WEBVTT - Leah Purcell on working with Sigourney Weaver & Shania Twain

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<v Speaker 1>Welcome to First things First, I'm Brooklett and my pronouns

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<v Speaker 1>as she and her.

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<v Speaker 2>I'm Maddie Mills, my pronouns are he and him. And

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<v Speaker 2>before we get started, we'd like to acknowledge custodians of

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<v Speaker 2>the land on which we record. And for me today

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<v Speaker 2>it's the Gattigol people of the.

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<v Speaker 1>Urination and for me it's a under people of the

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<v Speaker 1>cooler nation. Let's get in to it all right.

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<v Speaker 2>We are so excited because we have Leah Purcell, who

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<v Speaker 2>is an internationally acclaimed actor, director, producer and writer on

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<v Speaker 2>stage and screen. She is a proud Murray woman from Mergen, Queensland.

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<v Speaker 2>Leah starrs opposite Sigourney Weaver in the recent Amazon Prime

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<v Speaker 2>Video limited series The Lost Flowers of Alice Hart. She's

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<v Speaker 2>also appeared in many TV shows movies such as High Country,

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<v Speaker 2>The Last Captain Darwin. She was an incredible lead actress

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<v Speaker 2>in Wentworth. She wrote, produced directed herself in The Drover's Wife,

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<v Speaker 2>The Legend of Molly Johnson, and there is just so

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<v Speaker 2>much more to talk to her about today on our episode.

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<v Speaker 2>She's won multiple Actor Awards for her roles, as well

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<v Speaker 2>as being nominated countless times for actors and logis. She

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<v Speaker 2>hasn't won a LOGI and that is absolutely disgraceful. What

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<v Speaker 2>please give a big warm and welcome to the one

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<v Speaker 2>and only Leah pasel Y.

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<v Speaker 3>Thank you.

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<v Speaker 2>Oh it is so nice to have you in studio.

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<v Speaker 3>No pleasure to be here.

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<v Speaker 2>I didn't want to butcher your traditional name, your traditional

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<v Speaker 2>country's name, so I thought, you know what I'm gonna

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<v Speaker 2>get you to say it?

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<v Speaker 3>Yeah, yeah, yeah yeah, my mob go or Gungri and

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<v Speaker 3>Walker Walker. So that's three three clans from different parts

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<v Speaker 3>of Australia due to stolen generations and being you know,

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<v Speaker 3>my grandparents being tossed around. Goer is up near Winton

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<v Speaker 3>Long reach Out that way, and then Gungrii is down Mitchell,

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<v Speaker 3>so that's my grandmother's country in Mitchell, and then my

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<v Speaker 3>grandfather's mother's country is Goer. And then because my grandmother

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<v Speaker 3>was stolen from Mitchell and taken to Sherburg, and then

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<v Speaker 3>my grandfather's mother sent him down to her sister who

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<v Speaker 3>was at Sherburg. My mum was born on Sherburg and

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<v Speaker 3>lived their tw isssues about fifteen. Then my grandfather got

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<v Speaker 3>a job in town in Mergen, so I was born

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<v Speaker 3>in Mergen and grew up in that area until I

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<v Speaker 3>was about nineteen, and then I took off. As they say, well.

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<v Speaker 2>Talking about Sherburg, you know Sherburg mission, many mob come

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<v Speaker 2>from this place.

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<v Speaker 3>What was your childhood like Sherburg's about three point six

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<v Speaker 3>cliques out of Mergen. Mergen was the white township. And

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<v Speaker 3>then back in nineteen four, I think it was the

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<v Speaker 3>government was looking to do an experiment on allowing Aboriginal

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<v Speaker 3>people to govern themselves on a bit of property. But

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<v Speaker 3>what they did was fence them all in and told

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<v Speaker 3>them to, you know, look after themselves and live the

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<v Speaker 3>best they could. And of course the mob did, but

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<v Speaker 3>within six to eight months they depleted the area of kangaroos,

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<v Speaker 3>of what they were living on and everything else and

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<v Speaker 3>went back and said, we've done what you've said and

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<v Speaker 3>we can't get out to go hunting for more, so

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<v Speaker 3>what are you going to do? So it became that experiment.

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<v Speaker 3>Then the churches came in to run Sherburg's ocean. Yeah. Yeah,

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<v Speaker 3>there's a book that's called the Dumping Grend because there

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<v Speaker 3>was about three hundred different people from different tribes that

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<v Speaker 3>were the start of that area. And then of course,

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<v Speaker 3>anyone that was being stolen generations or had to be

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<v Speaker 3>moved somewhere, they bring him to Sherburg. So a lot

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<v Speaker 3>of people have that historical connection to Sherburg, which my

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<v Speaker 3>family does, and we've still got family on Sherburg and

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<v Speaker 3>in Mergen. But growing up, mate, you know, you're very

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<v Speaker 3>fortunate when you go in the bush.

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<v Speaker 2>You know.

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<v Speaker 3>I think, of course, there was our trials and tribulations,

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<v Speaker 3>you know, being fair skinned black fellows, we got racism

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<v Speaker 3>from both sides of the fence. And I thought about

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<v Speaker 3>that a while back and I went, I wonder why

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<v Speaker 3>we got that racism from our own mob, And it

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<v Speaker 3>was because all the other fellows that got exempt from

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<v Speaker 3>the mission left to become the Brisbane Blacks. But my grandfather,

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<v Speaker 3>he stayed in town. So we got that resentment from

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<v Speaker 3>some I reckon, that's my theory, because everyone else has

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<v Speaker 3>gone away and made another community, but we stayed. You know,

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<v Speaker 3>there was still rules and regulations that applied to my

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<v Speaker 3>family as well, but they had that freedom of movement,

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<v Speaker 3>you know, where they didn't have to be back out

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<v Speaker 3>of town by sundown and back on the mish, you know.

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<v Speaker 3>But you know, nineteen seventy five, there was still a

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<v Speaker 3>superintendent there. We had to get permission to go and

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<v Speaker 3>see family. My mother was a rat bag. She goes,

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<v Speaker 3>I'm not going to know white men tell me that

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<v Speaker 3>I could get to see my mom. Oh mate, I

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<v Speaker 3>used to say, Mom, we're going to get locked up. True.

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<v Speaker 3>But I remember, and I you know, as you get

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<v Speaker 3>old on fifty four, now you sit back and you think,

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<v Speaker 3>and you know, we call it that murray joy, that

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<v Speaker 3>big loud laugh, blackahlah la fee, And I remembered I

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<v Speaker 3>was thinking someone was telling me a yarn, you know

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<v Speaker 3>that they got told to be quiet, and they said, oh,

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<v Speaker 3>you're destroying my murray Joy. And I went, you know

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<v Speaker 3>what I was back in the days in the seventies,

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<v Speaker 3>I was a lookout, okay. And it was in my

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<v Speaker 3>uncle's house on Schoburg. And when my mother would go

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<v Speaker 3>out there to visit them, of course, not getting permission.

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<v Speaker 3>They'd pull all the curtains and they'd sit in that

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<v Speaker 3>kitchen and the talk and when they laughed, it'd be silent.

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<v Speaker 3>And I remember sitting at the front door because I'd

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<v Speaker 3>watched it said policeman was driving around, a coppers or

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<v Speaker 3>someone was coming, and I wonder I got anxiety. But

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<v Speaker 3>I remember sitting at that front door and I'd look

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<v Speaker 3>back at them and they'd all be this silently laughing.

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<v Speaker 3>And not until years later I remember that and I went,

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<v Speaker 3>it's because we weren't allowed. And now I wonder we're

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<v Speaker 3>loud and proud now, which we should be. I think

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<v Speaker 3>it had to do with loud and proud and black,

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<v Speaker 3>you know, for the thing, And so it was. It was,

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<v Speaker 3>you know, that was interesting and this is true. God.

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<v Speaker 3>Just the other night at fifty four, I sat there

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<v Speaker 3>and I went, I know why I do what I

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<v Speaker 3>do because I get often go Leah, why were you

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<v Speaker 3>that one child that got out? Made it out? And

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<v Speaker 3>I was thinking about last night, and I said, you

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<v Speaker 3>know what, it's because I had three things in my

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<v Speaker 3>life that I was able to be passionate about, and

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<v Speaker 3>that was neple. Yes, did you play gold offence? I

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<v Speaker 3>made it to the Queensland All Blacks team, but that

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<v Speaker 3>year they ran out of money so we couldn't go

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<v Speaker 3>to New Zealand. I was about fifteen sixty and then

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<v Speaker 3>I did acting at school. They had a short course

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<v Speaker 3>music theater, so I went, I was lucky to have

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<v Speaker 3>that and I guess the other one was that extended family.

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<v Speaker 3>You know, I grew up the youngest of seven kids,

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<v Speaker 3>so it was like I was home alone, you know,

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<v Speaker 3>all the other all my other brothers and sisters a

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<v Speaker 3>lot older than me, So it was just me and

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<v Speaker 3>my mom and my grandmother. She looked after my grandmother

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<v Speaker 3>for twenty seven years. She was bedridden with arthritis and

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<v Speaker 3>Parkinson's disease. So she was my spiritual connection to culture. Mean, Nan,

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<v Speaker 3>we were quite close. And then having that extended family

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<v Speaker 3>of my mum was very close with the mob out

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<v Speaker 3>at Sherburg, and we would go there and everyone would

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<v Speaker 3>come and see Annie Flower or missus p. And even

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<v Speaker 3>though my mother, at times I could see her being

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<v Speaker 3>the servient black woman of people that was higher authority

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<v Speaker 3>in town, she'd become this other woman. And then at

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<v Speaker 3>other times when she was allowed to be herself, she

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<v Speaker 3>was this loud, proud, determined She was four foot nothing, mate,

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<v Speaker 3>but she could make grown men quiver, you know what

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<v Speaker 3>I mean. And everyone had got gone on, Tellani low

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<v Speaker 3>on you, and she'd waddle over, you know, so you know,

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<v Speaker 3>but she was four foot and not and I've got

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<v Speaker 3>a bit of hype a bit of shoulder, but she

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<v Speaker 3>was deadly. And I think having that and then just

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<v Speaker 3>just that extended family love and being at that generation

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<v Speaker 3>coming through the eighties where we didn't have technology where

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<v Speaker 3>you actually sat down and entertainment was singing, Like I

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<v Speaker 3>had a sister that was a jukebox, you know what

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<v Speaker 3>I mean. It's only thinking about that the other day,

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<v Speaker 3>and we'd sit down, they'd be singing, they'd be dancing,

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<v Speaker 3>they'd be laughing, they'd be crying, there'd be political story

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<v Speaker 3>spoken about. So it was a real education, you know.

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<v Speaker 3>And I was quite love young. So I'm very lucky that.

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<v Speaker 3>I guess one thing I got from my white dad

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<v Speaker 3>was he had a good memory and he was tall.

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<v Speaker 3>So but that's about it, you know. But yeah, no,

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<v Speaker 3>I was only thinking about that, and I said, I

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<v Speaker 3>think that's why I was able to grasp that dream

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<v Speaker 3>that I had. I had no idea how I was

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<v Speaker 3>going to achieve it, but I had three things in

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<v Speaker 3>my life that actually fed my passion.

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<v Speaker 2>And recently you've discovered that, like as.

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<v Speaker 3>In two nights ago, I'm line in bed and I'm going, gosh,

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<v Speaker 3>I'm fifty four. I think I know why I managed

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<v Speaker 3>to do it I had. Even though there was hardship,

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<v Speaker 3>I had joy. There was there was this passion, not

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<v Speaker 3>so much if it was joy either, but there was

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<v Speaker 3>like I loved my sport and I you know, played

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<v Speaker 3>it hard because I could see it took my aggression

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<v Speaker 3>out on the field, you know, or on the court.

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<v Speaker 3>And then the passion to be able to go to school,

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<v Speaker 3>like I was no good at anything else. But when

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<v Speaker 3>that three months, that's when I could shine. And you know,

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<v Speaker 3>I was junior to get the first dancer, then the teacher.

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<v Speaker 3>On those days we had Saturday's rehearsal and they'd smoke

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<v Speaker 3>and le you take them kids outside and make them learn.

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<v Speaker 3>Don't bring them back, you know, drawn back hardway on

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<v Speaker 3>a cigarette. So I was choreographing and then I got

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<v Speaker 3>the first junior to get lines, you know, because you

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<v Speaker 3>had to earn your stripes to go through. And then

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<v Speaker 3>grade twelve, I was going, I'm going to be the lead.

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<v Speaker 3>I've hurt the stripes. After grade ten when I got

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<v Speaker 3>I was the first junior to get speaking lines of

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<v Speaker 3>Bye Bye Boodie. It was Gloria the sexy Secretary, and

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<v Speaker 3>I got my first laugh with the splits that I

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<v Speaker 3>had to do. And I even remembered when I because

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<v Speaker 3>the teacher said, I just pretend you can't get up,

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<v Speaker 3>like that's the joke, and I went, yeah, right. And

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<v Speaker 3>it was the town hall fit about four hundred people,

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<v Speaker 3>and Morgan would come and support. It'd be packed night

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<v Speaker 3>every night, over three nights. And I remember getting that

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<v Speaker 3>first laughter and I looked upstage and I went, wow,

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<v Speaker 3>you know, and then I just hammed it up, mate,

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<v Speaker 3>and it was so you know, it was that that encouragement.

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<v Speaker 3>And then you know, going through a high school, I

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<v Speaker 3>had the opportunities and told the teacher that they can't

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<v Speaker 3>direct and I should do it.

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<v Speaker 2>You sound like me, I'm telling you. I remember being

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<v Speaker 2>that little kid. And I want to ask you this

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<v Speaker 2>question of like, do you think that some of us,

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<v Speaker 2>like you know, some of us whould go off and

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<v Speaker 2>do the the dream and chase the dream. Do you

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<v Speaker 2>think we're born with something that is like innately in

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<v Speaker 2>us that we have to achieve what we set out

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<v Speaker 2>to do, or like, for instance, for me, I'm completely

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<v Speaker 2>different to my mom. My mom were really happy back

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<v Speaker 2>at home in Tamworth Onngomory Country, living content lives in

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<v Speaker 2>the bush, you know, for me. I had this dream

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<v Speaker 2>since I was a little kid, and I had to

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<v Speaker 2>achieve it no matter what, and it changes all the time.

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<v Speaker 2>But did you have.

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<v Speaker 3>That or oh yeah, yeah, yeah, yeah no. There's a

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<v Speaker 3>photo of me at four years old with my brother's guitar,

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<v Speaker 3>you know, and we shopped at the dump and my

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<v Speaker 3>mum would made this little chair for me that folded up.

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<v Speaker 3>So I thought I was real deadly, like that was

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<v Speaker 3>my production. And when they'd have them sing alongs charge

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<v Speaker 3>alongs at home, I'd in the kitchen, I'd pull that

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<v Speaker 3>chair out and I'd play the guitar and sing a

0:10:41.600 --> 0:10:45.240
<v Speaker 3>blues version of Humpty Dumpty and five times. So yeah,

0:10:45.320 --> 0:10:48.079
<v Speaker 3>I think that was performance was in I come from

0:10:48.080 --> 0:10:50.920
<v Speaker 3>a lot. My mother could sing, dance. I've got an

0:10:50.920 --> 0:10:53.560
<v Speaker 3>auntie that was a writer, sing a songwriter back in

0:10:53.600 --> 0:10:57.079
<v Speaker 3>the forties, you know. So I come from that family.

0:10:57.120 --> 0:11:00.160
<v Speaker 3>But I think you've got to have something that it's

0:11:00.280 --> 0:11:03.880
<v Speaker 3>just in your DNA that makes you that little bit different,

0:11:04.200 --> 0:11:06.120
<v Speaker 3>even though I had no idea, Like I felt pregnant

0:11:06.120 --> 0:11:07.680
<v Speaker 3>when I was seventeen and eight my daughter just after

0:11:07.679 --> 0:11:09.880
<v Speaker 3>I turned eighteen. A month after I had my daughter

0:11:09.880 --> 0:11:12.040
<v Speaker 3>in September, my mother died in October, you know what

0:11:12.080 --> 0:11:14.320
<v Speaker 3>I mean. So I looked at myself in the mirror

0:11:14.320 --> 0:11:16.839
<v Speaker 3>and I said, remember, you wanted to be an actor,

0:11:16.880 --> 0:11:19.400
<v Speaker 3>but I have no idea how I'm going to come

0:11:19.400 --> 0:11:21.720
<v Speaker 3>from little old Morgen and I got a newborn on

0:11:21.760 --> 0:11:25.559
<v Speaker 3>my hip, how I'm going to achieve that. So but

0:11:26.400 --> 0:11:30.520
<v Speaker 3>it was having that dream and remembering what strangers in

0:11:30.559 --> 0:11:32.839
<v Speaker 3>the street said to me. You know, one follower. I

0:11:32.880 --> 0:11:35.120
<v Speaker 3>remember I was jogging somewhere, I think it was a

0:11:35.120 --> 0:11:37.600
<v Speaker 3>Friday afternoon, going to the pub to see where my

0:11:37.600 --> 0:11:39.720
<v Speaker 3>mother was, and I jogged past him and he went,

0:11:39.760 --> 0:11:41.800
<v Speaker 3>you should be in Hollywood. And I was fifteen, and

0:11:41.840 --> 0:11:44.080
<v Speaker 3>I went what But he kept walking, but I heard

0:11:44.120 --> 0:11:46.480
<v Speaker 3>it and I went, oh, that's nice that they think

0:11:46.559 --> 0:11:48.760
<v Speaker 3>that you know that you know? And then I think

0:11:48.800 --> 0:11:52.320
<v Speaker 3>that just kept the drive, kept the drive, and then

0:11:52.520 --> 0:11:55.280
<v Speaker 3>sort of. And my mother always used to say, look

0:11:55.320 --> 0:11:57.839
<v Speaker 3>out for number one. Number one being you, and if

0:11:57.880 --> 0:12:00.560
<v Speaker 3>you look after yourself, then everyone that you look after

0:12:00.640 --> 0:12:04.160
<v Speaker 3>is going to be fine. Yeah, And when I looked

0:12:04.160 --> 0:12:06.480
<v Speaker 3>at myself in that mirror that day, I was on

0:12:06.559 --> 0:12:09.880
<v Speaker 3>the wrong side of where I should be, and this

0:12:09.880 --> 0:12:11.720
<v Speaker 3>little voice went, didn't you want to be an actor,

0:12:12.320 --> 0:12:14.199
<v Speaker 3>and oh yeah, I did. And then I just sort

0:12:14.200 --> 0:12:15.960
<v Speaker 3>of put one foot in front of the other until

0:12:16.240 --> 0:12:19.960
<v Speaker 3>and taking opportunities. I think we see opportunities or it's

0:12:20.040 --> 0:12:22.800
<v Speaker 3>our dreaming and it's all mapped out in front of us,

0:12:22.800 --> 0:12:24.760
<v Speaker 3>and it's up to us whether we churn left or

0:12:24.760 --> 0:12:28.199
<v Speaker 3>turn right and take those steps. You know, so luckily

0:12:28.240 --> 0:12:30.760
<v Speaker 3>I took the right direction. I think.

0:12:34.960 --> 0:12:38.960
<v Speaker 1>I love hearing about your childhood and your experiences, and

0:12:38.960 --> 0:12:42.360
<v Speaker 1>there's so many that I guess connect mob in different ways.

0:12:42.559 --> 0:12:45.160
<v Speaker 1>Like I think Maddie and I always talk about how

0:12:45.600 --> 0:12:49.400
<v Speaker 1>how situations in our childhood like we were separated at

0:12:49.400 --> 0:12:53.640
<v Speaker 1>birth or something, because they're so parallel. And then I

0:12:53.679 --> 0:12:55.959
<v Speaker 1>guess some of the stories that you talk about remind

0:12:56.040 --> 0:12:59.040
<v Speaker 1>me of my grandmother and my mom too. Growing up

0:13:00.160 --> 0:13:04.959
<v Speaker 1>messages that come up. I think there're like little sparks

0:13:05.000 --> 0:13:08.200
<v Speaker 1>like here and there, like the little motivations along the way,

0:13:08.880 --> 0:13:12.120
<v Speaker 1>and I truly believe that, yeah, there is some sort

0:13:12.160 --> 0:13:14.440
<v Speaker 1>of dreaming that kind of leads you down the path.

0:13:14.480 --> 0:13:16.200
<v Speaker 1>Whether you want to take that road or not. Is

0:13:16.280 --> 0:13:19.000
<v Speaker 1>like you just got to trust the process. And I

0:13:19.040 --> 0:13:22.360
<v Speaker 1>think that's really hard to trust the process. And I

0:13:22.360 --> 0:13:27.320
<v Speaker 1>can imagine with your you know, experience. Now there are

0:13:27.360 --> 0:13:30.600
<v Speaker 1>so many opportunities flying at you, like how do you

0:13:30.720 --> 0:13:36.760
<v Speaker 1>navigate that and choose what you do? And what you

0:13:36.800 --> 0:13:39.280
<v Speaker 1>don't do is with what I'd love to know.

0:13:39.559 --> 0:13:42.360
<v Speaker 3>Yeah, look, and you know, I've been what is it

0:13:42.400 --> 0:13:44.360
<v Speaker 3>thirty three, thirty four years in the industry now, so

0:13:44.400 --> 0:13:46.559
<v Speaker 3>you've got to earn your stripes. You know, there was

0:13:46.600 --> 0:13:48.600
<v Speaker 3>times where you had to do things because you've got

0:13:48.640 --> 0:13:52.080
<v Speaker 3>to keep relevant. You've got to keep your talent honed,

0:13:52.480 --> 0:13:54.880
<v Speaker 3>you know, your skills up. But it does get to

0:13:54.920 --> 0:13:58.640
<v Speaker 3>a point that the that the roles become repetitive, you

0:13:58.679 --> 0:14:02.640
<v Speaker 3>know what I mean. And it is about going what

0:14:02.679 --> 0:14:05.719
<v Speaker 3>do I want to do as a performer because I

0:14:05.760 --> 0:14:08.200
<v Speaker 3>was sort of going to semi retire from acting to

0:14:08.240 --> 0:14:11.240
<v Speaker 3>focus on my direction and writing. Just before I got

0:14:11.280 --> 0:14:13.679
<v Speaker 3>went with like can you believe it? And I made

0:14:13.720 --> 0:14:15.880
<v Speaker 3>this big speech to Bayane. I went, right, that's it.

0:14:15.960 --> 0:14:17.600
<v Speaker 3>I'm going to just hang the acting add up for

0:14:17.640 --> 0:14:19.200
<v Speaker 3>a minute, and you know.

0:14:19.800 --> 0:14:19.880
<v Speaker 1>And.

0:14:21.960 --> 0:14:24.600
<v Speaker 2>W worth in that change.

0:14:23.880 --> 0:14:28.480
<v Speaker 3>And then that phone call, and then to get that

0:14:28.520 --> 0:14:31.120
<v Speaker 3>phone call and you're kidding me? And then I and

0:14:31.120 --> 0:14:32.200
<v Speaker 3>then what are you going to do?

0:14:33.320 --> 0:14:33.480
<v Speaker 2>Yeah?

0:14:33.520 --> 0:14:35.040
<v Speaker 3>Oh, they had me in mind yeah.

0:14:34.880 --> 0:14:36.640
<v Speaker 2>Of course, I mean it's perfect.

0:14:36.800 --> 0:14:39.640
<v Speaker 3>Yeah. And I said, well, if I put my actor's

0:14:39.680 --> 0:14:43.560
<v Speaker 3>hat back on, I said, mate, a television show that's

0:14:43.800 --> 0:14:49.120
<v Speaker 3>already established number one drama around the world, A role

0:14:49.160 --> 0:14:51.840
<v Speaker 3>where I collaborated on, and they, you know, had me

0:14:51.840 --> 0:14:54.120
<v Speaker 3>in mine when they wrote it. I would be stupid

0:14:54.120 --> 0:14:57.040
<v Speaker 3>not to take it, wouldn't I? And of course with

0:14:57.240 --> 0:14:59.600
<v Speaker 3>Lost Flowers of Alice Heart, you know, when the phone

0:14:59.640 --> 0:15:01.680
<v Speaker 3>call came men, I went, who's in it?

0:15:01.880 --> 0:15:02.080
<v Speaker 2>Big?

0:15:03.280 --> 0:15:04.920
<v Speaker 3>Oh? That was after I was a big note and going,

0:15:04.960 --> 0:15:07.400
<v Speaker 3>I'd big, go, who's in it? Who's the lead? Then?

0:15:07.440 --> 0:15:09.560
<v Speaker 3>If I've just got this little sport role? And they

0:15:09.600 --> 0:15:14.600
<v Speaker 3>went Sigourney weaver O went yep, I said, I will

0:15:14.880 --> 0:15:18.800
<v Speaker 3>carry oxygen for her, I will give her water. I'll

0:15:18.920 --> 0:15:20.800
<v Speaker 3>just stand beside her. She can have all my loans

0:15:20.800 --> 0:15:24.200
<v Speaker 3>if she wants. Yeah. So, so that that sort of

0:15:24.200 --> 0:15:27.840
<v Speaker 3>thing where I was wanting to be. But every role

0:15:27.840 --> 0:15:29.920
<v Speaker 3>that I take, I want to be challenged, and I

0:15:29.960 --> 0:15:32.520
<v Speaker 3>think that's where I what I look at now in

0:15:32.560 --> 0:15:36.160
<v Speaker 3>a role is won the writing. Of course, how much

0:15:36.200 --> 0:15:37.600
<v Speaker 3>work will I have to do on the script for

0:15:37.640 --> 0:15:40.160
<v Speaker 3>someone else? You know what I mean? So I do

0:15:40.200 --> 0:15:44.160
<v Speaker 3>look at the writing and that collaboration if there's an

0:15:44.280 --> 0:15:47.880
<v Speaker 3>urge to do it. But then someone of Sigourney Weaver's

0:15:48.480 --> 0:15:51.560
<v Speaker 3>legend Hollywood and her talent, and you know, I go,

0:15:51.640 --> 0:15:53.520
<v Speaker 3>I want to be challenged. I want to be nervous again.

0:15:53.600 --> 0:15:56.440
<v Speaker 3>It's nice to go in and be nervous, you know,

0:15:56.480 --> 0:15:58.960
<v Speaker 3>on your first day when Sigourney Weaver walks in, you.

0:15:58.880 --> 0:16:00.920
<v Speaker 2>Know, it was an inspiration for you going up, Oh mate,

0:16:00.920 --> 0:16:01.720
<v Speaker 2>I was yeah.

0:16:01.760 --> 0:16:04.600
<v Speaker 3>In Mergan, like I think Alien first come out seventy nine,

0:16:04.920 --> 0:16:06.440
<v Speaker 3>so by the time it got to Mergen it was

0:16:06.440 --> 0:16:09.760
<v Speaker 3>eighty four. I was fourteen saw her and went and

0:16:10.400 --> 0:16:12.840
<v Speaker 3>into my acting at this stage and I went, oh

0:16:12.920 --> 0:16:15.400
<v Speaker 3>my god, that's me, Like, I've got to I've got

0:16:15.440 --> 0:16:17.320
<v Speaker 3>to meet her. I said, We've got the same jaw,

0:16:17.400 --> 0:16:19.640
<v Speaker 3>we got curly hair. And at that stage when I

0:16:19.680 --> 0:16:22.680
<v Speaker 3>watched Daily and of course they had already started Alien too,

0:16:22.760 --> 0:16:24.400
<v Speaker 3>but I went, there's going to be a second I

0:16:24.560 --> 0:16:26.960
<v Speaker 3>know it, And I said, and I'd walk around Morgan

0:16:27.040 --> 0:16:29.280
<v Speaker 3>going how do I get a letter to Hollywood? And

0:16:29.320 --> 0:16:30.480
<v Speaker 3>they went, what do you want to get a letter

0:16:30.520 --> 0:16:32.200
<v Speaker 3>to Hollywood for? I said, because I've got to tell

0:16:32.240 --> 0:16:34.360
<v Speaker 3>them that I should play her daughter, because there's a

0:16:34.440 --> 0:16:36.640
<v Speaker 3>daughter in that at the end of that thing, and

0:16:36.680 --> 0:16:37.720
<v Speaker 3>I think it's got to be me.

0:16:38.200 --> 0:16:39.680
<v Speaker 2>This is so freaky.

0:16:40.840 --> 0:16:43.040
<v Speaker 3>Yeah what yeah? And then I said to her when

0:16:43.400 --> 0:16:46.440
<v Speaker 3>we met over Zoom, I was playing very cool as

0:16:46.480 --> 0:16:48.760
<v Speaker 3>you got to do. And then I went to goourney

0:16:48.840 --> 0:16:51.160
<v Speaker 3>Before we go, she because there there anything else with you?

0:16:51.160 --> 0:16:53.440
<v Speaker 3>You know, we've talked about the script and it, and

0:16:53.480 --> 0:16:55.600
<v Speaker 3>I went, yeah, there is one thing I said for

0:16:55.640 --> 0:16:57.680
<v Speaker 3>me to be able to do my job right, You're

0:16:57.680 --> 0:16:59.400
<v Speaker 3>going to give me one thing. And she goes, what's that?

0:16:59.840 --> 0:17:03.880
<v Speaker 3>And I said a fangirl moment, and I said, just one.

0:17:04.000 --> 0:17:05.760
<v Speaker 3>I got to tell you this good yard. So I

0:17:05.800 --> 0:17:08.760
<v Speaker 3>told her and she kissed us off, laughing and yeah,

0:17:09.080 --> 0:17:10.919
<v Speaker 3>and then it was and that sort of broke the

0:17:10.960 --> 0:17:12.720
<v Speaker 3>eyes for me too, because I could just be me,

0:17:13.480 --> 0:17:16.440
<v Speaker 3>you know, And and she was great. We did a

0:17:16.480 --> 0:17:19.199
<v Speaker 3>screening of Drover's Wife for her and the and the

0:17:19.240 --> 0:17:22.080
<v Speaker 3>car and the crew and the cast of that production.

0:17:22.800 --> 0:17:24.920
<v Speaker 3>We're out wherever we were out Tamworth Way there. I

0:17:24.960 --> 0:17:28.200
<v Speaker 3>can't remember the musclebrook. Is that that the way? Yeah? Yeah, yeah, yeah.

0:17:28.240 --> 0:17:31.600
<v Speaker 3>So we went there to the theater, to the Picture cinema.

0:17:31.640 --> 0:17:35.879
<v Speaker 3>She's a picture show that's real the cinema and showed

0:17:35.880 --> 0:17:38.040
<v Speaker 3>her and she she loved it, you know, cried a

0:17:38.320 --> 0:17:40.960
<v Speaker 3>river and gave a beautiful speech. So it was really cool.

0:17:41.000 --> 0:17:42.440
<v Speaker 3>So when I'm looking at stuff, I want to be

0:17:42.520 --> 0:17:45.919
<v Speaker 3>challenged with the role. It had a stolen generations thing

0:17:46.040 --> 0:17:47.800
<v Speaker 3>in it, and I sort of said, you guys got

0:17:47.840 --> 0:17:50.919
<v Speaker 3>to tread lightly, you know, use a wifeless coming in

0:17:50.960 --> 0:17:54.679
<v Speaker 3>on this. And I said, you know, my grandmother stolen,

0:17:54.680 --> 0:17:56.680
<v Speaker 3>so your story better being better than mine, you know

0:17:56.720 --> 0:17:59.359
<v Speaker 3>what I mean. And I've said that about back in

0:17:59.400 --> 0:18:02.320
<v Speaker 3>the nineties. Eight film scripts came to me about Solo Generation.

0:18:02.440 --> 0:18:04.000
<v Speaker 3>I said no to every single one of them, and

0:18:04.000 --> 0:18:07.000
<v Speaker 3>none of them got made, and rightly so, so I

0:18:07.040 --> 0:18:12.040
<v Speaker 3>look at that subject matter and yeah, I can be

0:18:12.119 --> 0:18:14.760
<v Speaker 3>picky now to convert my stripes. And I've got my

0:18:14.760 --> 0:18:16.960
<v Speaker 3>own production company, so you know, it's about where I

0:18:17.000 --> 0:18:19.719
<v Speaker 3>want to spread my energy as well, because I want

0:18:19.760 --> 0:18:21.080
<v Speaker 3>to get my own shows up. You know, I want

0:18:21.080 --> 0:18:25.040
<v Speaker 3>to get my own stories. But you know, sometimes I

0:18:25.040 --> 0:18:28.280
<v Speaker 3>did Shader because I got a lovely letter from the

0:18:28.359 --> 0:18:33.760
<v Speaker 3>director Norah, and you know, she said amazing things. It's

0:18:33.800 --> 0:18:38.320
<v Speaker 3>about also giving my support and putting energy behind new

0:18:38.520 --> 0:18:42.160
<v Speaker 3>voices from diverse mob as well, you know. And yeah,

0:18:42.320 --> 0:18:45.239
<v Speaker 3>so it just depends. But I really want to know,

0:18:45.359 --> 0:18:48.080
<v Speaker 3>put a lot of energy back into my own stuff

0:18:48.119 --> 0:18:51.320
<v Speaker 3>now because I've done everyone else so well.

0:18:51.400 --> 0:18:53.960
<v Speaker 2>I mean, we'll get to Drover's wife, but I want

0:18:54.000 --> 0:18:55.919
<v Speaker 2>to take you back to maybe this is either a

0:18:55.920 --> 0:18:57.800
<v Speaker 2>myth or a legend, but I want to ask you

0:18:58.440 --> 0:19:00.000
<v Speaker 2>you talk about now that you can pick and chew

0:19:00.160 --> 0:19:03.680
<v Speaker 2>is back in the day when you were just starting out,

0:19:04.080 --> 0:19:06.359
<v Speaker 2>is it true that you were the support act for

0:19:06.440 --> 0:19:07.200
<v Speaker 2>Shania Twain.

0:19:07.560 --> 0:19:12.879
<v Speaker 3>Yes, it was Oh my life, what a cook? Yeah yeah, No,

0:19:13.000 --> 0:19:16.920
<v Speaker 3>I had a band, yeah, and it was just because

0:19:16.920 --> 0:19:19.919
<v Speaker 3>I started out in music in Brizzy. There was the

0:19:19.960 --> 0:19:22.439
<v Speaker 3>Murray Music work cop for eight for eight weeks and

0:19:22.520 --> 0:19:25.479
<v Speaker 3>it was at Juggera Arts there at Musgrave Park with

0:19:25.560 --> 0:19:29.280
<v Speaker 3>all my uncles. Yeah yeah yeah. My partner Bane said

0:19:29.520 --> 0:19:30.280
<v Speaker 3>you should go and do it.

0:19:30.320 --> 0:19:30.440
<v Speaker 1>You know.

0:19:30.440 --> 0:19:32.119
<v Speaker 3>I was singing in the share it is play and

0:19:32.160 --> 0:19:34.720
<v Speaker 3>I said, oh naw, I said, I know all their mob.

0:19:34.760 --> 0:19:37.360
<v Speaker 3>They will running up mob, you know. But mate, those

0:19:37.440 --> 0:19:39.879
<v Speaker 3>uncles were so well behaved. It was awesome because I

0:19:39.920 --> 0:19:41.439
<v Speaker 3>just wouldn't leave the mic. They'd get it for a

0:19:41.440 --> 0:19:43.440
<v Speaker 3>smoking cup of tea and maybe looking at the door.

0:19:43.440 --> 0:19:45.520
<v Speaker 3>They go, Leah, sit down, you're making us no good.

0:19:45.560 --> 0:19:47.479
<v Speaker 3>I said, I'm just waiting for you to take your time.

0:19:47.800 --> 0:19:50.280
<v Speaker 3>I wouldn't leave it. It was unreal. So anyway, so yeah,

0:19:50.440 --> 0:19:53.119
<v Speaker 3>came through music that way. We did a little tape

0:19:53.119 --> 0:19:56.439
<v Speaker 3>out there called Sharing the Load and my that's the

0:19:56.440 --> 0:20:00.119
<v Speaker 3>first song I wrote and recorded second best and and

0:20:00.160 --> 0:20:03.200
<v Speaker 3>then came to Sydney. Wanted to keep the music gone

0:20:03.200 --> 0:20:06.439
<v Speaker 3>because I was enjoying it. But nothing, nothing serious. We

0:20:06.480 --> 0:20:09.760
<v Speaker 3>had a gig at Strawberry Hills Hotel.

0:20:09.480 --> 0:20:11.120
<v Speaker 2>At all time at the night was at four am

0:20:11.280 --> 0:20:11.720
<v Speaker 2>because that.

0:20:13.160 --> 0:20:15.720
<v Speaker 3>Yeah, no, this was before this was just before the

0:20:15.720 --> 0:20:18.240
<v Speaker 3>Pokey's and all that dropped. I was the last gig

0:20:18.280 --> 0:20:21.639
<v Speaker 3>there before they brought the machines. And so no, we

0:20:21.640 --> 0:20:25.720
<v Speaker 3>would do a must have been eight thirty time slot

0:20:25.800 --> 0:20:29.320
<v Speaker 3>lovely and then around midnight up the Cross was my

0:20:29.359 --> 0:20:33.239
<v Speaker 3>other little haunt on a Wednesday night. And then and

0:20:33.320 --> 0:20:36.679
<v Speaker 3>doing the busiest times and the best times that we

0:20:36.720 --> 0:20:39.480
<v Speaker 3>ever did music was when we were through Nadock month,

0:20:39.920 --> 0:20:42.280
<v Speaker 3>you know, and you know through that month of July

0:20:42.560 --> 0:20:46.240
<v Speaker 3>May festivals everywhere, and it's such a shame we don't

0:20:46.680 --> 0:20:49.160
<v Speaker 3>have that now, mate, And Some of the best times

0:20:49.160 --> 0:20:51.639
<v Speaker 3>were going out Alice Springs and the Mob because they

0:20:51.680 --> 0:20:53.640
<v Speaker 3>love their inma. They'd come for that rock and roll,

0:20:53.720 --> 0:20:57.240
<v Speaker 3>you know. So yeah, I got a Shania Tain was touring.

0:20:57.320 --> 0:21:02.480
<v Speaker 3>She was looking for an indigenous support and they sort of,

0:21:02.600 --> 0:21:05.119
<v Speaker 3>you know, would have wanted a male so that she

0:21:05.160 --> 0:21:08.520
<v Speaker 3>could she's the female, she's dominant. But there was no

0:21:08.560 --> 0:21:11.440
<v Speaker 3>one sort of that was around to be quick and

0:21:11.640 --> 0:21:14.240
<v Speaker 3>that could do country. There was probably Nocturnal was the

0:21:14.280 --> 0:21:16.240
<v Speaker 3>only other four band because they said we just want

0:21:16.240 --> 0:21:19.000
<v Speaker 3>a four piece, you know. But they were heavy metal

0:21:19.920 --> 0:21:22.800
<v Speaker 3>and they said, Leah, can you swing your music country?

0:21:22.840 --> 0:21:25.960
<v Speaker 3>And I went, for sure, yeah I can. I can

0:21:26.000 --> 0:21:29.760
<v Speaker 3>swing whatever you want to swing. Yeah, yeah, yeah, yeah yeah.

0:21:29.800 --> 0:21:32.680
<v Speaker 3>So and then yeah, I had that opportunity to tour

0:21:32.760 --> 0:21:36.239
<v Speaker 3>the East Coast with her, and but she panicked when

0:21:36.240 --> 0:21:38.800
<v Speaker 3>we did a sound check because we said, oh, well,

0:21:38.800 --> 0:21:41.760
<v Speaker 3>since we can't do our heavy stuff, we started sound

0:21:41.840 --> 0:21:43.480
<v Speaker 3>check with his real heavy lot. We got some heavy

0:21:43.520 --> 0:21:46.320
<v Speaker 3>rock stuff, and she come flying out of the dress

0:21:46.400 --> 0:21:48.639
<v Speaker 3>room going, you got me a heavy band. I went, oh,

0:21:48.680 --> 0:21:50.680
<v Speaker 3>calm down, and says they it's all good. I got

0:21:50.680 --> 0:21:53.159
<v Speaker 3>my three four for you. Later, you know, I said, well,

0:21:53.160 --> 0:21:55.119
<v Speaker 3>we're just having fun because yeah, this is just warm up.

0:21:55.160 --> 0:21:57.960
<v Speaker 3>Because the boys, this mixing group just come off a

0:21:58.000 --> 0:22:01.000
<v Speaker 3>tour with Bruce Springsteen, so it was so cool to

0:22:01.040 --> 0:22:03.760
<v Speaker 3>play our music and they were sort of bopping, you know,

0:22:03.960 --> 0:22:07.000
<v Speaker 3>you go, that's a compliment, you know, because they know

0:22:07.119 --> 0:22:09.480
<v Speaker 3>good music or not, and it was really really cool.

0:22:09.720 --> 0:22:10.199
<v Speaker 2>I love that.

0:22:10.240 --> 0:22:10.359
<v Speaker 3>Well.

0:22:10.400 --> 0:22:11.840
<v Speaker 2>The first time I heard you sing was at the

0:22:12.000 --> 0:22:16.240
<v Speaker 2>end of your most recent film, you know, Drover's Wife,

0:22:16.240 --> 0:22:17.879
<v Speaker 2>And as soon as you started singing, I was like,

0:22:17.920 --> 0:22:20.560
<v Speaker 2>why haven't I heard her voice before? It's beautiful? You

0:22:20.600 --> 0:22:22.679
<v Speaker 2>wrote that song for the film and performed it in

0:22:22.720 --> 0:22:23.160
<v Speaker 2>the end.

0:22:23.200 --> 0:22:28.280
<v Speaker 3>Or no, that was that's a Irish lament, yeah lament

0:22:28.800 --> 0:22:31.280
<v Speaker 3>and yeah. So it's been around forever and there's many

0:22:31.720 --> 0:22:35.320
<v Speaker 3>variations of it. And actually, when we were doing the play,

0:22:35.840 --> 0:22:40.240
<v Speaker 3>the composer and sound designer, I said that there needs

0:22:40.240 --> 0:22:41.960
<v Speaker 3>to be a song, and I was looking at some

0:22:42.040 --> 0:22:45.760
<v Speaker 3>more hymn bassed kind of stuff, and then he came

0:22:45.760 --> 0:22:48.840
<v Speaker 3>in with a few suggestions and Nina Simone sings it

0:22:49.080 --> 0:22:51.760
<v Speaker 3>that does a does a version, and then I sort

0:22:51.760 --> 0:22:56.280
<v Speaker 3>of did my version of black is so yeah. Yeah,

0:22:56.320 --> 0:22:58.160
<v Speaker 3>and then but when we did that in the film,

0:22:58.200 --> 0:23:00.040
<v Speaker 3>I had no intentions. I was looking at someone I

0:23:00.040 --> 0:23:05.800
<v Speaker 3>could just mal boy Lisa. No. The composer come back

0:23:05.840 --> 0:23:07.480
<v Speaker 3>and said, Leara, it has to be you. I was

0:23:07.480 --> 0:23:09.600
<v Speaker 3>given all these names. She said, why are you giving

0:23:09.640 --> 0:23:11.359
<v Speaker 3>me all these names? And I said, just for the

0:23:11.400 --> 0:23:13.359
<v Speaker 3>singers for the end. She goes, no, no, no, it

0:23:13.400 --> 0:23:16.879
<v Speaker 3>has to be Molly Johnson singing to the next generation.

0:23:17.400 --> 0:23:19.320
<v Speaker 3>And she knows. What she said was it had to

0:23:19.359 --> 0:23:22.040
<v Speaker 3>be it has to be used singing to the next generation.

0:23:22.359 --> 0:23:24.560
<v Speaker 3>And I said, I haven't sung in twenty years. She goes, no,

0:23:25.040 --> 0:23:28.159
<v Speaker 3>I meant Molly needs to sing. She said, so good

0:23:28.200 --> 0:23:31.320
<v Speaker 3>over yourself, Lea, we need Molly to sing. And I said, okay, thanks,

0:23:31.680 --> 0:23:33.760
<v Speaker 3>and it was look I was. I was good nunger myself.

0:23:33.800 --> 0:23:37.000
<v Speaker 3>And I walked back into the to the sound you

0:23:37.000 --> 0:23:38.320
<v Speaker 3>know when I have to go and record, and I'm

0:23:38.359 --> 0:23:41.720
<v Speaker 3>making all these excuses and the engineer was Grady, said, Leah,

0:23:41.760 --> 0:23:43.840
<v Speaker 3>shut up, you know how to sing. Off we go

0:23:44.000 --> 0:23:46.960
<v Speaker 3>and you just pressed the button and away we away

0:23:47.000 --> 0:23:50.080
<v Speaker 3>we went. So yeah, Nah, it's something every now and then,

0:23:50.119 --> 0:23:52.199
<v Speaker 3>you know, you do you get itchy for the for

0:23:52.240 --> 0:23:54.200
<v Speaker 3>the stage or if I go see a live performance,

0:23:54.240 --> 0:23:57.439
<v Speaker 3>I go because the power in music is just just

0:23:57.560 --> 0:23:58.479
<v Speaker 3>next level. You know.

0:24:01.640 --> 0:24:04.480
<v Speaker 2>Obviously that film had massive impact. You got the actor

0:24:04.520 --> 0:24:06.560
<v Speaker 2>for it, you know, like it was a big moment

0:24:06.600 --> 0:24:08.639
<v Speaker 2>and big I actually when I first watched it, I

0:24:08.640 --> 0:24:10.320
<v Speaker 2>watched it on a little laptop when I got sent

0:24:10.359 --> 0:24:12.760
<v Speaker 2>to screener and I remember the thing that I remembered

0:24:12.800 --> 0:24:15.879
<v Speaker 2>and I thought, this is the epitome of Australian film.

0:24:16.160 --> 0:24:18.240
<v Speaker 2>Like I felt like, wow, this is such a rich,

0:24:19.160 --> 0:24:23.879
<v Speaker 2>beautifully told story. You didn't just direct, you produced, you

0:24:23.960 --> 0:24:27.000
<v Speaker 2>acted in it. Out of those three things, what's the

0:24:27.040 --> 0:24:29.080
<v Speaker 2>go to for you? What's your favorite thing to do?

0:24:29.240 --> 0:24:31.080
<v Speaker 2>Or is there a delicate balance there?

0:24:31.200 --> 0:24:34.840
<v Speaker 3>There's a delicate balance. But if like writer, director is

0:24:34.880 --> 0:24:39.199
<v Speaker 3>pretty powerful, especially in film because in film you have

0:24:39.280 --> 0:24:43.199
<v Speaker 3>more control. Television is more of a producer's domain. But

0:24:43.280 --> 0:24:45.680
<v Speaker 3>I also like the challenge that that gives because you're

0:24:45.720 --> 0:24:48.760
<v Speaker 3>taking on other people's notes and you're got your creativity

0:24:48.920 --> 0:24:53.840
<v Speaker 3>and it's about finding the balance. Yeah, acting is when

0:24:53.840 --> 0:24:55.439
<v Speaker 3>you get to my age now you go, yep, I

0:24:55.480 --> 0:24:57.400
<v Speaker 3>just want to rock up, hit my mark, say my line,

0:24:57.520 --> 0:24:59.840
<v Speaker 3>be deadly, and go home, you know, and then you

0:25:00.040 --> 0:25:03.600
<v Speaker 3>don't have the worry of what's tomorrow other than learning

0:25:03.640 --> 0:25:06.160
<v Speaker 3>your lines. You know. So it does vary. But when

0:25:06.200 --> 0:25:09.040
<v Speaker 3>I am in my performance mode, I get so much

0:25:09.080 --> 0:25:11.720
<v Speaker 3>work done. Like when I was in Wentworth, I finished

0:25:11.760 --> 0:25:15.240
<v Speaker 3>the book of Drover's Wife when reader was in the

0:25:15.280 --> 0:25:19.440
<v Speaker 3>slot in series seven when they the big siege, when

0:25:19.440 --> 0:25:21.199
<v Speaker 3>they when I was locked up, I was there writing

0:25:21.520 --> 0:25:23.680
<v Speaker 3>like yeah, no, no, I couldn't get out there and

0:25:23.720 --> 0:25:26.320
<v Speaker 3>be superwoman. But I was being superwoman type. And and

0:25:26.359 --> 0:25:28.239
<v Speaker 3>the first they d would tap on the window as

0:25:28.240 --> 0:25:31.840
<v Speaker 3>he'd walk past to call action. And when he tapped,

0:25:31.840 --> 0:25:34.399
<v Speaker 3>I'd slip that computer under the mattress. And I'm up

0:25:34.400 --> 0:25:35.160
<v Speaker 3>at the door at the.

0:25:35.080 --> 0:25:39.359
<v Speaker 2>Water Contramand.

0:25:39.080 --> 0:25:41.679
<v Speaker 3>So I am at my most you know, we're on

0:25:41.760 --> 0:25:44.760
<v Speaker 3>Creative and I catch up on my work because I'm away,

0:25:44.840 --> 0:25:47.600
<v Speaker 3>I can focus on I've got a schedule, so I

0:25:47.680 --> 0:25:51.600
<v Speaker 3>put my writing schedule around that and just smash stuff out. Look,

0:25:51.640 --> 0:25:53.479
<v Speaker 3>I can come across as a snobby bitch because I'm

0:25:53.480 --> 0:25:55.320
<v Speaker 3>sitting in the green room work and all the time.

0:25:55.640 --> 0:25:57.560
<v Speaker 3>But I say to people, mate, I'm running a company,

0:25:57.680 --> 0:26:00.280
<v Speaker 3>and if i want work next when this is over,

0:26:00.840 --> 0:26:01.960
<v Speaker 3>I've got to put the hours in.

0:26:03.200 --> 0:26:06.600
<v Speaker 2>I know that you're talking about an opera. Yeah, yeah, yeah,

0:26:07.280 --> 0:26:09.760
<v Speaker 2>opera version of this film. What does that look like?

0:26:10.119 --> 0:26:13.080
<v Speaker 3>Oh mate, it's pretty awesome when when you get the

0:26:13.080 --> 0:26:16.720
<v Speaker 3>big voices in the room and singing your words. So

0:26:16.760 --> 0:26:20.440
<v Speaker 3>we took the libretto off the play. The composer came

0:26:20.440 --> 0:26:22.840
<v Speaker 3>to us chase me for a year, saying, I really

0:26:22.880 --> 0:26:25.240
<v Speaker 3>think this could be an opera, and he said, let's

0:26:25.320 --> 0:26:29.480
<v Speaker 3>just work to edit the play into a libretto. I

0:26:29.640 --> 0:26:32.119
<v Speaker 3>had written some arias, some songs for it, you know,

0:26:33.119 --> 0:26:37.480
<v Speaker 3>or edited his and put ideas in and then we're

0:26:37.520 --> 0:26:39.240
<v Speaker 3>looking to have a workshop at the end of the

0:26:39.359 --> 0:26:43.399
<v Speaker 3>year with and just listen to the orchestra play it,

0:26:43.440 --> 0:26:45.600
<v Speaker 3>because that's what we have. And we've had we've had

0:26:46.320 --> 0:26:49.199
<v Speaker 3>sort of looking at the story seeing what it felt like,

0:26:49.400 --> 0:26:53.440
<v Speaker 3>you know, looking for actors out there. So if there's

0:26:53.440 --> 0:26:56.640
<v Speaker 3>any Aboriginal males out there or Torres, straight Islander men

0:26:56.680 --> 0:27:00.760
<v Speaker 3>that might have a big voice, I'd love to see

0:27:00.800 --> 0:27:03.119
<v Speaker 3>you for the for the lead role of Yadika. So

0:27:03.200 --> 0:27:05.840
<v Speaker 3>it's pretty awesome when they're you know, singing the words

0:27:05.880 --> 0:27:10.200
<v Speaker 3>that you wrote and it's opera and what oh yeah, no,

0:27:10.240 --> 0:27:11.920
<v Speaker 3>he's on the list. Yeah yeah, yeah, no, I saw

0:27:12.000 --> 0:27:15.040
<v Speaker 3>him go. He come in for an audition and I

0:27:15.080 --> 0:27:17.000
<v Speaker 3>told all them mob I got, you know, I had

0:27:17.000 --> 0:27:19.800
<v Speaker 3>some wild cast. I said, don't come singing pop songs.

0:27:20.359 --> 0:27:23.280
<v Speaker 3>I said, you can look at Porgy and Bess. I said,

0:27:23.320 --> 0:27:25.439
<v Speaker 3>because that's allowing you to have a big voice. Like,

0:27:25.480 --> 0:27:28.400
<v Speaker 3>look at the music the opera of that. I said,

0:27:28.440 --> 0:27:31.320
<v Speaker 3>watch some old movies, old musicals, and get those big songs,

0:27:31.320 --> 0:27:34.160
<v Speaker 3>those big numbers. But no, goody come with a pop song.

0:27:34.640 --> 0:27:36.520
<v Speaker 3>So I'm watching it there. Yeah, and he was all

0:27:36.600 --> 0:27:39.919
<v Speaker 3>little high, you know, little squeaky voice, and it was

0:27:39.960 --> 0:27:41.280
<v Speaker 3>you know, it was all good. And then I then

0:27:41.320 --> 0:27:43.200
<v Speaker 3>I started saying, God, shake a leg now, bro, because

0:27:43.200 --> 0:27:45.200
<v Speaker 3>I can see he could move. And I'm looking because

0:27:45.280 --> 0:27:47.160
<v Speaker 3>Yadika's going to be able to move. So I'm watching

0:27:47.240 --> 0:27:50.040
<v Speaker 3>him and I said, uncle can move. Then when they

0:27:50.160 --> 0:27:52.879
<v Speaker 3>get over their nerves, I go stand in one corner

0:27:52.880 --> 0:27:54.679
<v Speaker 3>and I said, I said, if I was one of

0:27:54.680 --> 0:27:56.600
<v Speaker 3>your nephews, little nephews, and I was in your room

0:27:56.680 --> 0:27:58.840
<v Speaker 3>going to steal some money out of your drawer, how

0:27:58.840 --> 0:27:59.800
<v Speaker 3>would you yell out to me?

0:28:00.280 --> 0:28:00.440
<v Speaker 1>Oh?

0:28:00.480 --> 0:28:03.159
<v Speaker 3>Then they got the big voice, you know, yeah, And

0:28:03.200 --> 0:28:05.359
<v Speaker 3>I said, see that that's your singing voice. Open it

0:28:05.480 --> 0:28:08.800
<v Speaker 3>up and you know. And then I would do. I said,

0:28:08.800 --> 0:28:11.680
<v Speaker 3>repeat after me, and I'd do Stevie Wonders Happy. But

0:28:12.080 --> 0:28:14.000
<v Speaker 3>you know, it's something real simple. And then I go,

0:28:14.200 --> 0:28:16.160
<v Speaker 3>that's your singing voice, dude. Yeah.

0:28:16.200 --> 0:28:21.400
<v Speaker 2>Sore up together his family, you know, black fellow country music,

0:28:21.520 --> 0:28:25.720
<v Speaker 2>Royalter and Buddy and so we grew up together, and

0:28:25.800 --> 0:28:28.840
<v Speaker 2>we went to the same school. We had like basically

0:28:28.880 --> 0:28:32.560
<v Speaker 2>our teens together. And then I came here started you know,

0:28:32.760 --> 0:28:35.240
<v Speaker 2>working in media, and I always wanted him to come,

0:28:35.400 --> 0:28:36.920
<v Speaker 2>you know, to come to the big smoke, and he

0:28:37.119 --> 0:28:40.120
<v Speaker 2>ended up coming and and he's just gone from you.

0:28:40.000 --> 0:28:42.360
<v Speaker 3>Know, oh mate, you know six he's going to be

0:28:42.360 --> 0:28:43.960
<v Speaker 3>sitting in that for six months. And then I said,

0:28:44.000 --> 0:28:45.280
<v Speaker 3>then I want you to come straight to me an

0:28:45.320 --> 0:28:47.640
<v Speaker 3>audition for for Yerika.

0:28:48.560 --> 0:28:50.120
<v Speaker 2>He Isn't it funny that I brought him up and

0:28:50.120 --> 0:28:53.560
<v Speaker 2>didn't absolutely when people come to mind for certain things,

0:28:53.640 --> 0:28:56.080
<v Speaker 2>you know, you do you speak about powerful voice, I think, oh,

0:28:56.120 --> 0:28:56.680
<v Speaker 2>he's got.

0:28:56.480 --> 0:28:58.760
<v Speaker 3>It, yeah, yeah, yeah, yeah. So no, it's exciting.

0:28:58.800 --> 0:29:00.200
<v Speaker 2>But I wanted to bring up something with you, which

0:29:00.240 --> 0:29:03.680
<v Speaker 2>is quite funny. So when you probably auditioned hundreds and

0:29:03.880 --> 0:29:05.960
<v Speaker 2>hundreds of actors over the years, do you think that

0:29:06.000 --> 0:29:07.040
<v Speaker 2>you remember most of them?

0:29:08.400 --> 0:29:10.440
<v Speaker 3>A name I might not, but a face I do.

0:29:11.080 --> 0:29:14.800
<v Speaker 3>And I am a very loyal director. If I like someone,

0:29:15.200 --> 0:29:20.160
<v Speaker 3>and if someone's you know, got something special, I'll always

0:29:20.240 --> 0:29:23.040
<v Speaker 3>try to push them, you know, because I get phone

0:29:23.040 --> 0:29:25.240
<v Speaker 3>calls all the time, ask him, do you know this

0:29:25.360 --> 0:29:28.360
<v Speaker 3>mob or that mob? And even now where I did

0:29:28.960 --> 0:29:31.440
<v Speaker 3>here out West, you know, there's I worked with the

0:29:31.560 --> 0:29:35.360
<v Speaker 3>Chinese group and Indian mob, you know, and there were

0:29:35.400 --> 0:29:38.520
<v Speaker 3>some great actors in there. So I'm always where I

0:29:38.520 --> 0:29:41.040
<v Speaker 3>can I push people to the front. I said, never

0:29:41.080 --> 0:29:43.080
<v Speaker 3>mind if they need to be blonde hair, blue eye,

0:29:43.120 --> 0:29:45.160
<v Speaker 3>I said, have a look at this. I'm always and

0:29:45.200 --> 0:29:48.120
<v Speaker 3>even when I direct, when i'm directing something, I'll always

0:29:48.120 --> 0:29:50.800
<v Speaker 3>bring a wild card in. And that wild card, for example,

0:29:50.840 --> 0:29:54.480
<v Speaker 3>the fellow who played Robert Push and Tony well, maybe

0:29:54.520 --> 0:29:57.280
<v Speaker 3>he'll listen to this. But when I was looking, I

0:29:57.320 --> 0:29:59.360
<v Speaker 3>was just looking at you know, you get sent the

0:29:59.560 --> 0:30:02.720
<v Speaker 3>casting I ate booklets and photos and then I said,

0:30:02.720 --> 0:30:06.920
<v Speaker 3>okay for my wild card. I picked three. Two of

0:30:06.960 --> 0:30:10.520
<v Speaker 3>them no good. But this one follow come in and

0:30:10.600 --> 0:30:13.240
<v Speaker 3>it was just because of his jaw, just his jawline,

0:30:13.240 --> 0:30:15.080
<v Speaker 3>and I said, I want him to come in. And

0:30:15.120 --> 0:30:16.959
<v Speaker 3>the funny thing is I had moved back to the door,

0:30:17.240 --> 0:30:19.360
<v Speaker 3>and I know Tony. I'd worked with him ten years

0:30:19.400 --> 0:30:22.200
<v Speaker 3>ago on something. He's got a great voice. And when

0:30:22.360 --> 0:30:25.160
<v Speaker 3>he walked in and said miss Purcell, and I went, hey,

0:30:25.200 --> 0:30:27.400
<v Speaker 3>I know that follow's voice, but that doesn't match the faith.

0:30:28.240 --> 0:30:30.080
<v Speaker 3>And then when I turned around, it was Tony and

0:30:30.400 --> 0:30:32.640
<v Speaker 3>he did the audition. You know, if it wasn't for

0:30:32.720 --> 0:30:34.800
<v Speaker 3>his photo looking different from him, I might not have

0:30:34.840 --> 0:30:36.840
<v Speaker 3>got him in because I, oh, yeah, no Tony. But

0:30:36.960 --> 0:30:39.360
<v Speaker 3>he just had this jawline, great photo. I brought him

0:30:39.360 --> 0:30:41.880
<v Speaker 3>in and he did it, and he's and that was

0:30:41.920 --> 0:30:44.000
<v Speaker 3>about you know, I had twenty five years in the

0:30:44.000 --> 0:30:46.840
<v Speaker 3>industry at that stage, and I hadn't had goosebumps from

0:30:46.840 --> 0:30:49.200
<v Speaker 3>an audition. No one had moved me that much in

0:30:49.240 --> 0:30:50.040
<v Speaker 3>about twenty years.

0:30:50.200 --> 0:30:50.520
<v Speaker 2>Wow.

0:30:50.560 --> 0:30:53.160
<v Speaker 3>And before he literally left the room, he was walking

0:30:53.160 --> 0:30:57.640
<v Speaker 3>across the belvoir upstairs rehearsal area. It's quite a distance

0:30:57.680 --> 0:30:59.840
<v Speaker 3>to the door. I just turned around to everyone and

0:30:59.840 --> 0:31:03.520
<v Speaker 3>I there you go for I'm whispering to you're on

0:31:03.640 --> 0:31:09.360
<v Speaker 3>Radio two. It's yeah, And I just said I haven't.

0:31:09.360 --> 0:31:11.480
<v Speaker 3>I said, look, I've got goosebumps. I have not felt

0:31:11.480 --> 0:31:15.280
<v Speaker 3>that in twenty years. And he got the role of

0:31:15.600 --> 0:31:16.920
<v Speaker 3>one of the stockmen.

0:31:17.200 --> 0:31:18.760
<v Speaker 2>I love this well. The reason I bring it up

0:31:18.840 --> 0:31:21.280
<v Speaker 2>is because I'm going to take you back a long time.

0:31:21.360 --> 0:31:23.880
<v Speaker 2>But you auditioned me for something. Oh no, it was

0:31:23.880 --> 0:31:27.040
<v Speaker 2>I nice, you were you were, but I was a kid.

0:31:27.760 --> 0:31:30.240
<v Speaker 2>Oh so I'm going back to when I was fifteen

0:31:30.320 --> 0:31:32.560
<v Speaker 2>years old. Yeah, and I came in and I was

0:31:32.600 --> 0:31:35.800
<v Speaker 2>auditioning for Redfern. Now it was the callbacks. Yeah, And

0:31:35.840 --> 0:31:38.440
<v Speaker 2>I came in in school uniform and it was me

0:31:38.760 --> 0:31:40.600
<v Speaker 2>and with Shannie McDermott.

0:31:42.320 --> 0:31:42.680
<v Speaker 3>Yeah.

0:31:42.760 --> 0:31:47.440
<v Speaker 2>And so it was in some audition room in Surrey Hills. Yeah. Yeah,

0:31:47.440 --> 0:31:51.160
<v Speaker 2>And I came in and obviously knowing of you, I

0:31:51.280 --> 0:31:53.840
<v Speaker 2>was so intimidated. It was bloody leoposel. I had no

0:31:53.920 --> 0:31:56.920
<v Speaker 2>idea that you were going to be in the audition room.

0:31:57.320 --> 0:31:59.440
<v Speaker 2>And it was such a good learning experience for me.

0:31:59.560 --> 0:32:02.000
<v Speaker 2>But you pushed me Like I was a young kid

0:32:02.040 --> 0:32:03.720
<v Speaker 2>and this is one of my first auditions. But I

0:32:03.760 --> 0:32:06.160
<v Speaker 2>remember you pushing me and it was a tough scene.

0:32:06.200 --> 0:32:08.600
<v Speaker 2>It was like it was a scene where I had

0:32:08.640 --> 0:32:13.160
<v Speaker 2>to be quite like aggressive with Charnie. And I was like,

0:32:13.960 --> 0:32:16.760
<v Speaker 2>after all these years, obviously like now connecting with you,

0:32:16.920 --> 0:32:19.040
<v Speaker 2>I'm like, oh gee, that That was such a moment

0:32:19.080 --> 0:32:20.680
<v Speaker 2>for me because I remember I got I got two

0:32:20.680 --> 0:32:23.720
<v Speaker 2>callbacks for Redford. Now, yeah, and at the last one

0:32:23.720 --> 0:32:27.000
<v Speaker 2>you were there. Yeah. It's just a bit of a

0:32:27.040 --> 0:32:28.000
<v Speaker 2>full circle moment.

0:32:28.200 --> 0:32:30.240
<v Speaker 3>Absolutely. I'm glad I pushed it because I do. I

0:32:30.280 --> 0:32:32.720
<v Speaker 3>do push people. But one of the things I say

0:32:32.720 --> 0:32:34.600
<v Speaker 3>to everyone that comes in, I want you to win this.

0:32:35.480 --> 0:32:37.680
<v Speaker 3>I said, so don't hold nothing back. And no one's

0:32:37.720 --> 0:32:39.280
<v Speaker 3>ever said that to me when I walked into it,

0:32:40.280 --> 0:32:42.880
<v Speaker 3>but it was it was something that Russell Crowe said

0:32:43.320 --> 0:32:45.880
<v Speaker 3>once where he goes, I do what they ask and

0:32:45.920 --> 0:32:48.040
<v Speaker 3>then I asked them to let me do one take that.

0:32:48.080 --> 0:32:49.480
<v Speaker 3>I how I see it.

0:32:49.600 --> 0:32:50.160
<v Speaker 2>I love that.

0:32:50.320 --> 0:32:52.960
<v Speaker 3>So that's what I That's what I do. I walked in.

0:32:53.040 --> 0:32:55.440
<v Speaker 3>I went, that's such a good thing because and that's

0:32:55.440 --> 0:32:57.239
<v Speaker 3>why I asked someone. I said, do you want me

0:32:57.320 --> 0:33:00.720
<v Speaker 3>to direct you and first and give you my interpretation,

0:33:01.280 --> 0:33:03.400
<v Speaker 3>or would you like to show me what you've prepared

0:33:03.840 --> 0:33:05.560
<v Speaker 3>and or But now I just go show me what

0:33:05.560 --> 0:33:07.520
<v Speaker 3>you prepare because you might have a better idea of

0:33:07.520 --> 0:33:10.080
<v Speaker 3>what this role is about, you know, And it makes

0:33:10.120 --> 0:33:13.800
<v Speaker 3>them feel so comfortable. And I said, there's no wrong here, mate,

0:33:14.120 --> 0:33:17.680
<v Speaker 3>I said, it's about just diving in and doing your best.

0:33:17.720 --> 0:33:19.320
<v Speaker 3>And I say to people, do not walk out of

0:33:19.320 --> 0:33:22.200
<v Speaker 3>this room if there's one more take in you really,

0:33:22.560 --> 0:33:26.080
<v Speaker 3>because that might be the one that wins you over.

0:33:26.600 --> 0:33:28.160
<v Speaker 3>And a lot of actors have come up and said,

0:33:28.520 --> 0:33:30.040
<v Speaker 3>no one's ever said that to me before, and I

0:33:30.120 --> 0:33:33.760
<v Speaker 3>felt that I could be myself in that situation.

0:33:33.960 --> 0:33:37.360
<v Speaker 2>Yeah, well, what a beautiful way to wrap this yard up.

0:33:37.480 --> 0:33:40.520
<v Speaker 3>We could talk all day, talk all day to start.

0:33:40.720 --> 0:33:42.640
<v Speaker 2>I know, it's like one of those things where you

0:33:42.720 --> 0:33:44.520
<v Speaker 2>have so much to give, and I feel like you've

0:33:44.520 --> 0:33:47.840
<v Speaker 2>given the industry and especially First Nations Mob so much.

0:33:48.440 --> 0:33:50.320
<v Speaker 2>So thank you for what you've done and what you

0:33:50.360 --> 0:33:52.280
<v Speaker 2>continue to do. I think that, like if you look

0:33:52.320 --> 0:33:55.360
<v Speaker 2>at someone's legacy, it's quite profound what you've done in

0:33:55.400 --> 0:33:58.040
<v Speaker 2>the industry. So thank you so much for everything you've done.

0:33:58.080 --> 0:33:59.720
<v Speaker 2>Thank you so much for being on our pot today.

0:34:01.120 --> 0:34:03.600
<v Speaker 2>I'd have to say Brooke before she met you the

0:34:03.640 --> 0:34:06.240
<v Speaker 2>other day at ABC, she was real big fan girl.

0:34:09.560 --> 0:34:12.359
<v Speaker 1>Well, Leah, I don't want to say girl, but yeah,

0:34:12.400 --> 0:34:16.960
<v Speaker 1>you are probably one of my biggest inspirations because I'm

0:34:17.000 --> 0:34:21.320
<v Speaker 1>not I'm early in my acting career. Obviously, my journey

0:34:21.360 --> 0:34:24.920
<v Speaker 1>has been reality TV which it's been very, very different,

0:34:25.920 --> 0:34:28.799
<v Speaker 1>so learning the craft have been. You know, I didn't

0:34:28.800 --> 0:34:30.600
<v Speaker 1>have many people to look up to, and I think

0:34:30.640 --> 0:34:33.240
<v Speaker 1>you're one of them. Because I enjoy the writing aspect,

0:34:33.400 --> 0:34:35.799
<v Speaker 1>I like really enjoyed directing as well, and I think

0:34:36.440 --> 0:34:39.279
<v Speaker 1>you inspire me that you can have it all, but

0:34:39.360 --> 0:34:41.279
<v Speaker 1>you can do it all, but you can, you know,

0:34:41.360 --> 0:34:44.319
<v Speaker 1>do it with such grace as well. And I just

0:34:44.400 --> 0:34:46.280
<v Speaker 1>I don't know, I don't want to get too sentimental,

0:34:46.320 --> 0:34:48.680
<v Speaker 1>but you are probably one of my my idols in

0:34:48.719 --> 0:34:51.520
<v Speaker 1>this industry. And I'm actually just so grateful that you

0:34:51.560 --> 0:34:54.120
<v Speaker 1>came on and said yes to doing the podcast for us.

0:34:54.200 --> 0:34:57.680
<v Speaker 1>It means so much to us, to my pleasure.

0:34:57.680 --> 0:34:59.960
<v Speaker 2>You should have said for me to do my job right,

0:35:00.040 --> 0:35:01.400
<v Speaker 2>I'm going to tell you one thing.

0:35:04.800 --> 0:35:06.960
<v Speaker 1>I felt like I'm not even hosting. I just was

0:35:07.120 --> 0:35:09.560
<v Speaker 1>like a fly on the But it was the best

0:35:09.560 --> 0:35:12.879
<v Speaker 1>because I think either I know that the audience are

0:35:12.880 --> 0:35:16.040
<v Speaker 1>going to feel so inspired by this episode, even if

0:35:16.040 --> 0:35:18.840
<v Speaker 1>you're not even in the industry. I think your messaging

0:35:19.680 --> 0:35:24.359
<v Speaker 1>and everything that you say is just so inspirational. But

0:35:24.480 --> 0:35:27.000
<v Speaker 1>I think also like some learnings in there if you

0:35:27.000 --> 0:35:30.080
<v Speaker 1>you know, look at it from that, So thank you

0:35:30.760 --> 0:35:31.560
<v Speaker 1>appreciate it.

0:35:31.800 --> 0:35:33.000
<v Speaker 3>Thank you to you both.

0:35:33.040 --> 0:35:35.160
<v Speaker 2>Fast, let's all we have time for today. Thanks for

0:35:35.200 --> 0:35:37.400
<v Speaker 2>listening to First things first, if you love what you hear,

0:35:37.480 --> 0:35:40.000
<v Speaker 2>leave us a rating and a little review, and.

0:35:39.920 --> 0:35:42.120
<v Speaker 1>If you want us to share anything on the podcast,

0:35:42.200 --> 0:35:44.080
<v Speaker 1>hit us up on the socials. My handle was that

0:35:44.160 --> 0:35:46.760
<v Speaker 1>Brooked up Let and Maddie's is that It's Maddie Miles

0:35:46.840 --> 0:35:49.799
<v Speaker 1>and Leah as Atlea Percel And you can check out

0:35:49.800 --> 0:35:52.360
<v Speaker 1>all the over action that Nova Podcast official. See you

0:35:52.400 --> 0:35:53.720
<v Speaker 1>on the next episode.

0:35:54.000 --> 0:35:56.280
<v Speaker 2>Bye.