1 00:00:00,920 --> 00:00:04,800 Speaker 1: We now lean into a show that we have become 2 00:00:04,840 --> 00:00:07,320 Speaker 1: addicted to over the last few years. Married at First 3 00:00:07,360 --> 00:00:08,319 Speaker 1: Sight is back tonight. 4 00:00:08,320 --> 00:00:08,840 Speaker 2: I can't wait. 5 00:00:08,960 --> 00:00:11,080 Speaker 1: I mean, first episode is always the big one. Is 6 00:00:11,119 --> 00:00:14,000 Speaker 1: there going to be What are the first impressions going 7 00:00:14,040 --> 00:00:17,840 Speaker 1: to be? Can you see that chemistry in the air 8 00:00:17,920 --> 00:00:19,960 Speaker 1: from the first time that they see each other. One 9 00:00:20,079 --> 00:00:23,800 Speaker 1: lady involved, the sexologist on the show is Alessandra there. 10 00:00:24,239 --> 00:00:28,280 Speaker 3: Hello, good morning, wonderful to see your face. Good to 11 00:00:28,320 --> 00:00:34,720 Speaker 3: see you guys too. I don't know you miss female person. 12 00:00:36,680 --> 00:00:40,720 Speaker 2: Sarah, Sarah the lucky one between us beauties. 13 00:00:40,840 --> 00:00:42,080 Speaker 3: Yes, yes, she is. 14 00:00:42,040 --> 00:00:46,800 Speaker 1: The rose between the two thorns, and. 15 00:00:45,360 --> 00:00:46,879 Speaker 3: I can see that very clearly. 16 00:00:47,040 --> 00:00:53,240 Speaker 2: What roses and one thorn. I'm quite beautiful myself like Sarah, 17 00:00:53,240 --> 00:00:54,280 Speaker 2: and obviously you're. 18 00:00:54,160 --> 00:00:57,200 Speaker 3: A bit of a I would say three thorny roses. 19 00:00:58,080 --> 00:01:04,759 Speaker 1: Guess it's so good to have you back on the show. 20 00:01:04,920 --> 00:01:06,640 Speaker 1: We've had a couple of chats to you before. Are 21 00:01:06,640 --> 00:01:08,640 Speaker 1: you still in Australia now leading up to the show 22 00:01:08,680 --> 00:01:09,800 Speaker 1: or where are you Alessandra? 23 00:01:10,840 --> 00:01:13,720 Speaker 3: I'm leading up to the show. Still in Australia? I 24 00:01:13,760 --> 00:01:15,440 Speaker 3: think this mate? Yeah? 25 00:01:16,280 --> 00:01:20,039 Speaker 1: Can I can? I also, can I apologize to you 26 00:01:20,120 --> 00:01:21,959 Speaker 1: on behalf of this great nation. 27 00:01:22,240 --> 00:01:24,080 Speaker 2: What have you done that you had to go through? 28 00:01:24,200 --> 00:01:27,640 Speaker 1: Last year? A man in a skivy by the name 29 00:01:27,680 --> 00:01:30,840 Speaker 1: of James, James who calls himself an entrepreneur, who was 30 00:01:30,920 --> 00:01:33,759 Speaker 1: on the show to Find Love. There was that such 31 00:01:33,800 --> 00:01:37,479 Speaker 1: an auto moment where you were trying to get him 32 00:01:37,480 --> 00:01:39,800 Speaker 1: and his partner to work it out, and he said 33 00:01:39,800 --> 00:01:42,360 Speaker 1: that he had a crush on you. We thought that 34 00:01:42,400 --> 00:01:45,600 Speaker 1: you handled that very well, Alessandra, but that must have thrown. 35 00:01:45,360 --> 00:01:48,320 Speaker 3: You a little bit. Thank you it did you know? 36 00:01:48,360 --> 00:01:51,200 Speaker 3: I had just started with the show and I for 37 00:01:51,200 --> 00:01:53,639 Speaker 3: a second I thought, is this for real? Is a kidding? 38 00:01:53,680 --> 00:01:55,720 Speaker 3: Do I react? What do I do? Are recording? Is 39 00:01:55,760 --> 00:01:58,160 Speaker 3: this part of it? Like I wasn't Yeah, sure, and 40 00:01:58,440 --> 00:02:01,080 Speaker 3: yeah I wasn't thrilled with it. I that it was clearly, 41 00:02:01,120 --> 00:02:05,160 Speaker 3: like I said at the time, disrespectful to his partner 42 00:02:05,200 --> 00:02:08,480 Speaker 3: at the time. But yeah, I think I don't know. 43 00:02:08,560 --> 00:02:09,400 Speaker 3: I still don't know. 44 00:02:10,880 --> 00:02:13,560 Speaker 2: He's known what we use here in Australia as a 45 00:02:13,639 --> 00:02:16,200 Speaker 2: national disgrace. That's a term we would news. Another one 46 00:02:16,360 --> 00:02:19,240 Speaker 2: is tool and we offered to buy him a one 47 00:02:19,240 --> 00:02:22,000 Speaker 2: way ticket out of here. Unfortunately, he's still hid in 48 00:02:22,040 --> 00:02:24,000 Speaker 2: this country, so we apologize again. 49 00:02:24,000 --> 00:02:26,120 Speaker 3: Can I ask you see thorn. 50 00:02:27,600 --> 00:02:31,440 Speaker 2: When it comes to dating and I suppose meeting the 51 00:02:31,520 --> 00:02:34,720 Speaker 2: right person these days. I remember back in the day, 52 00:02:34,840 --> 00:02:36,560 Speaker 2: I was out for dinner with a mate and there 53 00:02:36,600 --> 00:02:38,880 Speaker 2: was this girl there who was very beautiful, and he 54 00:02:38,960 --> 00:02:42,440 Speaker 2: turned to her and he said, you have the most 55 00:02:42,480 --> 00:02:45,880 Speaker 2: beautiful eyes. And she was really moved by that moment. 56 00:02:46,200 --> 00:02:49,440 Speaker 2: And I remember sitting back thinking, I just don't like 57 00:02:49,560 --> 00:02:54,000 Speaker 2: how she's fallen for this simple, well known, common line 58 00:02:54,639 --> 00:02:57,560 Speaker 2: of you've got beautiful eyes, So keep it base In 59 00:02:57,639 --> 00:03:00,280 Speaker 2: twenty twenty two, though, does that still work? 60 00:03:02,240 --> 00:03:05,360 Speaker 3: It depends on I think. So. Compliments are always going 61 00:03:05,440 --> 00:03:08,080 Speaker 3: to be helpful. I think the delivery is a big 62 00:03:08,120 --> 00:03:11,080 Speaker 3: part of it because some compliments, as you said, are yes, 63 00:03:11,240 --> 00:03:13,560 Speaker 3: very well known. You could think that, you know, it's 64 00:03:13,639 --> 00:03:17,240 Speaker 3: just one of those lines that everybody uses. But if 65 00:03:17,280 --> 00:03:19,880 Speaker 3: you say it with intent, if you've been connecting, if 66 00:03:19,880 --> 00:03:22,760 Speaker 3: you've been flirting, if you notice that he has actually 67 00:03:22,800 --> 00:03:26,040 Speaker 3: been looking at you, sure, and if you maybe turn 68 00:03:26,080 --> 00:03:28,520 Speaker 3: around quickly and ask what color are my eyes and 69 00:03:28,520 --> 00:03:32,520 Speaker 3: he can actually answer, maybe there's something there. People like 70 00:03:32,600 --> 00:03:36,040 Speaker 3: to feel. People actually really do want to feel complimented, 71 00:03:36,080 --> 00:03:37,800 Speaker 3: and they want to feel desired, and they want to 72 00:03:37,800 --> 00:03:40,680 Speaker 3: make sure that the person that they're going to interact 73 00:03:40,680 --> 00:03:43,440 Speaker 3: with and perhaps get to know in a romantic way 74 00:03:43,680 --> 00:03:46,520 Speaker 3: is really into them. So whether it's eyes, because a 75 00:03:46,600 --> 00:03:49,720 Speaker 3: lot of people do find eyes very attractive and you 76 00:03:49,760 --> 00:03:52,400 Speaker 3: know there you connect through eyes, So there's something to 77 00:03:52,520 --> 00:03:54,080 Speaker 3: that engaging. 78 00:03:54,200 --> 00:03:57,360 Speaker 4: But why do you stand on rtical correctness because obviously, 79 00:03:57,680 --> 00:04:00,640 Speaker 4: you know they say men would be so Friday, I 80 00:04:00,680 --> 00:04:04,400 Speaker 4: would think to comment on a woman even complementary, yeah, 81 00:04:04,440 --> 00:04:07,000 Speaker 4: about their appearance. So in that moment where you're trying 82 00:04:07,000 --> 00:04:10,280 Speaker 4: to engage someone and you're thinking, if I compliment them, 83 00:04:10,320 --> 00:04:12,680 Speaker 4: does that come across as slazy or you know, in 84 00:04:12,720 --> 00:04:14,360 Speaker 4: twenty twenty two, you're just not allowed. 85 00:04:14,080 --> 00:04:19,080 Speaker 3: To absolutely, I think it depends specific on what you're 86 00:04:19,160 --> 00:04:21,960 Speaker 3: talking about. If you're going to refer to somebody's body, 87 00:04:22,080 --> 00:04:25,280 Speaker 3: it's different, I think in terms of you know, neck down, 88 00:04:25,760 --> 00:04:29,600 Speaker 3: you know, boobs, but that kind of thing, body shape, 89 00:04:29,600 --> 00:04:32,960 Speaker 3: anything like that, I think not really, But I think 90 00:04:33,000 --> 00:04:35,600 Speaker 3: it depends on the type of flirting going on. And 91 00:04:35,640 --> 00:04:38,240 Speaker 3: if there's something very like I think many men would 92 00:04:38,240 --> 00:04:42,479 Speaker 3: find very attractive and would be would take well a 93 00:04:42,520 --> 00:04:45,440 Speaker 3: woman to compliment them if they think that they're attractive, 94 00:04:45,520 --> 00:04:47,760 Speaker 3: or you have beautiful hands, or a lot of great smile, 95 00:04:47,920 --> 00:04:52,440 Speaker 3: something like that probably goes over well. But I do 96 00:04:52,480 --> 00:04:56,279 Speaker 3: think it depends on the tone the type of conversation 97 00:04:56,400 --> 00:04:59,520 Speaker 3: that is being had. If that's if you're only noticing 98 00:04:59,520 --> 00:05:03,880 Speaker 3: and only complimenting somebody's external physical appearance, I think that's 99 00:05:04,200 --> 00:05:07,080 Speaker 3: very lame. You have to go deeper than that. It's 100 00:05:07,160 --> 00:05:11,920 Speaker 3: always better to compliment somebody's you know, charm or intelligence 101 00:05:12,120 --> 00:05:15,320 Speaker 3: or wit or other things that make that person interesting. 102 00:05:15,680 --> 00:05:18,240 Speaker 3: But I don't think there's anything wrong with also adding 103 00:05:18,240 --> 00:05:21,000 Speaker 3: in if you happen to really find something attractive about 104 00:05:21,040 --> 00:05:24,480 Speaker 3: that person physically, and you're not being creepy about it, 105 00:05:24,560 --> 00:05:27,839 Speaker 3: because tone is everything and context is everything, then I 106 00:05:27,839 --> 00:05:28,560 Speaker 3: think it's okay. 107 00:05:28,839 --> 00:05:30,920 Speaker 1: Can we talk about love at first sight? Because I 108 00:05:30,960 --> 00:05:33,320 Speaker 1: had it with my wife and I watched my wife, 109 00:05:33,520 --> 00:05:36,200 Speaker 1: I mean for weeks and weeks, and the stalking charge 110 00:05:36,240 --> 00:05:38,320 Speaker 1: I had to get over that before I could actually get. 111 00:05:38,200 --> 00:05:39,880 Speaker 2: To her once that was removed. 112 00:05:40,000 --> 00:05:42,320 Speaker 1: But what I mean Alessandra. I saw her at a 113 00:05:42,800 --> 00:05:44,920 Speaker 1: bar right and she was with her friends on the 114 00:05:45,040 --> 00:05:48,080 Speaker 1: dance floor, and she caught my eye and I watched 115 00:05:48,160 --> 00:05:50,760 Speaker 1: how she interacted with her friends and I watched how 116 00:05:50,839 --> 00:05:53,600 Speaker 1: good a time she was having, and you know, there 117 00:05:53,640 --> 00:05:55,640 Speaker 1: was just a moment where I went, oh, my gosh, 118 00:05:55,760 --> 00:05:57,440 Speaker 1: this girl. I want to spend the rest of my 119 00:05:57,520 --> 00:06:00,480 Speaker 1: life with her. Straight away. I'm married at first site. 120 00:06:00,560 --> 00:06:04,359 Speaker 1: The first episode is so important because we watch that 121 00:06:04,560 --> 00:06:07,240 Speaker 1: when they walk down that aisle and their eyes meet 122 00:06:07,320 --> 00:06:10,640 Speaker 1: for the very first time. I think every Australian goes, 123 00:06:11,040 --> 00:06:13,800 Speaker 1: we can, we can, we can have We've got a 124 00:06:13,800 --> 00:06:16,600 Speaker 1: pretty good idea if this relationship is going to work. 125 00:06:16,600 --> 00:06:17,520 Speaker 2: You judge it very quickly. 126 00:06:17,640 --> 00:06:19,640 Speaker 1: I want to ask you. I know, and I know 127 00:06:19,720 --> 00:06:23,159 Speaker 1: the physical side of things is not everything, Alessandra, but 128 00:06:23,240 --> 00:06:26,279 Speaker 1: I'm married at first sight? Do you? And I think 129 00:06:26,320 --> 00:06:28,240 Speaker 1: one of your pieces of advice is you've just got 130 00:06:28,240 --> 00:06:31,240 Speaker 1: to try to let this relationship work because you may 131 00:06:31,360 --> 00:06:34,000 Speaker 1: fall in love with the personality of that person. But 132 00:06:34,480 --> 00:06:36,120 Speaker 1: I feel like there's a lot of people that go 133 00:06:36,200 --> 00:06:38,920 Speaker 1: on this show. If they don't get what they want 134 00:06:39,080 --> 00:06:42,719 Speaker 1: in that first impression, then they spit the dummy and 135 00:06:42,760 --> 00:06:44,720 Speaker 1: go I don't want to be a part of this experiment. 136 00:06:45,800 --> 00:06:49,440 Speaker 3: Yes, I think the expectation level is something that really 137 00:06:49,520 --> 00:06:51,159 Speaker 3: needs to be looked at, and I think people go 138 00:06:51,279 --> 00:06:54,080 Speaker 3: into it expecting that fairy tale what you describe having 139 00:06:54,120 --> 00:06:57,600 Speaker 3: with your way for you that initial attraction, you mentioned 140 00:06:57,600 --> 00:07:00,120 Speaker 3: something really interesting. You said, you like the way she 141 00:07:00,279 --> 00:07:02,400 Speaker 3: was having a great time. So there was something about 142 00:07:02,440 --> 00:07:05,600 Speaker 3: her spirit, her personality, the way she carried herself. It 143 00:07:05,640 --> 00:07:08,280 Speaker 3: wasn't oh, she has great boobs, she's so hot. There 144 00:07:08,320 --> 00:07:11,600 Speaker 3: was something about her the human and how she interacted 145 00:07:11,600 --> 00:07:15,760 Speaker 3: that really caught your attention. And I think that happens sometimes. 146 00:07:15,760 --> 00:07:17,600 Speaker 3: Of course it happened to you. A lot of people 147 00:07:17,680 --> 00:07:20,960 Speaker 3: have similar stories. Most people fall in love once they've 148 00:07:20,960 --> 00:07:24,040 Speaker 3: gotten to know the person. Oftentimes you have friendships that 149 00:07:24,120 --> 00:07:27,000 Speaker 3: turn one good day, something changes and you see them 150 00:07:27,000 --> 00:07:30,360 Speaker 3: in a different light and something is sparked. So I 151 00:07:30,400 --> 00:07:36,760 Speaker 3: think with the experiment, there's yes, there's just all this expectations. 152 00:07:36,760 --> 00:07:39,200 Speaker 3: You've never seen them, you don't know anything about them. 153 00:07:39,240 --> 00:07:40,840 Speaker 3: You don't know their name, you don't know their profession. 154 00:07:40,920 --> 00:07:43,160 Speaker 3: There's just nothing to hold on to. So the first 155 00:07:43,160 --> 00:07:44,920 Speaker 3: thing that's either going to catch your eye or not 156 00:07:45,640 --> 00:07:48,200 Speaker 3: is whether or not you find that person either attractive 157 00:07:48,320 --> 00:07:52,200 Speaker 3: or even kind like good eyes, they look at me kindly, 158 00:07:52,280 --> 00:07:55,880 Speaker 3: they have a nice, warm smile. You know, they seem 159 00:07:55,960 --> 00:07:58,640 Speaker 3: like somebody who's open and happy to be there and 160 00:07:58,640 --> 00:08:01,400 Speaker 3: happy to see me, and all those things also reflect 161 00:08:01,440 --> 00:08:04,080 Speaker 3: back on the person, so I think for the experiment 162 00:08:04,120 --> 00:08:07,760 Speaker 3: in particular, that's heightened. And of course, because all the 163 00:08:07,800 --> 00:08:10,360 Speaker 3: participants have been unlucky in love in the past and 164 00:08:10,400 --> 00:08:15,120 Speaker 3: they're now in this very particular experience that they've chosen 165 00:08:15,160 --> 00:08:19,400 Speaker 3: to go on, they revert back oftentimes to what's known 166 00:08:19,520 --> 00:08:22,160 Speaker 3: and what's known as their past experiences, and in that 167 00:08:22,440 --> 00:08:24,360 Speaker 3: and all that bad choosing they did in the past, 168 00:08:24,400 --> 00:08:27,200 Speaker 3: they probably had a lot of physical attraction. So they 169 00:08:27,440 --> 00:08:29,920 Speaker 3: revert back to that. And you'll see that in the 170 00:08:30,000 --> 00:08:32,920 Speaker 3: series last year that happened, and certainly for this new 171 00:08:32,960 --> 00:08:38,040 Speaker 3: season us as expert Meilt John and I always go 172 00:08:38,160 --> 00:08:41,080 Speaker 3: back to give this person a chance, give the situation, 173 00:08:42,040 --> 00:08:45,400 Speaker 3: try to get to know, take things a little slower, 174 00:08:45,559 --> 00:08:47,960 Speaker 3: maybe don't rush into even if there is that initial 175 00:08:47,960 --> 00:08:51,200 Speaker 3: physical attraction, that can also lead to trouble if you're 176 00:08:51,240 --> 00:08:54,440 Speaker 3: not really sure the person that you're being intimate with 177 00:08:54,600 --> 00:08:56,000 Speaker 3: or you going to get to know. 178 00:08:56,120 --> 00:08:59,920 Speaker 2: Alessandra, one person I'm slightly concerned about, and that is Andrew. 179 00:09:00,160 --> 00:09:02,600 Speaker 2: Andrew is from New South Wales, which is great news. 180 00:09:02,600 --> 00:09:03,800 Speaker 2: Andrew has got a big flower on. 181 00:09:05,160 --> 00:09:05,640 Speaker 1: We haven't met. 182 00:09:05,720 --> 00:09:09,280 Speaker 2: No, So this thing is he's thirty nine years old 183 00:09:09,440 --> 00:09:13,120 Speaker 2: and he is a motivational speaker. Now's Texan. 184 00:09:13,200 --> 00:09:15,680 Speaker 3: He lives in New South Wales, but he's from the US, right, 185 00:09:15,800 --> 00:09:16,480 Speaker 3: so he's Texan. 186 00:09:16,520 --> 00:09:19,440 Speaker 2: But as a motivational speaking Texan, I would say he 187 00:09:19,480 --> 00:09:22,040 Speaker 2: could be quite dominating, quite solid in his words, know 188 00:09:22,120 --> 00:09:24,439 Speaker 2: exactly what he's saying. And all right, we're going to 189 00:09:24,480 --> 00:09:26,920 Speaker 2: wake up this morning. We need to think about this. Guys. Now, 190 00:09:26,920 --> 00:09:28,480 Speaker 2: I need you get the best out of the day. 191 00:09:30,559 --> 00:09:32,280 Speaker 2: Hug me a little bit harder. Now, you can do 192 00:09:32,360 --> 00:09:35,680 Speaker 2: better than that. I mean, he's the motivational guy. It 193 00:09:35,760 --> 00:09:39,560 Speaker 2: could be quite hard to date someone like that, it 194 00:09:39,679 --> 00:09:40,160 Speaker 2: could be. 195 00:09:40,320 --> 00:09:43,120 Speaker 3: And maybe he is exactly what you described and maybe 196 00:09:43,200 --> 00:09:45,720 Speaker 3: you'll be surprised that he's completely different. And that's I 197 00:09:45,760 --> 00:09:48,520 Speaker 3: think part of the magic of the show. We have 198 00:09:48,840 --> 00:09:52,720 Speaker 3: these profiles or these ideas of what a profession or 199 00:09:52,880 --> 00:09:55,760 Speaker 3: you know, something about somebody's appearance means about how they act, 200 00:09:55,880 --> 00:10:00,360 Speaker 3: and oftentimes nothing to do with it. So no, I 201 00:10:00,400 --> 00:10:03,400 Speaker 3: think it's it's it's interesting. I think that that's an 202 00:10:03,400 --> 00:10:05,920 Speaker 3: easy thing to think. Last year, we think about Jake 203 00:10:06,000 --> 00:10:08,600 Speaker 3: for instance, we also did a lot of motivational speaking, 204 00:10:08,720 --> 00:10:13,760 Speaker 3: and wasn't the mental health a realm working in that, 205 00:10:14,040 --> 00:10:18,439 Speaker 3: And he wasn't necessarily the most motivational speaker as a personality. 206 00:10:18,480 --> 00:10:21,000 Speaker 3: So I think you just have to see go through 207 00:10:21,000 --> 00:10:24,080 Speaker 3: them on the right, and also the particularities of the 208 00:10:24,160 --> 00:10:30,120 Speaker 3: experiments I think bring about just real behavioral reactions of 209 00:10:30,160 --> 00:10:34,079 Speaker 3: the human you know, more so than whatever profession or 210 00:10:34,679 --> 00:10:36,760 Speaker 3: description can give you. You really have to go on. 211 00:10:38,000 --> 00:10:40,600 Speaker 4: Well, speaking of last year, Bryce and Melissa, so they've 212 00:10:40,640 --> 00:10:44,800 Speaker 4: had their twins, they're now getting married, did you genuinely? 213 00:10:44,880 --> 00:10:47,040 Speaker 4: I mean we all saw what was unfolding, and then 214 00:10:47,080 --> 00:10:49,200 Speaker 4: we had them at a at a dinner party, and 215 00:10:49,240 --> 00:10:51,600 Speaker 4: they said, you know Melissia in particular, I said, oh, no, 216 00:10:51,720 --> 00:10:53,840 Speaker 4: I played you all. You all thought I was this, 217 00:10:54,000 --> 00:10:57,080 Speaker 4: and actually I was on board the whole time. Was 218 00:10:57,120 --> 00:10:59,800 Speaker 4: that your take it? You're surprised that their relationship is 219 00:10:59,800 --> 00:11:01,040 Speaker 4: where it's at now. 220 00:11:02,000 --> 00:11:04,880 Speaker 3: Well from what I saw playing out, yes, I was surprised. 221 00:11:05,760 --> 00:11:08,200 Speaker 3: I helped in matching them, so I could see of 222 00:11:08,280 --> 00:11:10,760 Speaker 3: course that I thought that they would work as a couple. 223 00:11:11,200 --> 00:11:13,960 Speaker 3: But going through the experience of watching their behavior, and 224 00:11:14,000 --> 00:11:16,960 Speaker 3: you have to remember that We only see them when 225 00:11:17,000 --> 00:11:19,160 Speaker 3: we observe the dinner parties and then when we speak 226 00:11:19,200 --> 00:11:22,120 Speaker 3: to them at the commitment ceremonies. When the audience watches 227 00:11:22,200 --> 00:11:24,760 Speaker 3: the show, they've been watching all week, what's been going on, 228 00:11:24,880 --> 00:11:27,760 Speaker 3: we haven't seen that. So what I was able to 229 00:11:27,760 --> 00:11:30,520 Speaker 3: see of their relationship is what they showed and brought. 230 00:11:30,600 --> 00:11:33,120 Speaker 3: So I take it at face value, and I did 231 00:11:33,160 --> 00:11:36,040 Speaker 3: not think it would last because that kind of dynamic 232 00:11:36,120 --> 00:11:40,240 Speaker 3: that they were portraying is not healthy, clearly. But if 233 00:11:40,280 --> 00:11:43,760 Speaker 3: they were playing, if they were doing a strategy behind it, 234 00:11:44,240 --> 00:11:50,040 Speaker 3: that's but their choice. But I'm happy for them, and 235 00:11:50,200 --> 00:11:52,920 Speaker 3: you know, they have babies, and if they're happy and 236 00:11:53,000 --> 00:11:55,720 Speaker 3: they're creating their family, it's you know, all the lives 237 00:11:55,760 --> 00:11:56,160 Speaker 3: for them. 238 00:11:56,880 --> 00:11:59,640 Speaker 2: Alexandra, just quickly before you go, just asking for a mite. 239 00:12:00,360 --> 00:12:03,280 Speaker 2: If you're in a married relationship and you are sleeping 240 00:12:03,280 --> 00:12:05,760 Speaker 2: in separate bedrooms, is that any threat for the future 241 00:12:05,760 --> 00:12:08,320 Speaker 2: of the marriage or just a friend of mine? 242 00:12:09,440 --> 00:12:11,360 Speaker 3: Well, if they need to get a good night's sleep, 243 00:12:11,520 --> 00:12:14,000 Speaker 3: I think that's okay. I know people who've been married 244 00:12:14,000 --> 00:12:16,400 Speaker 3: for years and when they actually go to fall asleep, 245 00:12:16,760 --> 00:12:19,720 Speaker 3: they revert to different rooms. If you're not being intimate 246 00:12:19,800 --> 00:12:25,319 Speaker 3: I think that's a red flat and maintaining a really nice, hot, 247 00:12:25,800 --> 00:12:31,080 Speaker 3: juicy interesting. You know, fantasy filled sex life is such 248 00:12:31,080 --> 00:12:33,920 Speaker 3: an interior question having a romantic relationship. 249 00:12:34,000 --> 00:12:37,000 Speaker 1: Last, what if the wife is disgusted with the husband? 250 00:12:37,200 --> 00:12:37,760 Speaker 2: Do you think. 251 00:12:39,520 --> 00:12:42,000 Speaker 3: You see that would be a problem. This is not 252 00:12:42,080 --> 00:12:42,839 Speaker 3: a good word to have. 253 00:12:43,000 --> 00:12:46,720 Speaker 2: Interesting case for my friend's wife. That's listening. You're suggesting 254 00:12:46,720 --> 00:12:48,400 Speaker 2: maybe twice awake or something like that. 255 00:12:50,080 --> 00:12:52,440 Speaker 3: No, you know what I suggest. You never have to 256 00:12:52,480 --> 00:12:54,280 Speaker 3: look at what the neighbors are doing. You just have 257 00:12:54,360 --> 00:12:56,000 Speaker 3: to find whatever works for you. Guys. 258 00:12:56,000 --> 00:13:00,600 Speaker 2: Its custom made, customize mirrors on the sailing seek. 259 00:13:00,240 --> 00:13:01,480 Speaker 3: For the particular couple. 260 00:13:01,760 --> 00:13:05,559 Speaker 2: Yes, I leave the custard out of the bedroom custom custom. 261 00:13:05,960 --> 00:13:07,559 Speaker 3: If he wants to bring in cluster. 262 00:13:07,559 --> 00:13:15,280 Speaker 1: Custer wow, yes, okay, Alessandra. It is so good to 263 00:13:15,280 --> 00:13:17,600 Speaker 1: see you again married at first Monday. It starts hey 264 00:13:17,760 --> 00:13:21,880 Speaker 1: on Monday night, seven thirty on Channel nine. Enjoy the series. 265 00:13:21,920 --> 00:13:23,560 Speaker 1: We'll have to get you on the show again. It's 266 00:13:23,559 --> 00:13:24,360 Speaker 1: so good to see you. 267 00:13:25,280 --> 00:13:27,120 Speaker 3: Thank you so much, have a wonderful day. 268 00:13:27,200 --> 00:13:28,440 Speaker 2: Thanks bye. 269 00:13:28,800 --> 00:13:29,719 Speaker 3: It fits in with