker 4: why on earth there is a club that exists, and

753
00:36:03,120 --> 00:36:05,479
Speaker 4: why why they want to get there and wake people

754
00:36:05,560 --> 00:36:07,759
Speaker 4: up at two o'clock in the morning. Two, I am, yeah,

755
00:36:07,760 --> 00:36:11,040
Speaker 4: they're doing it all night. Residents aren't getting any sleep.

756
00:36:11,160 --> 00:36:14,919
Speaker 4: Apparently it is. There is an element of it which

757
00:36:15,040 --> 00:36:17,759
Speaker 4: is trying to keep use off the streets. And if

758
00:36:18,120 --> 00:36:20,279
Speaker 4: you know, if you're at in the morning, if you're

759
00:36:20,320 --> 00:36:21,279
Speaker 4: out of it, but if.

760
00:36:21,200 --> 00:36:24,120
Speaker 5: You're out playing Selene Dion, then you're not maybe doing

761
00:36:24,440 --> 00:36:25,319
Speaker 5: the things that you want.

762
00:36:25,360 --> 00:36:28,160
Speaker 1: Put the cake to the driver out of minibus looking

763
00:36:28,239 --> 00:36:30,200
Speaker 1: for sort of stray kids, wanting to pick them up

764
00:36:30,600 --> 00:36:33,160
Speaker 1: and teach them a lesson by blasting Selene Dear.

765
00:36:33,360 --> 00:36:35,880
Speaker 5: I don't think anyone's driving around picking up straight.

766
00:36:35,680 --> 00:36:37,239
Speaker 1: And then finally the kids go, you know what, I

767
00:36:37,320 --> 00:36:39,239
Speaker 1: want to go home to bed. Please don't play that again.

768
00:36:39,280 --> 00:36:41,040
Speaker 5: I think the young people are the people with the

769
00:36:41,160 --> 00:36:43,200
Speaker 5: cars and the speakers, and you know, how important it

770
00:36:43,320 --> 00:36:45,799
Speaker 5: was to have a big subwarfer in your heart if.

771
00:36:45,760 --> 00:36:47,360
Speaker 1: You played, if it was if I was laying in

772
00:36:47,440 --> 00:36:49,239
Speaker 1: bed and I woke up to the sound of the

773
00:36:49,320 --> 00:36:51,840
Speaker 1: power of love. If you've got that in the system,

774
00:36:51,960 --> 00:36:54,440
Speaker 1: Jess with some whispers in the morning, that's a nightmare.

775
00:36:54,600 --> 00:36:57,240
Speaker 1: I would be as happy as Larry. I wouldn't complain.

776
00:36:58,360 --> 00:37:00,000
Speaker 5: He's pretty waking up with when.

777
00:37:00,040 --> 00:37:03,120
Speaker 1: Are you know? First of all, woke up next to

778
00:37:03,200 --> 00:37:08,239
Speaker 1: you is playing, And third of all, there's a ut

779
00:37:08,280 --> 00:37:10,120
Speaker 1: out in front of my house that I'm not back

780
00:37:10,200 --> 00:37:10,800
Speaker 1: in the tray with.

781
00:37:11,040 --> 00:37:12,120
Speaker 6: Oh that's good.

782
00:37:12,440 --> 00:37:14,239
Speaker 5: Selon's pretty amazing though.

783
00:37:14,440 --> 00:37:16,640
Speaker 1: Oh yeah, the names not get involved.

784
00:37:17,040 --> 00:37:19,839
Speaker 5: No, they want to sleep. This isn't fun for them.

785
00:37:19,880 --> 00:37:23,480
Speaker 1: Why don't they get in their cars and go what's

786
00:37:23,520 --> 00:37:24,960
Speaker 1: out of New Zealand? Subscribe?

787
00:37:25,360 --> 00:37:27,160
Speaker 3: No you got Dave Dobbin?

788
00:37:28,120 --> 00:37:32,760
Speaker 1: Yeah, and just start com another music, some more music.

789
00:37:33,440 --> 00:37:35,799
Speaker 1: Dave Dobbin did Slice of Heaven.

790
00:37:35,920 --> 00:37:37,160
Speaker 3: Yeah, Slice of Heaven for.

791
00:37:40,400 --> 00:37:42,759
Speaker 4: Wasn't that New Zealand tourism for years and years? If

792
00:37:42,800 --> 00:37:44,120
Speaker 4: you wanted to go Whitewater.

793
00:37:43,800 --> 00:37:45,400
Speaker 1: On pure New Zealand?

794
00:37:45,680 --> 00:37:46,800
Speaker 3: What about how bizarre?

795
00:37:48,160 --> 00:37:50,160
Speaker 4: This is my least favorite song of all time. I

796
00:37:50,200 --> 00:37:51,720
Speaker 4: don't know how we've worked our way around.

797
00:37:51,880 --> 00:37:52,600
Speaker 6: Do you want to play that?

798
00:37:53,080 --> 00:37:55,839
Speaker 1: I love Tom?

799
00:37:56,320 --> 00:37:57,000
Speaker 6: How bizarre?

800
00:37:57,200 --> 00:38:00,040
Speaker 1: It's one of the greatest songs of all times. It

801
00:38:00,080 --> 00:38:01,800
Speaker 1: would make sense for Halloween, Tom.

802
00:38:01,800 --> 00:38:03,840
Speaker 3: Yess in Bathurst? What are you calling up for?

803
00:38:04,440 --> 00:38:04,560
Speaker 6: Yes?

804
00:38:04,760 --> 00:38:06,520
Speaker 1: And we'll get to just later. I think we'll get

805
00:38:06,560 --> 00:38:10,000
Speaker 1: her next Tom, We're gonna play Kate's favorite song. Yeah,

806
00:38:10,760 --> 00:38:13,120
Speaker 1: have we got the Joys? O? MC?

807
00:38:13,880 --> 00:38:16,600
Speaker 2: How bizarre? It's one of New Zealand's been and you

808
00:38:16,719 --> 00:38:19,880
Speaker 2: know what? Unfortunately, how bizarre? The result of the Rugby

809
00:38:19,920 --> 00:38:22,040
Speaker 2: World Cup as well. They're not happy and the All

810
00:38:22,120 --> 00:38:23,240
Speaker 2: Blacks lost by one.

811
00:38:23,120 --> 00:38:24,279
Speaker 1: Point at the Rugby World Cup?

812
00:38:24,520 --> 00:38:24,880
Speaker 12: How was that?

813
00:38:25,040 --> 00:38:25,440
Speaker 5: Overnight?

814
00:38:25,560 --> 00:38:28,080
Speaker 3: The captain got sent off with a red card? Kate.

815
00:38:28,160 --> 00:38:30,680
Speaker 1: They're not very happy and you deleted it from the system, Kate,

816
00:38:31,200 --> 00:38:31,720
Speaker 1: How bizarre?

817
00:38:32,400 --> 00:38:34,680
Speaker 4: Probably because we only played it a few weeks ago

818
00:38:34,719 --> 00:38:36,440
Speaker 4: when we were talking about Most Annoyance on.

819
00:38:38,160 --> 00:38:39,960
Speaker 3: MC not in the system.

820
00:38:40,000 --> 00:38:42,799
Speaker 1: There was a version called steal a Car. What there

821
00:38:42,840 --> 00:38:47,719
Speaker 1: was a version of that song called Stealer Car? Were

822
00:38:47,719 --> 00:38:48,240
Speaker 1: the fellows?

823
00:38:49,280 --> 00:38:49,919
Speaker 5: What are you doing?

824
00:38:50,040 --> 00:38:54,359
Speaker 1: You got it? Kate's you can do this, She's got

825
00:38:56,080 --> 00:38:59,960
Speaker 1: taking an early mark Richie This Morning. A year later.

826
00:39:01,480 --> 00:39:04,720
Speaker 2: With Kate Ritchie podcast, Jess is given us Cairling Bethurs.

827
00:39:04,760 --> 00:39:05,959
Speaker 1: What are you calling up for, Jess?

828
00:39:06,719 --> 00:39:08,879
Speaker 12: Oh my god, guys, I love that song.

829
00:39:11,280 --> 00:39:12,080
Speaker 1: Everybody does.

830
00:39:15,080 --> 00:39:16,839
Speaker 17: It's not the reason I was calling. And the reason

831
00:39:16,880 --> 00:39:19,839
Speaker 17: I was calling is I was listening earlier and I'm

832
00:39:19,960 --> 00:39:23,040
Speaker 17: really intrigued about with this erotic novel and I just

833
00:39:23,160 --> 00:39:25,000
Speaker 17: really want to make sure that we're going to get

834
00:39:25,040 --> 00:39:29,400
Speaker 17: me hear some of it tomorrow. Personal Trainer.

835
00:39:30,120 --> 00:39:31,560
Speaker 1: That is the name of the book, the part of

836
00:39:31,640 --> 00:39:32,320
Speaker 1: Personal Trainer.

837
00:39:32,840 --> 00:39:34,799
Speaker 4: I'm sorry that I brought it up because now I'm

838
00:39:34,840 --> 00:39:39,080
Speaker 4: worried that Whip's writing expertise and his erotic thoughts are

839
00:39:39,120 --> 00:39:42,399
Speaker 4: going to finally see the light of day as a writer.

840
00:39:42,560 --> 00:39:44,680
Speaker 1: I'm telling a story. I'm an author.

841
00:39:44,960 --> 00:39:48,080
Speaker 3: Can I ask who would you like to read it

842
00:39:48,200 --> 00:39:49,280
Speaker 3: out on the show to morrow?

843
00:39:49,360 --> 00:39:49,600
Speaker 1: Jess?

844
00:39:51,320 --> 00:39:54,080
Speaker 17: I think hate something. You're going to make it a

845
00:39:54,160 --> 00:39:54,960
Speaker 17: bit on comment.

846
00:39:56,000 --> 00:39:57,560
Speaker 5: If it's on brand for me?

847
00:39:59,440 --> 00:40:02,960
Speaker 1: What if I found part of the book that was

848
00:40:03,280 --> 00:40:06,360
Speaker 1: because I only have it on file that was okay

849
00:40:06,480 --> 00:40:08,920
Speaker 1: to read on radio. We could start with that and

850
00:40:08,960 --> 00:40:12,440
Speaker 1: start to learn about Tom needs to be across it.

851
00:40:12,520 --> 00:40:13,200
Speaker 5: He's the censor.

852
00:40:14,360 --> 00:40:15,280
Speaker 1: I'll be the censor.

853
00:40:15,480 --> 00:40:18,480
Speaker 3: Can I what's the most full on saying? What are

854
00:40:18,520 --> 00:40:18,960
Speaker 3: we talking?

855
00:40:19,880 --> 00:40:22,320
Speaker 1: Is there multiple people give us a tease?

856
00:40:23,120 --> 00:40:28,200
Speaker 5: More than one? You mean he doesn't sound like no, these.

857
00:40:28,040 --> 00:40:30,200
Speaker 3: Are all your fantasies put written down.

858
00:40:31,080 --> 00:40:33,000
Speaker 1: There is one.

859
00:40:35,200 --> 00:40:36,280
Speaker 3: One part where.

860
00:40:36,400 --> 00:40:37,440
Speaker 5: Are your hands sweaty?

861
00:40:37,840 --> 00:40:39,960
Speaker 1: Yeah, I'm sorry, I shouldn't be touching. Your hair is

862
00:40:40,200 --> 00:40:44,920
Speaker 1: very high today. There's one part where he has a

863
00:40:45,000 --> 00:40:47,880
Speaker 1: car accident with this girl like it's just a bump,

864
00:40:48,760 --> 00:40:51,960
Speaker 1: but then it's right near her house, praying, praying, like

865
00:40:52,040 --> 00:40:55,480
Speaker 1: a little praying, and then he ends up back at

866
00:40:55,560 --> 00:41:00,239
Speaker 1: her house helping her shift a lamb can.

867
00:41:00,320 --> 00:41:02,399
Speaker 3: Get from a car crush to shifting a lamp.

868
00:41:02,520 --> 00:41:04,120
Speaker 1: It's so long you'd have to read the story.

869
00:41:04,320 --> 00:41:06,560
Speaker 5: She says, Oh, no, we've had a bingal. Yeah, you

870
00:41:06,640 --> 00:41:08,120
Speaker 5: know what I've remember.

871
00:41:07,800 --> 00:41:11,360
Speaker 1: That I need to do have a mingle reverse under this.

872
00:41:13,520 --> 00:41:16,680
Speaker 1: Sorry much if you're she get involved, If you're going

873
00:41:16,760 --> 00:41:20,359
Speaker 1: to cheapen this great book, I won't have a part

874
00:41:20,400 --> 00:41:20,520
Speaker 1: of it.

875
00:41:20,880 --> 00:41:22,200
Speaker 5: What time are we doing it tomorrow?

876
00:41:22,320 --> 00:41:26,239
Speaker 1: We probably just after seven to give us give us

877
00:41:26,239 --> 00:41:30,920
Speaker 1: a proper seven fifteen. The first reading of The Personal Trainer.

878
00:41:31,239 --> 00:41:32,800
Speaker 5: Well, I want it to center cross tonight.

879
00:41:32,920 --> 00:41:35,520
Speaker 1: So you needed to prove do you and cross check

880
00:41:35,560 --> 00:41:42,440
Speaker 1: by captain censer, Captain censorship, spell cheat, My god.

881
00:41:42,719 --> 00:41:45,879
Speaker 3: Just it would have lit up, melt down.

882
00:41:48,080 --> 00:41:51,759
Speaker 1: What is this mad collection of letters? Spell and like that.

883
00:41:53,040 --> 00:41:55,840
Speaker 5: Busy And with Kate Ritchie is a Nova podcast.

884
00:41:56,000 --> 00:41:58,520
Speaker 1: For more great comedy shows like this, head to Nova

885
00:41:58,600 --> 00:42:00,120
Speaker 1: podcast dot com. Joda you