WEBVTT - The ChrissieCast: Jane Hall On Her Budget Busting Era, Faking It Til You Make It And One Popular Google Search

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<v Speaker 1>Hi, and welcome to my home. It's the Christy Cast

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<v Speaker 1>live from the Compound. That's what I call my house

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<v Speaker 1>where I chat to a regular crew of my friends

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<v Speaker 1>and super interesting people from all over the world. And

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<v Speaker 1>it's Jane whole day. Yay. On today's episode, we reveal

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<v Speaker 1>that we have fully entered our budget busting era. We

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<v Speaker 1>play around of what's in the belly bag, and we

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<v Speaker 1>chat about mounting horses and faking it till you make it,

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<v Speaker 1>and we answer the most popular Google search question asked

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<v Speaker 1>of Jane hall is she in a relationship? See you

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<v Speaker 1>on the other side, Christy Casters, Welcome back, Janula hall Ah,

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<v Speaker 1>thank you, Chrysal Laswan.

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<v Speaker 2>Great to be here.

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<v Speaker 1>Good to see you again. Now, have you bought any

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<v Speaker 1>faux hair scrunchies since we last met?

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<v Speaker 2>No, because they're not in my wheelhouse. Having a lot

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<v Speaker 2>of my own hair, I like to keep it own atchural,

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<v Speaker 2>and I have no want or need for your Pattison hair.

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<v Speaker 1>And also that's not in the budget. It's not in

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<v Speaker 1>the budget. I did want to cover this off.

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<v Speaker 2>I have gotten completely tired of spending too much money

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<v Speaker 2>on things when it is not required.

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<v Speaker 1>I'm sorry. Where is Jane Hall, and a lot have

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<v Speaker 1>you done with her?

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<v Speaker 2>Well, Jane Hall is now not a woman of significant means,

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<v Speaker 2>But I have used that as a learning tool, if

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<v Speaker 2>you will. I've branched out, I've narrowed.

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<v Speaker 1>Sorry, I've broadened kind horizons, and I now look for

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<v Speaker 1>more budget friendly options to keep my to keep my

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<v Speaker 1>style alive, and to keep your stomach full on a

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<v Speaker 1>very very meager budget.

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<v Speaker 2>Yes, I don't, Yes, I don't spend a lot of

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<v Speaker 2>money on food. I will admit that it.

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<v Speaker 1>Always astounded me how much. I mean no judgment at all,

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<v Speaker 1>because I used to be a lot more casual with

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<v Speaker 1>expenses than I am. Now I've really reined it in.

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<v Speaker 2>Well, when you're making your own bread for goodness sake,

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<v Speaker 2>so you can save seven bucks a love?

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<v Speaker 1>Correct? Can you believe a life of sourdough? Fancy sourdo

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<v Speaker 1>is nine dollars? I can make it for a dollar

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<v Speaker 1>forty exactly. But it does take you seventy two hours.

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<v Speaker 1>I mean there is, I mean that's by the bye. Yes,

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<v Speaker 1>But I was always astounded at, like how much you

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<v Speaker 1>would spend on very high quality, fashionable stuff, like very stylish.

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<v Speaker 1>I thought nothing of it, did I? Like four hundred

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<v Speaker 1>dollars for a pair of shoes.

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<v Speaker 2>Yeah, okay, Well, I want to talk you through something.

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<v Speaker 2>This jacket is a remnant from the old days when

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<v Speaker 2>I used to spend a lot, when you used.

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<v Speaker 1>To be rich.

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<v Speaker 2>Correct, Yes, thank you, thank you for bringing that up.

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<v Speaker 1>Well, look, we've all been here. It's okay.

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<v Speaker 2>But look, I mean, excuse me while I get.

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<v Speaker 1>Out of this one. Oh it's a stunning jacket, my

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<v Speaker 1>lad number. I want to talk to you about this. Yes,

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<v Speaker 1>I want to put it on for you. Okay, Oven,

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<v Speaker 1>I just your casual white tea. There are beautiful podcasters.

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<v Speaker 1>It is a beautiful sort of fits breast and it

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<v Speaker 1>fits me like a glass wide lapel too. Stunning, fitted, gorgeous,

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<v Speaker 1>perfect fit. Look, don't go near it with a naked flame. No,

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<v Speaker 1>but why would you? Why would you?

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<v Speaker 2>I want to tell you something.

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<v Speaker 1>I bought this. It looks very expensive. I bought this

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<v Speaker 1>from Aldi. Yes, Aldi, this black?

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<v Speaker 2>Even am I what? I'm a late I'm a late

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<v Speaker 2>adapt to Aldi, and you know I'm later a late

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<v Speaker 2>adapt to many many things.

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<v Speaker 1>Don't get me started on Elder love it so much

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<v Speaker 1>so after the incident where I bought the most spectacular

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<v Speaker 1>garden solar lights, which, by the way, I've seen it

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<v Speaker 1>high and BOUTIQUI type external you know, fashion for a fortune.

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<v Speaker 1>Welcome to the middle Aisle Jane, Where have I been

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<v Speaker 1>the best?

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<v Speaker 2>Okay?

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<v Speaker 1>So I buy the solar lights.

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<v Speaker 2>Sniffing around, sniffing around, sniff, sniff. Go over to the

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<v Speaker 2>little bay where there are a number of sort of

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<v Speaker 2>stylish looking women hanging around it. What are they looking at?

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<v Speaker 2>What am I missing out on? I unwrap this out

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<v Speaker 2>of its plastic sheath, and I say, for thirty four dollars,

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<v Speaker 2>I will.

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<v Speaker 1>Have you, Thank you, I will have you. Jane Aldi's jacket.

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<v Speaker 1>It is so fantastic. It is so fantastic anyway. And

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<v Speaker 1>the other thing, I used to spend four hundred dollars

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<v Speaker 1>on a pair of jeans. I mean, I cannot comprehend.

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<v Speaker 2>That, citizens of humanity four hundred dollars.

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<v Speaker 1>Are they the ones that you can't wash? You're supposed

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<v Speaker 1>to put in the freezer? Have you heard that? Well?

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<v Speaker 2>I have heard that, But that's perkish. I would never

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<v Speaker 2>do that. None of my items are ever just not

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<v Speaker 2>being laund at a thousand times no.

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<v Speaker 1>Because fish fingers. Oh do you know what I mean?

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<v Speaker 1>Frozen fish fingers are in there as well. I don't wondering

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<v Speaker 1>what are you inferring about.

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<v Speaker 2>What my my denim my denim wear might look.

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<v Speaker 1>I just feel like they shouldn't be in the same

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<v Speaker 1>chest vicinity as your fish fingers.

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<v Speaker 2>Yes, certainly, okay. Jeans, yes, these ones? Yeah, Target, your

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<v Speaker 2>twenty nine dollar girlfriends.

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<v Speaker 1>All I can tell you is welcome.

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<v Speaker 2>And do you know what you've always said to me?

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<v Speaker 2>Look further afield.

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<v Speaker 1>You don't need to buy your label. You don't.

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<v Speaker 2>I go into Target in a frenzy because not only

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<v Speaker 2>did I buy these jeans, yes, I bought good quality

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<v Speaker 2>Belgian linen shirts for twenty nine dollars.

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<v Speaker 1>Yes, Jane, I've been saying this to you for years.

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<v Speaker 2>Okay, Well, now I'm misting right. Well, years are open.

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<v Speaker 1>You're like, you know, fifteen years behind me and.

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<v Speaker 2>Our fifteen years behind most of them.

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<v Speaker 1>But now that you are where I was fifteen years ago,

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<v Speaker 1>you know the only way forward for you.

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<v Speaker 2>Is down in the depths of the Maya bargain base.

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<v Speaker 1>Well see this cardigan I do? I do pure marino wall. Yes,

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<v Speaker 1>it's actually country road, is it really? Yeah?

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<v Speaker 2>Okay, Well I wouldn't have known that just by looking

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<v Speaker 2>at it. I mean I could have found that.

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<v Speaker 1>Now do you know where I found it? Oh? Look,

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<v Speaker 1>could have been in the boot of your car. No where.

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<v Speaker 1>Found it on the street on my walk yesterday? What

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<v Speaker 1>I found it on the street on my walk, just

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<v Speaker 1>lying on the ground. Yes, a car has driven over it.

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<v Speaker 1>So there's a little hole that you can see here, yes,

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<v Speaker 1>or a rodent could have done that. Since I've been outside, Well,

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<v Speaker 1>there's another hole there on the other end. If I

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<v Speaker 1>just go like that, you can't see marin country road?

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<v Speaker 1>My size?

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<v Speaker 2>What that was the God speaking to you, wasn't I?

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<v Speaker 1>You know? This is why I don't go anywhere without

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<v Speaker 1>a backpack, because I stopped and I picked it up,

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<v Speaker 1>and I put it in my backpack and I have

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<v Speaker 1>washed it. Oh you have, yes, Okay, but thank you

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<v Speaker 1>to Janine or Caye. Yes. I feel like it belonged

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<v Speaker 1>to a cave.

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<v Speaker 2>Do you.

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<v Speaker 1>Yeah. And maybe she was sasheting around the shops and

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<v Speaker 1>it's just fallen out of the crook of her arm.

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<v Speaker 1>I'm getting Bernadette, Bernadette, Well, thank you, Bernadette. Yes, so

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<v Speaker 1>this is the only way forward for you, okay, hard rubbish? First, stop.

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<v Speaker 1>First stop, Aldi, second stop. Que's dropped waterfall jackets from

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<v Speaker 1>country road in your side of your road. It's not bad,

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<v Speaker 1>is it? It's not bad at all?

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<v Speaker 2>Congratulations.

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<v Speaker 1>All right, well I've learned something new about you. That's

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<v Speaker 1>for sure. A little budget buster. Hall hors hacks. It's

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<v Speaker 1>still going to be a thing we do. It is

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<v Speaker 1>a thing. It's called Hale's hacks. Okay, Oh, I love

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<v Speaker 1>this and I'm going to workshop that. Can you think

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<v Speaker 1>of another one? Now while we're on the Aldi that

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<v Speaker 1>the Aldi jacket? Is it? No, let's just end it

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<v Speaker 1>on the Aldi jacket and the next time we see

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<v Speaker 1>give us another one.

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<v Speaker 2>Absolutely.

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<v Speaker 1>Obviously. That is a surprise to me, and you always

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<v Speaker 1>surprise me.

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<v Speaker 2>No one was more shocked than I can tell you.

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<v Speaker 1>I have googled you. Oh no, yes, because I know

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<v Speaker 1>you so well and I thought there must be some

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<v Speaker 1>things that I don't know.

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<v Speaker 2>This is going to end in tears.

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<v Speaker 1>So I opened up Google on my phone and I

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<v Speaker 1>wrote is Jane Hall?

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<v Speaker 2>And what were the top responses?

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<v Speaker 1>And then you know, the top responses are the most

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<v Speaker 1>popular endings of those sentences.

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<v Speaker 2>Now, I've never done this before.

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<v Speaker 1>Okay, so do you want to know what most people

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<v Speaker 1>are googling about? You do you whn to have a guess?

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<v Speaker 1>Is Jane Hall a tight ass? Yes? Yep? Is Hall

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<v Speaker 1>still addicted to honey soy, chicken chips king? Okay? Yes?

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<v Speaker 2>No apart from those two obvious search requests, So no,

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<v Speaker 2>I don't know.

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<v Speaker 1>Well here's yeah, married close? Is Jane Hall in a relationship?

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<v Speaker 1>And I want to know? Without ha ha ha? Who

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<v Speaker 1>are these people?

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<v Speaker 2>I don't know because no one has approached me for

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<v Speaker 2>any kind of romantic interlude for many moons. So I

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<v Speaker 2>don't know why these people? What do they want to know?

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<v Speaker 2>Why would they want to know that? What are your

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<v Speaker 2>I have nothing to offer another person?

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<v Speaker 1>Oh my god, I feel the.

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<v Speaker 2>Same, nothing nothing. I couldn't even anything worse.

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<v Speaker 1>People think that that's a negative though, Like when you

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<v Speaker 1>go I have nothing to offer, they go, oh, yes

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<v Speaker 1>you do. I'm like, no, no, that's not what I mean,

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<v Speaker 1>and not after people.

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<v Speaker 2>To correct me on that. No.

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<v Speaker 1>No, I don't have the bandwidth to give of myself

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<v Speaker 1>in that sort of realm to start all over again

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<v Speaker 1>with someone, to meet their family, to discuss their hobbies,

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<v Speaker 1>to you know. I just don't, Oh please, I just

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<v Speaker 1>want to sit in the couch. Are you surprised with

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<v Speaker 1>how badly that is perceived by the rest of the

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<v Speaker 1>word is, Yes, I am always surprised me too.

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<v Speaker 2>I know I have actually a lot of friends who

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<v Speaker 2>are desperate to fix me up, you know, desperate to say, oh,

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<v Speaker 2>my uncle has recently divorced, and yeah he's lovely, and

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<v Speaker 2>you know you both like walks on the beach. You'd

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<v Speaker 2>be perfect for each other. Guess what, ring it ing ding? No,

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<v Speaker 2>we wouldn't. I've got no desire to go on walks

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<v Speaker 2>on the beach with anyone other than myself, and I

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<v Speaker 2>don't see that as a negative thing.

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<v Speaker 1>I was talking to this great woman. Her name's Jody Rogers's.

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<v Speaker 2>I know, Jody Rogers.

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<v Speaker 1>She's wonderful, so wonderful. Love on Love on the Spectrum

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<v Speaker 1>is goodness, amazing. We're going to get her on this

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<v Speaker 1>podcast on Great But she obviously helps people on the

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<v Speaker 1>spectrum working out what to do in romantic situations, which

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<v Speaker 1>is frankly a human condition. I think that applies to everyone,

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<v Speaker 1>absolutely everybody. But she's also a sexologist.

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<v Speaker 2>Oh, I didn't know that They bring that up on

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<v Speaker 2>Love on.

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<v Speaker 1>No, She's done a master's in sexology. Yeah, what is sexology?

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<v Speaker 1>That is exactly what I asked her, and he did

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<v Speaker 1>enlightened me. First of all, I said, are you really

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<v Speaker 1>good in the saying, which is what everybody thinks when

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<v Speaker 1>you know, when you hear that somebody's a sexologist, you

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<v Speaker 1>set them mad for it.

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<v Speaker 2>Yeah.

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<v Speaker 1>Anyway, she was talking more about you know, it's sort

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<v Speaker 1>of the study of sensuality and you know, the giving

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<v Speaker 1>and taking of.

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<v Speaker 2>Intimacy, all that sort of business. Okay, I know I

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<v Speaker 2>know nothing about.

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<v Speaker 1>This anyway, she said, Because I said, what advice would

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<v Speaker 1>you have for a woman not naming any names, who's

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<v Speaker 1>fifty eleven, Yes, who just has no desire, no interest

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<v Speaker 1>to dabble? And she said, I would say to that woman, hrt. No,

0:11:51.760 --> 0:11:56.000
<v Speaker 1>she would say, sensuality and sexuality is an ebb and

0:11:56.120 --> 0:11:57.119
<v Speaker 1>flow situation.

0:11:57.800 --> 0:11:59.800
<v Speaker 2>Ah really yes?

0:12:00.240 --> 0:12:03.680
<v Speaker 1>So do you think that you are just in a

0:12:03.920 --> 0:12:08.679
<v Speaker 1>stage where you're in the ebb of needing a relationship

0:12:08.800 --> 0:12:11.480
<v Speaker 1>and very very low if that's.

0:12:11.280 --> 0:12:14.600
<v Speaker 2>The y and it's been going for a very long time.

0:12:14.720 --> 0:12:14.960
<v Speaker 1>Yeah.

0:12:15.960 --> 0:12:20.000
<v Speaker 2>Maybe though, But when I'm sixty eleven, will I still

0:12:20.080 --> 0:12:25.480
<v Speaker 2>be this disinterested in coupling up or doing anything more?

0:12:25.520 --> 0:12:28.080
<v Speaker 2>Sensure than giving myself a foot massage.

0:12:28.280 --> 0:12:30.480
<v Speaker 1>Will I oh, I was about to bring up something then,

0:12:30.520 --> 0:12:31.600
<v Speaker 1>and you would not like it.

0:12:31.679 --> 0:12:34.880
<v Speaker 2>I will not do it. Well is about me? It

0:12:34.920 --> 0:12:37.920
<v Speaker 2>is you can bring it up, but if I don't

0:12:37.920 --> 0:12:39.120
<v Speaker 2>wish lands, I would not.

0:12:41.640 --> 0:12:43.880
<v Speaker 1>I remember I gave you something to try.

0:12:44.360 --> 0:12:46.040
<v Speaker 2>Hi, Yes, yes, I do, I do.

0:12:46.880 --> 0:12:48.000
<v Speaker 1>We don't have to name names.

0:12:48.080 --> 0:12:49.679
<v Speaker 2>Yeah, no, we don't have to name names.

0:12:49.760 --> 0:12:54.960
<v Speaker 1>But from my perspective, yes, it's been very useful.

0:12:54.960 --> 0:13:01.280
<v Speaker 2>Good for the fish fingers ha ha, Yes, yes, And has.

0:13:01.120 --> 0:13:07.880
<v Speaker 1>It has been charged? That's all you need to say.

0:13:08.040 --> 0:13:10.560
<v Speaker 1>Have you charged? I charged? That's all we need to change.

0:13:10.600 --> 0:13:13.120
<v Speaker 1>I know that you're a very private woman, but you

0:13:13.160 --> 0:13:15.240
<v Speaker 1>did a little mouthbur then a little gurgle, a little gurgl.

0:13:17.480 --> 0:13:20.760
<v Speaker 1>But I'm trying to divert the conversation into another realm.

0:13:20.880 --> 0:13:24.080
<v Speaker 1>It's officially diverted. You've given me all the information that

0:13:24.120 --> 0:13:24.760
<v Speaker 1>I require.

0:13:25.200 --> 0:13:27.200
<v Speaker 2>That was a very interesting day when that arrived in

0:13:27.240 --> 0:13:30.600
<v Speaker 2>the post box. I can tell you it was thinking,

0:13:30.640 --> 0:13:33.440
<v Speaker 2>she's she sent me a little special lip gloss from

0:13:33.520 --> 0:13:35.760
<v Speaker 2>price line or no, oh no, no.

0:13:35.920 --> 0:13:38.960
<v Speaker 1>Well, the thing is this, we were never told about

0:13:38.960 --> 0:13:41.920
<v Speaker 1>this sort of stuff in the eighties or nineties. Classes

0:13:41.960 --> 0:13:47.800
<v Speaker 1>are fogged up, and I just don't I don't really

0:13:47.880 --> 0:13:52.000
<v Speaker 1>like the thing is this. If you've got that, what else.

0:13:51.800 --> 0:13:52.240
<v Speaker 2>Do you need?

0:13:52.240 --> 0:13:54.439
<v Speaker 1>What else do you need? That's the thing?

0:13:54.520 --> 0:13:55.319
<v Speaker 2>Well, I can't leave it.

0:13:55.840 --> 0:14:04.920
<v Speaker 1>And also I don't like the kind of vibe. Oh,

0:14:05.120 --> 0:14:09.320
<v Speaker 1>I don't like the way that they are advertised. No,

0:14:09.960 --> 0:14:12.720
<v Speaker 1>because they come across as a bit dicky.

0:14:13.200 --> 0:14:14.480
<v Speaker 2>Yeah, but they don't need.

0:14:14.400 --> 0:14:18.240
<v Speaker 1>To you know all that. Na, It's like, No, it's

0:14:18.280 --> 0:14:21.360
<v Speaker 1>not about that. It's about something else. I don't know

0:14:21.400 --> 0:14:23.160
<v Speaker 1>what it is about, but it's not about that.

0:14:23.400 --> 0:14:24.240
<v Speaker 2>No, it's not about that.

0:14:24.480 --> 0:14:32.640
<v Speaker 1>No. Anyway, I've actually got a little game that I

0:14:32.640 --> 0:14:34.720
<v Speaker 1>wanted to play with you today. Okay, It's called What's

0:14:34.760 --> 0:14:35.360
<v Speaker 1>in the belly Bag?

0:14:35.440 --> 0:14:36.920
<v Speaker 2>Yeah? You know I don't like to lose? So is

0:14:36.960 --> 0:14:37.880
<v Speaker 2>this a game that I'm going to be?

0:14:37.920 --> 0:14:41.120
<v Speaker 1>Okay, you will win, Okay, trust me. Okay, So I've

0:14:41.120 --> 0:14:42.360
<v Speaker 1>put something in my belly bag?

0:14:42.400 --> 0:14:44.600
<v Speaker 2>Okay, can I just ask? Can I just clarify something?

0:14:44.680 --> 0:14:44.920
<v Speaker 1>Sure?

0:14:45.040 --> 0:14:47.320
<v Speaker 2>When did we go from calling it a bum bag

0:14:47.360 --> 0:14:48.160
<v Speaker 2>to a belly bag?

0:14:48.240 --> 0:14:50.240
<v Speaker 1>Well, a bum bag doesn't make sense because you don't

0:14:50.280 --> 0:14:52.240
<v Speaker 1>wear it on your bum A lot of people do love.

0:14:52.120 --> 0:14:54.760
<v Speaker 2>Who other people I've seen them out in the world.

0:14:54.880 --> 0:14:58.920
<v Speaker 1>I've never seen another human being wearing it on the

0:14:59.080 --> 0:15:00.800
<v Speaker 1>wearing it on their bu You wear it on your

0:15:00.840 --> 0:15:03.480
<v Speaker 1>belly like okay, all right, okay, so I call it

0:15:03.480 --> 0:15:03.960
<v Speaker 1>a belly back.

0:15:04.000 --> 0:15:04.880
<v Speaker 2>I don't wear them anyway.

0:15:04.920 --> 0:15:07.240
<v Speaker 1>But let's go for it. I've got something in the

0:15:07.240 --> 0:15:09.920
<v Speaker 1>belly bag. Have a look at it and see if

0:15:09.960 --> 0:15:14.680
<v Speaker 1>it sparks a story from you. I'm excited.

0:15:18.960 --> 0:15:24.200
<v Speaker 2>I think this is a bridle and a saddle from

0:15:24.480 --> 0:15:28.440
<v Speaker 2>a Barbie horse. It is, and I don't is this

0:15:28.480 --> 0:15:29.120
<v Speaker 2>from when.

0:15:28.960 --> 0:15:31.520
<v Speaker 1>I bought the It could be anything.

0:15:31.880 --> 0:15:32.360
<v Speaker 2>It could be.

0:15:32.360 --> 0:15:35.200
<v Speaker 1>I think three stories that would fit, but I want

0:15:35.200 --> 0:15:37.360
<v Speaker 1>to know which one sparks it for you.

0:15:38.200 --> 0:15:39.320
<v Speaker 2>I'm drawing a blank here.

0:15:40.680 --> 0:15:42.720
<v Speaker 1>You're going to have to help me. Okay. Do you

0:15:42.760 --> 0:15:44.640
<v Speaker 1>remember when you were auditioning?

0:15:49.720 --> 0:15:55.400
<v Speaker 2>Okay, okay, all right, so auditioning from country practice?

0:15:55.480 --> 0:15:58.120
<v Speaker 1>Yes, and what was your role on there? In the end?

0:15:58.320 --> 0:16:00.520
<v Speaker 2>I was the vet in the last year of a

0:16:00.560 --> 0:16:02.840
<v Speaker 2>country practice.

0:16:02.280 --> 0:16:04.880
<v Speaker 1>And that's where you met Vince Colossimo did and.

0:16:04.840 --> 0:16:06.880
<v Speaker 2>The rest of that badly, you know, everyone knows how

0:16:06.880 --> 0:16:10.000
<v Speaker 2>that panned out. Yes, we did have a beautiful daughter, yeah,

0:16:10.000 --> 0:16:12.200
<v Speaker 2>and that is wonderful. But I did meet him on

0:16:12.280 --> 0:16:17.840
<v Speaker 2>that show where I had lied during the audition process ruthlessly.

0:16:17.600 --> 0:16:19.880
<v Speaker 1>Because you wanted that job.

0:16:19.960 --> 0:16:23.080
<v Speaker 2>I wanted that job so badly I could smell it.

0:16:23.160 --> 0:16:26.000
<v Speaker 1>And also because I didn't realize that it had already

0:16:26.000 --> 0:16:31.160
<v Speaker 1>been around when this character was introduced, So you knew

0:16:31.200 --> 0:16:33.840
<v Speaker 1>the juggernaut of a country practice. Of course I did.

0:16:33.920 --> 0:16:35.280
<v Speaker 1>I always loved it.

0:16:35.280 --> 0:16:37.200
<v Speaker 2>It was a dream to be on a country practice.

0:16:37.240 --> 0:16:39.160
<v Speaker 2>So I get the audition for the role of the

0:16:39.280 --> 0:16:42.800
<v Speaker 2>vet and I think, look, it's not a natural fit.

0:16:44.320 --> 0:16:45.400
<v Speaker 1>Well, no, you're not an animal.

0:16:45.480 --> 0:16:48.680
<v Speaker 2>I'm not an animal person. And even when I say that,

0:16:48.760 --> 0:16:50.640
<v Speaker 2>I think there's gonna be all sorts of judgment about there.

0:16:50.680 --> 0:16:53.400
<v Speaker 2>But means that I'm not feeling and I'm cruel in

0:16:53.480 --> 0:16:56.480
<v Speaker 2>some way. I'm just not Look I like your dog, Yes,

0:16:56.520 --> 0:17:00.880
<v Speaker 2>all right, who doesn't, I mean it's Robinson CRUs Yeah.

0:17:01.000 --> 0:17:03.720
<v Speaker 2>But I lied and said, yes, I'm excellent with animals.

0:17:04.200 --> 0:17:06.760
<v Speaker 2>Can you ride horses? Oh yes, I'm an excellent horse

0:17:06.880 --> 0:17:11.080
<v Speaker 2>horse woman, and and that will be no problem, no

0:17:11.119 --> 0:17:14.200
<v Speaker 2>problem at all. Show me the horse that I couldn't ride.

0:17:14.240 --> 0:17:18.000
<v Speaker 2>You know, there isn't one. So you know, we start

0:17:18.000 --> 0:17:19.760
<v Speaker 2>filming and it's really good we've been going Philly for

0:17:19.800 --> 0:17:21.960
<v Speaker 2>a couple of weeks and think there's been no horses.

0:17:22.119 --> 0:17:25.240
<v Speaker 1>That's thank good, there's no horses.

0:17:25.760 --> 0:17:28.600
<v Speaker 2>And then then the script came where Jess, my character

0:17:29.000 --> 0:17:33.400
<v Speaker 2>is galloping across a paddock towards I don't know, some

0:17:33.440 --> 0:17:38.600
<v Speaker 2>sort of veterinarial disaster, veterinarial did I just didn't make that,

0:17:38.640 --> 0:17:39.119
<v Speaker 2>make that up.

0:17:39.720 --> 0:17:45.800
<v Speaker 1>It's a venereal very close and you must your heart

0:17:45.960 --> 0:17:48.639
<v Speaker 1>must have stopped when you got to that in the script.

0:17:48.680 --> 0:17:51.600
<v Speaker 2>It's really stopped. And I thought, well, look what can

0:17:51.640 --> 0:17:53.919
<v Speaker 2>I do here? I can either come clean now and

0:17:53.960 --> 0:17:56.199
<v Speaker 2>the whole thing grinds to a holt and they'll recast me.

0:17:56.200 --> 0:17:57.840
<v Speaker 2>I'll get the sack and I'll be in all sorts

0:17:57.840 --> 0:18:00.880
<v Speaker 2>of trouble, or I can front up and I can

0:18:00.920 --> 0:18:04.200
<v Speaker 2>do my best. And I fronted up? Did you it's

0:18:04.240 --> 0:18:06.879
<v Speaker 2>even I have ridden a horse, it's very hard to

0:18:06.960 --> 0:18:08.920
<v Speaker 2>even get on. I couldn't get on it.

0:18:09.400 --> 0:18:10.639
<v Speaker 1>Did they have to bring a ladder?

0:18:11.000 --> 0:18:14.160
<v Speaker 2>They had to bring these apple boxes to get up

0:18:14.200 --> 0:18:16.399
<v Speaker 2>on the horse. And then they were like, okay, so

0:18:16.480 --> 0:18:18.520
<v Speaker 2>you need to go from there over to there so

0:18:18.560 --> 0:18:20.159
<v Speaker 2>where the camera will be over here, and you just

0:18:20.160 --> 0:18:22.080
<v Speaker 2>need to like you don't have to gallop, maybe just

0:18:22.160 --> 0:18:25.000
<v Speaker 2>like a good trot or a canter a cant I said,

0:18:25.000 --> 0:18:25.639
<v Speaker 2>what's a canter?

0:18:26.040 --> 0:18:27.959
<v Speaker 1>I said it internally, Oh okay, I was going to say,

0:18:27.960 --> 0:18:30.200
<v Speaker 1>why would you give an indication that the jig is

0:18:30.280 --> 0:18:30.640
<v Speaker 1>up there?

0:18:30.720 --> 0:18:32.200
<v Speaker 2>Anyway? I couldn't get the hat, I couldn't get the

0:18:32.200 --> 0:18:36.720
<v Speaker 2>horse moving. Ha ha, come on, boy, come on or girl,

0:18:36.760 --> 0:18:40.639
<v Speaker 2>whatever it was, horse didn't move. Cut a long story short.

0:18:40.720 --> 0:18:43.520
<v Speaker 2>They ended up having to get into stunt woman on

0:18:43.640 --> 0:18:47.439
<v Speaker 2>the day at short notice to get on the horse

0:18:47.560 --> 0:18:52.760
<v Speaker 2>and do the actual, actual just sort of riding, which

0:18:52.920 --> 0:18:56.560
<v Speaker 2>I had lied about, And strangely I was never called

0:18:56.640 --> 0:18:58.400
<v Speaker 2>upon to go near a horse again for the entire

0:18:58.400 --> 0:19:00.280
<v Speaker 2>one year that I shot on that show.

0:19:00.520 --> 0:19:05.359
<v Speaker 1>Was there any ramifications apart from the great shame of

0:19:05.400 --> 0:19:06.679
<v Speaker 1>having a stunt woman.

0:19:07.200 --> 0:19:09.640
<v Speaker 2>So many hot tears from me for a start at

0:19:09.640 --> 0:19:12.880
<v Speaker 2>being embarrassed. Yes, and no, they were really really good

0:19:12.880 --> 0:19:14.840
<v Speaker 2>about it. But from then on there was a lot

0:19:14.840 --> 0:19:18.119
<v Speaker 2>of kind of mucky stuff that I never really envisaged, like,

0:19:18.200 --> 0:19:20.879
<v Speaker 2>you know, my arm going up a cow's body, did

0:19:20.920 --> 0:19:23.320
<v Speaker 2>you have to do that? Yes? And into a goat's vagina,

0:19:23.440 --> 0:19:25.880
<v Speaker 2>that type of thing, And I feel like they maybe

0:19:25.920 --> 0:19:28.199
<v Speaker 2>wouldn't have made me do that if I could just

0:19:28.400 --> 0:19:30.400
<v Speaker 2>ride the horse in.

0:19:30.359 --> 0:19:32.879
<v Speaker 1>The first I want to talk about putting your hand

0:19:32.960 --> 0:19:36.880
<v Speaker 1>inside an animal? Yes, were youre gloved up? And how

0:19:37.000 --> 0:19:41.600
<v Speaker 1>far up the arm did you? What to the shoulder in?

0:19:41.640 --> 0:19:43.760
<v Speaker 1>What the cow or the ghat? Not the goat?

0:19:43.920 --> 0:19:46.760
<v Speaker 2>The goat was about here? I mean, it's basic biology,

0:19:46.840 --> 0:19:48.720
<v Speaker 2>isn't it. Think of the size of the animal. That's

0:19:48.760 --> 0:19:51.200
<v Speaker 2>how long the cavity is in a cow right up there,

0:19:51.280 --> 0:19:54.240
<v Speaker 2>big plastic glove, lots of lube. Don't worry.

0:19:54.280 --> 0:19:56.760
<v Speaker 1>I had a vet with me who showed me how

0:19:56.760 --> 0:19:59.920
<v Speaker 1>to do it, like a real vet advisor. She was fantastic.

0:20:00.119 --> 0:20:04.240
<v Speaker 1>It seems like a violation to the animal. It is,

0:20:04.440 --> 0:20:08.160
<v Speaker 1>Jane Hall, nothing to do with anything veterinary, with your

0:20:08.560 --> 0:20:11.840
<v Speaker 1>entire whatsoever. What does it feel like?

0:20:12.440 --> 0:20:18.360
<v Speaker 2>Warm and wet and very tight? Actually, I believe, And

0:20:19.160 --> 0:20:21.920
<v Speaker 2>it's a sensation that I haven't forgotten, and actually, even

0:20:21.960 --> 0:20:24.600
<v Speaker 2>talking about it now, I'm reminded about how many things

0:20:24.640 --> 0:20:28.200
<v Speaker 2>have changed in television. I'd wager that they wouldn't get

0:20:28.200 --> 0:20:31.280
<v Speaker 2>your average twenty four year old actress to do that now,

0:20:31.320 --> 0:20:31.719
<v Speaker 2>would they?

0:20:32.000 --> 0:20:32.480
<v Speaker 1>No?

0:20:32.480 --> 0:20:36.119
<v Speaker 2>No, much in the same way that we have regulations

0:20:36.160 --> 0:20:39.480
<v Speaker 2>about child actors much tighter than when I was a

0:20:39.560 --> 0:20:43.159
<v Speaker 2>child actor. I believe that they probably wouldn't let you

0:20:43.359 --> 0:20:47.080
<v Speaker 2>lay person perform any kind of internal cavity search on

0:20:47.119 --> 0:20:48.080
<v Speaker 2>a living creature.

0:20:48.480 --> 0:20:50.960
<v Speaker 1>No, no, I don't think they would.

0:20:51.080 --> 0:20:53.760
<v Speaker 2>What about you live in your learned What.

0:20:53.760 --> 0:20:57.359
<v Speaker 1>About intimacy coordinators? What do you think of them? I

0:20:57.400 --> 0:21:00.320
<v Speaker 1>only just found out that this happens now. I think

0:21:00.320 --> 0:21:05.359
<v Speaker 1>it's great where somebody extraneous to the acting couple, yes,

0:21:05.640 --> 0:21:11.560
<v Speaker 1>gives directions and it's supervised, right, it's choreographed, and it's just.

0:21:11.560 --> 0:21:15.080
<v Speaker 2>In the same way that any kind of blocking is

0:21:15.119 --> 0:21:17.960
<v Speaker 2>done for an acting scene, and everyone has made sure

0:21:18.280 --> 0:21:20.720
<v Speaker 2>Like you talk about what your comfort zone is, you

0:21:20.800 --> 0:21:23.640
<v Speaker 2>talk about where you're okay to be touched, how you

0:21:23.680 --> 0:21:26.240
<v Speaker 2>feel about that. It's you know, you sort of paint

0:21:26.280 --> 0:21:28.320
<v Speaker 2>by numbers. You go right on this moment, you'll be

0:21:28.400 --> 0:21:30.600
<v Speaker 2>touched here, and then the kiss will go for how

0:21:30.680 --> 0:21:32.720
<v Speaker 2>long and it will be this angle and you'll be

0:21:33.080 --> 0:21:36.360
<v Speaker 2>you know, I just feel like it's so much more respectful.

0:21:37.440 --> 0:21:40.520
<v Speaker 2>All the sort of kissing scenes and bedroom scenes anything

0:21:40.560 --> 0:21:42.080
<v Speaker 2>like that that I've done, have just been well, if

0:21:42.080 --> 0:21:44.440
<v Speaker 2>you go okay, no one's looking Okay, we'll just see,

0:21:44.440 --> 0:21:46.639
<v Speaker 2>we'll roll up and see what happens. And it's just

0:21:46.760 --> 0:21:50.840
<v Speaker 2>very it's very I mean, just recently in Wentworth, I

0:21:50.880 --> 0:21:53.119
<v Speaker 2>had to like do a Oh you've seen it, that's.

0:21:53.000 --> 0:21:53.560
<v Speaker 1>Why you laugh.

0:21:53.800 --> 0:21:56.800
<v Speaker 2>Don't laugh, don't laugh. I wouldn't laugh.

0:21:57.080 --> 0:22:00.239
<v Speaker 1>So I was so shocked. I was so shocked. I mean,

0:22:00.280 --> 0:22:02.320
<v Speaker 1>I know that you're a goer, and I know also

0:22:02.400 --> 0:22:03.080
<v Speaker 1>that it's not you.

0:22:03.480 --> 0:22:06.760
<v Speaker 2>Second, I've just said to you that I haven't know

0:22:06.880 --> 0:22:09.439
<v Speaker 2>that I'm not no longer interested in that sort of nonense.

0:22:09.600 --> 0:22:12.320
<v Speaker 1>No, but I know that in the past you have

0:22:12.400 --> 0:22:16.160
<v Speaker 1>it in you certainly that you enjoy the physical side

0:22:16.200 --> 0:22:19.960
<v Speaker 1>of a romantic relationship. Sure, So imagine my horror when

0:22:20.000 --> 0:22:23.560
<v Speaker 1>I was watching Terrible and which bit because there are

0:22:23.560 --> 0:22:28.159
<v Speaker 1>a couple of them. Yeah, it was. And I can't

0:22:28.600 --> 0:22:32.360
<v Speaker 1>divorce you from your character.

0:22:32.480 --> 0:22:34.480
<v Speaker 2>Think probably just because I'm not a very good actor.

0:22:34.520 --> 0:22:36.760
<v Speaker 1>So no, no, no, it's because I know you so well.

0:22:37.000 --> 0:22:39.640
<v Speaker 1>Crying again and I saw.

0:22:39.359 --> 0:22:43.160
<v Speaker 2>You in a car with Bernie Curry Bernard and he's

0:22:43.200 --> 0:22:43.719
<v Speaker 2>my friend.

0:22:43.880 --> 0:22:48.040
<v Speaker 1>It's like that was like and you were bouncing on him.

0:22:48.119 --> 0:22:50.440
<v Speaker 2>Yeah, yeah, it was terrible. I mean it was fine,

0:22:50.840 --> 0:22:53.040
<v Speaker 2>but there was no we didn't have an intimacy cordon.

0:22:53.119 --> 0:22:54.480
<v Speaker 1>Your hair looked amazing.

0:22:54.800 --> 0:22:56.679
<v Speaker 2>Oh yeah, I mean that's the it did.

0:22:57.200 --> 0:23:00.600
<v Speaker 1>Then there was another one in an alley, a leg.

0:23:00.480 --> 0:23:02.960
<v Speaker 2>Up against a I know, I know, but what a

0:23:03.000 --> 0:23:05.639
<v Speaker 2>great leg look. It was true, as I say, I

0:23:05.640 --> 0:23:06.920
<v Speaker 2>was in the peak of my powers and that was

0:23:06.960 --> 0:23:08.840
<v Speaker 2>when I was fifty, so I was right. I was

0:23:09.240 --> 0:23:11.680
<v Speaker 2>right up for it. I didn't have a problem, but yeah,

0:23:11.680 --> 0:23:13.840
<v Speaker 2>it looked very awkward that sort of stuff. And Bernie

0:23:13.880 --> 0:23:17.320
<v Speaker 2>and I are like great mate friends and it's, you know,

0:23:17.720 --> 0:23:21.040
<v Speaker 2>really awkward, and he's very happily married, and I just

0:23:21.400 --> 0:23:23.119
<v Speaker 2>we just had to get through it. Bernie and I

0:23:23.200 --> 0:23:24.879
<v Speaker 2>were just like, yeah, let's do it. Yep, no worries,

0:23:24.920 --> 0:23:25.760
<v Speaker 2>it's going to be fine.

0:23:25.840 --> 0:23:28.600
<v Speaker 1>And is it easier that when you have to do

0:23:28.640 --> 0:23:31.879
<v Speaker 1>that sort of stuff with someone you know better with

0:23:31.880 --> 0:23:38.240
<v Speaker 1>a stranger. Yeah, I mean he's got no relation. Thanks

0:23:38.280 --> 0:23:42.280
<v Speaker 1>for exploring what was in the belly bag, Jane Hall.

0:23:42.840 --> 0:23:45.040
<v Speaker 1>Of course I was talking about the country Practice role.

0:23:45.080 --> 0:23:48.160
<v Speaker 1>But I did find another Hawsey story about you. Oh okay,

0:23:48.280 --> 0:23:52.520
<v Speaker 1>how's this headline? Jane Hall donates fifty thousand dollars Melbourne

0:23:52.520 --> 0:23:56.040
<v Speaker 1>Cup winnings to a homeless charity. Now I read that

0:23:56.080 --> 0:23:58.200
<v Speaker 1>and I thought she should body want that money. Now

0:24:00.320 --> 0:24:01.600
<v Speaker 1>that decision.

0:24:01.560 --> 0:24:04.199
<v Speaker 2>One of my all time regrets. What I couldn't do

0:24:04.280 --> 0:24:05.400
<v Speaker 2>with that money now.

0:24:05.440 --> 0:24:09.840
<v Speaker 1>Unbelievable, what kind hearted. So of course, now we were

0:24:09.840 --> 0:24:14.240
<v Speaker 1>talking earlier about budgetbusters and I am baking my own bread.

0:24:15.040 --> 0:24:18.120
<v Speaker 1>It's been an evolution. I started off with just normal

0:24:19.000 --> 0:24:20.840
<v Speaker 1>and then I got into the sourdays.

0:24:20.840 --> 0:24:23.199
<v Speaker 2>Have you got like a bread maker or you just

0:24:23.280 --> 0:24:25.359
<v Speaker 2>do it like no oldie baker?

0:24:25.680 --> 0:24:28.280
<v Speaker 1>I do it like how I imagine the women from

0:24:28.280 --> 0:24:30.760
<v Speaker 1>the bornhoff And ad used to do it in the eighties.

0:24:30.800 --> 0:24:36.600
<v Speaker 1>You remember them absolutely, some sort.

0:24:36.400 --> 0:24:39.560
<v Speaker 2>Of apron and lots of flower going everywhere.

0:24:39.640 --> 0:24:42.280
<v Speaker 1>I remember watching that. I rememb watching that ad and

0:24:42.400 --> 0:24:47.200
<v Speaker 1>just being like, yes, I like bornof Did.

0:24:47.160 --> 0:24:48.840
<v Speaker 2>You ever get to buy bornhoff It? I think it

0:24:48.840 --> 0:24:50.280
<v Speaker 2>was a bit expensive for us, wasn't it.

0:24:50.480 --> 0:24:53.360
<v Speaker 1>Oh no, we're we had Bornhoffen. Oh wow, it would

0:24:53.359 --> 0:24:55.159
<v Speaker 1>have been on weight Watchers or something. Of course in

0:24:55.200 --> 0:25:01.280
<v Speaker 1>the eighties, limits mom scars Scarsdale die. But so I

0:25:01.320 --> 0:25:03.480
<v Speaker 1>am making my own bread. And I know that it

0:25:03.560 --> 0:25:05.600
<v Speaker 1>is a fad. It is a fad, but I'm late

0:25:05.680 --> 0:25:09.680
<v Speaker 1>to it because all through COVID people were sour dooing,

0:25:09.760 --> 0:25:12.119
<v Speaker 1>and that's rare for you because you're normally a really

0:25:12.440 --> 0:25:14.800
<v Speaker 1>early adapter. I am, I am.

0:25:15.280 --> 0:25:16.639
<v Speaker 2>I want to love it. I want to take you

0:25:16.680 --> 0:25:19.320
<v Speaker 2>back to a conversation that we had many moons ago

0:25:19.640 --> 0:25:23.520
<v Speaker 2>where you had one of the early iPhones and you

0:25:23.920 --> 0:25:25.439
<v Speaker 2>were very busy on it.

0:25:26.040 --> 0:25:29.080
<v Speaker 1>You loved it. I still am, absolutely, I know you

0:25:29.160 --> 0:25:29.600
<v Speaker 1>still do.

0:25:30.400 --> 0:25:34.720
<v Speaker 2>My famous big call at the time was I love this.

0:25:35.760 --> 0:25:37.399
<v Speaker 2>Text messaging will never take off.

0:25:37.440 --> 0:25:40.399
<v Speaker 1>It will never take off, never take off. Well, you know,

0:25:40.520 --> 0:25:42.400
<v Speaker 1>my dad doesn't believe in the internet.

0:25:42.640 --> 0:25:43.760
<v Speaker 2>Oh, he doesn't believe in it.

0:25:43.880 --> 0:25:45.480
<v Speaker 1>That the second doesn't even make sense.

0:25:45.600 --> 0:25:47.679
<v Speaker 2>Okay, anyway, it doesn't. Yeah.

0:25:47.760 --> 0:25:51.600
<v Speaker 1>Right. It's big of you to a remember that you

0:25:51.640 --> 0:25:54.960
<v Speaker 1>said text messages will never take it, yeah, and to

0:25:55.000 --> 0:25:55.800
<v Speaker 1>admit that you're wrong.

0:25:55.960 --> 0:25:56.800
<v Speaker 2>I have been wrong.

0:25:56.960 --> 0:25:57.560
<v Speaker 1>Oh jeesus.

0:25:57.560 --> 0:25:59.080
<v Speaker 2>It feels poisonous coming out of my.

0:25:59.240 --> 0:26:03.199
<v Speaker 1>Well because I'm guessing that you would be like me

0:26:03.680 --> 0:26:04.120
<v Speaker 1>in that.

0:26:04.240 --> 0:26:06.119
<v Speaker 2>Prefer a text message to a folk.

0:26:06.359 --> 0:26:09.439
<v Speaker 1>Ninety five percent of my communication is done on text.

0:26:09.800 --> 0:26:12.959
<v Speaker 1>I have no issue with it. Now I'm embarrassed. I

0:26:13.080 --> 0:26:16.400
<v Speaker 1>don't don't be embarrassed. I think it's I think it's good.

0:26:16.440 --> 0:26:19.120
<v Speaker 1>It's old school. Well, I think it's hereditary. My dad

0:26:19.280 --> 0:26:22.160
<v Speaker 1>once famously said that bottled water was overrated. It would

0:26:22.200 --> 0:26:23.320
<v Speaker 1>never take off. So there you go.

0:26:23.640 --> 0:26:26.399
<v Speaker 2>That's where I get it from. In any case, talking

0:26:26.440 --> 0:26:31.720
<v Speaker 2>about adapting to things, I've tried your TikTok. Now I

0:26:31.720 --> 0:26:34.240
<v Speaker 2>don't fully understand what TikTok is, but I get them

0:26:34.240 --> 0:26:36.960
<v Speaker 2>on my feed and I've tried some of the fads.

0:26:37.280 --> 0:26:40.399
<v Speaker 2>Have you tried any of them, like, you know, the hacks,

0:26:40.440 --> 0:26:43.840
<v Speaker 2>the things that I'm not, I'm not TikTok. Did you

0:26:43.880 --> 0:26:48.280
<v Speaker 2>see what I call it called a tik tak? Yeah? No,

0:26:48.680 --> 0:26:50.000
<v Speaker 2>I've really got no idea anyway.

0:26:50.960 --> 0:26:52.360
<v Speaker 1>Have you got an account and everything?

0:26:52.440 --> 0:26:54.720
<v Speaker 2>No? No, no, no, no, I just see them when

0:26:54.760 --> 0:26:58.080
<v Speaker 2>it comes up on Insta. You know the odd thing

0:26:58.119 --> 0:27:00.240
<v Speaker 2>that you can do. So I've tried a few, and

0:27:00.600 --> 0:27:02.760
<v Speaker 2>I've got to say, oh, I cleaned my air fryer.

0:27:03.160 --> 0:27:04.560
<v Speaker 2>There you go, you did, didn't you?

0:27:04.720 --> 0:27:06.840
<v Speaker 1>Yeah, like buy carb and I.

0:27:06.760 --> 0:27:08.000
<v Speaker 2>Don't think that worked very well.

0:27:08.160 --> 0:27:08.800
<v Speaker 1>It wasn't great.

0:27:08.960 --> 0:27:12.840
<v Speaker 2>No. In the same vein that the idea that you

0:27:12.960 --> 0:27:15.680
<v Speaker 2>can slice up lemons and put them in hot water

0:27:15.760 --> 0:27:20.399
<v Speaker 2>and put them in your oven to freshen your oven. Yeah, yeah, no, no, no, No.

0:27:20.480 --> 0:27:24.000
<v Speaker 2>What happened was I had a good pi Rex, my

0:27:24.040 --> 0:27:28.440
<v Speaker 2>best Pirex, and all I ended up with was sludgy,

0:27:28.680 --> 0:27:32.919
<v Speaker 2>cindered lemon bits that I couldn't get off from this

0:27:33.080 --> 0:27:36.440
<v Speaker 2>Pirex and it had to go into the rubbish.

0:27:36.520 --> 0:27:38.879
<v Speaker 1>It was gone. You threw out a PIRATEX.

0:27:38.920 --> 0:27:41.199
<v Speaker 2>Yeah, well it was from nineteen seventy two, so you

0:27:41.200 --> 0:27:44.320
<v Speaker 2>know that's even worse. I know, I know, So that

0:27:44.359 --> 0:27:44.960
<v Speaker 2>didn't work.

0:27:45.040 --> 0:27:47.520
<v Speaker 1>You know, there's something else I saw on TikTok or

0:27:47.560 --> 0:27:51.200
<v Speaker 1>Instagram or one of them, is that there's two different

0:27:51.320 --> 0:27:53.160
<v Speaker 1>Pirexes and that you can tell.

0:27:53.000 --> 0:27:55.680
<v Speaker 2>Which vinage yes, something about the trial.

0:27:55.640 --> 0:27:57.920
<v Speaker 1>Something about something, and that would have been a vintage

0:27:57.960 --> 0:27:58.640
<v Speaker 1>one would have been.

0:27:58.520 --> 0:28:00.480
<v Speaker 2>Because I got it off GRAMDMA Lisa. Oh well no

0:28:00.600 --> 0:28:03.600
<v Speaker 2>more anyway, thank you TikTok. And then I tried the

0:28:04.000 --> 0:28:05.080
<v Speaker 2>when you boil an.

0:28:04.920 --> 0:28:07.840
<v Speaker 1>Egg, if you tap the top of the egg where

0:28:07.840 --> 0:28:10.080
<v Speaker 1>the little air pocket.

0:28:09.800 --> 0:28:13.160
<v Speaker 2>Is, yes, then the skin will slide right off.

0:28:13.560 --> 0:28:14.080
<v Speaker 1>Rubbish.

0:28:14.160 --> 0:28:19.119
<v Speaker 2>What a load of cod's wobble. That was so many

0:28:19.119 --> 0:28:22.200
<v Speaker 2>eggs I went through trying to perfect that. That's annoying,

0:28:22.440 --> 0:28:25.199
<v Speaker 2>so annoying. And then, because when you're fifty eleven, you

0:28:25.240 --> 0:28:28.480
<v Speaker 2>do a lot of gardening, and I like hydrangers.

0:28:28.920 --> 0:28:30.360
<v Speaker 1>I do too well.

0:28:30.400 --> 0:28:31.600
<v Speaker 2>I tried to strike one.

0:28:32.000 --> 0:28:32.840
<v Speaker 1>What does that mean?

0:28:32.880 --> 0:28:34.760
<v Speaker 2>Well, that means cut the top off one and then

0:28:34.800 --> 0:28:36.440
<v Speaker 2>put it in a special concoction.

0:28:36.560 --> 0:28:38.920
<v Speaker 1>You got too much time on your hand?

0:28:39.040 --> 0:28:39.520
<v Speaker 2>Yeah?

0:28:39.680 --> 0:28:42.880
<v Speaker 1>Yeah, is this my future? Striking hydrangers?

0:28:43.000 --> 0:28:45.440
<v Speaker 2>Very much. So, if you've got a banana, what you're

0:28:45.440 --> 0:28:47.960
<v Speaker 2>supposed to do is chop up the peel and put

0:28:47.960 --> 0:28:51.400
<v Speaker 2>it in, steep it in water half an hour, then

0:28:51.480 --> 0:28:54.239
<v Speaker 2>tip the sludgey peel out, then put your hydranger in

0:28:54.320 --> 0:28:57.360
<v Speaker 2>and white roots will grow in twenty days. No they won't,

0:28:57.600 --> 0:28:58.200
<v Speaker 2>No they won't.

0:28:59.160 --> 0:28:59.680
<v Speaker 1>No, they won't.

0:28:59.680 --> 0:29:01.400
<v Speaker 2>They do not. And do you know what? I to

0:29:01.400 --> 0:29:04.400
<v Speaker 2>go out, especially to buy a banana for that because

0:29:04.440 --> 0:29:05.440
<v Speaker 2>I don't eat bananas.

0:29:05.440 --> 0:29:06.560
<v Speaker 1>Why don't you eat bananas?

0:29:06.600 --> 0:29:09.080
<v Speaker 2>I don't like. I don't. I'm not a fan of

0:29:09.120 --> 0:29:10.840
<v Speaker 2>the banana.

0:29:11.240 --> 0:29:12.280
<v Speaker 1>What's your favorite fruit?

0:29:12.480 --> 0:29:13.400
<v Speaker 2>Berries and mango?

0:29:14.080 --> 0:29:14.560
<v Speaker 1>Yes?

0:29:15.120 --> 0:29:19.120
<v Speaker 2>Yes, I like anything like sort of your stone fruit.

0:29:19.280 --> 0:29:21.800
<v Speaker 1>Do you know what I love apples? Apples? I know

0:29:21.880 --> 0:29:24.800
<v Speaker 1>you do, which takes me to my next question. And

0:29:24.840 --> 0:29:28.160
<v Speaker 1>you know that I love to kind of take your

0:29:28.160 --> 0:29:30.000
<v Speaker 1>temperature on stuff and then do what I like.

0:29:33.000 --> 0:29:34.880
<v Speaker 2>Oh my god, the amount of things you've asked me,

0:29:34.920 --> 0:29:36.840
<v Speaker 2>and I've gone, well, what you need to do is

0:29:36.880 --> 0:29:40.000
<v Speaker 2>and then you've gone and done exactly what you wanted.

0:29:40.360 --> 0:29:40.959
<v Speaker 1>Tattoos.

0:29:41.800 --> 0:29:43.440
<v Speaker 2>Yeah, now I know where we're going with this. Now

0:29:43.440 --> 0:29:44.240
<v Speaker 2>I'm not a fan.

0:29:44.920 --> 0:29:46.880
<v Speaker 1>Even a beautiful apple.

0:29:47.840 --> 0:29:50.760
<v Speaker 2>Oh god, the last time, well, like just like a

0:29:50.760 --> 0:29:53.280
<v Speaker 2>little fine line. Depends where it's going to go.

0:29:53.480 --> 0:29:54.960
<v Speaker 1>I thought I would put it on my wrists.

0:29:55.000 --> 0:29:58.440
<v Speaker 2>No that's really no. No, okay, where would it go?

0:29:58.760 --> 0:30:01.640
<v Speaker 2>Nowhere is what I want to say to you. Nowhere,

0:30:01.640 --> 0:30:03.080
<v Speaker 2>but put it somewhere where you don't have to look

0:30:03.080 --> 0:30:04.400
<v Speaker 2>at it all the time if you're going to.

0:30:04.440 --> 0:30:05.760
<v Speaker 1>But I want to look at it all the time.

0:30:05.760 --> 0:30:07.560
<v Speaker 1>I want to be reminded. I thought you were going

0:30:07.640 --> 0:30:11.080
<v Speaker 1>to get a sentence tattooed. I was about walking, Yes

0:30:11.160 --> 0:30:11.560
<v Speaker 1>I was.

0:30:11.680 --> 0:30:13.640
<v Speaker 2>I was brutal about that when we were went.

0:30:13.520 --> 0:30:15.760
<v Speaker 1>Away to balley, and you do exactly what I thought about,

0:30:15.800 --> 0:30:18.320
<v Speaker 1>And you were right, because I did see someone who

0:30:18.480 --> 0:30:21.640
<v Speaker 1>had something similar, and it was three years old and

0:30:21.680 --> 0:30:24.600
<v Speaker 1>it looked like you know the way I see things

0:30:24.600 --> 0:30:25.520
<v Speaker 1>without my glasses on.

0:30:25.560 --> 0:30:28.920
<v Speaker 2>It was just a giant scan of people's scan Panad.

0:30:29.160 --> 0:30:31.800
<v Speaker 2>Do you remember scan Panad that's got the nana and

0:30:31.800 --> 0:30:33.840
<v Speaker 2>she's cooking with a scan pan, and then she's got

0:30:33.840 --> 0:30:38.160
<v Speaker 2>this big sort of sleeve tattoo thing that's sagging, baggy,

0:30:38.200 --> 0:30:41.000
<v Speaker 2>and they say some things you you know, some things

0:30:41.040 --> 0:30:43.720
<v Speaker 2>you won't regret for life. Yeah, that's the frying of

0:30:43.760 --> 0:30:44.240
<v Speaker 2>the scan.

0:30:44.200 --> 0:30:47.240
<v Speaker 1>Because scan pan are expensive and worth every penny. Correct,

0:30:47.520 --> 0:30:49.600
<v Speaker 1>I get it. I think I'm with you on the

0:30:49.640 --> 0:30:54.320
<v Speaker 1>tattoo thing, because even though I regret nothing, I feel

0:30:54.360 --> 0:30:58.680
<v Speaker 1>like eventually I don't regret anything, but I do get

0:30:58.720 --> 0:30:59.479
<v Speaker 1>sick of things.

0:30:59.520 --> 0:31:05.160
<v Speaker 2>That's right, you do forever painting walls and different artworks.

0:31:05.160 --> 0:31:08.400
<v Speaker 2>Get rid of that. Yeah, that's old. I don't need that.

0:31:08.480 --> 0:31:10.400
<v Speaker 2>I don't like it anymore. Yeah, and you're going to

0:31:10.440 --> 0:31:12.000
<v Speaker 2>do if you've got an apple tattooed on you and

0:31:12.200 --> 0:31:14.040
<v Speaker 2>all of a sudden you moved to like bananas.

0:31:14.160 --> 0:31:17.240
<v Speaker 1>It's exactly. It's the permanency of it.

0:31:18.000 --> 0:31:20.040
<v Speaker 2>And I think we are hitting the nail on the

0:31:20.080 --> 0:31:21.120
<v Speaker 2>head here with you and I.

0:31:21.320 --> 0:31:22.000
<v Speaker 1>Yeah, what is that?

0:31:22.240 --> 0:31:25.320
<v Speaker 2>We just don't really like anything that's too permanent, you know,

0:31:25.440 --> 0:31:34.680
<v Speaker 2>like husbands? Is that a fair call?

0:31:36.160 --> 0:31:37.160
<v Speaker 1>I think you're right.

0:31:37.280 --> 0:31:39.320
<v Speaker 2>I think I don't like to be I don't like

0:31:39.400 --> 0:31:40.120
<v Speaker 2>to be hemmed in.

0:31:40.360 --> 0:31:43.080
<v Speaker 1>I don't like. Yeah, I don't like there to.

0:31:42.960 --> 0:31:47.719
<v Speaker 2>Be nowhere out of something. You know, is it commitment? Well,

0:31:47.720 --> 0:31:50.640
<v Speaker 2>I don't know. Because I committed to you, you committed

0:31:50.680 --> 0:31:53.480
<v Speaker 2>to me. We can do commitment on some terms. But

0:31:53.600 --> 0:31:55.560
<v Speaker 2>I don't know. It's just I don't want to be

0:31:55.840 --> 0:31:58.680
<v Speaker 2>I don't want I don't want anything to be inescapable. Yeah,

0:31:58.760 --> 0:32:00.920
<v Speaker 2>so if I get something tattooed, I mean, don't forget.

0:32:01.000 --> 0:32:03.720
<v Speaker 2>Let me tell you your trial. I think you're right,

0:32:03.800 --> 0:32:05.840
<v Speaker 2>and I'll tell you a cautionary tale about your tattoo.

0:32:05.920 --> 0:32:06.240
<v Speaker 1>Yeah. Go.

0:32:06.400 --> 0:32:08.680
<v Speaker 2>My daughter loves a tattoo, and that's fine. Her body,

0:32:08.680 --> 0:32:11.440
<v Speaker 2>her choices. Good lord, how hard that is to say

0:32:12.520 --> 0:32:16.120
<v Speaker 2>as a parent, But anyway, we all must. She decided

0:32:16.120 --> 0:32:19.880
<v Speaker 2>to have my birth date tattooed in tiny little Roman

0:32:19.960 --> 0:32:24.520
<v Speaker 2>numerals on her collar bone. Beautiful, tasteful idea, except she

0:32:25.120 --> 0:32:27.760
<v Speaker 2>googled translated my birth date.

0:32:27.920 --> 0:32:30.480
<v Speaker 1>Oh no, and instead of.

0:32:30.400 --> 0:32:34.080
<v Speaker 2>Being born on the twentieth of January nineteen seventy one,

0:32:34.920 --> 0:32:38.480
<v Speaker 2>I'm immortalized on my daughter's collar bone as being born

0:32:38.520 --> 0:32:45.239
<v Speaker 2>on the twentieth of January eleven seventy one. Now that

0:32:46.120 --> 0:32:49.560
<v Speaker 2>that is offensive to someone who's fifty eleven but.

0:32:49.600 --> 0:32:54.600
<v Speaker 1>Also, but also it's sort of the truth and it's

0:32:54.600 --> 0:32:56.480
<v Speaker 1>sort of sweet, like the fact that she did that

0:32:56.560 --> 0:32:57.360
<v Speaker 1>for me, I was just.

0:32:57.320 --> 0:33:01.000
<v Speaker 2>Like, oh my god, that's so gorgeous, like howly sweet.

0:33:01.000 --> 0:33:04.560
<v Speaker 1>That's like the most romantic thing anyone's ever done for you. Totally.

0:33:04.600 --> 0:33:06.080
<v Speaker 1>Are you a romantic person?

0:33:06.520 --> 0:33:08.480
<v Speaker 2>I used to think so, but I don't believe in

0:33:08.520 --> 0:33:11.960
<v Speaker 2>it anymore. I don't believe in it anymore. I just don't.

0:33:12.000 --> 0:33:14.160
<v Speaker 2>I don't have that again, I just don't have it

0:33:14.280 --> 0:33:15.400
<v Speaker 2>in me. What's happened.

0:33:15.440 --> 0:33:19.240
<v Speaker 1>I don't think I'm romantic either. No, And I don't

0:33:19.280 --> 0:33:22.800
<v Speaker 1>know why that is. Perhaps it's because I'm really thoughtful.

0:33:22.880 --> 0:33:25.520
<v Speaker 2>I'm very thoughtful and one of your very loving and

0:33:25.680 --> 0:33:28.800
<v Speaker 2>one of your favorite things to do your love language

0:33:28.840 --> 0:33:33.120
<v Speaker 2>is giving. Yeah, and you love to buy presents for people. Yeah,

0:33:33.160 --> 0:33:36.360
<v Speaker 2>you always have done. But I don't know. I feel like.

0:33:36.680 --> 0:33:40.000
<v Speaker 1>In your life there haven't been very many romantic gestures

0:33:40.160 --> 0:33:43.280
<v Speaker 1>bestowed upon you. Yes, but I think that's my fault,

0:33:43.760 --> 0:33:46.360
<v Speaker 1>Oh do you Yeah? I just a bit like la

0:33:46.440 --> 0:33:49.680
<v Speaker 1>la la. Yeah. I don't know. It's the one area

0:33:49.800 --> 0:33:53.400
<v Speaker 1>of my life that I'm just eye roll. Yeah, right,

0:33:53.440 --> 0:33:54.960
<v Speaker 1>And I always have been.

0:33:55.160 --> 0:33:57.640
<v Speaker 2>Yeah, do you know I do this stupid thing every

0:33:57.720 --> 0:34:01.280
<v Speaker 2>Valentine's Day. I think, might just go and have a

0:34:01.280 --> 0:34:05.040
<v Speaker 2>little look in the mailbox. See if anyone's popped a

0:34:05.040 --> 0:34:08.120
<v Speaker 2>little missive in there, a little gesture of love, a

0:34:08.120 --> 0:34:10.160
<v Speaker 2>little branch of a flower.

0:34:10.239 --> 0:34:11.759
<v Speaker 1>I'd have to remember to get onto the.

0:34:13.719 --> 0:34:17.000
<v Speaker 2>From the National Park. No, nothing, no, nothing, nothing ever,

0:34:17.360 --> 0:34:17.839
<v Speaker 2>nothing ever?

0:34:17.920 --> 0:34:19.839
<v Speaker 1>Why do I look? Why do I waste my time?

0:34:20.000 --> 0:34:22.960
<v Speaker 1>Why do you I'm just a glutton for punished. You

0:34:23.000 --> 0:34:25.319
<v Speaker 1>want it, but if it came, you'd hate it.

0:34:25.680 --> 0:34:28.960
<v Speaker 2>I probably would, because again hem hem hem la la la,

0:34:29.040 --> 0:34:34.560
<v Speaker 2>la la la.

0:34:35.080 --> 0:34:39.040
<v Speaker 1>I think I've just realized the origins of my anti

0:34:39.640 --> 0:34:46.960
<v Speaker 1>romantic stance. My grandmother, grand magical woman. I remember having

0:34:46.960 --> 0:34:52.360
<v Speaker 1>a conversation with her in her hot as Hades house

0:34:52.400 --> 0:34:53.040
<v Speaker 1>in Brisbane.

0:34:53.120 --> 0:34:55.400
<v Speaker 2>Oh my god, because why would they have air conditioning?

0:34:55.640 --> 0:34:57.160
<v Speaker 1>They just didn't in the eighties.

0:34:57.200 --> 0:35:01.400
<v Speaker 2>No, that's right, My mum suffered through mildur or heat nuts.

0:35:02.440 --> 0:35:05.240
<v Speaker 1>Anyway, I was in her house and the fan was going,

0:35:05.640 --> 0:35:08.279
<v Speaker 1>oh and you know that does his blow around the

0:35:08.320 --> 0:35:15.040
<v Speaker 1>brown mistrel on full and my grandfather, her husband had

0:35:15.080 --> 0:35:17.400
<v Speaker 1>died long before I was born. Yeah, so he was

0:35:17.400 --> 0:35:20.760
<v Speaker 1>sort of this, you know, mythical figure thickle figure. And

0:35:21.560 --> 0:35:24.080
<v Speaker 1>you know, as a child, I always knew that Gran

0:35:24.280 --> 0:35:26.319
<v Speaker 1>was on her own. That was her life. That was

0:35:26.320 --> 0:35:29.200
<v Speaker 1>the only one I knew. So I always was fascinated

0:35:29.360 --> 0:35:34.880
<v Speaker 1>at her somehow metamorphosing into that role from a wife

0:35:34.960 --> 0:35:37.200
<v Speaker 1>and living with someone and all that. Yeah, yeah, all

0:35:37.200 --> 0:35:39.239
<v Speaker 1>that sort of stuff. So I remember saying, it would

0:35:39.280 --> 0:35:41.720
<v Speaker 1>have been about seven, and I said to her grand

0:35:41.840 --> 0:35:45.279
<v Speaker 1>when Patty died, why didn't you get married again? Or like,

0:35:45.360 --> 0:35:49.840
<v Speaker 1>will you get married again? And she said, why the

0:35:50.120 --> 0:35:54.160
<v Speaker 1>shit in hell would I do that? And it wasn't

0:35:54.160 --> 0:35:57.960
<v Speaker 1>the answer that I was expecting, No, but it kind

0:35:57.960 --> 0:36:01.480
<v Speaker 1>of showed me. Oh. It was the first woman that

0:36:01.600 --> 0:36:08.200
<v Speaker 1>i'd heard go against the dream narrative of you get married,

0:36:08.320 --> 0:36:10.600
<v Speaker 1>that's where the white dress and you have a husband

0:36:10.719 --> 0:36:12.759
<v Speaker 1>and all of that stuff.

0:36:12.440 --> 0:36:15.040
<v Speaker 2>And you'd be surprised that's still floating around. I still

0:36:15.040 --> 0:36:17.040
<v Speaker 2>get that from a lot of girlfriends, like, yeah, don't

0:36:17.080 --> 0:36:19.719
<v Speaker 2>you lonely? Don't you? You know, isn't it something that

0:36:19.760 --> 0:36:21.160
<v Speaker 2>you want in your life?

0:36:22.120 --> 0:36:24.759
<v Speaker 1>Oh? That's interesting, isn't it.

0:36:25.080 --> 0:36:27.399
<v Speaker 2>But it's fine. I'm fine with that. It doesn't make

0:36:27.400 --> 0:36:28.200
<v Speaker 2>me a.

0:36:28.000 --> 0:36:30.200
<v Speaker 1>Husk of a person, not one bit.

0:36:30.400 --> 0:36:33.680
<v Speaker 2>Good Lord, I love my house where everything is as

0:36:33.680 --> 0:36:34.279
<v Speaker 2>it should be.

0:36:34.480 --> 0:36:37.360
<v Speaker 1>Let me ask you. One of my favorite questionnaires is

0:36:37.400 --> 0:36:40.720
<v Speaker 1>the back page of Vanity Fair, the Proost questionnaire. Oh yes, gosh,

0:36:40.760 --> 0:36:43.360
<v Speaker 1>and I wanted to ask you. One of the questions

0:36:43.360 --> 0:36:46.880
<v Speaker 1>on it is what is your idea of perfect happiness?

0:36:48.200 --> 0:36:52.560
<v Speaker 1>And what is it? When do you feel those sign

0:36:52.640 --> 0:36:56.000
<v Speaker 1>apps is bursting? And you know those feelings of like

0:36:56.920 --> 0:36:59.080
<v Speaker 1>I'm almost breathless with joy.

0:37:00.239 --> 0:37:03.480
<v Speaker 2>It when it's a warm day, the sun has been

0:37:03.560 --> 0:37:06.280
<v Speaker 2>shining and I've been out in it in some way,

0:37:06.680 --> 0:37:10.040
<v Speaker 2>just basking in the sunshine. And then I walk through

0:37:10.040 --> 0:37:13.320
<v Speaker 2>my house and it's perfectly clean, and.

0:37:13.560 --> 0:37:14.799
<v Speaker 1>Hang on, what does that feel like?

0:37:15.000 --> 0:37:17.919
<v Speaker 2>Yeah, no, you don't. I just forget about that. Forget

0:37:17.960 --> 0:37:18.719
<v Speaker 2>about You'll never know it.

0:37:18.719 --> 0:37:21.239
<v Speaker 1>It's coming, that's coming, maybe in twenty years, not.

0:37:21.200 --> 0:37:24.799
<v Speaker 2>With those three at time. Anyway, you walk through the

0:37:24.880 --> 0:37:27.759
<v Speaker 2>house and it's dusk, and you know, I've had a

0:37:27.760 --> 0:37:30.440
<v Speaker 2>glass of wine, which you can also forget about. But

0:37:30.520 --> 0:37:33.319
<v Speaker 2>then I make my way to my bedroom to get

0:37:33.360 --> 0:37:38.120
<v Speaker 2>into my freshly laundered one hundred percent linen sheets.

0:37:37.760 --> 0:37:39.800
<v Speaker 1>And the thing I bought you is fully charged.

0:37:42.080 --> 0:37:45.120
<v Speaker 2>That wasn't in it. Okay, sorry, but I can see

0:37:45.160 --> 0:37:46.440
<v Speaker 2>how this is your story.

0:37:46.520 --> 0:37:47.920
<v Speaker 1>That's yeah, I.

0:37:47.880 --> 0:37:50.320
<v Speaker 2>Can see how that would be a natural conclusion, but no,

0:37:51.480 --> 0:37:57.600
<v Speaker 2>a perfect night's sleep, drifting off to sleep, happy.

0:37:57.000 --> 0:38:03.640
<v Speaker 1>Secure, clean like and you know what. The list interesting

0:38:03.719 --> 0:38:08.560
<v Speaker 1>thing about that whole scenario is you are by yourself.

0:38:10.880 --> 0:38:14.000
<v Speaker 2>Exactly and I couldn't be happier. I'm fine with that.

0:38:14.280 --> 0:38:16.680
<v Speaker 1>I love that. I mean, look, it is no secret,

0:38:17.000 --> 0:38:21.080
<v Speaker 1>Jane Hall that the whole reason I've started this podcast

0:38:21.120 --> 0:38:22.560
<v Speaker 1>is so that I get a chance to see you.

0:38:23.960 --> 0:38:25.520
<v Speaker 2>It's pretty nifty little device.

0:38:25.680 --> 0:38:27.600
<v Speaker 1>Thank you, thank you God. It took me a long

0:38:27.640 --> 0:38:31.680
<v Speaker 1>time to organize. This isn't going out anywhere. I'm just

0:38:32.440 --> 0:38:32.839
<v Speaker 1>I'm just.

0:38:32.800 --> 0:38:36.520
<v Speaker 2>Catching Bruis over here just to.

0:38:36.040 --> 0:38:38.680
<v Speaker 1>Slap our chops. Because we love each other, but I

0:38:38.719 --> 0:38:40.759
<v Speaker 1>do we both have we have a problem in that

0:38:40.840 --> 0:38:43.360
<v Speaker 1>we don't like phone conversations.

0:38:44.000 --> 0:38:46.800
<v Speaker 2>I've had one with you in about the last twelve

0:38:46.800 --> 0:38:49.240
<v Speaker 2>months that went more than ten.

0:38:49.080 --> 0:38:52.400
<v Speaker 1>Seconds, and we need to do more of that. But

0:38:52.480 --> 0:38:55.360
<v Speaker 1>I want to talk to you about your latest work.

0:38:55.440 --> 0:38:57.680
<v Speaker 1>You're so secretive and you never told me anything, but

0:38:57.719 --> 0:39:00.839
<v Speaker 1>I found out that you're in Apple's Never, Apple's Never

0:39:00.920 --> 0:39:03.560
<v Speaker 1>four years. Yes, well, I'm mostly on the cutting room floor.

0:39:04.800 --> 0:39:07.880
<v Speaker 1>I wouldn't call it a career high love, hadn't it Benning?

0:39:07.920 --> 0:39:10.280
<v Speaker 2>In that Yes, And I got to do a couple

0:39:10.280 --> 0:39:13.440
<v Speaker 2>of scenes with Annette Benning and it was brilliant.

0:39:13.560 --> 0:39:16.440
<v Speaker 1>I loved it. Didn't make the light of day, but

0:39:17.280 --> 0:39:18.040
<v Speaker 1>that doesn't matter.

0:39:18.160 --> 0:39:20.520
<v Speaker 2>Oh, look, the fact that I basked in her glory

0:39:20.560 --> 0:39:23.319
<v Speaker 2>for a small amount of time. Was she like absolutely

0:39:23.880 --> 0:39:31.040
<v Speaker 2>beautiful and kind and she's got that distinctive, beautiful, deep

0:39:31.160 --> 0:39:34.480
<v Speaker 2>kind of melodious voice. Yes, she was very buoyant on

0:39:34.600 --> 0:39:37.160
<v Speaker 2>set and kept everyone. The one night that I did

0:39:37.200 --> 0:39:39.080
<v Speaker 2>with her was a big, sort of long night shoot

0:39:39.640 --> 0:39:43.239
<v Speaker 2>and she was kind to a la crue, and she

0:39:43.400 --> 0:39:45.200
<v Speaker 2>was fun and she sort of kept the you know,

0:39:45.280 --> 0:39:48.960
<v Speaker 2>she digged everyone along. And yeah, it was really, really,

0:39:49.040 --> 0:39:52.960
<v Speaker 2>really fun. It's always fun to do those big American jobs,

0:39:53.040 --> 0:39:55.280
<v Speaker 2>even if you're just eating a shit sandwich in the background,

0:39:55.320 --> 0:39:58.440
<v Speaker 2>which is what I was doing, because it's on a

0:39:58.480 --> 0:40:02.120
<v Speaker 2>grand scale. You're in those you work on those big

0:40:02.200 --> 0:40:06.200
<v Speaker 2>sound stages with crews, with hundreds of people, with this

0:40:06.200 --> 0:40:10.839
<v Speaker 2>thing called craft Services, which is a tent that has

0:40:10.880 --> 0:40:15.439
<v Speaker 2>a kitchen in it and they cook food all day, right,

0:40:15.680 --> 0:40:18.040
<v Speaker 2>And you can go over to the Craft Services tent

0:40:18.440 --> 0:40:23.440
<v Speaker 2>and get yourself a little payea or a little you know,

0:40:23.520 --> 0:40:27.239
<v Speaker 2>a little a little squatter or you know, they'll be

0:40:27.280 --> 0:40:30.560
<v Speaker 2>they'll make sort of individual soups or custard tarts or whatever.

0:40:30.840 --> 0:40:35.200
<v Speaker 1>This stuff rolls out all day and it's so great.

0:40:35.600 --> 0:40:38.040
<v Speaker 1>And everyone has a trailer. It's not like when I

0:40:38.080 --> 0:40:40.879
<v Speaker 1>was in neighbors when everyone gets changed in the same room. Yeah.

0:40:41.040 --> 0:40:43.320
<v Speaker 2>Yeah, oh no, no, no no. I had a trailer,

0:40:43.560 --> 0:40:45.560
<v Speaker 2>my own trailer with its own door and a lock

0:40:45.640 --> 0:40:48.319
<v Speaker 2>and a little bed to lie down like Dolly Park

0:40:48.400 --> 0:40:50.320
<v Speaker 2>like Doll. Did Dolly Partner have a trailer?

0:40:50.640 --> 0:40:54.200
<v Speaker 1>Yes? And Oprah Oprah's got a big call. It's not

0:40:54.320 --> 0:40:57.320
<v Speaker 1>a win a bago like Oprah's, mind you. And Nette

0:40:57.320 --> 0:40:59.759
<v Speaker 1>had her own big one, and so did Sam Neil.

0:41:00.560 --> 0:41:03.160
<v Speaker 1>So it's just fun to see those things on a

0:41:03.200 --> 0:41:06.840
<v Speaker 1>grand scale because we just generally don't have the budgets

0:41:06.880 --> 0:41:09.279
<v Speaker 1>in Australia to make stuff like yeah, and you're so

0:41:09.520 --> 0:41:11.759
<v Speaker 1>low key. I mean I had to Google that to

0:41:11.800 --> 0:41:13.240
<v Speaker 1>find out that you were doing it.

0:41:13.560 --> 0:41:16.879
<v Speaker 2>So give you, like I said, like six lines, give

0:41:16.920 --> 0:41:17.680
<v Speaker 2>yourself a plug.

0:41:17.840 --> 0:41:19.640
<v Speaker 1>Where do you where? Can you stream it? Right now?

0:41:19.640 --> 0:41:20.240
<v Speaker 1>Will you google?

0:41:20.320 --> 0:41:21.359
<v Speaker 2>Don't you tell me? I don't know.

0:41:22.400 --> 0:41:23.240
<v Speaker 1>Are you joking?

0:41:23.360 --> 0:41:24.920
<v Speaker 2>I'm not joking. I'm not joking.

0:41:25.360 --> 0:41:28.840
<v Speaker 1>I watched the first episode on Something. I saw me

0:41:29.040 --> 0:41:31.680
<v Speaker 1>looking bewildered in the background. I didn't watch any more

0:41:31.680 --> 0:41:33.960
<v Speaker 1>of it. I can't remember well. Of course, the great

0:41:34.040 --> 0:41:36.319
<v Speaker 1>question is always what is it streaming on? And I

0:41:36.400 --> 0:41:38.880
<v Speaker 1>never have the answer. So well, I think it's I

0:41:38.920 --> 0:41:43.680
<v Speaker 1>think it's it's not Netflix, it's Foxtel and Binge. Me,

0:41:43.800 --> 0:41:47.359
<v Speaker 1>you cove Foxtel and Binge. Catch Jane on it now.

0:41:47.840 --> 0:41:50.600
<v Speaker 1>I want to end the podcast with another little talk

0:41:50.640 --> 0:41:55.680
<v Speaker 1>about another little story related to Apple's Neverfore. When I

0:41:55.719 --> 0:41:59.200
<v Speaker 1>read that you were in that series, it reminded me

0:41:59.239 --> 0:42:01.480
<v Speaker 1>of a time that when we were working together on

0:42:01.960 --> 0:42:05.399
<v Speaker 1>Mix Now kiss. Okay, so this is in the first year, yes,

0:42:05.440 --> 0:42:08.880
<v Speaker 1>I think so when before we rebranded? I feel well,

0:42:08.920 --> 0:42:11.080
<v Speaker 1>I wasn't there for the rebrand, so it was always

0:42:11.080 --> 0:42:14.480
<v Speaker 1>mixed with us, No, wasn't it. No, don't you remember

0:42:14.560 --> 0:42:17.480
<v Speaker 1>they did that classy thing of firing me and then

0:42:17.840 --> 0:42:19.600
<v Speaker 1>rebranding it while I was still in it.

0:42:19.719 --> 0:42:23.239
<v Speaker 2>Yes, yeah, I'm just not I'm not quite remembering.

0:42:22.880 --> 0:42:27.680
<v Speaker 1>The joy of that magic. You and me worked with

0:42:27.760 --> 0:42:30.400
<v Speaker 1>a guy called Jamie Row who were sweet friends. Jamie

0:42:30.480 --> 0:42:35.480
<v Speaker 1>row yes, and he had one of those brain farts

0:42:36.719 --> 0:42:41.200
<v Speaker 1>when he was trying. I think he had a few,

0:42:41.239 --> 0:42:44.000
<v Speaker 1>but this one in particular is just gonna remember it

0:42:44.040 --> 0:42:45.799
<v Speaker 1>and laugh. So I think I was talking about Leo,

0:42:45.880 --> 0:42:47.799
<v Speaker 1>who was about five or six at the time, and

0:42:48.200 --> 0:42:51.200
<v Speaker 1>I was retelling a story where he was like, Mum,

0:42:51.360 --> 0:42:54.240
<v Speaker 1>how come I can never have an egg McMuffin from Macus?

0:42:54.440 --> 0:42:56.640
<v Speaker 1>And I said, you wouldn't like it, and he's like, oh,

0:42:56.640 --> 0:42:58.279
<v Speaker 1>we'd like it. You've got to buy it for me.

0:42:58.360 --> 0:43:01.360
<v Speaker 1>Pluth Mom. They had a little bliss and so I

0:43:01.400 --> 0:43:03.239
<v Speaker 1>bought him one, and then he took a bite of

0:43:03.239 --> 0:43:05.719
<v Speaker 1>it and he said, hmm, I think I prefer my

0:43:05.880 --> 0:43:09.359
<v Speaker 1>eggs organic and free range, which is.

0:43:09.360 --> 0:43:11.000
<v Speaker 2>Still summing him up perfectly.

0:43:11.080 --> 0:43:14.520
<v Speaker 1>It's classic Leo and could only come from a child

0:43:14.560 --> 0:43:18.080
<v Speaker 1>of mine. Well, at that point this is all off air.

0:43:18.120 --> 0:43:20.680
<v Speaker 1>We were just talking as friends. Jamie had a brain

0:43:20.760 --> 0:43:24.640
<v Speaker 1>fart and he said, well, the apple doesn't fall far

0:43:24.800 --> 0:43:29.120
<v Speaker 1>full far full far far full far full far full far.

0:43:30.280 --> 0:43:37.879
<v Speaker 1>I remember that far. His eyes were frightened, like full

0:43:37.960 --> 0:43:44.000
<v Speaker 1>far far. He didn't glitch. He glitched in me glitch, Madre,

0:43:45.880 --> 0:43:50.279
<v Speaker 1>And you and I were thrilling it to happen. And

0:43:50.320 --> 0:43:55.560
<v Speaker 1>then I think eventually he went from the tree, and

0:43:55.680 --> 0:43:57.600
<v Speaker 1>on that note, I thank you again for your time.

0:43:57.800 --> 0:43:59.920
<v Speaker 1>Please come again soon. I lived for this.

0:44:00.160 --> 0:44:00.840
<v Speaker 2>I will be coming.

0:44:02.719 --> 0:44:04.640
<v Speaker 1>I mean, I think we can all agree that clothes

0:44:04.680 --> 0:44:08.440
<v Speaker 1>off the street or from aldi are equally excellent, then,

0:44:08.520 --> 0:44:11.400
<v Speaker 1>can we. It's all about the attitude, bibbers. That was

0:44:11.520 --> 0:44:14.200
<v Speaker 1>Jane Hall. You can follow her at It's Jane Hall

0:44:14.280 --> 0:44:18.040
<v Speaker 1>on Insta and I am Chrissy Swan at the Christy

0:44:18.080 --> 0:44:21.080
<v Speaker 1>Cast on Insta and Facebook. If you like that sort

0:44:21.120 --> 0:44:25.200
<v Speaker 1>of thing. News, episode updates and who's up next is

0:44:25.239 --> 0:44:27.560
<v Speaker 1>all there. Check it out. See you next time.