1 00:00:00,480 --> 00:00:05,240 Speaker 1: This is Fitz and Whipper podcast listeners. 2 00:00:05,280 --> 00:00:08,719 Speaker 2: Welcome to another Fitz and Whipper episode. In this one, 3 00:00:08,840 --> 00:00:11,720 Speaker 2: you may have heard they still haven't tracked down Matt Damon, 4 00:00:11,800 --> 00:00:14,200 Speaker 2: but this time they have come up with a very 5 00:00:14,480 --> 00:00:18,000 Speaker 2: very good technique and it involves newsreader Matt Degree that's 6 00:00:18,040 --> 00:00:20,480 Speaker 2: coming up. Plus they try and figure out which team 7 00:00:20,560 --> 00:00:22,640 Speaker 2: member is going to get the next divorce. 8 00:00:23,000 --> 00:00:23,760 Speaker 3: Isn't that fun? 9 00:00:23,800 --> 00:00:26,880 Speaker 4: That's all to come, Fits and Whipper. Our quiest for 10 00:00:27,000 --> 00:00:28,800 Speaker 4: Matti Damon continues. 11 00:00:33,200 --> 00:00:36,879 Speaker 3: Only mister mat Jesus Chriss. That's Jesson Bourne. 12 00:00:36,600 --> 00:00:39,120 Speaker 4: Drew Barrymore. Matt Damon's in Sydney. 13 00:00:39,520 --> 00:00:41,720 Speaker 3: Jamon, you are worth the restraining order. 14 00:00:41,760 --> 00:00:43,680 Speaker 1: God, that's probably going to get me into pod. 15 00:00:45,159 --> 00:00:47,519 Speaker 4: Have you got any relationship with him? I have the 16 00:00:47,960 --> 00:00:48,640 Speaker 4: what about this one? 17 00:00:48,640 --> 00:00:48,720 Speaker 2: You? 18 00:00:48,800 --> 00:00:51,519 Speaker 4: Detroy with Brad Pitt. He's good friends with Brad pink. 19 00:00:53,520 --> 00:00:57,240 Speaker 5: Warmer. 20 00:00:59,120 --> 00:01:02,480 Speaker 6: So I feel like I feel like the ship's leaving 21 00:01:02,520 --> 00:01:04,759 Speaker 6: the dock and it's getting further away. 22 00:01:04,880 --> 00:01:05,640 Speaker 3: No no, no, no no. 23 00:01:06,000 --> 00:01:08,399 Speaker 7: The Titanic in half of it's underwater. 24 00:01:08,080 --> 00:01:10,600 Speaker 6: Looking out at Blackwattle Bay at the moment, and I'm like, oh, 25 00:01:10,600 --> 00:01:12,319 Speaker 6: they're out to go get more Turner again. 26 00:01:12,360 --> 00:01:14,880 Speaker 3: Can I come see you guys. Do they know where 27 00:01:14,880 --> 00:01:15,640 Speaker 3: Matt Damon is. 28 00:01:15,800 --> 00:01:18,080 Speaker 4: Boat's getting smaller on the horizon. 29 00:01:17,720 --> 00:01:20,160 Speaker 3: They We're getting closer. I mean, Luke Zoki was a 30 00:01:20,160 --> 00:01:23,319 Speaker 3: great call. Knows Matt Damon personal trainer to Chris Hemsworth. 31 00:01:23,760 --> 00:01:26,440 Speaker 3: If we can get to Hemsworth, we get Damon. 32 00:01:26,720 --> 00:01:28,560 Speaker 6: Can I say Andrew Breving was a bit of a 33 00:01:28,600 --> 00:01:30,760 Speaker 6: let down. I'll admit that now. That was because he 34 00:01:31,280 --> 00:01:34,360 Speaker 6: did The Departed with Matt Damian. He's in a scene 35 00:01:34,360 --> 00:01:37,559 Speaker 6: with him, doesn't know him, has no idea as an extra. 36 00:01:37,800 --> 00:01:39,399 Speaker 8: Eric Banner didn't help you out. 37 00:01:39,840 --> 00:01:43,399 Speaker 6: They did, which was you know, he's done some huge 38 00:01:43,400 --> 00:01:44,240 Speaker 6: Hollywood films. 39 00:01:44,319 --> 00:01:47,520 Speaker 3: Yeah, I just think though. I mean last time when 40 00:01:47,520 --> 00:01:49,040 Speaker 3: we were on a bit of a celebrity hunt, you 41 00:01:49,040 --> 00:01:53,000 Speaker 3: would say it was Prince Harry and Meghan Markle. They 42 00:01:53,000 --> 00:01:55,320 Speaker 3: are in town. We needed to get close to them. 43 00:01:56,280 --> 00:02:01,280 Speaker 3: We set Matt to group to government with some flowers. 44 00:02:01,320 --> 00:02:03,680 Speaker 6: Do you remember that this was probably the best thing 45 00:02:03,720 --> 00:02:06,560 Speaker 6: that he's ever done on the shower Easily he got 46 00:02:06,600 --> 00:02:12,880 Speaker 6: the flowers to Yah, she loves unbelievable, amazing. So we've 47 00:02:12,919 --> 00:02:15,280 Speaker 6: sent him down a Centennial park as we speak. 48 00:02:15,360 --> 00:02:20,119 Speaker 4: Maddie Degree, are you there. I actually, olady, you're there, 49 00:02:20,360 --> 00:02:20,880 Speaker 4: big car. 50 00:02:21,840 --> 00:02:25,200 Speaker 1: That is just such an unnecessary addition to what is 51 00:02:25,240 --> 00:02:27,080 Speaker 1: already a very embarrassing situation. 52 00:02:28,560 --> 00:02:31,520 Speaker 3: MDG. I mean your success rate is one from one, 53 00:02:31,639 --> 00:02:33,960 Speaker 3: all right, so you haven't lost. So what are we 54 00:02:34,000 --> 00:02:35,480 Speaker 3: looking at? Where are you right now? 55 00:02:36,680 --> 00:02:39,560 Speaker 1: Dead set in the middle of Centennial Park is a 56 00:02:39,720 --> 00:02:44,160 Speaker 1: giant fenced off area where they're building a set inside which. 57 00:02:44,040 --> 00:02:46,080 Speaker 9: Is going to be used for a scene in foor. 58 00:02:46,560 --> 00:02:48,359 Speaker 1: So I've just parked outside the fence. 59 00:02:48,800 --> 00:02:51,560 Speaker 6: Well, we've heard whispers that this morning that there are 60 00:02:51,639 --> 00:02:54,680 Speaker 6: actors down there getting ready. They're preparing for a scene. 61 00:02:54,800 --> 00:02:56,519 Speaker 6: So mate, this Maddie. 62 00:02:56,520 --> 00:02:58,840 Speaker 3: We we also put a left and outfit in the 63 00:02:58,880 --> 00:03:00,680 Speaker 3: car for you to get dressed in, which we felt 64 00:03:00,680 --> 00:03:02,600 Speaker 3: would be your best chance to get in there if 65 00:03:02,639 --> 00:03:03,120 Speaker 3: you got it on. 66 00:03:03,200 --> 00:03:06,239 Speaker 9: And what is it, Well, I'm dressed as a tree. 67 00:03:06,800 --> 00:03:09,560 Speaker 1: Yeah, it's good, which will not fool anyone to get 68 00:03:09,560 --> 00:03:10,560 Speaker 1: me onto the set. 69 00:03:10,680 --> 00:03:12,359 Speaker 3: Mate. It makes sense because I was down at the 70 00:03:12,360 --> 00:03:14,239 Speaker 3: park on the weekend and I know where the setup 71 00:03:14,280 --> 00:03:16,840 Speaker 3: is and it's right next to a pine forest which 72 00:03:16,880 --> 00:03:18,880 Speaker 3: stands there, So you can actually come out of the 73 00:03:18,919 --> 00:03:21,640 Speaker 3: forest mate, and then straight onto set if you can 74 00:03:21,639 --> 00:03:25,120 Speaker 3: get past security. Get in there, fine, Hemsworth, and then 75 00:03:25,120 --> 00:03:26,680 Speaker 3: we get damon as simple as that. 76 00:03:27,400 --> 00:03:29,880 Speaker 9: I don't think they're here, but I'll give it a crack. 77 00:03:30,320 --> 00:03:34,240 Speaker 4: So get out of the car. Mate, let's start doing movie. 78 00:03:34,720 --> 00:03:35,720 Speaker 8: True enthusiasm. 79 00:03:35,720 --> 00:03:36,560 Speaker 7: Wouldn't kill your. 80 00:03:36,440 --> 00:03:38,960 Speaker 1: Mate, Sarah, that's not helpful. 81 00:03:39,480 --> 00:03:41,560 Speaker 6: If a tree falls down in a forest and there's 82 00:03:41,600 --> 00:03:46,240 Speaker 6: no one around, it does because it's a human thumb. 83 00:03:47,240 --> 00:03:50,960 Speaker 1: Okay, So there's security guards parolling this permitive. 84 00:03:51,000 --> 00:03:53,360 Speaker 9: If I get arrested, I will be so mad. 85 00:03:53,960 --> 00:03:55,119 Speaker 3: I'll just throw you on the fire mate. 86 00:03:55,120 --> 00:03:58,800 Speaker 1: Couplestructions over there. So I'm just trying to tell them 87 00:03:58,840 --> 00:03:59,600 Speaker 1: that I'm an extra that. 88 00:03:59,600 --> 00:04:00,480 Speaker 9: Should be on the set. 89 00:04:00,720 --> 00:04:02,960 Speaker 3: Yeah, I'm an extra in a scene. I need to 90 00:04:02,960 --> 00:04:05,880 Speaker 3: speak to Chris Hemsworth. Go through some lines that you will. 91 00:04:06,200 --> 00:04:11,960 Speaker 1: Okay, So the security have noticed me. They look very nervous. Okay, 92 00:04:12,000 --> 00:04:14,160 Speaker 1: he's walking away. They're bringing more security out. 93 00:04:14,200 --> 00:04:18,240 Speaker 9: But this is not going well just them. 94 00:04:19,120 --> 00:04:23,320 Speaker 1: Hey, guys, just just hear from a day on set. 95 00:04:23,560 --> 00:04:27,640 Speaker 9: I'm just gonna yeah, how you going, guys? Hey, no, no, no, 96 00:04:27,680 --> 00:04:29,320 Speaker 9: I've just got a scene today. 97 00:04:29,320 --> 00:04:31,320 Speaker 1: I'm pretty sure I'm a tree. 98 00:04:32,279 --> 00:04:34,160 Speaker 4: Trees on the outside Chris. 99 00:04:33,880 --> 00:04:36,240 Speaker 9: And Matt Damon. They're expecting me? 100 00:04:36,720 --> 00:04:38,240 Speaker 4: Really, I would know who they are. 101 00:04:39,240 --> 00:04:46,320 Speaker 1: Hemsworth Chris. I'm with the I'm with this the extras. 102 00:04:46,640 --> 00:04:48,400 Speaker 1: I'm an extra Tree thirteen. 103 00:04:48,640 --> 00:04:50,760 Speaker 9: Okay, yeah, so if I could just make my way 104 00:04:50,800 --> 00:04:53,680 Speaker 9: through fortunately, no, No, it's Chris. 105 00:04:53,680 --> 00:04:57,479 Speaker 1: Trailer is there is Chris? Is Chris here? Because I 106 00:04:57,480 --> 00:05:00,000 Speaker 1: can if we get Chris out then I can probably 107 00:05:01,040 --> 00:05:02,120 Speaker 1: just get him to tell you. 108 00:05:04,320 --> 00:05:06,280 Speaker 9: I just want to go through. And it's Chris in there. 109 00:05:07,279 --> 00:05:12,320 Speaker 1: He's mad in there, he's gone over to they're now 110 00:05:12,440 --> 00:05:18,360 Speaker 1: blocking blocking themselves from the camera. Look, they're bringing more 111 00:05:18,360 --> 00:05:19,240 Speaker 1: security over too. 112 00:05:20,680 --> 00:05:21,960 Speaker 3: Well so far, mate, we're. 113 00:05:21,839 --> 00:05:23,680 Speaker 9: Just thinking that this isn't going. 114 00:05:23,440 --> 00:05:25,520 Speaker 3: To How fast could a tree rop? 115 00:05:27,200 --> 00:05:30,479 Speaker 1: I'll tell you what, gents, don't worry about it. 116 00:05:30,480 --> 00:05:32,000 Speaker 9: It doesn't look like they're here. I may have the 117 00:05:32,000 --> 00:05:32,960 Speaker 9: wrong movie. 118 00:05:34,800 --> 00:05:36,200 Speaker 3: Over and away I was. 119 00:05:37,520 --> 00:05:41,240 Speaker 1: I'm just gonna have brought the Parklands Ranger overs. 120 00:05:41,240 --> 00:05:42,039 Speaker 9: I'm going to head off. 121 00:05:44,480 --> 00:05:45,479 Speaker 4: Are you in a bit of travel? 122 00:05:45,920 --> 00:05:46,320 Speaker 6: You're wrong? 123 00:05:46,440 --> 00:05:47,719 Speaker 4: Well, they've brought a lot of security. 124 00:05:47,839 --> 00:05:49,000 Speaker 3: How many how many are there? 125 00:05:49,760 --> 00:05:53,520 Speaker 1: There's now three at a Parklands Ranger from Stannial Park. 126 00:05:56,320 --> 00:05:56,880 Speaker 9: I'm now going to. 127 00:05:56,880 --> 00:05:59,560 Speaker 1: Explain which I'm hanging out there because I don't want 128 00:05:59,600 --> 00:06:00,000 Speaker 1: to go to a rest. 129 00:06:00,440 --> 00:06:02,839 Speaker 7: Yeah, your part might lose his brick if you don't 130 00:06:02,880 --> 00:06:03,360 Speaker 7: keep moving. 131 00:06:04,000 --> 00:06:06,080 Speaker 3: You're at the wrong part. See how there's two parts 132 00:06:06,080 --> 00:06:08,560 Speaker 3: there where where the trailers are and then there's where 133 00:06:08,560 --> 00:06:10,560 Speaker 3: they're actually filming. Maybe go to the trailers or the 134 00:06:10,560 --> 00:06:11,080 Speaker 3: other section. 135 00:06:11,640 --> 00:06:13,039 Speaker 9: I'm not going to another section. 136 00:06:13,120 --> 00:06:14,400 Speaker 1: I'm coming back into the studio. 137 00:06:15,279 --> 00:06:17,520 Speaker 6: Do you feel like you're back at the Donation hotel 138 00:06:17,560 --> 00:06:18,600 Speaker 6: with just the bounces? 139 00:06:18,640 --> 00:06:20,080 Speaker 4: Getting more secure right now? 140 00:06:20,080 --> 00:06:21,400 Speaker 9: I'm hanging out the phones, mate. 141 00:06:21,400 --> 00:06:23,160 Speaker 3: We just got a buzz from the legal department. They 142 00:06:23,160 --> 00:06:24,040 Speaker 3: want to have a chat when. 143 00:06:23,880 --> 00:06:26,960 Speaker 4: You get back. It's good. Nothing to do with the tree. 144 00:06:29,839 --> 00:06:37,760 Speaker 3: That went well. I think it was his outfit. Goodly talented. 145 00:06:38,920 --> 00:06:42,360 Speaker 9: Quote my quote face is he? 146 00:06:42,680 --> 00:06:50,480 Speaker 3: How good is that? Goodly talented. 147 00:06:51,560 --> 00:06:52,120 Speaker 8: Quote? 148 00:06:52,520 --> 00:06:55,680 Speaker 3: My quote face? Well could according with quote face? You 149 00:06:55,720 --> 00:06:58,520 Speaker 3: know how this works? Three great quotes for you guys. 150 00:06:58,520 --> 00:07:01,000 Speaker 3: We are streaming on the fits of Facebook page. I've 151 00:07:01,000 --> 00:07:02,200 Speaker 3: got they ride Thomas. 152 00:07:01,960 --> 00:07:04,080 Speaker 10: Brian and we're on and it's live and there are 153 00:07:04,120 --> 00:07:04,880 Speaker 10: people there. 154 00:07:05,200 --> 00:07:07,920 Speaker 3: Great news, mate, that's all we need. We need it working, 155 00:07:08,040 --> 00:07:09,920 Speaker 3: someone talking and someone watching. 156 00:07:10,160 --> 00:07:12,240 Speaker 4: Is there a chat room? Do they still have chatrooms. 157 00:07:12,800 --> 00:07:16,560 Speaker 1: Oh yeah, in the chat room, Leno has just offered 158 00:07:16,600 --> 00:07:19,200 Speaker 1: six dollars ninety five. Is going to sell the answers 159 00:07:19,240 --> 00:07:21,600 Speaker 1: to anyone in the chat. 160 00:07:21,920 --> 00:07:24,160 Speaker 3: Looking for your lunch, you mate, yeah, playing for your lunch. 161 00:07:24,160 --> 00:07:25,080 Speaker 3: I don't get paid much here. 162 00:07:25,400 --> 00:07:27,000 Speaker 4: You've always been an entrepreneur. 163 00:07:27,200 --> 00:07:31,880 Speaker 3: Well done, Lenno, just thinking, God, idea. Here we go, guys, 164 00:07:31,880 --> 00:07:34,920 Speaker 3: we're going to start with a famous person. All right, 165 00:07:35,000 --> 00:07:38,040 Speaker 3: this is a famous person, George. This is their quote. 166 00:07:38,080 --> 00:07:39,280 Speaker 3: Can you see through my page? 167 00:07:39,360 --> 00:07:41,200 Speaker 7: I haven't got my glasses on for the very reason 168 00:07:41,200 --> 00:07:41,880 Speaker 7: I can't cheat. 169 00:07:42,400 --> 00:07:44,440 Speaker 3: You've been trying to cheat in this and Fries has 170 00:07:44,440 --> 00:07:46,960 Speaker 3: been on fire in twenty twenty one with these grameification 171 00:07:47,080 --> 00:07:47,680 Speaker 3: on your glasses. 172 00:07:47,720 --> 00:07:48,360 Speaker 4: I haven't. 173 00:07:48,440 --> 00:07:50,640 Speaker 7: I have no idea, but I certainly can't see through 174 00:07:50,680 --> 00:07:51,440 Speaker 7: a piece of paper. 175 00:07:51,480 --> 00:07:52,160 Speaker 3: I never know with you. 176 00:07:52,640 --> 00:07:53,120 Speaker 4: Here we go. 177 00:07:53,600 --> 00:07:56,840 Speaker 3: Who said this? You laugh at me because I'm different. 178 00:07:57,160 --> 00:08:01,640 Speaker 3: I laugh at you because you're all the same. You 179 00:08:01,960 --> 00:08:06,239 Speaker 3: whiz really good quote something in that for everyone? 180 00:08:06,240 --> 00:08:10,840 Speaker 4: I would have thought Anthony Robbinsivational. 181 00:08:09,280 --> 00:08:11,560 Speaker 9: Anthony Mundine. 182 00:08:11,960 --> 00:08:14,960 Speaker 3: No, the quote is again, I laugh at you, laugh 183 00:08:15,000 --> 00:08:17,800 Speaker 3: at me because I'm different. I laugh at you because 184 00:08:17,840 --> 00:08:21,680 Speaker 3: you're all the same Anthony Bell, No Anthony wiggle, not 185 00:08:21,720 --> 00:08:23,520 Speaker 3: an Anthony. I'll give you the heads up. You can 186 00:08:23,600 --> 00:08:28,280 Speaker 3: stop Anthony top with the Anthony's about Anthony. Not an 187 00:08:28,320 --> 00:08:33,800 Speaker 3: Anthony is an No, not a It's not Tony Barber 188 00:08:34,400 --> 00:08:37,120 Speaker 3: gold LOGI won. 189 00:08:38,160 --> 00:08:40,920 Speaker 9: Parent a great guest, No timely. 190 00:08:41,000 --> 00:08:43,000 Speaker 3: It's a female. I'll give you that much. 191 00:08:43,640 --> 00:08:52,880 Speaker 10: My first, Lady Trump, No Antonia Kidman, no great effort, 192 00:08:53,120 --> 00:08:55,880 Speaker 10: tom is it. 193 00:08:54,960 --> 00:09:01,200 Speaker 3: It's a singer, female singer, Miley Sir. No Lady Gaga, 194 00:09:01,200 --> 00:09:04,360 Speaker 3: Thomas Bryan Rvey, Ladies and gentlemen, world, Lady Gaga. 195 00:09:04,320 --> 00:09:05,559 Speaker 10: I took you there, Tommy. 196 00:09:08,040 --> 00:09:11,560 Speaker 3: After the meat dress. That was her comment. This one, guys, 197 00:09:12,000 --> 00:09:14,880 Speaker 3: is this one's from a movie. It's a line from 198 00:09:14,880 --> 00:09:16,600 Speaker 3: a movie. You've got to tell me what the movie is. 199 00:09:16,800 --> 00:09:19,400 Speaker 4: From a movie. It's from a movie, from the movie. 200 00:09:19,480 --> 00:09:20,079 Speaker 8: One of the movies. 201 00:09:20,160 --> 00:09:22,199 Speaker 3: It's quote from a movie. Yeah, out of all the movies. 202 00:09:22,320 --> 00:09:23,280 Speaker 3: Might have seen the movie. 203 00:09:23,320 --> 00:09:24,560 Speaker 4: Always in the movie. 204 00:09:24,559 --> 00:09:27,680 Speaker 3: It was in the cinemas, Yeah, cinema movie, cinema cinema 205 00:09:27,760 --> 00:09:32,160 Speaker 3: movie to DVD, DVD, yeah or VHS. When was it released? 206 00:09:32,280 --> 00:09:35,080 Speaker 7: I'm not telling you because words first word is no, 207 00:09:35,240 --> 00:09:35,760 Speaker 7: here we go. 208 00:09:36,920 --> 00:09:43,160 Speaker 3: You waste Uncle buck, it's not it's not unco So. 209 00:09:43,160 --> 00:09:47,720 Speaker 7: We thought you were acting it out, not doing a role, because. 210 00:09:47,520 --> 00:09:50,400 Speaker 3: I thought you were doing the no no cinema movie. 211 00:09:50,559 --> 00:09:53,839 Speaker 3: No two words. First word. Here is the line from 212 00:09:53,840 --> 00:09:55,400 Speaker 3: the movie. Here's the line. 213 00:09:55,360 --> 00:09:56,319 Speaker 4: Trains and automobile. 214 00:09:58,720 --> 00:10:02,240 Speaker 3: It's just a series of fat something new in twenty 215 00:10:02,280 --> 00:10:10,400 Speaker 3: twenty one for the sound like fat Flubber, Sarah. If 216 00:10:10,440 --> 00:10:14,040 Speaker 3: you think that's funny, if you think that he is 217 00:10:14,080 --> 00:10:15,800 Speaker 3: worth laughing at. 218 00:10:16,840 --> 00:10:20,560 Speaker 1: That was a great film, great, real good film, of course, 219 00:10:20,880 --> 00:10:21,840 Speaker 1: really good film. 220 00:10:21,880 --> 00:10:24,840 Speaker 4: All right, coming up soon, enjoy Here we go. 221 00:10:25,400 --> 00:10:28,160 Speaker 3: You wasted one hundred and fifty thousand dollars on an 222 00:10:28,320 --> 00:10:30,960 Speaker 3: education you could have got for a dollar fifty in 223 00:10:31,080 --> 00:10:32,880 Speaker 3: late charges at the public library. 224 00:10:33,480 --> 00:10:34,560 Speaker 4: Crimer versus Chromer. 225 00:10:34,720 --> 00:10:39,520 Speaker 3: No great film. You wasted one hundred and fifty thousand 226 00:10:39,520 --> 00:10:41,360 Speaker 3: on an education you could have got for a dollar 227 00:10:41,400 --> 00:10:43,600 Speaker 3: fifty in late charges at the public library. 228 00:10:43,880 --> 00:10:47,079 Speaker 1: On Facebook, matt Res suggests Flubber. 229 00:10:47,559 --> 00:10:50,480 Speaker 3: Already done that joke. If you're listening, MDG, that joke's mean. 230 00:10:52,160 --> 00:10:56,560 Speaker 8: That same guy also that he was listening from the toilet. 231 00:10:59,600 --> 00:11:03,680 Speaker 3: This here we go. You wasted one hundred and fifty 232 00:11:03,679 --> 00:11:05,319 Speaker 3: thousand dollars in education you could have got for a 233 00:11:05,400 --> 00:11:08,679 Speaker 3: dollar fifty in late charges at the public library. This 234 00:11:08,760 --> 00:11:11,439 Speaker 3: is one of your favorite films, Big guy, good Will 235 00:11:11,520 --> 00:11:15,920 Speaker 3: Hunting sar Aroun McGilvray. Thank you. We got it there. 236 00:11:15,960 --> 00:11:17,960 Speaker 11: Let know you dropped one hundred and fifty drowning an 237 00:11:18,000 --> 00:11:19,920 Speaker 11: education you could have got for a dollar fifty and 238 00:11:19,960 --> 00:11:21,520 Speaker 11: lead charges at the public library. 239 00:11:23,640 --> 00:11:26,640 Speaker 6: Actually, got to make a move soon. We've got to 240 00:11:26,640 --> 00:11:28,640 Speaker 6: get you out there. We've got to track down Matt Damond. 241 00:11:28,720 --> 00:11:31,400 Speaker 3: Yeah, MDG. We found out where Chris Hemsworth is this morning. 242 00:11:31,600 --> 00:11:33,800 Speaker 3: You need to go and catch up with them. 243 00:11:33,800 --> 00:11:35,160 Speaker 9: And let's just finish the game first. 244 00:11:35,360 --> 00:11:37,480 Speaker 3: Okay. The next one is a song. Here we go. 245 00:11:37,520 --> 00:11:45,720 Speaker 3: The lyrics are his souls escaping through this hole that 246 00:11:45,920 --> 00:11:47,880 Speaker 3: is daping. 247 00:11:48,000 --> 00:11:49,479 Speaker 4: Tiptoe through the tulips. 248 00:11:50,360 --> 00:11:51,800 Speaker 3: This world is mine. 249 00:11:52,000 --> 00:11:53,600 Speaker 8: Anything by Peter Paul and Mary. 250 00:11:53,800 --> 00:11:58,240 Speaker 3: No puff the magic Dragon. Possibly No, okay, leaving on 251 00:11:58,280 --> 00:11:59,080 Speaker 3: a jet plane. 252 00:11:59,160 --> 00:12:01,839 Speaker 9: No, Uncle Cracker, follow. 253 00:12:01,679 --> 00:12:14,160 Speaker 3: Me, No, un it's a song. We're looking for me. Sorry, 254 00:12:14,440 --> 00:12:21,920 Speaker 3: because the song Uncle Crackers his souls escaping through this 255 00:12:22,040 --> 00:12:27,560 Speaker 3: hole that is gaping. This world is mine for the taking. No, 256 00:12:27,640 --> 00:12:32,000 Speaker 3: it's not some clothes, mate, I just did I give 257 00:12:32,040 --> 00:12:34,400 Speaker 3: you a lyric from the song It's a big song. 258 00:12:34,520 --> 00:12:37,400 Speaker 9: I think Arden on Facebook has this Are you ready 259 00:12:37,440 --> 00:12:37,600 Speaker 9: to go? 260 00:12:37,760 --> 00:12:38,400 Speaker 4: Or are you ready to go? 261 00:12:38,520 --> 00:12:39,319 Speaker 9: Let a dance around? 262 00:12:39,840 --> 00:12:40,719 Speaker 3: All right? Going on? 263 00:12:41,440 --> 00:12:46,600 Speaker 1: Garden says lose yourself, eminem escape. 264 00:12:46,960 --> 00:12:47,480 Speaker 3: Spot on. 265 00:12:49,320 --> 00:12:49,520 Speaker 7: Uncle. 266 00:12:52,400 --> 00:12:53,800 Speaker 4: That would have been a great way. 267 00:12:53,640 --> 00:12:55,640 Speaker 3: To finish what was what was Uncle Cracker? 268 00:12:56,600 --> 00:12:59,040 Speaker 4: Me? Everything is all right? 269 00:13:03,559 --> 00:13:06,360 Speaker 8: Certainly wasn't Uncle Cray fucking Garran? 270 00:13:11,640 --> 00:13:14,600 Speaker 3: Sorry about that? Everyone love a love story, you know? 271 00:13:14,640 --> 00:13:16,560 Speaker 3: On the show Guys and I think I found one 272 00:13:16,600 --> 00:13:18,680 Speaker 3: of the most beautiful stories I've ever heard. It's about 273 00:13:18,679 --> 00:13:21,400 Speaker 3: a woman called Caroline Knight. She's from Oxford in the UK. 274 00:13:22,520 --> 00:13:24,680 Speaker 3: She has a boyfriend. His name is Edward, and they 275 00:13:24,679 --> 00:13:27,400 Speaker 3: are very, very happy. They've been together for two years now. 276 00:13:27,880 --> 00:13:30,640 Speaker 3: She's a yoga teacher and we all love a bit 277 00:13:30,640 --> 00:13:33,079 Speaker 3: of yogurt and we tried it a couple of times. 278 00:13:33,120 --> 00:13:36,679 Speaker 3: I hate yoga, getting your body to move into positions 279 00:13:36,840 --> 00:13:38,800 Speaker 3: it's not meant to go into, is how I would 280 00:13:38,840 --> 00:13:42,040 Speaker 3: describe it. I did bitram yogurt too, what you know 281 00:13:42,080 --> 00:13:47,480 Speaker 3: the Yeah, it was terrible. Idea started Big Gram Yoga 282 00:13:48,160 --> 00:13:52,600 Speaker 3: was arrested. Yeah, he didn't hit on me, but he 283 00:13:52,679 --> 00:13:55,439 Speaker 3: was definitely in the room that night off. 284 00:13:55,640 --> 00:13:57,680 Speaker 4: No one would hit on you. You're a big sweater. 285 00:13:58,920 --> 00:14:03,320 Speaker 3: What annoyed me to was the instructor came over and said, 286 00:14:03,360 --> 00:14:05,160 Speaker 3: you should never attempt this one if you haven't done 287 00:14:05,200 --> 00:14:09,520 Speaker 3: any sport. Hang on a minute, redg on a minute. 288 00:14:09,640 --> 00:14:14,959 Speaker 6: Yeah, I played you you twelve, he was doing it. 289 00:14:17,600 --> 00:14:20,200 Speaker 3: I was staying down for over twenty years. 290 00:14:20,240 --> 00:14:21,400 Speaker 4: Yeah, mate, I did play it. 291 00:14:21,480 --> 00:14:24,120 Speaker 3: You know what I mean? Guys, give me a break here. Anyway, 292 00:14:24,160 --> 00:14:26,400 Speaker 3: as a yoga teacher, she decided to take on a 293 00:14:26,440 --> 00:14:28,800 Speaker 3: bit of a change. She wanted to go and study 294 00:14:28,840 --> 00:14:33,120 Speaker 3: some further yoga in Peru, in the Amazon jungle. 295 00:14:32,760 --> 00:14:35,400 Speaker 6: Which is refeeoga over there in Peru. I thought they 296 00:14:35,400 --> 00:14:36,960 Speaker 6: would have been more Zoomba fans. 297 00:14:37,280 --> 00:14:41,400 Speaker 3: No, no, not Zoomba fans. What's interesting about the course 298 00:14:41,560 --> 00:14:44,800 Speaker 3: she went to do? Billy Blanks tibo no not tybo, 299 00:14:46,640 --> 00:14:52,040 Speaker 3: Amazon jungle, seventy miles from civilization, no running water. I'll 300 00:14:52,040 --> 00:14:56,320 Speaker 3: add the type of yoga that she was doing. Close 301 00:14:56,440 --> 00:15:02,840 Speaker 3: optional close optional, Yeah, because a lot of the locals 302 00:15:02,960 --> 00:15:06,120 Speaker 3: and those into the jungle simply didn't need clothes. 303 00:15:07,320 --> 00:15:09,640 Speaker 4: Would have been perusing if you know, that's. 304 00:15:11,720 --> 00:15:13,720 Speaker 3: What I did. The bell stuff, mate, Let me do 305 00:15:13,800 --> 00:15:15,840 Speaker 3: that great work rising thanks. 306 00:15:15,840 --> 00:15:17,480 Speaker 4: I got two well. 307 00:15:17,280 --> 00:15:20,840 Speaker 3: Done, so ten days of teaching yoga. The thing was 308 00:15:20,960 --> 00:15:24,200 Speaker 3: for good old Caroline. While she was teaching yoga, Corona 309 00:15:24,280 --> 00:15:28,480 Speaker 3: hit and for the other twelve people on the same trip. 310 00:15:29,440 --> 00:15:31,360 Speaker 3: They had to make a decision do I stay here 311 00:15:31,400 --> 00:15:33,920 Speaker 3: in Peru or do I get out now and get 312 00:15:33,960 --> 00:15:35,840 Speaker 3: back to the UK to be with my family. We 313 00:15:35,880 --> 00:15:39,720 Speaker 3: don't know what's going to happen. How's Peru going with Corona? 314 00:15:39,760 --> 00:15:41,840 Speaker 3: Do you know how I checked one? I meant to 315 00:15:41,880 --> 00:15:43,000 Speaker 3: do that yesterday afternoon. 316 00:15:43,400 --> 00:15:45,200 Speaker 4: They wearing masks, so they got. 317 00:15:45,240 --> 00:15:49,800 Speaker 3: Nothing else, just a mask. Quick here put these on. 318 00:15:50,160 --> 00:15:50,880 Speaker 3: I thought it was nerd. 319 00:15:51,000 --> 00:15:51,200 Speaker 2: It is. 320 00:15:51,280 --> 00:15:57,200 Speaker 3: It's for your face, okay, anyway there on your face. 321 00:15:57,200 --> 00:16:00,320 Speaker 3: It's not going to help you. So everything was in 322 00:16:00,440 --> 00:16:03,400 Speaker 3: a panic situation. Everyone else part of the yoga trip 323 00:16:03,560 --> 00:16:06,880 Speaker 3: gets out of there. She decides to stay because there's 324 00:16:06,960 --> 00:16:09,600 Speaker 3: one of the local lads in the village that she's 325 00:16:09,680 --> 00:16:10,880 Speaker 3: been catching eyes. 326 00:16:10,680 --> 00:16:17,920 Speaker 6: With, which was like Chappelle and and why aren't yeah yeah, 327 00:16:18,080 --> 00:16:21,200 Speaker 6: which she's really struggling. Leave Barley in the end, obviously 328 00:16:21,640 --> 00:16:23,320 Speaker 6: drink care of her, can't. She would have hated it, 329 00:16:23,640 --> 00:16:24,520 Speaker 6: but she didn't want to leave. 330 00:16:24,960 --> 00:16:27,880 Speaker 3: I just loved it. What was interesting? They had to 331 00:16:28,000 --> 00:16:34,960 Speaker 3: sing all of them? Why am I don't actually think 332 00:16:35,000 --> 00:16:36,000 Speaker 3: that it was. 333 00:16:38,520 --> 00:16:44,920 Speaker 4: Yeah, I saw her on the weekend, that Mercedes grab 334 00:16:45,240 --> 00:16:45,880 Speaker 4: It's amazing. 335 00:16:45,960 --> 00:16:47,400 Speaker 3: But I saw Rhonda on the weekend. 336 00:16:48,680 --> 00:16:49,480 Speaker 4: Who Randa is? 337 00:16:49,560 --> 00:16:51,080 Speaker 3: I just know what she looks like. She's a great 338 00:16:51,120 --> 00:17:00,320 Speaker 3: that's hester will be coming home. Sounds pretty cool to me. 339 00:17:00,880 --> 00:17:02,040 Speaker 10: Sounds of stress. 340 00:17:01,760 --> 00:17:04,280 Speaker 3: Wouldn't have happened in the Amazon Jungle. Here's the thing. 341 00:17:04,760 --> 00:17:07,600 Speaker 3: They went into lockdown in Peru and had to separate 342 00:17:07,640 --> 00:17:11,119 Speaker 3: themselves individually. The man that she'd been catching eyes with 343 00:17:11,320 --> 00:17:14,920 Speaker 3: then popped up on her Facebook page and said, Hi. 344 00:17:14,920 --> 00:17:15,240 Speaker 4: It's me. 345 00:17:15,440 --> 00:17:18,320 Speaker 3: I wanted to introduce myself. I've got something to tell you. 346 00:17:18,560 --> 00:17:22,760 Speaker 3: I think I love you on Facebook. She writes back, 347 00:17:23,440 --> 00:17:26,720 Speaker 3: I think I love you too. She's now broken up 348 00:17:26,760 --> 00:17:30,360 Speaker 3: with Edward from Oxford and she's moved to the jungle 349 00:17:31,000 --> 00:17:36,919 Speaker 3: where she's he's yoga moving. He's a cacal farmer. 350 00:17:37,119 --> 00:17:39,760 Speaker 9: Are they doing Facebook in the Amazon Jungle? 351 00:17:40,280 --> 00:17:43,640 Speaker 3: Yeah? He grabbed someone's phone apparently was able to make 352 00:17:43,840 --> 00:17:47,119 Speaker 3: contact with the Amazon Jungle, signed up to Facebook and 353 00:17:47,240 --> 00:17:49,960 Speaker 3: you fluing her a note. But she said, my head 354 00:17:50,080 --> 00:17:51,640 Speaker 3: was saying I have to go back to the UK, 355 00:17:51,760 --> 00:17:54,439 Speaker 3: I have to tell my boyfriend that I've met somebody 356 00:17:54,480 --> 00:17:56,840 Speaker 3: else and be with my family in COVID. But she 357 00:17:57,359 --> 00:18:01,480 Speaker 3: just couldn't leave. Ashion that she shared for the week 358 00:18:01,520 --> 00:18:04,240 Speaker 3: when they first hooked up, and that was when we 359 00:18:04,359 --> 00:18:08,440 Speaker 3: first slept together. Is a movie spending days by the pool, evenings, 360 00:18:08,480 --> 00:18:10,119 Speaker 3: going for walks and cooking for each other. 361 00:18:10,160 --> 00:18:14,520 Speaker 6: Because it could start like Bridgiton's here at Oxford, you know, 362 00:18:14,600 --> 00:18:17,680 Speaker 6: and everyone's dressed up to the nines and oh yeah, 363 00:18:18,240 --> 00:18:23,120 Speaker 6: socialite parties going like like like like Zark could ends 364 00:18:23,200 --> 00:18:27,520 Speaker 6: up like Planet of the Eight in the jungle gets raised. 365 00:18:27,280 --> 00:18:30,439 Speaker 3: By the local village, and it's almost like it's almost 366 00:18:30,560 --> 00:18:34,679 Speaker 3: like her friend's jungle jests to her while she's sipping 367 00:18:34,760 --> 00:18:37,360 Speaker 3: tea at some royal party, maybe we should get out 368 00:18:37,359 --> 00:18:39,639 Speaker 3: of here one day, and that kind of plants the 369 00:18:39,760 --> 00:18:42,000 Speaker 3: seed in her mind, and the next thing you know, 370 00:18:42,119 --> 00:18:44,320 Speaker 3: she's nude in the jungle with a beautiful man. His 371 00:18:44,440 --> 00:18:44,800 Speaker 3: name was. 372 00:18:46,320 --> 00:18:52,560 Speaker 10: Romolo, trying to pronounce that would be your first Removolo. 373 00:18:53,720 --> 00:18:56,000 Speaker 3: Sorry, honey, I've left you from Romulo. 374 00:18:56,920 --> 00:18:59,159 Speaker 4: The thing that I think that's in the detail, isn't it. 375 00:18:59,240 --> 00:19:01,800 Speaker 4: Mike when you can't waiting someone do yoga in the nude. 376 00:19:01,800 --> 00:19:02,600 Speaker 4: They would be so. 377 00:19:02,920 --> 00:19:05,639 Speaker 7: Horrific sitting on the couch TV with them. 378 00:19:06,320 --> 00:19:07,280 Speaker 4: It's a perforate couch. 379 00:19:07,359 --> 00:19:10,960 Speaker 8: Put some pants on over someone. 380 00:19:11,359 --> 00:19:15,160 Speaker 3: Stretching mole nuded, someone doing the downward dog versus someone 381 00:19:15,280 --> 00:19:17,800 Speaker 3: sitting on the couch because it's a material couch. 382 00:19:17,920 --> 00:19:20,119 Speaker 7: If you've got your gear off and you're sitting on 383 00:19:20,240 --> 00:19:22,600 Speaker 7: the couch together, because you're neudice. 384 00:19:25,640 --> 00:19:29,440 Speaker 3: Your bum on the couch, it's like you are basically 385 00:19:29,720 --> 00:19:32,240 Speaker 3: your cheeks aren't spread, drop a chip. 386 00:19:32,280 --> 00:19:33,560 Speaker 7: I'm not picking that up to it. 387 00:19:34,720 --> 00:19:36,880 Speaker 3: I have to start with I'm not seeing the nude 388 00:19:36,960 --> 00:19:40,320 Speaker 3: next to you on a couch eating McDonald's. That's a 389 00:19:40,400 --> 00:19:41,360 Speaker 3: weird day out. 390 00:19:43,520 --> 00:19:54,480 Speaker 12: Your coco public, especially for how much intimacy am ready? 391 00:19:54,720 --> 00:19:54,879 Speaker 3: You know? 392 00:19:55,040 --> 00:19:58,800 Speaker 4: Look, you know I think everyone So it's humans. What 393 00:19:58,880 --> 00:19:59,400 Speaker 4: are the other ones? 394 00:20:00,200 --> 00:20:00,520 Speaker 3: Monkey? 395 00:20:00,720 --> 00:20:01,160 Speaker 4: Monkeys? 396 00:20:01,280 --> 00:20:01,880 Speaker 3: No primate? 397 00:20:02,040 --> 00:20:03,679 Speaker 4: Is it a certain type of monkey? 398 00:20:04,080 --> 00:20:04,119 Speaker 7: No? 399 00:20:04,280 --> 00:20:05,560 Speaker 3: I think all primates. 400 00:20:05,760 --> 00:20:09,119 Speaker 4: So they're the only they're the only living things that 401 00:20:09,320 --> 00:20:13,040 Speaker 4: do it for pleasure. Every other I don't know. 402 00:20:13,200 --> 00:20:17,440 Speaker 7: We pursued me a turtle video during they. 403 00:20:16,400 --> 00:20:17,000 Speaker 4: Were having fun. 404 00:20:17,080 --> 00:20:19,600 Speaker 3: They sounded like them. My god, the moaning that comes 405 00:20:19,640 --> 00:20:22,359 Speaker 3: from a turtle that's mounted another one. But it's hard 406 00:20:22,520 --> 00:20:23,800 Speaker 3: too with a shell. 407 00:20:24,280 --> 00:20:27,480 Speaker 4: That's that's a chore for them. We have to do 408 00:20:27,560 --> 00:20:28,800 Speaker 4: it to keep the turtles going. 409 00:20:28,880 --> 00:20:32,879 Speaker 3: Yeah, I mean lions when in season will mate up 410 00:20:32,960 --> 00:20:35,959 Speaker 3: to fifty times a day. You don't reckon, you bug 411 00:20:36,080 --> 00:20:37,920 Speaker 3: it after that eight hours at work. 412 00:20:38,119 --> 00:20:38,679 Speaker 9: This is the thing. 413 00:20:38,760 --> 00:20:44,120 Speaker 6: And obviously we associate intimacy with you know, with humans, 414 00:20:44,200 --> 00:20:45,760 Speaker 6: but see, you know, so there's people out there that 415 00:20:46,359 --> 00:20:48,480 Speaker 6: sometimes they want to get intimate with. 416 00:20:48,520 --> 00:20:53,680 Speaker 3: Other things, nanimate objects. Who married a church corner, didn't 417 00:20:53,720 --> 00:20:54,960 Speaker 3: she a while ago? 418 00:20:55,200 --> 00:20:56,199 Speaker 4: And church corner? 419 00:20:56,320 --> 00:20:58,359 Speaker 3: Yeah, the building that she was obsessed with, and she 420 00:20:58,400 --> 00:21:00,920 Speaker 3: would find herself just rubbing a heself up against the 421 00:21:01,000 --> 00:21:01,800 Speaker 3: corner of the sands. 422 00:21:01,840 --> 00:21:02,080 Speaker 9: Stuff. 423 00:21:02,640 --> 00:21:03,320 Speaker 4: I must have been. 424 00:21:03,400 --> 00:21:06,119 Speaker 6: You walked some churches and you go, that is beautiful. 425 00:21:06,440 --> 00:21:09,480 Speaker 6: I don't feel like I my crotch at it, throwing 426 00:21:09,520 --> 00:21:11,840 Speaker 6: me my tongue down, that's for sure. But not interested 427 00:21:11,880 --> 00:21:14,240 Speaker 6: in that beautiful architects I'm giving. I'll give it a 428 00:21:14,320 --> 00:21:15,920 Speaker 6: quick massage, but we won't go any further. 429 00:21:16,600 --> 00:21:20,120 Speaker 4: Ralph Bishop fifty three years of age. This is over 430 00:21:20,200 --> 00:21:25,119 Speaker 4: in the UK. Ralph was found. Have you got nickel 431 00:21:25,200 --> 00:21:27,680 Speaker 4: back there? Figured you out because Ralph was found with 432 00:21:27,840 --> 00:21:32,760 Speaker 4: his pants around his feet. No where are you well 433 00:21:33,080 --> 00:21:35,639 Speaker 4: he was at without Chad Chadas. 434 00:21:36,880 --> 00:21:38,960 Speaker 3: Thanks Chad your feet. Thanks for turning it, buddy. 435 00:21:39,400 --> 00:21:41,560 Speaker 9: Disappointing that you're linking nickelback to this company. 436 00:21:41,640 --> 00:21:44,200 Speaker 7: Well yeah, there's so much more high. 437 00:21:44,080 --> 00:21:44,520 Speaker 4: Brother than this. 438 00:21:44,680 --> 00:21:47,680 Speaker 6: I wouldn't be surprised that Chad Kroger is found on 439 00:21:47,800 --> 00:21:50,280 Speaker 6: a farm now, so, so Ralph was on a farm. 440 00:21:51,240 --> 00:21:52,959 Speaker 6: The police said, we couldn't believe when we found him 441 00:21:52,960 --> 00:21:54,600 Speaker 6: in the field. He was wearing a white t shirt, 442 00:21:54,720 --> 00:21:59,760 Speaker 6: Wellington boots and very little else. He was clearly in 443 00:21:59,840 --> 00:22:03,439 Speaker 6: a state of high excitement at the rear of the machine. 444 00:22:03,480 --> 00:22:04,560 Speaker 4: Now the farm was. 445 00:22:07,359 --> 00:22:12,280 Speaker 6: The farm housed tractors, and Ralph was a big fan 446 00:22:12,359 --> 00:22:15,400 Speaker 6: of Massey Ferguson and also Johnny Johnny. 447 00:22:15,080 --> 00:22:19,640 Speaker 3: Dere dear John Dear. Today a tractor was found abused. 448 00:22:20,440 --> 00:22:25,320 Speaker 4: Oh now's he doing with the tractor thing? Is people 449 00:22:25,359 --> 00:22:30,200 Speaker 4: loving it? He told us that he was particularly into Axel. 450 00:22:29,920 --> 00:22:33,040 Speaker 6: Greece and the presence of this around the back of 451 00:22:33,119 --> 00:22:36,080 Speaker 6: tractors was all too much for him. Now, Sarah, this 452 00:22:36,240 --> 00:22:40,000 Speaker 6: is the This was quite a large company. He was 453 00:22:40,119 --> 00:22:43,880 Speaker 6: found to have taken advantage of four hundred and fifty tractors. 454 00:22:44,000 --> 00:22:47,159 Speaker 3: Give me a break, work, how do you do? 455 00:22:47,440 --> 00:22:49,840 Speaker 4: What do you do to the tracts? Not illegal? 456 00:22:50,320 --> 00:22:51,800 Speaker 3: They diesel or two stroke. 457 00:22:52,000 --> 00:22:55,399 Speaker 9: Like, who's what's the crime machine? 458 00:22:55,640 --> 00:22:57,640 Speaker 1: But the machine's not con sitting there going my god, 459 00:22:57,680 --> 00:22:59,400 Speaker 1: I've been heavily violated. 460 00:23:00,040 --> 00:23:01,399 Speaker 4: It was next to a primary school. 461 00:23:01,400 --> 00:23:02,240 Speaker 9: I think that's not helpful. 462 00:23:02,320 --> 00:23:03,359 Speaker 4: Yeah, that didn't help it. 463 00:23:03,480 --> 00:23:05,640 Speaker 9: Move the tractor literally, it drives anywhere. 464 00:23:05,640 --> 00:23:08,560 Speaker 4: You must urge. 465 00:23:08,720 --> 00:23:11,720 Speaker 6: Just when you are on a road trip and you 466 00:23:11,840 --> 00:23:15,280 Speaker 6: go regional just to get attractor goes past you just to. 467 00:23:15,359 --> 00:23:18,600 Speaker 9: Go wow when the trackta Worth was big for that. 468 00:23:19,080 --> 00:23:21,440 Speaker 3: The tract is meant to do the plowing, not you, mate. 469 00:23:21,600 --> 00:23:24,080 Speaker 3: Just focus on what you're meant to do. Focus on 470 00:23:24,119 --> 00:23:26,600 Speaker 3: what the machine meant to do. It says, when you 471 00:23:26,680 --> 00:23:28,440 Speaker 3: see a bit of axle grease or something like that 472 00:23:28,560 --> 00:23:31,720 Speaker 3: at the back of a tractor, who thought, how do 473 00:23:31,840 --> 00:23:32,520 Speaker 3: I get more of that? 474 00:23:32,960 --> 00:23:35,040 Speaker 4: Is a photo that circulates quite a bit in the 475 00:23:35,840 --> 00:23:40,320 Speaker 4: team of a guy of an exhausted I don't say. 476 00:23:42,440 --> 00:23:46,120 Speaker 6: It seems to every digital person that comes and gets 477 00:23:46,119 --> 00:23:48,920 Speaker 6: a job here has to put somebody's face on that 478 00:23:49,119 --> 00:23:50,240 Speaker 6: person in the team. 479 00:23:50,520 --> 00:23:54,280 Speaker 3: It's very much groot in fact, because he's wearing suspenders, 480 00:23:54,480 --> 00:23:55,760 Speaker 3: he's kneeling down at the back of. 481 00:23:57,720 --> 00:24:00,320 Speaker 4: But he's so happy to make and. 482 00:24:00,800 --> 00:24:03,840 Speaker 3: He loves the exhaust and he's got sort of a 483 00:24:03,960 --> 00:24:06,359 Speaker 3: course at off there, so he's not only cross dressing 484 00:24:06,440 --> 00:24:09,760 Speaker 3: his love for machinery. It's quite unique, but it's such 485 00:24:09,760 --> 00:24:18,040 Speaker 3: an endearing Shope's complete. How can you're not a man 486 00:24:18,119 --> 00:24:21,920 Speaker 3: that's just happy with his vehicle. I mean, I just 487 00:24:22,000 --> 00:24:23,399 Speaker 3: don't do a social post. 488 00:24:23,160 --> 00:24:23,399 Speaker 9: For it. 489 00:24:26,880 --> 00:24:27,919 Speaker 3: There and then there's others. 490 00:24:28,080 --> 00:24:32,280 Speaker 4: You should see him felling half of the terrible It's. 491 00:24:32,160 --> 00:24:33,520 Speaker 3: Been a tough one. I mean, you sell it. You've 492 00:24:33,520 --> 00:24:35,800 Speaker 3: got the Hollywood music on. I get at leno, right, 493 00:24:35,880 --> 00:24:39,720 Speaker 3: But that normally means we're celebrating the industry, and I 494 00:24:39,760 --> 00:24:41,720 Speaker 3: don't know if this is a celebration. Just the article 495 00:24:41,760 --> 00:24:43,639 Speaker 3: getting around last night that I found talking about the 496 00:24:43,680 --> 00:24:46,760 Speaker 3: celebrity breakups we've seen in recent times. What's going on 497 00:24:46,880 --> 00:24:48,720 Speaker 3: with famous people and marriage breakdowns? 498 00:24:48,960 --> 00:24:51,119 Speaker 6: Was he twenty twenty years Well, you had the I 499 00:24:51,160 --> 00:24:53,359 Speaker 6: mean the fair bit of isolation. You have to spend 500 00:24:53,400 --> 00:24:54,600 Speaker 6: a lot of time with your loved one. 501 00:24:54,640 --> 00:24:55,959 Speaker 3: Do you think that's what it was? Do you think 502 00:24:56,000 --> 00:24:57,880 Speaker 3: that's what's prompted in this because I mean a while 503 00:24:57,920 --> 00:25:00,119 Speaker 3: ago we had be Ben Affleck that we know and 504 00:25:00,240 --> 00:25:03,600 Speaker 3: how do I say her name? And Jannamus Yeah, Kim 505 00:25:03,600 --> 00:25:07,240 Speaker 3: and Karne broken up. Simon Baker, which we've been talking 506 00:25:07,280 --> 00:25:09,520 Speaker 3: about to Rebecca. The men they were together for twenty 507 00:25:09,680 --> 00:25:13,600 Speaker 3: nine years. Twenty nine years. He'll struggle now, won't There's 508 00:25:13,640 --> 00:25:17,400 Speaker 3: no way to find anyone, poor guy Sam Neil, which 509 00:25:17,440 --> 00:25:20,119 Speaker 3: we saw the other day with ABC presenter Laura Tingle, 510 00:25:20,480 --> 00:25:22,639 Speaker 3: but there was just three years together. Yeah, yeah, but 511 00:25:22,800 --> 00:25:28,280 Speaker 3: still it's something that's fallen apart. Dan mcpherston not long ago. Yeah, 512 00:25:28,920 --> 00:25:32,399 Speaker 3: so they call it quits, and I just wonder if 513 00:25:32,480 --> 00:25:36,119 Speaker 3: that's what it is fits because they talk about relationships 514 00:25:36,440 --> 00:25:40,080 Speaker 3: breaking up around the January February time because you actually 515 00:25:40,160 --> 00:25:42,240 Speaker 3: got to spend time with your partner over to the 516 00:25:42,320 --> 00:25:45,480 Speaker 3: Christmas period. But last year, the Christmas period went all year. 517 00:25:45,960 --> 00:25:48,280 Speaker 3: You know, people were together in lockdown and all of 518 00:25:48,320 --> 00:25:50,360 Speaker 3: a sudden they went, I don't know if I want 519 00:25:50,359 --> 00:25:53,480 Speaker 3: to be around you anymore. Or is the other theory 520 00:25:53,720 --> 00:25:57,359 Speaker 3: that because they're celebrities, they realized there's so many were 521 00:25:57,400 --> 00:26:00,320 Speaker 3: our opportunities out there that maybe them like go and 522 00:26:00,400 --> 00:26:00,520 Speaker 3: have a. 523 00:26:00,520 --> 00:26:03,080 Speaker 4: Look around the other one today in the paper. 524 00:26:03,160 --> 00:26:05,480 Speaker 3: What do you got Lewis? 525 00:26:05,920 --> 00:26:09,280 Speaker 4: Yeah, I know, thirty for thirty nine years. 526 00:26:09,080 --> 00:26:11,520 Speaker 3: With thirty six years, three kids together. 527 00:26:11,280 --> 00:26:14,320 Speaker 4: With Jackie, his wife, and then that's it and he's 528 00:26:14,600 --> 00:26:16,040 Speaker 4: he's found with somebody else. 529 00:26:16,200 --> 00:26:17,880 Speaker 9: I mean, he's the king, that's true. 530 00:26:18,320 --> 00:26:21,240 Speaker 3: It seems to be though that when you are in 531 00:26:21,320 --> 00:26:24,560 Speaker 3: a relationship. Let's take Wally Lewis for example, thirty six years, 532 00:26:25,400 --> 00:26:27,280 Speaker 3: we got Nathan Buckley also. 533 00:26:27,240 --> 00:26:30,879 Speaker 4: Yeah, oh yeah, three AFL coming hardware yep. And Simon 534 00:26:30,920 --> 00:26:32,160 Speaker 4: Goodwin as well, Simon good one. 535 00:26:32,760 --> 00:26:32,920 Speaker 1: I know. 536 00:26:33,160 --> 00:26:36,119 Speaker 6: It's look, so you're saying, with the amount of bus stops, 537 00:26:36,160 --> 00:26:38,680 Speaker 6: I mean, what are the odds of I mean all 538 00:26:38,760 --> 00:26:39,840 Speaker 6: marriages in Australia. 539 00:26:40,160 --> 00:26:42,360 Speaker 4: Who out of the team here? We really we really 540 00:26:42,440 --> 00:26:43,440 Speaker 4: need to start looking at. 541 00:26:44,240 --> 00:26:46,879 Speaker 7: At time, I'm already carrying the team average here you are, 542 00:26:47,119 --> 00:26:51,200 Speaker 7: yeah you are, yeah, fifty close to fifty. So I 543 00:26:51,320 --> 00:26:53,359 Speaker 7: always say this one of you has to go next. 544 00:26:53,480 --> 00:26:55,680 Speaker 7: So I'm not even joking. So who's it going to 545 00:26:55,760 --> 00:26:59,560 Speaker 7: be in all seriousness, Yeah, i'd say so dude. If 546 00:26:59,560 --> 00:27:00,880 Speaker 7: you don't, that's just going to leave. 547 00:27:01,160 --> 00:27:03,440 Speaker 3: WHOA, Wow, you've been very blunt. 548 00:27:04,480 --> 00:27:06,359 Speaker 8: We can put your foot around this, but you really 549 00:27:06,560 --> 00:27:07,240 Speaker 8: do make me. 550 00:27:08,840 --> 00:27:10,040 Speaker 3: I can't believe you've said that. 551 00:27:10,119 --> 00:27:13,040 Speaker 4: I agree with you. I tried. I tried to go 552 00:27:13,440 --> 00:27:14,520 Speaker 4: way born in. 553 00:27:14,600 --> 00:27:18,159 Speaker 3: The bedroom, first time in a long time, through the window. 554 00:27:18,440 --> 00:27:20,000 Speaker 4: Like Jason Borno went missing. 555 00:27:20,840 --> 00:27:23,760 Speaker 3: He remember who he was, he changed his name. 556 00:27:24,560 --> 00:27:27,640 Speaker 4: Then I ended up on a boat. It was really 557 00:27:27,720 --> 00:27:29,040 Speaker 4: weird in hungry. 558 00:27:29,119 --> 00:27:30,159 Speaker 3: I don't know how I got there. 559 00:27:30,320 --> 00:27:31,879 Speaker 4: I mean we were lost all memory. 560 00:27:32,000 --> 00:27:34,720 Speaker 3: We were talking about the midlife crisis, you know, the 561 00:27:34,800 --> 00:27:37,160 Speaker 3: other day and sort of getting to around that fifty 562 00:27:37,240 --> 00:27:39,639 Speaker 3: mark and going what am I doing with my life? 563 00:27:40,320 --> 00:27:42,600 Speaker 3: And maybe for these footy coaches and say Wally Lewis, 564 00:27:42,800 --> 00:27:45,119 Speaker 3: when someone younger comes along and they think, maybe this 565 00:27:45,280 --> 00:27:49,240 Speaker 3: could launch the next stage of my life the next time, 566 00:27:49,520 --> 00:27:52,160 Speaker 3: you know, the next fifty years that I've got, maybe 567 00:27:52,240 --> 00:27:52,560 Speaker 3: this is it. 568 00:27:52,800 --> 00:27:56,040 Speaker 4: It's a big at that age, you just wouldn't you 569 00:27:56,119 --> 00:27:56,520 Speaker 4: push through? 570 00:27:56,600 --> 00:27:57,399 Speaker 3: Couldn't you be bothered? 571 00:27:57,600 --> 00:28:00,280 Speaker 7: No, you're still what you've got, possibly what thirty forty 572 00:28:00,320 --> 00:28:01,840 Speaker 7: years If you don't have to, It doesn't have to 573 00:28:01,880 --> 00:28:04,040 Speaker 7: be a midlife crisis to go, you know what. We 574 00:28:04,480 --> 00:28:06,600 Speaker 7: had these beautiful kids together and we've done this. But 575 00:28:06,720 --> 00:28:09,720 Speaker 7: the fire's gone out, so you know what, you have 576 00:28:09,800 --> 00:28:10,200 Speaker 7: a chance. 577 00:28:10,240 --> 00:28:10,840 Speaker 6: I have a chance. 578 00:28:11,000 --> 00:28:13,159 Speaker 3: Yeah, But do you think says because Lisa and I 579 00:28:13,280 --> 00:28:14,520 Speaker 3: talk about this when we go out for dinner and 580 00:28:14,520 --> 00:28:16,080 Speaker 3: we sit there and we try and work out what 581 00:28:16,280 --> 00:28:17,840 Speaker 3: other tables are doing. Do you do that when you 582 00:28:17,880 --> 00:28:20,080 Speaker 3: go for dinner? I wonder what that couple's going on about? 583 00:28:20,200 --> 00:28:22,080 Speaker 3: Is that a first date or is that a last date? 584 00:28:22,119 --> 00:28:23,680 Speaker 3: Are those guys are laughing? That looks like it could 585 00:28:23,680 --> 00:28:26,080 Speaker 3: be a first date? Nervous energy? And we always try 586 00:28:26,119 --> 00:28:27,840 Speaker 3: and work out what the other diners are doing. 587 00:28:27,960 --> 00:28:30,520 Speaker 6: And you're at the filming of first date. Yeah, we've 588 00:28:30,560 --> 00:28:32,320 Speaker 6: always a guy, which is really weird. 589 00:28:33,200 --> 00:28:36,560 Speaker 3: But we always think, you know, is that the end 590 00:28:36,640 --> 00:28:39,320 Speaker 3: of is that the end for them? Is that over now? 591 00:28:39,800 --> 00:28:41,760 Speaker 6: I mean when when people are looking at you and 592 00:28:41,880 --> 00:28:46,040 Speaker 6: Lisa at a table and we're floating out how long 593 00:28:46,080 --> 00:28:48,280 Speaker 6: has she gotten before she gets out of that relationship? 594 00:28:48,880 --> 00:28:51,000 Speaker 6: You say he has a lot of money, has money? 595 00:28:51,320 --> 00:28:52,000 Speaker 9: He has money? 596 00:28:52,600 --> 00:28:55,200 Speaker 3: He doesn't. He's ordered two kilos of mudcrab Again, he 597 00:28:55,200 --> 00:28:57,080 Speaker 3: shouldn't have done that, But no, he doesn't have a 598 00:28:57,120 --> 00:28:58,840 Speaker 3: lot of money. And those two are in love. That 599 00:28:59,000 --> 00:29:01,520 Speaker 3: guy must be he must be. 600 00:29:04,200 --> 00:29:05,560 Speaker 4: Miranda care and what is it? 601 00:29:07,720 --> 00:29:10,960 Speaker 3: But Miranda Kurr doesn't need Spiegel's money, but it's nice 602 00:29:11,000 --> 00:29:13,040 Speaker 3: to have. Wouldn't Curry have a fair bit in the tank. 603 00:29:13,640 --> 00:29:18,360 Speaker 3: She's gone from Kerry James Packer to Spiegel Kerry Kerry 604 00:29:19,120 --> 00:29:22,040 Speaker 3: would have been a hard one. I know you're about 605 00:29:22,040 --> 00:29:24,000 Speaker 3: to go, but I'd like to meet you, Gerry. 606 00:29:24,120 --> 00:29:25,680 Speaker 4: So are you what are you ending on this? 607 00:29:25,720 --> 00:29:27,400 Speaker 3: I'm just trying to work out. I'm trying to nut 608 00:29:27,480 --> 00:29:30,400 Speaker 3: out whether it's a celebrity based thing or it's COVID 609 00:29:30,440 --> 00:29:34,640 Speaker 3: that's forced these celebrity relationships to bust the conclusion what 610 00:29:34,760 --> 00:29:36,840 Speaker 3: did you come up? I think it's a celebrity. I 611 00:29:36,920 --> 00:29:38,640 Speaker 3: think it's getting out there and having a look at 612 00:29:38,640 --> 00:29:40,000 Speaker 3: all this said a great. 613 00:29:41,440 --> 00:29:45,040 Speaker 6: To conclude in my speech on this day, at this 614 00:29:45,320 --> 00:29:46,840 Speaker 6: time any one from the Daily. 615 00:29:46,600 --> 00:29:53,360 Speaker 3: Mail celebrating tribute acts and tribute bands cover bands also 616 00:29:53,440 --> 00:29:55,600 Speaker 3: we're talking about it. We couldn't believe the list that 617 00:29:55,680 --> 00:30:01,040 Speaker 3: you found fits the Robbie Williams impersonator, Blobby Williams, Blobby Williams, 618 00:30:01,120 --> 00:30:05,520 Speaker 3: Bobby yesterday what to treat it was? We had the 619 00:30:05,640 --> 00:30:07,640 Speaker 3: Prince experience in the studio. 620 00:30:08,480 --> 00:30:11,360 Speaker 4: What a talent it tells me that sells out every 621 00:30:11,480 --> 00:30:12,560 Speaker 4: every gig that he use. 622 00:30:13,040 --> 00:30:15,960 Speaker 3: Head to Lombardo Entertainment dot com dot as a book 623 00:30:16,680 --> 00:30:20,640 Speaker 3: prints Experience Australia for your next event, or head online tickets. 624 00:30:20,800 --> 00:30:24,720 Speaker 3: The next gig is at the max WAT Sydney Entertainment. 625 00:30:24,320 --> 00:30:26,000 Speaker 4: Center, right, that's a great venue. 626 00:30:26,040 --> 00:30:29,960 Speaker 3: MAXWOTS Saturday, ninth of May. 627 00:30:33,160 --> 00:30:36,600 Speaker 8: I'm I'm giggling because I know what's coming. 628 00:30:38,080 --> 00:30:42,400 Speaker 3: To continue in the celebration of tribute acts. I've lined 629 00:30:42,440 --> 00:30:45,920 Speaker 3: up another one for today. It only makes yeah, it 630 00:30:46,040 --> 00:30:50,240 Speaker 3: only makes sense that we give those that dedicate their 631 00:30:50,320 --> 00:30:55,240 Speaker 3: life to the craft the opportunity of airplay. So I'd 632 00:30:55,360 --> 00:30:57,600 Speaker 3: like to welcome into the studio. If he's there and 633 00:30:57,680 --> 00:31:01,520 Speaker 3: he's ready to come through. El Jack is in the building, 634 00:31:07,720 --> 00:31:12,680 Speaker 3: all right, Help me with that seat. Oh my god, 635 00:31:12,960 --> 00:31:13,680 Speaker 3: Oh my god. 636 00:31:13,720 --> 00:31:16,560 Speaker 4: Help the man, man, Help help the man. I brought 637 00:31:16,640 --> 00:31:19,520 Speaker 4: my stand of course, Oh my god. 638 00:31:20,480 --> 00:31:21,120 Speaker 3: How are you mate? 639 00:31:21,160 --> 00:31:23,160 Speaker 4: What did you think of Rocketman? Did you think it 640 00:31:23,240 --> 00:31:23,720 Speaker 4: was a good movie? 641 00:31:23,760 --> 00:31:26,440 Speaker 3: Help me with the shivers. 642 00:31:28,680 --> 00:31:29,640 Speaker 4: I thought it was a top movie. 643 00:31:29,680 --> 00:31:31,840 Speaker 13: I really enjoyed it as a fan and as as 644 00:31:31,840 --> 00:31:33,160 Speaker 13: a Elton John impersonator. 645 00:31:33,200 --> 00:31:35,160 Speaker 4: I thought it hit all the marks that needed to 646 00:31:35,240 --> 00:31:35,720 Speaker 4: hit have you. 647 00:31:35,880 --> 00:31:36,760 Speaker 8: Have you met Elton? 648 00:31:36,920 --> 00:31:38,720 Speaker 3: No, I haven't met Elton, but he knows all about me. 649 00:31:39,120 --> 00:31:39,680 Speaker 4: I've been around. 650 00:31:39,720 --> 00:31:42,640 Speaker 13: I've been around thirty four years, back when videotapes were big. 651 00:31:44,880 --> 00:31:46,200 Speaker 8: Yeah, Elton knows all about me. 652 00:31:46,240 --> 00:31:47,800 Speaker 3: And I've worked for nearly everybody. 653 00:31:47,520 --> 00:31:50,200 Speaker 4: That he works for over the years. And I know 654 00:31:50,320 --> 00:31:51,160 Speaker 4: that he knows about you. 655 00:31:51,360 --> 00:31:54,200 Speaker 13: Because he spoke about me on a TV show in England. 656 00:31:54,960 --> 00:31:58,280 Speaker 13: Asked the question going, you know, there's this guy who 657 00:31:58,320 --> 00:32:02,040 Speaker 13: impersonates you, called Elton Jack and he goes from Australia. 658 00:32:01,960 --> 00:32:03,280 Speaker 4: So he's got the Australian thing. 659 00:32:03,320 --> 00:32:05,880 Speaker 13: And that's why I did it. You know, Australia loves Elton. 660 00:32:06,560 --> 00:32:08,200 Speaker 13: We don't see him that often, and so you know, 661 00:32:08,280 --> 00:32:10,600 Speaker 13: thirty years ago I went on Red Faces, Yes and 662 00:32:11,320 --> 00:32:14,880 Speaker 13: Saturday Saturday and one and you want it, boys, I'm 663 00:32:14,920 --> 00:32:17,240 Speaker 13: still sitting here. I want it, And I'm still sitting 664 00:32:17,280 --> 00:32:18,120 Speaker 13: here thirty years later. 665 00:32:18,240 --> 00:32:20,000 Speaker 3: And I assume that's a week you're wearing it. 666 00:32:20,680 --> 00:32:22,720 Speaker 4: This is Bruno. This is my wig. 667 00:32:22,760 --> 00:32:26,120 Speaker 13: Bruno gravels the world with me. He goes everywhere I go, 668 00:32:26,280 --> 00:32:27,960 Speaker 13: and he gets a little bit shy. Sometimes I like 669 00:32:28,000 --> 00:32:29,160 Speaker 13: to slip back the dressing him. 670 00:32:29,120 --> 00:32:31,520 Speaker 4: But if he leaves, you tell me, all right, tell 671 00:32:31,600 --> 00:32:32,320 Speaker 4: him he spoils it. 672 00:32:32,560 --> 00:32:33,600 Speaker 3: What sort of gigs do you do? 673 00:32:34,840 --> 00:32:35,000 Speaker 4: Well? 674 00:32:35,080 --> 00:32:37,040 Speaker 3: Would you do weddings? Do you do corporates? 675 00:32:37,280 --> 00:32:39,600 Speaker 13: I've done lots of stuff, but mostly it's clubs, you 676 00:32:39,720 --> 00:32:42,280 Speaker 13: know in New South Wales's clubs. But I've done lots 677 00:32:42,280 --> 00:32:44,480 Speaker 13: of theaters and things. I played the Sydney Opera House 678 00:32:44,560 --> 00:32:47,560 Speaker 13: one nineteen ninety five. I mean, Elton hasn't even actually 679 00:32:47,560 --> 00:32:49,640 Speaker 13: played there. You've got him there, it's too small. 680 00:32:49,720 --> 00:32:52,760 Speaker 4: But what are the names of some of the other 681 00:32:52,920 --> 00:32:54,440 Speaker 4: Elton impersonal. 682 00:32:54,600 --> 00:32:56,760 Speaker 13: Well, you got your Elton John experience and stuff. But 683 00:32:56,800 --> 00:32:59,600 Speaker 13: you see, the trick was Ozzie Ostrich gave me the 684 00:32:59,680 --> 00:33:01,440 Speaker 13: name back Whispering Jack. 685 00:33:01,520 --> 00:33:03,960 Speaker 4: Thing was around the time and you went, we're calling 686 00:33:04,040 --> 00:33:04,600 Speaker 4: Melton Jack. 687 00:33:04,720 --> 00:33:07,000 Speaker 13: I was like perfectly because I was. I was singing 688 00:33:07,080 --> 00:33:10,160 Speaker 13: stuff like Elton, Smelton. Know what are you gonna call yourself? 689 00:33:10,240 --> 00:33:12,400 Speaker 4: Benny in the jets smelting. 690 00:33:12,680 --> 00:33:15,120 Speaker 8: I nearly went that way, are you gonna sing? 691 00:33:15,240 --> 00:33:15,280 Speaker 1: For? 692 00:33:15,560 --> 00:33:16,680 Speaker 3: We are here? 693 00:33:16,760 --> 00:33:17,600 Speaker 4: We gotta go, you're ready? 694 00:33:18,520 --> 00:33:22,080 Speaker 11: I'll remamble wearing rock balls young me as soon as 695 00:33:22,160 --> 00:33:27,600 Speaker 11: he had so much fun pulling hands, skimming stones, hadn't 696 00:33:27,680 --> 00:33:29,800 Speaker 11: Old gold shaven a place on my own. 697 00:33:29,880 --> 00:33:33,440 Speaker 5: But the pigs ever got yeah, was doing a fine 698 00:33:33,520 --> 00:33:37,280 Speaker 5: calling crocodile on the other the kids are rocking around 699 00:33:37,280 --> 00:33:41,520 Speaker 5: the cop we were happening, and the crocodile rock singing 700 00:33:42,280 --> 00:33:43,800 Speaker 5: lie La. 701 00:33:43,800 --> 00:33:49,240 Speaker 4: Da la la la la la la la la la 702 00:33:49,360 --> 00:33:51,240 Speaker 4: la la la la. Come on everybody this. 703 00:34:00,240 --> 00:34:01,080 Speaker 8: La la la la la. 704 00:34:02,920 --> 00:34:03,120 Speaker 1: Yeah. 705 00:34:03,280 --> 00:34:05,200 Speaker 3: Yeah, whoa. 706 00:34:07,320 --> 00:34:07,560 Speaker 8: Yeah? 707 00:34:08,760 --> 00:34:11,520 Speaker 6: El yeah, So yeah, baby, you reasually get out of 708 00:34:11,560 --> 00:34:13,160 Speaker 6: the piano as well, Is it yes? 709 00:34:13,400 --> 00:34:15,759 Speaker 4: Or instruments do I play? Yes? 710 00:34:16,080 --> 00:34:16,239 Speaker 8: Ah? 711 00:34:16,360 --> 00:34:19,560 Speaker 13: Look I'm a self taught piano and guitar player. That's 712 00:34:19,600 --> 00:34:21,600 Speaker 13: as far as I've Gone's song? 713 00:34:22,160 --> 00:34:22,440 Speaker 4: What's his? 714 00:34:22,560 --> 00:34:22,600 Speaker 1: What? 715 00:34:22,760 --> 00:34:23,439 Speaker 3: What's his best? 716 00:34:23,520 --> 00:34:27,640 Speaker 13: So yeah, people ask me that. And I have a 717 00:34:27,760 --> 00:34:31,560 Speaker 13: favorite Elton John song which nobody knows. It's called Indian Sunset. 718 00:34:31,719 --> 00:34:35,000 Speaker 13: I know it's on It's way back in nineteen seventy one. 719 00:34:35,280 --> 00:34:37,759 Speaker 13: That's my favorite personal Elton John song. But the best 720 00:34:37,800 --> 00:34:40,120 Speaker 13: one to play for me personally is your song because 721 00:34:40,120 --> 00:34:41,840 Speaker 13: I do it. I do it as a solo and 722 00:34:41,920 --> 00:34:43,960 Speaker 13: I've been playing that since I was like a teenager. 723 00:34:44,320 --> 00:34:46,400 Speaker 13: So every time I'm sitting out there on that stage 724 00:34:46,440 --> 00:34:48,640 Speaker 13: with with the lights on me and I'm doing. It's 725 00:34:48,719 --> 00:34:51,520 Speaker 13: a little bit funny that I go right back to 726 00:34:51,600 --> 00:34:53,799 Speaker 13: that thing because I just do it solo wise. 727 00:34:53,880 --> 00:34:56,319 Speaker 4: But do you blow in the audience sometimes as well? 728 00:34:56,440 --> 00:34:57,400 Speaker 8: Like I mean the temper. 729 00:34:57,600 --> 00:35:00,920 Speaker 13: Yeah, you know, I've had to temper the temper because 730 00:35:01,440 --> 00:35:05,160 Speaker 13: people expect it. But I've been told I'm a lot 731 00:35:05,280 --> 00:35:07,000 Speaker 13: like Elton and I think, what the hell are you? 732 00:35:07,239 --> 00:35:07,839 Speaker 3: What does that mean? 733 00:35:08,120 --> 00:35:09,600 Speaker 4: I've got the money and got the rest of it. 734 00:35:12,280 --> 00:35:16,120 Speaker 3: I'm wearing a phony wig. It's just one of those things. 735 00:35:16,000 --> 00:35:17,960 Speaker 13: That I put up with all my life. And you 736 00:35:18,040 --> 00:35:19,440 Speaker 13: know what's the best thing about it. I just say this, 737 00:35:19,960 --> 00:35:22,960 Speaker 13: it's performing these songs. I feel like I'm in charge. 738 00:35:23,000 --> 00:35:25,560 Speaker 13: You know, I'm a person, i'mber, I'm a collector. I'm 739 00:35:25,600 --> 00:35:27,520 Speaker 13: looking after it. So when I go and do my shows, 740 00:35:27,880 --> 00:35:29,680 Speaker 13: I know that people love the songs too. And that's 741 00:35:29,960 --> 00:35:32,480 Speaker 13: why Elton Jack has lasted this way. He's got songs, 742 00:35:32,520 --> 00:35:35,080 Speaker 13: you know, rocket Man and Crocodile Rock Ben and the 743 00:35:35,160 --> 00:35:36,040 Speaker 13: Jets and all that stuff. 744 00:35:36,239 --> 00:35:38,600 Speaker 3: Tommy, how can you put Elton John with Elton Jack? 745 00:35:38,760 --> 00:35:40,520 Speaker 3: Like can we how can you get them to mate? 746 00:35:40,600 --> 00:35:42,200 Speaker 8: Well, we've never had Elton John on the show. 747 00:35:43,080 --> 00:35:44,239 Speaker 4: I'm just struggling to get mad. 748 00:35:44,560 --> 00:35:46,239 Speaker 3: I've got a photo with Elton John when he. 749 00:35:46,320 --> 00:35:48,760 Speaker 10: Was the but he said he's not touring anymore. 750 00:35:48,800 --> 00:35:51,600 Speaker 3: That was the last one he's got nothing on. 751 00:35:52,200 --> 00:35:52,839 Speaker 8: He doesn't mean. 752 00:35:54,280 --> 00:35:58,319 Speaker 13: That would be a huge coup for me photograph or something, because, 753 00:35:58,440 --> 00:35:59,879 Speaker 13: like I said, he's been aware of it for many 754 00:36:00,040 --> 00:36:02,840 Speaker 13: and of course since YouTube and stuff has come about. 755 00:36:03,000 --> 00:36:06,000 Speaker 13: I'm there, you're punching Elton John and little Elton Jack 756 00:36:06,040 --> 00:36:07,000 Speaker 13: clips come on as well. 757 00:36:07,120 --> 00:36:10,200 Speaker 4: So have you got any geeks coming up? A look, 758 00:36:10,239 --> 00:36:11,280 Speaker 4: I'm traveling around. 759 00:36:11,320 --> 00:36:14,879 Speaker 13: I've just joined a thing called icons in Concerts, which 760 00:36:14,960 --> 00:36:17,600 Speaker 13: is like a Rod Stewart, a lionel Richie and Elton 761 00:36:17,680 --> 00:36:19,960 Speaker 13: John and a Livy Newton John all in wild. 762 00:36:21,760 --> 00:36:24,120 Speaker 4: Tell me, I'm telling your kids you look at that slist. 763 00:36:24,280 --> 00:36:26,680 Speaker 4: That setlist is a hit after hit after hit, that is, 764 00:36:26,760 --> 00:36:27,200 Speaker 4: and we're. 765 00:36:27,080 --> 00:36:30,360 Speaker 13: Starting that up in Queensland Twin Town's on the twenty 766 00:36:30,480 --> 00:36:31,799 Speaker 13: seventh of February. 767 00:36:32,360 --> 00:36:34,960 Speaker 3: Joe Elton Jack A bit more to go to the break? 768 00:36:35,000 --> 00:36:37,200 Speaker 8: Yeah, can you take the something that I should sing? 769 00:36:37,920 --> 00:36:40,600 Speaker 4: Everybody? Everybody's singing on the chorus. We should surprise Molly 770 00:36:40,680 --> 00:36:43,480 Speaker 4: one day and think I have met Molly. Oh yeah, Yeah, 771 00:36:43,520 --> 00:36:45,480 Speaker 4: well I did the whole hey hey thing. Sure. 772 00:36:45,600 --> 00:36:47,879 Speaker 13: I was really I was like one of their little 773 00:36:47,920 --> 00:36:50,200 Speaker 13: favorites for a while, and Darryl Darrell loved what I 774 00:36:50,360 --> 00:36:51,960 Speaker 13: was doing. Yeah, he used to have me back on 775 00:36:52,040 --> 00:36:53,800 Speaker 13: the show on dress up nights and things like that 776 00:36:53,920 --> 00:36:56,279 Speaker 13: because once I've got established, and so. 777 00:36:56,719 --> 00:37:00,960 Speaker 4: I did get to meet Molly to speak to his staff. 778 00:37:02,400 --> 00:37:05,320 Speaker 3: You love me, all right, Let's take it nice? Is 779 00:37:05,400 --> 00:37:06,440 Speaker 3: eld Jack. 780 00:37:13,760 --> 00:37:19,400 Speaker 2: It Fits In with the Show is a Nova podcast. 781 00:37:19,760 --> 00:37:22,520 Speaker 2: For more great comedy shows like this, head to Nova 782 00:37:22,640 --> 00:37:24,680 Speaker 2: podcast dot com, dot au.