1 00:00:00,440 --> 00:00:05,960 Speaker 1: Your room deeply concerns me. Your room deeply concerns me. 2 00:00:07,840 --> 00:00:10,840 Speaker 1: Are you recording on the right microphones. 3 00:00:10,360 --> 00:00:16,840 Speaker 2: Around this time? I'm recording on on what all three? 4 00:00:17,160 --> 00:00:20,800 Speaker 2: Including a boom yet? Thank you so much for listening 5 00:00:20,840 --> 00:00:27,480 Speaker 2: to the show. Sorry, sorry, are you laughing because I'm laughing. 6 00:00:27,520 --> 00:00:29,720 Speaker 2: I'm laughing. This is Woodrow, my wife, It's Monday. It's 7 00:00:29,720 --> 00:00:34,479 Speaker 2: a Q and A episode, and your face just says, 8 00:00:34,640 --> 00:00:37,960 Speaker 2: why the fuck is your office so disgusting? And as 9 00:00:37,960 --> 00:00:40,600 Speaker 2: I started the intro, you went straight into smiles. 10 00:00:43,280 --> 00:00:44,519 Speaker 1: I know what I'm supposed to do. 11 00:00:44,760 --> 00:00:48,120 Speaker 2: We have some interesting questions today. It was great doing 12 00:00:48,240 --> 00:00:51,000 Speaker 2: the show with you the other week. Yeah, I like that. 13 00:00:51,000 --> 00:00:54,480 Speaker 1: That's good Saturday time. I really talked to you wildly. 14 00:00:55,800 --> 00:00:58,120 Speaker 2: We do have some questions today, but we do also 15 00:00:58,160 --> 00:01:00,560 Speaker 2: need to play some ads to you know, pay bills 16 00:01:00,600 --> 00:01:08,199 Speaker 2: to keep these lights on. Back in a second, Okay, 17 00:01:08,200 --> 00:01:10,240 Speaker 2: thanks for listening to the show. This is better than yesterday, 18 00:01:10,319 --> 00:01:12,759 Speaker 2: making it better. Every episode is twenty thirteen. I'm watching 19 00:01:12,800 --> 00:01:16,080 Speaker 2: Ginsburg and this is my wife, Audrey Christin. How are you? 20 00:01:16,520 --> 00:01:16,920 Speaker 1: I'm good? 21 00:01:16,959 --> 00:01:19,120 Speaker 2: Thank you, thanks for joining me for another question and 22 00:01:19,200 --> 00:01:20,120 Speaker 2: answer this episode. 23 00:01:20,840 --> 00:01:21,400 Speaker 1: You're welcome. 24 00:01:21,959 --> 00:01:24,800 Speaker 2: Before we get to listen to questions. Do you have 25 00:01:24,840 --> 00:01:25,800 Speaker 2: a question of your own? 26 00:01:29,120 --> 00:01:29,240 Speaker 3: No? 27 00:01:29,720 --> 00:01:34,039 Speaker 1: Go on, No, I guess I would like to inquire 28 00:01:34,120 --> 00:01:40,360 Speaker 1: about when I will be allowed into this office to 29 00:01:42,280 --> 00:01:47,720 Speaker 1: set some order to the chaos, or even just to 30 00:01:47,800 --> 00:01:48,680 Speaker 1: clean a little bit. 31 00:01:49,120 --> 00:01:51,760 Speaker 2: Yeah, it is rather untidy in here. 32 00:01:52,280 --> 00:01:59,320 Speaker 1: Yeah, we've got cupboards, you know, shelving drawers, desks, But 33 00:01:59,560 --> 00:02:02,480 Speaker 1: I I think everything has been emptied out into this 34 00:02:02,600 --> 00:02:07,200 Speaker 1: room pretty much and under the floor. Yeah, pretty much. 35 00:02:07,360 --> 00:02:10,359 Speaker 1: But you know, I just closed the door. But now 36 00:02:10,400 --> 00:02:13,640 Speaker 1: that you're asking me to come down and do these things. Yeah, 37 00:02:14,080 --> 00:02:19,959 Speaker 1: like last week I struggled, but this week, yeah, bothing 38 00:02:20,080 --> 00:02:20,600 Speaker 1: very deeply. 39 00:02:20,680 --> 00:02:24,520 Speaker 2: Okay, So this is my particular this room, the office, 40 00:02:24,520 --> 00:02:27,640 Speaker 2: I guess is my particular domain in the home. I 41 00:02:27,680 --> 00:02:30,320 Speaker 2: have taken many of your great words of advice on 42 00:02:30,440 --> 00:02:33,160 Speaker 2: and followed much direction about where things should be and 43 00:02:33,160 --> 00:02:33,920 Speaker 2: how things should go. 44 00:02:34,600 --> 00:02:37,440 Speaker 1: Yeah, because none of them. I don't see any of that. 45 00:02:37,520 --> 00:02:42,120 Speaker 2: Okay, if you want to come and into this space, 46 00:02:42,160 --> 00:02:45,800 Speaker 2: which is a space I use all the time, does 47 00:02:45,840 --> 00:02:47,800 Speaker 2: that mean that I would be able to go into 48 00:02:47,880 --> 00:02:52,160 Speaker 2: a space that is your domain, which is should that 49 00:02:52,200 --> 00:02:55,920 Speaker 2: be the corner of the room, that is the mirror 50 00:02:56,000 --> 00:02:59,960 Speaker 2: and the lights with all the makeup and the various parts. 51 00:03:01,200 --> 00:03:02,680 Speaker 2: Yeah that lean against it. 52 00:03:04,160 --> 00:03:06,679 Speaker 1: Well, part of those things are yours. And I have 53 00:03:07,040 --> 00:03:12,720 Speaker 1: a small you know those IKEA draws that everyone has. 54 00:03:12,880 --> 00:03:16,440 Speaker 2: Not that. That's not a yes or no answer here. 55 00:03:16,120 --> 00:03:18,560 Speaker 1: Did you get a yes or no? I would like 56 00:03:18,639 --> 00:03:22,160 Speaker 1: a room to store all of my shit in that 57 00:03:22,320 --> 00:03:25,000 Speaker 1: people can't really come into when I get a chest 58 00:03:25,000 --> 00:03:29,320 Speaker 1: of draws very small, So there is overflow, yes, there is. 59 00:03:29,639 --> 00:03:32,280 Speaker 1: You're welcome to touch stuff as long as you don't 60 00:03:32,320 --> 00:03:35,560 Speaker 1: move anything out of the vicinity that it's in. 61 00:03:35,680 --> 00:03:37,960 Speaker 2: Well, this is the thing, like you have come into 62 00:03:37,960 --> 00:03:41,120 Speaker 2: this office before an attempt that I have, so please 63 00:03:41,120 --> 00:03:44,000 Speaker 2: come and help me reorganize things. But the organization of 64 00:03:44,080 --> 00:03:46,920 Speaker 2: things wasn't quite informed by the way that I use 65 00:03:47,000 --> 00:03:50,000 Speaker 2: the space, and I then spent a lot of time 66 00:03:50,040 --> 00:03:50,880 Speaker 2: looking for stuff. 67 00:03:51,480 --> 00:03:53,720 Speaker 1: Yeah, because I grouped like things together. 68 00:03:54,320 --> 00:03:55,480 Speaker 2: I mean, why would you want to do that? 69 00:03:55,520 --> 00:03:58,480 Speaker 1: I don't know. I tried labeling, and. 70 00:03:58,560 --> 00:03:59,920 Speaker 2: Also why would you want to do that? 71 00:04:00,320 --> 00:04:07,880 Speaker 1: I think somehow you can work like this. I get 72 00:04:07,920 --> 00:04:11,920 Speaker 1: that to a point, but if you're going to invite 73 00:04:11,960 --> 00:04:13,640 Speaker 1: me in here, I can't work. 74 00:04:13,520 --> 00:04:15,960 Speaker 2: Like this fair enough. And considering we're also at a 75 00:04:16,000 --> 00:04:18,480 Speaker 2: point like we're recording this quite late in the afternoon 76 00:04:19,360 --> 00:04:22,160 Speaker 2: because of the jack hammering going on. I'm not having 77 00:04:22,160 --> 00:04:26,200 Speaker 2: any guests coming over. The guests just come over. It's 78 00:04:26,240 --> 00:04:31,600 Speaker 2: a little bit better. What but a little bit really? Yeah? 79 00:04:31,680 --> 00:04:36,640 Speaker 2: How so, okay, the subtle differences may not be what's 80 00:04:36,680 --> 00:04:37,839 Speaker 2: the first question from the people? 81 00:04:39,200 --> 00:04:41,479 Speaker 1: No, I was curious that was you. You asked me 82 00:04:41,520 --> 00:04:46,040 Speaker 1: to ask a question, like you've opened the gate and 83 00:04:46,080 --> 00:04:49,520 Speaker 1: now you're going on record. Perhaps you can ask Andy 84 00:04:49,800 --> 00:04:51,960 Speaker 1: to just cut this whole bit out. No, I will 85 00:04:52,000 --> 00:04:54,159 Speaker 1: skip to the the fun part. 86 00:04:54,279 --> 00:04:56,640 Speaker 2: It's quite good because I'm pretty sure that, like many 87 00:04:57,480 --> 00:05:01,159 Speaker 2: intimate and domestic partners, have bits of the home that 88 00:05:01,680 --> 00:05:04,960 Speaker 2: is their domain and the other person is like, man, 89 00:05:05,000 --> 00:05:07,640 Speaker 2: I don't know, that's their bit, but for that pile 90 00:05:07,680 --> 00:05:11,080 Speaker 2: of shit, and the other wants to always get in 91 00:05:11,120 --> 00:05:11,920 Speaker 2: there and fiddle with it. 92 00:05:12,440 --> 00:05:14,159 Speaker 1: Do you want to get into my draws and fiddle 93 00:05:14,200 --> 00:05:21,240 Speaker 1: with them? 94 00:05:21,720 --> 00:05:24,480 Speaker 2: I can see it. I could see you pulling the 95 00:05:24,520 --> 00:05:30,000 Speaker 2: slingshot back on that. It went so good. 96 00:05:30,240 --> 00:05:33,200 Speaker 1: Anyway, So we've got a couple of questions here. One 97 00:05:33,240 --> 00:05:35,920 Speaker 1: of them this one, I don't I don't know if 98 00:05:35,920 --> 00:05:39,160 Speaker 1: this was written this way, but I don't quite understand 99 00:05:41,360 --> 00:05:46,040 Speaker 1: MJ's art. A skill no one really knows what it is. 100 00:05:47,200 --> 00:05:50,240 Speaker 2: Like do I have a skill that nobody I don't 101 00:05:50,240 --> 00:05:52,760 Speaker 2: know that I'm really quite good at, but nobody knows 102 00:05:52,760 --> 00:05:56,000 Speaker 2: what it actually is. I say yes, my entire career 103 00:05:56,120 --> 00:05:59,000 Speaker 2: because I've been spending this last I don't know when 104 00:05:59,040 --> 00:06:07,600 Speaker 2: do we wrap Bachelor after Mask. I've been spending pretty 105 00:06:07,680 --> 00:06:09,640 Speaker 2: much last year. I think it was the last time 106 00:06:09,640 --> 00:06:12,120 Speaker 2: I shot a TV show was a year ago. I'm 107 00:06:12,240 --> 00:06:14,800 Speaker 2: spending the last year really yeah. Yeah, it was trying 108 00:06:14,800 --> 00:06:17,720 Speaker 2: to figure out because the Logis was literally the last 109 00:06:17,760 --> 00:06:22,159 Speaker 2: thing we did. There. You go from being nominated for 110 00:06:22,200 --> 00:06:25,640 Speaker 2: a Gold LOGI to nothing. But I've been spending the 111 00:06:25,680 --> 00:06:28,520 Speaker 2: last year trying to figure out what my skill is now. 112 00:06:28,560 --> 00:06:30,159 Speaker 2: I don't even know what it is, Like if I 113 00:06:30,200 --> 00:06:32,080 Speaker 2: knew what I could do well, like if I could 114 00:06:32,120 --> 00:06:34,440 Speaker 2: run fast, Like, all right, I'm just going to do 115 00:06:34,600 --> 00:06:36,479 Speaker 2: the run fast thing. I don't even know what it 116 00:06:36,520 --> 00:06:38,760 Speaker 2: is that I do. I've been trying to put a 117 00:06:38,839 --> 00:06:42,120 Speaker 2: label on it, and I've been trying to I sometimes 118 00:06:42,160 --> 00:06:44,080 Speaker 2: do way too many things all at once, but that's 119 00:06:44,080 --> 00:06:47,359 Speaker 2: also the skill because when you're doing those big TV shows, 120 00:06:47,360 --> 00:06:49,000 Speaker 2: you've got to be able to do fuck kind of 121 00:06:49,000 --> 00:06:49,719 Speaker 2: things all at once. 122 00:06:50,440 --> 00:06:51,640 Speaker 1: Yeah, I've seen you do it. 123 00:06:51,720 --> 00:06:53,360 Speaker 2: I don't even know what my skill is. 124 00:06:54,720 --> 00:07:00,520 Speaker 1: You're good that stuff, yeah right, so good at lots 125 00:07:00,520 --> 00:07:00,839 Speaker 1: of stuff? 126 00:07:00,880 --> 00:07:03,440 Speaker 2: Yeah. Like so if you were like really good at 127 00:07:03,560 --> 00:07:07,200 Speaker 2: I don't know if you're a good lawyer like people 128 00:07:07,360 --> 00:07:10,560 Speaker 2: like in let's go specific. If you're really good at 129 00:07:10,840 --> 00:07:14,760 Speaker 2: I don't know property law when it came to apartment 130 00:07:14,800 --> 00:07:19,520 Speaker 2: buildings strata all right, you could lose a job and 131 00:07:19,560 --> 00:07:23,480 Speaker 2: go that's okay, I'll just go look for another job 132 00:07:23,520 --> 00:07:26,760 Speaker 2: in strata law. There's plenty of it. I don't even 133 00:07:26,760 --> 00:07:29,240 Speaker 2: know what it is that I do. Really, Oh well. 134 00:07:29,080 --> 00:07:33,960 Speaker 1: Come on you. You can control the flow of a 135 00:07:33,960 --> 00:07:36,840 Speaker 1: TV show and make sure that it goes in the 136 00:07:36,880 --> 00:07:39,720 Speaker 1: direction that it needs to go, and that the you know, 137 00:07:39,760 --> 00:07:43,600 Speaker 1: the producers or EPs or whoever have given you a directive. 138 00:07:43,600 --> 00:07:45,360 Speaker 1: They've given you a whole bunch of things to say. 139 00:07:46,200 --> 00:07:49,760 Speaker 1: You need to be able to react, but still have 140 00:07:49,880 --> 00:07:54,560 Speaker 1: that in the back of your head. They're directive when 141 00:07:55,320 --> 00:07:58,400 Speaker 1: different reactions, unexpected reactions come your way, and you need 142 00:07:58,440 --> 00:07:59,640 Speaker 1: to be able to deal with them and think on 143 00:07:59,640 --> 00:08:03,400 Speaker 1: your feet while also hitting certain physical marks. 144 00:08:03,120 --> 00:08:05,600 Speaker 2: And not get blown up by fireworks. 145 00:08:05,080 --> 00:08:09,200 Speaker 1: That I remember watching you in Fiji for Batch in Paradise, 146 00:08:10,200 --> 00:08:15,000 Speaker 1: and I was standing with Melancharla, your stylist and makeup artist, 147 00:08:15,600 --> 00:08:20,480 Speaker 1: and I watched while you somehow looked like you weren't 148 00:08:20,520 --> 00:08:27,120 Speaker 1: reciting a script while getting to particular points along a 149 00:08:27,200 --> 00:08:30,760 Speaker 1: pathway and you had to have hit particular points in 150 00:08:30,800 --> 00:08:34,880 Speaker 1: the script at particular, very particular points in the path. 151 00:08:35,320 --> 00:08:36,880 Speaker 2: Because we were revealing things behind. 152 00:08:37,080 --> 00:08:38,880 Speaker 1: Yes, as you were going there was there was a 153 00:08:38,960 --> 00:08:41,600 Speaker 1: lot of things going on, and you needed to get 154 00:08:42,080 --> 00:08:45,960 Speaker 1: to the end, and it need to needed to coincide 155 00:08:46,000 --> 00:08:50,040 Speaker 1: with the end of the script, and you know, like 156 00:08:50,120 --> 00:08:52,560 Speaker 1: it was all revealed and blah blah blah, and you 157 00:08:52,640 --> 00:08:54,920 Speaker 1: needed to look like you weren't thinking. 158 00:08:55,520 --> 00:08:56,680 Speaker 2: Or sweating or sweating. 159 00:08:57,840 --> 00:09:01,839 Speaker 1: I don't know if you were thinking or wedding, because 160 00:09:01,840 --> 00:09:04,360 Speaker 1: if you were, you hit it very well and it 161 00:09:04,440 --> 00:09:07,560 Speaker 1: was seamless. And then they went, okay, do it again, 162 00:09:08,120 --> 00:09:11,040 Speaker 1: and you did it again almost exactly in the same way, 163 00:09:11,400 --> 00:09:14,360 Speaker 1: and then they went on, no, we kind of, you know, 164 00:09:14,520 --> 00:09:17,040 Speaker 1: camera kind of missed something or you know, something else 165 00:09:17,240 --> 00:09:21,000 Speaker 1: happened or whatever, and it was never you. But then 166 00:09:21,040 --> 00:09:21,960 Speaker 1: you did it again. 167 00:09:21,920 --> 00:09:23,560 Speaker 2: I forgot about that. I remember when you're. 168 00:09:23,440 --> 00:09:25,720 Speaker 1: Talking about and I remember, I remember that was the 169 00:09:25,760 --> 00:09:30,839 Speaker 1: opening of a steady camera. So I mean there's a 170 00:09:30,880 --> 00:09:33,200 Speaker 1: lot of moving parts and there's a lot of things 171 00:09:33,240 --> 00:09:38,400 Speaker 1: to think about, and it was seamless. So I think 172 00:09:38,440 --> 00:09:42,920 Speaker 1: you're good at that. Walking and talking, sorry, walking and 173 00:09:43,000 --> 00:09:46,720 Speaker 1: speaking a script at the same time, because you walking 174 00:09:46,720 --> 00:09:50,560 Speaker 1: and talking just normally not so great. Yeah. Yeah, there's 175 00:09:50,559 --> 00:09:54,840 Speaker 1: a lot of stub toes, the amount of things. 176 00:09:54,720 --> 00:09:57,000 Speaker 2: You've had the other thing doing those ones, and then 177 00:09:57,040 --> 00:10:00,720 Speaker 2: particularly on that site, which was do we put how 178 00:10:00,760 --> 00:10:04,960 Speaker 2: would you rate Mango Bay adequate? Yeah, out of five 179 00:10:05,000 --> 00:10:09,960 Speaker 2: stars if you look just that way. 180 00:10:11,600 --> 00:10:12,679 Speaker 1: It was in a nice spot. 181 00:10:14,200 --> 00:10:17,160 Speaker 2: So there's there's very uneven ground and there's you know, 182 00:10:17,280 --> 00:10:20,679 Speaker 2: tree roots and you know holes made by crabs and 183 00:10:21,360 --> 00:10:22,840 Speaker 2: cables and all kinds of ship. 184 00:10:22,960 --> 00:10:25,600 Speaker 1: And if we were walking you have to. 185 00:10:25,280 --> 00:10:26,480 Speaker 2: Be mindful of that stuff. 186 00:10:27,600 --> 00:10:30,720 Speaker 1: But if you and I were walking and talking, everything 187 00:10:30,880 --> 00:10:34,360 Speaker 1: you would have face planted, dropped off cliff. 188 00:10:34,400 --> 00:10:36,080 Speaker 2: If you could just hold a gimbal can just hold 189 00:10:36,080 --> 00:10:39,160 Speaker 2: a Sony Alpha you're like an A seven. I don't 190 00:10:39,200 --> 00:10:43,280 Speaker 2: know what that is, but okay, yeah, and just walk backwards, right, Yeah, 191 00:10:43,480 --> 00:10:45,040 Speaker 2: I'll just follow you and. 192 00:10:45,800 --> 00:10:47,640 Speaker 1: If I could just give you a script to repeat 193 00:10:49,240 --> 00:10:50,520 Speaker 1: to learn and and. 194 00:10:51,360 --> 00:10:53,720 Speaker 2: Well, sometimes sometimes when you're in the middle of those 195 00:10:53,720 --> 00:10:55,440 Speaker 2: big long thing it's kind of like a ski run 196 00:10:55,440 --> 00:10:58,559 Speaker 2: that you've memorized, or like a choreographed ski everybody well, 197 00:10:58,559 --> 00:11:00,440 Speaker 2: like you remember when g was dancing and she'd have 198 00:11:00,480 --> 00:11:04,200 Speaker 2: this big, long kind of choreography routines. It went for 199 00:11:04,280 --> 00:11:08,120 Speaker 2: minutes and they'd be like five hundred moves right the 200 00:11:08,440 --> 00:11:10,960 Speaker 2: getting informs the next thing. But also like if someone 201 00:11:10,960 --> 00:11:14,640 Speaker 2: falls over and the dance routine, everyone adapts instantly because 202 00:11:14,640 --> 00:11:16,439 Speaker 2: they're able to move, they're able to kind of work 203 00:11:16,440 --> 00:11:20,120 Speaker 2: around it. So, depending on where the camera was or whatever, 204 00:11:20,640 --> 00:11:21,880 Speaker 2: I would sometimes edit as a. 205 00:11:21,880 --> 00:11:26,920 Speaker 1: Went yeah, so, which I find incredible. But if we 206 00:11:26,920 --> 00:11:32,160 Speaker 1: weren't talking about a work related thing, what is another 207 00:11:32,200 --> 00:11:36,760 Speaker 1: skill that you have that no one either would expect 208 00:11:38,040 --> 00:11:40,680 Speaker 1: or that people are surprised by when they find. 209 00:11:40,440 --> 00:11:44,320 Speaker 2: Out you have it. I think I am. I think 210 00:11:44,320 --> 00:11:48,040 Speaker 2: people are surprised that I am and I always have 211 00:11:48,160 --> 00:11:52,760 Speaker 2: been a better than good mimic. 212 00:11:54,080 --> 00:11:58,199 Speaker 1: Yes, yeah, do you know the skill that I found 213 00:11:58,240 --> 00:11:58,960 Speaker 1: really surprising? 214 00:11:59,040 --> 00:11:59,400 Speaker 2: What's that? 215 00:12:00,360 --> 00:12:04,920 Speaker 1: Was? The day I sat down to your show that 216 00:12:04,960 --> 00:12:09,160 Speaker 1: you created after around the time of your book launch. 217 00:12:09,480 --> 00:12:11,840 Speaker 2: The show the live show that you created with Mike, 218 00:12:11,960 --> 00:12:15,719 Speaker 2: and it was the musician yes, and so we're not 219 00:12:15,760 --> 00:12:16,840 Speaker 2: in the lodge co director. 220 00:12:17,400 --> 00:12:20,480 Speaker 1: Okay, well I can't remember. Well that's another skill that 221 00:12:20,520 --> 00:12:23,400 Speaker 1: you have. If anyone ever wants to play trivia and 222 00:12:23,480 --> 00:12:30,440 Speaker 1: win meat trays, this is the man to take. You 223 00:12:30,440 --> 00:12:33,640 Speaker 1: can take the meat, you can take the glory. He 224 00:12:33,679 --> 00:12:35,439 Speaker 1: will just be there to back you up with all 225 00:12:35,559 --> 00:12:42,120 Speaker 1: sorts of trivia about who produced the album, what instruments 226 00:12:42,120 --> 00:12:46,880 Speaker 1: were playing, and the time signature that like, yeah, what 227 00:12:46,920 --> 00:12:51,160 Speaker 1: the name of the album was when it was released anyway, 228 00:12:51,200 --> 00:13:00,239 Speaker 1: it's exhausting. Also verbatim movie lines, and yet I still 229 00:13:00,240 --> 00:13:02,560 Speaker 1: get milk when I ask for bread. 230 00:13:06,000 --> 00:13:08,880 Speaker 2: I used to make a joke in high school. If 231 00:13:08,920 --> 00:13:13,760 Speaker 2: only they made Maths Won the movie, I'd be fine, Yeah, 232 00:13:13,800 --> 00:13:16,400 Speaker 2: because I just couldn't. I just sit there looking at 233 00:13:16,520 --> 00:13:19,680 Speaker 2: this blackboard, just going what the fuck is this? But 234 00:13:19,760 --> 00:13:24,679 Speaker 2: if they'd made the movie about quadratic equations the return, 235 00:13:25,040 --> 00:13:29,440 Speaker 2: I would have been like oh yeah, or nailed it. Yeah, 236 00:13:29,720 --> 00:13:33,360 Speaker 2: It's just my brain works differently. Yeah. Sorry, when the. 237 00:13:33,600 --> 00:13:37,160 Speaker 1: Show the yeah, sitting down and you started playing and 238 00:13:37,200 --> 00:13:41,160 Speaker 1: singing and I had. Actually, it was at that time 239 00:13:41,360 --> 00:13:44,960 Speaker 1: moment I realized I'd never seen you pull out that 240 00:13:45,000 --> 00:13:45,839 Speaker 1: show before. 241 00:13:45,760 --> 00:13:47,600 Speaker 2: All right, because you know, we'd tooled around in the 242 00:13:47,600 --> 00:13:50,800 Speaker 2: living room and making up musicals with Georgia. 243 00:13:51,000 --> 00:13:54,080 Speaker 1: You and Georgia sometimes you know, have a little tickle 244 00:13:54,120 --> 00:13:56,200 Speaker 1: of the piano keys or something like that, but nothing, 245 00:13:56,920 --> 00:14:01,280 Speaker 1: nothing very serious. And I watched you actually before play 246 00:14:01,679 --> 00:14:04,240 Speaker 1: well the shapes. I don't know, that's a really like 247 00:14:04,360 --> 00:14:06,520 Speaker 1: middle aged man thing whatever. 248 00:14:06,679 --> 00:14:09,679 Speaker 2: Like as long as I can, I'm gonna pull shapes. Well. 249 00:14:09,800 --> 00:14:12,280 Speaker 1: You wonder why you have a hip replacement. It's all 250 00:14:12,320 --> 00:14:17,599 Speaker 1: those shapes exactly worth it. Yeah, okay, but I was 251 00:14:17,640 --> 00:14:20,080 Speaker 1: amazed at how well you could play and sing. 252 00:14:20,640 --> 00:14:22,600 Speaker 2: I remember your brother afterwards as the first thing he 253 00:14:22,640 --> 00:14:25,080 Speaker 2: said is like, I didn't know you could play guitar 254 00:14:25,440 --> 00:14:25,880 Speaker 2: or sing. 255 00:14:26,320 --> 00:14:29,480 Speaker 1: Yeah, And I pretty much said neither did I. And 256 00:14:29,560 --> 00:14:32,640 Speaker 1: I'm like, that was just one that you kept. 257 00:14:33,320 --> 00:14:34,880 Speaker 2: In the pocket where you just pull it out when 258 00:14:34,920 --> 00:14:35,280 Speaker 2: you need to. 259 00:14:35,640 --> 00:14:37,800 Speaker 1: Oh, I can't like what I told you. 260 00:14:37,840 --> 00:14:39,760 Speaker 2: I played in bands like, I wasn't making it up. 261 00:14:39,920 --> 00:14:43,720 Speaker 1: I know that, but it's different to to you know, 262 00:14:43,840 --> 00:14:48,520 Speaker 1: the idea of it, to actually sing it happen and 263 00:14:48,560 --> 00:14:49,120 Speaker 1: you were good. 264 00:14:49,720 --> 00:14:51,280 Speaker 2: I'm glad you. 265 00:14:51,200 --> 00:14:52,240 Speaker 1: Should bring that show back. 266 00:14:54,440 --> 00:14:56,880 Speaker 2: Might do a show about the second book. That's one 267 00:14:56,960 --> 00:14:59,760 Speaker 2: question minutes. I can't take it. We're going to take 268 00:14:59,760 --> 00:15:01,920 Speaker 2: a break and we'll come back with a very quick question. Distracted, 269 00:15:02,120 --> 00:15:09,120 Speaker 2: It's fine, back in a second, right. Thanks for listening 270 00:15:09,120 --> 00:15:10,760 Speaker 2: to this show. This is the Q and A episode. 271 00:15:11,120 --> 00:15:13,280 Speaker 2: If you want to ask a question, just jump on 272 00:15:13,320 --> 00:15:16,000 Speaker 2: the substack. The link is in the show notes. Just 273 00:15:16,040 --> 00:15:19,080 Speaker 2: simply at the bottom of every post. There's a send 274 00:15:19,080 --> 00:15:20,680 Speaker 2: me a message and that's where you can pop your question. 275 00:15:20,720 --> 00:15:22,520 Speaker 2: I'd love to hear from it. Audrey, what is the 276 00:15:22,560 --> 00:15:23,120 Speaker 2: next question? 277 00:15:23,280 --> 00:15:27,280 Speaker 1: Okay? So Nikki actually has a few questions, the first 278 00:15:27,360 --> 00:15:29,480 Speaker 1: being does an apple a day keep the doctor away? 279 00:15:30,040 --> 00:15:34,760 Speaker 2: I would say that depends. I mean, it rhymes, and 280 00:15:34,800 --> 00:15:37,920 Speaker 2: as we know, if it rhymes true, it's true. I 281 00:15:37,960 --> 00:15:41,400 Speaker 2: would say, depending on the kind of apple. Because there 282 00:15:41,440 --> 00:15:42,920 Speaker 2: was a book I read when I was a kid 283 00:15:43,720 --> 00:15:46,000 Speaker 2: about a guy that ate lots of apples and ended 284 00:15:46,080 --> 00:15:50,520 Speaker 2: up on the toilet all night. Yes, and you know 285 00:15:50,520 --> 00:15:54,360 Speaker 2: how my mum had the toilet rating scale yes and 286 00:15:54,440 --> 00:15:57,960 Speaker 2: anything three and lower. Yes, She would go, Ma'm I 287 00:15:58,040 --> 00:16:01,000 Speaker 2: going to play an away game until I get home ye. 288 00:16:03,080 --> 00:16:03,640 Speaker 1: Out of five? 289 00:16:03,800 --> 00:16:08,040 Speaker 2: Yeah, okay, I think there's there's like depends on the apple. 290 00:16:08,440 --> 00:16:09,920 Speaker 1: Okay, so what would where? 291 00:16:10,960 --> 00:16:12,200 Speaker 2: I think similarly, like what. 292 00:16:12,120 --> 00:16:16,360 Speaker 1: Kind of apple if it would keep a doctor away? 293 00:16:16,400 --> 00:16:18,200 Speaker 2: Anything for and above? 294 00:16:18,400 --> 00:16:21,880 Speaker 1: Which is so talk to me about varieties? Well, these 295 00:16:21,920 --> 00:16:23,880 Speaker 1: are not ads, by the way, these are not sponsors. 296 00:16:23,920 --> 00:16:25,680 Speaker 2: No, I don't know. Well, what's that one we've been 297 00:16:25,720 --> 00:16:30,840 Speaker 2: getting recently halfway through? A pink lady in a gala kanzie. Yeah, 298 00:16:31,040 --> 00:16:32,680 Speaker 2: it slands like the guy from the Octonauts. 299 00:16:33,320 --> 00:16:34,000 Speaker 1: That's quasi. 300 00:16:34,200 --> 00:16:39,480 Speaker 2: Yeah, okay, sure, yes, they're actually really nice? Is really nice? Yeah? 301 00:16:39,760 --> 00:16:41,680 Speaker 2: That to do it? I don't know. It depends on 302 00:16:41,760 --> 00:16:43,840 Speaker 2: is that what kind of doctor? 303 00:16:45,080 --> 00:16:45,640 Speaker 1: Cosmetic? 304 00:16:46,480 --> 00:16:46,760 Speaker 3: Who? 305 00:16:46,920 --> 00:16:47,440 Speaker 1: Cosmetic? 306 00:16:47,680 --> 00:16:49,920 Speaker 2: No? No, no, because if you're out in the sun 307 00:16:49,960 --> 00:16:51,960 Speaker 2: and you're picking the apples and you haven't got yespf on, 308 00:16:52,200 --> 00:16:55,880 Speaker 2: you're going to be needing those injectables, so they'll be around. 309 00:16:56,080 --> 00:16:58,960 Speaker 1: I think I think you'd need a medical doctor first 310 00:16:59,000 --> 00:17:03,240 Speaker 1: when you from the possible probable skin cats. Oh yeah, 311 00:17:04,040 --> 00:17:08,240 Speaker 1: before you go dermatologists. Yeah, dermatologists the same thing, aren't 312 00:17:08,240 --> 00:17:11,439 Speaker 1: they skin apologies? 313 00:17:12,240 --> 00:17:16,240 Speaker 2: I would say anything for and above, like nothing floury, no, nothing, 314 00:17:16,240 --> 00:17:16,600 Speaker 2: that's good. 315 00:17:16,880 --> 00:17:20,320 Speaker 1: The delicious. The red delicious is not so delicious any No, 316 00:17:20,400 --> 00:17:21,000 Speaker 1: what happened? 317 00:17:21,960 --> 00:17:25,440 Speaker 2: What happened? And the size of the red delicious they 318 00:17:25,520 --> 00:17:28,080 Speaker 2: kind of got bigger, Yeah, but over I mean, I 319 00:17:28,160 --> 00:17:30,680 Speaker 2: understand apples have seasons and across the year you get 320 00:17:30,760 --> 00:17:34,680 Speaker 2: quite small ones like apples an't the only thing GE's 321 00:17:34,720 --> 00:17:39,560 Speaker 2: small in the winter time. Hahah but ah, I tell 322 00:17:39,560 --> 00:17:43,840 Speaker 2: you which apple would keep the doctor away? Yes, the 323 00:17:43,880 --> 00:17:47,360 Speaker 2: off cut reject bin apples from that joint we went 324 00:17:47,400 --> 00:17:48,440 Speaker 2: to in Japan. 325 00:17:48,640 --> 00:17:50,320 Speaker 1: Holy moly, those were amazing. 326 00:17:51,000 --> 00:17:54,640 Speaker 2: But bear in mind though this required the apple being 327 00:17:54,880 --> 00:18:01,680 Speaker 2: lovingly tendered to yes by someone in the orchard every day. 328 00:18:02,520 --> 00:18:07,400 Speaker 1: What was the slight turn? The apple was turned ever 329 00:18:07,520 --> 00:18:12,119 Speaker 1: so slightly every day, I think, every morning, very regularly, 330 00:18:12,280 --> 00:18:14,960 Speaker 1: so that it was the whole thing would come through 331 00:18:16,040 --> 00:18:20,280 Speaker 1: red rather than patches of yellow. 332 00:18:20,000 --> 00:18:21,600 Speaker 2: Or light to exposed to the sun. 333 00:18:21,800 --> 00:18:24,040 Speaker 1: Yeah, so that the whole thing would get exposed to 334 00:18:24,080 --> 00:18:27,280 Speaker 1: the sun. I don't know how that works, but I 335 00:18:27,359 --> 00:18:30,439 Speaker 1: just remember that being the most amazing apple. And that 336 00:18:30,600 --> 00:18:33,120 Speaker 1: was the rejected one, the one that didn't get put 337 00:18:33,160 --> 00:18:37,280 Speaker 1: into a box to be sold. It ridiculous twenty yen 338 00:18:37,400 --> 00:18:39,240 Speaker 1: or something because the bus it was. 339 00:18:39,280 --> 00:18:40,840 Speaker 2: We were on the way back from the snow monkey 340 00:18:40,880 --> 00:18:45,119 Speaker 2: Forest and the shop with the apple stoodle shop. They 341 00:18:45,200 --> 00:18:47,760 Speaker 2: pulled over for the apple stoole shop and you and 342 00:18:47,840 --> 00:18:55,240 Speaker 2: grab yes because dignosters right. And it was the most 343 00:18:55,320 --> 00:18:59,480 Speaker 2: transcendent piece of fruit I've ever had in my mouth, 344 00:18:59,760 --> 00:19:01,520 Speaker 2: and I've eaten papaya in Fiji. 345 00:19:02,200 --> 00:19:05,440 Speaker 1: Yes, it was just astonishing. Yeah, it was amazing. 346 00:19:06,280 --> 00:19:12,800 Speaker 2: That would make a close hm hmm yeah, an apple 347 00:19:12,800 --> 00:19:14,760 Speaker 2: to day because you need to see thing is you 348 00:19:14,800 --> 00:19:17,760 Speaker 2: know why, because you'd be living in that village to 349 00:19:17,840 --> 00:19:21,840 Speaker 2: get those apples every day and just living in a 350 00:19:21,960 --> 00:19:24,399 Speaker 2: sense of community, living in a sense of you know, 351 00:19:24,440 --> 00:19:25,919 Speaker 2: you're being a service to the other people in your 352 00:19:25,920 --> 00:19:31,640 Speaker 2: community practically whatever you are. You know, there was there's 353 00:19:31,680 --> 00:19:35,719 Speaker 2: a cartar to everything. There's everything's got rules about how 354 00:19:35,760 --> 00:19:37,440 Speaker 2: you cross the road, how you say hello to somebody 355 00:19:37,440 --> 00:19:39,159 Speaker 2: who's your uncle, but not the one you related to 356 00:19:39,200 --> 00:19:43,240 Speaker 2: them one of your parents knew. There's it's just the 357 00:19:43,280 --> 00:19:46,359 Speaker 2: trains run on time. I mean there's sumo on the 358 00:19:46,400 --> 00:19:48,439 Speaker 2: TV game shows where people get kicked in the. 359 00:19:48,440 --> 00:19:51,359 Speaker 1: Nuts all the time, laughs all around. 360 00:19:51,640 --> 00:19:53,359 Speaker 2: I would do that if I've got to be the 361 00:19:53,440 --> 00:19:59,800 Speaker 2: apple twister, an apple twist, the thing that's kept me 362 00:20:00,520 --> 00:20:03,359 Speaker 2: every night since. Then, How does a stream not break? 363 00:20:03,440 --> 00:20:06,320 Speaker 1: That's what I was saying. I don't know how that works. 364 00:20:06,359 --> 00:20:10,960 Speaker 1: Like really, I know it's only minuscule, but like does 365 00:20:10,960 --> 00:20:14,320 Speaker 1: the stork just get longer with the stretching of the 366 00:20:15,160 --> 00:20:17,600 Speaker 1: like the fibers with it turns? I don't know. 367 00:20:17,680 --> 00:20:21,280 Speaker 2: I tell you what is required a field trip back 368 00:20:21,280 --> 00:20:25,040 Speaker 2: to Japan, and we will need to contemplate this research 369 00:20:25,440 --> 00:20:28,399 Speaker 2: in that onsen. You and Georgia will be on the 370 00:20:28,440 --> 00:20:30,600 Speaker 2: other side. Me and will be on this side, and 371 00:20:30,640 --> 00:20:33,080 Speaker 2: we will look out of the mountains while snowfalls upon us, 372 00:20:33,560 --> 00:20:39,040 Speaker 2: and we speak quietly about the day very civilized tiers. 373 00:20:40,080 --> 00:20:46,639 Speaker 1: Except when you were standing, remember standing looking looking at 374 00:20:46,680 --> 00:20:54,040 Speaker 1: the beautiful mountain, just looking out over the village, and 375 00:20:54,080 --> 00:20:56,160 Speaker 1: then you realized that there's. 376 00:20:55,960 --> 00:20:59,040 Speaker 2: A walkway that has a direct line of sight. If 377 00:20:59,040 --> 00:21:02,720 Speaker 2: you were standing, I can see their feet, they can 378 00:21:02,800 --> 00:21:07,640 Speaker 2: see mine. Yeah, that was They're walking down a hill, 379 00:21:07,880 --> 00:21:08,800 Speaker 2: so they were above me. 380 00:21:09,400 --> 00:21:12,159 Speaker 1: I don't know who thought of that, but anyway, maybe 381 00:21:12,280 --> 00:21:17,720 Speaker 1: that's maybe Japanese men don't stand their hands on hips, Kimbo. 382 00:21:18,040 --> 00:21:21,119 Speaker 2: That's what happens you as you've become fifty the hands 383 00:21:21,119 --> 00:21:23,000 Speaker 2: on Hips. I did a lot of that in Fiji 384 00:21:23,000 --> 00:21:26,240 Speaker 2: in the Budge Smugglers, No, I did notice pretty good. Yeah, 385 00:21:26,280 --> 00:21:30,120 Speaker 2: it's like fucking I mean hands on hips budget smuggling mode. Yeah, 386 00:21:30,680 --> 00:21:33,000 Speaker 2: so good. I love you, Thank you for that. I 387 00:21:33,080 --> 00:21:35,000 Speaker 2: really like doing this with you. If you have any 388 00:21:35,040 --> 00:21:36,480 Speaker 2: questions for ordering or right. 389 00:21:36,800 --> 00:21:38,720 Speaker 1: Like, would you like to see the floor? 390 00:21:38,800 --> 00:21:43,280 Speaker 2: No fucking way, drop a comet just in the In 391 00:21:43,320 --> 00:21:45,000 Speaker 2: the show notes says a link to the newsletter, and 392 00:21:45,040 --> 00:21:47,200 Speaker 2: there's a little button at the bottom of every post. 393 00:21:47,640 --> 00:21:49,840 Speaker 2: Just click there and you'll send me a message. 394 00:21:51,440 --> 00:21:57,040 Speaker 1: Should I message you that way too? Probably more responses, right, yeah, yeah, 395 00:21:57,800 --> 00:21:58,399 Speaker 1: I'll get that a go. 396 00:21:58,720 --> 00:22:01,680 Speaker 2: Yeah yeah. That one pings when you taxed me nothing pings. 397 00:22:01,800 --> 00:22:04,000 Speaker 1: Kiss you tend offless notification. 398 00:22:06,000 --> 00:22:08,200 Speaker 2: Thanks everyone helping me make the show. Here are the 399 00:22:08,200 --> 00:22:11,800 Speaker 2: credits for this episode, read by someone who's not me 400 00:22:11,920 --> 00:22:13,879 Speaker 2: and could be possibly a robot, I don't know. 401 00:22:15,080 --> 00:22:17,879 Speaker 3: This episode was brought to you by Andy Marr on 402 00:22:18,040 --> 00:22:22,520 Speaker 3: audio post production. Beck Sayed on video post production Toehider 403 00:22:22,600 --> 00:22:26,040 Speaker 3: on music. My producer is Bree Steele and my executive 404 00:22:26,040 --> 00:22:29,760 Speaker 3: function assistant is Monica Chapman. For every episode ever to 405 00:22:29,760 --> 00:22:31,680 Speaker 3: get on the mailing list, or to get in touch 406 00:22:31,720 --> 00:22:35,320 Speaker 3: through the contact form head to ashriginsburg dot com. 407 00:22:35,320 --> 00:22:36,240 Speaker 2: Thanks for listening.