1 00:00:02,200 --> 00:00:07,040 Speaker 1: With Kate Wiki Podcast with k Richie. 2 00:00:07,040 --> 00:00:10,200 Speaker 2: It's Monday podcast Today we speak to a young lady 3 00:00:10,280 --> 00:00:13,160 Speaker 2: who was She was given a gift at the Jewel 4 00:00:13,200 --> 00:00:16,880 Speaker 2: Lipa concert over the weekend. It's a USB and in 5 00:00:16,920 --> 00:00:21,240 Speaker 2: that USB are names of people who are corrupt in 6 00:00:21,239 --> 00:00:21,800 Speaker 2: the government. 7 00:00:21,880 --> 00:00:25,440 Speaker 3: No, no, she a different one. That was Wiki leaks, 8 00:00:26,040 --> 00:00:28,760 Speaker 3: different story. Young girl who was. 9 00:00:28,680 --> 00:00:30,880 Speaker 1: Given We were talking to Juliana Sannge today. 10 00:00:31,000 --> 00:00:33,680 Speaker 3: No no, no, no, young girl giving a USB. 11 00:00:33,880 --> 00:00:37,600 Speaker 1: Still with these questions, tear up that page. 12 00:00:37,960 --> 00:00:40,320 Speaker 3: She was at a Dua Lipa concert over the weekend 13 00:00:41,000 --> 00:00:44,080 Speaker 3: and she got given a USB stick with a song 14 00:00:44,159 --> 00:00:47,840 Speaker 3: on it by her and Troy Savanne. 15 00:00:48,280 --> 00:00:49,960 Speaker 1: Does she hack in the computer? 16 00:00:50,000 --> 00:00:52,120 Speaker 3: It's got nothing to do with that, simply so that 17 00:00:52,159 --> 00:00:54,680 Speaker 3: you can enjoy the song. They did physical they recorded 18 00:00:54,880 --> 00:00:57,320 Speaker 3: special version. You hear it on the podcast. 19 00:00:57,520 --> 00:01:00,440 Speaker 4: This is the Fits and Whipper with Kate Richie pod Cast. 20 00:01:00,680 --> 00:01:04,479 Speaker 3: Let's talk footy. Hey good, good to get this one. 21 00:01:05,120 --> 00:01:08,520 Speaker 3: Good for the Swanee to get their first win away. Yeah, Perth, 22 00:01:09,240 --> 00:01:13,480 Speaker 3: my god was his first win. They left that right 23 00:01:13,520 --> 00:01:16,160 Speaker 3: to the end. Didn't just get over the line late 24 00:01:16,240 --> 00:01:18,480 Speaker 3: last night. If you just tune in, Swanny's got up 25 00:01:18,480 --> 00:01:21,360 Speaker 3: by less than a go. Let's talk about what happened 26 00:01:21,360 --> 00:01:24,880 Speaker 3: at Shark Stadium on the weekend. Because Coronella got up 27 00:01:24,880 --> 00:01:27,800 Speaker 3: over the rabbit OZ twenty seven to twelve. That's not 28 00:01:27,920 --> 00:01:30,440 Speaker 3: the big story from the game. I want to tell 29 00:01:30,440 --> 00:01:34,440 Speaker 3: you about Benji and his mates. They were there, mate, 30 00:01:34,480 --> 00:01:36,959 Speaker 3: they loved the footy. They're actually Cronulla supporters, so they 31 00:01:36,959 --> 00:01:38,800 Speaker 3: were there with mum and dad and a few of 32 00:01:38,800 --> 00:01:41,520 Speaker 3: the friends and they wanted to get a high five 33 00:01:41,640 --> 00:01:45,440 Speaker 3: from Reggie Rabbit, the mascot for the rabbit Osh. This 34 00:01:45,600 --> 00:01:48,200 Speaker 3: was after the game, so I don't think I think 35 00:01:48,240 --> 00:01:51,680 Speaker 3: Reggie Rabbit was too happy at this stage anyway, He's 36 00:01:51,680 --> 00:01:55,360 Speaker 3: gone for the high five the rabbit in the mascot 37 00:01:56,080 --> 00:01:58,920 Speaker 3: has given him, and don't argue to the face sort 38 00:01:58,920 --> 00:02:01,560 Speaker 3: of across the neck, which which didn't look all that friendly. 39 00:02:02,240 --> 00:02:03,960 Speaker 3: You can see it on the screen now fits if 40 00:02:03,960 --> 00:02:07,000 Speaker 3: you haven't seen the altercation. It took place. So security 41 00:02:07,320 --> 00:02:10,919 Speaker 3: has gone over and said, hey, you can't touch the mascot, 42 00:02:11,240 --> 00:02:13,359 Speaker 3: but he's just put his arm out onto the mascot. 43 00:02:13,440 --> 00:02:17,720 Speaker 3: Reggie Rabbit's gone buying step back, son. I'm a giant 44 00:02:17,800 --> 00:02:20,720 Speaker 3: rabbit now and I don't like the color of your shirt. 45 00:02:21,560 --> 00:02:25,480 Speaker 2: Now, I look growing up as a football fan, and 46 00:02:25,520 --> 00:02:30,600 Speaker 2: a stereotypical football fan is I know as a kid 47 00:02:30,919 --> 00:02:34,080 Speaker 2: when you see a mascot, you're not telling me that 48 00:02:34,120 --> 00:02:36,840 Speaker 2: you're having a crack at a mascot whenever it's walking past. 49 00:02:37,480 --> 00:02:39,800 Speaker 2: The amount of stuff that we threw at mascots, The 50 00:02:39,840 --> 00:02:42,640 Speaker 2: amount of stuff that we actually, I mean, the amount 51 00:02:42,680 --> 00:02:46,040 Speaker 2: of elbows we gave mascots, punches, tough role. 52 00:02:45,960 --> 00:02:48,119 Speaker 3: For the mascot. Anybody got a few earlier. 53 00:02:47,840 --> 00:02:51,040 Speaker 1: On crow picks, Chinese burns. 54 00:02:51,120 --> 00:02:53,440 Speaker 2: The amount of stuff that we did the mascots to 55 00:02:53,520 --> 00:02:54,320 Speaker 2: fire them up. 56 00:02:54,600 --> 00:02:55,560 Speaker 1: Now, don't get me wrong. 57 00:02:55,639 --> 00:02:57,880 Speaker 2: In the vision there that you're showing with, I can't 58 00:02:57,960 --> 00:02:59,800 Speaker 2: really see the kids doing too much. 59 00:03:00,240 --> 00:03:02,040 Speaker 1: It's not really is it a slap. 60 00:03:02,080 --> 00:03:05,240 Speaker 3: It's more of a push pushed across the face and neck. 61 00:03:05,960 --> 00:03:08,320 Speaker 1: Reggie's Reggie's how old's Reggie now? Eighty? 62 00:03:09,040 --> 00:03:09,239 Speaker 5: Yeah? 63 00:03:09,280 --> 00:03:12,200 Speaker 3: I think he is that mixed of metosis for a 64 00:03:12,200 --> 00:03:12,839 Speaker 3: while as well. 65 00:03:15,360 --> 00:03:18,040 Speaker 2: And he knows that a stew is just around the corner. 66 00:03:18,120 --> 00:03:19,560 Speaker 2: Say you know there's going to. 67 00:03:19,600 --> 00:03:25,120 Speaker 3: Be days any day now, he's poor. We turned into 68 00:03:25,120 --> 00:03:28,600 Speaker 3: a backscratcher. He's a very nervous rabbit. Maybe that's what 69 00:03:28,680 --> 00:03:31,920 Speaker 3: it is in his older age. So Mum has said, 70 00:03:31,919 --> 00:03:34,440 Speaker 3: all right, well you can come with me, Benji. We're 71 00:03:34,480 --> 00:03:37,280 Speaker 3: heading we're heading off to the cop shop. They've gone 72 00:03:37,280 --> 00:03:40,280 Speaker 3: to the police station to say, Reggie Rabbit deserves a 73 00:03:40,360 --> 00:03:40,960 Speaker 3: rabbit trap. 74 00:03:41,720 --> 00:03:44,920 Speaker 2: Now, the old bloke that's in Reggie the Rabbit now, 75 00:03:45,240 --> 00:03:47,760 Speaker 2: unless he's as someone else is doing it now. Actually, 76 00:03:47,760 --> 00:03:50,080 Speaker 2: when we spoke about under the Rabbit, now, we spoke 77 00:03:50,080 --> 00:03:51,760 Speaker 2: about him last year he retired. 78 00:03:51,880 --> 00:03:53,960 Speaker 1: I thought he retired. There must be someone. 79 00:03:53,680 --> 00:03:55,960 Speaker 2: New under there, because I don't think that there was 80 00:03:56,000 --> 00:03:58,000 Speaker 2: an old bloke that was in his seven he's a 81 00:03:58,080 --> 00:04:00,360 Speaker 2: eighties whip doing it. 82 00:04:00,360 --> 00:04:02,600 Speaker 3: It's probably a young person in the now, a rabbit 83 00:04:02,680 --> 00:04:05,560 Speaker 3: full of attitude. Mom's taken to the police station. They've 84 00:04:05,560 --> 00:04:07,280 Speaker 3: said we can't do anything about it. We didn't see 85 00:04:07,280 --> 00:04:10,080 Speaker 3: the assault. Security had stepped in and said, you can't 86 00:04:10,080 --> 00:04:13,680 Speaker 3: touch the mascot. Come on, that's not in the spirit 87 00:04:13,720 --> 00:04:16,920 Speaker 3: of things. You're right fits the mascot. You're just hoping 88 00:04:16,960 --> 00:04:19,560 Speaker 3: trips up and finds themselves like a turtle on their 89 00:04:19,560 --> 00:04:21,200 Speaker 3: back and they can't get up in their ownd fit. 90 00:04:21,680 --> 00:04:25,720 Speaker 1: Well, I told you that we kidnapped Terry the termite. 91 00:04:27,040 --> 00:04:28,440 Speaker 3: Are you allowed to tell this story? 92 00:04:28,839 --> 00:04:32,040 Speaker 2: Well, there was Terry the termite that used to on 93 00:04:32,080 --> 00:04:34,880 Speaker 2: a major road where we grew up, used to just 94 00:04:34,960 --> 00:04:37,440 Speaker 2: on the side of the road, dance and go a 95 00:04:37,680 --> 00:04:41,080 Speaker 2: pest problems come to this, come and see us and. 96 00:04:41,040 --> 00:04:42,760 Speaker 1: Get rid of Terry the termite. 97 00:04:42,800 --> 00:04:46,440 Speaker 2: So we decided when we first got our peace, my 98 00:04:46,640 --> 00:04:49,720 Speaker 2: mates and I, we just pulled the car over and 99 00:04:49,760 --> 00:04:52,159 Speaker 2: it was a proper kidnapping. We just grabbed Terry and 100 00:04:52,200 --> 00:04:54,799 Speaker 2: threw Terry in the back of the car. We're all laughing, 101 00:04:54,880 --> 00:04:57,200 Speaker 2: having a great time until Terry took his head off 102 00:04:58,080 --> 00:05:01,240 Speaker 2: and it was like a eighteen year old girl. She 103 00:05:01,279 --> 00:05:03,880 Speaker 2: had her headphones on. She had no idea what was 104 00:05:03,920 --> 00:05:08,600 Speaker 2: going on. I apologized profusely, so sorry, did a U turn, 105 00:05:08,760 --> 00:05:10,200 Speaker 2: took Terry the term aright back, and. 106 00:05:10,160 --> 00:05:10,600 Speaker 1: Off we went. 107 00:05:10,760 --> 00:05:13,359 Speaker 3: Let's do Let's do a deal termit. Nobody speaks about this. 108 00:05:13,440 --> 00:05:15,720 Speaker 3: Please don't call the cops, and I'll get your job 109 00:05:15,760 --> 00:05:16,680 Speaker 3: as a rabbit one day. 110 00:05:17,080 --> 00:05:20,160 Speaker 1: This is the Fitzi and Whipper with Cape Ritchie podcast. 111 00:05:20,600 --> 00:05:26,440 Speaker 6: Hello, Hey the Stlely Ferson. 112 00:05:29,240 --> 00:05:30,680 Speaker 1: Is that plea you? Alpa? 113 00:05:30,920 --> 00:05:32,039 Speaker 6: Thank you so much? 114 00:05:33,000 --> 00:05:34,600 Speaker 3: Oh my god, there was so much to do right now. 115 00:05:34,640 --> 00:05:36,680 Speaker 3: This is so exciting. We're going to talk to Caitlyn 116 00:05:36,720 --> 00:05:39,440 Speaker 3: in a moment, who was given the us B a 117 00:05:39,600 --> 00:05:42,320 Speaker 3: stick at the show last night. This is massive, But 118 00:05:42,400 --> 00:05:44,680 Speaker 3: we want to give away a couple of tickets, Ryan James, 119 00:05:44,720 --> 00:05:45,120 Speaker 3: who have we. 120 00:05:45,120 --> 00:05:48,279 Speaker 1: Got We've got Amanda and Willoughby. You're going to do. 121 00:05:48,440 --> 00:05:55,440 Speaker 3: A lap bang, Amanda. Well done, du ALEPA first show 122 00:05:55,520 --> 00:05:57,760 Speaker 3: Wednesday night. You've got two tickets. Good on you. 123 00:05:58,400 --> 00:05:59,479 Speaker 1: I'm looking forward to it. 124 00:05:59,560 --> 00:06:00,000 Speaker 7: Thank you. 125 00:06:00,680 --> 00:06:04,960 Speaker 6: Amanda. She is so good. She will knock your socks off. 126 00:06:04,960 --> 00:06:07,960 Speaker 6: Don't wear socks because they will be Wow. 127 00:06:10,240 --> 00:06:11,760 Speaker 1: Yeah, Amanda, it's sold out. 128 00:06:11,920 --> 00:06:14,000 Speaker 2: No one can get tickets to this, so the only 129 00:06:14,000 --> 00:06:15,960 Speaker 2: place that you can get tickets is on our show. 130 00:06:16,040 --> 00:06:19,000 Speaker 2: We'll be giving away more leading up to Wednesday after 131 00:06:19,040 --> 00:06:22,080 Speaker 2: seven o'clock tomorrow will give you another opportunity. And Amanda, 132 00:06:22,120 --> 00:06:23,560 Speaker 2: if you want a bit of an idea of what 133 00:06:23,600 --> 00:06:26,479 Speaker 2: the show's like, you got to listen to young Caitlin. 134 00:06:26,800 --> 00:06:27,800 Speaker 1: Caitlin joins us. 135 00:06:27,800 --> 00:06:30,320 Speaker 2: Now, Caitlin, you just went to the Melbourne show over 136 00:06:30,360 --> 00:06:30,960 Speaker 2: the weekend. 137 00:06:31,040 --> 00:06:32,080 Speaker 1: How was it for you? 138 00:06:32,600 --> 00:06:35,120 Speaker 8: It was absolutely insane, one of the best shows I've 139 00:06:35,160 --> 00:06:35,760 Speaker 8: seen for sure. 140 00:06:35,839 --> 00:06:38,359 Speaker 3: So Caitlin you were really extraordinary, really close to the 141 00:06:38,400 --> 00:06:40,480 Speaker 3: front were How did you get these tickets? 142 00:06:41,760 --> 00:06:44,880 Speaker 8: I actually bought that one off a friend a couple 143 00:06:44,920 --> 00:06:46,080 Speaker 8: of days prior. 144 00:06:46,839 --> 00:06:50,599 Speaker 9: Oh good effort, that's always and you were the chosen one. 145 00:06:50,880 --> 00:06:54,839 Speaker 9: So she pulled out of her hat ACDC the first night, 146 00:06:54,920 --> 00:06:57,720 Speaker 9: Natalie Bulia the second on the show that you were at, 147 00:06:57,760 --> 00:07:01,320 Speaker 9: Troy Sevan was there actually in person. Wow, And you 148 00:07:01,440 --> 00:07:06,200 Speaker 9: were handed the USB stick with a collaboration between dual 149 00:07:06,279 --> 00:07:12,119 Speaker 9: Leaper and Troy Savanna has been not heard yet. Great 150 00:07:12,160 --> 00:07:15,120 Speaker 9: power comes great responsibility. Can we please listen to this? 151 00:07:18,680 --> 00:07:20,840 Speaker 3: A couple of years ago, you actually did a remix 152 00:07:21,480 --> 00:07:22,520 Speaker 3: of Physical. 153 00:07:30,200 --> 00:07:32,720 Speaker 8: I went here since last night and I came twenty 154 00:07:32,720 --> 00:07:36,520 Speaker 8: four hours give. 155 00:07:38,520 --> 00:07:42,040 Speaker 3: Ha ha. So she gave it to you. Why did 156 00:07:42,080 --> 00:07:44,520 Speaker 3: she choose you? Were you hands in the air? What 157 00:07:44,680 --> 00:07:45,240 Speaker 3: was going on? 158 00:07:46,160 --> 00:07:48,120 Speaker 8: I think it was just the matter of being in 159 00:07:48,160 --> 00:07:50,720 Speaker 8: the right spot at the right time. 160 00:07:51,560 --> 00:07:53,720 Speaker 6: And who is that feverish voice next to you? Go 161 00:07:53,840 --> 00:07:54,800 Speaker 6: give it to Cat, give. 162 00:07:54,720 --> 00:07:57,520 Speaker 8: It to one of my concert friends. 163 00:07:58,240 --> 00:08:02,600 Speaker 2: Live Yeah, Live, said Caitlin. Tell us, you've got the 164 00:08:02,720 --> 00:08:05,640 Speaker 2: us B. You leave the Jewel Leap a concert. Where 165 00:08:05,640 --> 00:08:07,640 Speaker 2: did you go and where did you listen to? It 166 00:08:07,760 --> 00:08:08,960 Speaker 2: first with the girls. 167 00:08:10,440 --> 00:08:12,800 Speaker 8: I didn't listen to it with anyone else. I just 168 00:08:12,840 --> 00:08:16,240 Speaker 8: went home, listened to it on my laptop by myself, 169 00:08:16,640 --> 00:08:19,240 Speaker 8: and then yeah, leaked it to TikTok. 170 00:08:19,760 --> 00:08:23,239 Speaker 9: I can give us a review, Give us a review, 171 00:08:23,440 --> 00:08:25,320 Speaker 9: Give us a review, Caitlyn. 172 00:08:25,560 --> 00:08:26,440 Speaker 1: Ten out of ten. 173 00:08:26,720 --> 00:08:29,880 Speaker 8: The voices grow so well together, that's just perfect, Cann. 174 00:08:29,960 --> 00:08:31,840 Speaker 3: Was there anything else on the US b stick like 175 00:08:31,920 --> 00:08:34,760 Speaker 3: family holidays from I wish? 176 00:08:34,840 --> 00:08:35,960 Speaker 8: But unfortunately not. 177 00:08:36,640 --> 00:08:38,880 Speaker 6: I mean, we have just been speaking about the Golden Bachelor. 178 00:08:38,920 --> 00:08:40,880 Speaker 9: Please tell me there was some lease photos of her 179 00:08:41,040 --> 00:08:42,320 Speaker 9: hot hot dad. 180 00:08:43,600 --> 00:08:47,320 Speaker 3: No, no, don't you lose that us bestick, Caitlin, like, that's. 181 00:08:47,200 --> 00:08:49,240 Speaker 6: The original getting craves for sure. 182 00:08:49,400 --> 00:08:51,280 Speaker 3: Got to get a frame, padlock on the frame. 183 00:08:51,600 --> 00:08:54,800 Speaker 2: Yeah, enratulations, Well, Caitlyn, thank you so much for coming 184 00:08:54,800 --> 00:08:55,160 Speaker 2: on the show. 185 00:08:55,200 --> 00:08:56,280 Speaker 1: We appreciate it. 186 00:08:56,320 --> 00:08:59,920 Speaker 3: The fit in with with Kate, WHICHI podcast Let's Talk 187 00:09:00,040 --> 00:09:02,040 Speaker 3: had sixty minutes last started on ten and nine. Really 188 00:09:02,040 --> 00:09:05,560 Speaker 3: interesting story on Mark Zuckerberg. They had a former employee 189 00:09:05,559 --> 00:09:09,200 Speaker 3: from Facebook talking fits. Her name is Sarah Wyn Williams. Anyway, 190 00:09:09,280 --> 00:09:13,359 Speaker 3: she was public policies director. She was very close to Zuckerberg. 191 00:09:13,760 --> 00:09:19,440 Speaker 3: Ozzie Lady who just get that rong own Zuckerberg Man Zuckerberg. Anyway, 192 00:09:19,600 --> 00:09:21,720 Speaker 3: she was very close to him in that they worked 193 00:09:21,760 --> 00:09:25,240 Speaker 3: side by side, so when there was out of work activities, 194 00:09:25,320 --> 00:09:28,160 Speaker 3: quite often they're out for dinner, she's on the private jet, 195 00:09:28,280 --> 00:09:30,360 Speaker 3: she's in the same office as him. She knows him 196 00:09:30,400 --> 00:09:33,800 Speaker 3: back to front. She understands his focus, and she talks 197 00:09:33,840 --> 00:09:37,560 Speaker 3: about the changes that went on at Facebook also in 198 00:09:37,720 --> 00:09:41,080 Speaker 3: terms of influence and the power they had, where Mark 199 00:09:41,440 --> 00:09:45,320 Speaker 3: started out as somebody who wanted to create this great platform, 200 00:09:45,920 --> 00:09:49,240 Speaker 3: and then very quickly he realized the influence he could 201 00:09:49,240 --> 00:09:52,720 Speaker 3: actually have when it came to product, and then it 202 00:09:52,800 --> 00:09:57,800 Speaker 3: moved into politics, And there was even a negotiation that 203 00:09:57,880 --> 00:10:00,200 Speaker 3: took place when he realized the power he he had 204 00:10:00,200 --> 00:10:03,880 Speaker 3: at Facebook, where he had it signed into his contract 205 00:10:04,160 --> 00:10:07,560 Speaker 3: that he could remain CEO of Facebook even if he 206 00:10:07,800 --> 00:10:12,160 Speaker 3: was to not work for the company as such for 207 00:10:12,240 --> 00:10:15,880 Speaker 3: two years. So if he wanted to investigate a political 208 00:10:15,960 --> 00:10:18,960 Speaker 3: career and possibly aim to be the president of the 209 00:10:19,120 --> 00:10:23,240 Speaker 3: United States, then he was able to do so while 210 00:10:23,280 --> 00:10:25,440 Speaker 3: still holding on to the role of CEO. 211 00:10:26,000 --> 00:10:29,600 Speaker 2: Gosh, I mean, we talk about power and elections, don't we. 212 00:10:30,120 --> 00:10:35,280 Speaker 2: I mean, yeah, so he obviously hasn't done that, has he? 213 00:10:35,520 --> 00:10:38,080 Speaker 3: No? No, And maybe he wants to execute that later, 214 00:10:38,160 --> 00:10:41,280 Speaker 3: but it was existing in his contract and this lady Sarah, 215 00:10:41,320 --> 00:10:45,280 Speaker 3: when Williams was able to see that and understand what 216 00:10:45,320 --> 00:10:47,600 Speaker 3: the deal was done on the table. Here's the interesting 217 00:10:47,640 --> 00:10:49,120 Speaker 3: part too, and you know this is close to my 218 00:10:49,200 --> 00:10:52,240 Speaker 3: heart with thirty six months. It talks about the way 219 00:10:52,880 --> 00:10:58,360 Speaker 3: Facebook would pray on the vulnerable, So the way they 220 00:10:58,360 --> 00:11:03,040 Speaker 3: would recognize somebody that was questioning themselves or feeling insecure, 221 00:11:03,640 --> 00:11:05,680 Speaker 3: and what the business would do next. Have a listen 222 00:11:05,720 --> 00:11:05,960 Speaker 3: to this. 223 00:11:06,800 --> 00:11:11,120 Speaker 10: The company had developed up the ability to assess when 224 00:11:11,280 --> 00:11:15,840 Speaker 10: a teenager was feeling worthless. So to give you an example, 225 00:11:16,600 --> 00:11:21,040 Speaker 10: if a thirteen year old girl deletes a selfie, you know, 226 00:11:21,160 --> 00:11:24,440 Speaker 10: she looks at the selfie and she's like, I don't 227 00:11:24,440 --> 00:11:26,880 Speaker 10: actually want this on my answer, I don't feel great 228 00:11:26,880 --> 00:11:30,840 Speaker 10: about it. That's information that the company was able to 229 00:11:30,880 --> 00:11:35,920 Speaker 10: take and they were able to provide that to a 230 00:11:35,960 --> 00:11:40,280 Speaker 10: beauty advertiser because to that beauty advertiser, the moment that 231 00:11:40,520 --> 00:11:43,839 Speaker 10: teen girl is feeling worthless is a really good time 232 00:11:44,160 --> 00:11:46,960 Speaker 10: to serve them a beauty advertisement. And that makes me 233 00:11:47,000 --> 00:11:47,480 Speaker 10: feel sick. 234 00:11:48,640 --> 00:11:50,720 Speaker 3: Do you know what you know? What's even uglier is 235 00:11:50,760 --> 00:11:52,600 Speaker 3: to think that they sat around in a boardroom and 236 00:11:52,600 --> 00:11:56,800 Speaker 3: they went, Okay, what are the signs that a thirteen 237 00:11:56,880 --> 00:12:01,120 Speaker 3: year old girl could be feeling about themselves? How can 238 00:12:01,160 --> 00:12:07,320 Speaker 3: we maximize when a thirteen year old girl is feeling down, depressed, insecure? 239 00:12:08,320 --> 00:12:10,000 Speaker 3: Do we have a tech? Do hey, guys, do you 240 00:12:10,000 --> 00:12:12,840 Speaker 3: want to build a technology? We can almost read the 241 00:12:12,880 --> 00:12:15,800 Speaker 3: pain on a thirteen year old girl's face and then 242 00:12:15,840 --> 00:12:18,800 Speaker 3: we can prompt her with products. Or if she puts 243 00:12:18,880 --> 00:12:21,240 Speaker 3: up a selfie like they did, and to think that 244 00:12:21,280 --> 00:12:23,520 Speaker 3: she's taken it down not long after she's got she's 245 00:12:23,559 --> 00:12:25,600 Speaker 3: not gonna be happy with it. How can we get 246 00:12:25,640 --> 00:12:27,920 Speaker 3: a product to her? Well? Can we make money off 247 00:12:27,920 --> 00:12:29,679 Speaker 3: that sad thirteen year old girl. 248 00:12:30,080 --> 00:12:32,720 Speaker 2: It's the same as obviously if they're following a Kim 249 00:12:32,800 --> 00:12:35,080 Speaker 2: kardash In or if they're following. 250 00:12:34,600 --> 00:12:36,440 Speaker 1: A Delta Good Drama or anything like that. 251 00:12:36,559 --> 00:12:39,200 Speaker 2: Obviously they're going to be served up beauty products that 252 00:12:39,280 --> 00:12:42,440 Speaker 2: you know that those people use or those celebrities use. 253 00:12:42,600 --> 00:12:46,480 Speaker 2: It's I know, it is, it's disgusting. It just it 254 00:12:46,640 --> 00:12:48,840 Speaker 2: just gets you really really angry when you hear stuff 255 00:12:48,840 --> 00:12:50,480 Speaker 2: like that. I mean, and we deal with it. 256 00:12:50,520 --> 00:12:50,920 Speaker 3: Every day. 257 00:12:50,920 --> 00:12:52,800 Speaker 1: I mean in everyday conversations. 258 00:12:52,840 --> 00:12:55,400 Speaker 2: You may talk about something and you go to your 259 00:12:55,400 --> 00:12:57,440 Speaker 2: Facebook page and then all of a sudden you're served 260 00:12:57,520 --> 00:12:59,960 Speaker 2: up ads of what you've just spoken about in the conversation. 261 00:13:00,160 --> 00:13:02,240 Speaker 3: All the time. But you know what I mean that 262 00:13:02,640 --> 00:13:06,240 Speaker 3: example we just gave then of the selfie being deleted, 263 00:13:06,280 --> 00:13:08,160 Speaker 3: so gets served a beauty product on a thirteen year 264 00:13:08,160 --> 00:13:11,080 Speaker 3: old girl. How many layers are they? There would be 265 00:13:11,160 --> 00:13:16,200 Speaker 3: hundreds and hundreds of code written that would trigger based 266 00:13:16,200 --> 00:13:20,440 Speaker 3: on appearance in a photo or the algorithms that would 267 00:13:20,440 --> 00:13:22,960 Speaker 3: be written fits You're right, based on the followers that 268 00:13:23,000 --> 00:13:27,080 Speaker 3: they might have and their interests that the company has 269 00:13:27,200 --> 00:13:31,480 Speaker 3: learned to understand by them using the platforms it is, 270 00:13:32,200 --> 00:13:34,240 Speaker 3: your mind runs to where it would land. But that 271 00:13:34,360 --> 00:13:37,520 Speaker 3: was fascinating On sixty minutes last night, this is the Fits. 272 00:13:37,320 --> 00:13:39,439 Speaker 1: And Whipper with Cape Ritchie podcast. 273 00:13:40,320 --> 00:13:42,600 Speaker 2: Can we please talk about maths last night? It's setting 274 00:13:42,640 --> 00:13:45,440 Speaker 2: up actually just on maths. Remember we had Josh Fox 275 00:13:45,480 --> 00:13:48,720 Speaker 2: on last week Josh's Got the Maths Funny podcast, which 276 00:13:48,720 --> 00:13:52,480 Speaker 2: you can get on Over Entertainment. Well, there's a there's 277 00:13:52,480 --> 00:13:55,120 Speaker 2: a bit of an inquiry going in and Josh has 278 00:13:55,160 --> 00:13:57,880 Speaker 2: sort of kicked the ball rolling here and roll? 279 00:13:58,000 --> 00:13:58,360 Speaker 11: What is it? 280 00:13:58,800 --> 00:14:00,679 Speaker 3: Boys? 281 00:14:00,800 --> 00:14:01,120 Speaker 1: Kicked it? 282 00:14:01,240 --> 00:14:06,680 Speaker 2: Kicked the ball, but now there is an investigation into 283 00:14:06,760 --> 00:14:09,520 Speaker 2: Channel nine. It's the reason why we could not have 284 00:14:09,600 --> 00:14:12,520 Speaker 2: our Maths dinner party because there's a bit. 285 00:14:12,440 --> 00:14:15,600 Speaker 1: Of heat around the show at the moment. Mate, So 286 00:14:15,720 --> 00:14:16,720 Speaker 1: Josh was on our show. 287 00:14:16,760 --> 00:14:22,880 Speaker 6: They're very naughty, so like against, they do things that 288 00:14:22,920 --> 00:14:24,000 Speaker 6: are against. 289 00:14:24,160 --> 00:14:26,880 Speaker 3: Oh, when you break the law, then it becomes more 290 00:14:26,920 --> 00:14:27,800 Speaker 3: than a TV show. 291 00:14:28,720 --> 00:14:31,160 Speaker 2: This is what Josh gave us a bit of a 292 00:14:31,160 --> 00:14:33,200 Speaker 2: headline last week when he came on our show. 293 00:14:33,240 --> 00:14:33,960 Speaker 1: Have A Listened to This? 294 00:14:34,600 --> 00:14:37,080 Speaker 2: So they're going to call it Temptation Week, and just 295 00:14:37,120 --> 00:14:39,440 Speaker 2: before the couples leave the experiment and have the final 296 00:14:39,520 --> 00:14:42,440 Speaker 2: vowl ceremonies, the experts are going to give everybody an 297 00:14:42,520 --> 00:14:44,360 Speaker 2: envelope and say we've got your backup option. 298 00:14:44,480 --> 00:14:47,800 Speaker 1: Would you like to meet them? 299 00:14:47,960 --> 00:14:51,000 Speaker 2: So did play out last night fits I was trying 300 00:14:51,040 --> 00:14:53,960 Speaker 2: to work out what he meant by that. So at 301 00:14:53,960 --> 00:14:57,200 Speaker 2: the end of the show last it was the commitment ceremony. 302 00:14:57,240 --> 00:15:00,240 Speaker 2: Last night, they had a promo for tomorrow or tonight show, 303 00:15:00,400 --> 00:15:02,120 Speaker 2: have A Listened to This? 304 00:15:02,120 --> 00:15:04,720 Speaker 10: This year, we said we were taking the experiment to 305 00:15:04,800 --> 00:15:05,400 Speaker 10: new hypes. 306 00:15:05,880 --> 00:15:09,200 Speaker 1: What is it god for the first time ever. 307 00:15:10,160 --> 00:15:13,120 Speaker 6: The ultimate test for our couples. 308 00:15:12,400 --> 00:15:15,160 Speaker 3: An invitation for temptation. 309 00:15:15,680 --> 00:15:18,320 Speaker 2: During the matchmaking process, there was more than one person 310 00:15:18,360 --> 00:15:19,360 Speaker 2: you were compatible with. 311 00:15:19,640 --> 00:15:22,640 Speaker 5: For this final task, you have the opportunity to meet 312 00:15:22,640 --> 00:15:22,960 Speaker 5: now to. 313 00:15:23,000 --> 00:15:26,560 Speaker 9: Me, don't you reckon as soon as as soon as 314 00:15:26,920 --> 00:15:30,360 Speaker 9: your boyfriend or husband or whatever you're calling them says yeah, 315 00:15:30,360 --> 00:15:31,400 Speaker 9: all right, I'll have a look. 316 00:15:31,440 --> 00:15:31,880 Speaker 6: It's over. 317 00:15:32,520 --> 00:15:37,000 Speaker 1: It's over. You can't, yes, it's but see, this is 318 00:15:37,040 --> 00:15:37,960 Speaker 1: the thing, right. 319 00:15:38,480 --> 00:15:42,040 Speaker 2: They they say, they say at the start that we're 320 00:15:42,040 --> 00:15:44,360 Speaker 2: going to You're going to get married to the person 321 00:15:44,360 --> 00:15:47,560 Speaker 2: that we think is most compatible for you. We're not 322 00:15:47,720 --> 00:15:50,000 Speaker 2: suckers as viewers. 323 00:15:49,600 --> 00:15:52,040 Speaker 1: Of this show, we know that that's a complete load 324 00:15:52,040 --> 00:15:52,400 Speaker 1: of crap. 325 00:15:52,440 --> 00:15:55,640 Speaker 2: You're putting two people together that are going to clash 326 00:15:55,800 --> 00:15:59,320 Speaker 2: because it's really good television. What they are doing is 327 00:15:59,400 --> 00:16:03,120 Speaker 2: they are at actually finding the perfect compatibility for these 328 00:16:03,200 --> 00:16:06,880 Speaker 2: people and then dangling it in front of them right 329 00:16:06,920 --> 00:16:10,320 Speaker 2: at the end of the experiment, to go, well, she 330 00:16:10,440 --> 00:16:13,480 Speaker 2: does have blonde hair and she's got big boobs. 331 00:16:13,560 --> 00:16:15,680 Speaker 1: That's what you were looking for. What are you. 332 00:16:15,720 --> 00:16:21,320 Speaker 3: Thinking, Yes, I thought the temptation offer. I was hoping 333 00:16:21,400 --> 00:16:24,600 Speaker 3: because my understanding now is fits as you explain, it 334 00:16:24,640 --> 00:16:26,800 Speaker 3: is that you open the envelope and that somebody else 335 00:16:26,840 --> 00:16:29,840 Speaker 3: that's already on the show. See, I was hoping you'd 336 00:16:29,840 --> 00:16:32,400 Speaker 3: open the envelope and there would be a profile of 337 00:16:32,600 --> 00:16:35,280 Speaker 3: I don't know Tracy from the Central Coast to works 338 00:16:35,280 --> 00:16:37,400 Speaker 3: in the news agency and like's going out on Friday 339 00:16:37,480 --> 00:16:41,040 Speaker 3: night that you don't even know. No, no, no Tracy 340 00:16:41,080 --> 00:16:41,880 Speaker 3: in the Central Coast. 341 00:16:42,400 --> 00:16:45,960 Speaker 2: No, this is your perfect compatibility. So when you entered 342 00:16:45,960 --> 00:16:48,720 Speaker 2: the show, right when you registered, you said, this is 343 00:16:48,760 --> 00:16:51,480 Speaker 2: my perfect man or this is my perfect woman. 344 00:16:51,880 --> 00:16:53,640 Speaker 3: Is it another person on the show? 345 00:16:54,040 --> 00:16:55,680 Speaker 1: No? 346 00:16:54,800 --> 00:17:00,520 Speaker 9: No, the temptation person is a person that you think 347 00:17:00,720 --> 00:17:01,520 Speaker 9: is your type. 348 00:17:01,640 --> 00:17:02,720 Speaker 6: You know we've all got that. 349 00:17:03,200 --> 00:17:06,760 Speaker 3: Yeah, sure, I mean I don't, but you've got lots 350 00:17:06,760 --> 00:17:08,959 Speaker 3: of types like that. No, I'm very fussy. 351 00:17:09,600 --> 00:17:10,520 Speaker 6: I don't have a type. 352 00:17:10,840 --> 00:17:15,040 Speaker 9: Honestly, some Alexander the bunyip could be really to me 353 00:17:15,119 --> 00:17:17,280 Speaker 9: from John aik and then I'll be like, Okay. 354 00:17:17,640 --> 00:17:18,639 Speaker 3: I love bunyips. 355 00:17:18,680 --> 00:17:22,880 Speaker 2: Now, well let's do you know what Jackie, he's an example, 356 00:17:22,880 --> 00:17:25,199 Speaker 2: and I think the reason why they're getting investigator Jackie's 357 00:17:25,200 --> 00:17:25,640 Speaker 2: on the show. 358 00:17:25,800 --> 00:17:28,920 Speaker 9: She she is Jackie, the girl from New Zealand. 359 00:17:29,880 --> 00:17:33,520 Speaker 2: Yeah, she's meant to be a model. Ncontrollably cross. 360 00:17:33,880 --> 00:17:37,400 Speaker 9: That's the most passive aggressive stated I've ever hed. 361 00:17:38,640 --> 00:17:41,439 Speaker 6: She's meant to be a model. 362 00:17:41,560 --> 00:17:43,960 Speaker 3: She's done some modeling, Is that right? Is that kind 363 00:17:43,960 --> 00:17:45,880 Speaker 3: of she's known as the model? But I don't think 364 00:17:45,880 --> 00:17:46,439 Speaker 3: she models. 365 00:17:46,480 --> 00:17:53,040 Speaker 9: Now knows she's if I haven't made five hundred million 366 00:17:53,119 --> 00:17:58,320 Speaker 9: dollars by the top of thirty five on mo Failia. 367 00:17:57,119 --> 00:17:57,720 Speaker 6: She's the one. 368 00:17:58,000 --> 00:18:00,920 Speaker 9: She was the one who you There was a scandal 369 00:18:00,960 --> 00:18:05,280 Speaker 9: this week because the house that she went to in 370 00:18:05,480 --> 00:18:09,440 Speaker 9: whatever wings just was was a rental as. 371 00:18:11,160 --> 00:18:14,000 Speaker 2: So anyway, she was on the couch last night and 372 00:18:14,040 --> 00:18:17,240 Speaker 2: poor Ryan. She's been with Ryan for quite a while, 373 00:18:17,359 --> 00:18:19,720 Speaker 2: and she was asked, you know, what are the things 374 00:18:20,400 --> 00:18:23,000 Speaker 2: that really get you upset about Ryan? And there was 375 00:18:23,040 --> 00:18:24,680 Speaker 2: some huge bombshells. 376 00:18:24,720 --> 00:18:27,320 Speaker 1: Have a listen to these? Can you give us a. 377 00:18:27,320 --> 00:18:29,119 Speaker 2: List of some of the things that you feel like 378 00:18:29,160 --> 00:18:30,840 Speaker 2: you've compromised in with this. 379 00:18:30,720 --> 00:18:33,480 Speaker 1: Relationship, like sleeping times? 380 00:18:34,160 --> 00:18:36,720 Speaker 12: Ryan doesn't like it if I wake up early to 381 00:18:36,760 --> 00:18:38,920 Speaker 12: go to the gym or I accidentally wake him up. 382 00:18:39,280 --> 00:18:40,679 Speaker 1: What else you got for us, Jackie? 383 00:18:41,280 --> 00:18:44,600 Speaker 12: The cleanliness around the kitchen knows Ryan just leaves his 384 00:18:44,640 --> 00:18:47,440 Speaker 12: bowls and the dishes out in the sink. 385 00:18:47,280 --> 00:18:49,480 Speaker 1: For like up to a day. Anything else. 386 00:18:49,600 --> 00:18:52,680 Speaker 12: Sorry, I let him now watch TV in the bedroom, 387 00:18:53,160 --> 00:18:54,679 Speaker 12: which is a massive compromise for me. 388 00:18:55,240 --> 00:18:57,639 Speaker 13: It was, yeah, go on, I just I don't have 389 00:18:57,680 --> 00:18:58,480 Speaker 13: a memory of a TV. 390 00:18:59,000 --> 00:18:59,720 Speaker 6: I was trying to sleep. 391 00:18:59,760 --> 00:19:00,880 Speaker 1: It was twelve thirty at night. 392 00:19:02,119 --> 00:19:03,080 Speaker 3: Sounds complicated. 393 00:19:03,680 --> 00:19:05,360 Speaker 6: She forgot on. 394 00:19:05,320 --> 00:19:08,000 Speaker 9: The inventory of things she hates, which is everything. By 395 00:19:08,040 --> 00:19:12,920 Speaker 9: the way, she doesn't like his beard. She was like, 396 00:19:12,960 --> 00:19:14,280 Speaker 9: you've got to shave it off. 397 00:19:14,280 --> 00:19:15,200 Speaker 6: It's not meanly. 398 00:19:16,560 --> 00:19:17,960 Speaker 3: She sounds nervous to talk. 399 00:19:18,880 --> 00:19:21,160 Speaker 6: Yeah, I would be took. 400 00:19:21,920 --> 00:19:23,840 Speaker 3: Is she going to get an envelope with somebody that 401 00:19:23,920 --> 00:19:27,320 Speaker 3: she's meant to be with? Yes, so she will be tempted. 402 00:19:28,960 --> 00:19:31,240 Speaker 2: I think it's going I think a majority of them 403 00:19:31,400 --> 00:19:36,399 Speaker 2: will pick the compatibility of somebody else. 404 00:19:36,440 --> 00:19:37,720 Speaker 1: Tonight on the show. 405 00:19:38,320 --> 00:19:40,800 Speaker 3: Tommy and I need you to find a for Christy Swan. 406 00:19:40,920 --> 00:19:46,120 Speaker 6: Yeah, hey, welcome to the show, Alexander. By the way, 407 00:19:46,640 --> 00:19:49,840 Speaker 6: I did not see you making an appearance. 408 00:19:49,720 --> 00:19:50,800 Speaker 3: But I'll kiss you anyway. 409 00:19:51,000 --> 00:19:53,879 Speaker 4: This is the fits in with Her with Kate Richie podcast, 410 00:19:55,480 --> 00:19:57,080 Speaker 4: Chrissy's clickbait. 411 00:19:58,359 --> 00:19:58,840 Speaker 6: Well. 412 00:19:59,240 --> 00:20:01,760 Speaker 9: The adjective triumphant is the one that I want to 413 00:20:02,680 --> 00:20:07,760 Speaker 9: What have we got about a Leaper's debut on her 414 00:20:07,800 --> 00:20:11,240 Speaker 9: Australia tour, She's done four dates in Melbourne. 415 00:20:11,600 --> 00:20:12,320 Speaker 6: Smashed it. 416 00:20:13,200 --> 00:20:16,399 Speaker 9: I don't know whether it was an accident or whether 417 00:20:16,800 --> 00:20:22,040 Speaker 9: like it was planned, but the genius idea she had 418 00:20:22,080 --> 00:20:26,840 Speaker 9: to do an Australian song per show brilliant because everyone's 419 00:20:26,880 --> 00:20:29,720 Speaker 9: excited if they've got tickets. By the way, you're listening 420 00:20:29,720 --> 00:20:31,520 Speaker 9: to the right station if you want to, if you 421 00:20:31,560 --> 00:20:32,960 Speaker 9: want yours, the. 422 00:20:32,960 --> 00:20:33,720 Speaker 3: Next tickets in town. 423 00:20:33,880 --> 00:20:36,280 Speaker 13: Yeah, before eight o'clock. One kiss is what you're listening to. 424 00:20:36,760 --> 00:20:37,359 Speaker 3: Thank you buddy. 425 00:20:37,400 --> 00:20:37,920 Speaker 6: Great song. 426 00:20:39,520 --> 00:20:42,400 Speaker 9: But it's like, you know, you're excited enough already to go, 427 00:20:42,560 --> 00:20:43,960 Speaker 9: and then you're like, ooh, what's. 428 00:20:43,800 --> 00:20:46,040 Speaker 6: The Aussie song that she's going to perform? 429 00:20:46,119 --> 00:20:48,120 Speaker 9: First of all, she did ac DC, then she did 430 00:20:48,119 --> 00:20:51,200 Speaker 9: the Great Bruggers not Imbrillia. 431 00:20:52,760 --> 00:20:54,879 Speaker 6: On her third show, have a listening with. 432 00:20:56,720 --> 00:21:02,240 Speaker 3: Yes, what a moment that would be. 433 00:21:02,560 --> 00:21:03,880 Speaker 1: I'm imagining it right now. 434 00:21:04,200 --> 00:21:04,840 Speaker 3: What does it feel like? 435 00:21:05,320 --> 00:21:10,040 Speaker 9: Hey, guys, Oh my god, I was. I was sitting 436 00:21:10,080 --> 00:21:12,919 Speaker 9: in front of it no behind Natalie and Brilliant when 437 00:21:12,920 --> 00:21:18,280 Speaker 9: I saw Dualipa No Way last year. Yes, yeah, I 438 00:21:18,320 --> 00:21:20,760 Speaker 9: Reckon Brogers was in the in the audience, in the audience, 439 00:21:22,800 --> 00:21:26,199 Speaker 9: then she did I'm so mad I didn't see this. 440 00:21:26,600 --> 00:21:28,440 Speaker 6: Troy Savan came. 441 00:21:28,280 --> 00:21:37,240 Speaker 1: Out, Oh. 442 00:21:36,640 --> 00:21:40,959 Speaker 3: Kick you guys massive how the photos stage? 443 00:21:41,520 --> 00:21:45,120 Speaker 9: So not only did she sing that Aussie song, he 444 00:21:45,160 --> 00:21:47,760 Speaker 9: came out on stage. I have the biggest thing for 445 00:21:47,800 --> 00:21:51,359 Speaker 9: Troy Savant. I feel like we are friends that just 446 00:21:51,359 --> 00:21:54,000 Speaker 9: haven't met each other yet. We would just love each other. 447 00:21:53,880 --> 00:21:55,439 Speaker 3: So close, so far away. 448 00:21:55,680 --> 00:21:58,719 Speaker 2: Everyone loves him, especially he's with Charlie x X as 449 00:21:58,760 --> 00:22:00,320 Speaker 2: well as an Everyone loves Jeo. 450 00:22:00,960 --> 00:22:02,200 Speaker 6: That was gorgeous footage. 451 00:22:02,280 --> 00:22:04,560 Speaker 9: Every time I saw them, you know, little snippets of 452 00:22:04,600 --> 00:22:05,480 Speaker 9: them on tour together. 453 00:22:05,560 --> 00:22:06,359 Speaker 6: I just loved it. 454 00:22:06,560 --> 00:22:12,119 Speaker 9: Sick anyway, they do a Luela Bi and Troy Sevan 455 00:22:13,640 --> 00:22:19,400 Speaker 9: recorded together off Broadway a version of Physical Lip, a song, 456 00:22:19,840 --> 00:22:22,439 Speaker 9: and they had it on a USB stick and they 457 00:22:22,480 --> 00:22:24,520 Speaker 9: gave it to somebody in the audience to leak. 458 00:22:24,840 --> 00:22:26,959 Speaker 6: Now, I want to hear that. How do we hear that? 459 00:22:27,480 --> 00:22:28,760 Speaker 6: Tom make it happen? 460 00:22:30,359 --> 00:22:33,520 Speaker 13: Just locked in Caitlin who was given the USB stick? 461 00:22:33,560 --> 00:22:34,720 Speaker 1: Did you get she's. 462 00:22:34,520 --> 00:22:36,600 Speaker 13: Going to join you in the studio in about ten minutes? 463 00:22:36,600 --> 00:22:37,199 Speaker 3: You're kidding me? 464 00:22:37,960 --> 00:22:40,240 Speaker 6: We can hear that leaked version, well. 465 00:22:40,080 --> 00:22:43,399 Speaker 13: You can will certainly into the system. I'm sure she'll. 466 00:22:43,280 --> 00:22:49,160 Speaker 6: Bring teeople lucky lucky doer and Troy did not hand 467 00:22:49,200 --> 00:22:51,359 Speaker 6: it to me because lord knows, I don't know what 468 00:22:51,440 --> 00:22:53,000 Speaker 6: to do with the us you would have. 469 00:22:52,920 --> 00:22:55,240 Speaker 2: But yeah, you would have earned a few CDs with that, 470 00:22:55,480 --> 00:22:58,080 Speaker 2: for sure. You would have gone on. You would have 471 00:22:58,080 --> 00:23:00,680 Speaker 2: gone on the lime wire and you would have been. 472 00:23:01,320 --> 00:23:03,480 Speaker 3: Started selling CDs out the back of the car. 473 00:23:04,359 --> 00:23:07,840 Speaker 9: How do I get the pictures from here onto my 474 00:23:07,840 --> 00:23:12,119 Speaker 9: myce face account? Anyway, Then she brought out for her 475 00:23:12,240 --> 00:23:15,679 Speaker 9: last show in Melbourne, she brought out Vance Joy for 476 00:23:15,920 --> 00:23:16,600 Speaker 9: rip Tie. 477 00:23:20,600 --> 00:23:22,240 Speaker 6: What a song man. 478 00:23:23,560 --> 00:23:25,080 Speaker 1: That is power, isn't it. 479 00:23:25,320 --> 00:23:31,120 Speaker 3: They'd make a good couple's married married mate. 480 00:23:32,800 --> 00:23:35,320 Speaker 6: John Aknook. 481 00:23:35,440 --> 00:23:37,800 Speaker 1: We've actually got Vance's wife on the line. 482 00:23:37,840 --> 00:23:39,359 Speaker 3: You're there, love you there, Susie. 483 00:23:39,800 --> 00:23:45,040 Speaker 9: Vance has got the US beast. That song reminds me 484 00:23:45,119 --> 00:23:47,400 Speaker 9: so much of my son when he was little. He's 485 00:23:47,440 --> 00:23:49,760 Speaker 9: a massive guitarist and he sort of fell in love 486 00:23:49,800 --> 00:23:52,040 Speaker 9: with that song and danced Joy at the same time. 487 00:23:52,640 --> 00:23:55,680 Speaker 9: And I've got a little laminated note that I've found 488 00:23:55,760 --> 00:23:58,000 Speaker 9: in his bedroom of just the lyrics in his Little 489 00:23:58,000 --> 00:24:02,960 Speaker 9: Fight chubby hand right running down to the rip Tide. Oh, 490 00:24:02,960 --> 00:24:05,440 Speaker 9: it's just so gorgeous anyway, speaking. 491 00:24:05,400 --> 00:24:08,359 Speaker 2: Yea, when you learn your first song and you write 492 00:24:08,400 --> 00:24:11,359 Speaker 2: it down, you write all the lyrics down, there's nothing, Oh. 493 00:24:11,200 --> 00:24:13,960 Speaker 9: My god, like it was literally every weekend for me 494 00:24:14,040 --> 00:24:15,080 Speaker 9: with the smash Hits. 495 00:24:15,280 --> 00:24:18,520 Speaker 3: Yeah, yeah, I reckon. 496 00:24:18,600 --> 00:24:21,520 Speaker 9: That's why I know so many lyrics is because I 497 00:24:21,560 --> 00:24:22,800 Speaker 9: basically studied them. 498 00:24:23,400 --> 00:24:24,800 Speaker 6: Didn't study anything. That's cool. 499 00:24:24,800 --> 00:24:26,600 Speaker 3: It had the booklet in the front of the CD case, 500 00:24:26,640 --> 00:24:29,200 Speaker 3: didn't it. So you would go through the lyrics, you'd 501 00:24:29,240 --> 00:24:30,160 Speaker 3: sit there and sing along. 502 00:24:30,840 --> 00:24:33,040 Speaker 9: Yes, and what about when you learned the one word 503 00:24:33,080 --> 00:24:35,560 Speaker 9: that you've been singing was not the word terrible? 504 00:24:35,880 --> 00:24:36,240 Speaker 3: Terrible? 505 00:24:37,119 --> 00:24:41,840 Speaker 9: Hey, I just want to quickly talk about the Golden Bachelor. Ah, 506 00:24:41,880 --> 00:24:45,720 Speaker 9: one of the great songs, Sam Armitage is back. This 507 00:24:46,400 --> 00:24:49,640 Speaker 9: is a So what's going on? There's no farmer wants 508 00:24:49,640 --> 00:24:50,600 Speaker 9: a wife for Sam. 509 00:24:52,720 --> 00:24:56,520 Speaker 3: So that's gone back to Channel nine, which is going 510 00:24:56,560 --> 00:24:57,280 Speaker 3: to be shown on. 511 00:24:57,520 --> 00:25:01,440 Speaker 1: Yeah, she's jumped ship Chrissy. So this is a big one. 512 00:25:02,240 --> 00:25:04,080 Speaker 1: But you know, they're getting into a fair bit of trouble. 513 00:25:04,119 --> 00:25:07,240 Speaker 2: Apparently there's been some late night parties they're filming currently 514 00:25:07,640 --> 00:25:11,720 Speaker 2: in a city they're saying on the harbor, and the 515 00:25:11,840 --> 00:25:13,800 Speaker 2: neighbors are really upset, aren't they. 516 00:25:14,680 --> 00:25:19,160 Speaker 9: Yes, it says here the house is located in Elizabeth bat. 517 00:25:19,600 --> 00:25:21,360 Speaker 6: I think they might mean Elizabeth May. 518 00:25:22,160 --> 00:25:26,560 Speaker 9: But yeah, the neighbors are really losing their minds because 519 00:25:26,280 --> 00:25:28,159 Speaker 9: those oldies know how to party. 520 00:25:29,000 --> 00:25:31,520 Speaker 2: And just an update, we found out before as well 521 00:25:31,520 --> 00:25:35,200 Speaker 2: that Abby Chatfield's mum is one of the bachelorettes and being. 522 00:25:35,119 --> 00:25:37,480 Speaker 6: So lovely and so gorgeous. 523 00:25:38,000 --> 00:25:39,040 Speaker 1: You've met her, have you? 524 00:25:39,720 --> 00:25:40,200 Speaker 11: I have? 525 00:25:40,640 --> 00:25:45,679 Speaker 9: Yes, She's beautiful, gentle and kind and lovely. 526 00:25:45,960 --> 00:25:47,600 Speaker 3: Well, she's going to meet Bruce the what is it, 527 00:25:47,720 --> 00:25:48,359 Speaker 3: Bruce de Bonker? 528 00:25:48,440 --> 00:25:49,040 Speaker 1: What's his name? 529 00:25:49,440 --> 00:25:53,920 Speaker 3: Bruce the Bear, Bruce bear Murden, Bruce bear Murden. 530 00:25:54,720 --> 00:25:56,480 Speaker 9: Oh my god, I think you said Bruce bar is 531 00:25:56,520 --> 00:26:00,920 Speaker 9: a murderer. What are they doing to Abby's mom? This 532 00:26:00,960 --> 00:26:06,399 Speaker 9: is not entertainment anyway. The anchor Die is also going 533 00:26:06,440 --> 00:26:10,880 Speaker 9: to feature on the show, and she's an ex radio 534 00:26:11,119 --> 00:26:15,000 Speaker 9: gal and let me tell you she's a good time going. 535 00:26:16,440 --> 00:26:18,200 Speaker 3: She's the one keeping the neighbors up. 536 00:26:18,520 --> 00:26:22,399 Speaker 9: She will not do not miss it, Do not miss it. 537 00:26:22,480 --> 00:26:25,120 Speaker 6: There is a TV week cover in this for her. 538 00:26:25,160 --> 00:26:25,760 Speaker 6: At your bottom. 539 00:26:26,920 --> 00:26:29,800 Speaker 4: This is the fits in with her with Kate Richie podcast. 540 00:26:30,119 --> 00:26:32,040 Speaker 3: Let's talk about the TV show Adolescence. 541 00:26:32,800 --> 00:26:35,119 Speaker 6: Everyone's talking about it massive. 542 00:26:36,080 --> 00:26:37,959 Speaker 3: I've only seen the first episode, so I'm not going 543 00:26:38,000 --> 00:26:39,800 Speaker 3: to go into what's happened, and I don't want anybody 544 00:26:39,840 --> 00:26:43,200 Speaker 3: else in this room to talk about what's beyond episode one. 545 00:26:43,520 --> 00:26:46,240 Speaker 6: Can you give us a can you give us a 546 00:26:46,240 --> 00:26:47,119 Speaker 6: little synopsis? 547 00:26:47,280 --> 00:26:51,119 Speaker 9: Because all all I do with new TV shows is 548 00:26:51,119 --> 00:26:52,879 Speaker 9: I put them on my watch list and then I 549 00:26:52,920 --> 00:26:53,560 Speaker 9: never go back. 550 00:26:54,160 --> 00:26:56,879 Speaker 3: Right. I think you need to get into this because 551 00:26:56,880 --> 00:26:58,560 Speaker 3: I think you need to keep up with the conversation. 552 00:26:58,720 --> 00:27:04,480 Speaker 3: Because it's to do with a young boy and there's 553 00:27:04,520 --> 00:27:08,520 Speaker 3: a crime that takes place, and for episodes two and 554 00:27:08,680 --> 00:27:13,080 Speaker 3: three they look at the impact and the influence that 555 00:27:13,160 --> 00:27:19,840 Speaker 3: social media has played in this crime. So what's fascinating 556 00:27:19,960 --> 00:27:23,800 Speaker 3: is too Chrissy Swan is they've shot each episode and 557 00:27:23,840 --> 00:27:27,760 Speaker 3: there's four reps in the series. They've shot all episodes 558 00:27:27,880 --> 00:27:28,720 Speaker 3: in one take. 559 00:27:29,800 --> 00:27:32,320 Speaker 1: Oh imagine, Oh I love that. 560 00:27:32,440 --> 00:27:33,480 Speaker 3: I mean one take. 561 00:27:33,760 --> 00:27:35,520 Speaker 2: Imagine getting all the way through to the inn and 562 00:27:35,560 --> 00:27:36,560 Speaker 2: stuff and upper line. 563 00:27:36,640 --> 00:27:40,520 Speaker 3: Yeah, well there's things because you know. 564 00:27:40,520 --> 00:27:41,880 Speaker 6: You try and get the giggles. 565 00:27:41,880 --> 00:27:45,520 Speaker 5: I wouldn't because you imagine there'd be one hundred people 566 00:27:45,520 --> 00:27:48,560 Speaker 5: on set, and they'd get to like the last thirty seconds, 567 00:27:48,600 --> 00:27:52,320 Speaker 5: and Chrissy realizes the last thirty seconds, loses her mind. 568 00:27:52,800 --> 00:27:55,240 Speaker 6: And starts to agree, yeah, and. 569 00:27:55,200 --> 00:27:57,320 Speaker 3: The camera just has to turn hoping there'll be another 570 00:27:57,359 --> 00:28:01,360 Speaker 3: scene coming. But you know what's fascinating. They have Stephen 571 00:28:01,440 --> 00:28:05,359 Speaker 3: Graham is the father, and he's the actor who plays 572 00:28:05,359 --> 00:28:08,919 Speaker 3: the dad in Adolescence. He's gone on Jimmy Fallon and 573 00:28:08,960 --> 00:28:13,520 Speaker 3: he's spoken about this whole series of how you film 574 00:28:13,640 --> 00:28:17,720 Speaker 3: a full episode fifty plus minutes in one take. Have 575 00:28:17,880 --> 00:28:18,440 Speaker 3: listened to this. 576 00:28:18,800 --> 00:28:20,840 Speaker 7: Basically, what we do is we spend the first week 577 00:28:20,880 --> 00:28:23,199 Speaker 7: gone through the script, so it's like a play and 578 00:28:23,240 --> 00:28:25,399 Speaker 7: the cast really get to understand the language and what 579 00:28:25,400 --> 00:28:27,720 Speaker 7: we're doing in the text. And then the second week 580 00:28:28,080 --> 00:28:34,000 Speaker 7: you choreography with Matt Lewis, who's camera operator, so we 581 00:28:34,119 --> 00:28:36,480 Speaker 7: did the whole thing. And then it's a ballet, so 582 00:28:36,520 --> 00:28:38,480 Speaker 7: then you construct the whole scene because some of them 583 00:28:38,480 --> 00:28:41,200 Speaker 7: we go from a living room from the bedroom upstairs 584 00:28:41,200 --> 00:28:44,400 Speaker 7: down into a car, yes, to the prisons, to the 585 00:28:44,400 --> 00:28:48,680 Speaker 7: police station, so it's all one continuous move. Wow. 586 00:28:48,680 --> 00:28:50,120 Speaker 3: That phenomenal fascinating. 587 00:28:50,120 --> 00:28:51,960 Speaker 9: The first time I ever saw that, and this is 588 00:28:52,000 --> 00:28:55,240 Speaker 9: going back a long time. We're talking nineteen ninety one. Yeah, 589 00:28:55,400 --> 00:28:58,800 Speaker 9: a band, massive attack, Yeah are you? They had a 590 00:28:58,840 --> 00:29:03,520 Speaker 9: great song unfinished Sympathy, and that the entire clip, you know, 591 00:29:03,600 --> 00:29:07,080 Speaker 9: granted it's not fifty minutes, but it is in its 592 00:29:07,120 --> 00:29:13,200 Speaker 9: one take something so something calming about sort of joining that. 593 00:29:13,280 --> 00:29:17,240 Speaker 6: Journey at the beginning. I agree, and just letting it unfold. 594 00:29:17,600 --> 00:29:21,600 Speaker 2: The war movie nineteen seventeen is one whole take as well. 595 00:29:21,960 --> 00:29:23,080 Speaker 1: It just follows. 596 00:29:23,240 --> 00:29:27,080 Speaker 2: It's just with that soldier the whole time. 597 00:29:27,160 --> 00:29:30,000 Speaker 1: Yeah, okay, I agree with you. 598 00:29:30,080 --> 00:29:33,000 Speaker 2: It would be an absolute nightmare to film because there 599 00:29:33,000 --> 00:29:35,080 Speaker 2: would be things going wrong all the time. 600 00:29:35,200 --> 00:29:38,000 Speaker 1: But if you can nail it, what a great way. 601 00:29:38,080 --> 00:29:42,760 Speaker 2: So week one you're learning scripts, week two you're actually choreographed, 602 00:29:43,120 --> 00:29:44,600 Speaker 2: and then you do it your role playing. 603 00:29:44,640 --> 00:29:46,200 Speaker 3: But then he goes on to talk about when things 604 00:29:46,200 --> 00:29:47,920 Speaker 3: did go wrong fits what if. 605 00:29:47,760 --> 00:29:49,960 Speaker 1: Someone makes a mistake and you know what, it's late. 606 00:29:50,120 --> 00:29:52,200 Speaker 7: You just kind of carry on, unless it's one of 607 00:29:52,200 --> 00:29:54,560 Speaker 7: those things where the lights went out one time in 608 00:29:54,600 --> 00:29:57,640 Speaker 7: the police station, so we have to stop. But the 609 00:29:57,680 --> 00:30:00,560 Speaker 7: first episode that you see is the second and take. 610 00:30:01,160 --> 00:30:03,880 Speaker 7: That's the second teak we had in its entirety and 611 00:30:03,880 --> 00:30:07,440 Speaker 7: then the final episode that's the fourteenth teeth. 612 00:30:07,920 --> 00:30:11,760 Speaker 3: Imagine fourteen times. Do you know what's interesting though? Jack Thorne, 613 00:30:11,760 --> 00:30:14,920 Speaker 3: he's the guy who's written it. He's known very well 614 00:30:14,920 --> 00:30:19,440 Speaker 3: in creative writing circles in the UK. But he's a 615 00:30:19,560 --> 00:30:22,400 Speaker 3: huge campaigner for getting kids off social media as well. 616 00:30:22,800 --> 00:30:25,680 Speaker 3: So he also has come out and spoken in interviews 617 00:30:25,960 --> 00:30:29,240 Speaker 3: about how fantastic it is that here in Australia we 618 00:30:29,400 --> 00:30:33,120 Speaker 3: lead the world on a global scale of changing the 619 00:30:33,200 --> 00:30:36,680 Speaker 3: laws around kids under the age of sixteen being on 620 00:30:36,720 --> 00:30:39,640 Speaker 3: social media. So he's all in support. So you need 621 00:30:39,680 --> 00:30:42,520 Speaker 3: to go and watch not only for the message but 622 00:30:42,600 --> 00:30:44,720 Speaker 3: also for the genius of how to shoot a fifty 623 00:30:44,720 --> 00:30:46,680 Speaker 3: minute episode in one take. 624 00:30:47,720 --> 00:30:51,120 Speaker 2: Well, when I sawed adolescens there, that's one thing that 625 00:30:51,200 --> 00:30:52,680 Speaker 2: I don't want to go back and watch is my 626 00:30:52,760 --> 00:30:54,280 Speaker 2: adm imagine if they filmed. 627 00:30:54,000 --> 00:30:54,800 Speaker 5: That in one take. 628 00:30:56,280 --> 00:30:58,880 Speaker 6: My little shiny wornnut Booby's coming through. 629 00:30:58,720 --> 00:31:01,760 Speaker 4: My I mean, this is the fits in with Her 630 00:31:01,800 --> 00:31:03,800 Speaker 4: with Kate Richie podcast. 631 00:31:04,400 --> 00:31:08,280 Speaker 3: Take Fine Blank Are. 632 00:31:08,120 --> 00:31:12,280 Speaker 9: You across Take five magazine? 633 00:31:12,320 --> 00:31:13,400 Speaker 3: Is it still in production? 634 00:31:14,360 --> 00:31:16,000 Speaker 6: In production? I'm a subscriber. 635 00:31:17,600 --> 00:31:21,200 Speaker 2: Do you do you get it delivered or is it digital? 636 00:31:22,480 --> 00:31:22,560 Speaker 8: No? 637 00:31:22,680 --> 00:31:23,600 Speaker 6: I get it delivered. 638 00:31:24,080 --> 00:31:27,320 Speaker 9: I get it delivered to my letterbox, and I tear 639 00:31:27,360 --> 00:31:30,840 Speaker 9: the plastic open with joy and fervor. 640 00:31:31,080 --> 00:31:35,520 Speaker 6: Every week. How's that for direct delivery every single week? 641 00:31:35,680 --> 00:31:38,040 Speaker 3: Crosswords and competitions. 642 00:31:37,440 --> 00:31:39,400 Speaker 9: Yeah, I never get to that. I don't care about 643 00:31:39,400 --> 00:31:43,920 Speaker 9: a crossword. The stories. The stories are from real people 644 00:31:44,000 --> 00:31:47,120 Speaker 9: that walk among us. So it's not it's not like 645 00:31:47,240 --> 00:31:50,920 Speaker 9: you know, Dame Judy Dench talking about aging or whatever 646 00:31:51,640 --> 00:31:52,240 Speaker 9: it is. 647 00:31:52,640 --> 00:31:55,040 Speaker 6: You know, Leanne from. 648 00:31:55,120 --> 00:31:58,040 Speaker 9: Like art her Side hustle. 649 00:31:58,080 --> 00:31:58,800 Speaker 6: You won't believe it. 650 00:31:59,360 --> 00:32:03,000 Speaker 9: The headlines are incredible, and I've come up with a 651 00:32:03,120 --> 00:32:04,000 Speaker 9: game for you. 652 00:32:04,080 --> 00:32:04,720 Speaker 6: Yeah, I played. 653 00:32:04,800 --> 00:32:07,800 Speaker 9: I love to play this with my with my middle son, 654 00:32:08,400 --> 00:32:12,080 Speaker 9: who just cannot believe this magazine. So this is how 655 00:32:12,120 --> 00:32:14,720 Speaker 9: it works. I have got actual headlines. I've made a 656 00:32:14,720 --> 00:32:15,240 Speaker 9: scrap book. 657 00:32:15,240 --> 00:32:18,640 Speaker 6: I'm showing you. 658 00:32:17,440 --> 00:32:19,720 Speaker 1: This is unbelievable. You've gone to all the effort. 659 00:32:20,080 --> 00:32:23,400 Speaker 9: Yeah yeah, and I'm gonna read the headline. 660 00:32:23,400 --> 00:32:26,120 Speaker 6: I'm going to leave one word out and you. 661 00:32:26,120 --> 00:32:28,640 Speaker 9: Have to guess what word I've left out. Let's do 662 00:32:28,720 --> 00:32:30,600 Speaker 9: a test run, because this is your first time, and 663 00:32:30,680 --> 00:32:35,680 Speaker 9: I know you're not that bright. For example, if I 664 00:32:35,760 --> 00:32:39,160 Speaker 9: said to you, I ditched dating. 665 00:32:39,040 --> 00:32:45,040 Speaker 2: For pizza, I would say. 666 00:32:46,520 --> 00:32:47,240 Speaker 1: Caravans. 667 00:32:48,000 --> 00:32:52,040 Speaker 9: Okay, no, the answer is for sperm donation. A little 668 00:32:52,120 --> 00:32:55,520 Speaker 9: side bubble that says, and now look ready, I. 669 00:32:55,440 --> 00:32:57,080 Speaker 3: Could have been anything, all right, I love the walnut. 670 00:32:57,120 --> 00:32:57,920 Speaker 3: This is a great game. 671 00:32:59,080 --> 00:32:59,880 Speaker 6: Nothing set. 672 00:33:00,080 --> 00:33:05,960 Speaker 9: These are actual headlines from my collection. Nothing says Christmas like. 673 00:33:09,760 --> 00:33:10,480 Speaker 3: Of vasectomy. 674 00:33:12,040 --> 00:33:14,240 Speaker 9: I like where you're going with this whip up because 675 00:33:14,240 --> 00:33:17,960 Speaker 9: you're thinking outside. The answer is, nothing says Christmas like 676 00:33:18,000 --> 00:33:19,320 Speaker 9: a good old pooh. 677 00:33:19,360 --> 00:33:22,840 Speaker 3: Okay, sure, I mean some other themes at Christmas time, 678 00:33:22,840 --> 00:33:24,000 Speaker 3: but if you want to run with that you can. 679 00:33:24,160 --> 00:33:25,440 Speaker 1: What was the story about? 680 00:33:25,960 --> 00:33:28,120 Speaker 6: Thank you for asking fits. I've made notes on that 681 00:33:28,200 --> 00:33:28,640 Speaker 6: as well. 682 00:33:30,200 --> 00:33:35,120 Speaker 9: In Catalonia, Spain, there are not there is not one. 683 00:33:35,240 --> 00:33:40,560 Speaker 9: There are two excrement based Christmas traditions, including the carganeer 684 00:33:40,920 --> 00:33:44,480 Speaker 9: or the poopa in English. Carganeer is a figurine of 685 00:33:44,520 --> 00:33:48,080 Speaker 9: a man with his pants down doing an number two. 686 00:33:48,760 --> 00:33:50,480 Speaker 3: Put it on your mantelpiece at Christmas time. 687 00:33:51,160 --> 00:33:56,160 Speaker 9: Next headline, I'm spreading joy with my legs. 688 00:33:59,000 --> 00:34:03,760 Speaker 2: I'm spreading joy with my grandmother's ashes. 689 00:34:05,120 --> 00:34:07,640 Speaker 6: Oh, I like that. You've gone. You've used the spreading 690 00:34:07,720 --> 00:34:10,200 Speaker 6: of the at yet. No, no, no, the answer was 691 00:34:11,320 --> 00:34:12,800 Speaker 6: with my painted nuts. 692 00:34:12,840 --> 00:34:16,120 Speaker 3: Okay, all right, So the chances of us actually getting 693 00:34:16,120 --> 00:34:18,360 Speaker 3: one right is close to him possible? 694 00:34:18,760 --> 00:34:19,520 Speaker 1: Okay, don't you. 695 00:34:19,520 --> 00:34:21,400 Speaker 6: Want to know? 696 00:34:22,239 --> 00:34:24,560 Speaker 9: So Colin lives out the back of Ipswich and he 697 00:34:24,600 --> 00:34:27,719 Speaker 9: collects up coconuts and paint on my. 698 00:34:27,880 --> 00:34:29,280 Speaker 6: Hand and sells them. 699 00:34:29,280 --> 00:34:34,640 Speaker 2: Right, Yeah, or just painting some eyes under his daggats 700 00:34:35,000 --> 00:34:36,600 Speaker 2: and surprise scroble wrinkle. 701 00:34:38,120 --> 00:34:40,480 Speaker 9: I would have all the time in the world a 702 00:34:40,480 --> 00:34:44,440 Speaker 9: little pair of bucket googly eyes on the on a pair. 703 00:34:44,280 --> 00:34:48,680 Speaker 2: Of test somebody's watching, Chris, Are you ready? 704 00:34:50,239 --> 00:34:51,320 Speaker 1: You ready? 705 00:34:52,800 --> 00:34:55,080 Speaker 6: I can't stop eating my. 706 00:34:56,200 --> 00:34:56,520 Speaker 11: It's not. 707 00:34:58,840 --> 00:35:04,240 Speaker 9: Yuck my my, Like we can't deal with snip my garden. 708 00:35:04,320 --> 00:35:08,040 Speaker 1: People eat dirt. I saw a story the other day dirt. 709 00:35:07,760 --> 00:35:10,160 Speaker 3: And executive producer. 710 00:35:11,080 --> 00:35:17,280 Speaker 6: You're very close. Who are you, Armie Hammer? I can't 711 00:35:17,280 --> 00:35:19,600 Speaker 6: stop eating my house? 712 00:35:19,960 --> 00:35:20,200 Speaker 3: Okay? 713 00:35:20,400 --> 00:35:20,640 Speaker 1: Yes. 714 00:35:21,400 --> 00:35:24,760 Speaker 9: This is the first person's story from Patrise ram Golan, 715 00:35:26,040 --> 00:35:28,239 Speaker 9: who when she was a kid a family member she 716 00:35:28,320 --> 00:35:31,360 Speaker 9: overheard them in the in the kitchen saying what about 717 00:35:31,960 --> 00:35:35,960 Speaker 9: Nessie and Jim. They've been eating their the walls in 718 00:35:36,000 --> 00:35:39,399 Speaker 9: their house, and straight away Patrice went, I wonder what 719 00:35:39,440 --> 00:35:42,640 Speaker 9: that would get from out the back. When she started, 720 00:35:42,719 --> 00:35:46,520 Speaker 9: she started, yeah, she started secretly eating parts of the 721 00:35:46,560 --> 00:35:49,080 Speaker 9: house and now she can't stop. 722 00:35:49,560 --> 00:35:53,480 Speaker 2: Right o, Tommy, can I throw a challenge at you? 723 00:35:53,680 --> 00:35:58,200 Speaker 1: Yeah, for Chrissy? Right? Can you track someone down who's 724 00:35:58,280 --> 00:36:00,200 Speaker 1: worked for Take five? Mega? 725 00:36:00,719 --> 00:36:03,920 Speaker 2: And I just want I want to what do they 726 00:36:04,040 --> 00:36:07,000 Speaker 2: do during the day in the office, Like what what 727 00:36:07,040 --> 00:36:07,239 Speaker 2: are you? 728 00:36:07,440 --> 00:36:09,200 Speaker 1: What are you assigned to do? 729 00:36:09,520 --> 00:36:11,879 Speaker 6: When you're going my dream job? 730 00:36:12,000 --> 00:36:15,360 Speaker 9: Because all the all the copy through the articles are amazing, 731 00:36:15,440 --> 00:36:18,000 Speaker 9: like there'll be a photo with a woman with googly 732 00:36:18,040 --> 00:36:22,399 Speaker 9: eyes and they don't care that the journal is going, Hey, 733 00:36:22,520 --> 00:36:24,400 Speaker 9: check out my googlear. 734 00:36:23,880 --> 00:36:25,960 Speaker 3: Com me could we get? I mean it's either an 735 00:36:26,000 --> 00:36:29,000 Speaker 3: adult excursion to the officers of Take five or Chrissy 736 00:36:29,600 --> 00:36:33,480 Speaker 3: work experience. And they do an article on how Chrissy 737 00:36:33,520 --> 00:36:35,080 Speaker 3: found the work experience at Take five. 738 00:36:35,120 --> 00:36:36,080 Speaker 13: What would the headline be? 739 00:36:38,880 --> 00:36:39,280 Speaker 3: Blank? 740 00:36:40,040 --> 00:36:43,960 Speaker 9: It would be this is a new kind of community service. 741 00:36:46,960 --> 00:36:48,399 Speaker 1: Anyway you want to Tank five? 742 00:36:48,719 --> 00:36:51,480 Speaker 3: Tank five? It hasn't tanked yet. 743 00:36:52,640 --> 00:36:55,120 Speaker 9: By the same people as Women's Weekly. So I've got 744 00:36:55,120 --> 00:36:58,240 Speaker 9: an in there. Guys, great because I'm the monthly columnist. 745 00:36:58,239 --> 00:36:58,839 Speaker 9: Thank you for paying? 746 00:36:58,920 --> 00:37:00,799 Speaker 3: Sure, I love I love what everyone day? 747 00:37:01,680 --> 00:37:03,440 Speaker 6: Do you want me to give you one last one? 748 00:37:03,680 --> 00:37:03,880 Speaker 3: We go? 749 00:37:05,480 --> 00:37:19,360 Speaker 11: H let me see my puppy, is that it Yeah, underwear. 750 00:37:19,560 --> 00:37:22,239 Speaker 6: No, but that is the correct you know. 751 00:37:23,440 --> 00:37:27,840 Speaker 9: Yeah, the structure of the sentence my puppy. 752 00:37:27,400 --> 00:37:28,320 Speaker 1: My puppy. 753 00:37:29,960 --> 00:37:31,840 Speaker 3: Uh, it's puppy not puppies. 754 00:37:32,239 --> 00:37:33,880 Speaker 6: Is free just puppy. 755 00:37:34,760 --> 00:37:39,280 Speaker 9: What Hey, you've got some sort of weird juju fits 756 00:37:39,440 --> 00:37:39,919 Speaker 9: because did. 757 00:37:39,840 --> 00:37:40,719 Speaker 6: You say flammable? 758 00:37:41,120 --> 00:37:41,319 Speaker 8: Yes? 759 00:37:42,200 --> 00:37:46,000 Speaker 9: Wow, the answer is and I don't need to explain 760 00:37:46,080 --> 00:37:51,160 Speaker 9: this story. My puppy set me on fire on Christmas Eve. 761 00:37:51,640 --> 00:37:52,080 Speaker 3: Awesome. 762 00:37:54,040 --> 00:37:58,200 Speaker 9: Congratulations, It's like the fairy tale ruppel Steelskin you never 763 00:37:58,360 --> 00:37:59,000 Speaker 9: get again. 764 00:38:00,280 --> 00:38:03,200 Speaker 2: Fits In Whipper with Kate Ritchie is a Nova podcast 765 00:38:03,280 --> 00:38:04,640 Speaker 2: to walk great shows like this. 766 00:38:04,920 --> 00:38:08,360 Speaker 3: Download the Nova Player via the App Store or Google Play. 767 00:38:08,520 --> 00:38:09,480 Speaker 4: The Nova Player