1 00:00:01,480 --> 00:00:04,360 Speaker 1: Well, on this show, the show. We are massive fans 2 00:00:04,400 --> 00:00:22,600 Speaker 1: of Coldplay, and when Coleplay bring out a new single, 3 00:00:22,720 --> 00:00:27,880 Speaker 1: Higher Power, we get very very excited, get a sup 4 00:00:27,920 --> 00:00:30,240 Speaker 1: of stuff, get even more excited when we've got someone 5 00:00:30,280 --> 00:00:32,920 Speaker 1: waiting on the line, lead singer of the band, Chris Martin. 6 00:00:32,960 --> 00:00:38,680 Speaker 2: You're there, buddy, Wow, we've got him, the one and 7 00:00:38,760 --> 00:00:40,880 Speaker 2: only Chris Martin. Welcome to the Fitting Whipper Show. 8 00:00:41,880 --> 00:00:44,120 Speaker 3: Thank you guys. How are you doing, buddy? 9 00:00:44,320 --> 00:00:46,960 Speaker 1: Looks a bit sky full of stars behind you there? 10 00:00:46,720 --> 00:00:48,000 Speaker 3: Where are you at the moment? 11 00:00:48,080 --> 00:00:48,239 Speaker 1: Chris? 12 00:00:48,320 --> 00:00:51,640 Speaker 3: You at home in a spare room an abandoned theater. 13 00:00:51,760 --> 00:00:54,040 Speaker 2: Yeah, oh they left you there. 14 00:00:54,080 --> 00:00:55,760 Speaker 3: Yes they did when COVID cap. 15 00:00:57,600 --> 00:01:00,400 Speaker 4: But with a piano clearly, so you have to entertain yourself. 16 00:01:00,400 --> 00:01:02,560 Speaker 4: I hope there's an esci of food. 17 00:01:02,880 --> 00:01:04,880 Speaker 3: I've been very well looked after for twelve months. 18 00:01:04,920 --> 00:01:05,120 Speaker 1: Yeah. 19 00:01:05,319 --> 00:01:06,760 Speaker 2: Well, you know what was one of the special shows 20 00:01:06,800 --> 00:01:08,200 Speaker 2: we saw, Chris when you were here? I think it 21 00:01:08,280 --> 00:01:11,280 Speaker 2: must have been last time? Was there was a special 22 00:01:11,360 --> 00:01:13,840 Speaker 2: performance with MTV where you performed It was quite an. 23 00:01:13,800 --> 00:01:18,280 Speaker 1: Intimate King's Cross. No One at the Star as well. 24 00:01:18,360 --> 00:01:20,200 Speaker 1: Yeah that was you did the Star, but you also 25 00:01:20,240 --> 00:01:23,320 Speaker 1: did the film clip for scott Town when you were 26 00:01:23,319 --> 00:01:25,720 Speaker 1: walking through Newtown? Do you remember that one, Chris? 27 00:01:25,880 --> 00:01:28,760 Speaker 3: I do, And I'd like to say thank you to 28 00:01:29,920 --> 00:01:33,280 Speaker 3: the paparazzi who we had to make a deal with 29 00:01:33,319 --> 00:01:36,160 Speaker 3: them and we did the first take just for them 30 00:01:36,360 --> 00:01:38,200 Speaker 3: and then they left it let us do the video, 31 00:01:38,240 --> 00:01:39,640 Speaker 3: and I'm very grateful to this day. 32 00:01:39,760 --> 00:01:42,720 Speaker 1: Well see that's how interesting, smart, so giving like that. 33 00:01:42,800 --> 00:01:45,479 Speaker 1: But were they I mean in Newtown on King Street 34 00:01:45,480 --> 00:01:48,280 Speaker 1: there there's some characters. I mean, was that all in 35 00:01:48,360 --> 00:01:50,720 Speaker 1: one go or did you have to stop after a 36 00:01:50,720 --> 00:01:52,160 Speaker 1: few blakes came out of pubs? 37 00:01:52,440 --> 00:01:54,080 Speaker 3: No? No, it's all one go. It was fun. 38 00:01:55,680 --> 00:01:56,880 Speaker 2: So that's magical, isn't it. 39 00:01:57,280 --> 00:01:59,400 Speaker 1: Have you did it? Was there a moment Chris and 40 00:01:59,400 --> 00:02:01,880 Speaker 1: I I in La You guys have been doing it 41 00:02:01,920 --> 00:02:05,000 Speaker 1: pretty tough over there. Do you know in Australia we 42 00:02:05,040 --> 00:02:07,040 Speaker 1: are so lucky at the moment, Chris. We have got 43 00:02:07,080 --> 00:02:11,160 Speaker 1: so many Hollywood stars here because where there's films, we're 44 00:02:11,200 --> 00:02:11,760 Speaker 1: starting up. 45 00:02:11,800 --> 00:02:13,200 Speaker 3: The gigs are starting up. 46 00:02:13,120 --> 00:02:15,680 Speaker 1: Here again in our pubs as well. Was there a 47 00:02:15,800 --> 00:02:18,880 Speaker 1: moment where you thought about bringing the family and just 48 00:02:19,440 --> 00:02:22,000 Speaker 1: hiding out on the Hawksbury River or something in Sydney 49 00:02:22,160 --> 00:02:23,480 Speaker 1: and coming to Australia. 50 00:02:23,560 --> 00:02:26,400 Speaker 3: We tried, but I got told we're not famous enough. 51 00:02:27,639 --> 00:02:27,880 Speaker 2: Mate. 52 00:02:27,919 --> 00:02:29,000 Speaker 3: We could have stucked you in. 53 00:02:29,880 --> 00:02:32,320 Speaker 2: We could have said it was I don't know somebody else. 54 00:02:32,360 --> 00:02:33,440 Speaker 2: We could have said it was bon Jovi. 55 00:02:33,639 --> 00:02:34,079 Speaker 3: We could. 56 00:02:35,560 --> 00:02:37,080 Speaker 2: Do you know what. I remember too, And there was 57 00:02:37,120 --> 00:02:39,120 Speaker 2: trouble last time you were here because I went to 58 00:02:39,120 --> 00:02:42,200 Speaker 2: see the show, which was awesome, but there was a 59 00:02:42,240 --> 00:02:44,440 Speaker 2: big celebrity that was also in town and his name 60 00:02:44,480 --> 00:02:47,040 Speaker 2: was Elton John and he'd actually taken the suite at 61 00:02:47,080 --> 00:02:49,240 Speaker 2: the hotel that you were both staying it Elton and 62 00:02:49,400 --> 00:02:51,520 Speaker 2: did a shout out to say, mate, thanks so much 63 00:02:51,560 --> 00:02:55,040 Speaker 2: for taking the big suite at the hotel that. 64 00:02:57,840 --> 00:02:59,640 Speaker 3: I think it's well known that he and I don't 65 00:02:59,680 --> 00:03:05,720 Speaker 3: like it. Then we've we've physically so you should. I 66 00:03:05,720 --> 00:03:08,639 Speaker 3: can't play the piano very well. I can't sing you 67 00:03:08,760 --> 00:03:10,320 Speaker 3: single bands? Shit. 68 00:03:12,639 --> 00:03:15,560 Speaker 1: What are some of the aliases? Talking of hotels and 69 00:03:15,840 --> 00:03:19,240 Speaker 1: booking in? Have you had some aliases Ivy the years, Chris? 70 00:03:19,360 --> 00:03:20,920 Speaker 1: Or do you just use your name? 71 00:03:21,240 --> 00:03:24,280 Speaker 3: I normally check in under like Prince Harry or something 72 00:03:24,280 --> 00:03:24,359 Speaker 3: like that. 73 00:03:25,280 --> 00:03:26,720 Speaker 4: How's that working out for you? 74 00:03:27,800 --> 00:03:34,200 Speaker 3: Better than Prince Andrew? Pretty good, Chris. 75 00:03:34,200 --> 00:03:38,720 Speaker 4: We heard the new track the other day. Amazing, It's 76 00:03:38,720 --> 00:03:40,400 Speaker 4: got a bit of an Iaves vibe to it. It 77 00:03:40,480 --> 00:03:43,000 Speaker 4: was kind of yeah, it was lots of fun, were 78 00:03:43,120 --> 00:03:43,600 Speaker 4: right that. 79 00:03:44,240 --> 00:03:47,120 Speaker 3: I just life. I think, Yeah, I don't think I 80 00:03:47,160 --> 00:03:52,680 Speaker 3: know so No, I'm listening to so many things all 81 00:03:52,680 --> 00:03:56,280 Speaker 3: the time, and including stuff from the eighties and nineties 82 00:03:56,320 --> 00:03:59,480 Speaker 3: and fifties and going for a big sach face. But 83 00:03:59,560 --> 00:04:02,320 Speaker 3: I don't know. You can hear that, yeah, sure, sure. 84 00:04:02,920 --> 00:04:05,280 Speaker 2: I love that idea too, that you are open for 85 00:04:05,320 --> 00:04:07,960 Speaker 2: whatever sound might come your way. So when you're listening 86 00:04:08,000 --> 00:04:10,840 Speaker 2: to different music and whatever artists are out there, because 87 00:04:10,840 --> 00:04:13,200 Speaker 2: you would get I would suggest a lot of artists 88 00:04:13,200 --> 00:04:15,600 Speaker 2: approaching and saying, hey, we think Coldplayers right for this one. 89 00:04:15,600 --> 00:04:17,279 Speaker 2: I think Chris Martin's right for this one. 90 00:04:17,440 --> 00:04:19,640 Speaker 3: Well, that's the really kind of thing you'd said. Sometimes 91 00:04:19,640 --> 00:04:22,080 Speaker 3: that happens. Yeah, I don't know if any of you 92 00:04:22,400 --> 00:04:25,599 Speaker 3: write songs or paint or anything. Sometimes I feel like 93 00:04:25,680 --> 00:04:30,080 Speaker 3: I'm just following a muse, and sometimes the song in 94 00:04:30,120 --> 00:04:33,080 Speaker 3: a strange way, says, oh I want to be sung 95 00:04:33,160 --> 00:04:34,840 Speaker 3: by this other person as well. Yeah. 96 00:04:35,240 --> 00:04:37,479 Speaker 4: Is it really tough, though, to say to someone who 97 00:04:37,480 --> 00:04:40,120 Speaker 4: you might actually really respect as an artist, but that 98 00:04:40,160 --> 00:04:43,039 Speaker 4: you don't think you would go well together musically. 99 00:04:43,680 --> 00:04:45,960 Speaker 3: I've never had that. One time I had that with 100 00:04:46,000 --> 00:04:50,960 Speaker 3: a band called The Streets in Mikey Skinner. Yeah, and 101 00:04:50,960 --> 00:04:53,440 Speaker 3: they had a song called Dry Your Eyes and like 102 00:04:54,400 --> 00:04:56,599 Speaker 3: sing on it, And I said no because I thought 103 00:04:56,680 --> 00:05:01,880 Speaker 3: he sounded amazing. Right, posh guy to come and sing 104 00:05:01,880 --> 00:05:04,880 Speaker 3: on this song. It needs to be you. I would 105 00:05:04,920 --> 00:05:06,360 Speaker 3: still do the same thing because I thought I thought 106 00:05:06,360 --> 00:05:09,200 Speaker 3: it was perfect already. Did he take that? 107 00:05:09,440 --> 00:05:10,839 Speaker 1: Did he accept that on? Was he? 108 00:05:11,160 --> 00:05:13,560 Speaker 3: Then? The song was like number one and everything so 109 00:05:13,560 --> 00:05:15,279 Speaker 3: it all turned up. Wow. 110 00:05:15,400 --> 00:05:17,880 Speaker 1: There's nothing better as a parent than being in the 111 00:05:17,920 --> 00:05:20,159 Speaker 1: car putting on a song that you like, because a 112 00:05:20,160 --> 00:05:22,200 Speaker 1: majority of the songs that you put on, they don't 113 00:05:22,200 --> 00:05:25,000 Speaker 1: they're not interested at all. But when you put on 114 00:05:25,080 --> 00:05:27,640 Speaker 1: certain songs and you hear their ears prick up and 115 00:05:27,680 --> 00:05:29,240 Speaker 1: they look up and they go, oh, dad, this is 116 00:05:29,320 --> 00:05:32,040 Speaker 1: really really good, it's a huge. 117 00:05:31,720 --> 00:05:33,520 Speaker 2: Connection as a parent connection. 118 00:05:33,640 --> 00:05:35,480 Speaker 3: Get that. Yep? I agree? 119 00:05:35,880 --> 00:05:40,160 Speaker 1: Yeah? They did they do that with Coldplay songs your children. 120 00:05:40,760 --> 00:05:43,919 Speaker 3: I don't know. I don't listen to them. Nuts. I 121 00:05:43,960 --> 00:05:46,120 Speaker 3: think that would be a bit mean to put them 122 00:05:46,120 --> 00:05:46,880 Speaker 3: on the spot. 123 00:05:48,120 --> 00:05:50,080 Speaker 2: Pick a song, any song, Pick a song song. 124 00:05:49,920 --> 00:05:54,160 Speaker 1: For review right now, or you're not getting dinner? Are 125 00:05:54,160 --> 00:05:57,599 Speaker 1: you still working on a green tour Chris? To go 126 00:05:57,680 --> 00:06:00,520 Speaker 1: around the world and yeah, is that still the worst? 127 00:06:01,400 --> 00:06:04,960 Speaker 3: So yes, I did say that in an interview when 128 00:06:04,960 --> 00:06:07,200 Speaker 3: we were doing this album called Everyday Life about eighteen 129 00:06:07,240 --> 00:06:10,520 Speaker 3: months ago, and we thought that saying that would be 130 00:06:10,560 --> 00:06:12,040 Speaker 3: kind of a disaster. I don't know why we thought 131 00:06:12,080 --> 00:06:14,560 Speaker 3: it was a silly thing to go public about then, 132 00:06:15,120 --> 00:06:18,719 Speaker 3: But what actually happened is that so many people and 133 00:06:19,000 --> 00:06:23,360 Speaker 3: organizations have reached out in the in the interim and said, oh, 134 00:06:23,400 --> 00:06:26,880 Speaker 3: we do this type of staging or this this way. 135 00:06:27,640 --> 00:06:30,680 Speaker 3: So it's been actually an amazing period of time in 136 00:06:30,760 --> 00:06:33,120 Speaker 3: terms of working out. I don't think we can ever. 137 00:06:33,360 --> 00:06:35,120 Speaker 3: I don't think right now we can get to a 138 00:06:35,200 --> 00:06:38,640 Speaker 3: perfect green tur We could definitely get some of the 139 00:06:38,640 --> 00:06:41,520 Speaker 3: way there and keep improving brilliant, And it's super cool 140 00:06:41,800 --> 00:06:44,320 Speaker 3: because it's a big it's a big teamwork, you know. 141 00:06:44,440 --> 00:06:47,080 Speaker 1: If this is a new single that hopefully leads to 142 00:06:47,120 --> 00:06:48,920 Speaker 1: a new album. Are you boys ready to hit the 143 00:06:49,000 --> 00:06:49,400 Speaker 1: road again? 144 00:06:49,480 --> 00:06:49,800 Speaker 3: Chris? 145 00:06:49,839 --> 00:06:52,599 Speaker 1: Like has it been is coming five years now? Are 146 00:06:52,640 --> 00:06:54,560 Speaker 1: you looking forward to it or are you still enjoying 147 00:06:54,600 --> 00:06:55,880 Speaker 1: your time at home? 148 00:06:56,440 --> 00:07:02,159 Speaker 3: I mean my whole being is built to play goals 149 00:07:02,200 --> 00:07:05,039 Speaker 3: for people. Yeah, exactly, but I'm also trying to be 150 00:07:06,640 --> 00:07:09,800 Speaker 3: accepting of you know, I'm trying to not rely on 151 00:07:09,840 --> 00:07:13,240 Speaker 3: that to be you know, happy with each day. So 152 00:07:13,760 --> 00:07:16,080 Speaker 3: but as soon as as soon as we can, of course, 153 00:07:16,080 --> 00:07:18,040 Speaker 3: what are you kidding. We'd love to have you back, mate. 154 00:07:18,080 --> 00:07:19,680 Speaker 3: We've great to have you here. 155 00:07:19,840 --> 00:07:23,120 Speaker 1: The new song Higher Power is out today, Coldplay. It 156 00:07:23,240 --> 00:07:25,080 Speaker 1: is great to hear your voice again. It's great to 157 00:07:25,080 --> 00:07:27,520 Speaker 1: hear some new music, mate, and we really appreciate your time. 158 00:07:27,600 --> 00:07:30,440 Speaker 3: Chris, Thank you you too, all of you. Thet's like 159 00:07:30,480 --> 00:07:33,680 Speaker 3: a thousand bits and whipper