1 00:00:01,600 --> 00:00:05,400 Speaker 1: The city and with her with Kate Lenki podcast. 2 00:00:05,640 --> 00:00:08,280 Speaker 2: Hi, and welcome back to the Educate podcast. I'm going 3 00:00:08,280 --> 00:00:11,280 Speaker 2: to say to what, I know what we're back? Who 4 00:00:11,320 --> 00:00:12,000 Speaker 2: would have thought? 5 00:00:12,119 --> 00:00:14,600 Speaker 3: I know, it's Jess and Kate. 6 00:00:14,840 --> 00:00:16,160 Speaker 1: Good. Do you remember your own name? 7 00:00:18,480 --> 00:00:20,760 Speaker 3: But unfortunately we're without Lizzie. 8 00:00:20,920 --> 00:00:23,599 Speaker 2: Lizzie has a brand new role within the building here, 9 00:00:24,520 --> 00:00:26,160 Speaker 2: so we're gonna have to do it on our own 10 00:00:26,320 --> 00:00:26,480 Speaker 2: I know. 11 00:00:28,440 --> 00:00:31,400 Speaker 1: But she's left you very well educated. You're almost just 12 00:00:31,480 --> 00:00:32,400 Speaker 1: Kate at this point. 13 00:00:32,440 --> 00:00:34,879 Speaker 2: And the other thing about Lizzie I suppose is if 14 00:00:34,920 --> 00:00:38,200 Speaker 2: I need anything, she is only a phone call away. 15 00:00:38,360 --> 00:00:40,000 Speaker 1: Charlie Pooth, Yeah, one call away. 16 00:00:40,080 --> 00:00:42,320 Speaker 2: I knew exactly where she would be on the day 17 00:00:42,360 --> 00:00:43,879 Speaker 2: that the new album dropped. 18 00:00:46,800 --> 00:00:50,800 Speaker 1: Where was she listening? Yeah, I got a lot of 19 00:00:50,800 --> 00:00:53,960 Speaker 1: text messages. I think maybe ten past two she messaged 20 00:00:54,000 --> 00:00:57,320 Speaker 1: and said, Jess, it's really yeah. Been good. 21 00:00:57,520 --> 00:00:57,880 Speaker 3: Yeah. 22 00:00:57,920 --> 00:01:00,000 Speaker 1: So no, shout out to Lizzie. She did wonderful work 23 00:01:00,080 --> 00:01:02,080 Speaker 1: on the pot. We miss her very much. Thanks Lizzie, 24 00:01:03,040 --> 00:01:06,160 Speaker 1: and also very excited Lizzie was that Elizabeth Taylor the 25 00:01:06,160 --> 00:01:08,520 Speaker 1: song got released, which was her name and Taylor's next 26 00:01:08,520 --> 00:01:11,840 Speaker 1: to each other. Okay, now, speaking of a personal connection 27 00:01:11,920 --> 00:01:16,480 Speaker 1: to Taylor. Should we talk a Taylor Swift like on Instagram? 28 00:01:16,520 --> 00:01:16,640 Speaker 4: Oh? 29 00:01:16,680 --> 00:01:17,360 Speaker 3: Can we do that? 30 00:01:17,440 --> 00:01:18,920 Speaker 1: Okay? That would make my whole life. 31 00:01:19,160 --> 00:01:23,520 Speaker 2: The thing about this new album is that unfortunately or fortunately, 32 00:01:23,959 --> 00:01:28,280 Speaker 2: we were actually on a break from I've. 33 00:01:28,080 --> 00:01:32,039 Speaker 1: Broken up, but we were on a brad Well I 34 00:01:32,040 --> 00:01:34,520 Speaker 1: didn't think so thought so that was confusing. 35 00:01:34,600 --> 00:01:38,120 Speaker 2: We were on holidays the day the album dropped, and 36 00:01:38,200 --> 00:01:44,240 Speaker 2: all the who are around it very exciting that Taylor 37 00:01:44,600 --> 00:01:47,360 Speaker 2: almost I mean, I'm just going to say, slid into 38 00:01:47,440 --> 00:01:48,000 Speaker 2: your DMS. 39 00:01:48,240 --> 00:01:49,040 Speaker 3: It wasn't that. 40 00:01:49,560 --> 00:01:50,480 Speaker 1: Look, I'll take that. 41 00:01:50,600 --> 00:01:52,800 Speaker 3: I think there was some connection took us through it. 42 00:01:52,840 --> 00:01:55,880 Speaker 1: Okay. So yes, lots of hype leading up to the 43 00:01:55,920 --> 00:01:59,160 Speaker 1: album release. Ali, our digital producer, she bought a whole 44 00:01:59,240 --> 00:02:01,520 Speaker 1: show girl out that you actually wore for a video 45 00:02:01,600 --> 00:02:03,680 Speaker 1: that we did, which was very funny. Yes, I came 46 00:02:03,720 --> 00:02:06,360 Speaker 1: in and said what day is it? And you said 47 00:02:06,440 --> 00:02:08,960 Speaker 1: it's October third, which is of course the line from 48 00:02:08,960 --> 00:02:11,680 Speaker 1: Mean Girls. We use that audio. But you were wearing 49 00:02:11,720 --> 00:02:15,120 Speaker 1: a full on Taylor showgirl like album cover outfit, so 50 00:02:15,240 --> 00:02:17,600 Speaker 1: like orange headdress, feathers galore. 51 00:02:17,680 --> 00:02:21,280 Speaker 2: Yeah, if you just quickly looked at your socials, you 52 00:02:21,320 --> 00:02:23,720 Speaker 2: may have thought it was Taylor Swift. 53 00:02:23,919 --> 00:02:26,920 Speaker 1: Well, it would have been it would have been a 54 00:02:27,120 --> 00:02:28,040 Speaker 1: very quick look. 55 00:02:28,200 --> 00:02:31,840 Speaker 2: I did love on that day being talked through TikTok. 56 00:02:32,520 --> 00:02:33,919 Speaker 2: I mean I had to jump. 57 00:02:33,680 --> 00:02:35,200 Speaker 1: On the band first, TikTok. 58 00:02:35,280 --> 00:02:35,720 Speaker 3: Yeah, I did. 59 00:02:35,840 --> 00:02:39,120 Speaker 1: Only took her three hours, yeah, which was good. Yeah. 60 00:02:39,160 --> 00:02:41,560 Speaker 1: The best bit was Kate was like, oh, and I 61 00:02:41,760 --> 00:02:44,480 Speaker 1: mouthed to the audio do I So that was? That 62 00:02:44,560 --> 00:02:45,880 Speaker 1: was beautiful. I loved that moment. 63 00:02:45,919 --> 00:02:46,840 Speaker 3: Thank you very for us. 64 00:02:47,560 --> 00:02:49,680 Speaker 1: No, so we we filmed that video. We had the 65 00:02:49,680 --> 00:02:52,000 Speaker 1: outfit and then Ali was just wearing it at her desk, 66 00:02:52,040 --> 00:02:54,200 Speaker 1: like Allie's a swifty too, And I thought it would 67 00:02:54,200 --> 00:02:56,400 Speaker 1: be funny if I just panned through the office everyone 68 00:02:56,400 --> 00:02:58,320 Speaker 1: else working at their desk, and then just zoomed in 69 00:02:58,360 --> 00:03:00,480 Speaker 1: on Ali dressed up the day before all the album 70 00:03:00,520 --> 00:03:02,519 Speaker 1: dropped ready, you know, to celebrate the life of a 71 00:03:02,560 --> 00:03:08,160 Speaker 1: show girl. And then I said myself, it's not till tomorrow, mate, 72 00:03:08,480 --> 00:03:09,880 Speaker 1: And then I put a little caption on it that 73 00:03:09,919 --> 00:03:12,280 Speaker 1: said it's getting harder and harder to spot the Swifties 74 00:03:12,360 --> 00:03:14,400 Speaker 1: in the office. Anyway, went viral on TikTok. It's done 75 00:03:14,400 --> 00:03:17,239 Speaker 1: a million views. People loved Taylor content. Who would have 76 00:03:17,280 --> 00:03:20,160 Speaker 1: thought the algorithm was pushing it and a Swiftiest page 77 00:03:20,320 --> 00:03:22,680 Speaker 1: Swiftiest for Eternity picked it up on Instagram, so they 78 00:03:22,720 --> 00:03:24,520 Speaker 1: took it from TikTok and put it up and then 79 00:03:24,600 --> 00:03:28,000 Speaker 1: Taylor Swift liked it herself and it was honestly just 80 00:03:28,040 --> 00:03:30,120 Speaker 1: like the best day ever. As soon as I message 81 00:03:30,160 --> 00:03:32,720 Speaker 1: you that happened, bless you, you called me and then 82 00:03:32,760 --> 00:03:34,600 Speaker 1: you left me a voicemail and you were like, because 83 00:03:34,639 --> 00:03:36,360 Speaker 1: I was working on the fill in show. 84 00:03:37,680 --> 00:03:40,040 Speaker 3: I didn't realize you were still on air, yeah. 85 00:03:39,880 --> 00:03:43,040 Speaker 1: Because you were like, sorry, you're on air, but I've 86 00:03:43,080 --> 00:03:44,520 Speaker 1: just got to talk to you about this. 87 00:03:44,600 --> 00:03:47,840 Speaker 2: And that's a big deal because I like, sometimes I 88 00:03:47,880 --> 00:03:50,440 Speaker 2: won't even reply, not to you, of course, but reply 89 00:03:50,560 --> 00:03:53,400 Speaker 2: to with text, let alone make an actual phone call. 90 00:03:55,640 --> 00:03:56,080 Speaker 1: The studio. 91 00:03:56,560 --> 00:03:58,920 Speaker 3: I had to tell everyone I knew moment. 92 00:03:59,120 --> 00:04:00,960 Speaker 1: Yeah, and then normally in the car on the way home, 93 00:04:01,240 --> 00:04:03,440 Speaker 1: I called everyone I knew. I to tell them all 94 00:04:03,440 --> 00:04:07,240 Speaker 1: you know who didn't pick up whipper m hmm didn't hep. 95 00:04:07,560 --> 00:04:09,960 Speaker 1: That's the biggest neeze of my life mine is the 96 00:04:09,960 --> 00:04:11,960 Speaker 1: birth of my child. Yeah, biggest news of my life. 97 00:04:12,240 --> 00:04:12,600 Speaker 3: Yeah. 98 00:04:12,760 --> 00:04:15,240 Speaker 1: No no answer, no, not even a callback, because it 99 00:04:15,240 --> 00:04:17,160 Speaker 1: wasn't about him, I guess, so, yeah, you must have 100 00:04:17,200 --> 00:04:19,560 Speaker 1: known except a holidays, I'm off the clock from content. 101 00:04:19,640 --> 00:04:20,240 Speaker 3: What are you doing? 102 00:04:20,279 --> 00:04:20,440 Speaker 1: Call? 103 00:04:20,680 --> 00:04:24,520 Speaker 2: But congratulations and now we're back the Life of the 104 00:04:24,560 --> 00:04:25,119 Speaker 2: show Girl. 105 00:04:25,480 --> 00:04:28,280 Speaker 3: I'm sure everybody has had a listen by it, of course. 106 00:04:28,120 --> 00:04:30,440 Speaker 1: If not, you know, twenty two thousand or something. 107 00:04:30,600 --> 00:04:35,559 Speaker 2: I've even got into that kind of cycle of having 108 00:04:35,600 --> 00:04:37,600 Speaker 2: found my favorite. 109 00:04:36,920 --> 00:04:39,799 Speaker 1: Tracks before the album came out. Once we had the tracks, 110 00:04:40,000 --> 00:04:41,600 Speaker 1: just the tracks, Yes, we went on. 111 00:04:41,839 --> 00:04:46,560 Speaker 2: It was the fun We went through and we pretty 112 00:04:46,600 --> 00:04:48,760 Speaker 2: much went through every track and we tried to guess 113 00:04:48,800 --> 00:04:51,599 Speaker 2: either what the lyrics would be, what the melody might be, 114 00:04:52,040 --> 00:04:54,320 Speaker 2: or you know, we gave it some of them before production, 115 00:04:54,440 --> 00:04:56,440 Speaker 2: what the whole thing might sound like. When you say we, 116 00:04:57,480 --> 00:04:59,760 Speaker 2: let's be very clear about the fact that Jess is 117 00:04:59,800 --> 00:05:05,760 Speaker 2: fun more. She knows Taylor inside out, upside down. 118 00:05:06,760 --> 00:05:09,400 Speaker 1: On her Instagram if that helps you, But do you. 119 00:05:09,320 --> 00:05:10,880 Speaker 3: Know what I mean, You've been following her for a 120 00:05:10,920 --> 00:05:11,279 Speaker 3: long time. 121 00:05:11,320 --> 00:05:14,840 Speaker 2: You're far more musical, and maybe you haven't done it 122 00:05:14,839 --> 00:05:15,400 Speaker 2: takes two. 123 00:05:16,920 --> 00:05:22,560 Speaker 3: Exactly, You're far more musical. You really throw yourself into 124 00:05:22,640 --> 00:05:25,599 Speaker 3: it a lot more. I was guided by you. 125 00:05:25,720 --> 00:05:28,359 Speaker 1: It was very really well for it. So this time. 126 00:05:28,600 --> 00:05:30,839 Speaker 1: You did a lot of percussion, a lot of beats. 127 00:05:31,000 --> 00:05:33,719 Speaker 1: You gave, you gave a lot of this is what 128 00:05:33,760 --> 00:05:35,960 Speaker 1: I'm thinking you might have had the lyrics like, But 129 00:05:36,120 --> 00:05:38,680 Speaker 1: every time I try and guess the lyrics minus the 130 00:05:38,720 --> 00:05:41,640 Speaker 1: six things I'm about to play you, they're so wrong. Like, 131 00:05:41,720 --> 00:05:43,160 Speaker 1: so much of it was so wrong, but we had 132 00:05:43,160 --> 00:05:45,039 Speaker 1: a lot of fun doing it. I thought I would 133 00:05:45,080 --> 00:05:47,880 Speaker 1: take you through the six examples of things we got. 134 00:05:48,120 --> 00:05:51,720 Speaker 1: I'm not gonna say super right. I'm gonna say slightly right. Okay, 135 00:05:52,120 --> 00:05:54,960 Speaker 1: Now keep it in mind. That's close enough exactly. This 136 00:05:55,000 --> 00:05:57,160 Speaker 1: is what we do for every every time Taylor releases 137 00:05:57,240 --> 00:05:59,200 Speaker 1: new music. We kind of critique it in a way, 138 00:05:59,240 --> 00:06:01,200 Speaker 1: don't we wear We we put down what we think 139 00:06:01,240 --> 00:06:03,360 Speaker 1: it might sound like, and then what she does. So 140 00:06:03,520 --> 00:06:05,520 Speaker 1: I'm going to play a few little grabs of Taylor's 141 00:06:05,600 --> 00:06:09,799 Speaker 1: of songs, not too much to flag anything on Spotify hopefully, 142 00:06:10,080 --> 00:06:13,880 Speaker 1: but let's see how we go. We're copyright okay. So 143 00:06:13,960 --> 00:06:16,880 Speaker 1: this was us having a guess at what open LIGHTE 144 00:06:16,960 --> 00:06:19,159 Speaker 1: might sound like. Now, the very first thing that we 145 00:06:19,240 --> 00:06:23,159 Speaker 1: got very incorrect was we kept saying opolite, which just 146 00:06:23,160 --> 00:06:25,680 Speaker 1: feels like a rookie error. But this was us, I 147 00:06:25,680 --> 00:06:27,480 Speaker 1: don't know, a couple of weeks before the album dropped, 148 00:06:28,200 --> 00:06:32,240 Speaker 1: see me dark in the night. All I want to 149 00:06:32,279 --> 00:06:37,159 Speaker 1: do flick on the light. So they were all pretty 150 00:06:37,200 --> 00:06:39,160 Speaker 1: much that dumb. And then of course this is what 151 00:06:39,240 --> 00:06:48,080 Speaker 1: open lighte sounded like. So there we go kind of 152 00:06:48,120 --> 00:06:50,960 Speaker 1: the same things. Onyx being black, we said dark in 153 00:06:51,000 --> 00:06:53,440 Speaker 1: the night, flick on the light. Now it's open light, 154 00:06:53,600 --> 00:06:55,000 Speaker 1: it's brightened on. 155 00:06:55,839 --> 00:06:57,640 Speaker 3: Do we get closer? 156 00:06:57,839 --> 00:06:58,520 Speaker 1: Much closer? 157 00:06:58,680 --> 00:06:59,000 Speaker 3: Okay? 158 00:06:59,080 --> 00:07:00,480 Speaker 1: I started there. 159 00:07:00,120 --> 00:07:02,320 Speaker 3: Is a long bow to draw. 160 00:07:03,440 --> 00:07:06,440 Speaker 1: We got a little bit closer. On wish list, I 161 00:07:06,440 --> 00:07:09,000 Speaker 1: would say, have a listen wish. 162 00:07:09,040 --> 00:07:14,440 Speaker 3: Wish list, we wish list, can you wish wish wish? 163 00:07:15,200 --> 00:07:18,240 Speaker 1: Oh wish wish wish list? I had you at the 164 00:07:18,320 --> 00:07:22,239 Speaker 1: tar wish wish list, never so come in wish list? 165 00:07:22,480 --> 00:07:25,200 Speaker 1: Could you want the bottom a bit list? Now I'm 166 00:07:25,200 --> 00:07:29,320 Speaker 1: being running wish list. Start I wanted it wish list 167 00:07:29,640 --> 00:07:32,840 Speaker 1: like you Christmas wish list. That you're at the tar 168 00:07:33,000 --> 00:07:36,840 Speaker 1: wish at the top of the wish wish wish list. 169 00:07:37,800 --> 00:07:42,800 Speaker 3: It feels more fun when you're in it. That was 170 00:07:42,880 --> 00:07:43,520 Speaker 3: really worse. 171 00:07:45,840 --> 00:07:48,360 Speaker 1: Obviously freaked out. It might even sound like that now 172 00:07:48,400 --> 00:07:50,400 Speaker 1: you remember what you were doing, right at the start 173 00:07:50,440 --> 00:07:54,120 Speaker 1: there wish wish list. That's as close as we got. 174 00:07:54,120 --> 00:07:58,560 Speaker 1: Listen to wish list, dumb wish, just swing on the 175 00:07:58,640 --> 00:08:00,520 Speaker 1: wish wish wish list. 176 00:08:00,520 --> 00:08:04,200 Speaker 2: Okay, so we said wish twice correct in this one. 177 00:08:04,040 --> 00:08:06,520 Speaker 1: Got a little bit closer. We were talking about the 178 00:08:06,560 --> 00:08:09,320 Speaker 1: song would what would that actually sound like? What elements 179 00:08:09,320 --> 00:08:11,040 Speaker 1: would it be? What would the storyline be about? 180 00:08:11,840 --> 00:08:15,520 Speaker 2: It's not it's no, I can't. 181 00:08:15,560 --> 00:08:16,640 Speaker 3: It's not knock on wood. 182 00:08:17,520 --> 00:08:19,120 Speaker 4: Okay, it is. 183 00:08:19,160 --> 00:08:21,720 Speaker 2: It's like and it's wood, as in like a tree, 184 00:08:22,040 --> 00:08:23,280 Speaker 2: not as in I would. 185 00:08:23,600 --> 00:08:26,800 Speaker 1: It's like, I don't want to jinx it, but I'm 186 00:08:26,800 --> 00:08:29,880 Speaker 1: worried that everything's going to go wrong. Is it bad 187 00:08:29,960 --> 00:08:34,480 Speaker 1: if I knock knock on wood, touch wood? I don't 188 00:08:34,480 --> 00:08:37,560 Speaker 1: want it to go wrong. Well, that could be, and 189 00:08:37,679 --> 00:08:43,160 Speaker 1: it was on with the same amount it not the 190 00:08:43,240 --> 00:08:46,680 Speaker 1: same about it not? I didn't even notice that, Okay. 191 00:08:46,720 --> 00:08:48,800 Speaker 1: And then the other thing you said, it's it's like 192 00:08:48,840 --> 00:08:52,680 Speaker 1: a tree, isn't it blood Yes, it was about a tree, 193 00:08:52,679 --> 00:08:55,959 Speaker 1: which was of course his his member in the. 194 00:08:56,000 --> 00:08:59,760 Speaker 3: End, but well, I mean, yeah, I didn't mention. 195 00:08:59,720 --> 00:09:02,640 Speaker 1: Thar though we didn't. That was weird. Yeah, I didn't 196 00:09:02,720 --> 00:09:05,440 Speaker 1: quite see Taylor doing a line about opening her thighs. 197 00:09:05,480 --> 00:09:08,280 Speaker 1: But that's because I have known her her whole career 198 00:09:08,320 --> 00:09:10,520 Speaker 1: and she's never done anything remotely that risk. 199 00:09:10,720 --> 00:09:12,400 Speaker 3: It's quite it's very risky. 200 00:09:12,679 --> 00:09:15,640 Speaker 2: In fact, I was touching my pearls when I the 201 00:09:15,640 --> 00:09:18,160 Speaker 2: first time I heard that on the first listen at 202 00:09:18,160 --> 00:09:21,640 Speaker 2: home in my bedroom. I messaged you and said, not 203 00:09:21,720 --> 00:09:24,000 Speaker 2: quite sure how I'm going to explain this to my 204 00:09:24,040 --> 00:09:25,480 Speaker 2: eleven year old and you said. 205 00:09:25,280 --> 00:09:28,080 Speaker 1: Just refer to chicken. Yes, I did chicken thighs. Did 206 00:09:28,160 --> 00:09:29,280 Speaker 1: you do that in the end? Or you just haven't 207 00:09:29,320 --> 00:09:31,200 Speaker 1: let her listen? Do you know what I tend to 208 00:09:31,200 --> 00:09:33,960 Speaker 1: do when that song is on in the car. 209 00:09:37,080 --> 00:09:40,480 Speaker 3: Loudly? Or go how was school today? 210 00:09:41,040 --> 00:09:43,160 Speaker 1: Well? If you need the radio at it or the 211 00:09:43,400 --> 00:09:46,400 Speaker 1: kid friendly, it's his love was the key that opened 212 00:09:46,400 --> 00:09:48,840 Speaker 1: my skies? Of course, yeah, which. 213 00:09:48,679 --> 00:09:50,960 Speaker 2: Makes perfect and it's as beautiful and maybe that's what 214 00:09:51,000 --> 00:09:52,120 Speaker 2: she meant to go with anywhere. 215 00:09:52,160 --> 00:09:56,200 Speaker 1: Potentially this is the Fitzi and Whipper with Cape Ritchie podcast. 216 00:09:56,679 --> 00:09:59,000 Speaker 1: We also had a stab at ruin the friendship. You 217 00:09:59,080 --> 00:10:00,920 Speaker 1: had a thought on, mate, maybe what it might sound 218 00:10:00,960 --> 00:10:01,959 Speaker 1: like there's. 219 00:10:01,800 --> 00:10:03,880 Speaker 2: Going to be a reference to high school like that. 220 00:10:03,920 --> 00:10:06,320 Speaker 2: We grew up in high school. You're much better with 221 00:10:06,360 --> 00:10:10,760 Speaker 2: the beats we went to We went to high school 222 00:10:11,600 --> 00:10:13,079 Speaker 2: when we thought we were so cool. 223 00:10:16,720 --> 00:10:19,679 Speaker 3: It's like, has she always liked him? 224 00:10:20,000 --> 00:10:22,560 Speaker 1: And that's what the whole song was about. I said that, yeah, 225 00:10:22,600 --> 00:10:25,120 Speaker 1: growing up in high school, she's always liked it. When 226 00:10:25,160 --> 00:10:28,400 Speaker 1: I left school, I lost trackles here. Isn't that crazy? 227 00:10:29,040 --> 00:10:30,160 Speaker 1: You got that one like bang on? 228 00:10:30,440 --> 00:10:33,480 Speaker 2: I felt like a little like a little like a 229 00:10:33,480 --> 00:10:35,120 Speaker 2: little emotion in my heart. 230 00:10:35,240 --> 00:10:37,760 Speaker 1: Just then, Yeah, that's a beautiful song. 231 00:10:38,000 --> 00:10:39,000 Speaker 3: It is a beautiful song. 232 00:10:39,080 --> 00:10:43,040 Speaker 2: I think that we've heard from the young man's mother. Yeah, 233 00:10:43,080 --> 00:10:45,520 Speaker 2: I have come out and spoken about the fact that 234 00:10:45,559 --> 00:10:48,479 Speaker 2: it maybe her son that she's referencing. 235 00:10:48,840 --> 00:10:51,800 Speaker 1: We have also heard from the so that is in 236 00:10:52,640 --> 00:10:54,800 Speaker 1: is it Tennessee? I think it is because she says 237 00:10:54,840 --> 00:10:58,800 Speaker 1: Gallatin Road, and the council that has come out and said, 238 00:10:58,800 --> 00:11:00,880 Speaker 1: while we love that song, please note it's forty on 239 00:11:00,920 --> 00:11:03,959 Speaker 1: the Gallaton Road. It's not eighty five, she says, going 240 00:11:04,000 --> 00:11:07,360 Speaker 1: eighty five, and then any brother's cheep or whatever, So 241 00:11:07,400 --> 00:11:10,360 Speaker 1: no speeding if you're head over to Tennessee. Okay. We 242 00:11:10,520 --> 00:11:14,160 Speaker 1: also had to go at the title track The Life 243 00:11:14,160 --> 00:11:17,040 Speaker 1: of a show Girl. We kind of went all in 244 00:11:17,080 --> 00:11:17,720 Speaker 1: on this one. 245 00:11:18,000 --> 00:11:20,800 Speaker 3: It's not all right. Didn't we did. 246 00:11:21,120 --> 00:11:22,880 Speaker 1: There's one little bit that we got very right, but 247 00:11:22,960 --> 00:11:24,280 Speaker 1: I'll tell you what that is at the end. Just 248 00:11:24,480 --> 00:11:27,840 Speaker 1: enjoy this absolute nonsense, like space didn't. 249 00:11:28,240 --> 00:11:31,560 Speaker 4: Didn't, didn't go with that, didn't pretend you thought yourself? 250 00:11:31,960 --> 00:11:41,400 Speaker 1: Okay, didn't, didn't. Oh, I like it. My life up 251 00:11:41,440 --> 00:11:44,640 Speaker 1: on the stage, it's like it lived up from the page. 252 00:11:44,679 --> 00:11:47,760 Speaker 4: When everyone turns off the light at night. 253 00:11:48,559 --> 00:11:52,320 Speaker 1: Did you see me in full flight show girl outfit, 254 00:11:52,559 --> 00:11:57,240 Speaker 1: going going somewhere. I am ready to. 255 00:11:57,200 --> 00:12:00,720 Speaker 4: Show you what's behind the life of a show girl. Didn't. 256 00:12:00,840 --> 00:12:01,760 Speaker 3: Oh my god? 257 00:12:01,840 --> 00:12:04,319 Speaker 1: Okay, most of that not correct. 258 00:12:04,640 --> 00:12:08,880 Speaker 2: No, but by then we'd reached track twelve. Out of 259 00:12:09,160 --> 00:12:11,520 Speaker 2: contrast our minds. But the beak that you did. 260 00:12:11,360 --> 00:12:15,160 Speaker 1: At the start, like space didn't, didn't, didn't go with that, 261 00:12:15,200 --> 00:12:20,480 Speaker 1: didn't pretend you following yourself? Okay, didn't. 262 00:12:21,160 --> 00:12:21,520 Speaker 4: Didn't. 263 00:12:21,679 --> 00:12:24,040 Speaker 1: I like it. Now listen to the actual start of 264 00:12:24,120 --> 00:12:31,480 Speaker 1: Taylor's song. We got the beat exactly right. This is 265 00:12:31,520 --> 00:12:39,079 Speaker 1: you and her combined, didn't. Oh, I like it. Oh, 266 00:12:39,720 --> 00:12:44,240 Speaker 1: isn't that wild? I know you've done a lot of work. Yes, 267 00:12:44,760 --> 00:12:50,040 Speaker 1: I've been very busy, very busy. That's pretty good. Right, 268 00:12:50,240 --> 00:12:53,959 Speaker 1: that's excellent. Okay, there's one more we have to play now. 269 00:12:53,960 --> 00:12:58,480 Speaker 3: I mean it's chance it's like one of the chants. 270 00:13:00,320 --> 00:13:02,040 Speaker 1: Yeah, I mean, chances were she was going to do 271 00:13:02,080 --> 00:13:04,199 Speaker 1: didn't didn't in a beat, But I'm going to take 272 00:13:04,200 --> 00:13:06,319 Speaker 1: that one. I'm going to claim it. Oh you should. Okay, 273 00:13:06,360 --> 00:13:08,520 Speaker 1: the final one, this is probably the closest we got. 274 00:13:09,360 --> 00:13:12,400 Speaker 1: This was when we were discussing eldest daughter. I think 275 00:13:12,440 --> 00:13:17,320 Speaker 1: it's like came out first, new to the world, basically 276 00:13:17,360 --> 00:13:18,400 Speaker 1: a lamb to the slaughter. 277 00:13:19,000 --> 00:13:22,920 Speaker 4: You have no idea what it's like being my father's 278 00:13:23,000 --> 00:13:27,720 Speaker 4: eldest daughter. Depressing, but maybe with a pop beat, this 279 00:13:27,800 --> 00:13:31,760 Speaker 4: could be the woman that we get lamb to the slaughter, 280 00:13:31,960 --> 00:13:32,800 Speaker 4: eldest daughter. 281 00:13:33,080 --> 00:13:34,240 Speaker 3: I think it's pretty good. 282 00:13:34,679 --> 00:13:36,880 Speaker 1: All Right, we're coming for you, Taylor Swift. We want 283 00:13:36,880 --> 00:13:41,600 Speaker 1: that writing credit. Every eldest daughter was the first lamb 284 00:13:41,679 --> 00:13:44,960 Speaker 1: to the slaughter. Nailed it. 285 00:13:45,160 --> 00:13:46,080 Speaker 3: You're amazing. 286 00:13:46,520 --> 00:13:49,199 Speaker 1: I mean I just rhymed it, eldest daughter and slaughter. 287 00:13:49,320 --> 00:13:49,640 Speaker 4: I mean. 288 00:13:51,160 --> 00:13:51,400 Speaker 3: Rhyme. 289 00:13:51,520 --> 00:13:53,880 Speaker 2: But do you know what, like, I mean, we could 290 00:13:53,920 --> 00:13:56,920 Speaker 2: do that about everything. Let's just jump on board and claim, 291 00:13:57,080 --> 00:13:58,680 Speaker 2: just take it, take the credit. 292 00:13:58,800 --> 00:13:59,200 Speaker 1: Taking it. 293 00:13:59,280 --> 00:14:04,200 Speaker 2: Taylor has plenty of her own. She would rejoice in 294 00:14:04,240 --> 00:14:07,240 Speaker 2: the fact that we are getting joy from this, absolutely, 295 00:14:07,280 --> 00:14:07,640 Speaker 2: and I. 296 00:14:07,559 --> 00:14:10,080 Speaker 1: Think as well, like it's safe to say now that 297 00:14:10,120 --> 00:14:12,920 Speaker 1: I know that she has liked my video on Instagram 298 00:14:13,720 --> 00:14:16,520 Speaker 1: very much, could just be taking lines from my everyday, 299 00:14:16,600 --> 00:14:18,760 Speaker 1: day to day and putting them in. So essentially, what 300 00:14:18,760 --> 00:14:21,840 Speaker 1: I'm saying is we share a vocabulary and she's very 301 00:14:21,840 --> 00:14:23,880 Speaker 1: welcome for that one. Just go with it, Just go 302 00:14:23,920 --> 00:14:27,560 Speaker 1: with it, just let us claim it. Let us claim it. Well, 303 00:14:27,560 --> 00:14:30,160 Speaker 1: there you go. Six things we got right that when 304 00:14:30,680 --> 00:14:32,160 Speaker 1: probably forty seven we didn't. 305 00:14:32,280 --> 00:14:33,480 Speaker 3: Yeah, let me tell you. 306 00:14:33,560 --> 00:14:37,880 Speaker 2: What we recorded was lengthy, Yeah, and we got six. 307 00:14:37,960 --> 00:14:40,200 Speaker 1: Still. What's funny. When I went to the gym on 308 00:14:40,240 --> 00:14:41,440 Speaker 1: Monday because I knew that we were going to do 309 00:14:41,520 --> 00:14:43,400 Speaker 1: this podcast, and I'm like, I have to go back 310 00:14:43,400 --> 00:14:45,160 Speaker 1: through that video. It was about fifteen minutes in total. 311 00:14:45,160 --> 00:14:46,240 Speaker 1: I was like, I have to pull the bits out 312 00:14:46,320 --> 00:14:49,480 Speaker 1: or whatever. And then I had the video open on 313 00:14:49,520 --> 00:14:51,480 Speaker 1: the treadmill while I was walking so I could listen 314 00:14:51,560 --> 00:14:53,440 Speaker 1: and watch the time code so I could give it 315 00:14:53,480 --> 00:14:56,120 Speaker 1: to Snitch to cut the audio. And a guy walked 316 00:14:56,160 --> 00:14:57,840 Speaker 1: past a few times and I could see he was 317 00:14:57,880 --> 00:15:00,360 Speaker 1: like trying to work out what he was looking up, 318 00:15:00,560 --> 00:15:02,440 Speaker 1: and I was like, Oh, he must think it's weird 319 00:15:03,080 --> 00:15:06,000 Speaker 1: that I've got Kate Richie like on my phone in 320 00:15:06,040 --> 00:15:08,240 Speaker 1: the gymm He's probably like wondering, like what what what 321 00:15:08,280 --> 00:15:10,160 Speaker 1: are you watching? Like what is that Old Home and 322 00:15:10,200 --> 00:15:12,680 Speaker 1: Away Roy Runs or something? And then I worked out 323 00:15:12,720 --> 00:15:14,120 Speaker 1: I think he thought it was really weird. I was 324 00:15:14,160 --> 00:15:14,880 Speaker 1: watching a video of. 325 00:15:14,880 --> 00:15:18,600 Speaker 3: Myself over it. 326 00:15:18,640 --> 00:15:20,840 Speaker 2: They wouldn't have he wouldn't have recognized me that, like 327 00:15:20,880 --> 00:15:24,240 Speaker 2: he's that gorgeous young woman on that and like. 328 00:15:24,240 --> 00:15:26,200 Speaker 1: Why does that sound exactly like Taylor seems? 329 00:15:27,240 --> 00:15:29,880 Speaker 3: Oh well, congratulations. 330 00:15:28,840 --> 00:15:30,080 Speaker 1: And congratulations to you. 331 00:15:33,520 --> 00:15:36,400 Speaker 2: Sits In Whippa with Kate Ritchie is a Nova podcast 332 00:15:36,640 --> 00:15:37,880 Speaker 2: walk great shows like this. 333 00:15:38,200 --> 00:15:41,280 Speaker 3: Download the Nova player, Fire the app store, or Google 334 00:15:41,360 --> 00:15:42,760 Speaker 3: playing the player