1
00:00:00,120 --> 00:00:03,560
Speaker 1: Consume with that thirteen twenty four ten. If you have

2
00:00:03,920 --> 00:00:08,080
Speaker 1: been on an aeroplane with a famous person. I think

3
00:00:08,119 --> 00:00:09,720
Speaker 1: it was DULs who used to say, I don't want

4
00:00:09,720 --> 00:00:12,000
Speaker 1: to fly with the famous person coast the plane goes down,

5
00:00:12,039 --> 00:00:14,880
Speaker 1: no one will mention me, or to celebrate the life

6
00:00:14,920 --> 00:00:17,400
Speaker 1: of the more famous person, exactly. I get it.

7
00:00:17,400 --> 00:00:17,599
Speaker 2: Made.

8
00:00:17,680 --> 00:00:18,880
Speaker 1: Also, wouldn't save you.

9
00:00:18,800 --> 00:00:22,040
Speaker 3: If there's if there's no way, if the raft is

10
00:00:22,040 --> 00:00:23,680
Speaker 3: out and there's one space less.

11
00:00:23,560 --> 00:00:26,600
Speaker 2: See you know it's the exit row because I get

12
00:00:26,600 --> 00:00:28,639
Speaker 2: the exit row all the time with my long legs.

13
00:00:29,000 --> 00:00:32,760
Speaker 2: Fair bit of responsibility. But also not many people know this,

14
00:00:32,840 --> 00:00:35,120
Speaker 2: but you you're the first one to open the door. Yeah,

15
00:00:35,120 --> 00:00:36,600
Speaker 2: you're on, You're the first one out.

16
00:00:37,159 --> 00:00:39,680
Speaker 3: I also feel like you wouldn't be that good at

17
00:00:39,680 --> 00:00:40,560
Speaker 3: helping other people.

18
00:00:40,680 --> 00:00:42,720
Speaker 1: No, no, yeah, I know what you know, you kind

19
00:00:42,760 --> 00:00:43,479
Speaker 1: of just nick off.

20
00:00:43,560 --> 00:00:44,479
Speaker 2: Yeah, you crack it.

21
00:00:45,440 --> 00:00:47,600
Speaker 3: You'd say, guys, I'll jump out first, and you would

22
00:00:47,640 --> 00:00:49,879
Speaker 3: in that sense, be great. But then someone's caught in

23
00:00:49,920 --> 00:00:50,520
Speaker 3: their seat belt.

24
00:00:50,560 --> 00:00:51,279
Speaker 1: You're not going back.

25
00:00:51,280 --> 00:00:53,680
Speaker 2: I no, no, I just totally disagree with it. And

26
00:00:53,720 --> 00:00:56,360
Speaker 2: I've thought about this so much, and I mean, you

27
00:00:56,480 --> 00:00:59,520
Speaker 2: probably you're you're asleep on a plane you're you're gripping

28
00:00:59,520 --> 00:00:59,920
Speaker 2: onto a.

29
00:01:01,760 --> 00:01:03,240
Speaker 1: Yeah, the whole time drunk.

30
00:01:04,120 --> 00:01:06,520
Speaker 2: I would I've thought about this. I would open the

31
00:01:06,560 --> 00:01:09,520
Speaker 2: door and then I would just basically pick people up and.

32
00:01:09,480 --> 00:01:11,760
Speaker 1: Throw them out. I reckon, I reckon. By the time

33
00:01:11,760 --> 00:01:13,600
Speaker 1: the last person got off that plane, you'd be seeing

34
00:01:13,640 --> 00:01:16,319
Speaker 1: a band in New Town. You'd be out of there.

35
00:01:16,360 --> 00:01:19,240
Speaker 1: But your guy and people.

36
00:01:19,040 --> 00:01:21,280
Speaker 3: You've got the plane floating.

37
00:01:22,680 --> 00:01:23,920
Speaker 1: That's a pretty big thing.

38
00:01:24,680 --> 00:01:27,400
Speaker 2: Yeah, guys, I'm over in Spain, but I'll just quickly drop.

39
00:01:28,920 --> 00:01:32,360
Speaker 1: This is exciting. What about Italy? He has been over

40
00:01:32,400 --> 00:01:33,760
Speaker 1: for the polo at this time of the year. Is

41
00:01:33,800 --> 00:01:37,800
Speaker 1: such a great tournament. Prince Harry has been It's Harry

42
00:01:37,800 --> 00:01:40,320
Speaker 1: has been in easily for the polo as you do.

43
00:01:40,600 --> 00:01:43,560
Speaker 1: And the main man has been spotted just on a

44
00:01:43,600 --> 00:01:46,880
Speaker 1: BA flight heading back to London. Isn't that awesome?

45
00:01:47,160 --> 00:01:48,280
Speaker 3: Your flight commercial?

46
00:01:48,560 --> 00:01:52,320
Speaker 1: Well, yeah, the Royal jets there when they get permissions there.

47
00:01:52,360 --> 00:01:54,240
Speaker 1: I think you've got a right to the main lady

48
00:01:54,280 --> 00:01:56,480
Speaker 1: and say hey, I need to do this, and that's

49
00:01:56,520 --> 00:01:59,840
Speaker 1: how you get your permission. This woman, Amy said, she

50
00:02:00,120 --> 00:02:02,040
Speaker 1: standing there. I looked over and saw this guy who

51
00:02:02,080 --> 00:02:04,520
Speaker 1: looked like Prince Harry. Because you wouldn't believe it. He

52
00:02:04,560 --> 00:02:07,080
Speaker 1: had a wedding ring on and he looked very, very tired.

53
00:02:07,400 --> 00:02:09,200
Speaker 1: He's had a crack. Good on your mate in a way.

54
00:02:09,440 --> 00:02:11,600
Speaker 1: He've got a new born. The guy next to him

55
00:02:11,600 --> 00:02:13,520
Speaker 1: looked like security and he was just glaring at me.

56
00:02:13,600 --> 00:02:15,840
Speaker 1: Finally my brain clicked and I realized it was Prince

57
00:02:15,880 --> 00:02:19,480
Speaker 1: Harry on the way back to London. How exciting would

58
00:02:19,520 --> 00:02:21,399
Speaker 1: that be? I mean, I told you I sat next

59
00:02:21,440 --> 00:02:24,560
Speaker 1: to Ian Smith, how old bishop from neighbors one time

60
00:02:24,600 --> 00:02:27,799
Speaker 1: on a plant. We didn't because I was just tells

61
00:02:28,360 --> 00:02:34,119
Speaker 1: absolutely if you had to save in that road, where

62
00:02:34,160 --> 00:02:38,880
Speaker 1: it would you start there? Pillow this No, because you've

63
00:02:38,880 --> 00:02:41,000
Speaker 1: got to under your chin. You finish with your lunch.

64
00:02:41,120 --> 00:02:43,040
Speaker 1: And I wasn't.

65
00:02:43,120 --> 00:02:46,120
Speaker 3: That was not the chat Pretzel in that back. I

66
00:02:46,160 --> 00:02:47,080
Speaker 3: think you're finishing up.

67
00:02:47,200 --> 00:02:47,760
Speaker 1: How much.

68
00:02:50,760 --> 00:02:57,280
Speaker 4: It was at Sarah.

69
00:02:57,280 --> 00:02:59,120
Speaker 1: That does not deserve a laugh of that level.

70
00:02:59,240 --> 00:03:00,200
Speaker 2: It's very good for you.

71
00:03:00,200 --> 00:03:05,079
Speaker 1: This early Gil's gone, she's overtired.

72
00:03:06,680 --> 00:03:07,839
Speaker 3: I'm legitimately tied.

73
00:03:07,880 --> 00:03:08,880
Speaker 2: What's how he is raising?

74
00:03:08,960 --> 00:03:11,080
Speaker 3: He's not getting up for the two a m fee.

75
00:03:11,560 --> 00:03:13,639
Speaker 3: I don't care how relatable they.

76
00:03:13,480 --> 00:03:13,920
Speaker 2: Want to be.

77
00:03:13,960 --> 00:03:14,840
Speaker 3: They've got a nightmare.

78
00:03:15,200 --> 00:03:17,840
Speaker 2: Come on, I don't think Megan's getting up for the

79
00:03:17,880 --> 00:03:23,040
Speaker 2: two a m fee. Diplow cheese. He's had some big hit,

80
00:03:23,080 --> 00:03:27,160
Speaker 2: saysn't he it's the one with Justin Bieber, But so

81
00:03:27,320 --> 00:03:31,399
Speaker 2: wasn't No it was diplown't Yeah, Diplow does the song

82
00:03:31,440 --> 00:03:33,400
Speaker 2: and then Baby comes in and probably records it in

83
00:03:33,440 --> 00:03:33,960
Speaker 2: half an hour.

84
00:03:34,040 --> 00:03:39,440
Speaker 3: Yeah, Baber kind of owns it. He does lyrics song. Yeah,

85
00:03:39,480 --> 00:03:40,720
Speaker 3: you don't want to be Diplo in that.

86
00:03:40,800 --> 00:03:43,480
Speaker 2: Rightnership, he wouldn't. Well, Diplow would get all the money

87
00:03:43,480 --> 00:03:48,120
Speaker 2: from that, Yeah, all of it, writes at everything. Biber

88
00:03:48,200 --> 00:03:50,560
Speaker 2: comes in and records it in half an hour. It

89
00:03:50,640 --> 00:03:53,440
Speaker 2: goes to number one. Diplow has the rights to it.

90
00:03:53,600 --> 00:03:56,000
Speaker 3: Does Diplo have to pay Baber or does he then

91
00:03:56,040 --> 00:03:57,280
Speaker 3: get a cush of the royals?

92
00:03:57,280 --> 00:03:59,400
Speaker 2: Well, I would say when I would say he would

93
00:03:59,400 --> 00:04:03,800
Speaker 2: get a share of it. Yeah, Bard cheering song. Justin

94
00:04:03,840 --> 00:04:05,240
Speaker 2: Bieber would have nothing to do with.

95
00:04:05,200 --> 00:04:05,840
Speaker 1: That song at all.

96
00:04:06,120 --> 00:04:11,200
Speaker 3: You reckon about collaborating.

97
00:04:11,480 --> 00:04:14,160
Speaker 2: Sheeran did put up that video of him doing the acoustics,

98
00:04:14,160 --> 00:04:16,280
Speaker 2: so he's probably already done the song, and they said, well,

99
00:04:16,320 --> 00:04:19,119
Speaker 2: let's just get Biber involved and give him some lines.

100
00:04:19,400 --> 00:04:20,520
Speaker 3: It's easy way to make money.

101
00:04:21,120 --> 00:04:24,120
Speaker 2: DJ car led everyone gets Biber. All you gotta do

102
00:04:24,200 --> 00:04:26,800
Speaker 2: is just get Biber on board. What's there, there's, but there's.

103
00:04:26,839 --> 00:04:32,279
Speaker 2: He's collaborated with about fifteen people, the number one Desposito.

104
00:04:33,120 --> 00:04:40,880
Speaker 1: The most viewed trip click but on YouTube, Welcome.

105
00:04:40,480 --> 00:04:46,960
Speaker 2: Everyone, Bustrooms picked in. Well. So, anyway, years and years

106
00:04:46,960 --> 00:04:49,760
Speaker 2: and years ago, he ran into Travis Scott and they

107
00:04:49,800 --> 00:04:52,320
Speaker 2: started talking Sarah. They actually did a song together with

108
00:04:52,400 --> 00:04:57,080
Speaker 2: Major Laser whose Diplo's band, and they he got Travis

109
00:04:57,120 --> 00:05:00,760
Speaker 2: Scott's number and anyways started texting a Scott. They had

110
00:05:00,760 --> 00:05:02,680
Speaker 2: a bit of a relationship, but then it sort of

111
00:05:02,680 --> 00:05:05,159
Speaker 2: fizzed out. They didn't see each other for years. So

112
00:05:05,240 --> 00:05:07,719
Speaker 2: then he saw he saw Travis Scott recently at a

113
00:05:07,800 --> 00:05:10,599
Speaker 2: music festivals there ran into him again. He goes, Trav,

114
00:05:10,880 --> 00:05:13,000
Speaker 2: We've got to do another song together. And Travis Scott's

115
00:05:13,040 --> 00:05:15,440
Speaker 2: so big now that he said, mate, let's do it.

116
00:05:15,560 --> 00:05:18,800
Speaker 2: He's my number, and dip Blow goes, great, give me

117
00:05:18,880 --> 00:05:21,600
Speaker 2: your new number, because obviously you know I got your

118
00:05:21,720 --> 00:05:24,560
Speaker 2: one from years ago. So the next day Diplow goes

119
00:05:24,600 --> 00:05:28,360
Speaker 2: on and goes he texts Travis Scott and the text was,

120
00:05:28,960 --> 00:05:33,159
Speaker 2: where's Diplow? Lock me in, doesn't doesn't get a reply.

121
00:05:33,440 --> 00:05:37,080
Speaker 2: But Diplo said, I noticed as I put in that number,

122
00:05:37,520 --> 00:05:39,440
Speaker 2: that was the number that he gave me over five

123
00:05:39,560 --> 00:05:41,800
Speaker 2: years ago. And then you know how you put it

124
00:05:41,839 --> 00:05:43,440
Speaker 2: in and it shows you all the text that you

125
00:05:43,520 --> 00:05:47,520
Speaker 2: sent previously. Diplo realized he sent him fifteen texts and

126
00:05:47,560 --> 00:05:49,520
Speaker 2: he got no reply from Travis Scott.

127
00:05:50,080 --> 00:05:50,960
Speaker 1: Read the play Diplo.

128
00:05:52,560 --> 00:05:56,400
Speaker 2: He's then put Diplow's put it up on his Instagram account, and.

129
00:05:56,920 --> 00:05:58,040
Speaker 3: That's not the way to win him over.

130
00:05:58,279 --> 00:06:00,040
Speaker 2: Well, he's just gone. I just want to get a

131
00:06:00,040 --> 00:06:02,840
Speaker 2: reply from Travis Scott. I'm getting nothing here, and it's

132
00:06:02,960 --> 00:06:07,839
Speaker 2: quite sad. It's like one of those you get someone's number.

133
00:06:08,040 --> 00:06:09,479
Speaker 2: It's like, are you mad at me?

134
00:06:09,920 --> 00:06:11,120
Speaker 1: You don't know what the problem is?

135
00:06:12,279 --> 00:06:15,560
Speaker 2: Hey, what's up, bro? Text me back? It's Diplo thinks

136
00:06:15,600 --> 00:06:18,320
Speaker 2: something might be wrong with my text Hit me back,

137
00:06:18,400 --> 00:06:19,200
Speaker 2: which isn't bad.

138
00:06:19,720 --> 00:06:21,120
Speaker 3: There's something wrong with my phone.

139
00:06:21,240 --> 00:06:23,400
Speaker 1: I think what you'll find is that number that he

140
00:06:23,440 --> 00:06:25,520
Speaker 1: gave you the second time around is the old number

141
00:06:25,520 --> 00:06:27,440
Speaker 1: that he really never had to start with. So whenever

142
00:06:27,520 --> 00:06:29,640
Speaker 1: I give my phone number to somebody and I don't

143
00:06:29,680 --> 00:06:32,080
Speaker 1: want to, I changed the last digit, No, you don't.

144
00:06:32,440 --> 00:06:35,239
Speaker 1: I do. I do it all the time. The awkward

145
00:06:35,240 --> 00:06:38,279
Speaker 1: part is when they go, oh, well, i'll call you now,

146
00:06:38,320 --> 00:06:40,679
Speaker 1: and then you've got my number, and you go, no, no,

147
00:06:41,200 --> 00:06:44,279
Speaker 1: don't worry. I will be in touch for sure. We'll

148
00:06:44,279 --> 00:06:45,279
Speaker 1: work on that song together.

149
00:06:45,440 --> 00:06:47,560
Speaker 2: He's even going to the book, Trav. You must be

150
00:06:47,600 --> 00:06:51,200
Speaker 2: super busy. I know how it goes. Anyway, hit my

151
00:06:51,279 --> 00:06:54,800
Speaker 2: line guy, and then he's text a day later. Are

152
00:06:54,839 --> 00:06:58,800
Speaker 2: you mad at me? He's getting no replies and I

153
00:06:58,839 --> 00:06:59,880
Speaker 2: don't care what you say.

154
00:07:00,080 --> 00:07:01,040
Speaker 1: Are I'm trying to kiss him?

155
00:07:01,040 --> 00:07:04,279
Speaker 2: All people people who say, oh, I just I just

156
00:07:04,320 --> 00:07:06,760
Speaker 2: didn't see your text, that's a load of crap. You

157
00:07:06,800 --> 00:07:10,280
Speaker 2: look at every text you see everyone as an email.

158
00:07:10,760 --> 00:07:12,320
Speaker 2: Just made a decision.

159
00:07:11,920 --> 00:07:13,720
Speaker 1: Not to you know, I do the one. The line

160
00:07:13,760 --> 00:07:16,800
Speaker 1: I go is drop the ball on this one. Sorry, guys,

161
00:07:17,440 --> 00:07:20,640
Speaker 1: onto this now, I've dropped the ball instead of saying

162
00:07:21,080 --> 00:07:24,120
Speaker 1: I'm acknowledging that I got your email or your text message,

163
00:07:24,120 --> 00:07:26,240
Speaker 1: but I just didn't do anything with it. Sorry I

164
00:07:26,280 --> 00:07:28,680
Speaker 1: was busy. Because you're right, if you pretend that you

165
00:07:28,800 --> 00:07:32,960
Speaker 1: never got the text, rubbish, you're the drop.

166
00:07:32,840 --> 00:07:33,400
Speaker 2: The ball guy.

167
00:07:33,520 --> 00:07:37,880
Speaker 1: Yeah, another bad line. Actually, I mean Todd Sampson. If

168
00:07:37,920 --> 00:07:41,840
Speaker 1: you're listening, I did message you last night. I'm still

169
00:07:42,000 --> 00:07:42,720
Speaker 1: nothing back.

170
00:07:44,720 --> 00:07:48,400
Speaker 2: Instead of instead of signing off on the show with

171
00:07:49,120 --> 00:07:51,440
Speaker 2: every day, maybe we should just say sorry, guys, we've

172
00:07:51,480 --> 00:07:57,080
Speaker 2: dropped the I want to speak to people who they

173
00:07:57,200 --> 00:08:00,520
Speaker 2: getting up your occupation and you you've been a signed

174
00:08:00,520 --> 00:08:03,640
Speaker 2: to do only one thing. Oh yeah, sure, so all

175
00:08:03,800 --> 00:08:08,320
Speaker 2: day long you do the exact same thing thirteen twenty fourteen,

176
00:08:08,400 --> 00:08:11,280
Speaker 2: if you've been in this situation before. We know about

177
00:08:11,320 --> 00:08:14,000
Speaker 2: the Royals and how many people work for the Royals.

178
00:08:14,000 --> 00:08:16,560
Speaker 2: There's quite a few, I think thousands on their list.

179
00:08:16,680 --> 00:08:19,760
Speaker 1: It's never a huge paid job, is it. It's just

180
00:08:19,800 --> 00:08:22,040
Speaker 1: more of an honor to be with the family, I believe,

181
00:08:22,040 --> 00:08:24,200
Speaker 1: and be amongst the walls and the presence of the

182
00:08:24,280 --> 00:08:24,920
Speaker 1: royal family.

183
00:08:25,000 --> 00:08:27,120
Speaker 3: Well, there'd be sure there some good kickbacks, wouldn't they.

184
00:08:27,120 --> 00:08:29,040
Speaker 1: You'd think so, wouldn't you say? That'd be you know,

185
00:08:29,280 --> 00:08:31,720
Speaker 1: leftovers after one of the big balls or something, or

186
00:08:32,000 --> 00:08:34,319
Speaker 1: you get to see in on a lot of those dignities,

187
00:08:34,480 --> 00:08:36,080
Speaker 1: dignitaries that would walk through the door.

188
00:08:36,280 --> 00:08:39,360
Speaker 2: It'd be interesting, see we I mean, we've heard from

189
00:08:39,360 --> 00:08:42,480
Speaker 2: Butler's that have said that they have to with Prince Charles,

190
00:08:42,679 --> 00:08:45,760
Speaker 2: he likes his toothpaste onto his toothbrush the right way.

191
00:08:46,280 --> 00:08:48,640
Speaker 2: What what's the other one? Don't you have to iron

192
00:08:48,720 --> 00:08:53,120
Speaker 2: his pajamas every night night as well?

193
00:08:53,200 --> 00:08:55,680
Speaker 1: Doesn't he take a toilet seat with him when he tours?

194
00:08:55,760 --> 00:08:57,839
Speaker 1: Or was that Philip that likes his own throat?

195
00:08:57,880 --> 00:08:59,560
Speaker 3: I think that was Charles, but I think they said

196
00:08:59,559 --> 00:08:59,960
Speaker 3: that that was.

197
00:09:02,360 --> 00:09:06,840
Speaker 1: Imagining the team pulling into a hotel, dismantling the original

198
00:09:06,840 --> 00:09:08,360
Speaker 1: toilet and putting his true.

199
00:09:08,200 --> 00:09:09,880
Speaker 4: Thrown in just so he could do a poop.

200
00:09:10,240 --> 00:09:13,760
Speaker 2: This is a beauty. The queen has a servant and

201
00:09:14,000 --> 00:09:18,560
Speaker 2: all her job is solely is to break in shoes

202
00:09:18,600 --> 00:09:19,000
Speaker 2: for her.

203
00:09:19,960 --> 00:09:22,160
Speaker 3: Well, she's probably got corns and bunions at this stage,

204
00:09:22,240 --> 00:09:24,120
Speaker 3: so you probably want them a little bit soft.

205
00:09:24,400 --> 00:09:27,080
Speaker 1: But that means the shoe double, the stunt double would

206
00:09:27,120 --> 00:09:28,720
Speaker 1: need to have corns and bunions as well.

207
00:09:28,840 --> 00:09:32,959
Speaker 3: Or does she have a fake sort of foot molds around.

208
00:09:32,720 --> 00:09:34,720
Speaker 2: The house in Now, this is going to blow your

209
00:09:34,760 --> 00:09:37,559
Speaker 2: mind because this woman is so much taller than the queen.

210
00:09:37,640 --> 00:09:40,440
Speaker 2: But that's her from behind there with the Queen's arm

211
00:09:40,480 --> 00:09:41,000
Speaker 2: around her.

212
00:09:41,160 --> 00:09:42,520
Speaker 4: Oh, that's the foot model.

213
00:09:42,400 --> 00:09:44,840
Speaker 2: And they're wearing the same shoes as you can see.

214
00:09:44,880 --> 00:09:48,640
Speaker 2: So this lady she'll get you know, probably in the years,

215
00:09:48,640 --> 00:09:51,760
Speaker 2: she'll probably get ten sets of shoes, and her job

216
00:09:51,880 --> 00:09:54,839
Speaker 2: for that year is to break in the shoes wear

217
00:09:54,960 --> 00:09:57,600
Speaker 2: the men. So when the queen puts her feet in there,

218
00:09:57,640 --> 00:09:58,600
Speaker 2: she doesn't get blisters.

219
00:09:58,679 --> 00:10:00,360
Speaker 1: I mean, you'd need to check on the de development

220
00:10:00,440 --> 00:10:02,360
Speaker 1: of the feet as well. So every now and then

221
00:10:02,360 --> 00:10:03,920
Speaker 1: you need to sit down next to the queen on

222
00:10:03,920 --> 00:10:05,199
Speaker 1: the end of the bed and go have a look

223
00:10:05,200 --> 00:10:08,400
Speaker 1: at my corn's Yours are same. You've got a Bunyon

224
00:10:08,440 --> 00:10:10,800
Speaker 1: that's slightly bigger now, so hopefully I can still do

225
00:10:10,880 --> 00:10:14,240
Speaker 1: the job. It's like Oprah Winfrey, how she has the

226
00:10:14,280 --> 00:10:17,520
Speaker 1: stunt double and that comes in sits in the position

227
00:10:17,559 --> 00:10:19,959
Speaker 1: where the photograph's going to be taken. There she does.

228
00:10:20,320 --> 00:10:23,520
Speaker 1: It looks exactly the same as Oprah, same tones as well.

229
00:10:24,160 --> 00:10:26,839
Speaker 1: Someone comes in sits there, the cameras get the lighting

230
00:10:26,880 --> 00:10:29,520
Speaker 1: right and everything ready to go. Oprah walks into the

231
00:10:29,559 --> 00:10:31,000
Speaker 1: shop and the other woman walks out.

232
00:10:31,080 --> 00:10:34,080
Speaker 2: Do you remember when we did twenty to one and

233
00:10:34,120 --> 00:10:36,079
Speaker 2: we rocked up, sir, We had to rock up from

234
00:10:36,160 --> 00:10:37,880
Speaker 2: the show. We rocked up late. We had to get

235
00:10:37,920 --> 00:10:41,160
Speaker 2: makeup and we had to put wardrobe on took us

236
00:10:41,160 --> 00:10:43,480
Speaker 2: about an hour and a half. All right, finally got there,

237
00:10:43,520 --> 00:10:45,880
Speaker 2: everyone's all set up and ready to go. We go

238
00:10:45,960 --> 00:10:48,520
Speaker 2: out there to do the first take and then the

239
00:10:48,559 --> 00:10:53,320
Speaker 2: guy remember on the lighting goes, oh, for guys, the

240
00:10:53,400 --> 00:10:56,640
Speaker 2: lighting's not right. Then we had to go and wait

241
00:10:56,920 --> 00:11:00,720
Speaker 2: for a day for two hours. Sarah, this guy to

242
00:11:00,760 --> 00:11:03,280
Speaker 2: get the lighting right, and we had already been there

243
00:11:03,280 --> 00:11:04,920
Speaker 2: for a couple of hours getting our makeup.

244
00:11:05,000 --> 00:11:08,040
Speaker 3: And you're super patient. You would have been great.

245
00:11:08,559 --> 00:11:08,959
Speaker 2: Was fine?

246
00:11:09,880 --> 00:11:11,679
Speaker 1: Frustrated for a second, he offered to.

247
00:11:11,600 --> 00:11:19,199
Speaker 2: Help the light. Take your time. Can we meet the

248
00:11:19,240 --> 00:11:20,920
Speaker 2: Lara and Miranda? What was your one job?

249
00:11:21,000 --> 00:11:21,280
Speaker 1: Lara?

250
00:11:22,320 --> 00:11:25,880
Speaker 5: So, I had to work after school in a tax office,

251
00:11:26,000 --> 00:11:29,600
Speaker 5: filing tax returns for two hours about three times a

252
00:11:29,600 --> 00:11:30,920
Speaker 5: week for ten dollars a week.

253
00:11:31,840 --> 00:11:35,400
Speaker 1: Last three weeks have been so boring, Lara.

254
00:11:36,240 --> 00:11:39,720
Speaker 5: It was the careers of the careers advisor at high school.

255
00:11:39,720 --> 00:11:41,359
Speaker 5: Thought that's where I should start.

256
00:11:41,960 --> 00:11:44,600
Speaker 2: Great advice, and you've got to start somewhere. I've been

257
00:11:44,640 --> 00:11:46,800
Speaker 2: having this conversation with you at the moment. What does

258
00:11:46,840 --> 00:11:49,319
Speaker 2: he want to do? You know he's still at the stage.

259
00:11:49,320 --> 00:11:50,959
Speaker 2: I want to be in afil footballer. I want to

260
00:11:50,960 --> 00:11:52,960
Speaker 2: I want to do this. I said, but is there

261
00:11:53,000 --> 00:11:55,600
Speaker 2: a job that you know that you would like your

262
00:11:55,720 --> 00:11:57,600
Speaker 2: first job? And I said, look, you got to start

263
00:11:57,679 --> 00:12:01,000
Speaker 2: down low. That's what you've got to understand. And he paused.

264
00:12:01,120 --> 00:12:04,840
Speaker 2: He thought about it. He looked at me and went, now,

265
00:12:05,040 --> 00:12:06,560
Speaker 2: there isn't a job that I don't want to do.

266
00:12:06,720 --> 00:12:08,280
Speaker 1: I had the same chat with mine the other day.

267
00:12:08,360 --> 00:12:10,680
Speaker 1: Ted wants to go up and be Spider Man and

268
00:12:10,800 --> 00:12:13,040
Speaker 1: Jack wants to grow up and eat spaghetti. So they're

269
00:12:13,080 --> 00:12:16,199
Speaker 1: on track. They are on track. Just quickly, here's another story.

270
00:12:16,320 --> 00:12:18,040
Speaker 1: What are you going need to talk about?

271
00:12:18,800 --> 00:12:23,160
Speaker 2: This is a blind This is outus Enterprises. Okay, a

272
00:12:23,160 --> 00:12:25,360
Speaker 2: blind woman was paid and they got into a lot

273
00:12:25,400 --> 00:12:28,280
Speaker 2: of trouble for this two dollars thirty an hour. Sarah

274
00:12:28,320 --> 00:12:32,040
Speaker 2: and her whole job all day long was to untangle

275
00:12:32,160 --> 00:12:36,120
Speaker 2: airline earphone cords. Oh that is so annoying for when

276
00:12:36,240 --> 00:12:39,320
Speaker 2: people got off the plane they would just dump them.

277
00:12:39,480 --> 00:12:41,640
Speaker 2: And her job, blind woman, she sat in a room

278
00:12:41,840 --> 00:12:44,480
Speaker 2: and she just sat there all day just under handling

279
00:12:44,559 --> 00:12:46,719
Speaker 2: the headphone calls. For two dollars thirty an hour.

280
00:12:46,800 --> 00:12:49,840
Speaker 3: You're telling me that the headphones aren't new when.

281
00:12:49,760 --> 00:12:50,200
Speaker 4: You get them.

282
00:12:51,160 --> 00:12:54,040
Speaker 1: No, they're refreshed. I think, what does that mean? They

283
00:12:54,040 --> 00:12:57,480
Speaker 1: put like a new earpad over and sprits.

284
00:12:57,960 --> 00:13:00,520
Speaker 2: Do you know millions of people fly? Do you reckon?

285
00:13:00,520 --> 00:13:03,920
Speaker 2: They're all brand new sets of headphones, says.

286
00:13:03,760 --> 00:13:06,680
Speaker 1: The bigger question is how do they always get tangled

287
00:13:08,920 --> 00:13:11,160
Speaker 1: when you look at your white apple once? How are

288
00:13:11,200 --> 00:13:14,280
Speaker 1: they always in your burg, your drawer, wherever you keeping?

289
00:13:14,400 --> 00:13:17,480
Speaker 1: He's not in them? Who is sneaking in to do that?

290
00:13:17,480 --> 00:13:20,960
Speaker 2: That? We bought an untangible hose? The other guy? It

291
00:13:21,000 --> 00:13:26,679
Speaker 2: doesn't work Logi's not that far away, guys. And the

292
00:13:26,679 --> 00:13:30,360
Speaker 2: Gold Logy nominations have come out and obviously we're getting

293
00:13:30,400 --> 00:13:33,400
Speaker 2: behind Sammy Mack. We love that guy, very popular, whether

294
00:13:33,559 --> 00:13:36,840
Speaker 2: a presenter on Sunrise, but he is. There's some other

295
00:13:36,880 --> 00:13:41,160
Speaker 2: greats that are in there as well, Roger Corsa, Amanda Keller.

296
00:13:41,240 --> 00:13:43,680
Speaker 1: We love Amanda as well. Can I just say, and

297
00:13:43,720 --> 00:13:46,920
Speaker 1: I don't want to admit to having a punting problem whatsoever,

298
00:13:47,120 --> 00:13:50,920
Speaker 1: but off the success of Lego Masters, I put I

299
00:13:51,000 --> 00:13:52,679
Speaker 1: put a bit of money on Hamish Blake to win

300
00:13:52,720 --> 00:13:57,120
Speaker 1: the Gold LOGI not nominated. Wouldn't he have to be

301
00:13:57,200 --> 00:14:00,640
Speaker 1: next to them showing they just said the cutoff time

302
00:14:00,679 --> 00:14:03,880
Speaker 1: on board I had to win on the election, and

303
00:14:03,920 --> 00:14:05,920
Speaker 1: I thought, and what else, what are the stupid BET's

304
00:14:05,960 --> 00:14:06,760
Speaker 1: going to put onto.

305
00:14:06,600 --> 00:14:11,080
Speaker 2: The it's up as well with the projects and also

306
00:14:11,280 --> 00:14:14,600
Speaker 2: our favorite neighbor, Eve Maury, who.

307
00:14:16,160 --> 00:14:21,920
Speaker 1: Not to discredit's home and away.

308
00:14:21,760 --> 00:14:22,320
Speaker 3: Getting the theme?

309
00:14:23,160 --> 00:14:27,640
Speaker 1: What was her name? Fits Eve more No disrespect to Eve,

310
00:14:27,640 --> 00:14:29,840
Speaker 1: because I'm sure that she is great at what she does.

311
00:14:29,920 --> 00:14:32,600
Speaker 1: I haven't watched Neighbors in a long time. Is she great?

312
00:14:32,720 --> 00:14:39,920
Speaker 2: She plays Sonya rebeccy sister. Oh Tody is Jared rebeccaca

313
00:14:40,960 --> 00:14:41,400
Speaker 2: real name.

314
00:14:42,200 --> 00:14:43,360
Speaker 1: His real name is Ryan.

315
00:14:43,600 --> 00:14:49,320
Speaker 2: But this was the confusing Rebecca right. Because Neighbors. Neighbors

316
00:14:49,360 --> 00:14:52,720
Speaker 2: has been moved from Channel ten to now Channel even

317
00:14:53,000 --> 00:14:56,000
Speaker 2: so in Australia not many people watch Neighbors anymore. I mean,

318
00:14:56,000 --> 00:14:58,240
Speaker 2: you've still got your diehards, don't get me wrong, but

319
00:14:58,320 --> 00:15:01,840
Speaker 2: it's bigger in the UK. So everyone's there's been an

320
00:15:01,920 --> 00:15:05,160
Speaker 2: investigation because how did Eve Morey get a Gold low

321
00:15:05,320 --> 00:15:08,200
Speaker 2: How she's nominated for a gold logan when there's hardly

322
00:15:08,560 --> 00:15:12,680
Speaker 2: people in Australia that watch Neighbors. They've done TV Tonight

323
00:15:12,720 --> 00:15:15,600
Speaker 2: have done some investigating and they've found out that they

324
00:15:15,680 --> 00:15:18,920
Speaker 2: did a social media campaign over in the UK, and

325
00:15:18,960 --> 00:15:21,120
Speaker 2: then all the people that love Neighbors over there have

326
00:15:21,400 --> 00:15:23,760
Speaker 2: written back and gone, well, we can't vote. It's only

327
00:15:23,800 --> 00:15:28,240
Speaker 2: for Australian resident. Colle Man who was also an actress

328
00:15:28,280 --> 00:15:31,280
Speaker 2: on Neighbors as well. She's written back to all these

329
00:15:31,320 --> 00:15:34,680
Speaker 2: people saying I've just posted a link to vote. All

330
00:15:34,680 --> 00:15:37,880
Speaker 2: you've got to do, guys, is use a postcode from Australia.

331
00:15:38,120 --> 00:15:38,840
Speaker 1: Cheat the system.

332
00:15:39,480 --> 00:15:41,920
Speaker 2: Karen Martin from the UK is written back from London's

333
00:15:41,920 --> 00:15:44,160
Speaker 2: written back. Felt a bit sneaky voting from the UK,

334
00:15:44,360 --> 00:15:51,120
Speaker 2: But all done, colle Good luck to Eve. She's got through, guys.

335
00:15:51,280 --> 00:15:51,320
Speaker 5: No.

336
00:15:51,400 --> 00:15:54,120
Speaker 3: But what's even worse is that if in January it

337
00:15:54,160 --> 00:15:56,400
Speaker 3: was confirmed she's leaving Neighbors, a character is gonna get

338
00:15:56,440 --> 00:15:56,800
Speaker 3: killed us.

339
00:15:57,040 --> 00:16:01,760
Speaker 1: This logis all do you know what? When Samuel sam

340
00:16:01,880 --> 00:16:05,160
Speaker 1: Johnson right, and he's a brilliant actor, but we're talking

341
00:16:05,160 --> 00:16:07,400
Speaker 1: about TV and he did a mini series on Molly

342
00:16:07,440 --> 00:16:10,360
Speaker 1: that ran for two nights, two nights out of three

343
00:16:10,440 --> 00:16:13,040
Speaker 1: hundred and sixty five. Well this he got a gold logo.

344
00:16:13,160 --> 00:16:13,720
Speaker 2: This is the thing.

345
00:16:13,840 --> 00:16:16,119
Speaker 1: We might get one for being on the at the

346
00:16:16,240 --> 00:16:17,320
Speaker 1: Heinz commercial. Fifth.

347
00:16:17,400 --> 00:16:20,080
Speaker 2: So Tommy Gleason's also nominated for a Gold legg I

348
00:16:20,160 --> 00:16:21,840
Speaker 2: think he's a big chance of winning it as well.

349
00:16:21,880 --> 00:16:24,920
Speaker 2: But he's quit hard quizzed that he does on the ABC,

350
00:16:25,360 --> 00:16:28,520
Speaker 2: and the rumor is he's quit so he can win

351
00:16:28,560 --> 00:16:30,520
Speaker 2: the Gold Logi and then he's going to announce that

352
00:16:30,560 --> 00:16:31,320
Speaker 2: he's coming.

353
00:16:31,080 --> 00:16:33,400
Speaker 1: Back as a Gold Logi winner.

354
00:16:33,640 --> 00:16:36,240
Speaker 2: Because that's what seems to have happened. It happened. There's

355
00:16:36,280 --> 00:16:38,840
Speaker 2: a lot of people that win Logis and a lot

356
00:16:38,880 --> 00:16:42,000
Speaker 2: of their shows get canceled before the logis even rock up.

357
00:16:41,920 --> 00:16:43,240
Speaker 1: Tommy, can I have a look at what this girl

358
00:16:43,280 --> 00:16:45,240
Speaker 1: looks like? Has she done other things?

359
00:16:45,320 --> 00:16:46,119
Speaker 3: Very beautiful?

360
00:16:46,440 --> 00:16:48,440
Speaker 1: Okay, she's done a lot of she's done a lot

361
00:16:48,440 --> 00:16:49,200
Speaker 1: of theater.

362
00:16:49,000 --> 00:16:52,080
Speaker 2: And I think she died in Neighbors. Wasn't there a

363
00:16:52,160 --> 00:16:57,200
Speaker 2: scene wins Ryan Maloney was down on the beach, yes,

364
00:16:57,360 --> 00:17:00,440
Speaker 2: and he was holding her and she did what was

365
00:17:00,480 --> 00:17:04,720
Speaker 2: that scene from a country pack practice? Who died flying

366
00:17:04,800 --> 00:17:10,200
Speaker 2: the kite Maggie? Or she died on the back of

367
00:17:10,240 --> 00:17:12,960
Speaker 2: a horse and carriage or something. That's one of the

368
00:17:12,960 --> 00:17:15,240
Speaker 2: biggest moments in Australian television.

369
00:17:15,200 --> 00:17:17,240
Speaker 1: A minute, if you want to go back to Blue Heelers,

370
00:17:18,359 --> 00:17:22,560
Speaker 1: was it? Was it? Maggie Maggie and PJ. And they

371
00:17:22,600 --> 00:17:24,960
Speaker 1: were in this warehouse and she's been shot and he's

372
00:17:25,119 --> 00:17:28,040
Speaker 1: holding her. I remember I watched that sort of seven

373
00:17:28,119 --> 00:17:31,360
Speaker 1: years after it went away. Still I cried. And there

374
00:17:31,359 --> 00:17:34,120
Speaker 1: she is bleeding out in the bottom of a warehouse's

375
00:17:34,200 --> 00:17:35,800
Speaker 1: next to a few boxes and a few busts of

376
00:17:35,840 --> 00:17:39,520
Speaker 1: old cars and going to be a right, it's you're

377
00:17:39,520 --> 00:17:41,440
Speaker 1: a copy. You've seen crime before, and she's been shot

378
00:17:41,480 --> 00:17:46,240
Speaker 1: in the guts. She's dead. Memories the other one that

379
00:17:46,760 --> 00:17:48,400
Speaker 1: I've cried about his angel.

380
00:17:49,080 --> 00:17:51,159
Speaker 2: Yeah, that was the other I thought you were going

381
00:17:51,200 --> 00:17:53,520
Speaker 2: to say when Divina went for Dean and married. At first,

382
00:17:54,720 --> 00:17:55,760
Speaker 2: I was crying.

383
00:17:56,320 --> 00:17:58,520
Speaker 1: That would have made blue heelers if it was still around.

384
00:17:59,359 --> 00:18:02,440
Speaker 1: And Divena's not up for gold this year, so what talent?

385
00:18:02,600 --> 00:18:04,760
Speaker 2: I mean we are getting behind Sammy? Make should we

386
00:18:04,760 --> 00:18:07,200
Speaker 2: get her behind Eve as well? I mean, it would

387
00:18:07,200 --> 00:18:09,600
Speaker 2: be funny if she won it. No one knows who

388
00:18:09,640 --> 00:18:10,879
Speaker 2: she is when she gets up there.

389
00:18:11,880 --> 00:18:15,119
Speaker 3: Smear on people like Walad who have a reputable career

390
00:18:15,200 --> 00:18:18,160
Speaker 3: at the industry, that you're going to get she got one.

391
00:18:18,960 --> 00:18:20,639
Speaker 2: If you asked what lad, I think you'd have a

392
00:18:20,640 --> 00:18:21,120
Speaker 2: bit of a laugh.

393
00:18:22,280 --> 00:18:24,040
Speaker 1: Just quickly. Tom I know you're trying to wind us up.

394
00:18:24,040 --> 00:18:25,600
Speaker 1: How was when we did the show from the hotel

395
00:18:25,640 --> 00:18:28,520
Speaker 1: at the Logis afterwards, when we were there and Walleade

396
00:18:28,520 --> 00:18:30,080
Speaker 1: had been in and you know he were having a

397
00:18:30,119 --> 00:18:31,639
Speaker 1: check because he won the Gold Logi And then there

398
00:18:31,720 --> 00:18:33,440
Speaker 1: was a knock at the door. It was one of

399
00:18:33,480 --> 00:18:35,560
Speaker 1: the real house It was Gamble. We hadn't even.

400
00:18:38,359 --> 00:18:42,520
Speaker 2: She turned up for an interview. No one with their namesake.

401
00:18:42,640 --> 00:18:45,159
Speaker 2: She took a gamble and thought I might get an interview.

402
00:18:46,680 --> 00:18:53,000
Speaker 2: He preston Master Chef back tonight seven thirty. This is

403
00:18:53,000 --> 00:18:53,800
Speaker 2: where I like to be.

404
00:18:54,480 --> 00:18:58,240
Speaker 4: This is better than the glamor of TV. Is down

405
00:18:58,320 --> 00:18:59,360
Speaker 4: here where the real.

406
00:18:59,160 --> 00:19:00,320
Speaker 1: People didn't mate.

407
00:19:00,359 --> 00:19:02,600
Speaker 2: Are you still doing a couple of shifts on smooth

408
00:19:02,680 --> 00:19:05,679
Speaker 2: or have you finished that now? Yes, you're still on

409
00:19:05,720 --> 00:19:10,280
Speaker 2: the radio. Yes, you've got the perfect voice for radio.

410
00:19:10,680 --> 00:19:14,080
Speaker 4: Perfect voice, so smooth and relax.

411
00:19:14,320 --> 00:19:16,920
Speaker 2: We had Cameron Daddo in the other day. He is amazing.

412
00:19:17,040 --> 00:19:19,600
Speaker 2: We got the song that Cameron wrote for Allison you

413
00:19:19,640 --> 00:19:21,840
Speaker 2: would have This was two weeks after he met his

414
00:19:22,640 --> 00:19:23,560
Speaker 2: future wife.

415
00:19:24,640 --> 00:19:25,480
Speaker 1: That was Katy Perry.

416
00:19:26,080 --> 00:19:32,320
Speaker 2: That was Master Cheff. This boy you love song. It's

417
00:19:32,400 --> 00:19:39,040
Speaker 2: a very much buddy. First are you musically gifted at

418
00:19:39,040 --> 00:19:42,760
Speaker 2: all song in your time you did, you would have

419
00:19:42,760 --> 00:19:43,359
Speaker 2: been of the band.

420
00:19:43,760 --> 00:19:48,200
Speaker 4: I love, I love, I love the swelling rubbish sensesiers.

421
00:19:48,880 --> 00:19:51,040
Speaker 4: Not only not only, I mean I will share this

422
00:19:51,119 --> 00:19:53,479
Speaker 4: with you because Whip you are one of my favorite

423
00:19:53,480 --> 00:19:55,600
Speaker 4: people in the world. Not only was on the band,

424
00:19:55,640 --> 00:20:00,160
Speaker 4: but the band, but also on social media. Last week,

425
00:20:00,400 --> 00:20:03,719
Speaker 4: one of the backing singers put up a review of

426
00:20:03,760 --> 00:20:06,600
Speaker 4: our first ever gig on the and I read I've

427
00:20:06,600 --> 00:20:07,159
Speaker 4: got the review.

428
00:20:08,440 --> 00:20:09,200
Speaker 2: What were you called?

429
00:20:09,480 --> 00:20:10,919
Speaker 4: We were called the volcanic Rabbits?

430
00:20:10,920 --> 00:20:11,520
Speaker 1: We were we.

431
00:20:14,000 --> 00:20:16,360
Speaker 4: Hey, there are small, very cute rabbits live on volcanoes

432
00:20:17,040 --> 00:20:21,720
Speaker 4: in Mexican and and it's a it's a magnificent review

433
00:20:21,720 --> 00:20:23,800
Speaker 4: about how quick, how crap we are. I will I

434
00:20:23,840 --> 00:20:25,680
Speaker 4: will give it to you, Whipper, and you can put

435
00:20:25,680 --> 00:20:27,080
Speaker 4: it up on your Can you.

436
00:20:26,840 --> 00:20:28,320
Speaker 1: Give us one of the songs?

437
00:20:28,840 --> 00:20:37,760
Speaker 2: Did you vocal eruptions? I can't living with mixed mitosis

438
00:20:38,080 --> 00:20:39,320
Speaker 2: as a volcanic rabbit.

439
00:20:40,480 --> 00:20:42,960
Speaker 4: You know, we were one of those emo bands. We

440
00:20:43,119 --> 00:20:45,359
Speaker 4: were a joys party band with a lot of bounds.

441
00:20:46,560 --> 00:20:49,960
Speaker 2: So why don't you play have you got Whippers?

442
00:20:49,960 --> 00:20:50,120
Speaker 4: Song?

443
00:20:50,200 --> 00:20:51,760
Speaker 2: There? Have you got a chorus? A whippers? So he

444
00:20:51,840 --> 00:20:54,520
Speaker 2: wrote this song for Lisa and performed.

445
00:20:54,240 --> 00:21:01,840
Speaker 1: Back bang back black Yow Yeah, black blag you like.

446
00:21:01,800 --> 00:21:04,040
Speaker 2: Black black black black black blag? Me like black black

447
00:21:04,080 --> 00:21:04,440
Speaker 2: black black.

448
00:21:05,000 --> 00:21:09,600
Speaker 3: Still forget the lyrics.

449
00:21:07,680 --> 00:21:10,600
Speaker 4: Hard to remember. That sounds like a kind of surprise

450
00:21:10,680 --> 00:21:12,679
Speaker 4: breakout hit European disco.

451
00:21:12,520 --> 00:21:15,200
Speaker 1: Style from from.

452
00:21:16,760 --> 00:21:20,840
Speaker 4: In the Pub is snugged a German backpack into that one, and.

453
00:21:20,800 --> 00:21:22,640
Speaker 1: I like, yeah, of course.

454
00:21:23,359 --> 00:21:26,480
Speaker 2: Tonight on the show, is it true that the conditions

455
00:21:26,520 --> 00:21:29,240
Speaker 2: are broken up into teams? I love this. I've been

456
00:21:29,359 --> 00:21:31,000
Speaker 2: told that each team gets a nonner.

457
00:21:31,200 --> 00:21:33,160
Speaker 4: Well, the idea is each team gets a secret weapon

458
00:21:33,520 --> 00:21:36,879
Speaker 4: they're expecting, I don't know, a magic a magic whisk

459
00:21:37,040 --> 00:21:40,280
Speaker 4: or something. And we bring in two Italian honners.

460
00:21:41,880 --> 00:21:44,040
Speaker 2: Who's the best nonna you've ever met?

461
00:21:44,520 --> 00:21:44,639
Speaker 4: Like?

462
00:21:44,840 --> 00:21:45,240
Speaker 2: Oh wow?

463
00:21:45,320 --> 00:21:47,240
Speaker 4: As in Italian? Well, I mean these two are pretty good.

464
00:21:47,240 --> 00:21:51,159
Speaker 4: Olympia Barclotto had a restort called Chiconi's makes singlely the

465
00:21:51,160 --> 00:21:54,199
Speaker 4: best Panicotta in the world. I mean, she's a genius,

466
00:21:54,440 --> 00:21:55,920
Speaker 4: and then the other one is and the other one

467
00:21:55,920 --> 00:21:58,280
Speaker 4: is Rosa Mitchell, and Rose Mitchell is a bit more earthy.

468
00:21:58,359 --> 00:22:01,280
Speaker 4: She makes her innsalted riccarta. She's she's a kind of

469
00:22:01,359 --> 00:22:04,760
Speaker 4: she's a bit more of your alterno ground. So lovely

470
00:22:04,800 --> 00:22:07,960
Speaker 4: contrast between the high end super polish, but they both

471
00:22:07,960 --> 00:22:11,040
Speaker 4: have a wooden spoon and they both threaten to clip

472
00:22:11,040 --> 00:22:13,960
Speaker 4: your thighs with it. You don't do the right thing.

473
00:22:14,080 --> 00:22:16,440
Speaker 1: Can we talk about the shaker revelation, how we were taught?

474
00:22:16,480 --> 00:22:18,440
Speaker 1: How do we to dumpling correctly? The other day on

475
00:22:18,480 --> 00:22:18,800
Speaker 1: the show.

476
00:22:19,160 --> 00:22:21,840
Speaker 4: Now, I can't comment on that, it's too controversial.

477
00:22:21,920 --> 00:22:23,760
Speaker 1: Well, you would know as well as I would when

478
00:22:23,800 --> 00:22:26,920
Speaker 1: that dumpling cart comes around at Young Chap there's no technique.

479
00:22:26,920 --> 00:22:29,080
Speaker 1: It's just get it in your mouth as many as possible.

480
00:22:29,200 --> 00:22:32,000
Speaker 4: But you see that with most dumping gets absolutely right,

481
00:22:32,000 --> 00:22:33,760
Speaker 4: and it should be sticking slightly to the mouth of

482
00:22:34,040 --> 00:22:36,520
Speaker 4: the dose should be slightly sticky. But with a soup dumpling,

483
00:22:36,880 --> 00:22:40,320
Speaker 4: that soup can be so incandescine. And as we know

484
00:22:40,680 --> 00:22:43,440
Speaker 4: the novice, like when you and I once many years ago,

485
00:22:43,480 --> 00:22:45,720
Speaker 4: when we nervous, we did that thing of going it's

486
00:22:45,720 --> 00:22:47,760
Speaker 4: really funny. It's put to in our mouth and then

487
00:22:47,840 --> 00:22:50,760
Speaker 4: you you you bite down and the soup is so

488
00:22:50,840 --> 00:22:52,760
Speaker 4: hot the roof of your mouth turns into that kind

489
00:22:52,760 --> 00:22:54,040
Speaker 4: of blistered bubble.

490
00:22:54,280 --> 00:22:58,399
Speaker 2: Yeah, like a volcanic rabbit. That's what you feel like.

491
00:22:58,520 --> 00:23:00,399
Speaker 2: Your mouth feels like a volcanic rabbit.

492
00:23:01,240 --> 00:23:06,119
Speaker 1: But it's just I know the feeling. Do you know

493
00:23:06,160 --> 00:23:06,800
Speaker 1: what that feels like?

494
00:23:07,920 --> 00:23:11,160
Speaker 2: You? Have you taken this is the same yet again?

495
00:23:11,680 --> 00:23:13,479
Speaker 4: You know what you said last time it was going

496
00:23:13,480 --> 00:23:18,679
Speaker 4: to be better and more professional.

497
00:23:16,920 --> 00:23:20,400
Speaker 3: And you reckon it's going to be better watching Preston

498
00:23:20,480 --> 00:23:20,960
Speaker 3: on the show?

499
00:23:21,160 --> 00:23:23,080
Speaker 2: Have you taken it to a new level? When you

500
00:23:23,160 --> 00:23:26,639
Speaker 2: put a mouthful a spoonful of food into your mouth

501
00:23:26,800 --> 00:23:30,920
Speaker 2: and you are grading the contestants? Because I just where

502
00:23:30,920 --> 00:23:31,760
Speaker 2: do you look? Off?

503
00:23:32,080 --> 00:23:32,240
Speaker 4: Do you?

504
00:23:32,320 --> 00:23:32,680
Speaker 5: What do you do?

505
00:23:32,920 --> 00:23:33,199
Speaker 4: You go?

506
00:23:34,119 --> 00:23:36,760
Speaker 2: You do like you've taken it to a new level.

507
00:23:37,160 --> 00:23:40,879
Speaker 4: I have always done ever since the very first tasting

508
00:23:40,960 --> 00:23:44,520
Speaker 4: we didn't on auditions in Perth. And what it's about

509
00:23:44,600 --> 00:23:46,480
Speaker 4: is it's called the Bowl and beautiful. I read about

510
00:23:46,480 --> 00:23:48,960
Speaker 4: neighbors for five years, you know. And there's that moment

511
00:23:49,000 --> 00:23:50,679
Speaker 4: at the end of just for an outbreak where people

512
00:23:51,040 --> 00:23:53,280
Speaker 4: they look up into three quarters they say something they

513
00:23:53,280 --> 00:23:55,479
Speaker 4: look up in three quarters just like up to your

514
00:23:55,520 --> 00:23:56,240
Speaker 4: top level.

515
00:23:56,040 --> 00:23:57,520
Speaker 1: And got right look up there.

516
00:23:57,800 --> 00:23:59,760
Speaker 4: And I realized if I did that, it made me

517
00:23:59,800 --> 00:24:01,800
Speaker 4: look really intelligent. But actually what's going on the head

518
00:24:01,840 --> 00:24:02,560
Speaker 4: is going what.

519
00:24:02,520 --> 00:24:04,800
Speaker 2: Am I gonna say? What am I going to say?

520
00:24:05,600 --> 00:24:07,480
Speaker 4: Because I'm a writer, I know we write things down

521
00:24:07,480 --> 00:24:09,159
Speaker 4: ago that wasn't very good and I change it. But

522
00:24:09,200 --> 00:24:11,600
Speaker 4: when you're on television, what you say goes. You've got

523
00:24:11,640 --> 00:24:14,040
Speaker 4: to You're got to try and make something sound human

524
00:24:14,119 --> 00:24:17,200
Speaker 4: and like intelligent not it doesn't always work, as you said.

525
00:24:17,320 --> 00:24:19,920
Speaker 1: Yeah, it's the hard one is too if you need

526
00:24:19,960 --> 00:24:21,879
Speaker 1: to be complimentary, but it's absolute crap.

527
00:24:22,320 --> 00:24:24,160
Speaker 4: Never happens with it because we're not that sort of show.

528
00:24:26,000 --> 00:24:27,119
Speaker 1: I've got to watch it sometime.

529
00:24:27,200 --> 00:24:30,320
Speaker 2: You are spot on Masters of Australia back seven thirty

530
00:24:30,320 --> 00:24:32,239
Speaker 2: to night on Channel ten. Always a pleasure to get

531
00:24:32,280 --> 00:24:33,640
Speaker 2: you in, big man. Thank you very much.

532
00:24:33,760 --> 00:24:33,840
Speaker 4: So.

533
00:24:34,720 --> 00:24:36,920
Speaker 2: One thing I do remember growing up as a kid

534
00:24:37,000 --> 00:24:39,480
Speaker 2: is the conversation that your old man would have with

535
00:24:39,560 --> 00:24:42,520
Speaker 2: his mates when he was on the phone. First of all, Sair,

536
00:24:42,520 --> 00:24:43,840
Speaker 2: I don't know if your dad was the same, he

537
00:24:43,880 --> 00:24:46,879
Speaker 2: would swear more. Yeah, so you would always as a

538
00:24:46,960 --> 00:24:49,600
Speaker 2: kid you would notice that more. Yeah yeah, because oh

539
00:24:49,600 --> 00:24:51,240
Speaker 2: my god, dad's swearing.

540
00:24:51,160 --> 00:24:53,080
Speaker 3: Very relaxed, isn't it mate.

541
00:24:52,920 --> 00:24:53,640
Speaker 1: Yeah yeah, yeah.

542
00:24:53,680 --> 00:24:56,159
Speaker 2: It's different how you talk to your wife. It's the

543
00:24:56,200 --> 00:24:58,439
Speaker 2: way that you pick up the phone as well, And

544
00:24:59,040 --> 00:25:00,600
Speaker 2: I had a bit of a chuckle the other day

545
00:25:00,720 --> 00:25:04,120
Speaker 2: because Hughey asked me. My eldest son asked me, Dad,

546
00:25:04,160 --> 00:25:07,920
Speaker 2: why do you pick up the phone and you have

547
00:25:07,960 --> 00:25:13,160
Speaker 2: different greetings for different mates? So I just wanted it's

548
00:25:13,240 --> 00:25:15,680
Speaker 2: interesting that you don't even notice that you're doing it

549
00:25:15,880 --> 00:25:18,120
Speaker 2: with certain people. I thought it might be a good

550
00:25:18,119 --> 00:25:19,920
Speaker 2: opportunity to see if we could get people to call

551
00:25:19,960 --> 00:25:22,399
Speaker 2: in thirteen twenty fourteen. How do people pick up the

552
00:25:22,480 --> 00:25:26,200
Speaker 2: phone that you know? And I just yesterday I thought

553
00:25:26,200 --> 00:25:27,960
Speaker 2: I'll ring a couple of my mates just to see

554
00:25:28,000 --> 00:25:34,320
Speaker 2: if this actually happens. So the first one is Coops. Yeah,

555
00:25:34,400 --> 00:25:36,240
Speaker 2: so I grew up with Coops. We've known each other

556
00:25:36,320 --> 00:25:39,080
Speaker 2: since a very very young age. I don't know how

557
00:25:39,080 --> 00:25:41,800
Speaker 2: to explain this. You've got to explain each greeting.

558
00:25:41,920 --> 00:25:45,840
Speaker 3: Well, did you go to school together to play footage?

559
00:25:45,960 --> 00:25:48,680
Speaker 2: We played in a rep team together at the age

560
00:25:48,680 --> 00:25:51,880
Speaker 2: of eleven twelve and we've been mates ever since, really

561
00:25:51,880 --> 00:25:52,800
Speaker 2: good mates ever since.

562
00:25:52,880 --> 00:25:54,640
Speaker 1: Does he open with like an old nickname?

563
00:25:55,760 --> 00:25:59,000
Speaker 2: Because I was fits or Fitsy. There was an old

564
00:25:59,000 --> 00:26:02,000
Speaker 2: football player called Fidge who was a full forward and

565
00:26:02,040 --> 00:26:05,399
Speaker 2: whenever he took a mark, the commentator would yell out fish.

566
00:26:06,240 --> 00:26:09,240
Speaker 2: So it's not Fidge, but it's very similar. So every

567
00:26:09,240 --> 00:26:17,240
Speaker 2: time I'd ring him like this, Wow right, and then

568
00:26:17,320 --> 00:26:20,560
Speaker 2: we've got Punners being mates with my whole life as well.

569
00:26:20,680 --> 00:26:23,320
Speaker 2: Panners is because I'm probably a couple of years older

570
00:26:23,320 --> 00:26:25,360
Speaker 2: than him. He always picks up the phone.

571
00:26:25,119 --> 00:26:34,040
Speaker 1: Lindy Old.

572
00:26:35,320 --> 00:26:37,840
Speaker 2: And then Harry made Harry who lives in La. Now

573
00:26:37,880 --> 00:26:41,320
Speaker 2: he's over in La. He always likes to rub in

574
00:26:41,560 --> 00:26:47,160
Speaker 2: that failed product that I invested in called five Yes,

575
00:26:47,600 --> 00:26:49,760
Speaker 2: which was a pill that you put into fuel tank

576
00:26:50,000 --> 00:26:52,840
Speaker 2: trn't double the amount of fuel out of your tank

577
00:26:52,880 --> 00:26:55,320
Speaker 2: of fuel. And we found out that it was a joke.

578
00:26:55,640 --> 00:26:57,680
Speaker 2: It was too good to be true, and everybody lost

579
00:26:57,720 --> 00:27:00,760
Speaker 2: their money. That was called Firepowers. He always picked up

580
00:27:00,760 --> 00:27:01,480
Speaker 2: the phone like this.

581
00:27:04,560 --> 00:27:07,360
Speaker 6: Is that Ryan far power.

582
00:27:07,040 --> 00:27:13,960
Speaker 2: Fits always rubs it in. Sarah and Carlingford's given us

583
00:27:13,960 --> 00:27:15,960
Speaker 2: a call, How does your dad answer the phone? Sir?

584
00:27:16,520 --> 00:27:18,240
Speaker 7: Look, I'm going to throw him under the bus here.

585
00:27:18,280 --> 00:27:19,600
Speaker 7: He's got tickets on himself.

586
00:27:19,640 --> 00:27:22,280
Speaker 6: He answered with, Hey, your day just got better because

587
00:27:22,320 --> 00:27:23,240
Speaker 6: you're speaking with Alice.

588
00:27:25,280 --> 00:27:27,600
Speaker 1: I like that. He would have rehearsed it. He's hurt

589
00:27:27,720 --> 00:27:29,600
Speaker 1: somewhere at the pub and thought this is brilliant.

590
00:27:29,640 --> 00:27:33,080
Speaker 2: Your day just got better. Thanks Kevin in South Windsor

591
00:27:33,080 --> 00:27:34,400
Speaker 2: how do you answer the phone? keV?

592
00:27:36,520 --> 00:27:38,520
Speaker 5: You kill him, we chill him, You slice them, We

593
00:27:38,560 --> 00:27:40,920
Speaker 5: dice them, keV?

594
00:27:40,960 --> 00:27:42,520
Speaker 1: Can we go from the top there? There's a fair

595
00:27:42,520 --> 00:27:46,320
Speaker 1: bit in it, Kevin, Hello, We'll do it again.

596
00:27:51,480 --> 00:27:52,400
Speaker 6: Did he Morgue?

597
00:27:52,640 --> 00:27:55,119
Speaker 5: You kill him, we chill him, You slice them, We.

598
00:27:55,320 --> 00:27:58,679
Speaker 1: Them Awesomere's a lot going on there. It's just to

599
00:27:58,720 --> 00:28:01,400
Speaker 1: make the make the bank hang. I assume you've got

600
00:28:01,400 --> 00:28:02,159
Speaker 1: one too, don't you.

601
00:28:02,880 --> 00:28:05,399
Speaker 2: Yeah, I've got one mate who answers with Corey's phone,

602
00:28:05,480 --> 00:28:12,840
Speaker 2: Corey speaking, How may Corey help you? Go? Corey talking

603
00:28:12,840 --> 00:28:15,320
Speaker 2: about how people pick up their phones. Frosty's given a

604
00:28:15,320 --> 00:28:17,560
Speaker 2: skillful How do you answer the phone when an important

605
00:28:17,600 --> 00:28:18,760
Speaker 2: person is called? Frosty?

606
00:28:19,359 --> 00:28:22,080
Speaker 6: Well, a couple probably about a year ago. I had

607
00:28:22,080 --> 00:28:26,120
Speaker 6: a number come up my screen five o'clock on a Saturday.

608
00:28:26,160 --> 00:28:29,920
Speaker 6: I've been down for a long session. That's ladies day, okay,

609
00:28:30,800 --> 00:28:33,640
Speaker 6: And I answered this phone calling it doing you're speaking

610
00:28:33,640 --> 00:28:37,119
Speaker 6: to the King, of course, and the person our end

611
00:28:37,160 --> 00:28:39,959
Speaker 6: the phone turned out to be mister mountle Turbulls. So

612
00:28:40,040 --> 00:28:42,920
Speaker 6: it was quite a sitting way to answer the phone.

613
00:28:42,680 --> 00:28:46,800
Speaker 2: For it a young twenty year old Mac turble ring

614
00:28:46,800 --> 00:28:47,680
Speaker 2: and your full Frosty.

615
00:28:48,040 --> 00:28:50,360
Speaker 6: Oh, it was just trying to sort of give me

616
00:28:50,400 --> 00:28:53,480
Speaker 6: a bit of our congratulations on a mission I've been

617
00:28:53,560 --> 00:28:54,800
Speaker 6: running at the time.

618
00:28:54,960 --> 00:28:58,440
Speaker 2: Oh and you answered with wingdingding, you're speaking to the king.

619
00:28:59,000 --> 00:28:59,760
Speaker 6: Yeah, that's right.

620
00:29:00,120 --> 00:29:02,120
Speaker 2: That is something that frost frusty.

621
00:29:02,160 --> 00:29:03,720
Speaker 1: What's the initiative made? Do you want to give it

622
00:29:03,760 --> 00:29:04,160
Speaker 1: a plug?

623
00:29:04,720 --> 00:29:08,320
Speaker 6: Oh, it's just it was basically promoting farmers back.

624
00:29:08,160 --> 00:29:16,120
Speaker 8: There, right, Okay, yeah, Well, Jimmy Cassidy that was Is

625
00:29:16,120 --> 00:29:18,840
Speaker 8: that Jimmy Cassidy's line the jockey every time he used

626
00:29:18,880 --> 00:29:21,200
Speaker 8: to ring win a race, he used to say, ring

627
00:29:21,240 --> 00:29:22,600
Speaker 8: it ding pumper for king.

628
00:29:24,040 --> 00:29:27,000
Speaker 6: Well, it may well have been, but it has been manipulated.

629
00:29:27,040 --> 00:29:28,920
Speaker 6: And that's a great way to answer.

630
00:29:30,600 --> 00:29:35,800
Speaker 1: Tested out. Thanks for the call, buddy.

631
00:29:35,880 --> 00:29:36,840
Speaker 2: Is a great coup.

632
00:29:37,480 --> 00:29:38,120
Speaker 1: Let's do this.

633
00:29:38,680 --> 00:29:39,760
Speaker 2: I have a dream.

634
00:29:41,280 --> 00:29:46,520
Speaker 1: Nike my quote face, quote of a quote face. I

635
00:29:46,600 --> 00:29:49,280
Speaker 1: give you three quotes, not three thousand dollars to get

636
00:29:49,280 --> 00:29:56,040
Speaker 1: the bumper fixed. I'm not interested in that quote quick

637
00:29:56,080 --> 00:29:58,720
Speaker 1: started from the top of the Unfortunately, I.

638
00:29:58,880 --> 00:30:01,840
Speaker 2: Have a dream Nike.

639
00:30:03,520 --> 00:30:04,400
Speaker 3: My quote face.

640
00:30:05,600 --> 00:30:07,840
Speaker 2: Unfortunately, that will be the best part of you.

641
00:30:10,560 --> 00:30:13,360
Speaker 1: We've got three great quotes here not too expensive. You

642
00:30:13,440 --> 00:30:15,440
Speaker 1: got to tell me. I've got a movie, a famous line,

643
00:30:15,440 --> 00:30:17,440
Speaker 1: and also a song. Are we ready to kick in

644
00:30:17,440 --> 00:30:20,960
Speaker 1: the gear? Yes, we're going to start with the song.

645
00:30:21,240 --> 00:30:24,480
Speaker 2: Were on Instagram, Facebook? We are on both are.

646
00:30:25,160 --> 00:30:28,240
Speaker 1: We also have a phone? Thirteen twenty fourteen. If you'd

647
00:30:28,240 --> 00:30:30,320
Speaker 1: like to play along by calling the show. If you

648
00:30:30,480 --> 00:30:31,840
Speaker 1: know where the quote is.

649
00:30:31,800 --> 00:30:33,760
Speaker 2: We're getting your wire phone. No, no, no no.

650
00:30:33,800 --> 00:30:35,240
Speaker 1: If you read that, I'm just saying we have one.

651
00:30:35,280 --> 00:30:37,120
Speaker 1: If you want to call the show. I should have

652
00:30:37,160 --> 00:30:38,440
Speaker 1: been a little bit straight up with it.

653
00:30:39,200 --> 00:30:40,480
Speaker 4: Here we go the song.

654
00:30:41,840 --> 00:30:50,240
Speaker 1: I'm beginning to lose sleep one sheep, two sheep. I

655
00:30:50,240 --> 00:30:52,600
Speaker 1: don't know why they always sound like Bruno Mar's lyrics

656
00:30:53,120 --> 00:30:53,640
Speaker 1: you always to.

657
00:30:53,600 --> 00:30:57,760
Speaker 2: Have in New Zealand act Dave Dobbin, No, she had

658
00:30:58,680 --> 00:30:59,000
Speaker 2: on this.

659
00:30:59,200 --> 00:31:00,240
Speaker 3: I have no idea.

660
00:31:01,160 --> 00:31:04,640
Speaker 1: Can I hear it again? I'm beginning to lose sleep

661
00:31:06,040 --> 00:31:08,000
Speaker 1: one sheep, two sheep?

662
00:31:09,160 --> 00:31:09,920
Speaker 2: Is it a pop song?

663
00:31:10,040 --> 00:31:10,960
Speaker 1: Is it okay?

664
00:31:11,160 --> 00:31:12,560
Speaker 4: Yeah? Is it a pop song?

665
00:31:12,960 --> 00:31:19,200
Speaker 2: Pop song? By rapping? Good roundtable by rapper? Okay?

666
00:31:21,560 --> 00:31:26,080
Speaker 9: There's a suggestion from Cam English on the Facebook, Eminem Monster,

667
00:31:26,280 --> 00:31:27,760
Speaker 9: Rhianna and Eminem.

668
00:31:27,480 --> 00:31:30,240
Speaker 1: Let's have a listen, I'm beginning a little sleep one.

669
00:31:33,240 --> 00:31:33,720
Speaker 2: Monster.

670
00:31:34,080 --> 00:31:37,320
Speaker 1: The monster is the name of that song. Can't call

671
00:31:37,400 --> 00:31:41,720
Speaker 1: me baby? All right, here's the famous line, guys, this

672
00:31:41,880 --> 00:31:44,520
Speaker 1: was a very public speech that was given. There's a clue.

673
00:31:44,800 --> 00:31:46,640
Speaker 1: It's going to be a big night of partying and

674
00:31:46,720 --> 00:31:50,080
Speaker 1: heavy drinking. Whereas Charlie she calls it breakfast.

675
00:31:53,840 --> 00:31:56,640
Speaker 2: Very funny line from a butt.

676
00:31:58,120 --> 00:32:05,480
Speaker 1: Surprise surprise, No, Ricky javas always Ricky ger.

677
00:32:06,200 --> 00:32:08,960
Speaker 2: It's going to be a night of partying and heavy drinking.

678
00:32:10,240 --> 00:32:12,280
Speaker 2: Oh as Charlie Sheen calls it breakfast.

679
00:32:14,320 --> 00:32:17,280
Speaker 1: Globes well done, MDG, you're on the board. The third one,

680
00:32:18,480 --> 00:32:23,000
Speaker 1: it's from a movie Steve Jobs. No, that was last week.

681
00:32:24,400 --> 00:32:30,200
Speaker 2: Lady in the Tramp who Tom No, that's not I'm saying.

682
00:32:30,800 --> 00:32:31,400
Speaker 4: I haven't got there.

683
00:32:31,400 --> 00:32:33,800
Speaker 1: I haven't even given you the quote, don't forget what

684
00:32:33,960 --> 00:32:37,400
Speaker 1: happened to the man who suddenly got everything he wanted?

685
00:32:38,880 --> 00:32:46,800
Speaker 1: Tom perhaps Castaway? There was no words in Castaway. Damn well, sir,

686
00:32:48,240 --> 00:32:50,680
Speaker 1: don't forget what happened to the man who suddenly got

687
00:32:50,720 --> 00:32:54,720
Speaker 1: everything he wanted? Great film. My mother in law has

688
00:32:55,000 --> 00:32:57,760
Speaker 1: never seen this film, which means nothing because you don't

689
00:32:57,760 --> 00:32:59,320
Speaker 1: know what the film is and we don't know your

690
00:32:59,320 --> 00:33:00,880
Speaker 1: mother in law not Bruce Almighty.

691
00:33:01,560 --> 00:33:07,400
Speaker 2: No, that's a great film. I wish it was Bruce.

692
00:33:08,160 --> 00:33:10,400
Speaker 2: It's really cool. So you think this is a really

693
00:33:10,440 --> 00:33:10,880
Speaker 2: good movie.

694
00:33:10,920 --> 00:33:13,200
Speaker 1: It's an awesome film. That did a remake, and I

695
00:33:13,280 --> 00:33:16,440
Speaker 1: wasn't such a fan of the remake, but the original

696
00:33:17,800 --> 00:33:19,080
Speaker 1: is just exceptional.

697
00:33:19,160 --> 00:33:22,600
Speaker 2: Great Greece too, Grewo was never a good film.

698
00:33:22,600 --> 00:33:28,200
Speaker 1: But I know why you tried. I loved, I loved.

699
00:33:28,800 --> 00:33:29,600
Speaker 4: That was a good movie.

700
00:33:29,800 --> 00:33:33,360
Speaker 1: Shure Shank, Redemption. There's anything coming through?

701
00:33:34,520 --> 00:33:37,360
Speaker 2: I mean, what happened? Can you?

702
00:33:37,360 --> 00:33:38,600
Speaker 3: Can you give it a bit more?

703
00:33:38,880 --> 00:33:40,560
Speaker 2: Can you do it in the voice of the movie

704
00:33:41,880 --> 00:33:45,840
Speaker 2: more of the line, I'm sorry, Yeah, don't give it

705
00:33:45,960 --> 00:33:48,080
Speaker 2: not a bit more? If you know it so well?

706
00:33:48,800 --> 00:33:52,280
Speaker 1: The same. Don't forget what happened to the man who

707
00:33:52,360 --> 00:33:54,200
Speaker 1: suddenly got everything he wanted?

708
00:33:55,800 --> 00:33:59,959
Speaker 3: Break Charlie and the Chocolate Factory.

709
00:34:00,360 --> 00:34:02,520
Speaker 2: There's a few Charlie and the Chuckle factories come through,

710
00:34:02,600 --> 00:34:04,320
Speaker 2: Kelly Keane, starting at Kelly.

711
00:34:04,440 --> 00:34:09,080
Speaker 1: You don't forget what happened with the lander suddenly got

712
00:34:09,120 --> 00:34:11,480
Speaker 1: everything he always wanted. Awesome?

713
00:34:13,040 --> 00:34:16,760
Speaker 2: You thought that film water great film?

714
00:34:17,160 --> 00:34:24,480
Speaker 1: It's one slow clap as you finish now I'm a

715
00:34:24,560 --> 00:34:26,799
Speaker 1: huge fan of a current affair just their reporting is

716
00:34:26,800 --> 00:34:28,560
Speaker 1: so accurate important at times too.

717
00:34:28,960 --> 00:34:32,200
Speaker 2: We've got a special gift in regards to a current

718
00:34:32,200 --> 00:34:34,480
Speaker 2: affair at the end of the week, to give too

719
00:34:34,560 --> 00:34:35,080
Speaker 2: much away.

720
00:34:35,120 --> 00:34:35,640
Speaker 1: Its trace in.

721
00:34:35,960 --> 00:34:40,600
Speaker 2: I've tracked someone down and it's not a neighbor from Hell, Sarah,

722
00:34:41,239 --> 00:34:42,399
Speaker 2: it's not a welfare chee.

723
00:34:42,400 --> 00:34:45,000
Speaker 3: Did you have to kick open their fly screen?

724
00:34:45,040 --> 00:34:45,239
Speaker 5: Door?

725
00:34:47,080 --> 00:34:48,320
Speaker 2: Is very very tough.

726
00:34:49,960 --> 00:34:52,920
Speaker 1: In Cereal. Okay, well then I think we run out

727
00:34:52,960 --> 00:34:55,839
Speaker 1: of option. No war, that's true.

728
00:34:56,360 --> 00:34:58,400
Speaker 2: I've found out what the best washing powder is.

729
00:35:00,200 --> 00:35:02,960
Speaker 1: That's a big Friday on the show. On the show

730
00:35:03,080 --> 00:35:05,080
Speaker 1: besta washing powder. This is an interesting one they ran

731
00:35:05,160 --> 00:35:06,839
Speaker 1: last night. There's a girl called Lily who was going

732
00:35:06,840 --> 00:35:09,640
Speaker 1: for a job. Unfortunately in thirteen twenty four ten. If

733
00:35:09,640 --> 00:35:12,279
Speaker 1: you've done this before, if you thought you'd finished with

734
00:35:12,320 --> 00:35:15,680
Speaker 1: your phone call, but it's still on and the other

735
00:35:15,760 --> 00:35:18,600
Speaker 1: party is listening to what you're saying, what a stinker,

736
00:35:18,680 --> 00:35:21,080
Speaker 1: especially if you've left a voicemail. So this girl's gone

737
00:35:21,120 --> 00:35:23,440
Speaker 1: for a job and apparently her interview and everything was right,

738
00:35:23,480 --> 00:35:25,680
Speaker 1: and the regime went read really well and she was

739
00:35:25,680 --> 00:35:27,840
Speaker 1: in the running for this position. And then all of

740
00:35:27,840 --> 00:35:30,719
Speaker 1: a sudden, she got a voicemail that was left. She

741
00:35:30,760 --> 00:35:33,120
Speaker 1: missed the call, and this is the voicemail. You'll have

742
00:35:33,120 --> 00:35:33,880
Speaker 1: to listen carefully.

743
00:35:34,640 --> 00:35:37,120
Speaker 5: I'm Lily is Michelle calling from NPN.

744
00:35:37,280 --> 00:35:37,560
Speaker 4: Help.

745
00:35:38,440 --> 00:35:41,879
Speaker 1: I will give you a callback or at Lisa, we'll

746
00:35:41,880 --> 00:35:43,400
Speaker 1: give you a callback tomorrow.

747
00:35:45,000 --> 00:35:45,799
Speaker 5: Thank you, my.

748
00:35:56,480 --> 00:35:56,520
Speaker 6: Y.

749
00:35:58,239 --> 00:36:00,560
Speaker 1: So what you heard then was them comment because they

750
00:36:00,560 --> 00:36:04,320
Speaker 1: had Facebook stalked, and them saying probably getting another tattoo.

751
00:36:04,520 --> 00:36:07,719
Speaker 1: She says, probably getting another fake tan. Wow. So they've

752
00:36:07,760 --> 00:36:11,600
Speaker 1: gone through her Facebook page and basically decided that they

753
00:36:11,600 --> 00:36:14,120
Speaker 1: don't like her from the job, then continue to talk.

754
00:36:16,360 --> 00:36:16,719
Speaker 5: And then.

755
00:36:28,920 --> 00:36:31,640
Speaker 3: All the time maybe she's got no friends.

756
00:36:32,440 --> 00:36:32,960
Speaker 2: I had it made.

757
00:36:33,000 --> 00:36:35,040
Speaker 1: I told you this story the worst stories. It's the

758
00:36:35,120 --> 00:36:39,160
Speaker 1: It's a sickening feeling when discrimination, isn't it? Mate?

759
00:36:39,719 --> 00:36:42,040
Speaker 2: What an idiot this is? So he was in the

760
00:36:42,120 --> 00:36:45,920
Speaker 2: car with another friend Sarah, having a conversation and his

761
00:36:46,320 --> 00:36:49,440
Speaker 2: wife rings him, so he puts it on bluetooth as

762
00:36:49,480 --> 00:36:53,160
Speaker 2: a chat to her, and then he thinks he's hung

763
00:36:53,239 --> 00:36:56,520
Speaker 2: up the phone, so he just stops. He thinks it's

764
00:36:56,560 --> 00:36:59,279
Speaker 2: over and keeps talking to his mate and proceeds to

765
00:36:59,320 --> 00:37:02,480
Speaker 2: tell his mate about the mistress that he has kidding

766
00:37:02,520 --> 00:37:06,240
Speaker 2: me that he has up in Queensland, going into detail

767
00:37:06,280 --> 00:37:09,600
Speaker 2: all this kind of stuff. And then there was a pause,

768
00:37:10,120 --> 00:37:12,840
Speaker 2: and then you heard his wife was still on bluetooth

769
00:37:12,840 --> 00:37:14,319
Speaker 2: and said, I heard all of that.

770
00:37:15,360 --> 00:37:17,920
Speaker 1: Imagine the sickening feeling I made of mind. We had

771
00:37:17,920 --> 00:37:19,560
Speaker 1: a big boys lunch and it was a boozy one

772
00:37:19,560 --> 00:37:22,600
Speaker 1: and his wife had wrong. Oh, I don't know thirty

773
00:37:22,680 --> 00:37:26,000
Speaker 1: times she wanted to speak to him. She spoke to

774
00:37:26,040 --> 00:37:28,160
Speaker 1: him very briefly, and then he put the phone down

775
00:37:28,239 --> 00:37:31,160
Speaker 1: and said he said something like, my god, she's got

776
00:37:31,200 --> 00:37:35,719
Speaker 1: to learn or something along those lines. The phone had

777
00:37:35,760 --> 00:37:38,880
Speaker 1: not been hung up. Took a lot of rebuilding for

778
00:37:38,920 --> 00:37:41,800
Speaker 1: the relationship to get where it is today. Did Christine

779
00:37:41,800 --> 00:37:44,879
Speaker 1: forgive John d back together? On the finals? His dad

780
00:37:44,880 --> 00:37:47,520
Speaker 1: and I for lunch was weird. It's a real boozy

781
00:37:47,560 --> 00:37:48,200
Speaker 1: boys lunch.

782
00:37:48,760 --> 00:37:49,920
Speaker 2: You're a god where else you go?

783
00:37:52,920 --> 00:37:53,160
Speaker 4: All right?

784
00:37:53,200 --> 00:37:55,440
Speaker 1: You would have send those headlines and these confronting images

785
00:37:55,480 --> 00:37:58,920
Speaker 1: recently of the past ten days or so of Mount Everest,

786
00:37:58,920 --> 00:38:03,759
Speaker 1: the cues to the crowding on the mountain, and they've

787
00:38:03,760 --> 00:38:07,080
Speaker 1: said here in this headline, the eleventh person lost in

788
00:38:07,200 --> 00:38:11,440
Speaker 1: ten days on the world's highest peak in Nepal. It's unbelievable, death, carnage,

789
00:38:11,520 --> 00:38:14,520
Speaker 1: chaos lineups pretty full on. Alyssa Azara is the youngest

790
00:38:14,520 --> 00:38:16,760
Speaker 1: Ossie to summit mount Ever. She did when she was nineteen,

791
00:38:16,800 --> 00:38:19,160
Speaker 1: from both the north side and also the south side,

792
00:38:19,440 --> 00:38:21,880
Speaker 1: which is unbelievable. Knows a lot about this mountain. The

793
00:38:21,880 --> 00:38:24,480
Speaker 1: conditions up there were welcome out of the show right now, Lissa,

794
00:38:24,480 --> 00:38:25,640
Speaker 1: thanks for finding the time.

795
00:38:26,239 --> 00:38:28,240
Speaker 7: That's all right, thanks for having me, Alyssa.

796
00:38:29,640 --> 00:38:31,400
Speaker 2: We just heard that there's a north side that you

797
00:38:31,400 --> 00:38:33,120
Speaker 2: can sum it on the south side. Is there a

798
00:38:33,160 --> 00:38:35,160
Speaker 2: harder side to sum it from? Melissa?

799
00:38:35,239 --> 00:38:38,680
Speaker 7: There actually are. So there's eighteen different routes in total,

800
00:38:38,800 --> 00:38:41,399
Speaker 7: and some of the most elite climbers will start from

801
00:38:41,400 --> 00:38:44,080
Speaker 7: either the north or south, but they'll go up much

802
00:38:44,160 --> 00:38:47,480
Speaker 7: tougher roots, like straight up the vertical sections of the mountains,

803
00:38:47,520 --> 00:38:50,600
Speaker 7: so very few people do those. But yeah, there are

804
00:38:50,640 --> 00:38:51,839
Speaker 7: a lot of roots you can take.

805
00:38:52,440 --> 00:38:55,520
Speaker 2: You have you actually have you gone? Have you walked

806
00:38:55,600 --> 00:38:59,560
Speaker 2: past a body or anything that before, Alyssa, while you've climbed.

807
00:38:59,200 --> 00:39:03,160
Speaker 7: Everest, yeah, I have once before. So last year when

808
00:39:03,160 --> 00:39:05,000
Speaker 7: I summoned it on the north side, there was a

809
00:39:05,120 --> 00:39:08,680
Speaker 7: Russian climber who had died of altitude sickness the day before,

810
00:39:09,239 --> 00:39:13,680
Speaker 7: up on that final summit day, and unfortunately, Yeah, we

811
00:39:13,800 --> 00:39:16,600
Speaker 7: walked past that on the ridgeline and eventually I think,

812
00:39:17,160 --> 00:39:18,840
Speaker 7: you know, the body was brought down and able to

813
00:39:18,880 --> 00:39:19,960
Speaker 7: be evacuated.

814
00:39:20,440 --> 00:39:24,200
Speaker 1: Alsa the confronting images that we see of the lineup

815
00:39:24,280 --> 00:39:27,319
Speaker 1: and also the woman that is hanging off the side

816
00:39:27,360 --> 00:39:30,080
Speaker 1: of the mountain and this image that's been everywhere and

817
00:39:30,160 --> 00:39:33,560
Speaker 1: well publicized, is that the waight time that's creating the

818
00:39:33,600 --> 00:39:35,160
Speaker 1: issue because a lot of the people are saying that

819
00:39:35,200 --> 00:39:36,360
Speaker 1: they're dying on descent.

820
00:39:37,760 --> 00:39:40,319
Speaker 7: Yeah, so it's both. I mean, look, people do die

821
00:39:40,400 --> 00:39:43,319
Speaker 7: up there every year because of the altitude. You just

822
00:39:43,360 --> 00:39:46,680
Speaker 7: don't know how someone's going to physiologically react to that.

823
00:39:47,480 --> 00:39:51,319
Speaker 7: But I do think it's increased it massively. I know

824
00:39:51,920 --> 00:39:54,560
Speaker 7: that certainly wasn't how it was when I find that ridgeline.

825
00:39:54,560 --> 00:39:56,520
Speaker 7: But I would hate to think how much time you

826
00:39:56,680 --> 00:39:59,520
Speaker 7: lose and you'd be forced to turn back. You know,

827
00:39:59,560 --> 00:40:01,799
Speaker 7: you wouldn't to stand. They're risking the frost bite, the

828
00:40:01,840 --> 00:40:04,760
Speaker 7: altitude sickness. Even if you don't have that, you feel

829
00:40:04,800 --> 00:40:07,319
Speaker 7: like you're on borrow time. You know that you've got

830
00:40:07,320 --> 00:40:09,480
Speaker 7: a certain time limit to get up and out. So

831
00:40:09,520 --> 00:40:12,680
Speaker 7: if it's stopping people from getting back down, it's absolutely

832
00:40:12,680 --> 00:40:13,480
Speaker 7: a massive problem.

833
00:40:15,080 --> 00:40:18,360
Speaker 2: You know, the normal person doesn't understand what attitude sickness is,

834
00:40:18,360 --> 00:40:21,440
Speaker 2: what goes on, what happens to your body Alyssa when

835
00:40:21,480 --> 00:40:23,040
Speaker 2: that happens.

836
00:40:22,880 --> 00:40:26,000
Speaker 7: Yes, we effectively your body is shutting down. But there's

837
00:40:26,040 --> 00:40:29,880
Speaker 7: two main altitude sickness I guess category. So there's a

838
00:40:29,960 --> 00:40:33,560
Speaker 7: pulmonary edema where fluid fills in the lung. That one

839
00:40:33,600 --> 00:40:36,320
Speaker 7: can be caught early, so a lot of people are evacuated.

840
00:40:36,760 --> 00:40:40,000
Speaker 7: The major killer on everest, particularly in that death zone

841
00:40:40,040 --> 00:40:42,719
Speaker 7: on the last day, is cerebral edeema, and that's where

842
00:40:42,800 --> 00:40:45,799
Speaker 7: fluid fills in the brain, and so you lose any

843
00:40:45,840 --> 00:40:49,400
Speaker 7: cognitive ability pretty much straight away. And so obviously you

844
00:40:49,520 --> 00:40:52,880
Speaker 7: make really simple mistakes to add that to the exhaustion

845
00:40:52,960 --> 00:40:55,879
Speaker 7: that you're feeling. It goes downhill pretty quickly, and you've

846
00:40:55,920 --> 00:40:57,560
Speaker 7: got to be able to get someone out of there quickly.

847
00:40:58,160 --> 00:41:00,279
Speaker 1: Lissa. The other thing is too that I've read is

848
00:41:00,320 --> 00:41:04,000
Speaker 1: obviously there's different different tours that you can do, and

849
00:41:04,040 --> 00:41:06,880
Speaker 1: different quality of tours, and there's also it's expensive to do.

850
00:41:06,920 --> 00:41:09,160
Speaker 1: It ranges from sort of fifty thousand up to one

851
00:41:09,200 --> 00:41:12,680
Speaker 1: hundred thousand dollars to climb Mount Everest. But they're also

852
00:41:12,800 --> 00:41:15,240
Speaker 1: talking about the fact that maybe there's too many tickets

853
00:41:15,239 --> 00:41:18,560
Speaker 1: and too many guides and some of them aren't looking

854
00:41:18,600 --> 00:41:21,200
Speaker 1: after their clients in that the clients that are wanting

855
00:41:21,200 --> 00:41:24,240
Speaker 1: to climb don't have the fitness and the experience required

856
00:41:24,280 --> 00:41:25,200
Speaker 1: to actually do it.

857
00:41:26,040 --> 00:41:29,640
Speaker 7: Yeah, that's absolutely correct. So there's no rules and regulations

858
00:41:29,640 --> 00:41:32,439
Speaker 7: around that from the Nepalese government. Effectively, if you pay

859
00:41:32,440 --> 00:41:34,839
Speaker 7: your permit, you're on, so they don't look into your

860
00:41:34,840 --> 00:41:38,719
Speaker 7: background or anything like that. Some companies choose to, but

861
00:41:38,760 --> 00:41:40,920
Speaker 7: they don't have to. So there are companies there who

862
00:41:40,960 --> 00:41:42,960
Speaker 7: will literally say, if you can pay the permit fee,

863
00:41:42,960 --> 00:41:46,120
Speaker 7: you're on. And that's a massive problem obviously, people not

864
00:41:46,200 --> 00:41:48,560
Speaker 7: knowing the most basic mountaineer and gear and how to

865
00:41:48,600 --> 00:41:51,680
Speaker 7: wear it, and then going up into this environment where

866
00:41:51,680 --> 00:41:54,439
Speaker 7: those skills need to be second nature too, and even

867
00:41:54,480 --> 00:41:57,879
Speaker 7: just not being thin enough. Certainly, I've seen my fair

868
00:41:57,920 --> 00:41:59,520
Speaker 7: share of that on the mountain as well.

869
00:42:00,120 --> 00:42:02,040
Speaker 3: So why why do you want to do it? I mean,

870
00:42:02,360 --> 00:42:04,400
Speaker 3: I'm just not that sort of person. It doesn't appeal

871
00:42:04,440 --> 00:42:05,960
Speaker 3: to me, but it clearly does a lot of people.

872
00:42:05,960 --> 00:42:07,800
Speaker 3: What other than getting I mean, you get to the

873
00:42:07,840 --> 00:42:10,480
Speaker 3: top and it's a great view. Is that sort of

874
00:42:10,680 --> 00:42:13,040
Speaker 3: Is that what drives you because it is dangerous.

875
00:42:13,480 --> 00:42:15,960
Speaker 7: Yeah, I don't think it's so much that I love

876
00:42:16,120 --> 00:42:18,560
Speaker 7: the climb, and I think for me, a lot of

877
00:42:18,600 --> 00:42:21,879
Speaker 7: people fear that unknown that not having a safety net

878
00:42:22,440 --> 00:42:24,920
Speaker 7: naturally most people fear it. For me, I feel a

879
00:42:24,960 --> 00:42:28,399
Speaker 7: massive sense of freedom when I'm up there, And yeah,

880
00:42:28,400 --> 00:42:30,680
Speaker 7: but you certainly have to have the physicality and the

881
00:42:30,719 --> 00:42:33,000
Speaker 7: skills to then be able to actually enjoy that.

882
00:42:33,560 --> 00:42:36,000
Speaker 1: Less of the actual summit. How big is it up there?

883
00:42:36,880 --> 00:42:39,040
Speaker 7: So it's actually not big at all. You can pretty

884
00:42:39,080 --> 00:42:41,920
Speaker 7: much fit one person on the actual summit at a

885
00:42:42,000 --> 00:42:45,160
Speaker 7: time and then yeah, you've kind of got his cloapes

886
00:42:45,160 --> 00:42:47,319
Speaker 7: off a little bit, but the actual summit, Yeah, one

887
00:42:47,360 --> 00:42:48,160
Speaker 7: person at a time.

888
00:42:48,400 --> 00:42:52,359
Speaker 2: Oh man, did you take yourself when you're up there?

889
00:42:53,000 --> 00:42:53,319
Speaker 5: It did?

890
00:42:53,840 --> 00:42:56,680
Speaker 7: I did. In fact, my go pro was the only

891
00:42:56,719 --> 00:42:58,680
Speaker 7: thing that didn't die on me because of the coal,

892
00:42:59,280 --> 00:43:02,520
Speaker 7: so there go Yeah, just awesome.

893
00:43:02,640 --> 00:43:05,440
Speaker 2: Listen, just quickly, you did that three years ago. Is

894
00:43:05,440 --> 00:43:08,080
Speaker 2: there anything else that you want to after Everest? Is

895
00:43:08,080 --> 00:43:09,800
Speaker 2: there anything else that you can conquer?

896
00:43:10,760 --> 00:43:13,640
Speaker 7: Yeah, Look, there's a few mountaineering challenges out there. So

897
00:43:13,840 --> 00:43:16,520
Speaker 7: two most prominent ones. There's the seventh Summits, where you

898
00:43:16,560 --> 00:43:19,120
Speaker 7: climb the highest point on each of the seven continents.

899
00:43:19,120 --> 00:43:21,759
Speaker 7: Everest is one of those. And then there's also the

900
00:43:21,800 --> 00:43:25,040
Speaker 7: eight thousand meter peaks, and that's probably the top sort

901
00:43:25,040 --> 00:43:27,919
Speaker 7: of mountaineers in the world do that. They're all there's

902
00:43:27,960 --> 00:43:31,120
Speaker 7: fourteen mountains that are about the similar magnitude to Everest,

903
00:43:31,960 --> 00:43:33,920
Speaker 7: but it takes a long time too. After all that

904
00:43:33,960 --> 00:43:34,319
Speaker 7: one on.

905
00:43:34,719 --> 00:43:36,440
Speaker 2: A Lisa, Well, appreciate your time.

906
00:43:36,600 --> 00:43:41,120
Speaker 1: Solssa inspiration, right, thank you. Just amazing confronting scenes. But

907
00:43:41,160 --> 00:43:45,000
Speaker 1: at the same time, something we want to announce.

908
00:43:44,600 --> 00:43:45,080
Speaker 4: On the show.

909
00:43:45,200 --> 00:43:49,040
Speaker 1: Next week Tommy will be climbing am sending him up

910
00:43:49,080 --> 00:43:53,320
Speaker 1: there no photo coming from the summer that week with

911
00:43:53,440 --> 00:43:55,040
Speaker 1: tom no training required.

912
00:43:57,080 --> 00:43:59,839
Speaker 2: We love this man. Good made of the show Chris Hems.

913
00:44:00,080 --> 00:44:02,799
Speaker 2: It's personal trainer. But also he is here and I

914
00:44:02,840 --> 00:44:05,279
Speaker 2: can smell burgers in the room. He's going to do

915
00:44:05,400 --> 00:44:09,319
Speaker 2: one hundred percent plant based alternative meat range, which is

916
00:44:09,880 --> 00:44:12,320
Speaker 2: available in coals. Now it's how good mate looks. What

917
00:44:13,760 --> 00:44:15,239
Speaker 2: thanks having me, guys, thank you.

918
00:44:15,440 --> 00:44:16,960
Speaker 1: We were talking about this the other day. Why aren't

919
00:44:16,920 --> 00:44:18,040
Speaker 1: we tell me? And I said You've got to get

920
00:44:18,080 --> 00:44:20,000
Speaker 1: those burgers in because they look so great, Zoch.

921
00:44:20,080 --> 00:44:22,200
Speaker 2: We don't know where to get them. They are delicious.

922
00:44:22,239 --> 00:44:24,400
Speaker 9: We had a big cook up last night down at

923
00:44:24,760 --> 00:44:27,399
Speaker 9: Hucksteburger and I was getting into my buddies and they

924
00:44:27,440 --> 00:44:29,520
Speaker 9: did not know that they were actually vegan.

925
00:44:29,560 --> 00:44:30,799
Speaker 2: People thought they were actually real meat.

926
00:44:30,800 --> 00:44:33,759
Speaker 9: That's how good They have based patties, one hundred percent

927
00:44:33,800 --> 00:44:37,439
Speaker 9: plant based patties with twenty grams of protein, so they're unbelievable.

928
00:44:38,120 --> 00:44:40,480
Speaker 3: Then to make it taste like meat.

929
00:44:40,320 --> 00:44:44,120
Speaker 9: There is soy wheat and pea protein mixture. I actually

930
00:44:44,160 --> 00:44:47,439
Speaker 9: met the lady last night who constructed the burger. Took

931
00:44:47,440 --> 00:44:49,960
Speaker 9: her nine months, and she but she would to give

932
00:44:49,960 --> 00:44:51,800
Speaker 9: me all the secrets. She's I'll come to the factory

933
00:44:51,800 --> 00:44:53,759
Speaker 9: and i'll show you. So all I know is it's

934
00:44:53,760 --> 00:44:56,520
Speaker 9: got soy wheat and pea protein. It's one hundred percent

935
00:44:56,560 --> 00:44:57,960
Speaker 9: plant based and made in Australia.

936
00:44:58,080 --> 00:44:58,279
Speaker 4: Mate.

937
00:44:58,320 --> 00:45:01,160
Speaker 2: That is that is will if you got one in there.

938
00:45:01,160 --> 00:45:03,080
Speaker 2: Because Witfley is salivating.

939
00:45:05,480 --> 00:45:05,640
Speaker 4: At the.

940
00:45:07,480 --> 00:45:11,440
Speaker 2: Idn't know that he wants to have on the burger Man.

941
00:45:11,800 --> 00:45:15,000
Speaker 9: And I don't want to talk it up too much,

942
00:45:15,040 --> 00:45:17,640
Speaker 9: but I designed this recipe so they got me to

943
00:45:17,640 --> 00:45:21,080
Speaker 9: design this recipe. I've done the special secret. Yeah, we'll

944
00:45:21,080 --> 00:45:22,719
Speaker 9: call it the Luke Sauce if you want to call

945
00:45:22,760 --> 00:45:22,920
Speaker 9: it that.

946
00:45:24,040 --> 00:45:26,839
Speaker 2: Before we get into these burgers, can I just say a.

947
00:45:26,800 --> 00:45:32,399
Speaker 1: Weekly stray two hours once.

948
00:45:33,000 --> 00:45:36,120
Speaker 2: Now, last time we last time we had you in.

949
00:45:36,160 --> 00:45:38,080
Speaker 2: You got into a bit of trouble because you told

950
00:45:38,160 --> 00:45:41,680
Speaker 2: us the story about Himsworth and how his obsession for

951
00:45:41,800 --> 00:45:45,080
Speaker 2: Leonardo DiCaprio. All right, and then he finally got to

952
00:45:45,160 --> 00:45:48,799
Speaker 2: run into Leonardo DiCaprio that was in the foyer of

953
00:45:48,840 --> 00:45:52,240
Speaker 2: a hotel at the Ritz Carlton in Japan, got completely

954
00:45:52,280 --> 00:45:56,319
Speaker 2: brushed by Leonardo DiCaprio. Gave him nothing because what did

955
00:45:56,400 --> 00:45:58,680
Speaker 2: Chris go up to him and saying so, Chris.

956
00:45:58,440 --> 00:46:00,680
Speaker 9: Had reached out twice to his publicist there for a

957
00:46:00,680 --> 00:46:02,520
Speaker 9: couple of days, and I was like, oh, you don't

958
00:46:02,520 --> 00:46:04,520
Speaker 9: want to, you know, have a beer cap and it

959
00:46:04,600 --> 00:46:07,760
Speaker 9: was radio silence. Nothing happened, so we didn't get the picture.

960
00:46:07,840 --> 00:46:10,200
Speaker 9: And then that whole story was like slow mo. Chris

961
00:46:10,239 --> 00:46:13,879
Speaker 9: waved did him? They stormed straight past us, didn't even waved,

962
00:46:14,000 --> 00:46:17,080
Speaker 9: didn't even get awave, didn't even register the wheel there.

963
00:46:17,360 --> 00:46:22,320
Speaker 9: So payback is bad boys. What I've told that story.

964
00:46:22,560 --> 00:46:25,600
Speaker 9: This is a true story. I swear in my mum's life.

965
00:46:26,200 --> 00:46:28,080
Speaker 9: So Chris had to do a photo shoot.

966
00:46:27,760 --> 00:46:29,560
Speaker 2: For Avengers, Gwyneth and all that.

967
00:46:29,640 --> 00:46:32,240
Speaker 1: They were all there, right, yeah, everyone.

968
00:46:32,760 --> 00:46:35,080
Speaker 9: So we got a chance to jump on Gwennos jet

969
00:46:35,360 --> 00:46:38,279
Speaker 9: and go back to La So I sit opposite Gwyneth.

970
00:46:38,000 --> 00:46:40,680
Speaker 2: Like a four hour flight. We're having a great chat.

971
00:46:40,800 --> 00:46:43,600
Speaker 9: She's eating cookies and found out I was a trainer,

972
00:46:43,640 --> 00:46:45,720
Speaker 9: and it was like every time she'd get a cookie,

973
00:46:45,760 --> 00:46:46,520
Speaker 9: She's like, oh, you.

974
00:46:46,480 --> 00:46:47,600
Speaker 2: Know, I'm sorry, my god.

975
00:46:47,600 --> 00:46:48,200
Speaker 1: It's all right.

976
00:46:48,719 --> 00:46:51,600
Speaker 2: So we're best mates. You know, maybe I'm half a

977
00:46:51,640 --> 00:46:52,560
Speaker 2: chance because Chris Martin.

978
00:46:53,120 --> 00:46:53,480
Speaker 1: I don't know.

979
00:46:55,200 --> 00:46:57,680
Speaker 9: So then the next day, I'm staying at the Beverly

980
00:46:57,719 --> 00:47:00,560
Speaker 9: Hills Hotel. I'm with a couple of friends and Gwyneth

981
00:47:00,640 --> 00:47:02,680
Speaker 9: comes down and I'm like, oh, here's my mate.

982
00:47:02,719 --> 00:47:07,040
Speaker 2: Gwyneth. We on the jet and I'm like, what's this?

983
00:47:07,040 --> 00:47:09,640
Speaker 2: This is true? I swear this is the true Gweneth

984
00:47:09,880 --> 00:47:11,319
Speaker 2: And it's within.

985
00:47:11,600 --> 00:47:14,839
Speaker 9: Like me to you at her big glasses and comes

986
00:47:14,880 --> 00:47:15,680
Speaker 9: strolling down.

987
00:47:15,880 --> 00:47:16,640
Speaker 1: I go the way.

988
00:47:17,440 --> 00:47:21,919
Speaker 10: She just looks at me and kept walking. I swear God,

989
00:47:22,360 --> 00:47:24,600
Speaker 10: and I was like I was I was almost about

990
00:47:24,600 --> 00:47:26,840
Speaker 10: to swear that. I was like, you are joking. I

991
00:47:26,880 --> 00:47:29,280
Speaker 10: speish my mate. You're like, I'm like, dude, I spoke

992
00:47:29,320 --> 00:47:32,040
Speaker 10: to her for four hours. I was almost that upset.

993
00:47:32,080 --> 00:47:33,759
Speaker 10: I was going to go back up and go, excuse me,

994
00:47:33,920 --> 00:47:34,839
Speaker 10: just remember who I am.

995
00:47:36,680 --> 00:47:40,319
Speaker 2: She and the thing is she turned looked and just

996
00:47:40,400 --> 00:47:43,960
Speaker 2: kept she chose to ignore you. You cannot forget someone

997
00:47:44,000 --> 00:47:46,840
Speaker 2: within for four hours on a planet, you can. We

998
00:47:46,880 --> 00:47:49,239
Speaker 2: were having deep chats, that's what we can access. And

999
00:47:49,360 --> 00:47:52,080
Speaker 2: what was can please tell me what was Chris's reaction

1000
00:47:52,160 --> 00:47:56,080
Speaker 2: when you told him the story? He was he wasn't there,

1001
00:47:56,120 --> 00:47:56,440
Speaker 2: but he was.

1002
00:47:56,600 --> 00:47:58,120
Speaker 1: He doesn't do an interviews. I don't want to the

1003
00:47:58,200 --> 00:48:01,000
Speaker 1: chase either. You don't want to go Remember I know.

1004
00:48:01,080 --> 00:48:09,200
Speaker 2: I was the guy in the I was.

1005
00:48:09,360 --> 00:48:10,919
Speaker 1: That is a truth that he said.

1006
00:48:12,600 --> 00:48:14,680
Speaker 2: I've got something for you that I need to talk about.

1007
00:48:15,239 --> 00:48:17,000
Speaker 2: And we want to get Chris involved with this as well,

1008
00:48:18,080 --> 00:48:20,759
Speaker 2: because you know you're app center. Yeah, your fitness that

1009
00:48:20,920 --> 00:48:22,640
Speaker 2: right killing it. I want to get the big fellow

1010
00:48:22,719 --> 00:48:24,920
Speaker 2: on board, right, Okay, so we want to little bit

1011
00:48:24,960 --> 00:48:26,879
Speaker 2: of a program and you need to help us out

1012
00:48:26,920 --> 00:48:29,719
Speaker 2: here a little bit. But Chris needs to be the

1013
00:48:29,800 --> 00:48:32,479
Speaker 2: judge for this, right and you know how he's thaw

1014
00:48:32,760 --> 00:48:35,160
Speaker 2: and you help him get to the thaw body. Yes,

1015
00:48:36,320 --> 00:48:38,960
Speaker 2: at the end of this challenge, we've got an idea.

1016
00:48:39,560 --> 00:48:47,600
Speaker 2: It's called thought of so and so it will be

1017
00:48:47,640 --> 00:48:51,799
Speaker 2: in comparison. And then you'll have next to him if

1018
00:48:52,120 --> 00:48:54,239
Speaker 2: you stand one hundred meters back and squint your eyes.

1019
00:48:56,040 --> 00:48:59,880
Speaker 1: So you want me in the gear? Yeah, this is

1020
00:48:59,880 --> 00:49:04,080
Speaker 1: the bammer in hands and from a distance thought of

1021
00:49:04,280 --> 00:49:08,040
Speaker 1: Chris gets to decide whether it's thought or thought of.

1022
00:49:08,280 --> 00:49:13,839
Speaker 1: Having a look at the rig right now, just had

1023
00:49:13,840 --> 00:49:14,520
Speaker 1: a hamburger.

1024
00:49:14,719 --> 00:49:18,319
Speaker 2: No, they're vegan, they're fine. Broad. We need to get

1025
00:49:18,320 --> 00:49:19,680
Speaker 2: the clippers on the old stomach there.

1026
00:49:21,680 --> 00:49:24,160
Speaker 1: The man boob is probably the biggest issue. But now

1027
00:49:24,239 --> 00:49:27,160
Speaker 1: we're left breast is bigger than the right, which is

1028
00:49:27,200 --> 00:49:28,200
Speaker 1: concerning as well.

1029
00:49:28,239 --> 00:49:30,120
Speaker 2: I've got do you? Yeah, got an imbalance?

1030
00:49:30,920 --> 00:49:34,400
Speaker 3: You know yours look exactly the same as shirt.

1031
00:49:34,200 --> 00:49:38,000
Speaker 1: You've got on the one he's going hamburg So we're

1032
00:49:38,040 --> 00:49:38,880
Speaker 1: going to work towards this.

1033
00:49:39,160 --> 00:49:41,359
Speaker 2: We can do this. How how long have we got

1034
00:49:41,360 --> 00:49:49,040
Speaker 2: We need don't say months to do this? Well, why

1035
00:49:49,040 --> 00:49:51,399
Speaker 2: don't we do Okay, we need to map this out.

1036
00:49:51,640 --> 00:49:54,880
Speaker 2: We need to reverse engineer this day and then we

1037
00:49:54,960 --> 00:49:56,919
Speaker 2: work back from there. Chris is coming on the show

1038
00:49:56,960 --> 00:50:00,080
Speaker 2: to talk about meaning Black next week. Yeah, but we

1039
00:50:00,000 --> 00:50:02,560
Speaker 2: we need to get next time we get to face

1040
00:50:02,640 --> 00:50:05,200
Speaker 2: with Chrissy needs to be the one tops off that

1041
00:50:05,320 --> 00:50:07,640
Speaker 2: gets to decide and Zop will get you involved. Okay,

1042
00:50:07,760 --> 00:50:09,320
Speaker 2: done before I think you need to go to a

1043
00:50:09,360 --> 00:50:10,480
Speaker 2: solarium and we need to get you.

1044
00:50:11,040 --> 00:50:13,239
Speaker 1: We can work on the box six weeks, we can

1045
00:50:13,280 --> 00:50:14,439
Speaker 1: get there. Someone help.

1046
00:50:14,840 --> 00:50:18,239
Speaker 2: A new one hundred percent of plant based alternative meat

1047
00:50:18,280 --> 00:50:20,719
Speaker 2: co rangs available in coals now Zo, thanks for coming

1048
00:50:20,719 --> 00:50:23,839
Speaker 2: in there. Thanks having guys consume with an over