WEBVTT - The ChrissieCast: Tim Rogers And Diary Entries

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<v Speaker 1>Hi, Christy Casters, and welcome to another episode. I'm excited

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<v Speaker 1>about this because I spun the wheel and today we've

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<v Speaker 1>landed on music makers and joining me as one of

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<v Speaker 1>the most fashionable men in the music biz and responsible

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<v Speaker 1>for some of the defining songs of mine probably your generation.

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<v Speaker 1>It is you am I frontman Tim Rogers. Twelve albums,

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<v Speaker 1>five solo albums, an amazing book. My god, please put

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<v Speaker 1>your hands together, and welcome to the Christy Cast, the delightful, intriguing,

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<v Speaker 1>elegant Tim Rogers. Welcome to the Christy Cast. Tim Rogers. Hey,

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<v Speaker 1>great to see you. Thank you so much for coming on.

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<v Speaker 2>Ye, it's a wonderful privilege.

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<v Speaker 1>Now see you. I have spun up originally the music

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<v Speaker 1>makers and that's where you come in. And then we've

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<v Speaker 1>spun up the diary entry. I found my old diary.

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<v Speaker 2>That brand must have been on eighty five. Yes, you know,

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<v Speaker 2>when this came there was a prospect of us talking

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<v Speaker 2>about diary amongst the other things, which horrified me.

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<v Speaker 1>Ha ha ha ha.

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<v Speaker 2>But in one of the lockdown's sort of a time

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<v Speaker 2>well let's not talk about it again. But I went

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<v Speaker 2>back to my old study books, law books and literature

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<v Speaker 2>books from university, which I hadn't opened in thirty seven years,

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<v Speaker 2>and because I thought how embarrassing it would be, because

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<v Speaker 2>I'm one to take little notes in the marginalia, in

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<v Speaker 2>the margins, in the marginalia, in the marginalia, which is

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<v Speaker 2>possibly a misuse of a term, but what others called pretentious,

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<v Speaker 2>I call aspirational. So I'll use it. And I found

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<v Speaker 2>a bunch of books and looked and all the encryption

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<v Speaker 2>little annotations thank you that I'd taken, they sounded exactly

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<v Speaker 2>like me now, so the eighteen year old didn't sound

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<v Speaker 2>that different to the fifty four year old, however old

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<v Speaker 2>it was then, And it brought me quite a lot

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<v Speaker 2>of peace for a while, because I disparaged that younger

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<v Speaker 2>me as being a twit, and reading the annotations, I

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<v Speaker 2>thought another time it was in Kenneth's lesser poetry books.

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<v Speaker 1>It's a really interesting observation because I think that we

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<v Speaker 1>are born exactly the way we are, and I feel

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<v Speaker 1>the same as I always have. It's only my body

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<v Speaker 1>that's older.

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<v Speaker 2>I was wondering about this yesterday because I began reading

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<v Speaker 2>Richard Flanagan's new book Question seven. Oh yeah, and he

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<v Speaker 2>was good by the way so far, it's sexual exceptional.

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<v Speaker 2>I'm a very big fan. I've never been more starstruck

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<v Speaker 2>meeting anyone than Richard Flanagan in the Hope Ark pub

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<v Speaker 2>in twenty seventeen. And or maybe it's for that, because

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<v Speaker 2>we talked and I met his daughter Rosie, and the

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<v Speaker 2>next day he had to break a date that we

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<v Speaker 2>had because he said, I've got an idea for the

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<v Speaker 2>last paragraph of the book I'm finishing. And it must

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<v Speaker 2>have been before that, because the book was The Narrow

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<v Speaker 2>Road to the Deep North, and so I went off

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<v Speaker 2>to American tour the day after. But this Richard Flanagan's

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<v Speaker 2>got a new novel coming out, was just reverberriting in

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<v Speaker 2>my mind the whole time. And it was Narrow Road

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<v Speaker 2>to the Deep North, which is easily one of my

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<v Speaker 2>four favorite novels all time.

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<v Speaker 1>And you were instrumental, not majoring. It happened because you

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<v Speaker 1>didn't crack the shits when he canceled your date.

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<v Speaker 2>I'm used to people cancel it. I mean, look at me.

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<v Speaker 2>It was just quite something being in the presence of

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<v Speaker 2>a novelist and that fiction writing has always intrigued me,

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<v Speaker 2>and I've tried it and I'll try it again, but

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<v Speaker 2>just that mind. Anyway, Richard was writing about how a

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<v Speaker 2>not near the experience, but a death experience at the

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<v Speaker 2>age of twenty one, how that did actually change him

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<v Speaker 2>and who he was before that, and then this great trauma.

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<v Speaker 1>What do you mean a death experience?

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<v Speaker 2>Well it was. It involved canoeing kayaking in extremely treacherous waters.

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<v Speaker 2>And I think my memory of the way he wrote

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<v Speaker 2>about initially was trying to do the best straight I

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<v Speaker 2>could be very wrong, or at least a section of it.

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<v Speaker 2>And he was again just from memory, and I do

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<v Speaker 2>apologize to Richard dead for a little while and was revived,

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<v Speaker 2>and wow, he feels that his life since then is

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<v Speaker 2>not a palimpsest but a version of himself. And so

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<v Speaker 2>of course then I was thinking, I wonder if because

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<v Speaker 2>feeling that I'm the same as the King Algolu at

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<v Speaker 2>the age of two as I am at fifty five,

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<v Speaker 2>just bodily a little different. Yeah, but my nose has

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<v Speaker 2>stayed the same.

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<v Speaker 1>You would talk about having to go at fiction. I

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<v Speaker 1>read your memoir Detours.

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<v Speaker 2>I got that to pay a hope.

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<v Speaker 1>You just crossed your eyes.

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<v Speaker 2>Well, it was an interesting experience. I met a lot

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<v Speaker 2>of really wonderful people, my agent Melanie and Catherine Milne

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<v Speaker 2>at HarperCollins, and met a lot of authors through that experience.

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<v Speaker 2>So I'm really grateful for that experience. But I finished

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<v Speaker 2>the book to pay a hotel bill in Calgooley. I

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<v Speaker 2>went out there with my dad in about twenty fifteen

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<v Speaker 2>to watch some footy and dad was very sick by

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<v Speaker 2>that time, and we thought let's go out and see

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<v Speaker 2>the footy finals because he was an umpire out there,

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<v Speaker 2>and we racked up quite the tab at a number

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<v Speaker 2>of cal Gooley's finest establishments. And when I came back,

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<v Speaker 2>I started writing about it, and my agent, Melanie Ostell, said,

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<v Speaker 2>You've really got to pursue this, and I thought, well,

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<v Speaker 2>if I get a tiny advance, I can pay that

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<v Speaker 2>bar tab and no hotel wow, Chalgoley. And so look, I'm

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<v Speaker 2>pretty sure novelists have done and writers have written books

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<v Speaker 2>for less noble means than paying bar tabs.

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<v Speaker 1>Well, I signed a contract for a very regrettable job,

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<v Speaker 1>and that was to get me out of a let's

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<v Speaker 1>talk about it or no, I mean I can. So

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<v Speaker 1>it was for like a must, you must. It was

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<v Speaker 1>like a weight loss, you know, I think it was

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<v Speaker 1>years and years ago before I worked out how I

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<v Speaker 1>felt about that sort of stuff, you know, And now

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<v Speaker 1>I don't talk about my body at all. It's not

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<v Speaker 1>open for discussion.

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<v Speaker 2>Was there a date that you had the point where

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<v Speaker 2>you went yes and no, or just a feeling.

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<v Speaker 1>It was part of kind of a raft of changes

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<v Speaker 1>that I made in my life when I really started

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<v Speaker 1>to interrogate how I felt about things, and you know,

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<v Speaker 1>where I stood on things and what made me comfortable

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<v Speaker 1>and uncomfortable, and that was that was one of them

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<v Speaker 1>that I just went along with so many things because

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<v Speaker 1>that's what's expected. And when you do that and it

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<v Speaker 1>doesn't really fit you, you get you get sad, like

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<v Speaker 1>very it's.

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<v Speaker 2>Awful and anxious as well.

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<v Speaker 1>I'm very anxious.

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<v Speaker 2>Yes, you're representative of something that you don't have a

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<v Speaker 2>belief in. And of course, gee, throughout history, haven't we

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<v Speaker 2>just been you know, Look, there's a person looking this way.

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<v Speaker 2>Oh you're a female. Yeah, that's it, let's pass comment. Yeah,

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<v Speaker 2>I will remind you that you said that I'm taller

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<v Speaker 2>than you thought it.

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<v Speaker 1>Was you are taller than you that and I don't

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<v Speaker 1>know why I thought you were tired because of the whole.

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<v Speaker 1>I thought you were a tiny fellow.

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<v Speaker 2>Well, the Rolling Stones are a classic example of that.

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<v Speaker 2>Anyone who's ever met them will say humongous personalities. But

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<v Speaker 2>my lord, they're diminutive.

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<v Speaker 1>Which you are quite fine. So when I you is

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<v Speaker 1>you are so fun No, like you're elegant. So, because

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<v Speaker 1>I've never seen you in person, I just assumed that

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<v Speaker 1>that elegance came in a smaller package.

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<v Speaker 2>Which is a year and a half ago. It was

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<v Speaker 2>very brief. It was at radio, and I remember it

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<v Speaker 2>very finely.

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<v Speaker 1>It was in and out, but we haven't like communed.

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<v Speaker 2>Yeah. Yes, the cliches of the modern musician, I do

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<v Speaker 2>grab many of them because I think that the cliches

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<v Speaker 2>are being the wrong cliches. Are there that image of

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<v Speaker 2>if you're an rock and roll band, you're supposed to

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<v Speaker 2>be disrespectful and perennially lascivious and on the take, And

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<v Speaker 2>there's elements of that that are fun and good to share,

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<v Speaker 2>particularly if you can do all that and not trash

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<v Speaker 2>a hotel room because that means hard to work for

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<v Speaker 2>someone the next day, and as an ex hotel room

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<v Speaker 2>cleaner and respectful and so people get hurt and so

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<v Speaker 2>I think there's a way of being interesting and being

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<v Speaker 2>inverted commas rock and roll, but doing it in a

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<v Speaker 2>way where no one actually gets hurt or necessarily offended,

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<v Speaker 2>because being offensive isn't part of being rock and roll.

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<v Speaker 2>I think the only essential thing about being a rock

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<v Speaker 2>and roll apart from the music, is just to be interesting,

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<v Speaker 2>because we're supposed to do the things that others who

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<v Speaker 2>thankfully edit themselves and think twice about their behavior. Where're

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<v Speaker 2>supposed to be the ones who just jump And.

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<v Speaker 1>Do you think you're an interesting person?

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<v Speaker 2>I'm interested, and I've been in interesting circumstances, but at

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<v Speaker 2>the core, I don't think I've met interesting people who

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<v Speaker 2>have lived through horrific experiences and traumas and gone lived

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<v Speaker 2>through it. I find that of incredible interest. And then

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<v Speaker 2>met very very bookish, intelligent people. And I've met people

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<v Speaker 2>who aren't bookish, but I have a brilliant human intelligence,

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<v Speaker 2>and I'm not one of those, but I do. I think, listen, yeah,

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<v Speaker 2>And I enjoy studying and learning, and so that's where

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<v Speaker 2>the interests lie.

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<v Speaker 1>How important is curiosity to you essential?

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<v Speaker 2>And when, particularly with my father, when he got sick

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<v Speaker 2>and before he died, and you were sick for a

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<v Speaker 2>very long while, but he seemed to lose some of

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<v Speaker 2>the curiosity that he lived with. And I found really

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<v Speaker 2>intriguing about him. And it was mostly through pain because

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<v Speaker 2>he was in a lot of pain, and when you're

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<v Speaker 2>in pain, it's very difficult to see.

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<v Speaker 1>Yeah, you can't think of anything else.

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<v Speaker 2>No, with all great respect and love to him, I

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<v Speaker 2>just thought, I just need to keep my curiosity up

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<v Speaker 2>and not scleroticize and yeah, just kind of close up.

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<v Speaker 2>And of course, with the good fortune that I've had

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<v Speaker 2>health wise, as long as that lasts, the curiosity is

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<v Speaker 2>there because just so much to learn. I picked up

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<v Speaker 2>a book off a friend in Malmsbury the other day.

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<v Speaker 2>We get together and drink and play records. And this

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<v Speaker 2>was actually drinking tea and playing records, which was an anomaly.

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<v Speaker 2>But he had a book on quantum biology. Now I've

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<v Speaker 2>never started science. I'm interested in it, but this book

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<v Speaker 2>on quantum biology is frying my brain with wonderful information.

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<v Speaker 2>I didn't even know what existed. But it's about all.

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<v Speaker 1>Those neuropathways getting forged through. I love that feeling too.

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<v Speaker 2>It's just wonderful. I need.

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<v Speaker 1>Oh No, sometimes I hate that feeling. Actually, I've just

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<v Speaker 1>realized I had to learn about accounting, and it was

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<v Speaker 1>like dragging a dead body over a fence in the

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<v Speaker 1>middle of the night, Like I just it was so hard,

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<v Speaker 1>and then frustratingly a week later it was like I'd

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<v Speaker 1>never learned the thing. Yeah, there are some things that

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<v Speaker 1>I do not like to create new neuropathways.

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<v Speaker 2>For was the attempt to study accounting so you could

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<v Speaker 2>become accountable?

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<v Speaker 1>Well, no, it was just so that I knew about money.

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<v Speaker 1>I don't know anything about money, and I'm scared of it,

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<v Speaker 1>and I thought he's a good thing. You know, if

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<v Speaker 1>you're scared of something, get to know it. I tried

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<v Speaker 1>to get to know it. And I prefer ignorance to

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<v Speaker 1>be honest if I end up, you know, in jail.

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<v Speaker 1>Then you heard it here.

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<v Speaker 2>First. I've said that to my accountant, who may may

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<v Speaker 2>not be my mother, just last week.

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<v Speaker 1>You're lucky.

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<v Speaker 2>Well, yes i am. She's a wonderful woman and a great,

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<v Speaker 2>great friend apart from my mother and possibly my accountant.

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<v Speaker 2>But she said, haven't you been on the road all year?

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<v Speaker 2>You haven't been home in four months? Said yep, you

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<v Speaker 2>know you're broke. Oh no, okay, Okay.

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<v Speaker 1>Maybe you could write the other book at the advance.

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<v Speaker 2>Catherine Milne of Collins.

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<v Speaker 1>What brings you joy? Tim Rodgers?

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<v Speaker 2>Other people's happiness? I think I love. If I'm not

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<v Speaker 2>struck by a blue I won't call it depression. That's

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<v Speaker 2>another thing completely. But if I'm blue and other people's happiness,

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<v Speaker 2>sometimes I take that as I get envious of it.

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<v Speaker 2>But at daylight today, we're feeling very good and balanced,

0:13:56.080 --> 0:13:59.800
<v Speaker 2>seeing other people happy, people out having a cup of tea,

0:14:00.120 --> 0:14:04.320
<v Speaker 2>sitting outside and having a beer and laughing with each other.

0:14:05.600 --> 0:14:08.200
<v Speaker 2>That's about it, I mean, apart from the big ones.

0:14:08.360 --> 0:14:14.080
<v Speaker 2>My daughter's eternal happiness is my eternal happiness. And I

0:14:14.160 --> 0:14:15.640
<v Speaker 2>was with her in New York just a couple of

0:14:15.720 --> 0:14:19.440
<v Speaker 2>weeks ago, and we were sitting there just smashing tins

0:14:19.840 --> 0:14:23.160
<v Speaker 2>in the East Village, and she just looked so happy

0:14:23.160 --> 0:14:27.200
<v Speaker 2>and healthy, and she was telling me about her latest relationship,

0:14:27.280 --> 0:14:31.440
<v Speaker 2>which she was a little cagey about telling me for

0:14:31.520 --> 0:14:34.240
<v Speaker 2>reasons I won't going to because it's her story. And

0:14:34.680 --> 0:14:37.640
<v Speaker 2>my response was, well, you're an intelligent young woman. You're

0:14:37.640 --> 0:14:41.720
<v Speaker 2>an intelligent woman. It doesn't matter what I think. You're

0:14:41.760 --> 0:14:44.920
<v Speaker 2>twenty three. You make good decisions. And you just seem

0:14:45.160 --> 0:14:48.080
<v Speaker 2>really great and so it doesn't matter what I think.

0:14:49.480 --> 0:14:51.160
<v Speaker 2>I know the guy he's a little too good.

0:14:50.960 --> 0:14:55.360
<v Speaker 1>Looking, and well they do say that, you know, we

0:14:55.440 --> 0:14:57.520
<v Speaker 1>end up with our fathers, So what's a gal to do?

0:14:57.920 --> 0:15:05.920
<v Speaker 1>My god, ah.

0:15:03.040 --> 0:15:07.120
<v Speaker 2>That's Nightmereville. Although I did get contacted by someone recently

0:15:07.160 --> 0:15:11.200
<v Speaker 2>who was romantic with when I was very young, and

0:15:11.640 --> 0:15:15.120
<v Speaker 2>she contacted me the first time in forty years, and

0:15:16.360 --> 0:15:19.040
<v Speaker 2>my first response was I'm so sorry and I just

0:15:19.160 --> 0:15:24.920
<v Speaker 2>knew nothing about anything, and she said, you're actually really lovely.

0:15:25.040 --> 0:15:26.920
<v Speaker 1>So yeah, I was going to say, I bet that

0:15:27.080 --> 0:15:28.800
<v Speaker 1>was not her memory at all.

0:15:29.720 --> 0:15:30.680
<v Speaker 2>Have you had that experience?

0:15:30.800 --> 0:15:34.760
<v Speaker 1>Yes, I have. Yeah. Yeah. It reached out to me

0:15:36.520 --> 0:15:38.920
<v Speaker 1>and I was like, oh, my god, hi, how are

0:15:38.920 --> 0:15:40.800
<v Speaker 1>you And he said, oh, look, I've really I've been

0:15:40.840 --> 0:15:44.360
<v Speaker 1>feeling so bad about how it ended. And I was

0:15:45.160 --> 0:15:47.360
<v Speaker 1>I was like, what do you mean and he said, oh,

0:15:47.400 --> 0:15:49.680
<v Speaker 1>I acted like a real dick, and lah lah, And

0:15:49.760 --> 0:15:53.880
<v Speaker 1>I said, honestly, what a waste of time for you

0:15:54.200 --> 0:15:57.600
<v Speaker 1>to spent all these all these years feeling guilty. Yeah,

0:15:57.680 --> 0:16:01.440
<v Speaker 1>I feel no badness towards you, And that was not

0:16:01.520 --> 0:16:03.840
<v Speaker 1>my memory at all. I don't even know what you're

0:16:03.840 --> 0:16:08.040
<v Speaker 1>talking about isn't that interesting? Yeah, So never hang on

0:16:08.080 --> 0:16:09.800
<v Speaker 1>to that sort of stuff. I don't think.

0:16:11.680 --> 0:16:14.480
<v Speaker 2>Hang on to I think it's worth examining. And I

0:16:14.680 --> 0:16:18.360
<v Speaker 2>look forward to meeting up with this human and talking

0:16:18.440 --> 0:16:22.960
<v Speaker 2>about it because and talking about that and whether the

0:16:23.000 --> 0:16:27.960
<v Speaker 2>obfuscation of memory is that just that obfuscation or there's

0:16:28.000 --> 0:16:31.960
<v Speaker 2>something in that. I don't particularly just want to give

0:16:32.000 --> 0:16:35.800
<v Speaker 2>myself a free pass yet because I haven't always been

0:16:35.880 --> 0:16:39.080
<v Speaker 2>noble and probably won't in the future at times, and

0:16:39.200 --> 0:16:42.480
<v Speaker 2>just want to kind of check myself, you know. Geez.

0:16:42.840 --> 0:16:45.440
<v Speaker 2>People can justify a hell of a lot, can't they.

0:16:46.080 --> 0:16:48.080
<v Speaker 2>And the more you read history, you see people the

0:16:48.080 --> 0:16:51.360
<v Speaker 2>way people can justify their actions. It's just historically always been.

0:16:51.520 --> 0:16:55.640
<v Speaker 1>But don't you think that maybe I think this is

0:16:55.680 --> 0:17:00.200
<v Speaker 1>what happens in those situations. What you're feeling inside is

0:17:00.240 --> 0:17:05.320
<v Speaker 1>maybe diabolical towards that person. But because we're human beings

0:17:05.440 --> 0:17:10.200
<v Speaker 1>and we've learnt to communicate in a way that gets

0:17:10.320 --> 0:17:13.760
<v Speaker 1>us what we want without completely annihilating the other person,

0:17:15.320 --> 0:17:20.080
<v Speaker 1>I think you've manipulated the situation to your advantage without

0:17:20.200 --> 0:17:25.360
<v Speaker 1>overtly brutally tearing it out of her chest. And while

0:17:25.400 --> 0:17:28.480
<v Speaker 1>it's still beating, taking a white out of it. So

0:17:28.640 --> 0:17:30.800
<v Speaker 1>you know how you were feeling and it wasn't great,

0:17:30.880 --> 0:17:35.400
<v Speaker 1>and that you're ashamed about that. But this is how

0:17:35.440 --> 0:17:36.840
<v Speaker 1>I sort of worked it out with this guy that

0:17:36.920 --> 0:17:40.359
<v Speaker 1>reached out to me. The way he was feeling was

0:17:40.720 --> 0:17:44.320
<v Speaker 1>not great. He didn't tell me that, but he knows

0:17:44.440 --> 0:17:46.479
<v Speaker 1>how he felt and he doesn't feel that way anymore,

0:17:46.480 --> 0:17:48.600
<v Speaker 1>and he's ashamed of it. And he sort of assumes

0:17:48.640 --> 0:17:50.280
<v Speaker 1>that I knew that that's what was happening.

0:17:50.400 --> 0:17:53.720
<v Speaker 2>I didn't, because if you don't enunciate it. Yeah, we're

0:17:53.760 --> 0:17:57.240
<v Speaker 2>not mind readers, that's right, unless you are actually my

0:17:57.480 --> 0:18:00.280
<v Speaker 2>mind reader.

0:18:00.560 --> 0:18:03.880
<v Speaker 1>How are you with compliments? Because I've read all sorts

0:18:03.880 --> 0:18:08.080
<v Speaker 1>of stuff about you before this chat, and my god,

0:18:08.320 --> 0:18:11.640
<v Speaker 1>people just say the nicest thing of things about you, like.

0:18:11.960 --> 0:18:16.560
<v Speaker 2>Not today, Yes they do. It sort of gets leveled up.

0:18:16.480 --> 0:18:23.280
<v Speaker 1>With wordsmith, a poet, a bon vivante, op shop dressed dandy.

0:18:23.320 --> 0:18:24.720
<v Speaker 1>I mean, I just love that. Anyway.

0:18:25.280 --> 0:18:28.000
<v Speaker 2>I do buy secondhand clothes, but never from opportunity shops.

0:18:28.840 --> 0:18:32.720
<v Speaker 2>I buy things for opportunity shops to keep the opportunity

0:18:32.760 --> 0:18:36.159
<v Speaker 2>shops going. But I'm also a germiphied, So if I

0:18:36.160 --> 0:18:39.440
<v Speaker 2>buy something that hasn't been thoroughly.

0:18:39.720 --> 0:18:41.920
<v Speaker 1>We are a match made in heaven because I am

0:18:42.119 --> 0:18:47.000
<v Speaker 1>mad for the laundry. Yeah, so I could give you

0:18:47.040 --> 0:18:50.359
<v Speaker 1>that wonderful peace of mind to just go crazy wherever

0:18:50.400 --> 0:18:52.040
<v Speaker 1>you want, and then you would hand it to me

0:18:52.600 --> 0:18:55.560
<v Speaker 1>and the next day twenty four hour service. Tim Rogers.

0:18:55.640 --> 0:18:58.520
<v Speaker 2>I'm big on doing my laundry and not God, I

0:18:58.760 --> 0:19:01.639
<v Speaker 2>love it done. But I was just in Europe last

0:19:02.200 --> 0:19:04.240
<v Speaker 2>month with the heart Ons. We're doing this tour and

0:19:04.800 --> 0:19:07.959
<v Speaker 2>one of my bandmates is similar to me in the

0:19:07.960 --> 0:19:12.320
<v Speaker 2>fastidiousness of you know, what we call mysophobia and germophobia.

0:19:12.680 --> 0:19:16.000
<v Speaker 2>And when you're in a group like the hard Ons,

0:19:16.040 --> 0:19:19.359
<v Speaker 2>you at least two dozen times a day confronted with

0:19:19.400 --> 0:19:24.480
<v Speaker 2>situations where that you're challenged and so would have to

0:19:26.160 --> 0:19:28.800
<v Speaker 2>just navigate that. But once we express to each other

0:19:28.880 --> 0:19:33.000
<v Speaker 2>that we're of a similar way of thinking, we look

0:19:33.040 --> 0:19:35.919
<v Speaker 2>out for each other in kind of silent ways because

0:19:35.920 --> 0:19:38.239
<v Speaker 2>we just don't everyone doesn't need to know.

0:19:38.600 --> 0:19:40.280
<v Speaker 1>So what does that look like to look out for

0:19:40.320 --> 0:19:45.960
<v Speaker 1>somebody who shares that germophobia? Like do you just with

0:19:46.160 --> 0:19:48.440
<v Speaker 1>out a little sanitizer and mortar.

0:19:48.200 --> 0:19:51.679
<v Speaker 2>And the soap, you know, because the other thing to

0:19:51.680 --> 0:19:54.480
<v Speaker 2>do is to not exacerbate the condition because it's a

0:19:54.560 --> 0:19:57.720
<v Speaker 2>drag and would love not to be that way, and.

0:19:57.640 --> 0:19:59.719
<v Speaker 1>Because you like that way your whole life.

0:20:00.480 --> 0:20:05.520
<v Speaker 2>From about fourteen or fifteen, developed what now I guess

0:20:05.560 --> 0:20:08.800
<v Speaker 2>would be diagnosed as in an anxiety disorder. It was misdiagnosed.

0:20:08.840 --> 0:20:12.520
<v Speaker 2>I was heavily medicated for it from about sixteen, but

0:20:12.600 --> 0:20:16.720
<v Speaker 2>it was just an anxiety disorder. And in that I

0:20:16.760 --> 0:20:19.800
<v Speaker 2>was having attacks that were so psychedelic I thought they

0:20:19.800 --> 0:20:22.960
<v Speaker 2>were drug related because I was a fledgling drug taker

0:20:23.000 --> 0:20:27.640
<v Speaker 2>at fourteen fifteen, thirteen, and there really wasn't the language

0:20:27.680 --> 0:20:30.520
<v Speaker 2>around it or that. Maybe I'm sure the knowledge was there,

0:20:30.520 --> 0:20:32.320
<v Speaker 2>but it's just not something that you talked about, and

0:20:32.359 --> 0:20:35.000
<v Speaker 2>so because I couldn't talk about it, then it just

0:20:35.160 --> 0:20:37.840
<v Speaker 2>tumbled and tumbled and tumbled and grew and grew and

0:20:37.880 --> 0:20:44.399
<v Speaker 2>grew until it became incapacitated, like twenty at law school

0:20:44.440 --> 0:20:47.920
<v Speaker 2>in Canberra, and then I got asked to join a

0:20:48.000 --> 0:20:52.960
<v Speaker 2>rock band. The circumstances where you're confronted as a German

0:20:53.440 --> 0:20:57.160
<v Speaker 2>in a touring rock band, it's just everywhere, and particularly

0:20:57.160 --> 0:21:01.480
<v Speaker 2>if you fall into the whole romance of it, where

0:21:01.480 --> 0:21:04.800
<v Speaker 2>you're supposed to be this free wheeling lass, a fair bohemian.

0:21:05.520 --> 0:21:08.520
<v Speaker 1>A Flanner, which is one of my favorite words.

0:21:09.119 --> 0:21:11.760
<v Speaker 2>Walking is the greatest of all exercise.

0:21:13.000 --> 0:21:14.760
<v Speaker 1>Yes, it is. It's changed my life.

0:21:14.880 --> 0:21:18.440
<v Speaker 2>There's a great book called Flanouse. Yes, because Flanner has

0:21:18.480 --> 0:21:25.760
<v Speaker 2>been typecast as a gentleman and Elk can Lauren Elk

0:21:25.800 --> 0:21:27.760
<v Speaker 2>and I think her name was, write this great book, Flanous,

0:21:27.760 --> 0:21:31.240
<v Speaker 2>And it's about being an observer as a woman on

0:21:31.320 --> 0:21:35.920
<v Speaker 2>the streets. And she looks back because women are generally observed.

0:21:36.280 --> 0:21:39.760
<v Speaker 2>You can get by being looking like someone like maybe

0:21:39.840 --> 0:21:42.480
<v Speaker 2>she's saying as a young woman, as a middle aged woman,

0:21:43.000 --> 0:21:46.840
<v Speaker 2>to be an observer gets looked at differently. That you

0:21:46.880 --> 0:21:50.720
<v Speaker 2>can't just walk around and cast any and everything. When

0:21:50.720 --> 0:21:53.760
<v Speaker 2>I asked my friends, can you go out to a

0:21:53.800 --> 0:21:55.520
<v Speaker 2>bar or a cafe and take a book and be

0:21:55.640 --> 0:21:59.720
<v Speaker 2>left alone? And one hundred percent of my friends, who

0:21:59.720 --> 0:22:04.040
<v Speaker 2>aren't sort of sisters that would males, say no, it

0:22:04.119 --> 0:22:06.720
<v Speaker 2>just doesn't happen. It's not worth what happens. They get

0:22:06.760 --> 0:22:09.280
<v Speaker 2>approached and or get asked or you know, are you oka?

0:22:09.520 --> 0:22:13.760
<v Speaker 2>Is there something wrong? Whereas someone like me can take

0:22:13.800 --> 0:22:16.280
<v Speaker 2>a book to a bar and finish ulysses in an

0:22:16.320 --> 0:22:17.160
<v Speaker 2>eight hour sitting and.

0:22:17.119 --> 0:22:20.600
<v Speaker 1>Not well, well, I'm the one person that you're going

0:22:20.640 --> 0:22:22.280
<v Speaker 1>to ask that question too that says yeah, I would

0:22:22.280 --> 0:22:25.440
<v Speaker 1>absolutely be left alone and have been my whole life.

0:22:25.560 --> 0:22:29.680
<v Speaker 1>You yeah, really absolutely.

0:22:29.320 --> 0:22:31.120
<v Speaker 2>Bloom with theory, Scott.

0:22:31.280 --> 0:22:33.280
<v Speaker 1>I'm so sorry. I'm so sorry to sorry.

0:22:34.000 --> 0:22:34.520
<v Speaker 2>I'm glad.

0:22:34.560 --> 0:22:37.160
<v Speaker 1>Yeah. Yeah, that's some and I love to do it too.

0:22:37.320 --> 0:22:37.960
<v Speaker 1>I love it.

0:22:39.520 --> 0:22:43.840
<v Speaker 2>Taking a book two or a notepad.

0:22:44.320 --> 0:22:46.880
<v Speaker 1>Doing anything on your own is my favorite thing.

0:22:48.240 --> 0:22:50.040
<v Speaker 2>A really really good friend of mine who's a singer,

0:22:50.480 --> 0:22:53.679
<v Speaker 2>a woman it said, do you go out to barsa

0:22:53.720 --> 0:22:56.080
<v Speaker 2>a couple by herself? She said, you can't because she

0:22:56.160 --> 0:22:58.080
<v Speaker 2>can't stand people looking at her as if she's a

0:22:58.560 --> 0:23:04.719
<v Speaker 2>She used loser. Oh no, mean myself out somewhere as

0:23:05.720 --> 0:23:09.080
<v Speaker 2>you are a winning absolutely winning.

0:23:09.359 --> 0:23:11.280
<v Speaker 1>I love it. I love being by myself and I

0:23:11.359 --> 0:23:13.520
<v Speaker 1>need it to like maintain who I am.

0:23:13.640 --> 0:23:17.200
<v Speaker 2>So can you be left alone even being you bes

0:23:17.240 --> 0:23:20.200
<v Speaker 2>those out in the world?

0:23:20.240 --> 0:23:24.639
<v Speaker 1>I mean, ah, pretty much? Yeah. Yeah. I've had a

0:23:24.720 --> 0:23:31.320
<v Speaker 1>very good experience of being recognizable, and I enjoy the

0:23:31.840 --> 0:23:34.760
<v Speaker 1>little exchanges I have with people that I don't know.

0:23:34.960 --> 0:23:40.000
<v Speaker 1>I love that. It gives me a little burst because

0:23:40.000 --> 0:23:42.080
<v Speaker 1>I still never expect it, even though it does happen

0:23:42.119 --> 0:23:45.640
<v Speaker 1>every day. It's a real delight because I remember, I'm like, oh, yeah,

0:23:45.680 --> 0:23:47.479
<v Speaker 1>that's right, I've got a radio show and I've been

0:23:47.480 --> 0:23:49.080
<v Speaker 1>on Telly and do you know what I mean. I

0:23:49.160 --> 0:23:52.760
<v Speaker 1>just I get so thrilled by it. But in terms

0:23:52.760 --> 0:23:55.879
<v Speaker 1>of when I, you know, go to the movies on

0:23:55.880 --> 0:23:58.840
<v Speaker 1>my own or grab a you know, bowl of pasta

0:23:58.880 --> 0:24:01.840
<v Speaker 1>at Mario's on my own, Oh, nobody ever, I mean,

0:24:01.920 --> 0:24:07.240
<v Speaker 1>you know, just nobody ever contacts approaches me or I've

0:24:07.240 --> 0:24:10.240
<v Speaker 1>never been asked out. I've never been I haven't had

0:24:10.240 --> 0:24:12.199
<v Speaker 1>that experience that I know a lot of women do,

0:24:12.280 --> 0:24:16.760
<v Speaker 1>where they feel, you know, annoyed that they're always a

0:24:16.800 --> 0:24:19.240
<v Speaker 1>sexual object. That you know, men are always like, hey,

0:24:19.280 --> 0:24:21.520
<v Speaker 1>can I buy you a drink or whatever? That question

0:24:21.560 --> 0:24:24.240
<v Speaker 1>has never been asked of me. I've got this lovely

0:24:24.440 --> 0:24:27.359
<v Speaker 1>kind of human experience in the world.

0:24:27.520 --> 0:24:35.640
<v Speaker 2>It's nice perhaps that as you're now known to the public,

0:24:35.680 --> 0:24:37.800
<v Speaker 2>but may pre to that because you could do that,

0:24:37.880 --> 0:24:40.000
<v Speaker 2>and you wanted to do that to be alone that

0:24:40.080 --> 0:24:42.719
<v Speaker 2>you I can't think of a better to and then

0:24:42.720 --> 0:24:45.520
<v Speaker 2>give off in aura of I'm absolutely content being here

0:24:45.520 --> 0:24:49.720
<v Speaker 2>by myself. And when someone gives that off, I tend

0:24:49.760 --> 0:24:51.439
<v Speaker 2>to kind of leave them alone. I was at my

0:24:51.600 --> 0:24:53.760
<v Speaker 2>favorite baron since killed Jelina, and.

0:24:53.920 --> 0:24:55.280
<v Speaker 1>Oh I loved Jelena.

0:24:55.400 --> 0:24:59.639
<v Speaker 2>Yeah, there's my office for a while, best people in

0:24:59.680 --> 0:25:04.040
<v Speaker 2>the world, and Lloyd Cole, the English singer songwriter, Oh

0:25:04.119 --> 0:25:07.679
<v Speaker 2>my god, sitting there and I was nearing the end

0:25:07.720 --> 0:25:11.359
<v Speaker 2>of my shift writing and drinking at chitchen. Looked over

0:25:11.400 --> 0:25:14.000
<v Speaker 2>and took there's Lloyd Cole, one of my lifetime heroes.

0:25:14.520 --> 0:25:20.480
<v Speaker 2>And so I bought him a whiskey. Send it over, darling,

0:25:20.600 --> 0:25:23.679
<v Speaker 2>dear departed. Patrick gave him a whisk in and he

0:25:23.720 --> 0:25:27.320
<v Speaker 2>looked over and Lloyd motioned to me, and I just

0:25:27.320 --> 0:25:28.920
<v Speaker 2>went and said, I don't want I'm not going to

0:25:28.960 --> 0:25:31.000
<v Speaker 2>take any of your time. I'm going to vacate now.

0:25:31.000 --> 0:25:32.439
<v Speaker 2>And he said, but why don't you sit and have

0:25:32.480 --> 0:25:35.600
<v Speaker 2>a drink And I said, I've got nothing to give.

0:25:36.040 --> 0:25:38.040
<v Speaker 2>I love what you do, I love your songs. Bye.

0:25:39.320 --> 0:25:45.680
<v Speaker 1>I have a Lloyd Cole story. Oh yeah, I saw

0:25:45.760 --> 0:25:49.600
<v Speaker 1>him at the airport back, you know, when Rattlesnake's thround.

0:25:49.600 --> 0:25:54.280
<v Speaker 1>I just love him. And I've always been very respectful

0:25:54.320 --> 0:25:57.840
<v Speaker 1>of famous people. I wouldn't exactly the same as you,

0:25:57.920 --> 0:26:00.840
<v Speaker 1>and that you go. I don't actually don't need to

0:26:00.880 --> 0:26:02.920
<v Speaker 1>tell you that I love you. What I need to

0:26:02.960 --> 0:26:05.720
<v Speaker 1>take any of your time, but you know I'm thrilled

0:26:05.920 --> 0:26:11.439
<v Speaker 1>to see you anyway. On this occasion, I thought I

0:26:11.520 --> 0:26:14.720
<v Speaker 1>just really want it when was Rattlesnakes and you know

0:26:15.960 --> 0:26:20.359
<v Speaker 1>he grussed herself as you put on her forest Fire.

0:26:21.560 --> 0:26:24.520
<v Speaker 2>She is the absolute apex of that record, last one.

0:26:25.119 --> 0:26:26.680
<v Speaker 1>I've got goosebumps everywhere.

0:26:26.760 --> 0:26:29.240
<v Speaker 2>Yeah, yeah, I'm with you.

0:26:29.560 --> 0:26:38.439
<v Speaker 1>She don't calm down. She will burn herself anyway. Doesn't

0:26:38.480 --> 0:26:40.880
<v Speaker 1>that make a smart and then it changes?

0:26:41.320 --> 0:26:43.119
<v Speaker 2>I believe in love.

0:26:44.359 --> 0:26:47.600
<v Speaker 1>Oh, I got amazing anyway. I wanted an autograph because

0:26:47.600 --> 0:26:49.679
<v Speaker 1>it was back in the what is it late eighties,

0:26:49.720 --> 0:26:54.119
<v Speaker 1>I guess yeah, And I did approach him and I

0:26:54.200 --> 0:26:57.320
<v Speaker 1>got him to sign my anset ticket.

0:26:57.440 --> 0:26:59.920
<v Speaker 2>And set that had the best sandwiches and the best

0:27:00.000 --> 0:27:00.720
<v Speaker 2>now is.

0:27:00.880 --> 0:27:04.560
<v Speaker 1>And I've asked two people for their autographs in my

0:27:04.600 --> 0:27:06.960
<v Speaker 1>whole life. One was a Looid Coal at the airport

0:27:07.000 --> 0:27:09.080
<v Speaker 1>and one was Noah Taylor at a tram stop in

0:27:09.119 --> 0:27:11.920
<v Speaker 1>Model Tree Ride, and that is it. They're the only

0:27:11.960 --> 0:27:15.040
<v Speaker 1>two I've ever got, and both in the late eighties,

0:27:15.320 --> 0:27:16.000
<v Speaker 1>so well, no.

0:27:15.960 --> 0:27:19.480
<v Speaker 2>One I didn't get to know Noah and we're not friends,

0:27:19.520 --> 0:27:23.840
<v Speaker 2>we're acquaintances. But we're in this party in Lancaster Gate

0:27:24.240 --> 0:27:27.840
<v Speaker 2>in England and there were loads of party drugs around

0:27:28.080 --> 0:27:31.520
<v Speaker 2>and got this wonderful opportunity to be in a corner

0:27:31.560 --> 0:27:35.440
<v Speaker 2>with Noah and talk about anything that anyway he wanted

0:27:35.440 --> 0:27:36.280
<v Speaker 2>the direction to go.

0:27:36.480 --> 0:27:40.240
<v Speaker 1>And what's he like? Magie's gorgeous?

0:27:40.440 --> 0:27:42.920
<v Speaker 2>Yeah, really gorgeous.

0:27:42.920 --> 0:27:46.200
<v Speaker 1>And have you seen the year my voice broke him?

0:27:46.200 --> 0:27:50.600
<v Speaker 2>And Benison twenty four times? Oh Ben mendlssn still owes

0:27:50.640 --> 0:27:52.800
<v Speaker 2>me two hundred and forty dollars by the way, why

0:27:53.400 --> 0:27:59.440
<v Speaker 2>I can't tell ha ha for twenty five years and I.

0:27:59.480 --> 0:28:01.960
<v Speaker 1>Keep remind I loved that film so much.

0:28:02.440 --> 0:28:05.119
<v Speaker 2>Yeah, it's And she was a girl who.

0:28:04.960 --> 0:28:06.720
<v Speaker 1>Played Freyer Loween Carmen Rowan.

0:28:06.760 --> 0:28:08.560
<v Speaker 2>Carmen's an excellent songwriter.

0:28:08.800 --> 0:28:09.639
<v Speaker 1>Yes, she's writer.

0:28:09.760 --> 0:28:12.959
<v Speaker 2>Yeah, her daughter Holidays side Winder is killing it in

0:28:13.000 --> 0:28:15.240
<v Speaker 2>England at the moment. She's an excellent songwriter as well.

0:28:15.240 --> 0:28:20.720
<v Speaker 2>But Loweing, yeah, wonderful when she wrote a great book

0:28:20.920 --> 0:28:26.119
<v Speaker 2>about four years ago, Lovers, Dreamers Fighters, Yeah, about her upbringing,

0:28:26.280 --> 0:28:31.720
<v Speaker 2>really Boho upbringing, and yeah, how Lowing kind of just

0:28:32.640 --> 0:28:37.320
<v Speaker 2>survive that and became a wonderful mother and wife and friend.

0:28:37.520 --> 0:28:42.800
<v Speaker 1>And but it's muhing more important really than those three things.

0:28:43.320 --> 0:28:46.080
<v Speaker 2>I actually think you're right, and she's she's got them

0:28:46.120 --> 0:28:53.280
<v Speaker 2>all was along with the character that Saskia Post played

0:28:53.280 --> 0:28:57.960
<v Speaker 2>in Dogs in Space, so Frey was our big sister,

0:28:58.720 --> 0:29:03.600
<v Speaker 2>loween comment, and then Saski Post's character in Dogs and

0:29:03.600 --> 0:29:05.960
<v Speaker 2>Spas she was our other big sister for all my family,

0:29:06.000 --> 0:29:07.920
<v Speaker 2>for my brother and my sister. We just watched this song.

0:29:08.280 --> 0:29:12.040
<v Speaker 2>We want these women as our older sisters, you know. Yeah,

0:29:12.200 --> 0:29:15.200
<v Speaker 2>And then getting to meet I didn't get to meet Suski,

0:29:15.280 --> 0:29:18.000
<v Speaker 2>but she died a couple of years ago.

0:29:18.040 --> 0:29:25.840
<v Speaker 1>I was just, yes, I know it happens. You wrote

0:29:25.880 --> 0:29:29.160
<v Speaker 1>something beautiful about your girlfriend at the time, and I'm

0:29:29.200 --> 0:29:32.640
<v Speaker 1>not sure whether you're still together. The hurricane. She's a

0:29:32.640 --> 0:29:34.920
<v Speaker 1>little like the past, a little like the future, a

0:29:34.920 --> 0:29:37.400
<v Speaker 1>little like home, and a lot like a holiday. That

0:29:37.560 --> 0:29:40.440
<v Speaker 1>is like the most beautiful thing I've ever read.

0:29:41.560 --> 0:29:44.160
<v Speaker 2>We're not still a good unfortunately, but we're very good friends,

0:29:45.640 --> 0:29:46.640
<v Speaker 2>very close friends.

0:29:46.680 --> 0:29:50.160
<v Speaker 1>And yeah, people understand that how you can do that.

0:29:50.960 --> 0:29:53.440
<v Speaker 1>I'm very good friends with my ex father of my

0:29:53.760 --> 0:29:57.479
<v Speaker 1>three kids, and so many people say, oh, I couldn't

0:29:57.520 --> 0:29:59.200
<v Speaker 1>do that, and it's not.

0:29:59.240 --> 0:30:04.160
<v Speaker 2>Hard on the circumstances. Of course, I have a relationship

0:30:04.200 --> 0:30:09.280
<v Speaker 2>with the mother of my daughter. We're geographically very distant,

0:30:09.320 --> 0:30:12.320
<v Speaker 2>and it was it was an upsetting how it ended,

0:30:13.280 --> 0:30:17.880
<v Speaker 2>very much so, but we have a relationship, I think

0:30:18.040 --> 0:30:24.920
<v Speaker 2>respectful hypet Anyway, Look, the same holds true, I wrote.

0:30:24.960 --> 0:30:29.920
<v Speaker 2>I mean people, unless something sort of traumatic happens, or

0:30:30.080 --> 0:30:32.560
<v Speaker 2>a truth is uncovered that you didn't know and it

0:30:32.600 --> 0:30:35.280
<v Speaker 2>seems to blow that trust out of the water.

0:30:36.200 --> 0:30:38.520
<v Speaker 1>Or if she'd been tricking you the whole time, like

0:30:38.560 --> 0:30:39.880
<v Speaker 1>a Netflix stocko.

0:30:45.640 --> 0:30:49.920
<v Speaker 2>Like a Netflix s dooco. Yeah, we are in the

0:30:49.920 --> 0:30:53.720
<v Speaker 2>modern world, aren't we, says says me watching the new

0:30:54.080 --> 0:31:00.520
<v Speaker 2>Elvis sixty eight Comeback special on the Netflix. The other Elves.

0:31:00.640 --> 0:31:02.840
<v Speaker 1>You know. I did a pilgrimage to Graceland. It was

0:31:02.880 --> 0:31:04.600
<v Speaker 1>all I ever wanted to do. And I went and

0:31:04.640 --> 0:31:06.920
<v Speaker 1>I cried the whole way there. Just there last month

0:31:08.200 --> 0:31:08.880
<v Speaker 1>for the first time.

0:31:09.160 --> 0:31:12.000
<v Speaker 2>No, no, but we were in Memphis. My partner was

0:31:12.040 --> 0:31:17.160
<v Speaker 2>doing a ballet in Tulsa, Oklahoma, and she finished that

0:31:17.200 --> 0:31:21.080
<v Speaker 2>for the Tulsa Ballet Company and a beautiful, beautiful piece.

0:31:21.080 --> 0:31:24.440
<v Speaker 2>And then we went to Memphis for my fifty fifth birthday.

0:31:25.080 --> 0:31:32.840
<v Speaker 2>And where did you eat Elsenia's Southern Isle restaurant in

0:31:32.960 --> 0:31:34.640
<v Speaker 2>the I think it was South Memphis.

0:31:34.720 --> 0:31:38.320
<v Speaker 1>Yeah, Alas it's a funny old place. It feels like

0:31:38.400 --> 0:31:41.720
<v Speaker 1>it hasn't got enough people in it, like it's so

0:31:42.000 --> 0:31:46.000
<v Speaker 1>big and grand and Memphis streets. Yeah, and then there's

0:31:46.040 --> 0:31:47.520
<v Speaker 1>just there's nobody there.

0:31:47.600 --> 0:31:50.960
<v Speaker 2>We're in the neighborhood in the suburbs, and I love

0:31:51.000 --> 0:31:53.800
<v Speaker 2>that because you just there's cookouts and house parties and

0:31:54.440 --> 0:31:59.360
<v Speaker 2>you just and then when we walked to past the Peabody.

0:31:58.800 --> 0:32:01.960
<v Speaker 1>And yeah, I started Peabody, Oh you stated the people?

0:32:02.040 --> 0:32:07.280
<v Speaker 1>Yeah wow. Yeah, and it had that gorgeous shop still

0:32:07.320 --> 0:32:11.280
<v Speaker 1>there where Elvis would get his suits. Yeah. I could

0:32:11.320 --> 0:32:13.480
<v Speaker 1>just go to Graceland every single day for the rest

0:32:13.520 --> 0:32:15.560
<v Speaker 1>of my life and just look at it.

0:32:15.720 --> 0:32:19.520
<v Speaker 2>This time I didn't go to Graceland really. Yeah. It's

0:32:20.320 --> 0:32:24.640
<v Speaker 2>one of my big heroes is the photographer called William Eggleston,

0:32:24.800 --> 0:32:28.440
<v Speaker 2>who's a Memphis native. He's still alive in his late eighties.

0:32:28.960 --> 0:32:32.200
<v Speaker 2>And why I got into him was through the music

0:32:32.280 --> 0:32:36.240
<v Speaker 2>of Big Star and Alex Chilton, and there was this

0:32:36.280 --> 0:32:41.040
<v Speaker 2>whole kind of bohemian Memphis scene in the sixties and

0:32:41.080 --> 0:32:44.600
<v Speaker 2>early seventies surrounded in this part of the town called Canton,

0:32:45.320 --> 0:32:48.080
<v Speaker 2>and it seemed to be everything was under the shadow

0:32:48.400 --> 0:32:51.360
<v Speaker 2>of early rhythm and blues and blues scene and of

0:32:51.400 --> 0:32:56.600
<v Speaker 2>course Presley. So this sit of bohemian underworld. This Demimond

0:32:56.680 --> 0:32:58.600
<v Speaker 2>felt that they could exist because no one was paying

0:32:58.640 --> 0:33:01.160
<v Speaker 2>attention in any of the big cities, and everyone came

0:33:01.200 --> 0:33:05.400
<v Speaker 2>to Memphis wanting to know what it's about bb King, Rufus,

0:33:05.400 --> 0:33:10.400
<v Speaker 2>Thomas or Elvis. So that was my fortnight of research,

0:33:10.480 --> 0:33:11.160
<v Speaker 2>was into that.

0:33:11.080 --> 0:33:14.240
<v Speaker 1>Kind of your hyperfixation for that particular trip.

0:33:14.880 --> 0:33:17.440
<v Speaker 2>Yeah, they happen, they do, haven't.

0:33:17.520 --> 0:33:19.640
<v Speaker 1>They happened to me too.

0:33:20.280 --> 0:33:22.720
<v Speaker 2>And now because we live in the country, coming in

0:33:22.800 --> 0:33:27.360
<v Speaker 2>the Melbourne is like, ooh, hyper fixation, right, going to

0:33:27.480 --> 0:33:30.360
<v Speaker 2>go to Mario's. When you mentioned Mario's for a bowler pasta,

0:33:30.400 --> 0:33:31.840
<v Speaker 2>I got on my knees almost.

0:33:31.560 --> 0:33:33.680
<v Speaker 1>But I know, and if you if you do end

0:33:33.760 --> 0:33:35.480
<v Speaker 1>up there on this trip, make sure you get they

0:33:35.520 --> 0:33:41.040
<v Speaker 1>do this cake only sometimes it's like a coconut coconut cake,

0:33:41.680 --> 0:33:44.320
<v Speaker 1>I think, And actually I think I introduced it to

0:33:44.360 --> 0:33:46.320
<v Speaker 1>a friend of all, Scott Ryan.

0:33:47.240 --> 0:33:49.160
<v Speaker 2>So don't know, Scott, I'm a massive man.

0:33:49.320 --> 0:33:51.040
<v Speaker 1>Oh my god, you would love him. I can't believe

0:33:51.040 --> 0:33:51.920
<v Speaker 1>you're not friends with him.

0:33:52.240 --> 0:33:55.920
<v Speaker 2>No, Texs had dinner with him recently though, actually talking

0:33:55.920 --> 0:33:59.920
<v Speaker 2>about it. It's about a work thing, and I was

0:34:01.360 --> 0:34:02.720
<v Speaker 2>so excited.

0:34:02.280 --> 0:34:03.800
<v Speaker 1>Because oh he's magical.

0:34:04.280 --> 0:34:08.479
<v Speaker 2>Yeah, and well, my daughter told me about Scott Dad,

0:34:08.520 --> 0:34:11.160
<v Speaker 2>have you seen this? And she sent the series on.

0:34:11.400 --> 0:34:14.960
<v Speaker 1>It's just the finest television show, Like it's extraordinary.

0:34:15.080 --> 0:34:18.640
<v Speaker 2>I'm completely knocked out by it. Yeah, that my twenty

0:34:18.640 --> 0:34:21.239
<v Speaker 2>three year old New Yorker daughter told me about it

0:34:21.320 --> 0:34:23.400
<v Speaker 2>just exacerbated the whole experience.

0:34:23.440 --> 0:34:26.160
<v Speaker 1>But he's a genius, and he loves the coconut cake

0:34:26.200 --> 0:34:28.680
<v Speaker 1>from Marios. I will tell you I've dropped over a

0:34:28.760 --> 0:34:31.399
<v Speaker 1>whole half. I bought a half and took it over

0:34:31.480 --> 0:34:34.560
<v Speaker 1>his Like, what the lanning hell is going on here?

0:34:36.440 --> 0:34:37.320
<v Speaker 2>I think it accepted.

0:34:38.040 --> 0:34:41.319
<v Speaker 1>Haha, we didn't get your diary entry. Let's finish with

0:34:41.360 --> 0:34:44.520
<v Speaker 1>the diary entry that we started to talk about. Sure,

0:34:45.000 --> 0:34:47.160
<v Speaker 1>all those many moons ago, take it away.

0:34:47.280 --> 0:34:50.560
<v Speaker 2>I'm not a regular diary entry.

0:34:50.960 --> 0:34:52.680
<v Speaker 1>Oh I love the John Lennon glasses.

0:34:52.719 --> 0:34:56.239
<v Speaker 2>That's a look, dude. Fourteen dollars brought in.

0:34:56.960 --> 0:34:59.719
<v Speaker 1>Oh, it's sort of Truman Capoti, you know me.

0:35:00.120 --> 0:35:02.640
<v Speaker 2>John Lennon, thank you for mentioning Truman. I was hoping

0:35:02.640 --> 0:35:06.239
<v Speaker 2>for James Joyce, pathetic. He was a direcy old man.

0:35:07.520 --> 0:35:10.680
<v Speaker 2>This was a little, tiny directory. It was only four

0:35:10.760 --> 0:35:13.360
<v Speaker 2>years ago when one of my one hundredth attempt to

0:35:13.640 --> 0:35:17.839
<v Speaker 2>curb my drinking until this century is called the one

0:35:17.920 --> 0:35:21.200
<v Speaker 2>hundred pages a Day project. Because the only thing that

0:35:21.520 --> 0:35:24.279
<v Speaker 2>stops me thinking about drinking is reading fiction. And so

0:35:24.360 --> 0:35:26.080
<v Speaker 2>I thought, if I read one hundred pages a day,

0:35:27.640 --> 0:35:31.520
<v Speaker 2>I'll not start on the tens first thing I wake up,

0:35:31.920 --> 0:35:37.319
<v Speaker 2>so diar Entry, January twenty two, two thousand and twenty one.

0:35:37.560 --> 0:35:39.720
<v Speaker 2>It's not the first thing that comes to mind when waking.

0:35:39.760 --> 0:35:42.800
<v Speaker 2>The first is wonder slash worry. Wonder when I'm alive,

0:35:42.800 --> 0:35:45.440
<v Speaker 2>and worried that I'm alive, not in the wonder and

0:35:45.440 --> 0:35:48.520
<v Speaker 2>worry that must come with for example, serious illness or warfare.

0:35:48.840 --> 0:35:51.680
<v Speaker 2>But I wonder at how I sidestep tragedy or injury,

0:35:52.160 --> 0:35:55.520
<v Speaker 2>and worry at how I possibly did. Then the second

0:35:55.800 --> 0:35:58.719
<v Speaker 2>is it third thought is a question when can I

0:35:58.760 --> 0:36:01.600
<v Speaker 2>start again? Because starting again is the only thing that

0:36:01.640 --> 0:36:06.440
<v Speaker 2>will tranquilize the beehive, delirious in chest and mind, that industrious,

0:36:06.480 --> 0:36:09.799
<v Speaker 2>frantic desperate rabble of drones dot dot dot, and I

0:36:09.840 --> 0:36:12.720
<v Speaker 2>probably then went to the fridge.

0:36:13.840 --> 0:36:16.440
<v Speaker 1>Please write another book, Tim Rogers, do us all a

0:36:16.520 --> 0:36:21.920
<v Speaker 1>bloody favor. Yeah, oh my god, do you know who

0:36:21.960 --> 0:36:24.040
<v Speaker 1>you look like with those glasses on? Put them back on?

0:36:25.080 --> 0:36:28.880
<v Speaker 1>They completely changed your look. John Waters.

0:36:28.920 --> 0:36:31.080
<v Speaker 2>Oh that's a massive compliment.

0:36:31.239 --> 0:36:33.040
<v Speaker 1>Yes, you look exactly. I want to get a photo

0:36:33.080 --> 0:36:34.200
<v Speaker 1>of it. It's uncanny.

0:36:34.320 --> 0:36:37.759
<v Speaker 2>I love that man, and I.

0:36:37.880 --> 0:36:40.359
<v Speaker 1>Oh, you're going to be You're going to love this sick.

0:36:40.440 --> 0:36:45.760
<v Speaker 1>I'm going to send a photo hang on, Oh okay,

0:36:45.760 --> 0:36:46.520
<v Speaker 1>I'm going to send you that.

0:36:46.800 --> 0:36:49.800
<v Speaker 2>Thank you so much because to be comparing anyway to

0:36:49.880 --> 0:36:54.160
<v Speaker 2>John Waters, the thinking and non thinking person's crumpet. Daha.

0:36:54.840 --> 0:37:00.279
<v Speaker 2>I went in Sorries Lennon Show twenty eighteen and yeah

0:37:00.280 --> 0:37:05.359
<v Speaker 2>it was I knew i'd be just torn your glass onion. Yeah,

0:37:05.600 --> 0:37:06.400
<v Speaker 2>just wonderful.

0:37:06.800 --> 0:37:10.000
<v Speaker 1>That voice extraordinary.

0:37:10.080 --> 0:37:12.960
<v Speaker 2>All the butter in my pockets melted completely.

0:37:13.560 --> 0:37:15.719
<v Speaker 1>Hey, Tim Rogers, we are out of time. What an

0:37:15.800 --> 0:37:18.440
<v Speaker 1>absolute joy. Will you please come back when we're not

0:37:18.560 --> 0:37:21.080
<v Speaker 1>so rushed for time? I got so much more I

0:37:21.120 --> 0:37:22.520
<v Speaker 1>need to talk to you about it next time. I

0:37:22.640 --> 0:37:26.279
<v Speaker 1>promise to bring in some stories and I promise to

0:37:26.280 --> 0:37:28.359
<v Speaker 1>bring in some Marios coconut cake, because if it's good

0:37:28.440 --> 0:37:30.560
<v Speaker 1>enough for Scottie right, it's good enough for Tim Rodgers.

0:37:30.840 --> 0:37:32.200
<v Speaker 2>I'm inching closet.

0:37:33.920 --> 0:37:34.439
<v Speaker 1>Thank you.