1 00:00:00,080 --> 00:00:02,600 Speaker 1: You can catch him in the afternoons with Ricky Lee 2 00:00:02,759 --> 00:00:05,480 Speaker 1: and Tim, or you can catch him on his new tour. 3 00:00:05,840 --> 00:00:08,559 Speaker 1: Thanks for being here tickets through livenation dot com dot 4 00:00:08,600 --> 00:00:10,119 Speaker 1: are you it's our favorite Joe Crazy. 5 00:00:10,400 --> 00:00:15,320 Speaker 2: Oh, good morning, thanks for being here. It sounds like 6 00:00:15,320 --> 00:00:17,959 Speaker 2: I'm passing away. I'm not. I'm just grateful that people 7 00:00:18,000 --> 00:00:18,599 Speaker 2: coming to the show. 8 00:00:18,680 --> 00:00:18,880 Speaker 3: Good. 9 00:00:18,920 --> 00:00:21,040 Speaker 2: Cool, Yeah, yeah cool. I don't know how long is 10 00:00:21,079 --> 00:00:21,480 Speaker 2: your show? 11 00:00:21,680 --> 00:00:23,720 Speaker 4: Thanks for being He does sound a bit like he's 12 00:00:23,720 --> 00:00:24,279 Speaker 4: staying good. 13 00:00:24,239 --> 00:00:26,680 Speaker 2: Right, Yeah, my show goes to sixty minutes. But I 14 00:00:26,720 --> 00:00:30,640 Speaker 2: have a thing instance up we call sticky feet, so 15 00:00:30,880 --> 00:00:32,680 Speaker 2: I like, I like to do ninety minutes. 16 00:00:32,680 --> 00:00:34,320 Speaker 4: It's sticky feet. 17 00:00:34,920 --> 00:00:36,480 Speaker 2: Get off the stage. Yeah. 18 00:00:36,479 --> 00:00:37,720 Speaker 4: Do they play the music. 19 00:00:37,760 --> 00:00:40,279 Speaker 2: Melbourne Comedy Festival because there's other shows after you. They 20 00:00:40,280 --> 00:00:42,240 Speaker 2: get a little bit strict. Lloyd Langford was getting I 21 00:00:42,280 --> 00:00:43,400 Speaker 2: think a bit me. 22 00:00:43,640 --> 00:00:44,239 Speaker 4: It's stoppy. 23 00:00:44,440 --> 00:00:46,720 Speaker 2: Yeah, fair enough. Don't they usually have like a light 24 00:00:46,760 --> 00:00:51,400 Speaker 2: they flash comedy clubs? Yeah, yes, they dot off like yeah, yeah, 25 00:00:51,400 --> 00:00:52,159 Speaker 2: you're as time. 26 00:00:52,240 --> 00:00:55,320 Speaker 3: When you make a speech, wish we heard we do? 27 00:00:55,680 --> 00:00:58,480 Speaker 3: Jase just winds us up and turns our microphones off. 28 00:00:59,040 --> 00:01:01,800 Speaker 2: He's impressive. He came in fielding on going to ask. 29 00:01:01,600 --> 00:01:03,760 Speaker 4: How did he go? He did do a day with 30 00:01:03,840 --> 00:01:04,280 Speaker 4: you guys. 31 00:01:04,280 --> 00:01:07,040 Speaker 2: It was wonderful, It was lovely, the truth. What do 32 00:01:07,080 --> 00:01:08,679 Speaker 2: you think he was in the studio with me and 33 00:01:08,720 --> 00:01:12,160 Speaker 2: I very rarely have company. And also look, I'm normally 34 00:01:12,200 --> 00:01:15,640 Speaker 2: behind the panel, you know, because I know every button 35 00:01:15,680 --> 00:01:19,039 Speaker 2: means it's just better lighting here, it's better lighting. Yeah, 36 00:01:19,280 --> 00:01:22,240 Speaker 2: it doesn't know you bro brutally. Oh my god, it's 37 00:01:22,240 --> 00:01:24,280 Speaker 2: brutal in here. I love that. You should mention the 38 00:01:24,319 --> 00:01:27,200 Speaker 2: studio girl, Yes, oh my god, this bloody studio. I 39 00:01:27,240 --> 00:01:29,720 Speaker 2: heard you guys talking about it on the way in 40 00:01:29,880 --> 00:01:33,520 Speaker 2: some scintillating radio when where don't they talk about. 41 00:01:34,760 --> 00:01:37,800 Speaker 1: Big topic mentioned once or twice that because we share 42 00:01:37,840 --> 00:01:41,679 Speaker 1: a studio with Joel for drive, this has come up. 43 00:01:42,080 --> 00:01:44,080 Speaker 3: So this studio, you hear me when you battle the times, 44 00:01:44,200 --> 00:01:45,880 Speaker 3: the windows are so dark. I wouldn't know if it 45 00:01:45,920 --> 00:01:48,000 Speaker 3: was daytime all night time out bet feel that. 46 00:01:48,480 --> 00:01:54,040 Speaker 2: This cloud around today? It looks dark out there. 47 00:01:54,440 --> 00:01:55,200 Speaker 3: No, it's the tint. 48 00:01:55,400 --> 00:02:00,240 Speaker 1: It's funny squint because of the tin imagine and on 49 00:02:00,240 --> 00:02:01,960 Speaker 1: the other side of that darker legal tint on the 50 00:02:01,960 --> 00:02:07,240 Speaker 1: studio glass, it's beautiful. 51 00:02:10,840 --> 00:02:14,200 Speaker 3: You are ridiculous, So Basically we are new here at Nova. 52 00:02:15,240 --> 00:02:19,160 Speaker 3: Were welcome year, I know, but we an't leave it. 53 00:02:19,880 --> 00:02:22,720 Speaker 3: And this beautiful, brand new studio that we're in has 54 00:02:22,760 --> 00:02:24,680 Speaker 3: these very very dark tintviews. 55 00:02:24,440 --> 00:02:25,880 Speaker 2: It's not that dark. 56 00:02:27,360 --> 00:02:29,920 Speaker 3: Coming in the mornings and it's like pitch black and 57 00:02:29,919 --> 00:02:32,560 Speaker 3: we're meant to be telling Melbourne, Wow, it's a beautiful 58 00:02:32,600 --> 00:02:34,080 Speaker 3: day out there, and we just go, well, we don't. 59 00:02:33,919 --> 00:02:37,840 Speaker 2: Know, no, not not a second. 60 00:02:38,000 --> 00:02:42,760 Speaker 4: So but was it you that was you? 61 00:02:43,160 --> 00:02:45,799 Speaker 2: A little bit? Yeah, it wasn't me that demanded the 62 00:02:45,840 --> 00:02:47,880 Speaker 2: tin yet, well it was let's say man, and when 63 00:02:47,880 --> 00:02:50,239 Speaker 2: you reach the dizzy heights of National Drive, you will 64 00:02:50,280 --> 00:02:53,679 Speaker 2: be grateful that I've had their tint applied. Tim and 65 00:02:53,760 --> 00:02:55,240 Speaker 2: Ricky used to find it very hard to look at 66 00:02:55,280 --> 00:02:58,800 Speaker 2: me because I'm based. I'm very pale, right, and the 67 00:02:58,840 --> 00:03:00,239 Speaker 2: sun would come in and it was like like a 68 00:03:00,400 --> 00:03:03,560 Speaker 2: lighthouse ships are crossing. So what you're saying is you 69 00:03:03,600 --> 00:03:07,280 Speaker 2: didn't request the tints. It was black. Oh well I 70 00:03:07,280 --> 00:03:09,160 Speaker 2: think it might have been blacks because they. 71 00:03:09,040 --> 00:03:11,440 Speaker 3: Couldn't look at you because the sun was on. I 72 00:03:11,480 --> 00:03:13,320 Speaker 3: was like, Edward, come, I thought you would love that. 73 00:03:13,400 --> 00:03:22,360 Speaker 2: Like, is going. 74 00:03:23,680 --> 00:03:28,840 Speaker 3: Tim blackwell to me? Are you the landlord here? Because 75 00:03:28,840 --> 00:03:30,840 Speaker 3: I've got a complaint about the tint on the window. 76 00:03:30,840 --> 00:03:34,480 Speaker 2: Take it down, Blacks, who wants you want to take 77 00:03:34,520 --> 00:03:34,880 Speaker 2: it down? 78 00:03:36,240 --> 00:03:37,200 Speaker 4: Take the tint off? 79 00:03:38,880 --> 00:03:40,200 Speaker 3: You up? 80 00:03:40,880 --> 00:03:43,360 Speaker 4: No, because in the mornings we sit in the dark. 81 00:03:43,200 --> 00:03:46,480 Speaker 3: Cave, little past. 82 00:03:52,920 --> 00:03:56,640 Speaker 2: Inside him. I'm delicious, dunk. 83 00:03:56,800 --> 00:03:58,560 Speaker 3: But you know why he's so pale because there's no 84 00:03:58,640 --> 00:03:59,880 Speaker 3: sun coming through the windows. 85 00:04:00,040 --> 00:04:02,080 Speaker 4: Give him some vitamin D. He needs some. 86 00:04:03,920 --> 00:04:07,800 Speaker 2: Windows because you're in Melbourne. Guy. 87 00:04:08,720 --> 00:04:11,200 Speaker 3: Yes, on the rare occasion that the sun comes up, 88 00:04:11,440 --> 00:04:13,160 Speaker 3: let us just get a little bit of joy. 89 00:04:13,320 --> 00:04:18,080 Speaker 1: Have we looked into blinds? Yeah, I'm the blind factory 90 00:04:18,200 --> 00:04:24,279 Speaker 1: Winston very good, nice plantation shut in there. 91 00:04:25,800 --> 00:04:26,479 Speaker 4: That would be not. 92 00:04:28,520 --> 00:04:30,240 Speaker 1: Metal Street, very Hampden. 93 00:04:30,839 --> 00:04:33,039 Speaker 4: That sounds like you agree with the fact we can 94 00:04:33,040 --> 00:04:35,560 Speaker 4: get taken off. Wind him up quick, don't thank you. 95 00:04:36,200 --> 00:04:37,880 Speaker 2: I'll see later for our big radio shift. 96 00:04:41,760 --> 00:04:44,560 Speaker 4: And that sounds like he said, you're. 97 00:04:44,400 --> 00:04:46,800 Speaker 2: Not getting you're not getting the tint. I'm going to 98 00:04:46,839 --> 00:04:48,920 Speaker 2: go around here. You just want to use this studio too. 99 00:04:48,960 --> 00:04:51,520 Speaker 3: And wants the tint off. I'm getting a porthole put 100 00:04:51,520 --> 00:04:53,159 Speaker 3: in cut out? 101 00:04:56,279 --> 00:04:58,080 Speaker 1: Can I also what the tint? 102 00:04:58,760 --> 00:05:00,720 Speaker 2: Yes, Christy and I are in here afternoons, you know, 103 00:05:00,760 --> 00:05:01,840 Speaker 2: and you know, we have to talk to. 104 00:05:02,120 --> 00:05:05,719 Speaker 1: What of your people before we keep flogging the national 105 00:05:05,720 --> 00:05:07,560 Speaker 1: car two hours. 106 00:05:09,920 --> 00:05:11,080 Speaker 2: I was like, is that it? 107 00:05:11,160 --> 00:05:13,240 Speaker 1: We are done? And Joe was like, yeah, we've done. 108 00:05:14,560 --> 00:05:15,640 Speaker 4: To get put on the afternoon. 109 00:05:16,800 --> 00:05:17,040 Speaker 1: Yeah. 110 00:05:17,240 --> 00:05:20,680 Speaker 2: Well, you know we've had a lot of co hosts. 111 00:05:21,120 --> 00:05:23,000 Speaker 1: I know, when I was hosting the show, I looked up, 112 00:05:23,240 --> 00:05:24,960 Speaker 1: you know, some stuff under the drive folder and I 113 00:05:24,960 --> 00:05:26,160 Speaker 1: was like, there was a lot of names here. 114 00:05:28,000 --> 00:05:30,000 Speaker 2: Well, I think we've got to answer. 115 00:05:30,120 --> 00:05:31,080 Speaker 4: Yeah, the must go. 116 00:05:31,839 --> 00:05:37,640 Speaker 2: When absolutely came down, yes, good luck, good luck. I'm 117 00:05:37,640 --> 00:05:40,800 Speaker 2: not going to leave. I'm gonna stay here till four moving. 118 00:05:41,400 --> 00:05:42,680 Speaker 4: You can stay for the rest of the show. We're 119 00:05:42,720 --> 00:05:43,919 Speaker 4: only what half now late today. 120 00:05:44,400 --> 00:05:46,719 Speaker 1: I know you actually came in to talk about the show. 121 00:05:47,600 --> 00:05:49,640 Speaker 2: It's comes to my stand up. So I mean, I'm 122 00:05:49,640 --> 00:05:51,200 Speaker 2: sure you have me in any time because in such 123 00:05:51,560 --> 00:05:54,240 Speaker 2: radio good questions. 124 00:05:57,680 --> 00:05:58,120 Speaker 3: Do you know what? 125 00:05:58,240 --> 00:06:01,160 Speaker 2: Just get tickets at Live Nation up? About you check 126 00:06:01,160 --> 00:06:01,440 Speaker 2: it out? 127 00:06:01,440 --> 00:06:01,640 Speaker 3: To me? 128 00:06:02,040 --> 00:06:02,560 Speaker 4: Is it is? 129 00:06:02,600 --> 00:06:03,320 Speaker 3: It? Is? It? 130 00:06:03,360 --> 00:06:03,560 Speaker 1: Is it? 131 00:06:03,600 --> 00:06:03,920 Speaker 2: This year? 132 00:06:03,960 --> 00:06:04,240 Speaker 3: On next? 133 00:06:04,480 --> 00:06:08,800 Speaker 2: Next year? This is done. It's almost it is almost 134 00:06:08,800 --> 00:06:11,200 Speaker 2: that time of you don't you dare I want to present? 135 00:06:12,440 --> 00:06:14,240 Speaker 2: Oh yeah, I'm a great stocking stuff up. 136 00:06:14,279 --> 00:06:17,880 Speaker 1: That's what Joe Press you to thanks for being here, 137 00:06:17,920 --> 00:06:19,920 Speaker 1: tickets to Live nation dot com dot are you? 138 00:06:20,040 --> 00:06:20,400 Speaker 3: We love you? 139 00:06:20,480 --> 00:06:23,720 Speaker 2: Joel no way, So I do you discount off mates? 140 00:06:23,800 --> 00:06:23,920 Speaker 3: Right? 141 00:06:24,440 --> 00:06:27,039 Speaker 2: Great? Yeah we must go. 142 00:06:27,160 --> 00:06:28,000 Speaker 4: Of course we'll be going. 143 00:06:28,120 --> 00:06:30,280 Speaker 3: It is just be going, so he forgives us when 144 00:06:30,320 --> 00:06:39,000 Speaker 3: we want to down. Lauren wake up feeling good on 145 00:06:39,200 --> 00:06:44,480 Speaker 3: number one hundred l on socials