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Speaker 1: This is the fits In with Her with Kate Richie

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Speaker 1: podcast music from.

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Speaker 2: Me, Dude, I mean you take.

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Speaker 3: It away two three?

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Speaker 2: You know you long together.

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Speaker 3: We don't need to do this. We just carry out

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Speaker 3: the same.

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Speaker 2: Mad.

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Speaker 4: It's a very old version written by Mike Paganic. Oh,

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Speaker 4: Mike and the Mechanics back in nineteen eighty seven. Now

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Speaker 4: what is this all about, because, as I said to

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Speaker 4: you before, I don't know if.

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Speaker 3: My mum's happy about this chat.

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Speaker 2: Sorry, Heather.

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Speaker 3: She's worried that people are thinking things that aren't true.

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Speaker 4: And I said, Mum, get used to it.

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Speaker 2: It's been going on for a while.

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Speaker 3: For a while.

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Speaker 2: Hey, I spoke to the team at home in a while.

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Speaker 3: Oh did you hear who did you speak to?

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Speaker 4: Lucy Adario and Darren Adario, my.

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Speaker 2: Friend Julie and Julie and my friend Julie my friend

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Speaker 2: is her first name, last name. Julie spoke to Darren

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Speaker 2: and Julie And it was surprising, to be honest, because

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Speaker 2: I thought the gates would just be open, and it

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Speaker 2: was like for me, start rolling and she'll wander in.

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Speaker 2: They said, we need to know how she would fit

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Speaker 2: into the show, and I said, that makes complete sense.

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Speaker 3: It's a different show.

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Speaker 2: It's called a slate. Now I need to make sure

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Speaker 2: that however you ent the storyline fits in with the

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Speaker 2: existing narrative. I get it, guys, cut the bloody TV talk.

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Speaker 2: I've got Sally Fletcher here ready to go. So they said, okay,

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Speaker 2: if you could put together a scene, then that would

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Speaker 2: be awesome. And I said, hold tight, gimme five guys.

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Speaker 2: I'll get back to you as I p. So I'm

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Speaker 2: the creator of the scene, right well, producing writer, EP,

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Speaker 2: coffee guy, all rounder, other your hair, makeup, wardrobe, what

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Speaker 2: a guy.

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Speaker 3: Please don't do my hair. I'm going up looking like that. Okay, okay,

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Speaker 3: So what is this?

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Speaker 2: Just to remind everybody some of the names that have

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Speaker 2: floated through the old Summer by mister Hemsworth, Melissa George, Guype, Pears,

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Speaker 2: La Fisher, Dannimno Grind, Quanton Tam and Sir Sock Samara

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Speaker 2: Weaving just to few. She's beautiful, isn't she?

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Speaker 3: And talented? Yeah I know.

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Speaker 2: But so what I've done is I'm workshopping a scene

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Speaker 2: at the moment where I will have an ex cast member,

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Speaker 2: William who will come in and play a role in

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Speaker 2: the scene.

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Speaker 3: Is it a two hander.

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Speaker 2: Yeah, that's what we call it. It's a two hand,

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Speaker 2: and we're going to open on a two shot, which

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Speaker 2: means two people in the shop.

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Speaker 3: I would start with a y scene.

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Speaker 4: Yeah, stick with the close up.

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Speaker 3: I mean, it's not up to me, but you know,

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Speaker 3: if you want people to watch.

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Speaker 2: So the opening scene is what I'm thinking, and what

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Speaker 2: we've written is there's like an old combi van and

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Speaker 2: it's got like you know those hired vans, you get

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Speaker 2: juicy trucks whatever they call it. They got like spray

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Speaker 2: paint on them whatever they are.

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Speaker 3: Oh yeah, yeah. They said, is it a juicy van

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Speaker 3: or it is juicy vand.

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Speaker 2: And it says like don't come knock and if you

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Speaker 2: see this van a rocken. So anyway, the establishing shot

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Speaker 2: is the van, the old kombe a comby or like

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Speaker 2: a sad Tomby van. And then it's in the car

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Speaker 2: park down at Palm Beach, Summer Bay.

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Speaker 3: Yeah you're the grassy now.

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Speaker 2: Yeah. Then the door slides open and all you instantly

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Speaker 2: see is a few dream catchers and an old gypsy

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Speaker 2: lady inside.

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Speaker 3: We had we had a is it actually the character gypsy?

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Speaker 2: No? No, no, that was Melissa George wasn't it wasn't

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Speaker 2: she gypsy?

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Speaker 3: No, she played Angel. Kimberly Cooper played Gypsy.

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Speaker 4: We actually had a woman and man that lived in

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Speaker 4: the gypsy van in the caravan park when the FLEs

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Speaker 4: moved there, Foss and Neville.

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Speaker 2: So anyway, all of a sudden a police officer arrives.

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Speaker 3: But who's opened the door?

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Speaker 2: The person inside the gypsy?

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Speaker 3: Who is that?

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Speaker 1: Oh?

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Speaker 2: The gypsy?

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Speaker 3: Is that me?

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Speaker 2: Yeah? So it's like, what's happened to Sally? And Sally's

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Speaker 2: come back as like an incense burning card reading henna

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Speaker 2: tattooed gypsy. It's you.

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Speaker 3: I don't know the idea of this.

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Speaker 4: Sally wouldn't do that, And I know my character better

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Speaker 4: than anyone.

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Speaker 2: Yeah, I'm writing it, and then I think, Tom, you

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Speaker 2: come in and do a boor at no, and then

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Speaker 2: you go the gypsy.

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Speaker 4: You just try it though, like it's the audition. So

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Speaker 4: I go, hey, dudes, and what am I saying?

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Speaker 2: Again? Here's a gypsy?

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Speaker 1: Ah, the gypsies like that. That would fit in perfectly, okay.

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Speaker 2: And then the ex home and away person that I've

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Speaker 2: organized comes in as a police officer.

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Speaker 3: It's a man.

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Speaker 2: Then no, it could be.

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Speaker 4: It could be a woman, but it's a man because

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Speaker 4: the way you're talking about it is so man by Miller.

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Speaker 2: Was a police officer. Yeah she was.

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Speaker 3: We've had a string of hot cops.

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Speaker 2: It doesn't matter what they look like.

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Speaker 3: Well it does in the bay.

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Speaker 2: It might be Pa Miller opening the van door.

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Speaker 3: Oh my goodness. And then do we have it? Do

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Speaker 3: we have a hot love affair and drive away?

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Speaker 2: Yes? Please? Okay, I'm just this is just the first draft.

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Speaker 2: Whop and I both want that. And then so Tom's

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Speaker 2: gone because that the Gypsy lines office got well, and.

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Speaker 3: I look after him like this, who was that guy

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Speaker 3: doing the bor rat in?

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Speaker 2: Personally? This is when we reveal that it's you again,

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Speaker 2: because the police officer goes, hey, you look familiar. Why

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Speaker 2: han't you Sally Fletcher? Okay, and then everyone goes, oh

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Speaker 2: my god, what happened?

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Speaker 3: Sally's gone to seed.

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Speaker 2: And it was like the police officer guys whispers to

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Speaker 2: his mate, it's got a radio. One, he's got a

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Speaker 2: radio and goes have a look at the have a

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Speaker 2: little the gypsy lady over, I ain't going to bloody

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Speaker 2: Sally flirture, mate, She's going to.

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Speaker 3: Dust and what's the point of that? Then does he

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Speaker 3: arrest me? You get to take me down the station.

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Speaker 2: You get out of the van and try and go

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Speaker 2: for a nude swim, and.

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Speaker 3: Then make it halfway down the beach.

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Speaker 2: And then the obvio goes, she's not even wear or anything.

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Speaker 2: Grab the donuts and I'll have a coffee.

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Speaker 3: And who makes the coffee? Does he get the coffee

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Speaker 3: from the kiosks?

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Speaker 2: Yes, yes, so we have a cutaway there we go

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Speaker 2: to the chaosk Anyway, by the time he gets there

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Speaker 2: to get the coffee, everyone's talking about the fact that

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Speaker 2: Sally's returned as a gypsy woman.

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Speaker 3: The sum of a grapevine.

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Speaker 2: Yes, everyone's flying hour She's back, is she? And no

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Speaker 2: one knows? Oh what do you mean, mister Stewart? Yes,

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Speaker 2: who are you talking about?

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Speaker 3: Who's that?

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Speaker 1: Is that?

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Speaker 3: Irene or Leah Leah?

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Speaker 2: And then he goes, I ate a nicodemo and.

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Speaker 4: Then and Marilyn would should run in her stilettos.

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Speaker 2: Well, I'll get down there and have a look. So

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Speaker 2: Rey goes down to the beach.

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Speaker 3: Am, I in the water, you're in the nickky nud

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Speaker 3: in the water?

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Speaker 2: Well she can tell what because you're facing the shore,

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Speaker 2: jumping up and down start and he's gone, oh my.

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Speaker 4: God, she's she's she's not in primary school anymore.

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Speaker 2: And he goes, hasn't she grown up?

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Speaker 3: Yeah? And what do I say?

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Speaker 1: Tom comes in AND's a gypsy woman, and then we

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Speaker 1: all and then we all have a laugh and.

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Speaker 2: Place in ads. Thom sings a song. She's the first draft.

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Speaker 2: First draft. I mean, we're still That's not.

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Speaker 3: What I'm doing. There's no way I'm doing that.

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Speaker 2: We don't know yet.

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Speaker 4: Am I really doing a scene? Have you really got

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Speaker 4: an x X time and away cast member?

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Speaker 2: Just?

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Speaker 4: Did I ever work with them?

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Speaker 2: Yep? Yeah, yes, I just don't want you to catch

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Speaker 2: on to who it is.

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Speaker 1: I can't say anymore. But you're filming later this week

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Speaker 1: where not at the be I can't say.

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Speaker 3: Are we really in a van?

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Speaker 2: She is? Yeah, beautiful, thanks to the juicy. You do

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Speaker 2: the juice and credit don't come a knock and if

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Speaker 2: you say this van over, thank you juicy. So look,

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Speaker 2: script is yet to be finalized.

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Speaker 4: It really needs some flashing out. He's playing the cop,

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Speaker 4: Oh the fun police.

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Speaker 3: She she's gonna love that. If she's listening, you'll always

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Speaker 3: be mister Stewart to me, not with us.

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Speaker 1: Climb and Mongrel work in progress.

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Speaker 3: I think it's a work in progress. In fact, we

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Speaker 3: could just cancel it. That's my feeling.

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Speaker 2: Okay, another update tomorrow. I'll keep working on Got a

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Speaker 2: Big Night Ahead. Whip Kate Riche is a Nova podcast

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Speaker 2: to walk great shows like this. Download the Nova Player

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Speaker 2: via the App Store or Google Play.

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Speaker 1: The Nova Player