1 00:00:00,240 --> 00:00:03,120 Speaker 1: This is the Fits In with Kate Richie podcast. 2 00:00:03,320 --> 00:00:04,360 Speaker 2: Tell Us Swift canceled. 3 00:00:04,400 --> 00:00:07,640 Speaker 3: We didn't have confirmation this was about the Blake Lively 4 00:00:08,039 --> 00:00:11,880 Speaker 3: saga that continues, but we do now Carich is completely 5 00:00:11,920 --> 00:00:12,520 Speaker 3: across this. 6 00:00:14,680 --> 00:00:20,880 Speaker 4: I'm trying to be because it's somewhat exciting when text 7 00:00:20,960 --> 00:00:24,040 Speaker 4: messages have been what they're calling unsealed. 8 00:00:24,480 --> 00:00:26,360 Speaker 3: Is it because you feel like you're looking in, you're 9 00:00:26,360 --> 00:00:28,040 Speaker 3: a fly on the wall and you're seeing something you're 10 00:00:28,080 --> 00:00:29,159 Speaker 3: not meant to be privy to. 11 00:00:29,320 --> 00:00:33,720 Speaker 1: Well, it's a bit voyeuristic. And let's be honest. If 12 00:00:33,760 --> 00:00:35,640 Speaker 1: somebody had access. 13 00:00:35,280 --> 00:00:38,000 Speaker 4: To the text messages that were sent between you as 14 00:00:38,200 --> 00:00:44,599 Speaker 4: friend or a manager, well, oh my goodness, scandalous. I mean, 15 00:00:44,640 --> 00:00:46,560 Speaker 4: I think we all all need to have the rule 16 00:00:46,600 --> 00:00:47,960 Speaker 4: that if you don't want to read it on the 17 00:00:47,960 --> 00:00:49,920 Speaker 4: front of the Daily Telly, you do not put it 18 00:00:49,960 --> 00:00:50,480 Speaker 4: in a text. 19 00:00:50,960 --> 00:00:54,840 Speaker 2: You sho stop saying I bought another tee tail on. 20 00:00:54,880 --> 00:00:59,240 Speaker 1: The amount of times you slag off team members Kate broadcast. 21 00:00:58,880 --> 00:01:01,760 Speaker 4: It's only my life life was as exciting in this 22 00:01:02,040 --> 00:01:05,360 Speaker 4: as this. Now, of course, we know that Blake Lively 23 00:01:05,800 --> 00:01:10,800 Speaker 4: was co writing and producing and starring in what was 24 00:01:10,840 --> 00:01:11,160 Speaker 4: the show? 25 00:01:12,120 --> 00:01:14,440 Speaker 1: It ends with us with Justin Baldoni. 26 00:01:14,640 --> 00:01:15,560 Speaker 2: That's where the trouble was. 27 00:01:15,840 --> 00:01:18,920 Speaker 4: This is where the trouble has been, the relationship between them. 28 00:01:19,080 --> 00:01:22,080 Speaker 4: I think they had a lot of creative differences, and 29 00:01:22,120 --> 00:01:25,600 Speaker 4: I think in the end, I mean they they wouldn't 30 00:01:25,880 --> 00:01:27,440 Speaker 4: on each other if they were on fire. 31 00:01:28,600 --> 00:01:29,880 Speaker 2: Let's hope they never catch up. 32 00:01:29,959 --> 00:01:31,240 Speaker 1: Can I wish to test it out? 33 00:01:31,280 --> 00:01:33,720 Speaker 4: I could think of something much more lady like, but 34 00:01:33,760 --> 00:01:37,040 Speaker 4: that was as extreme as I really think it's getting. 35 00:01:37,640 --> 00:01:41,200 Speaker 4: Now the canceled song came to light and the talk 36 00:01:41,240 --> 00:01:45,280 Speaker 4: about a tirely a tiny violin, and everyone. 37 00:01:44,959 --> 00:01:47,920 Speaker 1: Was wondering who the song was about. Is it about Blake? Lively? 38 00:01:48,400 --> 00:01:52,600 Speaker 1: Blake and Taylor even friends anymore the time, and. 39 00:01:52,520 --> 00:01:55,160 Speaker 4: There has been a bit of a dispute that Blake 40 00:01:56,160 --> 00:01:58,680 Speaker 4: unfairly called in big. 41 00:01:58,520 --> 00:02:02,520 Speaker 1: Guns to support it ends with us with Justin. 42 00:02:02,840 --> 00:02:05,760 Speaker 4: You know she was texting. It wasn't only Taylor, it 43 00:02:05,800 --> 00:02:07,240 Speaker 4: was the Damons. 44 00:02:06,720 --> 00:02:08,640 Speaker 2: And all the celebrity friends. 45 00:02:08,760 --> 00:02:08,959 Speaker 1: Yeah. 46 00:02:09,000 --> 00:02:12,520 Speaker 4: Please please, if you speak to Justin or you have 47 00:02:12,600 --> 00:02:15,520 Speaker 4: the opportunity, please support this project because it means a 48 00:02:15,520 --> 00:02:20,919 Speaker 4: lot to me. Right, So there are some great yes, 49 00:02:20,960 --> 00:02:23,840 Speaker 4: of course, there is the line about you know this 50 00:02:23,840 --> 00:02:28,960 Speaker 4: this she calls him a bitch, but he's brought a 51 00:02:29,000 --> 00:02:32,520 Speaker 4: tiny violin, although so obviously he's carrying on about not 52 00:02:32,639 --> 00:02:36,640 Speaker 4: much at all. But I think what is most interesting 53 00:02:36,880 --> 00:02:41,880 Speaker 4: are the texts between Blake and Taylor, which I guess 54 00:02:42,040 --> 00:02:44,160 Speaker 4: kind of shed a little bit of light on the 55 00:02:44,200 --> 00:02:46,680 Speaker 4: fact that everyone was talking about whether Blake and Taylor 56 00:02:46,720 --> 00:02:48,920 Speaker 4: were even Can I I may have missed something here 57 00:02:49,040 --> 00:02:50,919 Speaker 4: and maybe I'm not explaining it. 58 00:02:51,440 --> 00:02:53,799 Speaker 1: Can you tell me excited. 59 00:02:53,400 --> 00:02:56,080 Speaker 3: That anybody listening who doesn't understand? And maybe I can't 60 00:02:56,120 --> 00:02:59,280 Speaker 3: comprehend what's Taylor got to do with the film. 61 00:02:59,560 --> 00:03:01,680 Speaker 4: She does, don't have anything to do with the film 62 00:03:02,120 --> 00:03:06,480 Speaker 4: except that she's Blake Lively's very good friend supporting role 63 00:03:06,560 --> 00:03:10,760 Speaker 4: and whether whether you like it or not, Taylor Swift 64 00:03:11,520 --> 00:03:14,639 Speaker 4: has pull and creative integrity. 65 00:03:15,160 --> 00:03:16,760 Speaker 1: And by the sounds. 66 00:03:16,400 --> 00:03:19,880 Speaker 4: Of these texts, I get the feeling that Blake thinks 67 00:03:19,919 --> 00:03:22,800 Speaker 4: that Justin is the kind of guy who would be 68 00:03:22,960 --> 00:03:26,880 Speaker 4: swayed by other famous people in his pocket. 69 00:03:27,680 --> 00:03:28,520 Speaker 1: Do you know what I mean? 70 00:03:28,840 --> 00:03:32,040 Speaker 4: You know, saying that you're amazing? Just have a listen 71 00:03:32,080 --> 00:03:33,800 Speaker 4: to this. I know they're kind of long, but it is. 72 00:03:34,120 --> 00:03:37,640 Speaker 4: It gives an indication of how Taylor Swift even texts 73 00:03:38,760 --> 00:03:43,480 Speaker 4: back and forth, so apparently this is Blake Lively and 74 00:03:43,520 --> 00:03:46,000 Speaker 4: she says to Taylor, Hey, I'm just checking in. I 75 00:03:46,040 --> 00:03:47,800 Speaker 4: have no reason to ask, but I don't know. I've 76 00:03:47,840 --> 00:03:49,840 Speaker 4: been feeling like I should. Is everything okay? 77 00:03:50,560 --> 00:03:51,640 Speaker 1: I felt like a bad. 78 00:03:51,480 --> 00:03:54,320 Speaker 4: Friend lately because I was such a sad sack who 79 00:03:54,320 --> 00:03:58,040 Speaker 4: only talked about my own for months. You were generous 80 00:03:58,120 --> 00:04:01,000 Speaker 4: to not only be the key person for me during 81 00:04:01,120 --> 00:04:03,040 Speaker 4: all of it, but also to let me off the 82 00:04:03,040 --> 00:04:06,040 Speaker 4: hook for being so in it. But I still have 83 00:04:06,160 --> 00:04:09,080 Speaker 4: a feeling something may not be right. I told Ryan 84 00:04:09,160 --> 00:04:13,200 Speaker 4: that's Ryan Reynolds, the husband of Blake. He said, to 85 00:04:13,240 --> 00:04:16,280 Speaker 4: just ask you makes makes complete sense, but I felt 86 00:04:16,320 --> 00:04:19,039 Speaker 4: so stupid and like it sounded needy and awkward for everyone, 87 00:04:19,160 --> 00:04:22,400 Speaker 4: especially because I can't explain why I have this feeling. 88 00:04:22,920 --> 00:04:25,600 Speaker 4: And you know I have toxic masculinity, so I can 89 00:04:25,680 --> 00:04:28,679 Speaker 4: be needy. You know that was a joke, But also 90 00:04:28,760 --> 00:04:31,000 Speaker 4: I do want to know everything is good, so I'm asking. 91 00:04:31,120 --> 00:04:34,280 Speaker 4: I always want the opportunity to be a better friend 92 00:04:34,839 --> 00:04:38,520 Speaker 4: if there's something I unintentionally did. I know how busy 93 00:04:38,520 --> 00:04:43,040 Speaker 4: and text you are physically, emotionally practically, so I don't 94 00:04:43,040 --> 00:04:45,480 Speaker 4: expect any more from you, ever, I just want to make. 95 00:04:45,400 --> 00:04:47,599 Speaker 1: Sure it's all good. That text is from Blake. 96 00:04:48,320 --> 00:04:50,120 Speaker 2: That's a weak message. 97 00:04:50,279 --> 00:04:51,360 Speaker 1: Well that's like a wow. 98 00:04:51,440 --> 00:04:53,520 Speaker 4: They've sat down in bed at night and written this 99 00:04:53,720 --> 00:04:57,880 Speaker 4: over hours. She's conferred with Ryan, should I send it? 100 00:04:57,920 --> 00:04:58,719 Speaker 1: What should I do? 101 00:04:58,920 --> 00:04:59,800 Speaker 2: You would agree with me? 102 00:05:00,160 --> 00:05:03,599 Speaker 3: That's her own guilt, and she knows exactly what she's done, 103 00:05:04,279 --> 00:05:07,680 Speaker 3: and she's waiting for Taylor to suggest nothing's wrong or 104 00:05:07,720 --> 00:05:09,720 Speaker 3: bring it up so she doesn't have to. It's like 105 00:05:09,800 --> 00:05:12,359 Speaker 3: getting someone else to dump you before you dump that. 106 00:05:12,480 --> 00:05:13,680 Speaker 1: Well, I don't know. Well, I don't know if it's 107 00:05:13,720 --> 00:05:14,279 Speaker 1: that complex. 108 00:05:14,320 --> 00:05:19,200 Speaker 4: But interestingly enough, Taylor, which I love about her, is 109 00:05:19,839 --> 00:05:21,920 Speaker 4: she doesn't back down on it. She said, yeah, there 110 00:05:23,200 --> 00:05:26,440 Speaker 4: has been stuff going on, and you have been weird. 111 00:05:26,480 --> 00:05:30,760 Speaker 4: So this is Taylor's response. These texts are now in court. No, 112 00:05:30,920 --> 00:05:33,200 Speaker 4: you're not wrong, But it's also not a big deal. 113 00:05:33,400 --> 00:05:36,640 Speaker 4: I think I'm just exhausted in every avenue of my life, 114 00:05:36,720 --> 00:05:39,640 Speaker 4: and in recent months had been feeling a little bit 115 00:05:39,680 --> 00:05:42,640 Speaker 4: of a shift in the way you talk to me. Interesting, Yes, 116 00:05:42,720 --> 00:05:44,839 Speaker 4: there has been a lot of the justin stuff, but 117 00:05:44,920 --> 00:05:47,040 Speaker 4: I've been through things like this before, and I know 118 00:05:47,080 --> 00:05:50,279 Speaker 4: how all consuming it is. It's more like, and I 119 00:05:50,320 --> 00:05:53,320 Speaker 4: feel really bad saying anything about this because your texts 120 00:05:53,360 --> 00:05:56,560 Speaker 4: have been so nice in their intent, but your last 121 00:05:56,640 --> 00:06:00,640 Speaker 4: few it's felt like I was reading a mass corporate 122 00:06:00,720 --> 00:06:04,640 Speaker 4: email sent to two hundred employees. You said the word 123 00:06:04,720 --> 00:06:07,400 Speaker 4: we like eighteen times. It feels awful to be in 124 00:06:07,440 --> 00:06:09,920 Speaker 4: any way critical of any way you process what you've 125 00:06:09,960 --> 00:06:10,600 Speaker 4: been going through. 126 00:06:10,600 --> 00:06:11,920 Speaker 1: But I just kind of miss. 127 00:06:11,760 --> 00:06:15,960 Speaker 4: My funny, dark, normal speaking friend who talks to me 128 00:06:16,000 --> 00:06:19,080 Speaker 4: as herself, not like a plural unit when it's a 129 00:06:19,120 --> 00:06:22,760 Speaker 4: group I'm hearing from you. I feel distanced from you 130 00:06:22,960 --> 00:06:25,520 Speaker 4: even more than we are geographically now. 131 00:06:25,560 --> 00:06:27,840 Speaker 1: Blake response, I won't go through that. 132 00:06:27,839 --> 00:06:30,080 Speaker 4: One, but she does say she makes a joke and 133 00:06:30,160 --> 00:06:34,440 Speaker 4: actually starts it by saying, dearvalued customer, that's to Taylor, 134 00:06:34,839 --> 00:06:38,039 Speaker 4: thank you for your feedback. Weird Headquarters are reviewing your concerns. 135 00:06:38,040 --> 00:06:40,680 Speaker 4: We'll get back to you in a timely manner. Fat, funny, funny. 136 00:06:40,720 --> 00:06:43,360 Speaker 1: But what Blake then reveals is that. 137 00:06:43,240 --> 00:06:49,920 Speaker 4: She's absolutely paranoid with good merit, that she feels digitally 138 00:06:50,200 --> 00:06:54,640 Speaker 4: exposed because she's worried that everybody is reading these texts. 139 00:06:55,000 --> 00:06:57,360 Speaker 4: They now know one of the big things in court 140 00:06:57,800 --> 00:07:00,719 Speaker 4: is that Blake when Taylor is coming over. One time 141 00:07:01,480 --> 00:07:04,440 Speaker 4: before she arrived, Blake said, look, when you get here, 142 00:07:04,839 --> 00:07:08,560 Speaker 4: this clown director of mine. I'm paraphrasing, he's going to 143 00:07:08,640 --> 00:07:11,720 Speaker 4: be here. Can you just really lay it on, say 144 00:07:11,760 --> 00:07:14,239 Speaker 4: that you've read the amendments I've made to the script. 145 00:07:14,440 --> 00:07:18,200 Speaker 4: Please just say it's great. It's great, It's great. And 146 00:07:18,240 --> 00:07:21,560 Speaker 4: now the argument is that Blake has kind of, you know, 147 00:07:21,880 --> 00:07:27,240 Speaker 4: been unfairly trying to influence the direction of the film, 148 00:07:27,800 --> 00:07:29,720 Speaker 4: and that's where the creative difference is. 149 00:07:29,760 --> 00:07:32,040 Speaker 2: So because. 150 00:07:34,760 --> 00:07:36,720 Speaker 4: I know there was a long one, but it's just 151 00:07:37,040 --> 00:07:41,160 Speaker 4: like there's a lot of information sought. Yeah, and it's 152 00:07:41,160 --> 00:07:43,840 Speaker 4: been unfolding for months. It's such a shame because it 153 00:07:43,880 --> 00:07:47,200 Speaker 4: was a really great film. But I would imagine the 154 00:07:47,200 --> 00:07:49,720 Speaker 4: stress around it and all of the people being dragged 155 00:07:49,720 --> 00:07:50,320 Speaker 4: into her. 156 00:07:51,000 --> 00:07:52,960 Speaker 2: Any funny memes or anything. 157 00:07:52,960 --> 00:07:55,840 Speaker 4: They do use a few emojiss a beam of like 158 00:07:56,000 --> 00:07:58,360 Speaker 4: Laddin or the Jungle Book or something. 159 00:07:58,400 --> 00:08:02,000 Speaker 1: At some point, I mean, that'll be in the podcast era. 160 00:08:02,160 --> 00:08:05,120 Speaker 2: This is my favorite era, what the valued Customer era? 161 00:08:06,200 --> 00:08:08,440 Speaker 1: That text message here texting. 162 00:08:08,680 --> 00:08:12,120 Speaker 4: I love it because it is an insight into two 163 00:08:12,160 --> 00:08:15,560 Speaker 4: of the most well certainly the most famous woman on 164 00:08:15,600 --> 00:08:18,960 Speaker 4: the planet texting her mate. You know, sometimes we have 165 00:08:19,040 --> 00:08:21,520 Speaker 4: issues within friendships and that's how I'm all to each 166 00:08:21,560 --> 00:08:22,520 Speaker 4: other and how they iron it. 167 00:08:22,680 --> 00:08:26,560 Speaker 3: I can't believe how long text messages between females are. 168 00:08:26,680 --> 00:08:28,040 Speaker 3: Is the other thing that I'm blown. 169 00:08:28,000 --> 00:08:30,040 Speaker 2: I with Hey and don't know what about. 170 00:08:30,360 --> 00:08:32,960 Speaker 3: Coming up next will be reading out text messages between 171 00:08:33,040 --> 00:08:34,280 Speaker 3: Kate Ritchie and Beck Hewitt. 172 00:08:34,640 --> 00:08:37,000 Speaker 2: Oh my god, I reckon they're lengthy. 173 00:08:37,559 --> 00:08:40,480 Speaker 3: Sits in Whippa with Kate Ritchie is a Nova podcast 174 00:08:40,880 --> 00:08:41,920 Speaker 3: great shows like this. 175 00:08:42,200 --> 00:08:44,400 Speaker 2: Download the Nova Player by the app 176 00:08:44,400 --> 00:08:46,720 Speaker 1: Store or Google Playing the player