1
00:00:05,921 --> 00:00:07,801
Speaker 1: Appoche production.

2
00:00:10,401 --> 00:00:13,801
Speaker 2: On this episode of We will Always have Okay, well, LEAs,

3
00:00:13,801 --> 00:00:17,881
Speaker 2: stop you there. We're not friends. We're co workers who

4
00:00:17,921 --> 00:00:21,001
Speaker 2: host a podcast together and then never speak to each

5
00:00:21,041 --> 00:00:25,041
Speaker 2: other in between recording session. We like that. Hi, it's

6
00:00:25,121 --> 00:00:28,721
Speaker 2: Christian here and armed with the best mate, best mate

7
00:00:29,281 --> 00:00:32,361
Speaker 2: a mate, Chrissy. We've decided to take this season of

8
00:00:32,400 --> 00:00:34,641
Speaker 2: We will Always have to camera. Chrissy and I are

9
00:00:34,681 --> 00:00:37,001
Speaker 2: going to do a bunch of things. God knows what

10
00:00:37,040 --> 00:00:39,321
Speaker 2: they are. I mean, you're about to find out. It's

11
00:00:39,321 --> 00:00:41,841
Speaker 2: probably mostly yelling and screaming and then discussing a bunch

12
00:00:41,881 --> 00:00:45,080
Speaker 2: of random topics. Christy and I keep ourselves entertained and

13
00:00:45,081 --> 00:00:49,481
Speaker 2: hopefully you enjoy what the hell this is. We will

14
00:00:49,480 --> 00:00:55,721
Speaker 2: always have camera. So let's go back to nineteen seventy

15
00:00:55,761 --> 00:00:56,601
Speaker 2: six Women's Day.

16
00:00:57,281 --> 00:00:58,121
Speaker 1: Six year old.

17
00:00:58,200 --> 00:00:59,681
Speaker 2: There is really.

18
00:00:59,481 --> 00:01:01,761
Speaker 3: Nineteen seventy six. I was six years old.

19
00:01:02,200 --> 00:01:05,881
Speaker 2: I was but a mere memory, not a memory.

20
00:01:05,721 --> 00:01:07,041
Speaker 3: To be potential.

21
00:01:07,241 --> 00:01:08,881
Speaker 2: Yeah, I was born in eighty seven.

22
00:01:10,321 --> 00:01:12,641
Speaker 1: Just want to reiterate how much younger are I was

23
00:01:12,721 --> 00:01:16,401
Speaker 1: going to say eighty seven, fuck, and now eighty seven

24
00:01:16,961 --> 00:01:18,560
Speaker 1: I was seventeen years old.

25
00:01:18,681 --> 00:01:23,041
Speaker 2: Wow, wow, So this is the problem page.

26
00:01:23,121 --> 00:01:24,961
Speaker 1: I say, I'm ready for it.

27
00:01:24,920 --> 00:01:29,200
Speaker 2: Where people writing with their problems and Kate Sampierri solves them.

28
00:01:29,560 --> 00:01:33,681
Speaker 2: This is titled walked out on family but misses her children. Oh,

29
00:01:33,840 --> 00:01:37,081
Speaker 2: after ten years of a miserable marriage, I walked out

30
00:01:37,121 --> 00:01:41,161
Speaker 2: on my husband and three children. Now I'm living with

31
00:01:41,200 --> 00:01:44,321
Speaker 2: another man, and I know I've found happiness at last,

32
00:01:44,920 --> 00:01:47,721
Speaker 2: But I'm so upset about my children and missed them

33
00:01:47,761 --> 00:01:50,721
Speaker 2: terribly and wish they were with me. My husband says

34
00:01:51,121 --> 00:01:54,800
Speaker 2: he has to put them in a home, which makes

35
00:01:54,841 --> 00:01:57,841
Speaker 2: me want to die. If he does, can I get

36
00:01:57,841 --> 00:02:02,081
Speaker 2: them out when we have a place big enough? What?

37
00:02:03,761 --> 00:02:06,361
Speaker 1: So, hang on, let me just clarophy. What if said

38
00:02:06,481 --> 00:02:11,561
Speaker 1: she's left three children from an unhappy marriage. Yes, so

39
00:02:11,641 --> 00:02:13,641
Speaker 1: that was her choice to leave the home?

40
00:02:13,761 --> 00:02:16,641
Speaker 2: Well, does she be coaded? Could be?

41
00:02:16,841 --> 00:02:20,400
Speaker 1: Oh yeah, absolutely no, jug me a little bit, absolutely

42
00:02:20,520 --> 00:02:24,601
Speaker 1: no jock smolence. But now that he wants to then

43
00:02:24,960 --> 00:02:27,601
Speaker 1: remove the children from the home and put them into

44
00:02:27,960 --> 00:02:31,041
Speaker 1: another home that's not part of a family unit.

45
00:02:31,921 --> 00:02:35,121
Speaker 2: My husband says he has to put them in a home.

46
00:02:35,641 --> 00:02:38,160
Speaker 3: Why is she not able to just then take them?

47
00:02:38,561 --> 00:02:41,160
Speaker 2: Which makes me want to die. If he does, can

48
00:02:41,201 --> 00:02:43,521
Speaker 2: I get them out when we have a place big

49
00:02:43,641 --> 00:02:46,240
Speaker 2: enough maybe there's a lot of situation happening here that

50
00:02:46,281 --> 00:02:49,201
Speaker 2: we're not privy to, but Kate has said, oh here

51
00:02:49,240 --> 00:02:51,641
Speaker 2: go on, Kate, you are no doubt missing your children

52
00:02:51,761 --> 00:02:54,840
Speaker 2: very much. But the trouble is that despite your good

53
00:02:54,881 --> 00:02:58,161
Speaker 2: intentions for the future, the children need help now. Yes,

54
00:02:58,201 --> 00:03:01,041
Speaker 2: and your husband and the welfare people who are helping

55
00:03:01,121 --> 00:03:05,161
Speaker 2: him have to deal with your children's situation as it

56
00:03:05,201 --> 00:03:08,520
Speaker 2: actually is and not as you hope it will be

57
00:03:08,601 --> 00:03:10,440
Speaker 2: one day.

58
00:03:10,561 --> 00:03:13,521
Speaker 1: Yeah, exactly. Don't wait to get a bigger home for

59
00:03:13,601 --> 00:03:16,081
Speaker 1: you to get your children. They need a home now.

60
00:03:16,761 --> 00:03:19,041
Speaker 1: She wants to wait till that she's got a bigger

61
00:03:19,081 --> 00:03:21,921
Speaker 1: home to then take them. But she can't need to

62
00:03:21,960 --> 00:03:22,401
Speaker 1: take them y.

63
00:03:22,601 --> 00:03:25,801
Speaker 2: Yeah, yeah, gotcha. That is the children have no mother

64
00:03:25,881 --> 00:03:27,961
Speaker 2: to care for them at home, so they have to

65
00:03:28,001 --> 00:03:30,960
Speaker 2: go where they can be looked after. I should see

66
00:03:30,960 --> 00:03:34,201
Speaker 2: the welfare people yourself and sort out the future with

67
00:03:34,281 --> 00:03:37,481
Speaker 2: their help and with the help of your husband. It's

68
00:03:37,521 --> 00:03:42,521
Speaker 2: written so confusingly but right, so she's basically saying, yeah,

69
00:03:42,601 --> 00:03:43,561
Speaker 2: go and get your kids, Go.

70
00:03:43,521 --> 00:03:44,281
Speaker 3: And get your kids.

71
00:03:45,321 --> 00:03:48,001
Speaker 1: See, I'd like to now fast forward. Have done some

72
00:03:48,081 --> 00:03:51,641
Speaker 1: research and worked out what happened to Kate. What happened

73
00:03:51,641 --> 00:03:55,841
Speaker 1: to her and what happened to this family. I hope

74
00:03:55,881 --> 00:03:57,921
Speaker 1: that they were able to live with mummy beer.

75
00:03:58,641 --> 00:04:01,441
Speaker 2: Well you assume again, you assume because in seventy six

76
00:04:01,881 --> 00:04:04,921
Speaker 2: people are writing in because they don't have access to

77
00:04:05,041 --> 00:04:05,641
Speaker 2: don't forget.

78
00:04:05,801 --> 00:04:08,601
Speaker 1: I don't think they even had like a single parent's pension.

79
00:04:08,681 --> 00:04:12,401
Speaker 1: Back in seventy six. There would have been no social

80
00:04:12,521 --> 00:04:16,521
Speaker 1: help as in housing or oh I don't think so.

81
00:04:16,721 --> 00:04:18,801
Speaker 3: I'd have to check it out, but I don't reckon

82
00:04:18,841 --> 00:04:21,881
Speaker 3: there would be. That's a bit sad. I hope they

83
00:04:21,921 --> 00:04:22,841
Speaker 3: were okay.

84
00:04:24,561 --> 00:04:27,721
Speaker 2: All right, we're back nineteen seventy six Women's Day. Okay,

85
00:04:27,961 --> 00:04:30,721
Speaker 2: the problem page, which is where people write in with

86
00:04:30,761 --> 00:04:34,161
Speaker 2: their issues and Kate sam Perry has some sort of

87
00:04:34,161 --> 00:04:37,601
Speaker 2: solution for them. So this one is called husband is

88
00:04:37,681 --> 00:04:42,921
Speaker 2: not a stimulating companion. Right throughout the thirty years of

89
00:04:42,961 --> 00:04:45,761
Speaker 2: my marriage, I could never understand why my husband was

90
00:04:45,801 --> 00:04:49,041
Speaker 2: so moody and unstable, and why he could never stand

91
00:04:49,161 --> 00:04:52,881
Speaker 2: up to his domineering mother. Then a few years ago

92
00:04:53,001 --> 00:04:56,641
Speaker 2: I found out that there was a history of mental

93
00:04:56,641 --> 00:04:59,801
Speaker 2: illness in his family. My life with him has been

94
00:04:59,801 --> 00:05:02,520
Speaker 2: a hard one. I've always had to work between my

95
00:05:02,721 --> 00:05:06,481
Speaker 2: four pregnancies. He never took proper care of me. He

96
00:05:06,601 --> 00:05:09,601
Speaker 2: is weak and doesn't take any interest in the children,

97
00:05:09,880 --> 00:05:12,481
Speaker 2: not only now they're adults, but even when they were

98
00:05:12,561 --> 00:05:16,081
Speaker 2: very young. And he is certainly not a stimulating companion,

99
00:05:16,681 --> 00:05:20,041
Speaker 2: always complaining about his health. Now I've turned fifty two

100
00:05:20,201 --> 00:05:22,880
Speaker 2: and I regret my life with him. Oh what a waste.

101
00:05:23,561 --> 00:05:26,721
Speaker 2: I have a job which gives me much satisfaction and

102
00:05:26,841 --> 00:05:29,281
Speaker 2: friends who care about me, But since the children have

103
00:05:29,361 --> 00:05:31,921
Speaker 2: left home, I feel lonely and somehow empty.

104
00:05:32,161 --> 00:05:34,320
Speaker 3: Oh sweethearts, what.

105
00:05:34,201 --> 00:05:36,801
Speaker 2: Else do you suggest to make my life more bearable.

106
00:05:37,361 --> 00:05:39,841
Speaker 2: I don't want to walk out on him. God knows

107
00:05:39,841 --> 00:05:43,601
Speaker 2: how he'd manage without me. But is there no hope

108
00:05:43,601 --> 00:05:43,880
Speaker 2: for me?

109
00:05:44,880 --> 00:05:49,041
Speaker 1: Now we are in twenty twenty five, and this was

110
00:05:49,081 --> 00:05:51,200
Speaker 1: in nineteen seventy seats.

111
00:05:51,201 --> 00:05:52,801
Speaker 2: I mean, I feel like there's people listening going on.

112
00:05:53,001 --> 00:05:55,681
Speaker 1: You are my situation going to be blown out of

113
00:05:55,721 --> 00:05:58,481
Speaker 1: the water. The amount of women that would be in

114
00:05:58,561 --> 00:06:04,161
Speaker 1: that very same position now, Yeah, kids have grown up,

115
00:06:04,561 --> 00:06:06,401
Speaker 1: having to reconnect with the husband.

116
00:06:06,721 --> 00:06:09,481
Speaker 3: You're out there in the workplace trying to find your way.

117
00:06:09,961 --> 00:06:12,321
Speaker 3: I tell you now, the amount of women I get

118
00:06:12,320 --> 00:06:15,520
Speaker 3: in my DMS who tell me that they're you know,

119
00:06:15,561 --> 00:06:18,761
Speaker 3: they're in a relationship. The kids have left home now

120
00:06:19,001 --> 00:06:21,681
Speaker 3: they're working, but they completely feel lost.

121
00:06:21,921 --> 00:06:24,961
Speaker 2: Is it because there's no distractions on those no so

122
00:06:25,001 --> 00:06:28,841
Speaker 2: that they come home and it's just you and your partner.

123
00:06:28,921 --> 00:06:31,161
Speaker 1: I think what it gets to is like you're in

124
00:06:31,201 --> 00:06:34,761
Speaker 1: the trenches. You're raising the kids. You're running from sport,

125
00:06:34,880 --> 00:06:37,961
Speaker 1: you're running from school stuff, you're running to work, you're

126
00:06:38,001 --> 00:06:39,001
Speaker 1: running to feed them.

127
00:06:39,081 --> 00:06:41,841
Speaker 2: I don't have any children. My brothers have all just

128
00:06:42,001 --> 00:06:44,440
Speaker 2: pumped out a million of them. Like I love all

129
00:06:44,440 --> 00:06:47,281
Speaker 2: my nieces and nephews and they're very love but it's

130
00:06:47,320 --> 00:06:51,721
Speaker 2: like parents give up their lives and their schedules and

131
00:06:51,761 --> 00:06:54,001
Speaker 2: everything and you just operate on kid time.

132
00:06:54,081 --> 00:06:54,400
Speaker 1: That's it.

133
00:06:54,641 --> 00:06:58,401
Speaker 2: And being on holidays with them and just seeing how

134
00:06:58,561 --> 00:07:01,441
Speaker 2: they're all fantastic parents, and I go, I've made the

135
00:07:01,561 --> 00:07:04,281
Speaker 2: right to like there's no I'm too selfish, and there's

136
00:07:04,320 --> 00:07:08,561
Speaker 2: just no way. I was exhausted just being in the

137
00:07:08,601 --> 00:07:11,601
Speaker 2: presence of all of it. It's full on, and I'm like, fuck,

138
00:07:11,641 --> 00:07:13,881
Speaker 2: you've really got it. Like it'll be, you know, mid

139
00:07:13,921 --> 00:07:17,801
Speaker 2: conversation and I'll be talking to one of my brothers

140
00:07:18,201 --> 00:07:21,081
Speaker 2: and it's like, you know, my niece is getting antsy,

141
00:07:21,161 --> 00:07:23,001
Speaker 2: she's tired, it's bed time, and so it's you know,

142
00:07:23,121 --> 00:07:26,241
Speaker 2: off goes Tim. Yep. I'm like, oh yeah, like I

143
00:07:26,281 --> 00:07:28,601
Speaker 2: don't think it's rude. I'm like, oh no, you go, yes,

144
00:07:28,801 --> 00:07:32,161
Speaker 2: bath time. And then you know, he's got an almost

145
00:07:32,201 --> 00:07:35,121
Speaker 2: four year old and a one year old and he

146
00:07:35,161 --> 00:07:39,281
Speaker 2: said something really funny because my sister in law's breastfeeding,

147
00:07:39,361 --> 00:07:41,841
Speaker 2: so she looks after the one year old and my

148
00:07:41,881 --> 00:07:45,801
Speaker 2: brother Tim looks after the older one. And he said, oh,

149
00:07:45,801 --> 00:07:49,241
Speaker 2: we're like single parents to one child because they have.

150
00:07:49,201 --> 00:07:50,361
Speaker 1: Some different deeds.

151
00:07:51,081 --> 00:07:53,521
Speaker 2: And the best way through it is, you know, Mum

152
00:07:53,681 --> 00:07:56,921
Speaker 2: is looking after my nephew and Tim is looking after

153
00:07:57,041 --> 00:07:59,921
Speaker 2: my niece, and then they have their roles within that

154
00:08:00,001 --> 00:08:01,721
Speaker 2: and it's just like this well oiled machine.

155
00:08:01,801 --> 00:08:07,361
Speaker 1: I'm like, so that's the survival stage. You're in survival mode.

156
00:08:07,561 --> 00:08:09,801
Speaker 1: You're just trying to get through the day. Make sure

157
00:08:09,801 --> 00:08:15,881
Speaker 1: they're fed, washed, cleaned, fed, entertained, entertained, put to bed safe.

158
00:08:15,841 --> 00:08:18,281
Speaker 2: Right, and then you do it again in four hours

159
00:08:18,681 --> 00:08:19,401
Speaker 2: exactly right.

160
00:08:19,601 --> 00:08:23,521
Speaker 1: Imagine then, right, you've got those roles in place. You've

161
00:08:23,561 --> 00:08:26,721
Speaker 1: then got when they go to school, so that whole

162
00:08:27,041 --> 00:08:31,601
Speaker 1: routine changes and then you've got the teenage years and

163
00:08:31,641 --> 00:08:35,160
Speaker 1: that whole routine changes again. So then by the end

164
00:08:35,241 --> 00:08:39,641
Speaker 1: of that parenting phase, you're like, oh, okay, where do

165
00:08:39,761 --> 00:08:40,121
Speaker 1: I go?

166
00:08:40,241 --> 00:08:41,041
Speaker 3: What do I do?

167
00:08:41,161 --> 00:08:44,441
Speaker 2: Because is it like a sudden handbreak and everything's they've

168
00:08:44,521 --> 00:08:47,521
Speaker 2: left home or is it the leaving home phase and

169
00:08:47,561 --> 00:08:49,280
Speaker 2: there's like things within.

170
00:08:49,081 --> 00:08:51,521
Speaker 1: That I don't know. I don't know. I think that

171
00:08:51,721 --> 00:08:55,601
Speaker 1: for Ricardo and I we never traveled till the kids

172
00:08:55,641 --> 00:08:58,001
Speaker 1: left home. Right to the boys's left home, we didn't

173
00:08:58,041 --> 00:09:01,481
Speaker 1: do any travel because all our money, all our energies

174
00:09:01,521 --> 00:09:05,281
Speaker 1: went into the boys's. Yes, right, So now that they've

175
00:09:05,361 --> 00:09:08,401
Speaker 1: left home, we can do traveling. We can go away

176
00:09:08,441 --> 00:09:10,601
Speaker 1: for weekends, we can do what we want to do,

177
00:09:10,681 --> 00:09:12,721
Speaker 1: co host a podcast, we can do whatever we want

178
00:09:12,841 --> 00:09:15,281
Speaker 1: right our time is our own. But when you're in

179
00:09:15,321 --> 00:09:19,321
Speaker 1: the middle of the surviving, we don't see fifteen twenty

180
00:09:19,361 --> 00:09:21,121
Speaker 1: years down the trail what that's going.

181
00:09:21,041 --> 00:09:23,761
Speaker 2: To look like. You do say your time is your own?

182
00:09:24,121 --> 00:09:24,921
Speaker 1: Oh now it is.

183
00:09:25,441 --> 00:09:30,281
Speaker 2: I'm sorry? How many hurt? Oh my? Oh yeah, but no,

184
00:09:30,401 --> 00:09:35,121
Speaker 2: but that's so. Are your kids are so cute? Awful? Yes?

185
00:09:35,481 --> 00:09:37,921
Speaker 2: Every day because we were on the phone, they won't

186
00:09:37,961 --> 00:09:40,601
Speaker 2: listen say that this is so we can talk.

187
00:09:40,921 --> 00:09:42,841
Speaker 1: If you're talking about Charlie, he will need to know

188
00:09:43,041 --> 00:09:44,641
Speaker 1: time lines, says to win.

189
00:09:44,561 --> 00:09:46,961
Speaker 2: We just say we won't spoken about Okay, won't go.

190
00:09:47,881 --> 00:09:48,921
Speaker 2: Max loves a chat.

191
00:09:49,121 --> 00:09:49,921
Speaker 1: Max loves a chat.

192
00:09:49,961 --> 00:09:51,641
Speaker 2: I thought that was very sweet because you were like

193
00:09:51,921 --> 00:09:54,241
Speaker 2: really wrapping that call up and he could sense that

194
00:09:54,321 --> 00:09:56,441
Speaker 2: you were trying to get off the phone and he'd

195
00:09:56,481 --> 00:09:57,481
Speaker 2: throw a question.

196
00:09:57,481 --> 00:10:00,201
Speaker 1: Yeah, because happens right, all right, Max, we've got to go, and.

197
00:10:00,161 --> 00:10:03,841
Speaker 2: He throw like, what's for you happiness? You're really deep?

198
00:10:04,561 --> 00:10:08,841
Speaker 1: Because what what happens is Maxie. He likes a really deep,

199
00:10:09,281 --> 00:10:13,521
Speaker 1: meaningful conversations. And I'm like a surface rider at times.

200
00:10:14,001 --> 00:10:16,641
Speaker 1: I have to choose my time of when I have

201
00:10:16,721 --> 00:10:19,601
Speaker 1: a deep conversation. I'm not going to do that in

202
00:10:19,641 --> 00:10:22,041
Speaker 1: a car with you on the way to Canberra, do

203
00:10:22,041 --> 00:10:23,121
Speaker 1: you know what I mean? I'm not going to do

204
00:10:23,161 --> 00:10:25,881
Speaker 1: a deep dive on my thoughts, feelings and emotions on

205
00:10:25,961 --> 00:10:30,281
Speaker 1: my way to Canberra. Okay? Because Max is a psychologist, yes,

206
00:10:30,361 --> 00:10:33,361
Speaker 1: so you could tell he's all into the fields, but.

207
00:10:33,361 --> 00:10:35,641
Speaker 2: He might be analyzing your current state of mind from

208
00:10:35,681 --> 00:10:36,361
Speaker 2: your answers.

209
00:10:36,401 --> 00:10:43,201
Speaker 1: And I tell him constantly, stop fucking soscho. I just

210
00:10:43,241 --> 00:10:45,201
Speaker 1: want you to talk to me like you talk to

211
00:10:45,241 --> 00:10:48,481
Speaker 1: me like a normal human being, not one that's being

212
00:10:48,961 --> 00:10:51,921
Speaker 1: in a lifetime. I do not want to be a client.

213
00:10:54,761 --> 00:10:56,761
Speaker 1: Everybody needs a good couch, but I'm not going to

214
00:10:56,801 --> 00:10:58,961
Speaker 1: have the couch provided by my son.

215
00:10:59,241 --> 00:11:01,641
Speaker 3: That's okay, you better.

216
00:11:01,801 --> 00:11:04,721
Speaker 1: Well, I just not. And poor Maxie, but I think

217
00:11:04,761 --> 00:11:08,441
Speaker 1: because he's had a really traumatic gear and like it

218
00:11:08,481 --> 00:11:11,321
Speaker 1: could have been very different with him after the bike accident,

219
00:11:11,401 --> 00:11:15,001
Speaker 1: I think he's looking for a lot more like interaction

220
00:11:15,161 --> 00:11:19,121
Speaker 1: with like that deeper level of connection. And I'm happy

221
00:11:19,161 --> 00:11:20,921
Speaker 1: to provide it. It's just I don't want to be

222
00:11:20,961 --> 00:11:22,601
Speaker 1: providing it every minute of the day.

223
00:11:22,921 --> 00:11:24,041
Speaker 2: Yeah, it can be exhausting.

224
00:11:24,121 --> 00:11:26,361
Speaker 1: It's exhausting, and I love him dearly. And if he

225
00:11:26,441 --> 00:11:29,121
Speaker 1: is listening to this, he's my Maxi's my Maxi.

226
00:11:29,241 --> 00:11:30,001
Speaker 2: He's your number two.

227
00:11:31,081 --> 00:11:34,361
Speaker 1: You know, he's just fabulous and he's such a fantastic guy.

228
00:11:34,361 --> 00:11:37,801
Speaker 2: I didn't know that he's just you know, he's just

229
00:11:38,281 --> 00:11:40,761
Speaker 2: they're all. They all are so different on the phone.

230
00:11:40,761 --> 00:11:43,041
Speaker 2: I know I hop on about this every season, but

231
00:11:43,121 --> 00:11:45,321
Speaker 2: it's like Charlie calls.

232
00:11:44,961 --> 00:11:50,121
Speaker 1: Needy needy companion Cat Adventures of the Companion Cat.

233
00:11:50,801 --> 00:11:55,081
Speaker 2: It's an update on his pussy Ye pussy Cat pussy Pallas.

234
00:11:55,241 --> 00:11:59,401
Speaker 1: Say, and then we need to talk about Lily Allen two.

235
00:11:59,561 --> 00:12:01,081
Speaker 1: I must tell you that just a little lint to

236
00:12:01,161 --> 00:12:04,561
Speaker 1: lead there. Okay, So Charlie's little cat that he has, say,

237
00:12:04,561 --> 00:12:09,401
Speaker 1: say right, he treats this cat like it's his child. Yeah,

238
00:12:09,441 --> 00:12:12,201
Speaker 1: and we have endless photos on the phone with the

239
00:12:12,281 --> 00:12:17,001
Speaker 1: cat Instagram family chat. Oh no, but we've all been

240
00:12:17,041 --> 00:12:21,521
Speaker 1: told that, Sayse is to be receiving a gift for Christmas.

241
00:12:25,481 --> 00:12:27,521
Speaker 1: Really say the.

242
00:12:27,481 --> 00:12:30,641
Speaker 2: Other day, say say the first grandchild, Say is.

243
00:12:30,641 --> 00:12:34,801
Speaker 1: The first grand baby for baby? Look, Charlie would eat

244
00:12:35,241 --> 00:12:38,881
Speaker 1: potato chips every day all day. Say se has royal canine.

245
00:12:39,241 --> 00:12:42,161
Speaker 1: We have the top of the line. That's all right, Okay,

246
00:12:42,241 --> 00:12:44,921
Speaker 1: Charlie would be having McDonald's cross the road. Say SE's

247
00:12:44,961 --> 00:12:48,081
Speaker 1: having royal canine. He rings me the other day in

248
00:12:48,161 --> 00:12:54,801
Speaker 1: a flap because Sayse had accidentally, on purpose, eaten part

249
00:12:54,961 --> 00:12:59,641
Speaker 1: of a protein bar that his flatmate had. Okay, So

250
00:12:59,681 --> 00:13:03,441
Speaker 1: the flatmate wakes him up a very very late during

251
00:13:03,481 --> 00:13:08,041
Speaker 1: the night, about twelve thirty at night. Charlie, say, say

252
00:13:08,041 --> 00:13:09,721
Speaker 1: he's had some of the protein bar.

253
00:13:10,041 --> 00:13:11,281
Speaker 2: Can cats not have that? No?

254
00:13:11,361 --> 00:13:14,841
Speaker 1: Because he was chocolate in it. So Charlie has completely

255
00:13:15,401 --> 00:13:18,721
Speaker 1: freaked out, broken down on the phone to the emergency vet.

256
00:13:21,161 --> 00:13:24,481
Speaker 1: Chocolate kill them, Yes, but it was only a spine.

257
00:13:24,521 --> 00:13:28,721
Speaker 1: I'm sorry. But unless the cat is convulsing throwing a

258
00:13:28,761 --> 00:13:32,961
Speaker 1: massive diarrhea, we wait and check and see, say we wait,

259
00:13:33,281 --> 00:13:35,721
Speaker 1: we wait? Yeah did that name come from Salem?

260
00:13:36,361 --> 00:13:40,121
Speaker 2: Oh? So damn yeah, I love that name. You just

261
00:13:40,161 --> 00:13:41,401
Speaker 2: said it's his child.

262
00:13:41,761 --> 00:13:43,361
Speaker 3: Oh God, it's his baby.

263
00:13:43,521 --> 00:13:47,081
Speaker 2: But you're looking at it like he's dramatic. What if

264
00:13:47,641 --> 00:13:50,361
Speaker 2: Charlie ate some rat poison and you found out? What

265
00:13:50,401 --> 00:13:50,881
Speaker 2: would you do?

266
00:13:51,081 --> 00:13:54,841
Speaker 1: Oh, we're straight off to hospital control hospital. Yeah, no, okay,

267
00:13:54,881 --> 00:13:59,681
Speaker 1: fair call, fair call. However, it was a minute amount.

268
00:13:59,721 --> 00:14:00,841
Speaker 2: But doesn't it kill them?

269
00:14:01,001 --> 00:14:04,121
Speaker 1: Yeah, but larger quantities. So let me tell you another

270
00:14:04,161 --> 00:14:04,961
Speaker 1: story about face.

271
00:14:05,241 --> 00:14:06,881
Speaker 2: That's really cold hearted of you.

272
00:14:07,081 --> 00:14:08,721
Speaker 1: I don't mean to be one way.

273
00:14:08,641 --> 00:14:11,641
Speaker 2: He didn't call you. Our mum will probably come over

274
00:14:11,681 --> 00:14:12,761
Speaker 2: and feed it more chocolate.

275
00:14:13,321 --> 00:14:17,681
Speaker 1: I get that same conversation day after day after day,

276
00:14:18,561 --> 00:14:23,441
Speaker 1: Say says got ibs. Say Say has been to the vetsy,

277
00:14:23,561 --> 00:14:25,641
Speaker 1: say's just had another lot of as.

278
00:14:25,321 --> 00:14:26,081
Speaker 2: You've got cats?

279
00:14:26,521 --> 00:14:31,761
Speaker 1: Excuse me? Yeah, fair babies? Oh they are beautiful.

280
00:14:31,481 --> 00:14:33,801
Speaker 2: And you don't want them to come into contact with

281
00:14:33,841 --> 00:14:34,201
Speaker 2: each other.

282
00:14:34,201 --> 00:14:37,121
Speaker 1: Well, they're not the same breed, so they're different.

283
00:14:37,401 --> 00:14:38,681
Speaker 2: This is sounding very racist.

284
00:14:39,081 --> 00:14:42,121
Speaker 1: It's not, but it's they're just a different breed of cats,

285
00:14:42,121 --> 00:14:43,681
Speaker 1: so their temperaments are different.

286
00:14:44,281 --> 00:14:45,841
Speaker 2: So what do you say they can't get along?

287
00:14:46,121 --> 00:14:50,761
Speaker 1: Well, my babies are very docile, they're British, short hair,

288
00:14:51,081 --> 00:14:54,881
Speaker 1: they're just divine. My dotty dot Cotton, doubt that. And

289
00:14:55,001 --> 00:14:59,321
Speaker 1: Alfie Moon, they're just the most beautiful cats. You well,

290
00:14:59,441 --> 00:15:02,201
Speaker 1: say's your street fighter? Quite a pretty cat. You know

291
00:15:02,361 --> 00:15:06,561
Speaker 1: you're street smart. Oh, never do that? But would strike

292
00:15:06,921 --> 00:15:11,041
Speaker 1: has striked my Charlie, My beautiful ones at home. They're

293
00:15:11,041 --> 00:15:12,761
Speaker 1: not going to do that, right.

294
00:15:12,681 --> 00:15:15,161
Speaker 2: So you're worried is going to be a bad influence.

295
00:15:15,321 --> 00:15:18,601
Speaker 1: Say s could be a very bad influence. And say

296
00:15:18,601 --> 00:15:22,081
Speaker 1: say has had and Charlie knew this going in, had

297
00:15:22,121 --> 00:15:25,161
Speaker 1: had a cat flu. Now he tries to tell me

298
00:15:25,241 --> 00:15:28,121
Speaker 1: that because he's not a carrier, he only got it,

299
00:15:28,161 --> 00:15:31,921
Speaker 1: that he can't pass it on. But I've asked chat Chat,

300
00:15:32,001 --> 00:15:35,961
Speaker 1: GPT and they've said no, you can't catch like well, they.

301
00:15:35,841 --> 00:15:38,561
Speaker 2: Will always be tight as you've always got it.

302
00:15:39,121 --> 00:15:41,481
Speaker 1: Someone will come on and say no, they're fine, but

303
00:15:41,881 --> 00:15:44,321
Speaker 1: I just want to make sure that beautiful say say

304
00:15:45,161 --> 00:15:46,641
Speaker 1: and Ricardo as.

305
00:15:46,481 --> 00:15:48,681
Speaker 2: Far away from your cats as possible.

306
00:15:48,681 --> 00:15:51,641
Speaker 1: And it's so funny because Charlie will do FaceTime with

307
00:15:53,081 --> 00:15:53,641
Speaker 1: and we've got.

308
00:15:53,761 --> 00:15:57,441
Speaker 2: Such a punish gotta watch on it.

309
00:15:57,961 --> 00:16:00,881
Speaker 1: And so Rigarda was there. Tell Salem to take the

310
00:16:01,041 --> 00:16:01,721
Speaker 1: sucks off.

311
00:16:04,521 --> 00:16:07,161
Speaker 2: Kids. How long do you have to sit through that

312
00:16:07,281 --> 00:16:07,721
Speaker 2: call for?

313
00:16:08,641 --> 00:16:12,841
Speaker 1: Not long? But like he does, absolutely adore that if

314
00:16:12,921 --> 00:16:16,161
Speaker 1: anything happens to this cat, Oh child is going to

315
00:16:16,241 --> 00:16:17,201
Speaker 1: be Maxine.

316
00:16:17,961 --> 00:16:27,281
Speaker 2: What's yes, yes, yes, love your kids. Okay, I need

317
00:16:27,281 --> 00:16:31,521
Speaker 2: to bring up another Christine musings, which is things I

318
00:16:31,681 --> 00:16:34,841
Speaker 2: patiently observe about Christine and write down on my phone.

319
00:16:34,921 --> 00:16:36,081
Speaker 1: Oh God, here we go.

320
00:16:37,681 --> 00:16:43,881
Speaker 2: Your meandering is resolutely fucking insufferable.

321
00:16:42,761 --> 00:16:49,521
Speaker 1: To find merandering. I can't even say the meandering, mirandering, meandering,

322
00:16:49,801 --> 00:16:52,241
Speaker 1: me andering, okay, meandering or mirandering.

323
00:16:52,961 --> 00:16:55,881
Speaker 2: Okay. So this is how I like to walk. I'm

324
00:16:55,921 --> 00:16:57,721
Speaker 2: just getting up. I'm off the chair. I now know

325
00:16:57,841 --> 00:17:00,401
Speaker 2: any Christine's sitting at a cafe. I'm going to walk

326
00:17:00,441 --> 00:17:03,361
Speaker 2: past Christine in this narrow pathway. This is how I

327
00:17:03,441 --> 00:17:07,160
Speaker 2: like to walk. On the left. I could not be

328
00:17:07,761 --> 00:17:10,041
Speaker 2: further to the left. Right, So anyone that's walking in

329
00:17:10,080 --> 00:17:13,360
Speaker 2: the opposite direction, Okay, I'm gonna walk like you, and

330
00:17:13,441 --> 00:17:15,241
Speaker 2: I want you to describe to the people. But we

331
00:17:15,321 --> 00:17:17,640
Speaker 2: just come back up here. How you walk?

332
00:17:18,080 --> 00:17:23,521
Speaker 1: All right? Here we go, We're coming around everywhere, we're banging.

333
00:17:29,801 --> 00:17:33,721
Speaker 2: Christine walks in a zig zag zig zag cushion, right,

334
00:17:34,921 --> 00:17:37,681
Speaker 2: and then I like to look dead ahead, see who's coming,

335
00:17:37,721 --> 00:17:40,001
Speaker 2: and see who might be behind me running as well.

336
00:17:40,120 --> 00:17:42,521
Speaker 2: This is Christy. She looks in the opposite direction.

337
00:17:42,600 --> 00:17:43,441
Speaker 1: She walks to the left.

338
00:17:43,921 --> 00:17:46,240
Speaker 2: She walks, She looks back behind her. She does a twist,

339
00:17:46,640 --> 00:17:50,801
Speaker 2: not paying any attention to any anyone ever at all,

340
00:17:51,041 --> 00:17:57,720
Speaker 2: meaner whilst people are literally doing this where they're like

341
00:17:57,840 --> 00:18:01,160
Speaker 2: trying to get around you. Sorry, side stepping me, side stipping, like,

342
00:18:01,721 --> 00:18:06,160
Speaker 2: but you're not paying any It stresses me. Oh Christine,

343
00:18:06,241 --> 00:18:08,801
Speaker 2: you've been doing it this entire trip, really, but I've

344
00:18:08,840 --> 00:18:09,600
Speaker 2: heeled my tongue.

345
00:18:09,681 --> 00:18:10,400
Speaker 1: Oh God, love you.

346
00:18:10,801 --> 00:18:13,960
Speaker 2: We were at the markets. We were just at a.

347
00:18:14,041 --> 00:18:17,361
Speaker 1: Busy because market and sparkly and it's I'm like a

348
00:18:17,400 --> 00:18:18,521
Speaker 1: bloody magpie.

349
00:18:19,041 --> 00:18:21,521
Speaker 2: It was stressing me out so much. And it was

350
00:18:21,561 --> 00:18:23,801
Speaker 2: the fact that I think you're one of those people

351
00:18:24,600 --> 00:18:28,161
Speaker 2: who is really lovely and nice and wants to walk

352
00:18:28,201 --> 00:18:31,561
Speaker 2: side by side in a small narrow pathway with a

353
00:18:31,600 --> 00:18:33,680
Speaker 2: lot of people. So what I would do is you

354
00:18:33,761 --> 00:18:36,561
Speaker 2: and meander, and I would like be twitching, And so

355
00:18:36,681 --> 00:18:40,001
Speaker 2: I tried to single file behind you so people forget

356
00:18:40,041 --> 00:18:42,840
Speaker 2: around us home, and so you'd look at me and

357
00:18:42,880 --> 00:18:44,321
Speaker 2: slow down and to be like, oh no, let's walk

358
00:18:44,321 --> 00:18:46,081
Speaker 2: next to each other. And so I'd sewed awniven more

359
00:18:46,120 --> 00:18:48,160
Speaker 2: to try to get behind you. And then I was like,

360
00:18:48,241 --> 00:18:49,441
Speaker 2: I'll just walk with her for a bit and she'll

361
00:18:49,441 --> 00:18:51,281
Speaker 2: lose the fact that I'm there. And then it was

362
00:18:51,321 --> 00:18:56,680
Speaker 2: just like, please look at cafe. Please, So we finally

363
00:18:56,681 --> 00:19:01,561
Speaker 2: sit down at this cafe. Finally we sit down, Yeah, finally,

364
00:19:01,921 --> 00:19:06,121
Speaker 2: after you meander the path. If I was to walk,

365
00:19:06,160 --> 00:19:09,880
Speaker 2: it would be twenty meters. Your meandering extends that to

366
00:19:10,001 --> 00:19:13,721
Speaker 2: sixty meters because I'm going, you're going everywhere. We sit

367
00:19:13,801 --> 00:19:21,521
Speaker 2: down and you go, oh, oh god, I had a

368
00:19:21,561 --> 00:19:24,521
Speaker 2: march a lot yuck. Won't get one of Yuck. I

369
00:19:24,600 --> 00:19:25,761
Speaker 2: might get a March of last.

370
00:19:27,600 --> 00:19:30,240
Speaker 1: Because in my head, in my head, I'm thinking, well,

371
00:19:30,281 --> 00:19:33,521
Speaker 1: I've tried a March of yesterday or a matcha is

372
00:19:33,561 --> 00:19:36,601
Speaker 1: it mater or March I know I can always get

373
00:19:36,721 --> 00:19:39,321
Speaker 1: very very confused. Anyway, I had the green one yesterday

374
00:19:39,321 --> 00:19:42,640
Speaker 1: and it was cold, and I said to sporty spice

375
00:19:42,640 --> 00:19:46,200
Speaker 1: my niece. I said, oh, that's that's grass.

376
00:19:46,481 --> 00:19:47,640
Speaker 2: Does it taste like grass?

377
00:19:47,761 --> 00:19:49,760
Speaker 1: Literally, I've never had it before and that was my

378
00:19:49,840 --> 00:19:54,561
Speaker 1: first initial oh reaction, grass grass? So what I wanted

379
00:19:54,600 --> 00:19:56,360
Speaker 1: to do? Because you know, you just can't settle on

380
00:19:56,400 --> 00:19:58,680
Speaker 1: the one, You've got to try it in both cold

381
00:19:58,721 --> 00:19:59,881
Speaker 1: and hot, no work out.

382
00:19:59,961 --> 00:20:02,240
Speaker 2: And you got out your phone and you sent me

383
00:20:02,561 --> 00:20:05,720
Speaker 2: the most incredible audio message that me play it. You

384
00:20:05,761 --> 00:20:08,521
Speaker 2: sent me the funniest. This was obviously just a reminder

385
00:20:09,201 --> 00:20:11,880
Speaker 2: that we need to talk about something. This was the

386
00:20:11,961 --> 00:20:13,920
Speaker 2: audio message that I received from Chrissy.

387
00:20:15,761 --> 00:20:19,001
Speaker 1: I need to talk about the fact that Marcha tea

388
00:20:19,120 --> 00:20:22,161
Speaker 1: is shit. It tastes like grass. Why does everybody love

389
00:20:22,201 --> 00:20:24,680
Speaker 1: it so much? That was it?

390
00:20:26,441 --> 00:20:27,281
Speaker 2: I've had it before.

391
00:20:27,640 --> 00:20:30,600
Speaker 1: It was quite nice. But didn't you buy the implement?

392
00:20:30,681 --> 00:20:32,281
Speaker 1: Also like there's a whole ritual?

393
00:20:33,961 --> 00:20:36,921
Speaker 2: Oh, I did you know I bought that with you? You did?

394
00:20:37,080 --> 00:20:39,241
Speaker 2: Haven't taken it out of the classic, of course you haven't.

395
00:20:39,360 --> 00:20:42,641
Speaker 2: Haven't used it? Okay, I did buy one at a cafe.

396
00:20:43,001 --> 00:20:45,761
Speaker 2: You got yours, and then it was time to sample

397
00:20:46,441 --> 00:20:47,880
Speaker 2: said matcha.

398
00:20:48,160 --> 00:20:49,241
Speaker 1: Yes, matcha matcha.

399
00:20:49,961 --> 00:20:52,920
Speaker 2: Did you end up finishing it? Did you push through it?

400
00:20:53,041 --> 00:20:53,721
Speaker 2: Or you got better?

401
00:20:54,681 --> 00:20:58,161
Speaker 1: I think the taste of grass and earthy tones kind

402
00:20:58,201 --> 00:21:01,361
Speaker 1: of said me down that I liked it. Yeah, look, no,

403
00:21:01,400 --> 00:21:03,240
Speaker 1: I'm not sure. I don't know. I haven't made my

404
00:21:03,281 --> 00:21:06,561
Speaker 1: mind up. It's just that the verse in this I'm

405
00:21:07,481 --> 00:21:09,241
Speaker 1: eating grass, drinking grass.

406
00:21:09,360 --> 00:21:13,161
Speaker 2: Then then we go to order food, right, so you're

407
00:21:13,201 --> 00:21:16,481
Speaker 2: looking at it and you go, I'll just skip the granola.

408
00:21:16,640 --> 00:21:18,121
Speaker 2: And I was ordering on my phone, so I saw

409
00:21:18,160 --> 00:21:20,840
Speaker 2: a photo of it and immediately went, oh, she's not

410
00:21:20,880 --> 00:21:23,120
Speaker 2: gonna like this. It's served on a plate instead of

411
00:21:23,120 --> 00:21:27,360
Speaker 2: a bowl. So it's like I just said this photo

412
00:21:27,801 --> 00:21:31,321
Speaker 2: did right? Well? Oh god, oh maybe not. Oh no,

413
00:21:32,201 --> 00:21:35,120
Speaker 2: I'll get the granola.

414
00:21:36,120 --> 00:21:38,240
Speaker 1: She's in my head. Right in my head, I'm like,

415
00:21:38,281 --> 00:21:40,160
Speaker 1: it's not in a bowl, so it's not going to

416
00:21:40,241 --> 00:21:42,321
Speaker 1: be too big. It's not going to be too like

417
00:21:42,400 --> 00:21:46,080
Speaker 1: a large amount. I don't eat a lot of food,

418
00:21:46,561 --> 00:21:49,041
Speaker 1: hence not my size. But it doesn't.

419
00:21:49,640 --> 00:21:51,480
Speaker 2: But this is the reason why travel guards need to

420
00:21:51,481 --> 00:21:55,481
Speaker 2: bring you on because you don't realize how funny and how.

421
00:21:55,801 --> 00:21:59,920
Speaker 1: I'm montage with me Andre from but that's just me

422
00:22:00,360 --> 00:22:01,360
Speaker 1: the end. Oh.

423
00:22:01,481 --> 00:22:04,601
Speaker 2: We get the food and then the lady comes up

424
00:22:04,640 --> 00:22:09,161
Speaker 2: and you go, what did I say?

425
00:22:10,400 --> 00:22:17,441
Speaker 1: What did I say? I don't remember twenty five? Can't

426
00:22:17,441 --> 00:22:18,441
Speaker 1: get it out?

427
00:22:18,961 --> 00:22:20,721
Speaker 2: Can I please get a newspaper?

428
00:22:22,441 --> 00:22:22,721
Speaker 1: Wrong?

429
00:22:23,201 --> 00:22:25,121
Speaker 2: Had? She looked at you, like, what.

430
00:22:25,160 --> 00:22:27,681
Speaker 1: The fuck is the newspaper? She looked at me oddly.

431
00:22:27,721 --> 00:22:33,041
Speaker 2: I thought the paper, yes, please. She was like's just

432
00:22:33,120 --> 00:22:35,080
Speaker 2: check and then never came back.

433
00:22:35,241 --> 00:22:35,481
Speaker 1: Never.

434
00:22:36,241 --> 00:22:38,281
Speaker 2: Just fuck. Do you want a newspaper before to.

435
00:22:38,481 --> 00:22:41,481
Speaker 1: Read it, to sit and turn the page to see

436
00:22:41,481 --> 00:22:42,561
Speaker 1: what's happening in the world.

437
00:22:42,721 --> 00:22:44,681
Speaker 2: You can do it on your phone.

438
00:22:44,241 --> 00:22:46,080
Speaker 1: But it's not the same when you're a cafe.

439
00:22:46,241 --> 00:22:47,881
Speaker 3: You want to sit there and you want to look at.

440
00:22:47,840 --> 00:22:52,440
Speaker 2: The telegraph table. You want to get me done a

441
00:22:52,561 --> 00:22:53,641
Speaker 2: huge newspaper.

442
00:22:55,160 --> 00:22:56,241
Speaker 1: That's what I do with your card.

443
00:22:56,441 --> 00:22:58,081
Speaker 2: Oh god, I like.

444
00:22:58,080 --> 00:23:00,321
Speaker 1: To turn the page. I like just to put my hands.

445
00:23:00,080 --> 00:23:02,281
Speaker 2: On paper, getting a little bit of right wing news

446
00:23:02,321 --> 00:23:02,721
Speaker 2: in the moment.

447
00:23:02,801 --> 00:23:06,321
Speaker 1: Oh, you know, just to get the bloody anger button pushed.

448
00:23:06,441 --> 00:23:08,921
Speaker 2: So we have breakfast, we walk out and we're walking.

449
00:23:09,120 --> 00:23:11,880
Speaker 2: Oh there's more, Yeah, we're walking to lie like this

450
00:23:11,961 --> 00:23:13,360
Speaker 2: is why I love doing this with you. Because all

451
00:23:13,360 --> 00:23:14,961
Speaker 2: I need to do is just to follow you around

452
00:23:15,001 --> 00:23:16,281
Speaker 2: and write down everything.

453
00:23:18,561 --> 00:23:22,161
Speaker 1: It showed people. It always has been, it always will be.

454
00:23:22,321 --> 00:23:25,640
Speaker 2: And I noticed that you very much live by your motto,

455
00:23:25,721 --> 00:23:28,441
Speaker 2: which I love, and that is, if you're over fifty,

456
00:23:28,521 --> 00:23:32,600
Speaker 2: you're not invisible. Absolutely, this is Christine past everyone she

457
00:23:32,721 --> 00:23:33,720
Speaker 2: thinks is over fifty.

458
00:23:33,961 --> 00:23:35,360
Speaker 1: Hello, how are you you good?

459
00:23:35,561 --> 00:23:38,561
Speaker 2: I see you? Hello? How are you? You can and

460
00:23:38,761 --> 00:23:43,080
Speaker 2: the looks that they but you only do it to

461
00:23:43,120 --> 00:23:44,561
Speaker 2: other elderly do I? Yes?

462
00:23:45,001 --> 00:23:45,201
Speaker 4: Oh?

463
00:23:45,281 --> 00:23:47,761
Speaker 2: Do I really excuse you?

464
00:23:51,241 --> 00:23:52,880
Speaker 1: I think it's important that people.

465
00:23:52,761 --> 00:23:55,440
Speaker 2: Know it's lovely. It's lovely, but you have.

466
00:23:55,321 --> 00:23:58,240
Speaker 1: To think about it, right. That person may not have

467
00:23:58,360 --> 00:24:04,000
Speaker 1: had any interactions at all with anybody that day. They

468
00:24:04,041 --> 00:24:06,641
Speaker 1: could be the last week or so.

469
00:24:06,840 --> 00:24:10,801
Speaker 2: I agree with you completely. It's the responses that you

470
00:24:10,961 --> 00:24:15,160
Speaker 2: get that I don't think you notice that lady in

471
00:24:15,201 --> 00:24:18,681
Speaker 2: the pink the pink could not have wanted any less

472
00:24:18,681 --> 00:24:20,360
Speaker 2: of you. She looked at you, and I was like,

473
00:24:20,961 --> 00:24:22,041
Speaker 2: what a rude bitch?

474
00:24:23,241 --> 00:24:25,561
Speaker 1: Like what one was in the pink? Oh see, I

475
00:24:25,561 --> 00:24:26,281
Speaker 1: don't even care.

476
00:24:26,761 --> 00:24:30,201
Speaker 2: We were walking on the lake right and you were like, oh,

477
00:24:30,201 --> 00:24:33,160
Speaker 2: I know, And then you were like, hello, are you

478
00:24:33,241 --> 00:24:33,961
Speaker 2: having a great day.

479
00:24:34,160 --> 00:24:36,120
Speaker 1: I don't know if she was saying a great day.

480
00:24:37,001 --> 00:24:38,441
Speaker 2: She looked so dirty at you.

481
00:24:38,640 --> 00:24:40,921
Speaker 1: Oh, well, that's terry issue, not mine.

482
00:24:41,120 --> 00:24:44,241
Speaker 2: And then we get to the bus depot markets.

483
00:24:44,400 --> 00:24:47,761
Speaker 1: Oh, here we go. I was wondering, and there's a

484
00:24:48,160 --> 00:24:53,081
Speaker 1: la do it nice? Do it nice? Because she looked lovely.

485
00:24:53,360 --> 00:24:54,920
Speaker 1: She looks stunning, stunning.

486
00:24:54,561 --> 00:24:59,521
Speaker 2: And I love those Edmund Sigmund shoes. And she looks

487
00:24:59,521 --> 00:25:02,400
Speaker 2: at you, like, what were they Henry.

488
00:25:02,080 --> 00:25:07,000
Speaker 1: Lima, their curt something. They weren't Edmund No, they weren't

489
00:25:07,201 --> 00:25:11,401
Speaker 1: Edward's Mueller's, which make a very nice shoe, he does.

490
00:25:12,120 --> 00:25:15,680
Speaker 1: These were Kirk someone, Kirk Higler or something like that,

491
00:25:15,921 --> 00:25:18,080
Speaker 1: which I have a pair of. I have a pair

492
00:25:18,120 --> 00:25:21,321
Speaker 1: of those shoes. And I looked at it and I said, oh, I.

493
00:25:21,561 --> 00:25:23,080
Speaker 2: Love you're Edward Muellers.

494
00:25:23,120 --> 00:25:27,281
Speaker 1: And she goes, they're not they're anyway. I said, oh,

495
00:25:27,441 --> 00:25:30,481
Speaker 1: of course they are. I felt stupid, then I did.

496
00:25:30,521 --> 00:25:33,120
Speaker 1: I felt like an idiot, but I thought, you know,

497
00:25:33,281 --> 00:25:34,001
Speaker 1: in my mind, I.

498
00:25:34,001 --> 00:25:37,161
Speaker 2: Thought, oh my god, I love your payless shoes. And

499
00:25:37,201 --> 00:25:39,841
Speaker 2: she's gone, excuse me, these are Christian York.

500
00:25:39,921 --> 00:25:42,161
Speaker 1: Can I tell you how much those shoes were looked

501
00:25:42,400 --> 00:25:45,321
Speaker 1: They are for the market though I don't think so.

502
00:25:47,441 --> 00:25:51,360
Speaker 2: Yeah. Anyways, that was just my fun Christine musings for

503
00:25:51,400 --> 00:26:01,761
Speaker 2: the morning. God love you. Okay, while we drift back

504
00:26:01,801 --> 00:26:03,520
Speaker 2: more into the center, I'm going to read you out

505
00:26:03,521 --> 00:26:05,521
Speaker 2: the following things and we're going to sort them. We're

506
00:26:05,561 --> 00:26:07,120
Speaker 2: on a go boat in the middle of Lake Burley Griffin.

507
00:26:07,281 --> 00:26:12,480
Speaker 2: FYI sort these characters by the year they were created. Okay,

508
00:26:12,761 --> 00:26:19,600
Speaker 2: earliest to latest, Kermit the Frog, right, Frankenstein, Mister Squiggle,

509
00:26:20,360 --> 00:26:22,881
Speaker 2: Mickey Mouse, or the Telly Tubbies.

510
00:26:23,400 --> 00:26:27,201
Speaker 1: Okay, so from the watch to the what earliest? Earliest?

511
00:26:27,321 --> 00:26:33,801
Speaker 1: I think it is mister Squiggle or Frankenztine, but you

512
00:26:33,840 --> 00:26:35,600
Speaker 1: have to be Frankenstein.

513
00:26:35,001 --> 00:26:36,241
Speaker 2: Okay, been Mickey?

514
00:26:36,321 --> 00:26:39,641
Speaker 1: Oh, yes, you're quite right, Yes, in the forties, thirties.

515
00:26:39,281 --> 00:26:41,681
Speaker 2: Thirties, yep, wheen was Frankenstein.

516
00:26:41,921 --> 00:26:43,561
Speaker 3: I reckon it would be the thirties.

517
00:26:44,441 --> 00:26:49,400
Speaker 1: I think Mickey was twenties. I reckon Mickey was twenties.

518
00:26:50,921 --> 00:26:54,561
Speaker 2: Well, because I know after one hundred years they entered

519
00:26:54,561 --> 00:26:59,761
Speaker 2: the public domain for we can use them without copyright infringement, right,

520
00:27:00,041 --> 00:27:06,401
Speaker 2: and so I know recently Disney the government to extend

521
00:27:06,400 --> 00:27:08,600
Speaker 2: that license because Disney makes so much money from all

522
00:27:08,600 --> 00:27:13,521
Speaker 2: the greedy so Mickey Mouse would have been in the twenties. Okay,

523
00:27:14,001 --> 00:27:16,480
Speaker 2: I thought Frankenstein was old, old, old, old old, like

524
00:27:17,041 --> 00:27:19,080
Speaker 2: what the movie or the end? What the book? Could

525
00:27:19,080 --> 00:27:20,561
Speaker 2: it be the book? When he was created?

526
00:27:22,640 --> 00:27:25,201
Speaker 1: All right, well, I think you're right. I think Frankenstein

527
00:27:25,281 --> 00:27:25,801
Speaker 1: was the earliest.

528
00:27:25,840 --> 00:27:27,561
Speaker 2: And what's funny when we go against each other?

529
00:27:27,921 --> 00:27:29,360
Speaker 1: Okay, all right, go on, then.

530
00:27:29,801 --> 00:27:35,561
Speaker 2: You go Frankenstein, I'll go Mickey. And then when Kermit

531
00:27:36,400 --> 00:27:41,401
Speaker 2: mister Squiggle the Teletubbies, mister squiggles early is the seventies

532
00:27:42,281 --> 00:27:43,081
Speaker 2: street I.

533
00:27:43,001 --> 00:27:44,961
Speaker 1: Thought he was a bit later than that, the Market

534
00:27:45,001 --> 00:27:45,801
Speaker 1: show eighties.

535
00:27:46,001 --> 00:27:48,801
Speaker 2: Maybe he was eighties. When was was Missus Squigler Ara

536
00:27:48,840 --> 00:27:49,441
Speaker 2: when you're a kid.

537
00:27:49,561 --> 00:27:52,321
Speaker 1: No, my mother wouldn't watched Missus wig but he was

538
00:27:52,360 --> 00:27:57,080
Speaker 1: around it was about sixties, mister Squiggle. Yeah really you

539
00:27:57,080 --> 00:27:59,561
Speaker 1: think it's that? No, No, okay, go on, I'll be

540
00:27:59,561 --> 00:28:00,240
Speaker 1: guided by you.

541
00:28:00,281 --> 00:28:06,281
Speaker 2: Then, okay, I think earliest Frankenstein. Mise comit the Frog,

542
00:28:06,321 --> 00:28:09,480
Speaker 2: mister Squiggle, the Tellertubbies. Come on, we can do this, Christine,

543
00:28:09,600 --> 00:28:15,360
Speaker 2: we and do this. Here we go. Frankenstein, Oh my God,

544
00:28:15,521 --> 00:28:20,480
Speaker 2: was created by Mary Shelley in eighteen sixteen. Then Mickey

545
00:28:20,521 --> 00:28:25,880
Speaker 2: Mouse in nineteen twenty eight. Okay, number three, comit the Frog?

546
00:28:26,160 --> 00:28:27,360
Speaker 2: What year fifty five?

547
00:28:28,001 --> 00:28:28,801
Speaker 1: Fifty five?

548
00:28:29,360 --> 00:28:34,601
Speaker 2: Mister Squiggle, Oh, mister Squiggle was nineteen fifty nine by

549
00:28:34,681 --> 00:28:38,801
Speaker 2: Norman Heatherington and the Tellytubbies at five was nineteen ninety seven.

550
00:28:39,281 --> 00:28:40,801
Speaker 2: We're nailing this. We got too right.

551
00:28:41,321 --> 00:28:43,281
Speaker 1: I am so impressed. We're got too right.

552
00:28:43,401 --> 00:28:53,240
Speaker 2: Already, well done, Christie. Are you watching The Portraitist of

553
00:28:53,241 --> 00:28:53,601
Speaker 2: the Year.

554
00:28:54,041 --> 00:28:57,520
Speaker 1: No, no, no, but tell me about it because I

555
00:28:57,601 --> 00:29:00,201
Speaker 1: saw someone crying the other day because.

556
00:29:00,001 --> 00:29:02,921
Speaker 2: They see you at Piccola. Yes, it is a beautiful show.

557
00:29:02,921 --> 00:29:06,521
Speaker 2: So it's on ABC. Watch it on By the time

558
00:29:06,641 --> 00:29:09,921
Speaker 2: that this podcast goes to air. We're recording this in

559
00:29:10,161 --> 00:29:13,681
Speaker 2: what is it, November, so the show's just dropped. But

560
00:29:13,761 --> 00:29:15,921
Speaker 2: I know these episodes are rolling out in March of

561
00:29:15,921 --> 00:29:19,281
Speaker 2: twenty twenty six, so season one will by the time

562
00:29:19,321 --> 00:29:21,281
Speaker 2: you hear this be well and truly over. Go and

563
00:29:21,321 --> 00:29:23,641
Speaker 2: watch it on ivy if you haven't, but it's currently

564
00:29:23,721 --> 00:29:25,721
Speaker 2: rolling out and it's fucking brilliant.

565
00:29:25,961 --> 00:29:26,561
Speaker 1: You're liking it.

566
00:29:26,681 --> 00:29:29,121
Speaker 2: I love it so much. The premise of the show

567
00:29:29,321 --> 00:29:32,881
Speaker 2: is they get all of these portrait artists to submit

568
00:29:33,361 --> 00:29:36,081
Speaker 2: a self portrait in the style of how they paint,

569
00:29:36,761 --> 00:29:38,841
Speaker 2: and then they pick up a bunch of people to

570
00:29:38,961 --> 00:29:41,881
Speaker 2: come in and then over the period of four hours,

571
00:29:42,361 --> 00:29:45,041
Speaker 2: a celebrity comes in and sits and they paint the

572
00:29:45,041 --> 00:29:46,041
Speaker 2: portrait of a celebrity.

573
00:29:46,121 --> 00:29:48,801
Speaker 1: So does each artist paint the same person?

574
00:29:48,921 --> 00:29:52,281
Speaker 2: No, So in an episode there are three celebrities sitting

575
00:29:52,561 --> 00:29:57,201
Speaker 2: right and each celebrity has three artists painting their portrait beautiful.

576
00:29:57,281 --> 00:29:59,441
Speaker 2: And so it's all done in a circle in sort

577
00:29:59,441 --> 00:30:00,721
Speaker 2: of like a closed off sort of room.

578
00:30:00,801 --> 00:30:03,521
Speaker 1: And they were talking about their lives, yeah, things like that.

579
00:30:03,841 --> 00:30:07,801
Speaker 2: So you hear about the celebrity, you also get to

580
00:30:07,841 --> 00:30:10,081
Speaker 2: learn a little bit about each of these artists that

581
00:30:10,121 --> 00:30:11,041
Speaker 2: are painting them.

582
00:30:11,161 --> 00:30:14,281
Speaker 1: Oh, so you're hearing about the artists, not necessarily a.

583
00:30:14,241 --> 00:30:16,681
Speaker 2: Little bit of the celebrity, but it's more focused on

584
00:30:16,721 --> 00:30:20,241
Speaker 2: the art and how these portrait artists are building it

585
00:30:20,281 --> 00:30:22,041
Speaker 2: and what they work on and technique.

586
00:30:22,121 --> 00:30:22,841
Speaker 3: Oh I like that.

587
00:30:22,961 --> 00:30:26,441
Speaker 2: And then there's three judges and then they basically pick

588
00:30:26,921 --> 00:30:30,761
Speaker 2: a winner from each of the episodes, and then there's

589
00:30:30,761 --> 00:30:33,761
Speaker 2: a big grand finale and then the winner has their

590
00:30:33,801 --> 00:30:36,081
Speaker 2: portrait hung in the National Gallery of Canberra.

591
00:30:36,401 --> 00:30:37,681
Speaker 1: Oh I love that.

592
00:30:37,881 --> 00:30:40,641
Speaker 2: So I'm really keen to go and see see because

593
00:30:40,641 --> 00:30:44,721
Speaker 2: I'm prittish, I'm pretty sure. Yeah, the win outlook spoilers spoilers,

594
00:30:44,761 --> 00:30:46,801
Speaker 2: I mean the show's been out for ages. The winner

595
00:30:46,921 --> 00:30:49,321
Speaker 2: Jenny Oh, she was one of my favorites on the show,

596
00:30:49,401 --> 00:30:51,721
Speaker 2: and I'm just like god, they were all very deserving,

597
00:30:52,001 --> 00:30:54,361
Speaker 2: but she has this beautiful older lady who just sort

598
00:30:54,361 --> 00:30:57,881
Speaker 2: of you'll see. I'm pretty confident Kylie Kwong was the

599
00:30:57,961 --> 00:31:01,841
Speaker 2: last person they paint, and I think Kylie's goes into

600
00:31:02,121 --> 00:31:03,921
Speaker 2: the National Gallery. So I want to take you in

601
00:31:03,921 --> 00:31:04,361
Speaker 2: and have a look.

602
00:31:04,401 --> 00:31:05,441
Speaker 1: Can't wait now.

603
00:31:05,961 --> 00:31:08,721
Speaker 2: I just love the show because I'm not a fan

604
00:31:08,801 --> 00:31:11,161
Speaker 2: of reality and reality competition shows.

605
00:31:11,481 --> 00:31:13,681
Speaker 1: How are we friends? I don't understand how we can

606
00:31:13,721 --> 00:31:16,201
Speaker 1: possibly be friends if you don't like reality TV.

607
00:31:17,441 --> 00:31:20,481
Speaker 2: Okay, well you can stop you there. We're not friends.

608
00:31:20,881 --> 00:31:24,681
Speaker 2: We're co workers who host a podcast together and then

609
00:31:24,961 --> 00:31:27,321
Speaker 2: never speak to each other in between recording session. We

610
00:31:27,481 --> 00:31:29,561
Speaker 2: like that. Well that's what gives us the content.

611
00:31:29,681 --> 00:31:34,921
Speaker 1: Now do that they're friends? No, they're not, aren't They

612
00:31:35,001 --> 00:31:38,321
Speaker 1: know they're not. They don't have any content. We're Roy

613
00:31:38,361 --> 00:31:41,801
Speaker 1: and HG. I hate Mischon Andy. Not quite sure, but

614
00:31:41,921 --> 00:31:44,961
Speaker 1: Roy and HG will not have any interaction with each

615
00:31:45,001 --> 00:31:46,761
Speaker 1: other only when they're on air.

616
00:31:47,281 --> 00:31:50,681
Speaker 2: Really you save it, you save all that content. Otherwise

617
00:31:50,721 --> 00:31:52,881
Speaker 2: you're talking about it and then you come back to

618
00:31:52,921 --> 00:31:55,200
Speaker 2: do a show and you're like, we've already spoken about this,

619
00:31:55,761 --> 00:31:57,001
Speaker 2: so you lose the authenticity.

620
00:31:57,081 --> 00:31:58,201
Speaker 3: I totally agree there.

621
00:31:58,641 --> 00:32:00,641
Speaker 2: I had a big arts I still got a big

622
00:32:00,721 --> 00:32:03,201
Speaker 2: arts family, and so that's why I loved this show

623
00:32:03,321 --> 00:32:06,561
Speaker 2: so much. And the feedback that the judges would give

624
00:32:06,641 --> 00:32:08,961
Speaker 2: was very constructive. It wasn't there was no drama.

625
00:32:09,361 --> 00:32:12,240
Speaker 1: It wasn't like master Chef wasn't picking it apart, no

626
00:32:12,601 --> 00:32:13,321
Speaker 1: rush technique.

627
00:32:13,361 --> 00:32:16,000
Speaker 2: No. But when there was something obviously bad or they

628
00:32:16,001 --> 00:32:17,721
Speaker 2: did pick up on it, well, they would point it out.

629
00:32:17,761 --> 00:32:18,401
Speaker 1: I couldn't not.

630
00:32:18,521 --> 00:32:21,161
Speaker 2: It's blindingly like in a few of them. There were

631
00:32:21,201 --> 00:32:23,161
Speaker 2: some things that I was like, oh, that's a bit

632
00:32:23,721 --> 00:32:26,121
Speaker 2: so and so, and the judges they politely.

633
00:32:26,881 --> 00:32:29,361
Speaker 1: So what kind of credentials do the judges have?

634
00:32:30,161 --> 00:32:33,681
Speaker 2: One is an associate professor. Robert Wellington was there an associate

635
00:32:33,601 --> 00:32:38,041
Speaker 2: professor of art history a and U Australian National University.

636
00:32:38,121 --> 00:32:42,440
Speaker 2: Big Dick there the head of the National Curator of

637
00:32:42,481 --> 00:32:46,161
Speaker 2: the National Gallery. As an artist and a proper artist,

638
00:32:46,601 --> 00:32:49,441
Speaker 2: so they gave really great feedback, which.

639
00:32:49,201 --> 00:32:51,361
Speaker 1: You would listen to if it's coming from someone like that.

640
00:32:51,521 --> 00:32:54,201
Speaker 2: Yeah, necessarily, but it's constructive. It's like, well, they need

641
00:32:54,201 --> 00:32:57,521
Speaker 2: to walk on their proportions and you know someone.

642
00:32:57,801 --> 00:32:59,681
Speaker 1: I might have to watch one before we go, and

643
00:33:00,161 --> 00:33:01,321
Speaker 1: it will squeeze one in.

644
00:33:01,521 --> 00:33:06,481
Speaker 2: I had this idea where I want us to go

645
00:33:06,841 --> 00:33:09,721
Speaker 2: and have a look and be inspired by and then

646
00:33:09,841 --> 00:33:16,321
Speaker 2: come back and we paint each other's portrait. And then

647
00:33:17,361 --> 00:33:19,521
Speaker 2: this was and then I was like, do you know what,

648
00:33:19,561 --> 00:33:22,801
Speaker 2: it'd be even better. Why don't we get one of

649
00:33:22,841 --> 00:33:27,240
Speaker 2: the judges from the portrait Artists of the Year to

650
00:33:27,401 --> 00:33:29,280
Speaker 2: judge our works.

651
00:33:29,321 --> 00:33:30,801
Speaker 1: What you've been in contact with them?

652
00:33:30,961 --> 00:33:31,281
Speaker 2: I have?

653
00:33:31,721 --> 00:33:34,281
Speaker 1: You're joking you've gone and wrung them or no?

654
00:33:35,161 --> 00:33:37,761
Speaker 2: I said, would this be something that you would be

655
00:33:37,801 --> 00:33:38,281
Speaker 2: interested in?

656
00:33:38,361 --> 00:33:40,960
Speaker 1: You're not giving me any notice to practice my skills.

657
00:33:41,001 --> 00:33:43,001
Speaker 2: Oh, I don't have any skills in this. I was

658
00:33:43,001 --> 00:33:45,760
Speaker 2: really hoping you'd seen the show. It's not necessarily about

659
00:33:45,921 --> 00:33:50,881
Speaker 2: creating a photographic image. It's putting. It's putting the essence

660
00:33:50,921 --> 00:33:54,200
Speaker 2: of the person in the portrait. Now we'll go to

661
00:33:54,281 --> 00:33:56,241
Speaker 2: the National Gallery. We're going to have a wander through.

662
00:33:56,321 --> 00:34:01,001
Speaker 2: We'll have a look and I'm also taking us tonight

663
00:34:01,641 --> 00:34:05,961
Speaker 2: to go to a splash room. Splash so it's where

664
00:34:06,001 --> 00:34:08,321
Speaker 2: you put a canvas on the wall and you basically

665
00:34:08,361 --> 00:34:10,801
Speaker 2: just throw different colored paints at it. So we're going

666
00:34:10,841 --> 00:34:13,041
Speaker 2: to go and sort of immerse ourselves in a bit

667
00:34:13,041 --> 00:34:16,041
Speaker 2: of art, bit of creativity. And I thought maybe what

668
00:34:16,081 --> 00:34:18,481
Speaker 2: we could do is with our finished canvases that is

669
00:34:18,481 --> 00:34:21,401
Speaker 2: the backdrop of our portraits, so then.

670
00:34:21,281 --> 00:34:26,121
Speaker 1: We at the top. This idea is fantastic. I'm all

671
00:34:26,161 --> 00:34:28,561
Speaker 1: in so I'm hearing a butt though.

672
00:34:28,681 --> 00:34:29,721
Speaker 2: Yep, there is a bit of a butt.

673
00:34:29,761 --> 00:34:33,121
Speaker 1: Of course, there is always is the what level of

674
00:34:33,161 --> 00:34:34,121
Speaker 1: But are we no?

675
00:34:33,961 --> 00:34:34,001
Speaker 2: No?

676
00:34:34,241 --> 00:34:35,641
Speaker 1: Look all good?

677
00:34:35,761 --> 00:34:40,801
Speaker 2: Everything going well. I was unable to secure the judges. Yeah, surprise,

678
00:34:41,561 --> 00:34:44,321
Speaker 2: they were very lovely. I got in contact with one.

679
00:34:44,841 --> 00:34:49,921
Speaker 2: It was very very lovely, very very busy. Love the idea,

680
00:34:50,281 --> 00:34:51,001
Speaker 2: but said.

681
00:34:51,241 --> 00:34:54,201
Speaker 3: Due to busyness of life, travel travel.

682
00:34:56,041 --> 00:34:59,281
Speaker 2: Well, the curator of I thought maybe we could take

683
00:34:59,481 --> 00:35:02,641
Speaker 2: our portraits once finished to the gallery.

684
00:35:03,161 --> 00:35:07,641
Speaker 1: Oh, just under our arms and holding it like a kindergarten. Well,

685
00:35:07,721 --> 00:35:10,281
Speaker 1: I thought, were an award up front? Here we are

686
00:35:10,401 --> 00:35:15,961
Speaker 1: are costing a costing. Yeah, the one defined a costing

687
00:35:16,161 --> 00:35:21,761
Speaker 1: costing a costing like running at you give us feedback,

688
00:35:22,561 --> 00:35:23,561
Speaker 1: like me, like me, like me.

689
00:35:23,801 --> 00:35:28,401
Speaker 2: Yeah, alternatively, we are so close to Parliament House and

690
00:35:28,481 --> 00:35:32,761
Speaker 2: Parliament is sitting, and Parliament hang portraits of people. Of

691
00:35:32,801 --> 00:35:35,041
Speaker 2: course they do, and so they they give a lot

692
00:35:35,041 --> 00:35:37,561
Speaker 2: of feedback. They see a lot of portraits. Just standing

693
00:35:37,561 --> 00:35:39,321
Speaker 2: out the front of Parliament House trying to find a p.

694
00:35:39,561 --> 00:35:42,561
Speaker 1: As they drive in. We stand there without all.

695
00:35:42,481 --> 00:35:44,481
Speaker 2: We do because obviously they don't want us to be

696
00:35:44,521 --> 00:35:46,001
Speaker 2: asking them any political based.

697
00:35:45,761 --> 00:35:48,601
Speaker 1: Questions and do you know any questions to ask?

698
00:35:48,681 --> 00:35:52,681
Speaker 2: So no, not that I'm not that I'd have enough

699
00:35:52,721 --> 00:35:54,601
Speaker 2: knowledge to go into a debate with right.

700
00:35:56,681 --> 00:35:56,961
Speaker 1: Do it?

701
00:35:57,721 --> 00:36:01,041
Speaker 2: Yeah, Prime minister, Prime minister, what are you doing about

702
00:36:01,041 --> 00:36:04,761
Speaker 2: the housing? Like? I don't know anyways, I just want

703
00:36:04,761 --> 00:36:06,681
Speaker 2: to go. I mean, it's the Prime minister, what do

704
00:36:06,721 --> 00:36:10,121
Speaker 2: you think of this portrait of Chrissy? And then secured?

705
00:36:11,401 --> 00:36:11,921
Speaker 1: Well, that's it.

706
00:36:12,601 --> 00:36:14,761
Speaker 3: The likelihood of them doing that is but I think.

707
00:36:14,601 --> 00:36:16,641
Speaker 2: They go through a car park in a back entrance

708
00:36:16,681 --> 00:36:20,961
Speaker 2: anywhere do they come across they do they go like, yeah, yeah,

709
00:36:21,081 --> 00:36:22,641
Speaker 2: I don't know how Yeah, we have.

710
00:36:22,601 --> 00:36:24,361
Speaker 1: To go and do some intel find out. Not that

711
00:36:24,361 --> 00:36:26,801
Speaker 1: we're going to do anything stupid. No, we wouldn't be

712
00:36:26,841 --> 00:36:27,561
Speaker 1: doing anything like that.

713
00:36:28,121 --> 00:36:31,601
Speaker 2: I'm really looking forward to painting the essence of Chrissy

714
00:36:32,281 --> 00:36:35,241
Speaker 2: and I'm really curious to see how you're going to

715
00:36:35,241 --> 00:36:38,361
Speaker 2: paint the essence of Christian whole. So we're going to

716
00:36:38,441 --> 00:36:40,841
Speaker 2: go and we're going to do a smashroom and then

717
00:36:40,881 --> 00:36:43,001
Speaker 2: we're going to go to the National Gallery and then

718
00:36:43,001 --> 00:36:45,881
Speaker 2: we're going to sit down. Am I going to paint

719
00:36:45,921 --> 00:36:46,361
Speaker 2: each other?

720
00:36:46,721 --> 00:36:48,401
Speaker 3: I can't wait to see what this turns out to

721
00:36:48,441 --> 00:36:48,761
Speaker 3: look like.

722
00:36:48,961 --> 00:36:50,121
Speaker 2: Do you have any artistics skill?

723
00:36:50,361 --> 00:36:52,801
Speaker 1: Oh? Absolutely not?

724
00:36:53,201 --> 00:36:54,521
Speaker 2: No, okay, great?

725
00:36:57,081 --> 00:37:02,121
Speaker 4: On the next we will always have okay, oh here

726
00:37:02,161 --> 00:37:07,161
Speaker 4: we go, perfect progression that

727
00:37:15,321 --> 00:37:20,281
Speaker 2: Okay, okay, so listen to that up, no product or

728
00:37:20,881 --> 00:37:22,481
Speaker 2: did change, just go everywhere