WEBVTT - Harry Houdini: The great escape - Part 2

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<v Speaker 1>I know and quite worked out Harry did it.

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<v Speaker 2>He would be put into a very large milk can

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<v Speaker 2>full of water, and the top would be secured and

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<v Speaker 2>it would be changed put around it, and the crowd

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<v Speaker 2>will be told, try and hold your breath and see

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<v Speaker 2>if you can hold it for as long as your dani.

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<v Speaker 3>I'm Jen Kelly from the Herald Son and this is

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<v Speaker 3>In Black and White, a podcast about some of Australia's

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<v Speaker 3>forgotten characters. Welcome back to part two of the story

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<v Speaker 3>of Harry Houdini and the final episode of the In

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<v Speaker 3>Black and White podcast. Make sure you listen to part

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<v Speaker 3>one first. We'll have some special thank you messages at

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<v Speaker 3>the end of this episode. We're speaking again with Andrew McConville,

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<v Speaker 3>reference librarian at State Library Victoria. Now, we talked briefly

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<v Speaker 3>earlier about the first powered flight, which was also just

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<v Speaker 3>outside of Melbourne. Tell us about the significance of that

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<v Speaker 3>and the preparation that Houdini had done for that.

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<v Speaker 2>He decided that he was going to be I mean,

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<v Speaker 2>flight was obviously a brand new thing. So you know,

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<v Speaker 2>the Right brothers had only just made their fights not

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<v Speaker 2>many years before, and so he decided that he would

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<v Speaker 2>get onto this brand new phenomenon of flying. So he

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<v Speaker 2>had learned how to fly. I think in Germany he

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<v Speaker 2>had someone who taught him how to fly.

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<v Speaker 1>He had a mechanic.

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<v Speaker 2>He bought a particular aeroplane of whats in aeroplane that

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<v Speaker 2>he brought to Australia. So that would have been quite

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<v Speaker 2>an expensive process to bring a plane. And he did

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<v Speaker 2>that partly because he knew that at that stage there

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<v Speaker 2>didn't appear to have been any genuine successful flights in Australia,

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<v Speaker 2>so he wanted to be the first to do that,

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<v Speaker 2>and he did do that at Digger's Rest on the

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<v Speaker 2>adenth of March. There were a couple of other claimants

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<v Speaker 2>to that. A few days before. In fact, someone in

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<v Speaker 2>South Australia had claimed to make a fight, although it

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<v Speaker 2>appears as though they crashed rather than landed, and there

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<v Speaker 2>was not really much documentation of that. One thing who

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<v Speaker 2>doing he was very careful of was to ensure that

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<v Speaker 2>there were a number of witnesses who would sign that

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<v Speaker 2>he had made that flight. And so he did do

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<v Speaker 2>a few flights, not always successful, but he did do

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<v Speaker 2>one fight that was about three and a half minutes

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<v Speaker 2>and he traveled about thirty meters, so it doesn't say

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<v Speaker 2>that big a deal nowadays, but that was in the

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<v Speaker 2>infancy of flying, so that did become and is considered

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<v Speaker 2>the first a controlled flight in Australia, and again another

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<v Speaker 2>a great amount of publicity for him. I think there's

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<v Speaker 2>still a plaque at Digger's Rest to commemorate that, and

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<v Speaker 2>it does stand still despite there being some disputes from

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<v Speaker 2>other flights a little bit earlier, that this was the

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<v Speaker 2>first recorded controlled flight and documented controlled flight, so he

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<v Speaker 2>does hold that record, and again, you know, it's a

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<v Speaker 2>great I guess it's partly a publicity thing, but it's

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<v Speaker 2>also an enormous daredevil thing to be flying. I mean,

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<v Speaker 2>he was taught how to fly in Germany, so that

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<v Speaker 2>was very dangerous and he flying was very dangerous, and

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<v Speaker 2>yet he took that on.

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<v Speaker 1>So I think you're right about.

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<v Speaker 2>Him being a bit of a adrenaline junkie, because certainly

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<v Speaker 2>that was a pretty dangerous practice back in those days.

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<v Speaker 3>And there are some photos of this first powered flight

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<v Speaker 3>in the State Library collection. Can you tell us about those?

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<v Speaker 2>Yes, well, they're probably not quite as clear as they

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<v Speaker 2>might be, but there's still fantastic records of his first flight. Yeah,

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<v Speaker 2>so it's a photo of a plane actually, and as

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<v Speaker 2>I say, it looks nothing, looks like a whole lot

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<v Speaker 2>of boxes put together.

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<v Speaker 1>Actually it's a biplane.

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<v Speaker 2>You can see it there, just traveling barely above the trees.

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<v Speaker 2>And there's a horse there as well too, so that

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<v Speaker 2>kept out away for the landing. And there's about four

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<v Speaker 2>men sort of standing staring at the flight. So he

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<v Speaker 2>was always, as I say, very careful to make sure

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<v Speaker 2>he had reliable witnesses there to ensure that he had

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<v Speaker 2>it well documented. And it does look like it hasn't

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<v Speaker 2>got all that far off the ground, which you would

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<v Speaker 2>expect it didn't get that far off the ground. But

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<v Speaker 2>that is a great recording of what was the earliest

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<v Speaker 2>considered the earliest controlled flight in Australian history.

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<v Speaker 3>Now what else did he get up to in Melbourne

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<v Speaker 3>while he was here, Well, it.

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<v Speaker 2>Was mainly just the shows. I mean, he did those

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<v Speaker 2>challenges where various people would challenge him to you know,

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<v Speaker 2>their time in not stay clock him in boxes etc.

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<v Speaker 1>And he'd be able to get out.

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<v Speaker 2>Mainly, as I say, he also did the dive into

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<v Speaker 2>the Era, which is a big publicity stunt, but mainly

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<v Speaker 2>he was just appearing at the what was then called

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<v Speaker 2>the Opera House in his show over quite.

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<v Speaker 1>A number of weeks.

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<v Speaker 2>I don't think he did anything else particularly remarkable in Melbourne.

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<v Speaker 2>He was probably pretty busy actually, because he did appear,

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<v Speaker 2>you know, on stage each night, so that would have

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<v Speaker 2>been and his performances, even though they were fairly short,

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<v Speaker 2>they would have been quite demanding really, I mean getting

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<v Speaker 2>out of a straight check it would be pretty physically

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<v Speaker 2>demanding and tiring, so he would have been pretty tired

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<v Speaker 2>even after a fairly short show.

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<v Speaker 3>I think now the Melbourne Opera House. But where was

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<v Speaker 3>that and how many seats were in that venue?

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<v Speaker 2>Well, I think there was a few thousand seats in

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<v Speaker 2>the venue. I think it existed from the nineteenth century,

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<v Speaker 2>but there was a few different opera houses because they

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<v Speaker 2>were burned out at times, and then it became thea

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<v Speaker 2>Tivoli Theater, so it it was a very popular place.

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<v Speaker 2>I think it held several thousand people, so it was

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<v Speaker 2>a big venue. So it was a big venue that

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<v Speaker 2>would have been filled for Hudini and the tickets for

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<v Speaker 2>who Deani were you know anywhere from depending on where

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<v Speaker 2>you were three shillings or two shillings or one shilling,

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<v Speaker 2>and there was a premium if you booked your tickets beforehand,

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<v Speaker 2>and there was general admission tickets where you could get

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<v Speaker 2>there earlier. So yeah, so it was in Burke Street,

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<v Speaker 2>and as I say, it was a very beautiful building,

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<v Speaker 2>but at various times it did get rebuilt. But it

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<v Speaker 2>did hold quite a number of people. I think it

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<v Speaker 2>was several thousand people could fit into the theater, so

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<v Speaker 2>you would have had big crowds every night, okay.

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<v Speaker 3>And then from there he's headed straight up to Sydney.

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<v Speaker 2>He has He's headed up to Sydney and done very

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<v Speaker 2>similar to what he did in Melbourne. I mean, doing

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<v Speaker 2>that the shows, taking on the various challenges that the

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<v Speaker 2>public put before him.

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<v Speaker 1>He did do a dive.

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<v Speaker 2>He was actually scared of the ocean. So he was

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<v Speaker 2>never that keen in diving into the ocean.

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<v Speaker 3>How fascinating. He shouldn't be scared of anything. He's Houdini.

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<v Speaker 1>Well, the other thing was that he was a terrible sailor.

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<v Speaker 2>He got dreadfully seasick, and so you know, even coming

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<v Speaker 2>to Australia would have won a great ordeal for him

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<v Speaker 2>to come that far and in fact, once he got

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<v Speaker 2>to Adelaide, he caught a train, so yeah, but he

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<v Speaker 2>he was a terrible sailor and he did sort of

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<v Speaker 2>say to the first reporter we spoke to that he

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<v Speaker 2>wouldn't dive into the water at Framel because he was

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<v Speaker 2>scared of sharks, and he did dive in Sydney.

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<v Speaker 1>He dived into the.

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<v Speaker 2>Domain Bars at the edge of Wormlou Bay, so didn't

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<v Speaker 2>dive into the ocean. He dived into the into a

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<v Speaker 2>bar's there, which I and I think the main thing

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<v Speaker 2>was that he wanted murky water because he didn't want

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<v Speaker 2>to see anybody. He didn't wan anybody to see what

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<v Speaker 2>he was doing, so he certainly would have had plenty

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<v Speaker 2>of murky water in the era. I think that Domain

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<v Speaker 2>Mars were likely just sort of a big dive. They

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<v Speaker 2>weren't actually proper swimming pool as such, so he'd go

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<v Speaker 2>down very deep and then he just appeared with his handcuffs.

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<v Speaker 2>So he did pretty much the same thing. He did

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<v Speaker 2>do some flights in Sydney, but he'd obviously obviously done

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<v Speaker 2>the first fight in Australia, and he did take on

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<v Speaker 2>challenges from the public and he was very successful there. Again,

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<v Speaker 2>I mean I think the other trick that he did

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<v Speaker 2>do none of the first night in Melbourne, but that

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<v Speaker 2>he did do in Australia, which was one of his

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<v Speaker 2>famous ones, which was the milk called the milk can trick,

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<v Speaker 2>which was all the milkcam mystery. But that was there

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<v Speaker 2>was something quite a bizarre story to that in that

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<v Speaker 2>when he arrived he complained that, according to his words,

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<v Speaker 2>a Sydney pugilist had stolen his milk can trick. And

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<v Speaker 2>that turned out not just to be any boxer. It

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<v Speaker 2>turned out to be the very famous Canadian world champion

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<v Speaker 2>Tommy Burns, who'd been in Australia in the Seminine hundred

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<v Speaker 2>and eight. He'd been in one of the huge fights

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<v Speaker 2>of the century against the African American fighter Jack Johnson,

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<v Speaker 2>and Tommy Burns got badly beaten, but it was a

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<v Speaker 2>huge sporting event and Tommy Burns stayed on and then

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<v Speaker 2>had this sort of odd stage show where he would

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<v Speaker 2>talk about his fights and his brother in law would

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<v Speaker 2>do this milk can trick and who done was very

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<v Speaker 2>annoyed at that, but he did do it himself. And

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<v Speaker 2>I mean that was again a trick that no one

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<v Speaker 2>quite worked out how he did it, he would be

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<v Speaker 2>put into a very large milk can full of water,

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<v Speaker 2>and the top would be secured and there would be

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<v Speaker 2>chains put around it, and there would just be a

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<v Speaker 2>screen put across the front, and the crowd will be

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<v Speaker 2>told that, you know, try and hold your breath and

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<v Speaker 2>see if you can hold it for as long as

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<v Speaker 2>your janey, and then who Doney when people were wondering

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<v Speaker 2>whether he drowned, Who Daney would appear dripping wet, and

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<v Speaker 2>you know, I think there were some tricks to that

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<v Speaker 2>as well. Apparently the rivets in the top of the

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<v Speaker 2>milk can were false, and if he pushed it in

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<v Speaker 2>a certain way he would get out. But still I

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<v Speaker 2>think that would be many people's worst nightmare to be

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<v Speaker 2>enclosed in a body of water like that with a

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<v Speaker 2>lid put on, and then to be able to get

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<v Speaker 2>out of that. So again, that was a very dramatic

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<v Speaker 2>trick that he did for quite a few years afterwards.

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<v Speaker 2>But I mean one of the things he did that

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<v Speaker 2>was quite interesting too. Because often he was so famous,

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<v Speaker 2>people were always trying to steal his tricks. He didn't

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<v Speaker 2>want to patent them because that would involve giving details

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<v Speaker 2>of exactly how they were done.

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<v Speaker 1>You know, have to patent every part of the apparatus.

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<v Speaker 2>So instead of that, he would sometimes hold performances for

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<v Speaker 2>a single person and that would be he would say,

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<v Speaker 2>that would copyright the trick because he'd done a public

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<v Speaker 2>the first public performance of it.

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<v Speaker 1>So that was one way he had of protecting his tricks.

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<v Speaker 2>But yes, he was very annoyed at Tommy Burns for

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<v Speaker 2>stealing his milkcan trick and climbing it as his own.

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<v Speaker 3>We'll be back soon to hear what happened to hu

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<v Speaker 3>Deini next, So stay with us, So tell us what

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<v Speaker 3>happened after his Australian tour.

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<v Speaker 2>Well, he continued to greater and greater fame. He continued

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<v Speaker 2>to tour in the United States and tour in Europe.

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<v Speaker 2>He was very popular in Europe and he did bigger

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<v Speaker 2>and bigger tricks. He's one of his most famous tricks

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<v Speaker 2>was in nineteen eighteen he at the Hippodrome in New York.

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<v Speaker 2>He had a very di soile elephant who's variously known

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<v Speaker 2>as Jenny or Fanny, but the name possibly lost their history.

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<v Speaker 2>But he had a huge box on stage and the

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<v Speaker 2>elephant was led into that and he made the elephant disappear,

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<v Speaker 2>and I think people, I mean other people had done

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<v Speaker 2>similar tricks. I think he purchased it from somebody, the

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<v Speaker 2>trick from somebody who'd made a donkey disappear, but he

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<v Speaker 2>went bigger and better. There's still discussion about how he

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<v Speaker 2>actually did that, whether it was mirrors or some sort

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<v Speaker 2>of false side. That must have made a pretty big

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<v Speaker 2>false side to hide an elephant, But anyway, he managed

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<v Speaker 2>to do that trick once on stage and make an

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<v Speaker 2>elephant disappear, which again created great interest in his performances.

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<v Speaker 2>But later on in life, like by the nine and twenties,

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<v Speaker 2>he did become very skeptical with spiritualism, and that became

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<v Speaker 2>a bit of a campaign of his up until his death.

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<v Speaker 2>I mean, in his early career he had tried many things,

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<v Speaker 2>card tricks, all sorts of tricks, and for a while

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<v Speaker 2>he and his wife were promoting themselves as spiritualists. That was,

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<v Speaker 2>you know, they had various tricks to do that. She

0:11:02.600 --> 0:11:06.400
<v Speaker 2>was he was Professor Houdini and she was the psychometric Madam.

0:11:06.559 --> 0:11:08.400
<v Speaker 2>And some of the tricks they'd used would be they

0:11:08.480 --> 0:11:11.400
<v Speaker 2>might have codes so that if she took a dollar

0:11:11.440 --> 0:11:13.400
<v Speaker 2>bill and was one side of the stage, and he

0:11:13.440 --> 0:11:15.880
<v Speaker 2>had to guess what the serial number was. They'd have

0:11:15.920 --> 0:11:18.360
<v Speaker 2>bland words that would need numbers. So if she said

0:11:18.400 --> 0:11:21.720
<v Speaker 2>something like, you know, tell me the number, tell my

0:11:21.920 --> 0:11:24.439
<v Speaker 2>maan one and then it might be have you guessed

0:11:24.440 --> 0:11:26.800
<v Speaker 2>at guests might man two? So he do go through

0:11:26.800 --> 0:11:29.760
<v Speaker 2>his whole performance. And they did that for a short time,

0:11:29.800 --> 0:11:31.040
<v Speaker 2>and they thought it was a bit of a ark.

0:11:31.559 --> 0:11:35.160
<v Speaker 2>But HERDONI was particularly attached to his mother, enormously attached

0:11:35.160 --> 0:11:37.920
<v Speaker 2>to his mother, and he was absolutely distressed when she died,

0:11:38.520 --> 0:11:42.040
<v Speaker 2>and after that he began to see spiritualism as a

0:11:42.040 --> 0:11:44.480
<v Speaker 2>fairly mean trick, and particularly after the First World War

0:11:44.520 --> 0:11:47.560
<v Speaker 2>when spiritualism became huge because so many people were trying

0:11:47.559 --> 0:11:48.880
<v Speaker 2>to connect with.

0:11:48.960 --> 0:11:52.280
<v Speaker 1>Dead sons and brothers and loved ones.

0:11:52.440 --> 0:11:56.440
<v Speaker 2>And he sort of spoke about how when he was young,

0:11:56.760 --> 0:11:59.880
<v Speaker 2>he didn't understand the seriousness of trifling with such sacred

0:12:00.040 --> 0:12:03.480
<v Speaker 2>sentimentality and the bineful results which inevitably followed.

0:12:03.720 --> 0:12:04.640
<v Speaker 1>To me, it was a lark.

0:12:05.480 --> 0:12:08.280
<v Speaker 2>And then he talks about how he realizes that he

0:12:08.280 --> 0:12:11.760
<v Speaker 2>feels quite guilty about being so frivolous about that, because

0:12:12.120 --> 0:12:14.240
<v Speaker 2>it is all a trick and it does give people

0:12:14.360 --> 0:12:16.440
<v Speaker 2>false hope when you shouldn't be doing that, And so

0:12:16.960 --> 0:12:18.880
<v Speaker 2>he did go on to say gladly, I would embrace

0:12:18.920 --> 0:12:21.760
<v Speaker 2>spiritualism if it could prove its claims, but I'm not

0:12:21.800 --> 0:12:25.079
<v Speaker 2>willing to be deluded by the fraudulent impositions of so

0:12:25.160 --> 0:12:28.520
<v Speaker 2>called psychics or accepted sacred reality any evidence that has

0:12:28.559 --> 0:12:32.000
<v Speaker 2>been placed before me thus far. And it was around

0:12:32.000 --> 0:12:33.800
<v Speaker 2>about this time, a little bit before that, he became

0:12:33.840 --> 0:12:36.240
<v Speaker 2>a great friend of Conan Doyle, Arthur Conan Doyle, the

0:12:36.320 --> 0:12:39.400
<v Speaker 2>creator of Shelock Holmes, and Conan Doyle was a great

0:12:39.559 --> 0:12:42.960
<v Speaker 2>believer in spiritualism, and so that sort of placed a

0:12:42.960 --> 0:12:46.719
<v Speaker 2>little bit of a challenge to their friendship. And there

0:12:46.760 --> 0:12:49.920
<v Speaker 2>was also an occasion where he went to a sort

0:12:49.920 --> 0:12:53.640
<v Speaker 2>of quasi seance with Conan Doyle, and Conan Doyle's wife

0:12:54.160 --> 0:12:57.080
<v Speaker 2>supposedly did automatic writings, so she was getting messages from

0:12:57.120 --> 0:13:02.560
<v Speaker 2>beyond the grave, and she supposedly was right from Harry

0:13:02.600 --> 0:13:05.400
<v Speaker 2>Hoo Doney's mother, and that was a very sensitive thing

0:13:05.400 --> 0:13:08.040
<v Speaker 2>for Harry who Doney, and he was pretty offended by

0:13:08.080 --> 0:13:11.320
<v Speaker 2>that because it was clearly false, and that really put

0:13:11.360 --> 0:13:14.040
<v Speaker 2>a great challenge to their friendship, and their friendship.

0:13:13.679 --> 0:13:16.640
<v Speaker 1>Was never as warm again, and he did.

0:13:16.480 --> 0:13:21.240
<v Speaker 2>Spend a lot of time unmasking what he considered to

0:13:21.240 --> 0:13:25.839
<v Speaker 2>be Charlotte and Spiritualism and to expose their tricks. And

0:13:25.880 --> 0:13:28.920
<v Speaker 2>so that was something that he wrote a book about, actually,

0:13:28.960 --> 0:13:32.720
<v Speaker 2>and he assumed the spiritualists quite a bit in later

0:13:32.840 --> 0:13:34.440
<v Speaker 2>in life. And part of it was, as I say,

0:13:34.480 --> 0:13:37.360
<v Speaker 2>that he was I think offended by this idea that

0:13:37.400 --> 0:13:40.840
<v Speaker 2>it could connect with people who had already died. Although

0:13:40.920 --> 0:13:43.240
<v Speaker 2>ironically he made an agreement with his wife that when

0:13:43.280 --> 0:13:45.000
<v Speaker 2>one of them died, the other would attempt to hold

0:13:45.000 --> 0:13:47.640
<v Speaker 2>a salance each year to connect and that would give

0:13:47.679 --> 0:13:49.240
<v Speaker 2>of them a proof that it either didn't work or

0:13:49.280 --> 0:13:52.240
<v Speaker 2>did work. And Beatrice did do that for ten years

0:13:52.280 --> 0:13:54.720
<v Speaker 2>after who Doney died but didn't make connection. So after

0:13:54.760 --> 0:13:57.559
<v Speaker 2>ten years decided that that would be the last annual

0:13:57.640 --> 0:13:58.640
<v Speaker 2>saliance she would hold.

0:13:58.960 --> 0:14:01.800
<v Speaker 3>The other thing that you mentioned briefly before is his

0:14:01.920 --> 0:14:06.040
<v Speaker 3>film career that it wasn't very successful. Tell us about that, well,

0:14:06.080 --> 0:14:06.640
<v Speaker 3>it was sort of.

0:14:06.679 --> 0:14:09.640
<v Speaker 2>I think he was a natural for film companies to

0:14:09.679 --> 0:14:12.400
<v Speaker 2>come to get him such a big star, such a

0:14:12.400 --> 0:14:15.280
<v Speaker 2>big name. He wasn't the world's greatest actor, I don't

0:14:15.280 --> 0:14:18.280
<v Speaker 2>think so. His performances were apparently very wooden, but he

0:14:18.320 --> 0:14:20.880
<v Speaker 2>did do quite a number of films over about a

0:14:20.920 --> 0:14:25.360
<v Speaker 2>ten or fifteen years period. The first ones were fairly successful,

0:14:25.360 --> 0:14:28.360
<v Speaker 2>but as film became more sophisticated, it became a bit

0:14:28.440 --> 0:14:31.160
<v Speaker 2>more obvious that with film you could pretty much do

0:14:31.200 --> 0:14:33.080
<v Speaker 2>any trick you wanted to. You could make anybody do

0:14:33.120 --> 0:14:35.920
<v Speaker 2>anything just with the tricks of film. So his great

0:14:36.520 --> 0:14:39.400
<v Speaker 2>escapes didn't see him as real because they weren't in person,

0:14:39.560 --> 0:14:42.720
<v Speaker 2>because you know, a lot of people could perform an

0:14:42.800 --> 0:14:45.240
<v Speaker 2>escape like that if you are cutting the film here there,

0:14:45.280 --> 0:14:48.400
<v Speaker 2>and you didn't no one was checking the particular apparatus, etc.

0:14:49.440 --> 0:14:52.640
<v Speaker 2>He did also fund some of his own films later on,

0:14:52.680 --> 0:14:55.240
<v Speaker 2>and they weren't successful, so he did actually waste a

0:14:55.240 --> 0:14:57.960
<v Speaker 2>fair bit of money doing that. But you can see

0:14:57.960 --> 0:15:02.560
<v Speaker 2>some of his films on YouTube and they're pretty wonky

0:15:02.600 --> 0:15:06.800
<v Speaker 2>old films. And he's probably he's not a natural actor, really,

0:15:06.800 --> 0:15:08.880
<v Speaker 2>and I guess that's one of the things he wasn't.

0:15:09.400 --> 0:15:11.480
<v Speaker 2>He didn't have that natural acting ability that a lot

0:15:11.480 --> 0:15:16.440
<v Speaker 2>of stage magicians have. He was more doing death deifying things,

0:15:16.440 --> 0:15:18.920
<v Speaker 2>so he was often very serious on stage, and he

0:15:19.040 --> 0:15:23.080
<v Speaker 2>wasn't sort of doing the sort of the amusing pattern

0:15:23.200 --> 0:15:24.640
<v Speaker 2>or doing the type of things that you might do

0:15:24.680 --> 0:15:27.040
<v Speaker 2>if you're a capable actor. So I don't think his

0:15:27.040 --> 0:15:30.120
<v Speaker 2>film career ended very well, and I think he lost

0:15:30.200 --> 0:15:32.640
<v Speaker 2>quite a bit of money by pursuing it with his

0:15:32.680 --> 0:15:34.800
<v Speaker 2>own money later on in the nine and twenties.

0:15:35.080 --> 0:15:38.480
<v Speaker 3>What was his personality like then? Was he quite serious?

0:15:38.520 --> 0:15:39.120
<v Speaker 1>It's interesting.

0:15:39.160 --> 0:15:41.680
<v Speaker 2>I mean, I think he obviously was a child of

0:15:41.720 --> 0:15:44.560
<v Speaker 2>great poverty and missed out on a lot in childhood.

0:15:44.880 --> 0:15:47.640
<v Speaker 2>He was very divided to his mother. He could hold

0:15:47.640 --> 0:15:50.560
<v Speaker 2>a grudge though, I mean quite remarkably, having modeled himself

0:15:50.600 --> 0:15:55.160
<v Speaker 2>on Robert Hudan and being so enamored with him. Some

0:15:55.320 --> 0:15:58.440
<v Speaker 2>years later he wrote a book supposedly debunking you know,

0:15:58.560 --> 0:16:02.000
<v Speaker 2>the tricks of Robert who Dan, And that was apparently because,

0:16:02.080 --> 0:16:04.240
<v Speaker 2>I mean, Robert hoo Dan had died in eighteen seventy one,

0:16:04.360 --> 0:16:08.080
<v Speaker 2>so when done he was famous. He went to France

0:16:08.120 --> 0:16:11.120
<v Speaker 2>and he contacted various family members because he wanted to

0:16:11.120 --> 0:16:13.280
<v Speaker 2>put flowers on the grave, and they basically said, well,

0:16:13.640 --> 0:16:15.320
<v Speaker 2>anybody can go and put flowers on the grave, and

0:16:15.320 --> 0:16:17.480
<v Speaker 2>they didn't make a great fuss of him, so he

0:16:17.480 --> 0:16:19.280
<v Speaker 2>did seem to bear a grudge against them. And that

0:16:19.440 --> 0:16:21.560
<v Speaker 2>was one of the things was he did tend to

0:16:21.560 --> 0:16:23.600
<v Speaker 2>bear a bit of a grudge against some other magicians.

0:16:23.600 --> 0:16:26.480
<v Speaker 2>His youngest brother, Leonard, he bore a grudge against him,

0:16:26.520 --> 0:16:28.280
<v Speaker 2>to the point where some of the family photos had

0:16:28.360 --> 0:16:31.480
<v Speaker 2>Lenard airbrushed out of it. He and his wife weren't

0:16:31.520 --> 0:16:33.800
<v Speaker 2>party two who done his will. So he could be

0:16:34.240 --> 0:16:36.880
<v Speaker 2>pretty tough like that, and perhaps a little bit temperamental.

0:16:36.880 --> 0:16:40.000
<v Speaker 2>But for a performer, that's not unusual. Particularly, you know,

0:16:40.040 --> 0:16:42.800
<v Speaker 2>you would be very highly strung before a dangerous performance.

0:16:42.840 --> 0:16:44.960
<v Speaker 2>Things have to work really well. But he did have

0:16:45.000 --> 0:16:47.720
<v Speaker 2>a loyal crew with him, so he and his wife

0:16:47.800 --> 0:16:50.520
<v Speaker 2>did never have children, but they remained married for the

0:16:50.600 --> 0:16:52.600
<v Speaker 2>term of his life. Having married it, you know, she

0:16:52.720 --> 0:16:55.040
<v Speaker 2>was aiding and he was only twenty and they spent

0:16:55.080 --> 0:16:56.400
<v Speaker 2>a lot of time on the road, so they would

0:16:56.440 --> 0:17:00.600
<v Speaker 2>have had a tough life at various times. He was

0:17:00.640 --> 0:17:03.240
<v Speaker 2>an interesting character. I think, yeah, probably very much a

0:17:03.240 --> 0:17:04.679
<v Speaker 2>product of his childhood.

0:17:05.200 --> 0:17:08.160
<v Speaker 3>So you mentioned earlier on that Hudini only took on

0:17:08.480 --> 0:17:11.200
<v Speaker 3>tricks and challenges that he felt that he could do.

0:17:11.680 --> 0:17:15.760
<v Speaker 3>Did he ever have any failures or disasters or major injuries.

0:17:16.240 --> 0:17:18.239
<v Speaker 2>I think he had injuries, and he would continue on.

0:17:18.280 --> 0:17:19.880
<v Speaker 2>And that's one of the things, isn't it. I mean,

0:17:19.920 --> 0:17:21.359
<v Speaker 2>you've got to continue on.

0:17:21.440 --> 0:17:22.359
<v Speaker 1>The show must go on.

0:17:22.480 --> 0:17:24.399
<v Speaker 2>So and with such a physical show as his, he

0:17:24.440 --> 0:17:25.320
<v Speaker 2>would have had injuries.

0:17:25.320 --> 0:17:27.880
<v Speaker 1>I mean, I think he's getting out of straight jackets.

0:17:28.359 --> 0:17:30.000
<v Speaker 2>You know, there was I'm not sure if he was

0:17:30.040 --> 0:17:31.800
<v Speaker 2>ever proven, but there was a theory that he could

0:17:31.800 --> 0:17:34.320
<v Speaker 2>dislocate his shoulders. But you know, if you do those

0:17:34.320 --> 0:17:36.040
<v Speaker 2>sort of things, and I think if you look at

0:17:36.080 --> 0:17:39.160
<v Speaker 2>later photos of him, he understandably he looks older because

0:17:39.160 --> 0:17:41.679
<v Speaker 2>he years older, but he obviously isn't the same physical

0:17:41.720 --> 0:17:44.480
<v Speaker 2>specimen as he was, and obviously some of those tricks

0:17:44.520 --> 0:17:46.960
<v Speaker 2>would have been much more demanding as he moved into

0:17:47.000 --> 0:17:50.760
<v Speaker 2>his forties or later. The main problem that he had

0:17:50.800 --> 0:17:53.440
<v Speaker 2>with any of those challenges was this one in nineteen

0:17:53.480 --> 0:17:56.199
<v Speaker 2>hundred and four when he did have a blacksmith had

0:17:56.240 --> 0:18:00.720
<v Speaker 2>spent years making these impossible to escape handcuffs and who

0:18:00.880 --> 0:18:03.960
<v Speaker 2>and he possibly hadn't looked at them closely enough before

0:18:03.960 --> 0:18:06.359
<v Speaker 2>he accepted the challenge, and that did take him an

0:18:06.359 --> 0:18:09.639
<v Speaker 2>hour and a half really to get out of those handcuffs,

0:18:09.680 --> 0:18:11.760
<v Speaker 2>and when he came out, he was very he was

0:18:11.840 --> 0:18:13.760
<v Speaker 2>very disturbed, and his hands were all bloody, So I

0:18:13.760 --> 0:18:16.560
<v Speaker 2>think after that he made sure that he checked the

0:18:17.680 --> 0:18:21.000
<v Speaker 2>various conditions of the challenges in order to ensure that he.

0:18:21.000 --> 0:18:22.200
<v Speaker 1>Would be able to get out.

0:18:22.560 --> 0:18:24.919
<v Speaker 2>And look, it's hard to know whether perhaps he had

0:18:24.920 --> 0:18:26.959
<v Speaker 2>a little bit of help behind the screen from some

0:18:27.000 --> 0:18:30.000
<v Speaker 2>of his assistants, but they were fairly genuine and genuinely

0:18:30.040 --> 0:18:31.680
<v Speaker 2>he was pretty good at getting out of things. But

0:18:31.720 --> 0:18:33.920
<v Speaker 2>I would imagine that as time went on he would

0:18:33.920 --> 0:18:36.280
<v Speaker 2>have taken on less of those challenges. They were really

0:18:36.320 --> 0:18:38.119
<v Speaker 2>something that he did as a younger man when he

0:18:38.160 --> 0:18:41.359
<v Speaker 2>was becoming famous, and so they really enhanced his fame.

0:18:41.400 --> 0:18:44.280
<v Speaker 2>But I'm sure he did carry various injuries through him,

0:18:44.440 --> 0:18:49.320
<v Speaker 2>and of course when he died that was partly caused

0:18:49.320 --> 0:18:52.040
<v Speaker 2>by the fact that he didn't get attention for what

0:18:52.160 --> 0:18:55.880
<v Speaker 2>was clearly appendicitis and went on and performed and by

0:18:55.920 --> 0:18:57.920
<v Speaker 2>the time they removed his appendix it was too late.

0:18:58.359 --> 0:19:00.680
<v Speaker 3>So how old was he when he was fifty two?

0:19:00.720 --> 0:19:02.800
<v Speaker 2>And I mean there was a story that he put

0:19:02.800 --> 0:19:04.959
<v Speaker 2>on a show and he always used to be very

0:19:04.960 --> 0:19:07.480
<v Speaker 2>proud of his physique, even as a man in his fifties,

0:19:07.880 --> 0:19:10.439
<v Speaker 2>And a young student came in and said, oh, you know,

0:19:10.520 --> 0:19:13.120
<v Speaker 2>can you take a punch, and he said, of course

0:19:13.119 --> 0:19:15.080
<v Speaker 2>he could, and the student then punched him, you know,

0:19:16.119 --> 0:19:18.479
<v Speaker 2>three or four times, really hard without who Doney been

0:19:18.480 --> 0:19:21.480
<v Speaker 2>embraced for it. So there is one theory that perhaps

0:19:21.480 --> 0:19:24.840
<v Speaker 2>that caused the appendicitis, although genuinely it's considered that that

0:19:24.880 --> 0:19:28.080
<v Speaker 2>wouldn't cause the appendicitis. But he did have to be

0:19:28.240 --> 0:19:31.280
<v Speaker 2>pains after that, and he was diagnosed by a doctor

0:19:31.320 --> 0:19:33.639
<v Speaker 2>that should go straight to a hospital, but he had

0:19:33.680 --> 0:19:35.240
<v Speaker 2>a big show that night, so he didn't end up

0:19:35.240 --> 0:19:37.000
<v Speaker 2>getting to the hospital for a couple of days. And

0:19:37.040 --> 0:19:39.600
<v Speaker 2>by that stage the appendix a burst and while they

0:19:39.600 --> 0:19:43.000
<v Speaker 2>were removed, he did die of that. So it was

0:19:43.240 --> 0:19:46.919
<v Speaker 2>a fairly tragic end. And if he'd only had the

0:19:47.040 --> 0:19:49.640
<v Speaker 2>treatment when he was advised to, he quite possibly would

0:19:49.680 --> 0:19:50.800
<v Speaker 2>have lived on and.

0:19:50.600 --> 0:19:52.600
<v Speaker 3>Andrew, I believe that you've got a review of his

0:19:52.640 --> 0:19:55.240
<v Speaker 3>first stage show here in Melbourne. Can you tell us

0:19:55.240 --> 0:19:55.640
<v Speaker 3>about that?

0:19:56.080 --> 0:19:59.040
<v Speaker 1>Absolutely? Yes, see the Argust gave quite a lengthy review.

0:19:59.119 --> 0:20:02.120
<v Speaker 2>So the first start shows I think on the about

0:20:02.119 --> 0:20:05.159
<v Speaker 2>the ninth of February nine hundred and ten at the

0:20:05.440 --> 0:20:08.240
<v Speaker 2>Opera House, so a big you know, several thousand people there.

0:20:09.040 --> 0:20:11.080
<v Speaker 2>What they did say is that he was built as

0:20:11.080 --> 0:20:13.399
<v Speaker 2>a handcuff king, although not so much in Australia. In

0:20:13.440 --> 0:20:16.680
<v Speaker 2>Australia he tended to be built as a great mystery

0:20:16.800 --> 0:20:21.359
<v Speaker 2>arch and they talked about the most undoubtedly the greatest

0:20:21.359 --> 0:20:23.560
<v Speaker 2>and most sensational act that had ever been engaged for

0:20:23.600 --> 0:20:27.400
<v Speaker 2>Australia by any manager. But he had been personally known

0:20:27.440 --> 0:20:30.040
<v Speaker 2>as the handcuff king. But they do remark that there

0:20:30.080 --> 0:20:33.359
<v Speaker 2>wasn't one solitary handcuff in sight. They do then go

0:20:33.440 --> 0:20:36.520
<v Speaker 2>on to describe the show, and they talk about him

0:20:36.600 --> 0:20:40.119
<v Speaker 2>taking eleven minutes of wrenching with the strait jacket to

0:20:40.160 --> 0:20:44.440
<v Speaker 2>get out to get sufficient play, and they talk about

0:20:44.480 --> 0:20:48.320
<v Speaker 2>how he had invited a gentleman from the audience to

0:20:48.320 --> 0:20:49.520
<v Speaker 2>come up and time in knots, and.

0:20:49.520 --> 0:20:50.880
<v Speaker 1>He got out of those very easily.

0:20:51.320 --> 0:20:53.000
<v Speaker 2>But one of the things I do say is that

0:20:53.040 --> 0:20:56.280
<v Speaker 2>the audience was warmly inclined, but seemed to think that

0:20:56.320 --> 0:20:59.359
<v Speaker 2>an encore trick should have been added. Had Whodini's shown

0:20:59.440 --> 0:21:02.240
<v Speaker 2>them some simple handcuff trick, they would no doubt have

0:21:02.280 --> 0:21:05.200
<v Speaker 2>been satisfied. The turn is an excellent one and should

0:21:05.280 --> 0:21:07.760
<v Speaker 2>draw full houses. So that was the first show, and

0:21:07.800 --> 0:21:09.200
<v Speaker 2>it might have been a little bit shorter than the

0:21:09.240 --> 0:21:14.000
<v Speaker 2>later shows because later on, of course, he was asking

0:21:14.080 --> 0:21:18.520
<v Speaker 2>for people to come up with tricks that might misterfin

0:21:18.560 --> 0:21:20.919
<v Speaker 2>him and mystify the audience, and so that would have

0:21:20.960 --> 0:21:23.200
<v Speaker 2>extended the shows. So he had tricks as a say,

0:21:23.320 --> 0:21:27.040
<v Speaker 2>like being secured in a box by carpenters but secured

0:21:27.480 --> 0:21:30.520
<v Speaker 2>by ropes by sailors. You know, we're using sailor knots.

0:21:31.240 --> 0:21:33.520
<v Speaker 2>He did have some absurd things suggested to him that,

0:21:33.560 --> 0:21:36.040
<v Speaker 2>of course he didn't do. Somebody wrote in and suggested

0:21:36.080 --> 0:21:38.080
<v Speaker 2>that he should put a gun in his mouth and

0:21:38.080 --> 0:21:39.719
<v Speaker 2>fire the bullet and then somehow escape.

0:21:39.760 --> 0:21:41.840
<v Speaker 1>So quite clearly he wasn't going to do that.

0:21:41.960 --> 0:21:45.920
<v Speaker 2>But I think his shows were probably more extended as

0:21:45.920 --> 0:21:47.680
<v Speaker 2>he went on with the Australian tour, as he took

0:21:47.720 --> 0:21:50.480
<v Speaker 2>on some of these quite interesting challenges that were thrown

0:21:50.520 --> 0:21:50.960
<v Speaker 2>at him.

0:21:51.119 --> 0:21:52.600
<v Speaker 1>As I say, later in life.

0:21:52.320 --> 0:21:54.720
<v Speaker 2>His shows went for much longer as he went back

0:21:54.760 --> 0:21:58.000
<v Speaker 2>to incorporating magic tricks and card tricks. But in this

0:21:58.080 --> 0:22:00.280
<v Speaker 2>show in Melbourne he had quite a few people who

0:22:00.280 --> 0:22:03.600
<v Speaker 2>were supporting him. There is the Australian Datos, who I

0:22:03.600 --> 0:22:06.960
<v Speaker 2>think were sort of an acrobatic trick, and the will

0:22:07.040 --> 0:22:11.359
<v Speaker 2>Brothers who were apparently the most sensational acrobatic act in

0:22:11.400 --> 0:22:14.320
<v Speaker 2>the world, and they had Fred Curran, the quaint comedian,

0:22:14.320 --> 0:22:17.359
<v Speaker 2>who was an English comedian who was in Australia, so he.

0:22:17.359 --> 0:22:19.560
<v Speaker 1>Had a number of other performers supporting him.

0:22:19.600 --> 0:22:21.960
<v Speaker 2>So even though he was only on stage for twenty

0:22:22.000 --> 0:22:24.399
<v Speaker 2>minutes or so, it would have been a performance that

0:22:24.440 --> 0:22:27.120
<v Speaker 2>went for, you know, well over an hour. I would

0:22:27.160 --> 0:22:28.800
<v Speaker 2>think possibly two hours, and.

0:22:28.840 --> 0:22:30.920
<v Speaker 3>I suppose just to finish it off. I guess when

0:22:30.960 --> 0:22:34.280
<v Speaker 3>you consider that today's kids know the name Hudini, and

0:22:34.680 --> 0:22:38.680
<v Speaker 3>he's so famous among today's children, and when you realize

0:22:38.680 --> 0:22:41.720
<v Speaker 3>that the word Hudini is just used as a word,

0:22:41.840 --> 0:22:44.199
<v Speaker 3>you know, as in he's done a Houdini. Yeah, we

0:22:44.280 --> 0:22:46.320
<v Speaker 3>can be pretty confident that in another fifty years or

0:22:46.359 --> 0:22:48.080
<v Speaker 3>one hundred years he's still going to be just as

0:22:48.119 --> 0:22:49.200
<v Speaker 3>famous as he is today.

0:22:49.720 --> 0:22:50.119
<v Speaker 1>I think. So.

0:22:50.240 --> 0:22:52.600
<v Speaker 2>I think his words in his names in the dictionary now.

0:22:52.640 --> 0:22:54.280
<v Speaker 2>So I think it's just you know, you could look

0:22:54.359 --> 0:22:56.159
<v Speaker 2>up any paper. I mean, I did a thing on

0:22:56.160 --> 0:22:59.560
<v Speaker 2>one of our databases that has papers small over the world,

0:22:59.600 --> 0:23:01.760
<v Speaker 2>but there are for the last three or six months

0:23:01.840 --> 0:23:04.800
<v Speaker 2>or so, and there was like fifty thousand hits for

0:23:04.840 --> 0:23:07.040
<v Speaker 2>the word who DONI, and a lot of them are

0:23:07.080 --> 0:23:09.960
<v Speaker 2>to do with somebody you know, might be a prisoner escaping.

0:23:10.080 --> 0:23:13.280
<v Speaker 2>It might be somebody escaping from a fire or something

0:23:13.320 --> 0:23:15.480
<v Speaker 2>like that. Often it's to do with a great comeback

0:23:15.480 --> 0:23:19.960
<v Speaker 2>in football. There's often sporting references to it where someone,

0:23:20.240 --> 0:23:23.400
<v Speaker 2>I mean, I think the Matilda's today actually came back

0:23:23.400 --> 0:23:25.560
<v Speaker 2>from three goals to kneel down to win four to

0:23:25.560 --> 0:23:28.240
<v Speaker 2>three in the Olympics. And I suspect that there will

0:23:28.240 --> 0:23:31.600
<v Speaker 2>be who DONI mentioned in some of the reports of

0:23:31.600 --> 0:23:33.520
<v Speaker 2>that that they've done a who DONI act to escape

0:23:33.560 --> 0:23:35.440
<v Speaker 2>from such a perilous situation.

0:23:36.119 --> 0:23:38.840
<v Speaker 3>Yeah, thank you so much for sharing the story of

0:23:39.119 --> 0:23:42.040
<v Speaker 3>who Deni with us today and particularly who Deanie's time

0:23:42.080 --> 0:23:45.920
<v Speaker 3>in Australia and those incredible, those incredible feats in Melbourne.

0:23:45.960 --> 0:23:48.200
<v Speaker 3>Thanks for sharing your time with us today as well, Andrew.

0:23:48.640 --> 0:23:49.200
<v Speaker 1>Thanks very much.

0:23:49.240 --> 0:23:50.679
<v Speaker 2>Jen, it's been a lot of fun and he was

0:23:50.720 --> 0:23:53.040
<v Speaker 2>certainly a really fascinating character.

0:23:59.119 --> 0:24:01.840
<v Speaker 3>Thanks for listening to the very last episode of In

0:24:01.920 --> 0:24:05.919
<v Speaker 3>Black and White, a podcast about some of Australia's forgotten characters,

0:24:06.080 --> 0:24:09.880
<v Speaker 3>written and hosted by me Jen Kelly. While it's sad

0:24:09.920 --> 0:24:13.320
<v Speaker 3>to say goodbye, it's been a huge privilege to host

0:24:13.320 --> 0:24:16.560
<v Speaker 3>this podcast for the past five years and almost two

0:24:16.680 --> 0:24:20.879
<v Speaker 3>hundred and eighty episodes. We feel immensely proud to have

0:24:20.920 --> 0:24:24.600
<v Speaker 3>been able to bring to life hidden stories from Australia's past.

0:24:25.320 --> 0:24:28.840
<v Speaker 3>A few thank yous now to the podcast's producer, John

0:24:28.880 --> 0:24:31.560
<v Speaker 3>ty Burton, who has guided it from day one with

0:24:31.640 --> 0:24:35.600
<v Speaker 3>his loving care and endless wisdom. To my great friend

0:24:35.760 --> 0:24:39.120
<v Speaker 3>and former colleague Alissa Hunt for the original idea which

0:24:39.200 --> 0:24:41.920
<v Speaker 3>was only ever supposed to be a four episode mini

0:24:41.960 --> 0:24:46.000
<v Speaker 3>series until it became an instant hit. To our talented

0:24:46.200 --> 0:24:52.159
<v Speaker 3>editors Harry Hughes and his predecessors, To all the wonderful historians, authors,

0:24:52.280 --> 0:24:55.359
<v Speaker 3>tour guides and experts who have shared their wealth of

0:24:55.440 --> 0:24:59.920
<v Speaker 3>knowledge and proved that history education need never be dull,

0:25:00.640 --> 0:25:03.879
<v Speaker 3>and most of all, sincere thanks to you the listeners

0:25:04.000 --> 0:25:07.760
<v Speaker 3>for tuning in, especially those who've left a rating or

0:25:07.800 --> 0:25:11.600
<v Speaker 3>a review. Your kind words are greatly appreciated and we

0:25:11.600 --> 0:25:14.800
<v Speaker 3>feel so proud that this podcast has maintained such strong

0:25:14.960 --> 0:25:18.840
<v Speaker 3>and consistent ratings for five years. You'll continue to find

0:25:18.880 --> 0:25:22.280
<v Speaker 3>all the stories and photos associated with our episodes at

0:25:22.280 --> 0:25:27.840
<v Speaker 3>Heraldsun dot com dot au. Slashaw and I hope you'll

0:25:27.840 --> 0:25:30.679
<v Speaker 3>continue to enjoy the back catalog for years to come.

0:25:31.320 --> 0:25:34.119
<v Speaker 3>As for me, after hosting the podcast for five years

0:25:34.160 --> 0:25:36.800
<v Speaker 3>and editing the In Black and White column for nine years,

0:25:36.880 --> 0:25:39.560
<v Speaker 3>I've decided to leave The Herald Sun after twenty six

0:25:39.640 --> 0:25:43.080
<v Speaker 3>years in search of new challenges, but hosting In Black

0:25:43.080 --> 0:25:45.840
<v Speaker 3>and White has been one of the highlights of my career.

0:25:46.320 --> 0:25:48.560
<v Speaker 3>So I thank you from the bottom of my heart

0:25:48.680 --> 0:25:50.240
<v Speaker 3>and wish you all the best.