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Speaker 1: Appoche production.

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Speaker 2: On this episode of We Will Always.

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Speaker 3: Have This is really like super I'm scary.

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Speaker 4: You're doing it on the edge.

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Speaker 2: You're doing so well. I'm so proud and so impressed

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Speaker 2: and also a little impatient.

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Speaker 5: So here we go.

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Speaker 3: I don't think I can do it, Christian hang on?

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Speaker 1: Really yeah?

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Speaker 2: Okay, welcome to the We Will Always Have podcasts with

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Speaker 2: me Christian Hull and Chrissy Hearn and over the next

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Speaker 2: few episodes, we've left Sydney behind and it's time for

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Speaker 2: us to explore my hometown of Brisbane. Christy's flown up

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Speaker 2: to stay with me for a couple of nights, God

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Speaker 2: help me, and we're going to do a bunch of

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Speaker 2: stuff and get ourselves into a whole heap of chaos.

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Speaker 2: Just three direct Sam, the only stuff for some of

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Speaker 2: you is abandoning us while we are terrified.

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Speaker 5: The site. No, No, it's to get the wine we approve.

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Speaker 2: We approved, absolutely, it's for the sake of It's okay.

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Speaker 2: Thirty seconds, Sam is leaving us to catch you up

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Speaker 2: to speed. We left off seventeen meters high in the air,

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Speaker 2: about to be served our dinner at a restaurant that

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Speaker 2: clings to the side of the Brisbane Powerhouse. It's called Vertigo.

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Speaker 2: So Christina and I are up there. We've just made

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Speaker 2: it in and now it's time to eat dinner before

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Speaker 2: inevitably taking the seventeen meter plunge off the side of

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Speaker 2: the building to get Just don't fire it at us

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Speaker 2: would be great.

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Speaker 5: Can you fire it off the side of the building

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Speaker 5: or that's allowed.

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Speaker 4: I would get it much.

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Speaker 5: We wouldn't say anything. Cheers. You've got two hands, Christine,

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Speaker 5: go with the building. All that is divine.

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Speaker 3: Now, Sam, tell me about you.

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Speaker 6: Is this your full time job?

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Speaker 7: Is this your passion putting people in harnesses across the building?

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Speaker 4: Black line here?

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Speaker 5: Good job for it.

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Speaker 4: No, we're on here Fridays, sin Saturday. So I do this.

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Speaker 2: It's worth pointing out as Chrissy flirts with Sam that

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Speaker 2: one Sam said he was a microbiologist, and Christine had

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Speaker 2: absolutely no idea what that was. So I let her

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Speaker 2: just talk herself in a hole there. That's going to

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Speaker 2: come back to bite her later in the episode. But

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Speaker 2: I also wanted to point out that Christine is gripping

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Speaker 2: onto the side of the building. So you can sit

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Speaker 2: down at the table and look at each other in

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Speaker 2: the eyes and you can be quite comfortable. You can

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Speaker 2: talk with your hands. You don't need to be gripping

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Speaker 2: on for dear life. But Christine was angled. Her entire

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Speaker 2: body was facing away from the view and toward the building,

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Speaker 2: and she was gripping on to the side while talking

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Speaker 2: to Sam. It was my mission to make her feel

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Speaker 2: comfortable and to try to get her to let go

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Speaker 2: of the building and at least face me, and I

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Speaker 2: managed to do that and then for twenty minutes, and

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Speaker 2: then what I wanted for her to do was to clap.

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Speaker 2: You've let go of the side of the building and

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Speaker 2: you're now grouping onto the scaffolding on the side.

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Speaker 5: Of the building.

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Speaker 2: We've made more steps, Christy, I want you.

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Speaker 5: To just do what I do.

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Speaker 3: Okay, oh god, no, come on, okay, let's go.

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Speaker 5: Okay, we'll do this one for high five.

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Speaker 8: Oh not so corrossively now with your hands. Clap with

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Speaker 8: your own hands. No, no, no, that's in front of you.

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Speaker 5: How are you coming eat?

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Speaker 9: We have a seemingly a lot of very talented customers

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Speaker 9: who come up here and a very good at eating

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Speaker 9: with one hand, so you're going to be in good.

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Speaker 5: Saying, Sam, can you please encourage her to clap.

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Speaker 6: So how long will this last?

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Speaker 9: For?

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Speaker 7: Okay, you could stay for hours if you're so desired.

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Speaker 5: I think when you say as long as you wanted to,

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Speaker 5: I think Christie.

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Speaker 3: Is better looking at that way.

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Speaker 5: She's ready to go. I'm here for the longhorn.

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Speaker 3: I'm actually the glorified take away.

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Speaker 5: The first time I did this, I was you.

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Speaker 2: You just stop gripping onto that, for dear life, your

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Speaker 2: shoulder will it'll be.

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Speaker 5: More relaxed because you're like this, and you'll be taxed up.

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Speaker 5: Oh and there goes the sun. Oh that's gorgeous.

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Speaker 4: The sunset. I think tonight so lovely.

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Speaker 3: This is where I always question replacement of what do.

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Speaker 1: You use first?

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Speaker 5: I've clearly got I. This is microbiology?

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Speaker 4: Microblog?

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Speaker 7: Yes, so what type of microbiology do you like the most?

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Speaker 9: Specifically in plants because humans are scary. Yeah, but we

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Speaker 9: need to feed the humans and a third of food

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Speaker 9: waste is a direct result of infections pre and post harvest.

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Speaker 9: So if we can stop all of the plants dying

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Speaker 9: or getting invested in.

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Speaker 2: The water micro did you say micro so the little

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Speaker 2: tiny microscope to look at the biology?

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Speaker 10: Sought?

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Speaker 3: You meant the water?

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Speaker 5: You know, what.

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Speaker 2: I can't believe you had no idea what a microbiology?

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Speaker 2: When Sam said microbiology, I was like.

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Speaker 5: She's got no idea. No, you have to look at

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Speaker 5: a microscope, so the little tiny cells.

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Speaker 3: And Sam, I had you in a wetsuit looking at seaweed.

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Speaker 4: And that's why you said you didn't expect it. That

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Speaker 4: makes so much?

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Speaker 3: What's that?

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Speaker 5: What's what would you call marine? Look the biologists? Okay, fair,

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Speaker 5: fair enough, micro.

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Speaker 3: That's so good, well done. So okay.

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Speaker 7: So we've wrecked the planet and we're going to be

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Speaker 7: eating what type.

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Speaker 3: Of plants for the next thirty years?

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Speaker 1: Do you think before your.

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Speaker 2: Oh god, we're going to soil and green were literally

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Speaker 2: you know, you say soilent green.

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Speaker 4: Is something that's not ideal.

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Speaker 3: It's black soil, isn't it.

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Speaker 2: Soil and grain actually turns out to be humans, but

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Speaker 2: it's supposed to be soy square soy food because we

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Speaker 2: run out of food as a human population, and then

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Speaker 2: they run out of soy, so they start using people

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Speaker 2: to make soilent grain, and then the guy.

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Speaker 5: Discovers it's people, and that's the end of the movie.

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Speaker 2: And no one finds out that they're eating people, and

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Speaker 2: thus the human population continues soilent green credits role.

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Speaker 5: It's good movie. Hitch people, hitch people poor same if

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Speaker 5: you just need to hurry us along with your sofa.

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Speaker 4: We we're so dead tonight. O.

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Speaker 1: Polishing cutlery perfect is one.

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Speaker 5: More time, Christine, you can do it once.

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Speaker 1: I have another one of those.

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Speaker 3: Okay, I feel like I am warming you.

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Speaker 5: Definitely are you.

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Speaker 2: You've gone from death gripping the sign of the building

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Speaker 2: to now the scaffolding, and then it will just be what.

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Speaker 7: Is natural about what we're doing Currently there is nothing

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Speaker 7: natural about what we're doing.

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Speaker 2: We're having a for you once in a lifetime experience

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Speaker 2: for me lifetime second time. This is like shark diving.

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Speaker 2: First time I did shark diving. Oh, that was fucking awful.

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Speaker 2: Second time. I could have stayed in there. When I

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Speaker 2: did the vertigo the first time, I hated it. I

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Speaker 2: couldn't stand it. I was absolutely not yet.

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Speaker 1: I love the jet boat. You like the jets.

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Speaker 5: Oh the jet boat was great, apart from when.

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Speaker 2: I slammed into you and broke your brid Oh, that sunset.

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Speaker 1: Is gorgeous, just lovely.

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Speaker 2: Up here to look at the thank you, you don't

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Speaker 2: have to look down I'm pointing at that city escape.

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Speaker 5: Turn your head one inch. No, no, that's your eyeball.

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Speaker 3: Turn.

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Speaker 5: Actually, isn't it beaful?

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Speaker 3: Look? I can see the story bridge oving here.

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Speaker 1: It's funny, beautiful.

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Speaker 5: Now would you like me to tell you the good

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Speaker 5: news now?

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Speaker 1: Or here we go?

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Speaker 3: You couldn't let me?

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Speaker 2: Oh wow, Sam, we have just been served tomatoes and siparata.

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Speaker 5: What is this?

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Speaker 3: Sam?

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Speaker 4: Is a Tomatica craiser with mozzarella.

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Speaker 1: Beautiful.

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Speaker 3: Looks and I'm sure tastes of byett.

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Speaker 5: Oh yes, please, I would love some more wine. Thank you.

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Speaker 7: I look forward to the day where we could just

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Speaker 7: sit maybe at this beautiful high end tea house, and

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Speaker 7: we can just you know, have the layer cakes and sandwiches.

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Speaker 3: You just sick. I just wanted to take something that.

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Speaker 2: When I said, do you want to come to brucemind

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Speaker 2: reports and podcast episodes?

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Speaker 5: I organizai stuff? You said absolutely, you do whatever you mean?

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Speaker 6: On all the way in you.

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Speaker 5: Didn't answer my question, would you like the good news?

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Speaker 5: Do you want to have finished the champagne?

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Speaker 3: Hang?

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Speaker 5: Let we have a mouthful? Really, I mean go so

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Speaker 5: tomorrow we are doing something.

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Speaker 3: We're going up there fucking bridge we're going on the story.

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Speaker 5: Yeah we are, Yeah we.

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Speaker 2: Are, Yeah, the story, We're going on the story.

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Speaker 5: Bridge. Do we want one or two?

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Speaker 2: Absolutely not cards for the duration for the lifetime of

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Speaker 2: the we will always have podcasts. What do you mean

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Speaker 2: where you can just play a card and I won't

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Speaker 2: say anything.

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Speaker 6: I love that.

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Speaker 5: Do we want one or two?

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Speaker 1: Oh two two?

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Speaker 2: So you can play you no card if at any point,

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Speaker 2: But we've got a bridge clime tomorrow.

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Speaker 11: Well, I can say charrecophically what you can't. You can't

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Speaker 11: actually say chariotically. You go on say karogotically.

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Speaker 6: Look, I'm looking at it.

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Speaker 7: I don't think that it's as high or as intense

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Speaker 7: as the Sydney Harborough.

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Speaker 1: Would you thought?

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Speaker 3: And look it's too eyes does not matter.

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Speaker 5: It's two of them.

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Speaker 2: It's two peaks the storage bridges, one peak down and

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Speaker 2: another peak.

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Speaker 5: So you'll do the bridge the bridge.

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Speaker 7: But I want it no and no more bridges. I'm

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Speaker 7: not doing any more bridges. I've been very generous. Tomorrow

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Speaker 7: will be my second.

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Speaker 5: You can have much.

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Speaker 3: Uncooked. I passed a but not I am not doing

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Speaker 3: any more bridges.

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Speaker 1: That's it done.

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Speaker 6: Look at me, I mean no more.

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Speaker 2: Well, I've got another I've got another piece of news.

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Speaker 1: Oh and that is what I'm jackie.

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Speaker 5: We're not doing the story bridge.

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Speaker 3: We're not. We're not.

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Speaker 5: I love building you up and seeing you absolutely.

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Speaker 10: Go freaking it. Regrets one made you regret going from

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Speaker 10: one thing. But all right, so come on, come on,

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Speaker 10: hand on heart. Are we doing the bridge? Hand on heart? No,

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Speaker 10: you need to look at me, eye contact, hand on heart.

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Speaker 10: We're not doing the bridge. We're doing the bridge.

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Speaker 1: You're fucking longing me, Causine, we are not doing the bridge.

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Speaker 3: All right, Well, I'm reading you.

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Speaker 5: This is I am living my absolute terrain.

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Speaker 3: So we're not doing the bridge. So what are we doing? Then?

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Speaker 7: So we need to talk about your emails. We don't

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Speaker 7: have to do that right now. Your emails are so long?

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Speaker 7: Do you that in one city? That would take me

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Speaker 7: a week to do that.

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Speaker 2: It's two paragraphs, Christine, are well? To be fair, I've

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Speaker 2: seen your replies. Exclamation point, that's it, that's.

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Speaker 5: Your reply, and I go.

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Speaker 7: That would be my my Okay.

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Speaker 3: So what's today? Today's Friday?

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Speaker 7: Now tomorrow we've got recording session at ten am. Okay,

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Speaker 7: we've got the one thirty lunch three pm. It's a

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Speaker 7: long lunch. Obviously, three pm we're doing some more recording,

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00:12:44,641 --> 00:12:47,721
Speaker 7: five pm cooking, So there's nothing match on tomorrow, is

241
00:12:47,761 --> 00:12:48,761
Speaker 7: what I'm looking into.

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Speaker 2: This activity that we're doing right now is the last

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Speaker 2: activity great apart from obviously the story.

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Speaker 3: Bridge, but from the story bridge that you're lying.

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Speaker 5: No, we're not doing the story bridge. Oh wow, wow, Christine,

246
00:13:03,321 --> 00:13:06,361
Speaker 5: Oh my god, what's wrong? Asked me? When the last

247
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Speaker 5: time I had alcohol was?

248
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Speaker 7: Well, I would say it's probably in October when we

249
00:13:09,921 --> 00:13:11,241
Speaker 7: last had alcohol.

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00:13:11,521 --> 00:13:14,721
Speaker 1: Has that heat you likable? Oh my god, this is

251
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Speaker 1: going to be interesting.

252
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Speaker 5: Oh my god, my inhibitions have gone. Look at this.

253
00:13:20,721 --> 00:13:22,881
Speaker 5: Oh my god, I'm leaning right. Oh my lord, I

254
00:13:22,921 --> 00:13:23,841
Speaker 5: can't believe I can do this.

255
00:13:25,361 --> 00:13:26,761
Speaker 6: No, you've been funds up there.

256
00:13:29,121 --> 00:13:30,761
Speaker 5: Okay, you know what I'm going.

257
00:13:30,681 --> 00:13:35,321
Speaker 1: To ask you. Not really, Oh my.

258
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Speaker 2: God, I'm drunk. Oh I am wasted. I've got no fear.

259
00:13:39,881 --> 00:13:41,201
Speaker 2: I didn't really have much to be in with.

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Speaker 3: Well, your hands are flapping around like you There we go.

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Speaker 1: Come on, Christine, Okay you started off.

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Speaker 5: Okay, here we go. Your turd. That's great, that's great.

263
00:13:56,121 --> 00:13:59,121
Speaker 2: Now everyone here at the restaurant colaps for Christine for

264
00:13:59,241 --> 00:14:02,921
Speaker 2: doing it. Cut Christine, cut for yourself. Else, well done.

265
00:14:03,001 --> 00:14:03,881
Speaker 2: I'm very proud.

266
00:14:04,201 --> 00:14:04,761
Speaker 3: Did you say that?

267
00:14:05,681 --> 00:14:08,241
Speaker 5: No, he didn't do it for him? Now you didn't you?

268
00:14:09,481 --> 00:14:11,241
Speaker 3: Thank you. I'm very impressed.

269
00:14:12,001 --> 00:14:12,881
Speaker 2: That was good.

270
00:14:13,001 --> 00:14:16,441
Speaker 3: Had been a Dutch carriage because I've had five SIPs.

271
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Speaker 5: It was Kate before, isn't it?

272
00:14:18,721 --> 00:14:19,761
Speaker 4: Yes, she was lovely.

273
00:14:19,881 --> 00:14:22,081
Speaker 2: Kate said, Oh, you'll only need to and you'll be

274
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Speaker 2: absolutely Wait, I can't even.

275
00:14:25,121 --> 00:14:29,321
Speaker 3: Is that because of the altitude.

276
00:14:29,801 --> 00:14:35,281
Speaker 11: We're literally twenty meters Actually.

277
00:14:33,401 --> 00:14:36,561
Speaker 5: How high are we We're not even twenty minutes?

278
00:14:37,641 --> 00:14:37,881
Speaker 6: Wait?

279
00:14:38,241 --> 00:14:41,041
Speaker 3: Stop seventeen that's not even.

280
00:14:42,481 --> 00:14:44,761
Speaker 5: This feels like it's at least thirty five.

281
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Speaker 6: Okay, so let's put that into.

282
00:14:50,521 --> 00:14:51,921
Speaker 1: Fuck the alcohol.

283
00:14:52,001 --> 00:14:53,281
Speaker 5: Still got a whole wine to go.

284
00:14:54,201 --> 00:14:56,801
Speaker 4: Chase yourself dinner?

285
00:14:57,401 --> 00:15:01,441
Speaker 7: Yes, yes, go for it, snner, Yes, we'll soak the alcohol.

286
00:15:01,681 --> 00:15:02,801
Speaker 1: Okay, hold on, I'm.

287
00:15:02,641 --> 00:15:09,441
Speaker 2: Going to finish this wine after suffering from extreme altitude sickness.

288
00:15:09,681 --> 00:15:11,761
Speaker 2: Dinner was served and we had dinner and dessert. And

289
00:15:11,841 --> 00:15:14,681
Speaker 2: let me tell you the food, it is so good.

290
00:15:14,881 --> 00:15:17,761
Speaker 2: I had this delicious seafood pasta with a Morton bay bug,

291
00:15:17,961 --> 00:15:21,281
Speaker 2: some mussels, some prawns, and Christine had this delicious like

292
00:15:21,361 --> 00:15:24,961
Speaker 2: braised beef and yoki. We then had some gorgeous desserts.

293
00:15:25,121 --> 00:15:28,321
Speaker 2: It was a strawberry panacotta and delicious like I had

294
00:15:28,321 --> 00:15:31,841
Speaker 2: a big piece of chocolate cake. And then once we'd finished,

295
00:15:31,881 --> 00:15:35,401
Speaker 2: we realized, oh, it's time to jump down. And what

296
00:15:35,441 --> 00:15:38,881
Speaker 2: you're about to hear is us witnessing a man dressed

297
00:15:38,881 --> 00:15:41,401
Speaker 2: as a pirate jumping off the side.

298
00:15:41,641 --> 00:15:45,681
Speaker 7: Copspot up here isn't amazing, it's so gorgeous.

299
00:15:45,881 --> 00:15:48,281
Speaker 3: We're dressing up.

300
00:15:48,761 --> 00:15:52,241
Speaker 5: I can't say something behind me, Oh, it's jumping.

301
00:15:52,961 --> 00:15:55,201
Speaker 1: Is he jumping something?

302
00:15:57,681 --> 00:15:58,521
Speaker 3: Oh?

303
00:15:58,761 --> 00:15:59,721
Speaker 6: Shit, a break?

304
00:16:01,521 --> 00:16:04,001
Speaker 2: He just fell, but he didn't fall, that was intentional.

305
00:16:04,241 --> 00:16:05,481
Speaker 5: And he's dressed as a pirate.

306
00:16:05,961 --> 00:16:10,281
Speaker 2: So we've both been in talks now of who's going

307
00:16:10,321 --> 00:16:12,561
Speaker 2: to walk the plank first, because we both want to

308
00:16:12,601 --> 00:16:14,001
Speaker 2: walk at first, and.

309
00:16:13,881 --> 00:16:16,281
Speaker 3: I think that there's only one way to selve right.

310
00:16:16,441 --> 00:16:19,361
Speaker 2: I'm on the same age. Who was walking the plank first?

311
00:16:19,761 --> 00:16:21,041
Speaker 2: Scissars paper rock?

312
00:16:21,601 --> 00:16:22,041
Speaker 7: Oh?

313
00:16:22,081 --> 00:16:27,681
Speaker 5: Both scissors, scissars, paper rock. Both paper scissars, paper rock.

314
00:16:28,161 --> 00:16:32,321
Speaker 2: Okay, you can go first?

315
00:16:33,601 --> 00:16:37,041
Speaker 5: All right, fair enough, fair enough, No, it's okay, you

316
00:16:37,121 --> 00:16:40,241
Speaker 5: go first. Don't take your time, just go for it.

317
00:16:40,281 --> 00:16:41,041
Speaker 6: Don't take your time.

318
00:16:43,281 --> 00:16:44,761
Speaker 2: I'm just going to walk straight out and get it

319
00:16:44,801 --> 00:16:47,721
Speaker 2: over and Okay, Christian Hull from the edit suite, just

320
00:16:47,761 --> 00:16:49,961
Speaker 2: butting in here because I really want to share with

321
00:16:50,001 --> 00:16:52,401
Speaker 2: you that I did specify to Christine that if she

322
00:16:52,481 --> 00:16:54,641
Speaker 2: wants to go first, could you please not take your

323
00:16:54,641 --> 00:16:59,041
Speaker 2: time because it's the anticipation of doing something that kills me.

324
00:16:59,561 --> 00:17:02,161
Speaker 2: Spoiler for what's coming ahead. I think it took Christine

325
00:17:02,321 --> 00:17:05,441
Speaker 2: eleven minutes of standing on the plank before she jumped.

326
00:17:05,840 --> 00:17:07,201
Speaker 5: And how long did it take? Christian?

327
00:17:07,201 --> 00:17:10,001
Speaker 2: Hell, it didn't because I just walked out and jump instantly.

328
00:17:10,281 --> 00:17:13,001
Speaker 2: And what you're about to hear is us getting up

329
00:17:13,441 --> 00:17:16,281
Speaker 2: off the side of the building and making our way

330
00:17:16,600 --> 00:17:18,961
Speaker 2: to the plank to jump off the edge.

331
00:17:19,041 --> 00:17:22,241
Speaker 7: So with walking just straight out and just going straight down,

332
00:17:22,360 --> 00:17:25,601
Speaker 7: there is no way that it could ben snap.

333
00:17:26,600 --> 00:17:28,401
Speaker 1: I can't make that guarantee.

334
00:17:29,681 --> 00:17:32,240
Speaker 2: I don't know because I've never seen it before. But

335
00:17:32,321 --> 00:17:35,201
Speaker 2: you know what, yes, there's no way at all. It's

336
00:17:35,201 --> 00:17:38,801
Speaker 2: perfectly safe, perfectly, it's perfectly safe jumping seventeen meters off

337
00:17:38,840 --> 00:17:41,640
Speaker 2: the side of the building with an automatic blade.

338
00:17:43,321 --> 00:17:45,441
Speaker 1: It's absolutely If I'm seeing the belly of an.

339
00:17:45,360 --> 00:17:50,561
Speaker 2: Ibis, it's thirty five meters at least.

340
00:17:51,481 --> 00:17:52,521
Speaker 3: Can you see him se.

341
00:17:54,321 --> 00:17:55,721
Speaker 5: My back's really starting to hurt.

342
00:17:55,840 --> 00:17:57,600
Speaker 3: Yeah, well, my legs about to seize up.

343
00:17:58,801 --> 00:17:59,161
Speaker 5: We'll tap.

344
00:18:00,321 --> 00:18:07,600
Speaker 6: Don't you get through? Of course, storm.

345
00:18:06,721 --> 00:18:08,161
Speaker 1: Bill, they've forgotten about.

346
00:18:10,001 --> 00:18:11,600
Speaker 3: I can't see you actually because of the lights that

347
00:18:11,721 --> 00:18:13,880
Speaker 3: bloody beaming in my eye.

348
00:18:14,160 --> 00:18:19,241
Speaker 8: Sam, Hello, swe love, were.

349
00:18:21,441 --> 00:18:22,120
Speaker 3: Here he comes.

350
00:18:23,721 --> 00:18:25,281
Speaker 5: We're so sorry to interrupt.

351
00:18:26,640 --> 00:18:29,801
Speaker 1: We're getting old and our are refused to the table.

352
00:18:31,761 --> 00:18:37,001
Speaker 6: Oh hang on, I feel like something stuck.

353
00:18:38,041 --> 00:18:41,401
Speaker 5: It's just a bar at the back.

354
00:18:40,201 --> 00:18:49,721
Speaker 3: All right now? Oh yeah, if you.

355
00:18:49,721 --> 00:18:55,080
Speaker 7: Hop up, hop up on the blue, you're talking to

356
00:18:55,441 --> 00:18:58,840
Speaker 7: four year old woman who does not hop up.

357
00:19:00,441 --> 00:19:01,680
Speaker 3: I'm going to do a breakdown.

358
00:19:06,041 --> 00:19:08,001
Speaker 2: Well done, very good.

359
00:19:08,801 --> 00:19:10,681
Speaker 6: Okay, hold on yourself clipped onto the sign.

360
00:19:13,721 --> 00:19:18,161
Speaker 2: Okay, ship, oh ship, hold hold on.

361
00:19:18,201 --> 00:19:19,561
Speaker 5: I think my handes Nope, there we go.

362
00:19:19,600 --> 00:19:27,041
Speaker 11: Okay, okay, oh I see you hold up, Sam.

363
00:19:27,080 --> 00:19:28,640
Speaker 2: Anyone over the age of thirty five is not going

364
00:19:28,681 --> 00:19:30,161
Speaker 2: to be able to just hop up.

365
00:19:30,681 --> 00:19:31,761
Speaker 1: Oh fucking hell.

366
00:19:31,880 --> 00:19:31,920
Speaker 6: No.

367
00:19:32,120 --> 00:19:39,281
Speaker 3: Twist your league. Yeah, well done. M hmm. Okay, you

368
00:19:39,360 --> 00:19:39,721
Speaker 3: did it.

369
00:19:40,080 --> 00:19:41,441
Speaker 6: Yes, top jobs, top jobs.

370
00:19:41,640 --> 00:19:42,160
Speaker 3: Well done.

371
00:19:42,561 --> 00:19:51,481
Speaker 12: Oh she's all right, now to walk the plank. Okay,

372
00:19:51,561 --> 00:19:57,041
Speaker 12: Christine will be going first. Yeah you have.

373
00:20:02,640 --> 00:20:06,400
Speaker 2: We made our way down to the plank and this stool.

374
00:20:06,600 --> 00:20:09,561
Speaker 2: Now there are two options for jumping off the side.

375
00:20:09,761 --> 00:20:12,160
Speaker 2: They've just installed a plank, so you can walk the

376
00:20:12,201 --> 00:20:14,801
Speaker 2: plank or the other option, which I did last year,

377
00:20:14,840 --> 00:20:17,240
Speaker 2: was you sit on a stool and then you just

378
00:20:17,521 --> 00:20:20,281
Speaker 2: push yourself off. Now, we wanted to do the plank,

379
00:20:20,441 --> 00:20:23,080
Speaker 2: so Sam gave us a safety briefing and then it

380
00:20:23,120 --> 00:20:25,680
Speaker 2: was time for Christine to walk the plank.

381
00:20:26,921 --> 00:20:30,121
Speaker 9: All right, I'm going to get you to hold onto

382
00:20:30,160 --> 00:20:31,840
Speaker 9: this for me, and I want you to try and

383
00:20:31,840 --> 00:20:35,200
Speaker 9: pull that. Yep, yep, that's got See that's what's going

384
00:20:35,281 --> 00:20:35,801
Speaker 9: to hold you.

385
00:20:35,880 --> 00:20:36,200
Speaker 3: Okay.

386
00:20:36,921 --> 00:20:38,640
Speaker 9: A very cool piece of equipment. I could go on

387
00:20:38,721 --> 00:20:40,960
Speaker 9: for hours about this, the lay system.

388
00:20:41,041 --> 00:20:42,400
Speaker 4: I love it. It's very cool.

389
00:20:42,561 --> 00:20:43,321
Speaker 5: What system is it?

390
00:20:43,360 --> 00:20:43,561
Speaker 6: Said?

391
00:20:43,721 --> 00:20:46,600
Speaker 4: This is a true blue it's an automatic lay device.

392
00:20:46,921 --> 00:20:50,561
Speaker 9: Below it's got a series of magnets inside that catch

393
00:20:50,640 --> 00:20:51,280
Speaker 9: you as you go down.

394
00:20:51,360 --> 00:20:53,120
Speaker 4: So the more down you go, the slower you go.

395
00:20:53,400 --> 00:20:56,480
Speaker 9: Oh right, So starts up a little bit fast, and

396
00:20:56,521 --> 00:20:58,400
Speaker 9: then by the time at the bottom you're basically at

397
00:20:58,441 --> 00:20:59,120
Speaker 9: a walking pace.

398
00:20:59,201 --> 00:21:00,880
Speaker 3: A walking pace. Okay.

399
00:21:00,921 --> 00:21:03,400
Speaker 4: It's a very smooth descent down as well, which is cool.

400
00:21:03,681 --> 00:21:05,521
Speaker 5: You've got this questing okay.

401
00:21:05,481 --> 00:21:09,120
Speaker 9: Okay, so I am physically checking all of the things.

402
00:21:10,281 --> 00:21:13,640
Speaker 3: Any last words we'll tell the boys is I love them?

403
00:21:14,041 --> 00:21:18,400
Speaker 3: Tell Ricardo it's been a fantastic ride. Okay, and he

404
00:21:18,521 --> 00:21:19,721
Speaker 3: knows where all my money is.

405
00:21:22,120 --> 00:21:22,640
Speaker 5: Non existent?

406
00:21:25,241 --> 00:21:29,680
Speaker 9: Yeah, yeah, it's gonna comfort a walk this way?

407
00:21:29,880 --> 00:21:34,241
Speaker 2: Yeah, yeah, Okay, when you're going when he says, come

408
00:21:34,241 --> 00:21:36,160
Speaker 2: for a walk, that's your cue to go for a walk.

409
00:21:36,241 --> 00:21:36,761
Speaker 3: Okay.

410
00:21:37,241 --> 00:21:38,840
Speaker 9: I'm here out of the way, and I'm gonna have

411
00:21:38,840 --> 00:21:40,480
Speaker 9: my hand on your back when you get to the edge.

412
00:21:40,681 --> 00:21:43,321
Speaker 4: Not to push because that would be evil all support.

413
00:21:43,880 --> 00:21:46,360
Speaker 5: Oh shit, don't think about it.

414
00:21:46,400 --> 00:21:47,721
Speaker 3: Oh my goodness, you're on the plank.

415
00:21:47,761 --> 00:21:52,400
Speaker 5: Well done. Now you just want to walk out, breath and.

416
00:21:53,281 --> 00:21:59,360
Speaker 7: Before we go, like if I accidentally fall off, is

417
00:21:59,400 --> 00:22:00,241
Speaker 7: it gonna go quick?

418
00:22:00,281 --> 00:22:01,241
Speaker 3: And then you'll go slow?

419
00:22:01,721 --> 00:22:06,601
Speaker 4: It's exactly the same. Yes, it's a little bit fast.

420
00:22:08,321 --> 00:22:14,681
Speaker 7: Okay, regardless of Okay, can we just have confirmation? Can

421
00:22:14,721 --> 00:22:17,440
Speaker 7: we have confirmation that Jess is down there waiting?

422
00:22:18,400 --> 00:22:21,440
Speaker 6: Yeah? Where is she? Okay?

423
00:22:21,600 --> 00:22:22,721
Speaker 3: Where is I can't see you?

424
00:22:22,880 --> 00:22:24,721
Speaker 6: Oh? There she is, right right.

425
00:22:24,840 --> 00:22:28,641
Speaker 7: I'm really sweating my hands.

426
00:22:30,041 --> 00:22:31,601
Speaker 3: Oh god, I don't know if I can do this.

427
00:22:31,880 --> 00:22:34,321
Speaker 5: Yes, you can hang on the phone.

428
00:22:34,400 --> 00:22:37,000
Speaker 7: Can yes, we can the phone.

429
00:22:38,080 --> 00:22:38,640
Speaker 6: Who's it?

430
00:22:38,640 --> 00:22:41,721
Speaker 5: It's jackne it on face time? Just answered on face time,

431
00:22:41,880 --> 00:22:43,840
Speaker 5: answered on past time. And tell them what you're about

432
00:22:43,840 --> 00:22:49,600
Speaker 5: to do this?

433
00:22:49,681 --> 00:22:52,360
Speaker 7: Wait, just look what I'm doing, darling. I'm just going

434
00:22:52,481 --> 00:22:55,680
Speaker 7: to show you something, just to memento. I'm jumping off this.

435
00:22:58,961 --> 00:23:00,680
Speaker 7: Who's Christian there filming me?

436
00:23:01,961 --> 00:23:03,440
Speaker 5: Can we call you in ten minutes?

437
00:23:03,521 --> 00:23:06,080
Speaker 6: Can I bring you back? Saved by the mom.

438
00:23:06,201 --> 00:23:07,400
Speaker 5: Just wish your a happy life.

439
00:23:07,521 --> 00:23:13,441
Speaker 7: I just love you so much, Mummy's boy, I love you.

440
00:23:14,801 --> 00:23:18,001
Speaker 3: That is just that has made my day.

441
00:23:17,721 --> 00:23:21,281
Speaker 5: Okay, do it for your favorite? Here we go?

442
00:23:21,481 --> 00:23:22,721
Speaker 3: So what's the other options?

443
00:23:22,761 --> 00:23:25,600
Speaker 6: I don't want to do one?

444
00:23:26,001 --> 00:23:30,041
Speaker 3: It's very Can I hang on to this? You can? Yes?

445
00:23:30,521 --> 00:23:31,720
Speaker 3: I can't stick.

446
00:23:31,840 --> 00:23:34,761
Speaker 4: When you can't hold onto this, then she's inching out.

447
00:23:34,721 --> 00:23:39,481
Speaker 5: Very well, look old, don't.

448
00:23:39,241 --> 00:23:43,481
Speaker 3: Hold on so dark down there, Christian.

449
00:23:43,640 --> 00:23:45,161
Speaker 5: Here we go. You're on the edge of the point.

450
00:23:46,721 --> 00:23:48,281
Speaker 3: Well, Sam, don't touch me.

451
00:23:50,160 --> 00:23:50,840
Speaker 5: In here we go?

452
00:23:50,921 --> 00:23:53,201
Speaker 2: Here we go in three two?

453
00:23:53,640 --> 00:23:55,880
Speaker 6: No, Sam, challenge to stop Sam.

454
00:23:57,201 --> 00:24:00,840
Speaker 3: Well with the very same, She's not going to get

455
00:24:00,880 --> 00:24:01,521
Speaker 3: to the edge.

456
00:24:02,281 --> 00:24:02,960
Speaker 5: Just push her.

457
00:24:03,640 --> 00:24:04,440
Speaker 4: No such thing?

458
00:24:04,721 --> 00:24:05,400
Speaker 5: Can I pushu?

459
00:24:06,321 --> 00:24:06,721
Speaker 3: Hang on?

460
00:24:07,120 --> 00:24:09,561
Speaker 6: Don't come back on the building on and this is

461
00:24:10,360 --> 00:24:11,281
Speaker 6: I'm telling you, this.

462
00:24:11,201 --> 00:24:14,880
Speaker 2: Is no come on, full on are you're playing the

463
00:24:14,880 --> 00:24:15,840
Speaker 2: card and you're not going to do it?

464
00:24:15,921 --> 00:24:18,401
Speaker 7: And on heard this is wait till you get up here.

465
00:24:18,521 --> 00:24:21,761
Speaker 7: Don't tell me that I've got people watching we fall

466
00:24:21,801 --> 00:24:22,321
Speaker 7: to my death.

467
00:24:23,281 --> 00:24:26,161
Speaker 5: Yeah, they've got places to be. Would you hurry up? God,

468
00:24:26,160 --> 00:24:28,640
Speaker 5: I'm so unsupportive. You're doing well, sweetie.

469
00:24:31,441 --> 00:24:33,841
Speaker 2: Oh god, no, I'm having second thoughts about saying Jing

470
00:24:34,201 --> 00:24:40,600
Speaker 2: she's gonna kill us, do it for the boys, for

471
00:24:40,681 --> 00:24:41,680
Speaker 2: the dirty dick brigade.

472
00:24:42,080 --> 00:24:44,681
Speaker 3: Shut up, Christian, I'm gonna whip my pants.

473
00:24:44,360 --> 00:24:45,881
Speaker 5: Cause she's on the edge of the plane. She's made

474
00:24:45,880 --> 00:24:47,600
Speaker 5: it out of the edge of the plane. Here we

475
00:24:47,681 --> 00:24:49,001
Speaker 5: go in three.

476
00:24:49,481 --> 00:24:49,840
Speaker 3: Stop.

477
00:24:50,281 --> 00:24:52,840
Speaker 6: I need you to stop. I need you to stop.

478
00:24:54,321 --> 00:25:00,561
Speaker 3: No, three, no, do it. I just.

479
00:25:03,441 --> 00:25:06,281
Speaker 5: I'm so sorry, so sorry. Will be gone in a minute.

480
00:25:06,400 --> 00:25:06,760
Speaker 6: Sorry.

481
00:25:07,600 --> 00:25:09,561
Speaker 3: You're upsetting the people you are.

482
00:25:09,481 --> 00:25:10,761
Speaker 1: Because you're fucking jump.

483
00:25:11,360 --> 00:25:11,761
Speaker 5: Here we go.

484
00:25:11,921 --> 00:25:15,120
Speaker 3: I'm completely safe. I'm completely safe.

485
00:25:15,640 --> 00:25:16,761
Speaker 4: I wouldn't have you up here if you.

486
00:25:18,360 --> 00:25:23,041
Speaker 7: Okay, Oh, this is really like full on scary.

487
00:25:23,441 --> 00:25:25,561
Speaker 5: You're doing great, turning it on the edge. You're doing

488
00:25:25,640 --> 00:25:26,361
Speaker 5: so well.

489
00:25:27,400 --> 00:25:28,481
Speaker 4: He's actually being truthful.

490
00:25:28,961 --> 00:25:33,160
Speaker 1: Yes, I'm so proud and so impressed and also a

491
00:25:33,201 --> 00:25:33,841
Speaker 1: little impatient.

492
00:25:33,880 --> 00:25:34,360
Speaker 5: So here we go.

493
00:25:34,481 --> 00:25:36,200
Speaker 7: I don't think I can do it, Christian, hangd on

494
00:25:36,521 --> 00:25:38,441
Speaker 7: really yeah, okay, it's full on.

495
00:25:38,521 --> 00:25:39,681
Speaker 1: Okay, well you can come back.

496
00:25:41,001 --> 00:25:41,761
Speaker 4: It's achievable.

497
00:25:43,521 --> 00:25:47,561
Speaker 3: Yeah. Can I go down on the seat?

498
00:25:47,921 --> 00:25:51,360
Speaker 6: I think I can go down the seat? Yes? What's

499
00:25:51,360 --> 00:25:52,001
Speaker 6: the seat like?

500
00:25:56,441 --> 00:25:57,400
Speaker 13: And do you let me go?

501
00:25:57,640 --> 00:25:59,680
Speaker 3: Do I make that choice? Because I'd rather you just

502
00:25:59,721 --> 00:26:01,000
Speaker 3: say go do it?

503
00:26:01,521 --> 00:26:04,201
Speaker 9: Seat both of them. It's entirely up to you. It's

504
00:26:04,201 --> 00:26:07,080
Speaker 9: whenever you want to seat. I think is going to

505
00:26:07,120 --> 00:26:09,240
Speaker 9: be easy, especially for your first time doing it.

506
00:26:09,400 --> 00:26:11,321
Speaker 6: Okay, all right, let's go there.

507
00:26:11,600 --> 00:26:13,561
Speaker 2: Let me ok.

508
00:26:13,400 --> 00:26:15,360
Speaker 3: I don't want to let the team down, Christian.

509
00:26:15,041 --> 00:26:18,801
Speaker 7: But absolutely if you don't feel comfortable, no I can't

510
00:26:18,801 --> 00:26:20,961
Speaker 7: do it, can.

511
00:26:21,201 --> 00:26:23,681
Speaker 4: Swap me and then I'm going to swap you over.

512
00:26:24,561 --> 00:26:26,681
Speaker 4: So they were all attached to lots of things.

513
00:26:26,961 --> 00:26:31,041
Speaker 7: Okay, Christine is getting onto the Okay, which way am

514
00:26:31,041 --> 00:26:32,680
Speaker 7: I going?

515
00:26:33,721 --> 00:26:34,720
Speaker 9: Is just going to be one?

516
00:26:36,721 --> 00:26:39,681
Speaker 6: Oh god, that's okay, you've got this.

517
00:26:40,600 --> 00:26:45,280
Speaker 7: Okay, Oh god, this is wrong. This is wrong on

518
00:26:45,360 --> 00:26:46,241
Speaker 7: so many levels.

519
00:26:46,840 --> 00:26:47,681
Speaker 3: I can't look down.

520
00:26:47,921 --> 00:26:48,840
Speaker 6: I just can't look down.

521
00:26:49,001 --> 00:26:51,120
Speaker 4: You're just going to be shuffling forwards until you're.

522
00:26:51,080 --> 00:26:54,880
Speaker 2: Right on the edge of the seas.

523
00:26:59,360 --> 00:27:00,920
Speaker 7: I would like to say to you I'd be able

524
00:27:00,961 --> 00:27:01,400
Speaker 7: to do.

525
00:27:01,321 --> 00:27:05,001
Speaker 5: That, but as you need to do it, well done.

526
00:27:05,281 --> 00:27:09,681
Speaker 9: Okay, okay, okay, it's gonna be a little bit more forwards,

527
00:27:09,721 --> 00:27:11,961
Speaker 9: and then when you're right on the edge, it's a

528
00:27:12,001 --> 00:27:13,841
Speaker 9: matter of leaning forwards like you're sitting on the edge

529
00:27:13,880 --> 00:27:14,281
Speaker 9: of the pool.

530
00:27:16,041 --> 00:27:16,561
Speaker 5: You got this.

531
00:27:19,001 --> 00:27:19,521
Speaker 7: Very good.

532
00:27:20,120 --> 00:27:22,041
Speaker 4: Okay, it'll be both hands on this perpose.

533
00:27:22,120 --> 00:27:23,240
Speaker 3: Okay, but you're not going to push me.

534
00:27:23,360 --> 00:27:24,680
Speaker 6: I don't want to be pushed. I don't want to

535
00:27:24,681 --> 00:27:26,960
Speaker 6: be touched. Don't touch me, Do not touch me.

536
00:27:27,041 --> 00:27:28,360
Speaker 2: We've just been an hour and a half with the

537
00:27:28,400 --> 00:27:30,041
Speaker 2: sweetest nicist human being in the world.

538
00:27:30,041 --> 00:27:32,680
Speaker 5: Do you think Sam's going to push you. He's not me.

539
00:27:34,120 --> 00:27:35,761
Speaker 6: Don't push, don't touch, don't whisper.

540
00:27:38,880 --> 00:27:39,961
Speaker 3: I'm not like the same.

541
00:27:40,600 --> 00:27:41,601
Speaker 1: Sorry, here we go.

542
00:27:41,801 --> 00:27:48,201
Speaker 2: Christine is jumping from a seated position in three shut shut,

543
00:27:48,321 --> 00:27:49,241
Speaker 2: one shut.

544
00:27:49,801 --> 00:27:50,641
Speaker 5: It's never gonna happen.

545
00:27:50,681 --> 00:27:51,521
Speaker 3: Sam will listen to you.

546
00:27:52,321 --> 00:27:54,720
Speaker 4: Okay, my hand is going I'm not going to push you.

547
00:27:54,721 --> 00:27:55,920
Speaker 6: No, I don't want you to touch me.

548
00:27:55,961 --> 00:27:56,680
Speaker 3: You can't touch me.

549
00:28:00,600 --> 00:28:04,801
Speaker 4: The chair of the safety thing.

550
00:28:05,801 --> 00:28:08,681
Speaker 9: It's not really going to be a matter of leaning forwards.

551
00:28:08,761 --> 00:28:11,001
Speaker 9: When you shovel forwards a little bit more lean forward,

552
00:28:11,160 --> 00:28:13,721
Speaker 9: you're going to catch you basically immediately, and then you're

553
00:28:13,761 --> 00:28:14,641
Speaker 9: going to float down.

554
00:28:14,681 --> 00:28:16,081
Speaker 4: It's going to be great. You can be a butterfly

555
00:28:16,120 --> 00:28:16,680
Speaker 4: and even.

556
00:28:16,561 --> 00:28:23,801
Speaker 3: Get around butterfly. Christian, Okay, all right, okay, okay, you.

557
00:28:23,721 --> 00:28:25,400
Speaker 4: Were ready to go and you're feeling fine.

558
00:28:26,080 --> 00:28:27,240
Speaker 3: But I thought you were going to touch me.

559
00:28:32,080 --> 00:28:40,881
Speaker 2: This makes me. I love seeing Christine squirm and I

560
00:28:41,001 --> 00:28:43,121
Speaker 2: just want to throw it back to thirty seconds ago

561
00:28:43,161 --> 00:28:45,081
Speaker 2: where Christine specifically said.

562
00:28:44,881 --> 00:28:46,881
Speaker 6: Don't push, don't touch, don't whisper.

563
00:28:48,321 --> 00:28:49,881
Speaker 2: And now she's saying.

564
00:28:49,681 --> 00:28:50,801
Speaker 3: But I thought you were going to touch me.

565
00:28:51,241 --> 00:28:53,641
Speaker 2: It's worth noting that Sam looked to me in that

566
00:28:53,761 --> 00:28:56,200
Speaker 2: moment and he was like, I don't know what to

567
00:28:56,241 --> 00:29:00,441
Speaker 2: do with this woman. I don't know what she wants.

568
00:29:00,761 --> 00:29:02,641
Speaker 2: She doesn't want me to touch her, but she's waiting

569
00:29:02,641 --> 00:29:04,001
Speaker 2: for me to touch her. Like what do I do?

570
00:29:04,041 --> 00:29:06,041
Speaker 2: A Christian? And I just thought I'm gonna have to

571
00:29:06,041 --> 00:29:08,561
Speaker 2: take this into my own hands, and I was like,

572
00:29:08,641 --> 00:29:10,641
Speaker 2: do we do a loud countdown or do I just

573
00:29:10,721 --> 00:29:13,761
Speaker 2: lean over from where I was standing and just push

574
00:29:13,801 --> 00:29:14,641
Speaker 2: her over the edge.

575
00:29:14,881 --> 00:29:18,921
Speaker 5: Okay, here we go. In three two one.

576
00:29:24,601 --> 00:29:28,601
Speaker 2: Look there's okay, come on, a been a t in there?

577
00:29:28,681 --> 00:29:29,041
Speaker 3: Please?

578
00:29:29,121 --> 00:29:29,721
Speaker 11: I need.

579
00:29:31,761 --> 00:29:36,241
Speaker 7: Okay, here we go in three so who please God?

580
00:29:36,321 --> 00:29:36,601
Speaker 6: Please?

581
00:29:42,761 --> 00:29:50,921
Speaker 7: Oh oh okay.

582
00:29:49,841 --> 00:29:50,161
Speaker 3: Oh.

583
00:29:52,921 --> 00:29:55,681
Speaker 14: Thank you, thank you, thank you?

584
00:29:56,721 --> 00:29:58,961
Speaker 4: Oh gosh, well done?

585
00:29:59,041 --> 00:29:59,201
Speaker 3: Oh?

586
00:29:59,281 --> 00:30:00,921
Speaker 7: Yes, that really scary, isn't it.

587
00:30:02,121 --> 00:30:02,641
Speaker 3: Yes, I do.

588
00:30:02,841 --> 00:30:06,361
Speaker 7: Just let me lean against something because I'm feeling quite giddy.

589
00:30:06,441 --> 00:30:10,921
Speaker 9: Yeah, I'm a right, Okay, okay, it's if you stand up,

590
00:30:11,001 --> 00:30:12,720
Speaker 9: you go for a walk out the plank until the

591
00:30:12,841 --> 00:30:13,281
Speaker 9: very end.

592
00:30:13,921 --> 00:30:17,481
Speaker 2: Jesus Christ God, no wonder she didn't want to do it,

593
00:30:17,761 --> 00:30:23,001
Speaker 2: so that way jumping? All right, Christaine, ready, are you

594
00:30:23,121 --> 00:30:30,921
Speaker 2: actually recording? I'm gonna shop myself. Okay, Oh my god, oh.

595
00:30:31,001 --> 00:30:31,921
Speaker 5: I say what you mean?

596
00:30:34,081 --> 00:30:42,001
Speaker 2: Oh for the love of Christ, Oh Jesus friggin' shit. Okay,

597
00:30:42,201 --> 00:30:44,281
Speaker 2: Oh my god, Oh my god. Okay, I'm on the plank.

598
00:30:44,321 --> 00:30:45,641
Speaker 2: I'm on the plank, and they're going to walk out

599
00:30:45,721 --> 00:30:48,561
Speaker 2: onto the plank. So sorry to that beautiful couple having

600
00:30:48,601 --> 00:30:50,081
Speaker 2: their dinner. Oh not to deal with this for the

601
00:30:50,161 --> 00:30:50,841
Speaker 2: last half an hour.

602
00:30:51,121 --> 00:30:51,961
Speaker 5: Okay, here we go.

603
00:30:53,441 --> 00:30:57,161
Speaker 15: Can you let me know when when I'm allowed to jump?

604
00:30:59,041 --> 00:31:01,601
Speaker 5: Oh my god, I mean I think I'm gonna fall.

605
00:31:01,921 --> 00:31:07,921
Speaker 15: Okay, okay, yep, yep, oh my god, oh my god,

606
00:31:08,401 --> 00:31:12,441
Speaker 15: and I can go now keep going on the purple part,

607
00:31:13,321 --> 00:31:14,440
Speaker 15: this part, which is.

608
00:31:14,401 --> 00:31:17,161
Speaker 5: A purple part down yeah.

609
00:31:18,721 --> 00:31:28,961
Speaker 2: Oh fucking yeah, yeah yeah, yeah, yeah. Okay, say what

610
00:31:29,801 --> 00:31:30,961
Speaker 2: christ oh.

611
00:31:34,081 --> 00:31:37,721
Speaker 5: Okay, oh my god, Cumber laying.

612
00:31:38,121 --> 00:31:47,601
Speaker 2: Oh my god, Oh my god, Oh my god.

613
00:31:48,401 --> 00:31:54,361
Speaker 5: Okay, I go. Jesus, Christ, Jesus, she is fucking O

614
00:31:54,521 --> 00:31:55,001
Speaker 5: my god.

615
00:31:55,401 --> 00:31:56,241
Speaker 1: That is horrible.

616
00:31:56,361 --> 00:32:01,281
Speaker 2: That is absolutely I'm so impressed Christine that you did

617
00:32:01,321 --> 00:32:06,481
Speaker 2: the seated one because that is actually horrible. That is Lord.

618
00:32:06,601 --> 00:32:11,401
Speaker 7: Okay, all right now, I'm so so proud of you.

619
00:32:11,401 --> 00:32:12,041
Speaker 3: You were on the.

620
00:32:12,001 --> 00:32:15,601
Speaker 7: Old Top the other day with this fabulous call to

621
00:32:15,641 --> 00:32:18,561
Speaker 7: your mum to say that you have been I don't

622
00:32:18,561 --> 00:32:20,361
Speaker 7: know selected, I don't know if that's the right word,

623
00:32:20,441 --> 00:32:24,041
Speaker 7: but you're going to be on a billboard chosen on

624
00:32:24,081 --> 00:32:29,281
Speaker 7: a billboard for Brisbane. Yeah, for Queensland. Is it Queensland

625
00:32:29,361 --> 00:32:31,921
Speaker 7: or Brisbane? It's visit Brisbane, visit Brisbane.

626
00:32:32,361 --> 00:32:32,641
Speaker 5: All right.

627
00:32:32,681 --> 00:32:35,401
Speaker 7: So when you said billboard, I had this vision in

628
00:32:35,441 --> 00:32:37,841
Speaker 7: my head that you were going to be like a

629
00:32:37,921 --> 00:32:38,921
Speaker 7: Cleo centerfold.

630
00:32:38,961 --> 00:32:39,961
Speaker 3: Remember back in the day.

631
00:32:40,001 --> 00:32:41,681
Speaker 1: You may not remember that, but they.

632
00:32:41,561 --> 00:32:43,841
Speaker 7: Would have centerfold. So I had this vision that you

633
00:32:43,841 --> 00:32:46,401
Speaker 7: were going to be like this, sprawled out on your

634
00:32:46,441 --> 00:32:51,481
Speaker 7: side in your speedo's with little Brisbane, Little Brisbane. Well

635
00:32:51,521 --> 00:32:54,161
Speaker 7: you know the print would be Brisbane or Welcome to

636
00:32:54,201 --> 00:32:57,401
Speaker 7: Brisbane type thing with your leg up on a beach chock,

637
00:32:57,481 --> 00:32:59,240
Speaker 7: you not far off with a bit of zinc on

638
00:32:59,281 --> 00:33:00,601
Speaker 7: your nose and a bucket hat.

639
00:33:00,681 --> 00:33:01,841
Speaker 3: Now how close to mine?

640
00:33:01,921 --> 00:33:05,480
Speaker 2: You're actually very close on the money? What have was?

641
00:33:06,001 --> 00:33:10,041
Speaker 2: I moved to Brisbane five years ago. I absolutely love Queensland.

642
00:33:10,241 --> 00:33:15,121
Speaker 2: It's just me warm, plants grow easily, it's a chilled vibe,

643
00:33:15,281 --> 00:33:20,440
Speaker 2: it's beechey, It's lovely. And one of the goals I

644
00:33:20,481 --> 00:33:22,361
Speaker 2: set for myself was I would like to be the

645
00:33:22,401 --> 00:33:27,281
Speaker 2: face of Queensland. I want to be Lara Bingle. Where

646
00:33:27,321 --> 00:33:29,440
Speaker 2: the bloody hell are you? I can see you in

647
00:33:29,481 --> 00:33:32,881
Speaker 2: this role. The other one is Crocs. I've always wanted

648
00:33:32,881 --> 00:33:37,961
Speaker 2: to be a model for Crocs. Yes, recently my manager

649
00:33:38,041 --> 00:33:40,960
Speaker 2: said I've booked you in would you be interested in

650
00:33:41,001 --> 00:33:45,201
Speaker 2: doing a shoot? Didn't really have much information on it.

651
00:33:45,201 --> 00:33:47,720
Speaker 2: It was a tourism campaign for Brisbane and I was like,

652
00:33:48,801 --> 00:33:50,801
Speaker 2: oh my god, this is my toe. I'm dipping my

653
00:33:50,921 --> 00:33:53,720
Speaker 2: I'm getting in, I'm getting in and I'm going to

654
00:33:53,721 --> 00:33:56,041
Speaker 2: be put in front of the right people who do

655
00:33:56,161 --> 00:33:57,201
Speaker 2: the Brisbane campaign.

656
00:33:57,721 --> 00:33:57,961
Speaker 5: Right.

657
00:33:58,081 --> 00:34:01,281
Speaker 2: So I was really excited. And it was a four

658
00:34:01,321 --> 00:34:05,321
Speaker 2: am rooftop shoot at the Emporium Hotel. I was like,

659
00:34:05,361 --> 00:34:08,401
Speaker 2: four am, yeah, because we're getting the sunrise and also

660
00:34:08,401 --> 00:34:11,641
Speaker 2: it's a very famous hotel, Paul that people pay a

661
00:34:11,681 --> 00:34:14,161
Speaker 2: lot of money to go and stay, so we couldn't.

662
00:34:13,841 --> 00:34:16,361
Speaker 7: Be using it during the Peakit close to the mark

663
00:34:16,481 --> 00:34:18,161
Speaker 7: where you sprawled down on.

664
00:34:18,121 --> 00:34:18,721
Speaker 5: This you wait.

665
00:34:19,521 --> 00:34:22,441
Speaker 2: In my mind, I just go in. It's just a

666
00:34:22,601 --> 00:34:24,281
Speaker 2: quick shot here and there, and it's going to be

667
00:34:24,321 --> 00:34:27,601
Speaker 2: some Facebook ads. So I read through the contract and

668
00:34:27,681 --> 00:34:30,281
Speaker 2: all contracts say we have the right to use this

669
00:34:30,361 --> 00:34:33,241
Speaker 2: imagery however we see fit. I was like, yeah, absolutely.

670
00:34:33,641 --> 00:34:36,441
Speaker 2: I was paid a pretty good amount of money, perfect

671
00:34:36,481 --> 00:34:39,881
Speaker 2: and nothing life changing, but fucking good, and I just

672
00:34:39,921 --> 00:34:43,481
Speaker 2: thought I'll go in. This is my start. I was

673
00:34:43,521 --> 00:34:46,681
Speaker 2: going to get some Facebook ads. I will be off

674
00:34:46,801 --> 00:34:49,441
Speaker 2: a couple of years. I will be the face of Brisbane.

675
00:34:49,761 --> 00:34:53,961
Speaker 2: I get to this film shoot four am and I

676
00:34:53,961 --> 00:34:55,801
Speaker 2: thought would just be a camera man with a light.

677
00:34:56,081 --> 00:35:01,440
Speaker 2: I walk in. There are four extras gorgeous for the shoot.

678
00:35:01,481 --> 00:35:04,401
Speaker 2: They are four extras just four people who are going

679
00:35:04,481 --> 00:35:07,321
Speaker 2: to be in the shote stunning, gorgeous. They driven from

680
00:35:07,321 --> 00:35:10,561
Speaker 2: the Gold Coast. They were beautiful, and I thought, oh, fuck,

681
00:35:11,441 --> 00:35:14,081
Speaker 2: here I am. They didn't know who I was, and

682
00:35:14,121 --> 00:35:17,001
Speaker 2: they were like, are you like assistant production? And I

683
00:35:17,081 --> 00:35:19,761
Speaker 2: was like, I'm actually gonna be the person talent. I'm

684
00:35:19,881 --> 00:35:25,761
Speaker 2: the talent. I'm embarrassed because you're this You're six foot tall, dark, handsome,

685
00:35:26,161 --> 00:35:28,761
Speaker 2: just oh. And then the women, Oh my lord.

686
00:35:29,521 --> 00:35:31,841
Speaker 5: So I was like, that's four well.

687
00:35:31,961 --> 00:35:37,721
Speaker 2: And then trolley after trolley of camera equipment, of soundstaging,

688
00:35:37,841 --> 00:35:40,841
Speaker 2: of a lighting gear. I met the director, I met

689
00:35:40,841 --> 00:35:45,921
Speaker 2: the first assistant director, I met the stylist, hair and makeup,

690
00:35:45,961 --> 00:35:48,681
Speaker 2: and I'm like, what the fuck is this? I was like,

691
00:35:48,721 --> 00:35:52,521
Speaker 2: this is a lot for some Facebook ads. Everyone was

692
00:35:52,601 --> 00:35:56,401
Speaker 2: so lovely. So we go up into this green room

693
00:35:56,521 --> 00:36:00,721
Speaker 2: and the hotel is boo, it's so bougie. It's not

694
00:36:00,761 --> 00:36:05,441
Speaker 2: super expensive. It's a really good hotel. And I was like,

695
00:36:05,521 --> 00:36:07,041
Speaker 2: I was going to go to the bathroom. I walk

696
00:36:07,121 --> 00:36:12,001
Speaker 2: into this gallery of modern art style bathroom where the

697
00:36:12,201 --> 00:36:16,481
Speaker 2: taps are huge stain in the steel, water droplets that

698
00:36:16,561 --> 00:36:20,321
Speaker 2: hang from the ceiling in the middle. They just know

699
00:36:20,641 --> 00:36:22,601
Speaker 2: when you need to wash your hands, like I walked

700
00:36:22,641 --> 00:36:24,921
Speaker 2: up to once and it turned on. I didn't need

701
00:36:24,961 --> 00:36:27,081
Speaker 2: to put my hand under it, it just turned on, and

702
00:36:27,121 --> 00:36:30,440
Speaker 2: I was like, this is incredible. Go the stylis two

703
00:36:30,481 --> 00:36:31,881
Speaker 2: is lovely. We had a good laughs.

704
00:36:32,001 --> 00:36:32,921
Speaker 5: She's putting me in.

705
00:36:33,521 --> 00:36:35,721
Speaker 2: She hands me some board shorts. I was like, oh,

706
00:36:35,881 --> 00:36:40,401
Speaker 2: top off, yep. I'm like, oh so they want they

707
00:36:40,401 --> 00:36:45,841
Speaker 2: want the full Christian experience. And then a bit of makeup,

708
00:36:46,041 --> 00:36:47,881
Speaker 2: bit of hair, and then it was time. So I

709
00:36:47,921 --> 00:36:51,161
Speaker 2: go upstairs from the green room to the pool and

710
00:36:51,201 --> 00:36:54,001
Speaker 2: it was like, honest to God, I've done a movie,

711
00:36:54,321 --> 00:36:57,681
Speaker 2: done a feature film directed by Rachel Griffiths. It was

712
00:36:57,761 --> 00:37:00,041
Speaker 2: the same level of production.

713
00:37:00,201 --> 00:37:00,681
Speaker 3: In a movie.

714
00:37:00,681 --> 00:37:04,001
Speaker 2: I'm in a movie which ride like a girl about

715
00:37:04,001 --> 00:37:05,681
Speaker 2: Michelle Payne. I've seen that.

716
00:37:05,921 --> 00:37:06,561
Speaker 4: What part did you?

717
00:37:06,841 --> 00:37:13,001
Speaker 2: Oh my god, did ever tell you that? Rachel Griffiths said,

718
00:37:13,441 --> 00:37:16,841
Speaker 2: Christian Hull, No, No, she didn't. A friend of mine

719
00:37:16,961 --> 00:37:20,361
Speaker 2: was the casting was in casting and was like, did

720
00:37:20,401 --> 00:37:23,401
Speaker 2: you plan that? So there's the Sam Neil plays the

721
00:37:23,481 --> 00:37:27,241
Speaker 2: dad and he goes to hospital. Who was the nurse

722
00:37:27,281 --> 00:37:29,761
Speaker 2: attending to him? You it's me and I've got a

723
00:37:29,801 --> 00:37:32,761
Speaker 2: line and.

724
00:37:32,681 --> 00:37:33,881
Speaker 3: You still retain that information.

725
00:37:34,001 --> 00:37:37,881
Speaker 2: Oh here we go and scene. Hi everyone, I'm going

726
00:37:37,921 --> 00:37:40,000
Speaker 2: to have to ask you to leave. He really needs

727
00:37:40,001 --> 00:37:43,321
Speaker 2: his rest. I'll call you if anything changes. Grab curtain,

728
00:37:43,641 --> 00:37:48,081
Speaker 2: close curtain. That was me Oscar Oscar Award winning. Now

729
00:37:48,201 --> 00:37:52,521
Speaker 2: I had a full face camera shot. They didn't go with.

730
00:37:52,601 --> 00:37:56,001
Speaker 2: They went with the behind and they also edited out

731
00:37:56,081 --> 00:37:58,601
Speaker 2: half of my life. Okay, but you were still I

732
00:37:58,641 --> 00:38:00,401
Speaker 2: was still in it. I was still in it. And

733
00:38:00,441 --> 00:38:02,761
Speaker 2: it was a big That was a big production. This

734
00:38:03,001 --> 00:38:05,121
Speaker 2: was the same level, like this was really for and

735
00:38:05,161 --> 00:38:06,761
Speaker 2: I was like, this is a lot. I feel like

736
00:38:06,761 --> 00:38:09,681
Speaker 2: we're spending a lot of money for some Facebook ads

737
00:38:10,561 --> 00:38:13,401
Speaker 2: and so you have to imagine a crew of like

738
00:38:14,081 --> 00:38:19,041
Speaker 2: fifteen to twenty people, all just young in like really

739
00:38:19,121 --> 00:38:21,201
Speaker 2: they knew what they were doing and it was fascinating

740
00:38:21,241 --> 00:38:23,001
Speaker 2: to watch them, Like they all.

741
00:38:22,961 --> 00:38:27,241
Speaker 7: Had a vibe, a very bougie, high fashion, high kind

742
00:38:27,281 --> 00:38:28,281
Speaker 7: of intensity.

743
00:38:28,521 --> 00:38:33,401
Speaker 2: Big deal, big deal, which bequig in my mind that

744
00:38:33,441 --> 00:38:38,441
Speaker 2: this campaign is a fifty five million dollar Brisbane tourism campaign. Wow,

745
00:38:38,481 --> 00:38:40,601
Speaker 2: it's the big one. I had no idea. I'm so

746
00:38:40,761 --> 00:38:43,121
Speaker 2: blase about shit. I was like, oh cool, this is

747
00:38:43,121 --> 00:38:45,601
Speaker 2: the part where we do a YouTube pre roll and

748
00:38:45,681 --> 00:38:49,761
Speaker 2: it's a Facebook ad, That's what I thought. The director

749
00:38:50,001 --> 00:38:52,241
Speaker 2: goes Christian. Great, So I'm I come out into the

750
00:38:52,241 --> 00:38:55,841
Speaker 2: pool wearing a robe and my board shorts and they're like, ooh,

751
00:38:55,841 --> 00:38:57,561
Speaker 2: we're just going to set up some stuff, but I

752
00:38:57,601 --> 00:38:58,921
Speaker 2: just would love you to stand on the edge of

753
00:38:58,921 --> 00:39:02,041
Speaker 2: the pool here, stay there, look out, take your robe

754
00:39:02,081 --> 00:39:02,961
Speaker 2: off and step in.

755
00:39:03,361 --> 00:39:07,481
Speaker 7: Oh And I thought, oh great, what body preparation did

756
00:39:07,521 --> 00:39:09,081
Speaker 7: you have in the lead up to this?

757
00:39:09,481 --> 00:39:10,721
Speaker 5: Did you? Because I am.

758
00:39:12,481 --> 00:39:15,361
Speaker 2: Nothing, because I didn't think this was going anywhere.

759
00:39:16,201 --> 00:39:18,401
Speaker 7: Well, for your level of commitment sounds very large.

760
00:39:18,561 --> 00:39:19,001
Speaker 2: I didn't.

761
00:39:19,081 --> 00:39:19,681
Speaker 3: I just didn't.

762
00:39:19,881 --> 00:39:22,281
Speaker 2: I get contracts all the time that have huge promises

763
00:39:22,321 --> 00:39:25,001
Speaker 2: and then they don't use anything. So I was like, oh, yeah,

764
00:39:25,121 --> 00:39:27,081
Speaker 2: this is this is not really going to go anywhere,

765
00:39:27,121 --> 00:39:29,321
Speaker 2: but this is a good step in the right direction, right.

766
00:39:30,601 --> 00:39:32,121
Speaker 2: I was unaware I'm going to be the face of

767
00:39:32,121 --> 00:39:32,881
Speaker 2: fucking Brisbane.

768
00:39:32,921 --> 00:39:34,561
Speaker 7: Well, you thought at the stage that you were just

769
00:39:34,601 --> 00:39:35,521
Speaker 7: going to be a little bit of.

770
00:39:35,721 --> 00:39:37,041
Speaker 2: In the corner. I thought it was going to be

771
00:39:37,121 --> 00:39:39,801
Speaker 2: in the corner. So just to let you know, the

772
00:39:39,841 --> 00:39:42,921
Speaker 2: cost of putting this shoot on would have been a

773
00:39:42,961 --> 00:39:45,521
Speaker 2: lot of money. They have the head of Tourism.

774
00:39:45,121 --> 00:39:45,801
Speaker 5: There they have.

775
00:39:46,241 --> 00:39:49,641
Speaker 2: It was a huge deal. I was treated like Nicole

776
00:39:49,801 --> 00:39:52,761
Speaker 2: fucking Kidnaan. I had three assistants. Now do you need anything?

777
00:39:52,801 --> 00:39:55,001
Speaker 2: What do you need? What's going on? I didn't realize

778
00:39:55,001 --> 00:39:57,721
Speaker 2: this was my Laurel Bengal moment, so I was like,

779
00:39:57,761 --> 00:40:01,001
Speaker 2: I'm just meeting these people to have my moment in

780
00:40:01,041 --> 00:40:05,041
Speaker 2: a few years. Okay, first thing I do. Stand up

781
00:40:05,121 --> 00:40:07,801
Speaker 2: the edge of the pool. He calls action. I take

782
00:40:07,841 --> 00:40:11,881
Speaker 2: my robe off and I step into the pool and

783
00:40:12,201 --> 00:40:16,321
Speaker 2: the step is really slippre. Oh god, yeah, and I

784
00:40:16,361 --> 00:40:21,921
Speaker 2: didn't I fall no instantly and I fall backwards. And

785
00:40:21,961 --> 00:40:24,121
Speaker 2: this could have gone one of two ways. Now, remember

786
00:40:24,121 --> 00:40:25,721
Speaker 2: we still have three and a half hours. There's a

787
00:40:25,721 --> 00:40:27,361
Speaker 2: crew of twenty, and this has cost a lot of money,

788
00:40:27,401 --> 00:40:29,161
Speaker 2: and you start telling us about.

789
00:40:28,841 --> 00:40:32,081
Speaker 7: To I'm thinking, can cut themselves.

790
00:40:31,801 --> 00:40:34,801
Speaker 2: And really injure themselves and ruin everything. So as I

791
00:40:34,881 --> 00:40:40,561
Speaker 2: slip out, I think, fuck, thank god, I'm quick witted

792
00:40:40,641 --> 00:40:43,201
Speaker 2: enough to sort of slip and throw my body around.

793
00:40:43,241 --> 00:40:46,721
Speaker 2: So I turn around, narrowly miss hitting the back of

794
00:40:46,761 --> 00:40:51,641
Speaker 2: my head, tear a muscle in my calf, and grab

795
00:40:51,721 --> 00:40:56,161
Speaker 2: the side. I'm like ha ha, oh, sorry everyone, I'm

796
00:40:56,161 --> 00:40:59,281
Speaker 2: a bit of an idiot. I'm in searing agony because

797
00:40:59,321 --> 00:41:03,081
Speaker 2: I've liked my calf, but I'm like, Christian, you're here,

798
00:41:03,401 --> 00:41:07,201
Speaker 2: You're because you're professional. This is your moment. Don't ruin this,

799
00:41:08,401 --> 00:41:11,881
Speaker 2: don't lose. So I smiled and I was like I'm fine,

800
00:41:11,881 --> 00:41:14,241
Speaker 2: I'm so sorry. Everyone, and everyone they run over to

801
00:41:14,241 --> 00:41:16,921
Speaker 2: you because like Nicole fucking kidman, They're like, are you okay?

802
00:41:16,961 --> 00:41:20,481
Speaker 2: What she needs? Everything? What's going on? The guy, the

803
00:41:20,561 --> 00:41:23,681
Speaker 2: Visit Brisbane Tourism guy comes out, and he was so

804
00:41:23,761 --> 00:41:25,401
Speaker 2: funny because I get out of the pool and he

805
00:41:25,441 --> 00:41:28,721
Speaker 2: goes chance this Christian, We've got a lot of shoots

806
00:41:28,761 --> 00:41:30,841
Speaker 2: we have to do today and this is the least

807
00:41:30,921 --> 00:41:35,361
Speaker 2: riskiest one, and you've almost kills yourself. And I'm like, sorry, sorry,

808
00:41:36,521 --> 00:41:40,361
Speaker 2: I'm all good though, and I'm like limping, and I'm like,

809
00:41:40,401 --> 00:41:45,721
Speaker 2: I'm just kidding. I was. I was like in fucking pain.

810
00:41:46,041 --> 00:41:49,041
Speaker 7: Because what an idiot, what a seasoned performer.

811
00:41:49,201 --> 00:41:50,921
Speaker 2: I then go through and all I have to do

812
00:41:51,001 --> 00:41:53,121
Speaker 2: is just swim out onto the pool and just look

813
00:41:53,201 --> 00:41:56,441
Speaker 2: up into this guy, oh my, and then swim over

814
00:41:56,481 --> 00:41:59,081
Speaker 2: to the edge because it's a waveless pool on the

815
00:41:59,401 --> 00:42:02,521
Speaker 2: edge of the hotel that overlooks the Brisbane River and

816
00:42:02,521 --> 00:42:05,921
Speaker 2: the Brisbane city's gorgeous. So I do that a few

817
00:42:05,961 --> 00:42:08,321
Speaker 2: times and they're like, yep, great, and they'll do it

818
00:42:08,361 --> 00:42:09,321
Speaker 2: this way, and I'll do it that way.

819
00:42:09,281 --> 00:42:13,401
Speaker 7: At that stage, your agony, your heat, I was because.

820
00:42:13,121 --> 00:42:15,121
Speaker 2: I wasn't using my legs to swim right, I was

821
00:42:15,201 --> 00:42:17,081
Speaker 2: using my arms because it was just a slow weave.

822
00:42:18,721 --> 00:42:21,441
Speaker 2: The very last take, he goes, you know what, just

823
00:42:21,521 --> 00:42:23,960
Speaker 2: go hell for leather. Just give us whatever you want,

824
00:42:24,201 --> 00:42:26,801
Speaker 2: cause the scene creative gen I don't think we use it,

825
00:42:26,841 --> 00:42:27,201
Speaker 2: but we.

826
00:42:27,201 --> 00:42:29,041
Speaker 3: Might about to start.

827
00:42:29,121 --> 00:42:30,161
Speaker 2: This is the one they used.

828
00:42:30,161 --> 00:42:30,841
Speaker 7: I bet they did.

829
00:42:30,921 --> 00:42:34,361
Speaker 2: They did, so it's a fourteen second commercial, so it's

830
00:42:34,361 --> 00:42:36,561
Speaker 2: like a blink and you'll miss it. But I swim

831
00:42:36,601 --> 00:42:38,841
Speaker 2: out and then I just like cozingly throw my body

832
00:42:38,841 --> 00:42:41,440
Speaker 2: around and I'm kicking and I'm like doing my thing,

833
00:42:42,081 --> 00:42:44,401
Speaker 2: and then immediately.

834
00:42:44,281 --> 00:42:45,401
Speaker 5: I just sort of sink.

835
00:42:46,121 --> 00:42:49,241
Speaker 2: My leg starts like fully, it goes rock hard. My

836
00:42:49,321 --> 00:42:51,521
Speaker 2: muscle goes rock hard, and I'm trying to squeeze it

837
00:42:51,721 --> 00:42:53,761
Speaker 2: and I'm screaming and I'm trying to keep my head afloat,

838
00:42:54,201 --> 00:42:56,161
Speaker 2: and they're like that might be a little bit too

839
00:42:56,241 --> 00:42:59,641
Speaker 2: dramatic and I'm like no, and like I couldn't swim,

840
00:42:59,641 --> 00:43:01,321
Speaker 2: and so I'm trying to swim to the side, and

841
00:43:01,361 --> 00:43:02,401
Speaker 2: so I like skull to this side.

842
00:43:02,401 --> 00:43:03,401
Speaker 5: I'm like, I'm craving. I'm craving.

843
00:43:03,441 --> 00:43:06,881
Speaker 2: I'm craving, and give them grab me. I look like

844
00:43:06,961 --> 00:43:10,561
Speaker 2: a sea cow. I'm lying. They're like, ah, my guts

845
00:43:10,561 --> 00:43:12,761
Speaker 2: hanging out and they're like trying to bend my foots.

846
00:43:12,841 --> 00:43:16,841
Speaker 2: I'm not crawding. I'm like, ah, making sea cow noises.

847
00:43:17,721 --> 00:43:20,561
Speaker 2: It's all good. We get the stills. I lie there.

848
00:43:20,601 --> 00:43:23,841
Speaker 2: We do a couple of other shots. Day over, I

849
00:43:23,961 --> 00:43:26,361
Speaker 2: go home. I'm like, that was fun. I think they

850
00:43:26,441 --> 00:43:29,081
Speaker 2: got some great look they get some funny stuff. I've

851
00:43:29,121 --> 00:43:31,841
Speaker 2: got some funny vision that I can play. They're not

852
00:43:31,841 --> 00:43:34,041
Speaker 2: really going to use much of this. I get an

853
00:43:34,041 --> 00:43:36,601
Speaker 2: email it's like, cool, campaign is going to be how long.

854
00:43:36,641 --> 00:43:39,921
Speaker 7: In the introim from doing the gig, So it's January.

855
00:43:40,121 --> 00:43:43,041
Speaker 2: They did it in January, and the gig was March.

856
00:43:43,161 --> 00:43:46,361
Speaker 2: So they kicking off the campaign in March. Okay, cyclone

857
00:43:46,361 --> 00:43:49,361
Speaker 2: Alfred hits and they're like, we're delaying the campaign. I

858
00:43:49,401 --> 00:43:53,041
Speaker 2: was like, that makes sense, and it sort of worked

859
00:43:53,081 --> 00:43:55,801
Speaker 2: in their favor because now they're using this to sort

860
00:43:55,841 --> 00:43:58,281
Speaker 2: of be like, come on, guys, we did just have

861
00:43:58,321 --> 00:44:01,001
Speaker 2: a cycling but it's all good Brisbane's so it's called

862
00:44:01,001 --> 00:44:04,481
Speaker 2: Brisbane Favors. The bold is the campaign. This is a

863
00:44:04,481 --> 00:44:11,001
Speaker 2: global campaign's international. I'm going on international advertising billboards around

864
00:44:11,201 --> 00:44:11,841
Speaker 2: the world.

865
00:44:12,121 --> 00:44:13,721
Speaker 3: Now you got to show me this.

866
00:44:13,881 --> 00:44:15,841
Speaker 7: I know you're probably not allowed to, but at the

867
00:44:15,881 --> 00:44:17,241
Speaker 7: time of filming, no.

868
00:44:17,361 --> 00:44:19,561
Speaker 2: I can show you. I get an email They're like

869
00:44:19,601 --> 00:44:22,161
Speaker 2: so sorry, but we're now pushing it to you know,

870
00:44:22,201 --> 00:44:24,321
Speaker 2: twenty fourth of March. I was like, that's fine. We've

871
00:44:24,401 --> 00:44:27,041
Speaker 2: done some mockups of what we're going to use it

872
00:44:27,041 --> 00:44:29,081
Speaker 2: for and I was like cool. So they showed me

873
00:44:29,121 --> 00:44:32,881
Speaker 2: some stills and that. I loved the ad. I loved

874
00:44:33,041 --> 00:44:35,081
Speaker 2: the ad. I was like, this is the YouTube pre

875
00:44:35,281 --> 00:44:38,041
Speaker 2: roll and she's like yep. And the television ad. I

876
00:44:38,081 --> 00:44:41,081
Speaker 2: was like what, so yep, this is yeah. Oh and

877
00:44:41,081 --> 00:44:43,801
Speaker 2: we've also attached the billboards. I was like, sorry, what

878
00:44:44,361 --> 00:44:47,401
Speaker 2: And she's attached to mockups of two billboards, the biggest

879
00:44:47,401 --> 00:44:51,921
Speaker 2: billboard in Melbourne and then there's one in Sydney, Bellmore

880
00:44:52,001 --> 00:44:54,881
Speaker 2: on the five. And I was like, wow, two billboards

881
00:44:54,921 --> 00:44:58,041
Speaker 2: and a television ad and she goes yep, is just

882
00:44:58,681 --> 00:45:01,801
Speaker 2: a small percentage of what it's going to be Christian.

883
00:45:01,841 --> 00:45:04,481
Speaker 2: You do realize like you're one of the prominent faces,

884
00:45:04,601 --> 00:45:08,721
Speaker 2: if not the prominent face, of this Brisbane Tourism campaign.

885
00:45:08,801 --> 00:45:13,761
Speaker 2: And then the whole campaign was featured on every news channel. Oh,

886
00:45:13,881 --> 00:45:19,241
Speaker 2: this is going PM prime spot in Queensland tonight, Brisbane

887
00:45:19,281 --> 00:45:23,121
Speaker 2: Tourism launches their massive fifty five million dollar campaign headed

888
00:45:23,161 --> 00:45:25,921
Speaker 2: by Queensland's Christian Hall and blah blah blah. And I was

889
00:45:25,961 --> 00:45:27,481
Speaker 2: like what and then.

890
00:45:27,681 --> 00:45:30,521
Speaker 11: He would just swash up with me half naked everywhere.

891
00:45:30,641 --> 00:45:33,881
Speaker 2: Okay, I'm going to show you the commercial. Okay, so

892
00:45:34,001 --> 00:45:36,041
Speaker 2: before you hit play on this, it's just a fourteen

893
00:45:36,081 --> 00:45:39,441
Speaker 2: second commercial. This is what's going to go on TV. Okay,

894
00:45:39,761 --> 00:45:41,281
Speaker 2: and this is me on the rooftop.

895
00:45:41,561 --> 00:45:44,681
Speaker 7: Okay, I can play now, Yes, Okay, here we go.

896
00:45:46,841 --> 00:45:48,401
Speaker 7: I get white lights up.

897
00:45:49,201 --> 00:45:59,921
Speaker 14: Is that you with a goat? Is that you with

898
00:46:00,001 --> 00:46:00,401
Speaker 14: a goat?

899
00:46:01,121 --> 00:46:03,401
Speaker 2: You mean me? Hit pause?

900
00:46:04,441 --> 00:46:06,721
Speaker 14: They've kind kind of defined your b to be.

901
00:46:07,161 --> 00:46:11,121
Speaker 7: Oh, it's fabulous, but I'm recognizable and recognizable.

902
00:46:11,481 --> 00:46:12,641
Speaker 5: What really?

903
00:46:12,841 --> 00:46:14,241
Speaker 7: Well, hang on, I've got to watch it for a

904
00:46:14,241 --> 00:46:15,921
Speaker 7: third time. Just let me and just in my glasses

905
00:46:15,961 --> 00:46:17,681
Speaker 7: because I wish see if I can.

906
00:46:19,441 --> 00:46:21,121
Speaker 2: Okay, we'll here you go, I'll cut to let you

907
00:46:21,161 --> 00:46:22,801
Speaker 2: come undone, and I.

908
00:46:22,801 --> 00:46:34,401
Speaker 13: Mean I must be missing exactly just thing on here.

909
00:46:36,241 --> 00:46:37,521
Speaker 14: Okay, oll that's better.

910
00:46:37,561 --> 00:46:38,440
Speaker 2: I've got it on the side.

911
00:46:38,481 --> 00:46:45,960
Speaker 3: Now that is fun.

912
00:46:48,841 --> 00:46:52,561
Speaker 2: That is about that you're in. It's a full frontal

913
00:46:52,681 --> 00:46:54,881
Speaker 2: face of me and you still like? Is that you?

914
00:46:54,961 --> 00:46:58,681
Speaker 7: Is that that does not look anything like you?

915
00:46:58,681 --> 00:46:59,641
Speaker 2: Oh? That's disappointing.

916
00:46:59,721 --> 00:47:02,881
Speaker 7: Hang on, look, I'm sorry, it's I get a very

917
00:47:03,161 --> 00:47:08,561
Speaker 7: white lotus feel, so just stop it there, stop Okay.

918
00:47:08,681 --> 00:47:09,681
Speaker 2: I think it's the hair.

919
00:47:09,961 --> 00:47:10,801
Speaker 14: I think that's the hair.

920
00:47:11,881 --> 00:47:15,121
Speaker 2: I think that my hair doesn't look like me. It

921
00:47:15,161 --> 00:47:17,801
Speaker 2: looks like George Costanza.

922
00:47:18,361 --> 00:47:25,081
Speaker 7: Or they're not far off the money my hair.

923
00:47:25,161 --> 00:47:26,881
Speaker 2: I don't usually do my hair like that.

924
00:47:27,241 --> 00:47:32,601
Speaker 7: No, Ricky Gervais did a character. Oh god, I need

925
00:47:32,641 --> 00:47:35,321
Speaker 7: to find this. And the glasses have put me off too,

926
00:47:35,321 --> 00:47:38,081
Speaker 7: because I wasn't expecting that, because I in my head

927
00:47:38,241 --> 00:47:42,201
Speaker 7: had you, Bogan Christian, I had you on a towel

928
00:47:42,361 --> 00:47:46,201
Speaker 7: with the sand and the bucket hat and the speedos

929
00:47:46,241 --> 00:47:48,441
Speaker 7: and the zinc on the nose.

930
00:47:49,401 --> 00:47:51,001
Speaker 2: This is this is white loadus Christians.

931
00:47:51,041 --> 00:47:52,001
Speaker 6: This is white loatus.

932
00:47:52,201 --> 00:47:53,681
Speaker 2: There's a couple of photos that are going to.

933
00:47:53,681 --> 00:47:55,681
Speaker 7: Be used, right okay, right with strolling.

934
00:47:56,241 --> 00:48:00,521
Speaker 2: Oh can you describe describe the photos.

935
00:48:00,361 --> 00:48:03,761
Speaker 13: You've got the white lotus?

936
00:48:01,761 --> 00:48:06,081
Speaker 7: Are you snoring too in the you were too?

937
00:48:08,121 --> 00:48:08,281
Speaker 3: Right?

938
00:48:08,361 --> 00:48:11,401
Speaker 2: Let's go now fucking asking Nan to use technology.

939
00:48:11,561 --> 00:48:16,001
Speaker 7: I've got to go to the photos. Oh that's the billboard.

940
00:48:16,041 --> 00:48:18,481
Speaker 7: Wait till I drive past that. That is going to

941
00:48:18,521 --> 00:48:20,081
Speaker 7: be absolutely I love it.

942
00:48:20,241 --> 00:48:21,721
Speaker 2: I think it's all going to describe it.

943
00:48:22,081 --> 00:48:25,001
Speaker 7: So it's you looking very unlike you.

944
00:48:25,601 --> 00:48:27,561
Speaker 2: Thank you. I'm really thrilled by that.

945
00:48:27,561 --> 00:48:31,401
Speaker 7: With a white terry toweling, laying down with your hand

946
00:48:31,441 --> 00:48:35,161
Speaker 7: behind your head, and don't like the sunglasses they've chosen.

947
00:48:35,361 --> 00:48:37,241
Speaker 7: But you know, I'm not a stylist, but you know

948
00:48:37,281 --> 00:48:40,561
Speaker 7: it's great. And then there's one beside that is you

949
00:48:40,641 --> 00:48:43,921
Speaker 7: floating with your feet up, so you really couldn't tell

950
00:48:43,961 --> 00:48:47,441
Speaker 7: that that to you on that one, if you're honest, great.

951
00:48:47,161 --> 00:48:48,001
Speaker 3: Though, I love it.

952
00:48:48,081 --> 00:48:53,801
Speaker 7: Brisbane tourism unbelievably fantastic. And there you are and I

953
00:48:53,841 --> 00:48:58,681
Speaker 7: think that's Melbourne. That's very very fantastic. I love that

954
00:48:58,721 --> 00:49:01,881
Speaker 7: you've got the one of you floating on your back.

955
00:49:02,241 --> 00:49:06,081
Speaker 7: I can probably tell which side the calf was cramping

956
00:49:06,361 --> 00:49:07,961
Speaker 7: because your toes are kind.

957
00:49:07,721 --> 00:49:10,641
Speaker 2: Of cooled, like this is like almost a fetish photo.

958
00:49:11,001 --> 00:49:15,841
Speaker 7: Yeah, so there's that one Brisbane the flavor's favors bold, yes.

959
00:49:16,001 --> 00:49:19,081
Speaker 2: Oh for fake. Can't even read the campagne.

960
00:49:20,881 --> 00:49:27,281
Speaker 7: That is so exciting. You look amazing, unrecognizable, but amazing

961
00:49:29,161 --> 00:49:30,961
Speaker 7: in all honesty. I don't know if I would have

962
00:49:31,041 --> 00:49:35,361
Speaker 7: been able to pick you. Yep, that to me does

963
00:49:35,441 --> 00:49:36,481
Speaker 7: not look like you.

964
00:49:39,281 --> 00:49:40,641
Speaker 6: Be side you O.

965
00:49:40,761 --> 00:49:41,441
Speaker 3: There you are.

966
00:49:43,361 --> 00:49:47,761
Speaker 7: Flipping and flapping around in the water. Fabulous, well done,

967
00:49:47,921 --> 00:49:49,881
Speaker 7: top job, excellent, well done.

968
00:49:49,961 --> 00:49:51,281
Speaker 2: I was feeling so great.

969
00:49:52,281 --> 00:49:54,161
Speaker 14: You should No no, no, no, no no, I.

970
00:49:54,121 --> 00:49:57,561
Speaker 2: Haven't publicly posted these images, and now I'm terrified. Ever

971
00:49:57,601 --> 00:50:02,121
Speaker 2: it's gonna be like is that doesn't even look like you? Oh,

972
00:50:02,201 --> 00:50:09,881
Speaker 2: I wouldn't be happy about that. Charlie's called right on cue.

973
00:50:11,361 --> 00:50:14,761
Speaker 7: Oh, I tell you just saved me now because we're

974
00:50:14,801 --> 00:50:17,921
Speaker 7: just doing the podcast and Christian's just showing me the

975
00:50:18,041 --> 00:50:25,281
Speaker 7: Brisbane stuff and oh yes, hello Darling, Yes please, no,

976
00:50:25,481 --> 00:50:27,761
Speaker 7: you're right love you more. Bye bye, Darling, Bye bye.

977
00:50:28,201 --> 00:50:28,960
Speaker 2: Saved by the bill.

978
00:50:30,001 --> 00:50:35,281
Speaker 7: Yeah, great job, great job, Christian. On the next we

979
00:50:35,361 --> 00:50:42,601
Speaker 7: will always have Okay, oh god, oh good god, I've

980
00:50:42,721 --> 00:50:44,361
Speaker 7: just looked at what we've got.

981
00:50:44,881 --> 00:50:46,641
Speaker 6: I'm not a fan of that.

982
00:50:47,161 --> 00:50:51,801
Speaker 7: Of what Well, you're using your bells and back off,

983
00:50:52,321 --> 00:50:55,641
Speaker 7: and then you've got your I've got my glasses flowing

984
00:50:55,681 --> 00:50:57,201
Speaker 7: off your face along.

985
00:50:56,961 --> 00:50:59,801
Speaker 2: With teeth coming out else hanging out.

986
00:50:59,961 --> 00:51:07,241
Speaker 7: Well, you're protruding both breast and people from wait ever, look,

987
00:51:07,281 --> 00:51:07,921
Speaker 7: I'm not a thing.

988
00:51:08,281 --> 00:51:09,921
Speaker 2: If you want to see any of the videos from

989
00:51:09,961 --> 00:51:13,241
Speaker 2: today's episode, just follow us on Instagram. It's at Chrissy

990
00:51:13,321 --> 00:51:16,401
Speaker 2: fifty and Cranky, or follow me at Christian Hull