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Speaker 1: Previously.

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Speaker 2: I'm Relatable's Baddies book Club for finding out that you're

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Speaker 2: trying to have a second kid, and that's why Enzo's

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Speaker 2: still there because he's Cecily's dad.

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Speaker 1: Pull my drop. Oh my god. That was good. Yeah,

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Speaker 1: that was a good prediction.

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Speaker 3: Oh wow, all right, watch me be completely wrong.

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Speaker 1: I love how I invested you already are. Yeah, that

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Speaker 1: was so good. All right, Welcome to Relatables Baddies book Club,

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Speaker 1: where we will embark on a journey reading some of

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Speaker 1: the finest pieces of literature you have ever laid eyes

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Speaker 1: or he is, if that's your preferred way to consume

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Speaker 1: a book.

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Speaker 2: On The Housemaid Chapters eleven to twenty.

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Speaker 1: Yeah, I'm glad some stuff has started to come out

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Speaker 1: of the woodworks.

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Speaker 3: Yeah it's happening up. Yeah, come out of the woodwork.

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Speaker 2: Yeah, it's turning up and it's kind of like snowballing

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Speaker 2: quite quickly.

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Speaker 1: And I like that. Yeah, it's a so I want

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Speaker 1: the I'm starting to expect the Sarah Jay mass effect

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Speaker 1: in this book because we're twenty chapters in and I

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Speaker 1: know that's not much, but they're short chapters. Even though

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Speaker 1: it is a sixty chapter book. There's chapters that are

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Speaker 1: three pages. There's chapters that are two pages like that,

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Speaker 1: And I was kind of like, you know what I

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Speaker 1: did yesterday was I didn't start reading. I started on

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Speaker 1: chapter eleven at I think five PM. I read a couple,

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Speaker 1: went to bed at nine, finished it, and I was

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Speaker 1: just like, this was easy.

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Speaker 2: This book makes me feel smart, whereas like Akata, I

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Speaker 2: was like, fuck it, yeah, this is using my brain bound.

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Speaker 1: Yeah, Akatar is a couple like you got to reread

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Speaker 1: a few pages. You're like, fuck, I've ventured off in

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Speaker 1: the oh, yeah, what was my mind doing? But I

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Speaker 1: do like it. But what I'm starting to expect is like,

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Speaker 1: because surj Mass's books, some of them are also sixty chapters,

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Speaker 1: some of them eighty chapters, but the chapters are so

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Speaker 1: long that it feels as though the last twenty chapters

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Speaker 1: or the last thirty chapters are or they are technically

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Speaker 1: the last fucking I guess twenty percent of the book.

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Speaker 1: But so what I'm trying to get out is we're

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Speaker 1: used to this much of book being intense. Yeah, we

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Speaker 1: used to this much of book being intense, because that's

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Speaker 1: how much of fucking that's the whole book. But that's

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Speaker 1: like the whole book. And so as of right now

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Speaker 1: it's been pretty slow, but we've just figured some stuff out. Yeah,

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Speaker 1: I've kind of liked.

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Speaker 2: Like the little little teasers here and there, the slow

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Speaker 2: plot getting into the scene setting.

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Speaker 1: Yeah.

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Speaker 2: Same now it's like it it reminded me of my

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Speaker 2: crime podcast days.

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Speaker 1: Okay, I can't for some read it just never would

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Speaker 1: have taken you as a crime podcast guy.

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Speaker 2: I used to do it when I was driving a

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Speaker 2: fair bit when we went traveling on the eat Coase

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Speaker 2: of Australia because we were driving so much, I would

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Speaker 2: do like I'd have funny he public podcasts and then

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Speaker 2: i'd also have crime and then like I wasn't listening

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Speaker 2: to that much education occasional at the time, but I'd

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Speaker 2: go crime for a little bit. Then when I got scared,

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Speaker 2: I'll go to the funny hihi haha.

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Speaker 3: And it's reminded me. It's giving me reminiscence of my.

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Speaker 1: Favorite was Crime Junkie Crime Junky.

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Speaker 3: It's giving that a little bit.

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Speaker 2: And I was like, oh, I'm excited because you're like

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Speaker 2: you're like, what a fucking idiot, But then you're also like,

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Speaker 2: I don't know how it feels to be in that situation.

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Speaker 1: Well, this is good, this is a good book for you.

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Speaker 1: Then a little bit of psychological or thriller crime type shit.

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Speaker 1: I was the other day we were talking about how

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Speaker 1: do you grow? How do you grow with the times?

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Speaker 1: You know, we've got book Club, we've got this, we've

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Speaker 1: got that. Is there any other angle we can get into?

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Speaker 1: And I actually we thought we did say like, Crime

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Speaker 1: is huge, people love it, And I originally said, like, oh,

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Speaker 1: because we aren't that interested in it. I don't think

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Speaker 1: it would do well. And you did mention like you

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Speaker 1: have listened to it a bit, but I didn't know

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Speaker 1: you actually kind of quite liked it.

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Speaker 3: Yeah, it's a funny.

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Speaker 2: I don't know if the word like is correct. It's

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Speaker 2: a funny relationship in a sense of you listen because

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Speaker 2: you need to know what happens.

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Speaker 1: And that's why Crime is so good, because it's gripping.

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Speaker 4: Yeah.

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Speaker 2: Yeah, it's like all those bad Netflix series that are

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Speaker 2: coming out and it's all these murder mysteries and they're

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Speaker 2: done terribly.

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Speaker 1: But have you started watching ed Gane No, I haven't

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Speaker 1: halfway through the same thing as the other one we watched,

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Speaker 1: where we watch half the episode. Turned it off, Dama, Yeah,

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Speaker 1: really exact same thing. Watch half the episode best and

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Speaker 1: I turned it off.

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Speaker 2: I mean, like, you know, have you seen like the

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Speaker 2: real story. I suppose that Dharmo and this person that

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Speaker 2: he's acting, but it's like the actual real scenes of

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Speaker 2: like the police footage camera and this is terrible, but

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Speaker 2: like what actually happened is crazy that you have to

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Speaker 2: keep watching.

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Speaker 1: Yep, yep, yep.

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Speaker 3: Yeah, it's kind of giving that.

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Speaker 2: Because I'm like, leave girl, like be homeless. Yeah, but

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Speaker 2: we found out what's her parole officer. She's got to

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Speaker 2: keep the job.

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Speaker 1: So yeah, that's the thing it makes you. Let's go back,

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Speaker 1: let's go into the recap. Okay, right, So, as we said,

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Speaker 1: it's nice short chapters, which is beautiful for the recap.

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Speaker 1: So we left off with, you know, Andrew's cool, Cecilia's

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Speaker 1: a bitch, Nina's a bitch, Millie's pretty cool butt you know,

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Speaker 1: Nina is just so bipolar, it's ridiculous. Finished off with

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Speaker 1: Nina gave Milly some clothes and then she's like, all right,

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Speaker 1: now clean them up. Don't be fucking rude, like I

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Speaker 1: just gave you shit.

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Speaker 2: Yeah, So next chapter is Nina calls Milly kind of frantically,

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Speaker 2: can you.

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Speaker 1: Please pick up Cecilia from school? It's called it's called

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Speaker 1: the Winter Academy. You pick her up from the Winter Academy.

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Speaker 1: And so Milly's like shit, and she goes, yeah, two

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Speaker 1: forty five. It's like two thirty, and Nina goes, sorry.

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Speaker 1: Milly's thinking shit, okay. She goes to look at the

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Speaker 1: Winter Academy doesn't exist. It's in Wisconsin or something. They're

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Speaker 1: in New York, Long Island I think it was. And

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Speaker 1: she's thinking, what she called it the Winter Academy. I

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Speaker 1: swear she called it the Winter Academy. What is I'm not?

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Speaker 1: And so she luckily saw a thing on the fridge

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Speaker 1: that said the Windsor Academy and that's her actual school.

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Speaker 1: So she finds it. Rips there, gets a park next

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Speaker 1: to like a Rolls Royce in a Mercede goes waits,

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Speaker 1: there's like five entrances. She's like, fuck, where's Cecily gonna

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Speaker 1: come out? She's stressed, and she goes and sees some mums.

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Speaker 1: She's like, I'm so sorry, where did the fourth graders

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Speaker 1: come out? They say, all right here and then they say, oh,

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Speaker 1: you who you picking up? She said, Cecilia, I am

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Speaker 1: Nina Win and she go and they go, oh, you

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Speaker 1: must be Nina's new maide or something like that, and

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Speaker 1: then Millie correct san says I'm the housekeeper whatever. They

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Speaker 1: go on to be like how is it. They tell

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Speaker 1: her Nina's psychotic, she's crazy, she's she's cuckoo whatever, and

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Speaker 1: she's like weird. She doesn't ask him too many more questions.

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Speaker 1: Gets Cecilia comes out and she goes, all right, say Cecilia,

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Speaker 1: like your mom said to pick her up. And she's like,

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Speaker 1: you're not picking me up. I'm going I'm getting picked

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Speaker 1: up by like Sarah's mum to go to ballet or

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Speaker 1: karate or some shit karate and she goes, no, no, no,

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Speaker 1: your mom definitely she said call me. She just called me.

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Speaker 1: And so then Sarah's mum comes over and she goes,

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Speaker 1: it's hey, Cecilia, ready to go, And then Nina goes

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Speaker 1: over and she goes, So Milli goes over and she's like,

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Speaker 1: I'm so sorry, I'm Nina's new housekeeper. She's asked me

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Speaker 1: to pick Cecilia up. And so then fucking this girl

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Speaker 1: course Nina. She's like Hi, great housekeeper here. She says

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Speaker 1: she's in for Cecilia. What's going on. She's like, ha

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Speaker 1: ha ha, yes, of course I totally understand. Yet all

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Speaker 1: good and then she hangs up the phone. She's like,

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Speaker 1: Nina has no idea what you're talking about.

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Speaker 3: She leaves, this would make me feel crazy.

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Speaker 1: Oh my god, bro, She goes, yeah, Nina has no

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Speaker 1: idea talking about you must have days mixed up. Cecilia

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Speaker 1: goes off. She texts Nina. She goes, what's going on here?

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Speaker 1: She's like, millly, I have no idea what you're talking about,

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Speaker 1: so merely you're losing the plot.

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Speaker 2: And I was like, gas lidding really to the I

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Speaker 2: was like, what the fuck?

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Speaker 1: Anyway, next day she's cleaning. She's on her own, she's

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Speaker 1: cleaning the on sweet bathroom, and she's like, why the

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Speaker 1: fuck does this place get so filthy? Basically, she cleans

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Speaker 1: all day, gets the place spotless, the whole house. She

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Speaker 1: wakes up in the morning. Somehow the house is absolutely

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Speaker 1: filthy after a day, like toothpaste caked, bloody tampons on

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Speaker 1: the ground, fucking just close everywhere. She always likes to

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Speaker 1: mention though, that Andrew's clean.

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Speaker 3: Yeah, Andrew.

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Speaker 1: Andrew seems to get his clothes in the laundry.

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Speaker 3: MM.

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Speaker 1: So Millie's like those ladies were talking about, you know,

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Speaker 1: she's crazy. They might have even mentioned like a psych

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Speaker 1: ward or a mental hospital or something. She's like, what

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Speaker 1: if I take a peek at a medicine capinet? And

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Speaker 1: I was like, oh fuck, it's just recipe.

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Speaker 3: For We're starting to see Millie's decision making is a

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Speaker 3: little bit flawed.

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Speaker 1: Yeah, yeah, yeah, yeah. So it's just classic main character energy.

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Speaker 1: All main characters have to be like this. So she

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Speaker 1: takes a peak. She finds a medicine. I wrote them down.

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Speaker 1: I don't know if it's real or not. Everything else

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Speaker 1: in the book seems to be real. There's a it's

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Speaker 1: an antipsychotic medicine called halo paradole. So she sees anything

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Speaker 1: because halo paradol. There's heaps of medicine in there. By

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Speaker 1: the way, then Nina comes in. Nina's like, what are

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Speaker 1: you doing in here? She doesn't see that, merely looked

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Speaker 1: at the medicine counter and she's like, what are you

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Speaker 1: doing here? She goes, I'm cleaning your bathroom and she's like,

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Speaker 1: what sprain wipe are you using. She's like, I don't know.

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Speaker 1: Is it organic? I don't think so, it's like we

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Speaker 1: prefer organic stuff in this house. And I was like okay.

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Speaker 1: She's like, actually, actually, can you show me how you

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Speaker 1: clean the basin?

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Speaker 3: It is crazy?

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Speaker 1: Can you show me how you clean the basin? Because

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Speaker 1: I don't think you're doing a very good job. She

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Speaker 1: cleans the basin and she's like, Okay, is that how

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Speaker 1: you actually clean it? Or is that how you clean

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Speaker 1: it when I'm watching You's like a fucking hell bro

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Speaker 1: oh my god. And she's like whatever, whatever, just makes

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Speaker 1: you do a better job to cleaning the house please,

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Speaker 1: because I don't have time to what you clean and

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Speaker 1: make sure you're doing the good time. Fucking hell bro

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Speaker 1: oh she bugs off all right. Next scene Enzo I

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Speaker 1: believe is this when he knocks on the door he

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Speaker 1: has a package?

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Speaker 3: Yeah, someone dropped a big package at the front or.

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Speaker 1: Is this no? Sorry? This is is this no? No? No,

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Speaker 1: it's not sorry. So she just has a She notices

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Speaker 1: Enzo outside working, takes him a glass of water. She's

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Speaker 1: trying to get info out of him. But English shit

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Speaker 1: still not good. But he's still got that little bit

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Speaker 1: of a word look in his face. But yeah, so

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Speaker 1: it just didn't really work out. And once again, obviously

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Speaker 1: he's so sexy, he's so handsome, he would be great

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Speaker 1: in beads. She's mentioning this a lot, and chatchbt, I

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Speaker 1: looked it up. This is when when you said, I

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Speaker 1: hope this is a sexy book. I asked, chatchibt, hopefully

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Speaker 1: it's wrong, because it can get stuff wrong, because it

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Speaker 1: told me it's not. But he's referencing a lot of things.

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Speaker 2: She is, no, but what we found out happens kind

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Speaker 2: of alludes to nothing sexy does happen, but also how

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Speaker 2: much she's like sexualizing Andrew too, and like he was single.

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Speaker 1: Think to be fair, she's been in prison for ten years.

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Speaker 3: Bro, Yeah, but she seems to be pretty.

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Speaker 1: Yeah, apparently she's beautiful.

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Speaker 2: Go out and find someone who you don't work for

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Speaker 2: or doesn't work for your same employers.

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Speaker 1: Yeah, all right. So now she's got a day off

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Speaker 1: and she's got her first parole meeting with while being

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Speaker 1: with the Winchesters, and I had the prole meeting with

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Speaker 1: so she says, she says things like, oh, I have

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Speaker 1: one of these per month. Now I need to hold

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Speaker 1: down a job, have a place to live or else,

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Speaker 1: have to finish my the five years of my sentence

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Speaker 1: in prison. So on. Parole still means like you're technically

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Speaker 1: you know, you just have there's requirements, I assume, and

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Speaker 1: you're not allowed to lie. But she has been lying

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Speaker 1: to a pro officer. She goes in and pro officer

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Speaker 1: seems nice. You know, how's it going. She says, I

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Speaker 1: got a new job. I'm the live in house keeper

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Speaker 1: of the Winchesters. She's sweet. How they're treating you. She lies,

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Speaker 1: and she says it's great. She goes on to sending

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Speaker 1: Milli things like, yeah, you need a social life. You

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Speaker 1: need to you know, one day you can find a man.

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Speaker 1: No pressure, no pressure.

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Speaker 2: But you know, there was a mention in there about

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Speaker 2: like drugs or like drug trafficking or something for like

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Speaker 2: her sentence, there was a sly little mention about it,

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Speaker 2: or like she said something about it. That might have

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Speaker 2: been what she got.

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Speaker 1: So it wasn't murder. We think it was murder.

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Speaker 3: We think it was murder.

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Speaker 1: It could be still.

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Speaker 2: But there was a little mention about drugs, Okay, was there?

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Speaker 1: I do seem to feel like there was some.

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Speaker 2: It was like a sly message about something, saying it

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Speaker 2: was when she was incarcerated, something about the drug traffickers

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Speaker 2: or the drug something.

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Speaker 1: Okay, Yeah, she talks about a prison a little bit.

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Speaker 1: Fuck I didn't catch that. But the next day she

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Speaker 1: can't sleep. She talks about how in prison you have

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Speaker 1: to sleep one eye open. Obviously everyone's got that fang

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Speaker 1: on there. So initially when she first got out of prison,

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Speaker 1: she slept well, but then her insomnia came back. So

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Speaker 1: she wants to buy a TV for a room because

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Speaker 1: she wants the white noise or something, but she needs

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Speaker 1: a few more paychecks for that. She's like, well, I

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Speaker 1: could just go downstairs and watch the TV. So that's

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Speaker 1: what she does. Everyone's asleep. It's like nine thirty. No, no,

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Speaker 1: I'm sorry, I think it's like one am by now

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Speaker 1: it's Mill night. It's a mill of the night. And

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Speaker 1: their routine, like the Winchess's routine is quite you know,

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Speaker 1: always in bed by like nine regiment. Yeah, So she

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Speaker 1: goes down and she's like, fuck it up. She watches

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Speaker 1: the family feud. She's watching and she's just wearing like

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Speaker 1: some some box of shorts or like workout shorts and

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Speaker 1: a t shirt. No bra by the way, no bra.

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Speaker 1: And she's watching family Feud, giggling, and then and then

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Speaker 1: Andrew comes down. He says, is that family feud? And

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Speaker 1: she's like, oh my god, oh my god, I'm so sorry.

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Speaker 1: I'm so sorry. And he's like, no, Nina, sorry, sorry, Millie.

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Speaker 1: I keep getting them mixed up. He's like, no, Milli,

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Speaker 1: it's fine. You live here, you're lad to watch the TV.

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Speaker 1: I'm just getting water, don't mind me. He goes get

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Speaker 1: drink of water, sits down. She scoots away from him.

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Speaker 1: She's terrified of being next to him, just case near

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Speaker 1: C's right, and he's like, I don't know what. They

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Speaker 1: just basically watched some family few together.

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Speaker 2: Andrew's a little bit of a flirt, dude, Andrew a

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Speaker 2: little bit.

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Speaker 1: I It feels to me that Andrew gets joy out

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Speaker 1: of making people feel comfortable. Yes, like, and not that

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Speaker 1: that's a bad thing.

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Speaker 2: Something about that rubs me, rubs me the wrong way. Agreed, Agreed.

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Speaker 2: It's interesting.

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Speaker 3: He's too good looking.

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Speaker 2: Yeah, he's too perfect, he's too nice, he's too clean.

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Speaker 3: Someone like that has something wrong with.

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Speaker 1: And it's too and it's mentioned too often. You know,

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Speaker 1: Millie always says things like he could be doing way

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Speaker 1: better than Nina, he'd be with a supermodel, all these things.

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Speaker 1: He's clean, he's a great dad, green as flag. Ever,

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Speaker 1: I'm intrigued.

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Speaker 2: We watched the trailer last week on Patreon, and we

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Speaker 2: saw Nina and she was quite thin, and throughout this

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Speaker 2: whole book it describes how huge big she's getting.

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Speaker 3: Yeah, I wonder how they do that in the movie.

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Speaker 1: They might not.

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Speaker 3: Okay, they may not, who knows, Yeah, because.

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Speaker 2: I was thinking, I was like, the trailer we saw

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Speaker 2: was a very thin, nice looking yeah.

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Speaker 1: Very attractive yeah, and then the book this chick's big.

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Speaker 1: What's that actor's name? She's from Mama Mia is she? Yeah,

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Speaker 1: she's a good actor. But so he's down there and

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Speaker 1: then they're kind of chatting, and then I think she

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Speaker 1: might she may have even said something on the lines

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Speaker 1: of like, oh, you know, I just I don't think

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Speaker 1: Nina would be all that happy if we were talking,

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Speaker 1: because he was also just wearing like a see through shirt,

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Speaker 1: pajama shirt and boxes. And then so there's downstairs and

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Speaker 1: they're fucking pajamas chilling.

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Speaker 2: Didn't say it, but I was picturing that bulbs about

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Speaker 2: seeing some sexy muscles.

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Speaker 1: So then they're joking and laughing and he's making her comfortable,

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Speaker 1: of course, and she's like fuck it. And then we

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Speaker 1: don't even hear footsteps. She's too quiet on her feet.

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Speaker 1: Nina at the foot of the stairs. It's going on here?

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Speaker 1: What's all the jokes about? What's all the jokes? My house?

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Speaker 4: All right?

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Speaker 1: And then and so she's like, what's going on down here? Huh?

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00:16:12,800 --> 00:16:14,280
Speaker 1: And then Andrew's like, oh, you know, he just watching

339
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Speaker 1: a family feud. Oh wait, completely forgot something real back

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Speaker 1: to before Nina gets there. So Andrew sits down and

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Speaker 1: he's like, I'm hungry. Would it be crazy? Would it

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00:16:26,400 --> 00:16:29,760
Speaker 1: be crazy if I ate peanut butter right out of

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Speaker 1: the jar? And and she goes like what does she say?

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Speaker 1: Because he says like would it be crazy? For?

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Speaker 3: Like what do you mean?

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Speaker 1: Yeah, She's like what do you Maybe she asked him

347
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Speaker 1: why do you have it? And he goes peanut butter?

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Speaker 1: So everyone knows peanut butter. She goes, well, Cecily is allergic.

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Speaker 1: He's like, no, she's not. I was thinking what and

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Speaker 1: Millie goes, no, I made her a peanut butter like

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Speaker 1: snack the other day and she told me she's like

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Speaker 1: deathly allergic to it. And Andrew goes, look, I think

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Speaker 1: I would know if my daughter was definitely alleged peanut butter. Also,

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Speaker 1: why would we have it in the house. And Nina's thinking,

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Speaker 1: that's exactly what I was thinking. But sorry, Millie was

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Speaker 1: thinking that's exactly what. But Nina also said, like, you're

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Speaker 1: trying to kill my kid. Okay, Nina said, I told

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Speaker 1: you this listen better insane. So Millie's like, anyway. Then

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Speaker 1: they go on to joke and laugh. Right then Nina

360
00:17:33,480 --> 00:17:35,920
Speaker 1: comes down. What's all the jokes about? She gets in,

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Speaker 1: she's ripping in. She goes, Nina, this is the sorry.

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Speaker 1: She goes Millie, this is the family room. I keep

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Speaker 1: on mixing them up. Nina says to Millie, this is

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Speaker 1: the family room. What are you doing down here? And

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Speaker 1: Andrew's like, Nina, she can watch TV, she lives here.

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Speaker 1: She goes Andrew, and you you have a meeting in

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Speaker 1: the morning. What are you doing? Huh? Get the fuck

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Speaker 1: to bed. So he kind of goes, yeah, you know,

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00:18:00,000 --> 00:18:04,800
Speaker 1: you're right, You're right whatever. He walks upstairs and then dude,

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Speaker 1: this is the craziest I wrote down what she said, right,

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Speaker 1: So she kind of rips into Milli a bit okay,

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00:18:13,320 --> 00:18:19,760
Speaker 1: and then Millie is worried that Nina's jealous, and so

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Speaker 1: she's like, I need to make this better, and so

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00:18:22,080 --> 00:18:27,720
Speaker 1: she says to Nina on the stairs, She's like, she

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00:18:27,840 --> 00:18:33,840
Speaker 1: goes Nina, like, I swear that nothing was happening, and

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00:18:33,920 --> 00:18:39,399
Speaker 1: Nina laughs in her face. Right, Nina laughs in her face, ha,

377
00:18:40,440 --> 00:18:45,480
Speaker 1: do you think my husband would risk everything he has for?

378
00:18:46,080 --> 00:18:49,720
Speaker 1: And I quote, she says, you think I'm scared that

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Speaker 1: my husband would risk everything in his life for some

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00:18:53,359 --> 00:19:00,520
Speaker 1: trampy servant living in the attic? Crazy because you couldn't

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00:19:00,560 --> 00:19:01,960
Speaker 1: say that to me, a bro.

382
00:19:02,320 --> 00:19:05,880
Speaker 2: I would have fucking I would have packed my bags

383
00:19:05,960 --> 00:19:09,760
Speaker 2: and left trippy servant.

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00:19:11,520 --> 00:19:12,480
Speaker 1: Nina's terrifying.

385
00:19:12,720 --> 00:19:14,280
Speaker 3: That's when you get petty a all right.

386
00:19:15,200 --> 00:19:20,040
Speaker 1: So then if Millie's embarrassedes, fuck right, Andrews left his

387
00:19:20,080 --> 00:19:23,199
Speaker 1: water glass on the coffee table, Nina goes, while you're

388
00:19:23,240 --> 00:19:27,600
Speaker 1: at it, clean up this mess. It's one glass. Nina

389
00:19:27,600 --> 00:19:30,280
Speaker 1: goes upstairs. Milli goes and picks up the glass, throws

390
00:19:30,320 --> 00:19:32,680
Speaker 1: it on the ground. What I was like, what's going on?

391
00:19:34,040 --> 00:19:35,960
Speaker 1: She shocks about how she needs to like reel it

392
00:19:36,000 --> 00:19:38,040
Speaker 1: in a bit, and you know not. Let Nina see

393
00:19:38,880 --> 00:19:42,320
Speaker 1: Millie has a dark he does, Milli has a dark side.

394
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Speaker 1: She has a temper that was left field as I

395
00:19:44,760 --> 00:19:55,000
Speaker 1: was like, what interesting. Okay, now we've got Millie stressing

396
00:19:55,000 --> 00:19:59,280
Speaker 1: about a PTA meeting Parent Teacher Association. Nina is the

397
00:20:00,080 --> 00:20:03,520
Speaker 1: vice president of it. So Nina's been stressing her out

398
00:20:03,680 --> 00:20:07,119
Speaker 1: because she's nailing into her or just hounding into her.

399
00:20:07,160 --> 00:20:09,679
Speaker 1: She needs to pick up these or derves right. Also

400
00:20:10,119 --> 00:20:12,240
Speaker 1: didn't know that's how you spelt all derves hat jo

401
00:20:12,359 --> 00:20:16,720
Speaker 1: warr space do o u v r s. What is

402
00:20:18,400 --> 00:20:22,240
Speaker 1: finger food? Bro oh right, yeah, it's like finger food

403
00:20:23,000 --> 00:20:25,679
Speaker 1: or dirves of thes. So she's handing into her. You

404
00:20:25,680 --> 00:20:28,280
Speaker 1: need to pick up these orders once again. The house

405
00:20:28,359 --> 00:20:31,640
Speaker 1: is filthy, all right, she's barely got time to clean

406
00:20:31,680 --> 00:20:33,280
Speaker 1: the house. She gets the house clean, she goes outside.

407
00:20:33,280 --> 00:20:34,920
Speaker 1: She doesn't picked up the ordrves can take twenty minutes

408
00:20:34,920 --> 00:20:38,000
Speaker 1: to get there, twenty minutes get back right. She goes outside.

409
00:20:38,440 --> 00:20:41,280
Speaker 1: As immaculate as the yard is, Enzo makes it great.

410
00:20:41,800 --> 00:20:45,600
Speaker 1: The patio furniture disgusting, full of dust. No one sits

411
00:20:45,600 --> 00:20:50,080
Speaker 1: in them. She's like, fuck. Andrew comes out, Millie, what's

412
00:20:50,119 --> 00:20:51,600
Speaker 1: wrong you think you look like you're about to cry.

413
00:20:52,200 --> 00:20:54,200
Speaker 1: She goes, oh, there's nothing or something. It's just speak

414
00:20:54,320 --> 00:20:57,440
Speaker 1: a meeting. He goes, don't let that shit stress you out,

415
00:20:57,640 --> 00:21:01,120
Speaker 1: those ugly bitches and and say that those those wretched

416
00:21:01,200 --> 00:21:03,159
Speaker 1: women aren't going to fucking be happy with anything you

417
00:21:03,200 --> 00:21:05,720
Speaker 1: do type of thing. Let me, seriously, what can I do?

418
00:21:05,720 --> 00:21:06,119
Speaker 1: What can I do?

419
00:21:06,160 --> 00:21:06,320
Speaker 3: Help?

420
00:21:06,359 --> 00:21:08,679
Speaker 1: She goes, no, no, it's fine, as fine as fine. He's like, no,

421
00:21:08,720 --> 00:21:10,920
Speaker 1: you're crying. Let me help you. Let me actually, he goes, oh,

422
00:21:10,960 --> 00:21:12,679
Speaker 1: what do you know? I have a fucking tissue in

423
00:21:12,720 --> 00:21:13,240
Speaker 1: my pocket?

424
00:21:14,000 --> 00:21:14,520
Speaker 3: What a man?

425
00:21:14,600 --> 00:21:15,080
Speaker 1: What?

426
00:21:15,080 --> 00:21:17,680
Speaker 3: What a man? Oh my god?

427
00:21:18,280 --> 00:21:20,959
Speaker 1: All right, he says. Here, it's like, seriously, what can

428
00:21:21,000 --> 00:21:22,159
Speaker 1: I do? She goes, oh, well, if you could pick

429
00:21:22,200 --> 00:21:25,000
Speaker 1: up the old drs. He says, consider it done. She's like,

430
00:21:25,119 --> 00:21:29,399
Speaker 1: oh my Fanny flutters cec comes out. Dad. I'm hungry.

431
00:21:29,440 --> 00:21:31,280
Speaker 1: Oh no, Dad, the computer's breaker. Can you fix it?

432
00:21:31,600 --> 00:21:33,520
Speaker 1: Of course I can. But first we're going on a

433
00:21:33,520 --> 00:21:37,119
Speaker 1: field trip. Get your shoes on. She goes inside. Millie says,

434
00:21:37,600 --> 00:21:40,359
Speaker 1: we find something out crazy here. Milly says, you're great

435
00:21:40,359 --> 00:21:43,160
Speaker 1: with her, by the way, He goes, yeah, thanks, she's

436
00:21:43,200 --> 00:21:46,480
Speaker 1: like he's She goes, yeah, and she she looks like you,

437
00:21:47,560 --> 00:21:49,560
Speaker 1: and Andrew says, ah, yeah, I mean she looks a

438
00:21:49,600 --> 00:21:53,320
Speaker 1: lot more like Nina. Millie says, yeah, agreed, but she

439
00:21:53,400 --> 00:21:56,800
Speaker 1: has your nose. And he's like, crazy, she's not actually

440
00:21:56,840 --> 00:22:01,400
Speaker 1: my biological daughter. Crazy. Oh my god, you guys, when

441
00:22:01,400 --> 00:22:06,119
Speaker 1: I met Nina, she was just a baby. I was right, same, bro,

442
00:22:06,200 --> 00:22:07,920
Speaker 1: I was like, oh my fuck, why are we even

443
00:22:07,960 --> 00:22:08,280
Speaker 1: reading this?

444
00:22:08,359 --> 00:22:10,560
Speaker 3: Or he just totally looks like Enzo, doesn't it.

445
00:22:10,640 --> 00:22:14,640
Speaker 1: Oh so yeah, he goes, yeah. When I met Nina,

446
00:22:14,680 --> 00:22:17,119
Speaker 1: Ceci was still just a kid, but she didn't know

447
00:22:17,160 --> 00:22:19,520
Speaker 1: her other dad. And just you know, ever since, I've

448
00:22:19,560 --> 00:22:21,720
Speaker 1: just told I'm the only dad she's known what she

449
00:22:21,760 --> 00:22:25,199
Speaker 1: calls me dad Nina. And Millie is just like this

450
00:22:25,760 --> 00:22:30,639
Speaker 1: fucking guy, bro, He's perfect, this guy, all right. Pta

451
00:22:30,800 --> 00:22:35,560
Speaker 1: meeting has begun. Four women, including Nina. There's three others

452
00:22:35,600 --> 00:22:38,520
Speaker 1: don't remember their names, but so they're all there, and

453
00:22:38,560 --> 00:22:40,359
Speaker 1: they're all kind of like Nina. They're all just like

454
00:22:40,440 --> 00:22:44,680
Speaker 1: high strung, and Nina is treating merely like a slave,

455
00:22:45,119 --> 00:22:47,120
Speaker 1: just to stand over in the corner and just wait

456
00:22:47,200 --> 00:22:49,719
Speaker 1: on them as they so desire. Right, They're all drinking

457
00:22:49,720 --> 00:22:53,640
Speaker 1: and eating the old herbs, and they are chatting. They're

458
00:22:53,680 --> 00:22:56,200
Speaker 1: just being I don't know, talking about gluten, veganism whatever.

459
00:22:56,280 --> 00:22:58,160
Speaker 1: And the PTA meeting is about some dumb field day

460
00:22:58,160 --> 00:22:59,520
Speaker 1: they have for the kids where they just go playing

461
00:22:59,520 --> 00:23:02,000
Speaker 1: a field for four hours or some shit. We're worried

462
00:23:02,000 --> 00:23:05,240
Speaker 1: about the menu for it. Who whatever. Nina's a cow

463
00:23:05,520 --> 00:23:10,400
Speaker 1: to Millie. She is talking in front of Millie shit

464
00:23:10,560 --> 00:23:13,439
Speaker 1: about Melle, talking shit about Melli right to these people.

465
00:23:13,520 --> 00:23:15,400
Speaker 1: They're all they're like, yeah, it's so hard to find

466
00:23:15,440 --> 00:23:17,440
Speaker 1: good help. And Nina goes, oh my god, of course,

467
00:23:17,480 --> 00:23:21,080
Speaker 1: like the only reason I'm keeping her is because we

468
00:23:21,160 --> 00:23:23,200
Speaker 1: do actually need to help with the baby. And all

469
00:23:23,480 --> 00:23:26,280
Speaker 1: they say, oh my god, are you pregnant? And she says, oh,

470
00:23:26,320 --> 00:23:28,480
Speaker 1: well not yet, but we're going to see a fertility

471
00:23:28,520 --> 00:23:33,119
Speaker 1: specialist tomorrow. So fingers crossed, one of them goes, actually,

472
00:23:33,240 --> 00:23:35,000
Speaker 1: oh my god, I thought you were eating way more

473
00:23:35,040 --> 00:23:36,960
Speaker 1: than the rest of us. I knew you were pregnant.

474
00:23:37,000 --> 00:23:38,840
Speaker 1: And that's when Nina goes, oh no, no, just you know,

475
00:23:39,000 --> 00:23:40,760
Speaker 1: and Nina looks like she's about to cry, gets up.

476
00:23:40,800 --> 00:23:42,280
Speaker 1: She goes, just give me a I'll be right back,

477
00:23:42,680 --> 00:23:47,320
Speaker 1: and then Milli overhears these women talking shit about Nina

478
00:23:48,119 --> 00:23:52,560
Speaker 1: bro and they're like, how fucking awkward was that? She's humanous?

479
00:23:52,680 --> 00:23:54,680
Speaker 1: Right now she's eating as much as a house, so

480
00:23:54,760 --> 00:23:56,320
Speaker 1: she's the size of a house, Like I thought she

481
00:23:56,440 --> 00:23:57,040
Speaker 1: was pregnant.

482
00:23:57,400 --> 00:23:58,399
Speaker 3: Oh my days.

483
00:23:58,680 --> 00:24:01,240
Speaker 1: Oh they talk about how they talk a bit about

484
00:24:01,240 --> 00:24:04,280
Speaker 1: the psychoticness, like you know, she's so weird. All this

485
00:24:04,320 --> 00:24:07,679
Speaker 1: psychotic stuff comes up, and so Millie's like, fuck, you know,

486
00:24:08,520 --> 00:24:12,680
Speaker 1: And then they talk about like they confirm her time

487
00:24:12,760 --> 00:24:15,359
Speaker 1: in the psychiatric hospital, the mental hospital, and Millie is

488
00:24:15,359 --> 00:24:17,760
Speaker 1: now starting to feel really bad about hating Nina because

489
00:24:17,920 --> 00:24:19,879
Speaker 1: it's like she clearly has something wrong with her, she

490
00:24:19,880 --> 00:24:21,960
Speaker 1: can't control it, and so she has a bit of

491
00:24:22,000 --> 00:24:22,760
Speaker 1: empathy for her.

492
00:24:24,080 --> 00:24:24,840
Speaker 3: I still wouldn't know.

493
00:24:25,000 --> 00:24:28,480
Speaker 1: I would know she's insane.

494
00:24:27,440 --> 00:24:30,520
Speaker 3: Probably worried for my life. Yeah, I wouldn't have any empathy.

495
00:24:30,760 --> 00:24:35,600
Speaker 1: Okay, next day, Nina and Andrew they get home from

496
00:24:35,600 --> 00:24:38,400
Speaker 1: the fertility appointment. There was a there was a scene

497
00:24:38,400 --> 00:24:40,680
Speaker 1: of Cecilia. She was a bitch, of course, like she's

498
00:24:40,680 --> 00:24:44,160
Speaker 1: getting she gets home from school, she asks for a sandwich.

499
00:24:44,840 --> 00:24:46,960
Speaker 1: Millie thinks she says, I want a bloney sandwich. She

500
00:24:47,119 --> 00:24:52,359
Speaker 1: actually said an abalone sandwich. The fuck is that? No idea?

501
00:24:53,000 --> 00:24:57,920
Speaker 1: Nina Andrew get home. They're depressed, all right for some reason.

502
00:24:58,880 --> 00:25:02,560
Speaker 1: Nina's just hating Milli again. Seese's shoes are all over

503
00:25:02,600 --> 00:25:04,440
Speaker 1: the place, there's a sandwich on the ground because she

504
00:25:04,480 --> 00:25:08,639
Speaker 1: threw it on the ground, and they look obviously quite upset,

505
00:25:08,800 --> 00:25:12,560
Speaker 1: and she says to them, is everything okay? Millie says

506
00:25:12,600 --> 00:25:15,760
Speaker 1: to them. Then he goes, it's not your fucking business, Millie.

507
00:25:15,760 --> 00:25:16,560
Speaker 3: Why are you so nosy?

508
00:25:16,720 --> 00:25:21,520
Speaker 1: Why are you so nosy? Yeah? My days? She just

509
00:25:22,560 --> 00:25:25,040
Speaker 1: so me. She goes to Andrew, I'm going upstairs. I

510
00:25:25,080 --> 00:25:28,479
Speaker 1: have a head I have a headache. And so Andrews

511
00:25:28,520 --> 00:25:30,320
Speaker 1: is down she go and he goes, Oh that sucked.

512
00:25:31,160 --> 00:25:36,080
Speaker 1: And Millie goes, is you know, it's everything okay? And

513
00:25:36,119 --> 00:25:37,959
Speaker 1: he's like, honestly, not really, do you want to talk

514
00:25:38,000 --> 00:25:38,359
Speaker 1: about it?

515
00:25:38,680 --> 00:25:39,240
Speaker 3: Not really?

516
00:25:39,280 --> 00:25:41,360
Speaker 1: A bit of a pause, and then he goes, it's

517
00:25:41,359 --> 00:25:43,639
Speaker 1: not gonna happen for Nina and I. She's she's not

518
00:25:43,640 --> 00:25:47,720
Speaker 1: getting pregnant. Tests yeah, she's not getting pregnant, you know.

519
00:25:47,880 --> 00:25:50,280
Speaker 1: She's like. He talks about how he can't help but

520
00:25:50,320 --> 00:25:54,520
Speaker 1: admit that he's disappointed, but he loves her but you know,

521
00:25:54,680 --> 00:25:57,000
Speaker 1: he's always wanted his own kids. He's like, he's like,

522
00:25:57,040 --> 00:26:02,320
Speaker 1: I'd have twelve. He loves them. And so then she says, well,

523
00:26:02,359 --> 00:26:04,280
Speaker 1: if theres anything I can do, let me know, and

524
00:26:04,320 --> 00:26:06,120
Speaker 1: he says, if there actually is, there's a show Nina

525
00:26:06,160 --> 00:26:07,359
Speaker 1: really wants to see in the city. If you can

526
00:26:07,359 --> 00:26:11,640
Speaker 1: get us some tickets, that'd be lovely cool. So that night,

527
00:26:12,320 --> 00:26:16,480
Speaker 1: Millie awake, she is arguing Nina and Andrew arguing under

528
00:26:16,640 --> 00:26:20,480
Speaker 1: underneath her. She hears a massive loud crash. She's like, fuck,

529
00:26:20,760 --> 00:26:22,600
Speaker 1: do I need to go check this out? Oh goes

530
00:26:22,600 --> 00:26:25,000
Speaker 1: to open her door, stuck again. She's scared it terrified,

531
00:26:25,040 --> 00:26:27,120
Speaker 1: but it opens. She's in her head again. She goes

532
00:26:27,119 --> 00:26:30,240
Speaker 1: she's sneaking down, she's eavesdropping. She's like, here's Nina yelling

533
00:26:30,240 --> 00:26:32,440
Speaker 1: at Andrew. It is my fault. It is. He's like,

534
00:26:32,480 --> 00:26:35,560
Speaker 1: it's not your fault. You're gonna leave me. You need

535
00:26:35,560 --> 00:26:37,360
Speaker 1: someone younger. If it was ten years ago, we could

536
00:26:37,359 --> 00:26:39,399
Speaker 1: have had a kid. Whatever. Bh blah blah blah blah blah.

537
00:26:39,480 --> 00:26:42,720
Speaker 1: Andrew's like, Nina, stop, stop, I'm not gonna leave you whatever.

538
00:26:43,600 --> 00:26:46,880
Speaker 1: She has another loud crash. Millie's thinking about knocking on the.

539
00:26:46,800 --> 00:26:50,879
Speaker 3: Door, go back up, going back upstairs.

540
00:26:51,400 --> 00:26:56,000
Speaker 1: Oh my days. So somebody on the door. Nina comes out.

541
00:26:56,160 --> 00:26:58,720
Speaker 1: She goes, are you eaves dropping one else? She's got

542
00:26:58,840 --> 00:27:02,760
Speaker 1: blood all over her hand. She's like, no, I just

543
00:27:02,800 --> 00:27:04,480
Speaker 1: I heard crashing. I just wanted to make sure everything

544
00:27:04,520 --> 00:27:07,800
Speaker 1: was okay. Like she goes, get the back, get back

545
00:27:07,840 --> 00:27:11,480
Speaker 1: into the attic. Milli says, no, yeah, crazy. She goes,

546
00:27:11,560 --> 00:27:14,639
Speaker 1: get back into the attic or you're fired. Millie's like,

547
00:27:15,320 --> 00:27:18,640
Speaker 1: she goes, she means it too. And then she's thinking

548
00:27:18,680 --> 00:27:22,720
Speaker 1: to herself, what if she just killed Andrew and I

549
00:27:22,720 --> 00:27:26,320
Speaker 1: can save him? But I didn't. I was like, oh

550
00:27:26,320 --> 00:27:29,080
Speaker 1: my god, get the fantasy out of your Jesus Christ.

551
00:27:29,600 --> 00:27:32,520
Speaker 3: So she's read too many thriller.

552
00:27:32,359 --> 00:27:35,159
Speaker 1: Fucking oath bro. So she's like, I just I heard crashing.

553
00:27:35,240 --> 00:27:37,560
Speaker 1: Like she's like, where's Andrew? And nin He goes, my

554
00:27:37,680 --> 00:27:42,480
Speaker 1: husband is fine, thank you very much. She hears a

555
00:27:42,640 --> 00:27:44,800
Speaker 1: tap running. She has a sense of relief, and nin

556
00:27:44,840 --> 00:27:47,200
Speaker 1: He goes, there, you're happy he's alive. What do you

557
00:27:47,200 --> 00:27:49,280
Speaker 1: think I would do to my husband? Get back into

558
00:27:49,320 --> 00:27:51,639
Speaker 1: the attic. So Nina goes, I'm sorry sorry. Millie goes,

559
00:27:51,640 --> 00:27:53,800
Speaker 1: I'm sorry, I'm sorry I bothered you. And then she's

560
00:27:53,840 --> 00:27:57,840
Speaker 1: about to walk up, and then from a distance, Nina says,

561
00:27:57,880 --> 00:28:02,439
Speaker 1: she's like Millie at night, stay in the attic. And

562
00:28:02,480 --> 00:28:06,280
Speaker 1: I was thinking, like, does she say that as a

563
00:28:06,320 --> 00:28:09,560
Speaker 1: controlling thing or as a warning to like, I don't

564
00:28:09,560 --> 00:28:11,080
Speaker 1: know what could happen at night?

565
00:28:11,960 --> 00:28:14,320
Speaker 2: I think both, But also I think the bread coming

566
00:28:14,359 --> 00:28:17,160
Speaker 2: there is she's gonna start locking her in there at night.

567
00:28:17,359 --> 00:28:18,800
Speaker 1: Yeah, she's got and.

568
00:28:18,680 --> 00:28:20,679
Speaker 3: She's gonna come back at like eight am and unlock it.

569
00:28:20,800 --> 00:28:27,760
Speaker 1: Yeah, insane. Next day, Nina's just acting normal. Andrew's gone

570
00:28:27,760 --> 00:28:29,520
Speaker 1: to work. Oh no, he hasn't, not yet. He's getting

571
00:28:29,520 --> 00:28:32,320
Speaker 1: ready for work, and Cecilia has been taken to school.

572
00:28:32,400 --> 00:28:35,240
Speaker 1: Nina comes back from taking Cecily to school, screeched to

573
00:28:35,280 --> 00:28:37,280
Speaker 1: a holt in the driveway. She comes in. She's looking

574
00:28:37,440 --> 00:28:41,480
Speaker 1: flustered as fuck, and she's like looking like she hasn't

575
00:28:41,520 --> 00:28:43,800
Speaker 1: been keeping herself well. So she's getting gaining more weight.

576
00:28:44,040 --> 00:28:46,200
Speaker 1: She's like the roots of her hair are growing out,

577
00:28:46,240 --> 00:28:48,520
Speaker 1: and she just isn't looking great. Last couple of weeks.

578
00:28:48,680 --> 00:28:50,920
Speaker 1: She comes in, she says, Mellie, you make me breakfast

579
00:28:51,080 --> 00:28:54,320
Speaker 1: the usual? Please makes it for her? Some big ass breakfast, right,

580
00:28:55,120 --> 00:28:57,520
Speaker 1: and so she's eating it. While she's eating it, Nina's

581
00:28:57,600 --> 00:29:01,360
Speaker 1: just not even there. She's barely there. And so she

582
00:29:02,520 --> 00:29:04,520
Speaker 1: takes a bite, eggs just get all over her and

583
00:29:04,520 --> 00:29:06,920
Speaker 1: shit like that, and she's like oh. And so then

584
00:29:07,000 --> 00:29:08,640
Speaker 1: Millie's kind of like, oh, Andrew asked me to get

585
00:29:08,640 --> 00:29:11,640
Speaker 1: tickets to this show, would you? How do you feel

586
00:29:11,640 --> 00:29:13,200
Speaker 1: about that? She goes, yeah, that'd be great. So she's

587
00:29:13,240 --> 00:29:14,960
Speaker 1: such a deer, isn't he He's such a good guy

588
00:29:15,000 --> 00:29:17,560
Speaker 1: or whatever, and then she goes, oh, when works for you?

589
00:29:17,600 --> 00:29:19,800
Speaker 1: And she's like two weeks from the current Sunday or

590
00:29:19,800 --> 00:29:21,640
Speaker 1: some random shit like that, and I was like, whatever,

591
00:29:22,280 --> 00:29:27,640
Speaker 1: Andrew comes down and yeah, Nina. She gets up. She

592
00:29:27,640 --> 00:29:29,360
Speaker 1: says hello, Andrew, how are you today? And he's like, oh,

593
00:29:29,360 --> 00:29:30,960
Speaker 1: you've got some egg on you and she goes, oh, yeah,

594
00:29:31,000 --> 00:29:33,760
Speaker 1: how embarrassing. Whatever goes over, gives her a big cuddling kiss,

595
00:29:33,760 --> 00:29:39,520
Speaker 1: big whatever. Millie's jealous as fuck, right, and does anything

596
00:29:39,560 --> 00:29:40,320
Speaker 1: else happened there?

597
00:29:40,960 --> 00:29:41,280
Speaker 3: Really?

598
00:29:41,400 --> 00:29:42,280
Speaker 1: No though.

599
00:29:42,440 --> 00:29:44,400
Speaker 2: I thought she was gonna like turn her nose up

600
00:29:44,440 --> 00:29:46,880
Speaker 2: to the concert or over the play.

601
00:29:47,040 --> 00:29:48,040
Speaker 1: Same, but then it's like no.

602
00:29:48,120 --> 00:29:50,680
Speaker 3: Yeah, Tue, yeah, oh no, Andrew came down and she

603
00:29:50,720 --> 00:29:52,720
Speaker 3: had egg in her mouth and he like wiped it

604
00:29:52,800 --> 00:29:54,200
Speaker 3: and she was kind of disgusting, and I.

605
00:29:54,240 --> 00:29:58,600
Speaker 1: Was like, yeah, that's about it. So knock knock on

606
00:29:58,600 --> 00:30:00,960
Speaker 1: the door. She's alone now by the way, clean in

607
00:30:01,000 --> 00:30:03,920
Speaker 1: the house. Knock knock. It's Enzo, big ass package. Heavy

608
00:30:04,000 --> 00:30:05,720
Speaker 1: chopes the door. Hi, thank you so much. He brings

609
00:30:05,720 --> 00:30:08,320
Speaker 1: it in. She can't get out of there. She wants

610
00:30:08,320 --> 00:30:11,640
Speaker 1: to fuck this man, and so she's like, she goes,

611
00:30:11,680 --> 00:30:14,440
Speaker 1: I need to fuck someone, right, it may as well

612
00:30:14,440 --> 00:30:17,480
Speaker 1: be Enzo because he's sexy as fuck, okay, because I

613
00:30:17,480 --> 00:30:19,120
Speaker 1: can't get these fantasies of entry out of my head.

614
00:30:19,160 --> 00:30:22,360
Speaker 1: And he's a married man. So she goes, I know

615
00:30:22,400 --> 00:30:24,680
Speaker 1: he loves universal language. Ends is about to leave, and

616
00:30:24,720 --> 00:30:26,200
Speaker 1: she goes, oh, I d want some water, gives him

617
00:30:26,200 --> 00:30:28,000
Speaker 1: some water. It takes a big gulp. She's like, oh,

618
00:30:28,040 --> 00:30:29,880
Speaker 1: it has work. Do you want to take a break.

619
00:30:29,920 --> 00:30:33,040
Speaker 1: He's like, what work? She puts her hand on his chest.

620
00:30:33,240 --> 00:30:36,080
Speaker 1: She's trying to seduce him. He realized what's He realizes

621
00:30:36,120 --> 00:30:40,200
Speaker 1: what's about to happen. He backs off. He rejects her

622
00:30:40,200 --> 00:30:43,000
Speaker 1: in the worst way possible, screaming at her in Italian

623
00:30:43,160 --> 00:30:47,160
Speaker 1: or Spanish or where wherever he's from, right, And she's like,

624
00:30:47,200 --> 00:30:48,840
Speaker 1: oh my god, this is so embarrassing. This is the

625
00:30:48,880 --> 00:30:51,280
Speaker 1: worst thing that's ever happened to me. And so he

626
00:30:51,320 --> 00:30:55,160
Speaker 1: goes to leave, and then he turns around and he says, like, Millie,

627
00:30:55,880 --> 00:31:01,560
Speaker 1: you need to leave. It's dangerous. So she's like, what

628
00:31:01,560 --> 00:31:03,120
Speaker 1: the fuck is going on here?

629
00:31:03,280 --> 00:31:07,360
Speaker 2: As if this isn't sign enough, like he's clearly scared

630
00:31:07,360 --> 00:31:09,240
Speaker 2: of this house, all right.

631
00:31:10,720 --> 00:31:15,200
Speaker 1: She goes to take Cecilia to tap dance lessons. She

632
00:31:15,320 --> 00:31:18,880
Speaker 1: got a pounding headache. Someone next to her, also quite young,

633
00:31:18,920 --> 00:31:21,520
Speaker 1: who's clearly also some help. She is like the help

634
00:31:21,560 --> 00:31:23,360
Speaker 1: of another rich family. She's like, oh, you want some

635
00:31:23,360 --> 00:31:28,040
Speaker 1: mad Phil, Yes, please, I'm Amanda. By the way. She goes, oh,

636
00:31:28,040 --> 00:31:30,400
Speaker 1: who are you here with? Amanda says she's here with

637
00:31:30,440 --> 00:31:32,280
Speaker 1: some twins. She's like, all about you, and Millie goes, oh,

638
00:31:32,280 --> 00:31:35,800
Speaker 1: I'm Cecilia's made or whatever. She's like, oh, you work

639
00:31:35,800 --> 00:31:39,200
Speaker 1: for the Winchesters. How's that. It's like, oh, it's all right.

640
00:31:39,240 --> 00:31:43,240
Speaker 1: She goes, are you sure or something. She's like that

641
00:31:43,400 --> 00:31:45,880
Speaker 1: must be fucking terrible. It's like, how do you mean?

642
00:31:46,400 --> 00:31:50,600
Speaker 1: She goes, well, Nina's crazy crazy trying to get answers. Well,

643
00:31:50,640 --> 00:31:54,880
Speaker 1: she's like, yeah, she spent you know, she went she's cuckoo.

644
00:31:54,920 --> 00:31:57,720
Speaker 1: She spent time in the looney bin. So word for

645
00:31:57,720 --> 00:32:02,160
Speaker 1: word what she said. She's like, damn. She goes, yeah,

646
00:32:02,200 --> 00:32:05,280
Speaker 1: I've heard rumors about that, but I didn't really nothing

647
00:32:05,360 --> 00:32:08,120
Speaker 1: was confirmed. And she's like, you know what she did, right,

648
00:32:09,600 --> 00:32:15,719
Speaker 1: He goes, No, she goes, really, she tried to drown

649
00:32:16,040 --> 00:32:20,200
Speaker 1: Cecilia when she was a baby. Lucky Andrew called the

650
00:32:20,200 --> 00:32:22,520
Speaker 1: cops when he did two minutes later, and they would

651
00:32:22,520 --> 00:32:25,960
Speaker 1: have both been dead. I was like, oh my god,

652
00:32:26,280 --> 00:32:28,920
Speaker 1: Andrew was at work ten years ago, nine years ago, whatever.

653
00:32:29,800 --> 00:32:34,600
Speaker 1: And Nina has a psychotic break drugs. Cecilia puts her

654
00:32:34,600 --> 00:32:38,800
Speaker 1: in a bath, drugs herself, gets in the bath. Andrew

655
00:32:38,920 --> 00:32:40,840
Speaker 1: just for some reason, senses something weird because he can't

656
00:32:40,840 --> 00:32:42,800
Speaker 1: get a hold of them, calls the cops, leaves, gets

657
00:32:42,800 --> 00:32:43,720
Speaker 1: there just in time.

658
00:32:47,240 --> 00:32:48,240
Speaker 2: Leave please.

659
00:32:48,600 --> 00:32:52,000
Speaker 1: Now that is the end of the chapters. Yes, that

660
00:32:52,080 --> 00:32:53,840
Speaker 1: went a little longer than expected, but I got into

661
00:32:53,880 --> 00:32:57,920
Speaker 1: it athologies, so got carried away. She goes on to

662
00:32:57,920 --> 00:33:01,480
Speaker 1: say I need to leave, but she needs a few

663
00:33:01,520 --> 00:33:04,960
Speaker 1: more paychecks because she is in a tight spot. She

664
00:33:05,040 --> 00:33:06,720
Speaker 1: is stuck in between a rock and a heart place,

665
00:33:06,760 --> 00:33:10,520
Speaker 1: so keep that in mind. Yeah, all right, thoughts and feelings,

666
00:33:10,600 --> 00:33:11,200
Speaker 1: let's get into it.

667
00:33:11,480 --> 00:33:13,360
Speaker 3: Ah, let's probably get into a day.

668
00:33:13,600 --> 00:33:17,800
Speaker 2: Oh it's like, you know, sensation when like your skin,

669
00:33:18,120 --> 00:33:19,960
Speaker 2: your skin is itchy and your can't it chit.

670
00:33:20,120 --> 00:33:22,840
Speaker 3: Yes, it's that. Yeah, that's what she's giving to me.

671
00:33:23,320 --> 00:33:27,520
Speaker 1: I want to be honest. I put off until literally

672
00:33:27,600 --> 00:33:31,360
Speaker 1: yesterday afternoon reading this book. Not because I don't enjoy

673
00:33:31,400 --> 00:33:34,200
Speaker 1: the book. It's gripping and I want to keep reading, obviously,

674
00:33:34,320 --> 00:33:41,760
Speaker 1: but to me, it's unrealistic. Now, how much of a

675
00:33:41,840 --> 00:33:44,560
Speaker 1: bitch Nina is bipolar or not?

676
00:33:45,520 --> 00:33:46,200
Speaker 3: Unrealistic?

677
00:33:46,280 --> 00:33:49,360
Speaker 1: Meaning, like, what I liked about this book is that

678
00:33:49,480 --> 00:33:51,160
Speaker 1: you can put yourself in Millie's shoes.

679
00:33:51,200 --> 00:33:55,400
Speaker 2: Okay, yeah, I there's no.

680
00:33:57,960 --> 00:33:59,480
Speaker 1: Easy for me to say, because I'm not in a

681
00:33:59,520 --> 00:34:03,280
Speaker 1: position I need it. But there is not a single

682
00:34:03,320 --> 00:34:08,239
Speaker 1: part of me that would stay there after like I

683
00:34:08,280 --> 00:34:11,000
Speaker 1: would have left after the peanut butter or deal. Yeah,

684
00:34:11,239 --> 00:34:14,200
Speaker 1: especially after could being confirmed by Andrew what's the alternative?

685
00:34:14,239 --> 00:34:19,000
Speaker 1: But so literally, I would prefer five years in jail

686
00:34:19,280 --> 00:34:22,840
Speaker 1: with my life intact, then fear for my life in

687
00:34:22,880 --> 00:34:23,760
Speaker 1: a fucking attic.

688
00:34:25,280 --> 00:34:26,279
Speaker 3: You know what I mean, I don't know.

689
00:34:26,600 --> 00:34:30,279
Speaker 1: I think I would after also.

690
00:34:30,000 --> 00:34:33,360
Speaker 2: The cleaning, as soon as I found out that she

691
00:34:33,480 --> 00:34:36,160
Speaker 2: tried to kill Cecilia, that's when I'm out. Yeah, okay,

692
00:34:36,239 --> 00:34:37,719
Speaker 2: out of that, I reckon I would have been like,

693
00:34:37,760 --> 00:34:38,840
Speaker 2: I've got no other options.

694
00:34:38,880 --> 00:34:40,040
Speaker 1: I'm sleeping like you now.

695
00:34:40,520 --> 00:34:44,040
Speaker 2: Hell no, no, I mean, if I've hurt in this situation, Okay,

696
00:34:44,080 --> 00:34:46,480
Speaker 2: my options are sleeping in the car. Yeah, I've got

697
00:34:46,520 --> 00:34:49,040
Speaker 2: like three weeks till my PRORO officer comes around and

698
00:34:49,040 --> 00:34:50,560
Speaker 2: asks what I'm doing. And if I don't have a job,

699
00:34:50,600 --> 00:34:52,719
Speaker 2: I'm going back to jail or I can copy this

700
00:34:52,800 --> 00:34:55,080
Speaker 2: I'm back, or fuck. I can be treated like shit,

701
00:34:55,520 --> 00:34:58,920
Speaker 2: I can be thinking I'm crazy, but I can't be unsafe.

702
00:34:59,360 --> 00:35:01,840
Speaker 2: That's my fine thing. The final straw is that she

703
00:35:02,040 --> 00:35:04,280
Speaker 2: tried to kill her daughter, Let's be real, the fucking

704
00:35:04,280 --> 00:35:08,399
Speaker 2: bloody hand after the argument with the Andrew Yeah right.

705
00:35:08,880 --> 00:35:10,239
Speaker 3: Also, I don't know who thinks of this ship.

706
00:35:11,120 --> 00:35:12,880
Speaker 1: Yeah, it's a crazy good point.

707
00:35:13,000 --> 00:35:16,480
Speaker 3: Like so girls like I wrote a book and then

708
00:35:16,520 --> 00:35:17,000
Speaker 3: she wrote this.

709
00:35:17,640 --> 00:35:20,080
Speaker 1: Yeah she's like she says to her friends, like, just

710
00:35:20,120 --> 00:35:23,040
Speaker 1: because apparently this so freedom McFadden.

711
00:35:23,440 --> 00:35:25,279
Speaker 3: She is famous as well.

712
00:35:25,320 --> 00:35:28,120
Speaker 1: She's famous ads for this book, but she also is like, uh,

713
00:35:29,280 --> 00:35:32,440
Speaker 1: she's this is not her main profession. She was something

714
00:35:32,480 --> 00:35:35,279
Speaker 1: else beforehand, like very I'm like, I'm sure successful too.

715
00:35:36,440 --> 00:35:37,279
Speaker 3: That would scare me.

716
00:35:37,560 --> 00:35:40,640
Speaker 1: And so she just like writes this book right, and

717
00:35:42,800 --> 00:35:45,080
Speaker 1: it's I don't know what's.

718
00:35:45,120 --> 00:35:47,480
Speaker 2: Bet You know how there used to be that ongoing

719
00:35:47,560 --> 00:35:50,759
Speaker 2: joke how women used to listen to crime podcasts to

720
00:35:50,800 --> 00:35:51,320
Speaker 2: fall asleep.

721
00:35:51,880 --> 00:35:53,279
Speaker 3: Yep, is this that the same thing?

722
00:35:53,520 --> 00:35:57,160
Speaker 1: Yeah? It is, to be fair, I I dated a

723
00:35:57,200 --> 00:35:59,440
Speaker 1: girl that listened to crime podcasts falling asleep, and I

724
00:35:59,480 --> 00:36:02,200
Speaker 1: remember on two occasions, every now and then, I like

725
00:36:02,239 --> 00:36:06,480
Speaker 1: I could zone it out right and I would fall asleep.

726
00:36:06,719 --> 00:36:11,960
Speaker 1: There was two occasions where the story was so gripping

727
00:36:12,000 --> 00:36:15,520
Speaker 1: but also so terrifying that I couldn't fall asleep and

728
00:36:15,560 --> 00:36:16,960
Speaker 1: I had the worst nightmare.

729
00:36:17,400 --> 00:36:17,600
Speaker 3: Yeah.

730
00:36:17,640 --> 00:36:19,640
Speaker 2: I think I'm too much of a whim page. Yeah,

731
00:36:19,680 --> 00:36:23,360
Speaker 2: because my mind will take over. I've been all alone

732
00:36:23,360 --> 00:36:24,800
Speaker 2: at my house recently.

733
00:36:24,600 --> 00:36:26,560
Speaker 1: And there's been some noises that would be terrifying and

734
00:36:26,600 --> 00:36:28,879
Speaker 1: I'm scared. Yeah, no, no, And it's in the middle

735
00:36:28,920 --> 00:36:29,920
Speaker 1: of the day noises to who care?

736
00:36:30,080 --> 00:36:31,879
Speaker 3: Yeah, but at night anyone it's home.

737
00:36:31,960 --> 00:36:34,680
Speaker 2: I'm a man, Yeah, yeah, I can take I can

738
00:36:34,719 --> 00:36:35,959
Speaker 2: take on anyone when I'm having alone.

739
00:36:35,960 --> 00:36:36,640
Speaker 3: I'm like doors locked.

740
00:36:36,680 --> 00:36:38,359
Speaker 1: Well, you can take on anyone when you can see them,

741
00:36:38,760 --> 00:36:43,800
Speaker 1: you know what I mean. I hate darkness a yeah,

742
00:36:44,520 --> 00:36:46,560
Speaker 1: something about where I live. It doesn't worry me just

743
00:36:46,560 --> 00:36:48,080
Speaker 1: because of like the population density.

744
00:36:48,360 --> 00:36:50,200
Speaker 3: But there's more people could do stuff exactly.

745
00:36:50,680 --> 00:36:53,920
Speaker 2: Yes, bushes, but that's more people that can hear me scream.

746
00:36:54,400 --> 00:36:57,280
Speaker 2: Bushes are scary. Yeah, that's scary. I got no bushes

747
00:36:57,320 --> 00:36:58,000
Speaker 2: because they ruffle.

748
00:36:58,040 --> 00:36:58,200
Speaker 3: Wait.

749
00:37:00,440 --> 00:37:03,280
Speaker 2: But yeah, overall, I'm enjoying it. Hey, I've been listening

750
00:37:03,360 --> 00:37:07,319
Speaker 2: a fair bit. Yeah, yeah, her long Island accent I've

751
00:37:07,440 --> 00:37:08,400
Speaker 2: become accustomed to.

752
00:37:08,680 --> 00:37:11,000
Speaker 3: Okay, but now I'm thoroughly enjoying it.

753
00:37:11,000 --> 00:37:12,959
Speaker 4: I'm liking that it's a really easy read.

754
00:37:13,000 --> 00:37:15,239
Speaker 2: I think it was the right move after Akata, not

755
00:37:15,360 --> 00:37:18,359
Speaker 2: that we didn't like Akatar, just to like press refresh

756
00:37:18,800 --> 00:37:19,400
Speaker 2: on the mind.

757
00:37:19,560 --> 00:37:22,480
Speaker 3: Yeah, and it's just an easy read. Couple chapters here

758
00:37:22,480 --> 00:37:26,120
Speaker 3: and they're listening and reading. Overall, we are really good,

759
00:37:26,160 --> 00:37:27,320
Speaker 3: but also like kind of scared.

760
00:37:29,239 --> 00:37:30,000
Speaker 1: Yeah, me too.

761
00:37:30,120 --> 00:37:31,839
Speaker 3: I think like.

762
00:37:32,520 --> 00:37:36,160
Speaker 1: The movie, I do think will be scary because it's

763
00:37:36,200 --> 00:37:39,799
Speaker 1: a book. It's scary. Shit hasn't even happened to be fair? True,

764
00:37:39,800 --> 00:37:41,200
Speaker 1: I want to see if a book can scare me.

765
00:37:41,640 --> 00:37:43,640
Speaker 1: I've never been scared of a book. Obviously, suppose it's

766
00:37:43,640 --> 00:37:46,880
Speaker 1: your imagination. Hey, yeah, there's no sound effects in a

767
00:37:46,920 --> 00:37:52,400
Speaker 1: book like listening or reading. Say, you know, there's some

768
00:37:52,480 --> 00:37:55,080
Speaker 1: jump scares in a katar, but when you're reading them,

769
00:37:55,719 --> 00:37:57,840
Speaker 1: instead of being like, oh, you're a bit more like

770
00:37:57,960 --> 00:38:00,279
Speaker 1: a damn damn they got them?

771
00:38:00,480 --> 00:38:02,600
Speaker 3: Yeah, hang on them.

772
00:38:02,640 --> 00:38:06,600
Speaker 1: Okay. How do you feel about Millie as of right now?

773
00:38:07,800 --> 00:38:11,080
Speaker 3: I have mixed feelings. I think, what's the saying.

774
00:38:11,120 --> 00:38:14,000
Speaker 2: She's stuck between a rock and a hard place, and

775
00:38:14,400 --> 00:38:18,279
Speaker 2: she's a little bit jarring. I really liked it in

776
00:38:18,320 --> 00:38:20,640
Speaker 2: the first ten chapters, but now I'm like, Okay, something

777
00:38:20,680 --> 00:38:21,520
Speaker 2: is wrong with you two.

778
00:38:21,920 --> 00:38:23,520
Speaker 1: Definitely something wrong with Melli too.

779
00:38:23,600 --> 00:38:28,640
Speaker 2: Her decision making is flawed as well as I guess. Also,

780
00:38:28,800 --> 00:38:30,880
Speaker 2: who knows what ten years incass race is going to

781
00:38:30,960 --> 00:38:34,680
Speaker 2: do to a person. True, Like she hasn't been able

782
00:38:34,680 --> 00:38:36,680
Speaker 2: to get off in ten years. The first man that

783
00:38:36,719 --> 00:38:38,160
Speaker 2: comes along, she's like, oh.

784
00:38:37,920 --> 00:38:40,480
Speaker 1: Yeah, like not hear mely Valley.

785
00:38:40,960 --> 00:38:42,080
Speaker 3: Yeah yeah.

786
00:38:42,120 --> 00:38:44,040
Speaker 2: But also she said in the first ten chapters, like

787
00:38:44,200 --> 00:38:45,800
Speaker 2: there's been people in the bar just fuck one of

788
00:38:45,840 --> 00:38:47,560
Speaker 2: those dumb dudes who comes into the bar. She used

789
00:38:47,600 --> 00:38:48,960
Speaker 2: to work out, get your hit.

790
00:38:49,480 --> 00:38:51,359
Speaker 1: She said that she got hit on a lot.

791
00:38:51,480 --> 00:38:53,040
Speaker 3: Yeah, but they're.

792
00:38:52,800 --> 00:38:57,239
Speaker 1: All just yeah fives and under Yeah. True, so I

793
00:38:57,239 --> 00:38:57,719
Speaker 1: didn't want to.

794
00:38:58,680 --> 00:38:59,879
Speaker 3: I'm skeptical of her.

795
00:39:00,360 --> 00:39:04,040
Speaker 1: Same I'm skeptical of Millie. She is. She's got a

796
00:39:04,080 --> 00:39:07,200
Speaker 1: dark side. She does that throwing of the glass thinking

797
00:39:07,400 --> 00:39:14,600
Speaker 1: whoa temper? It's like valid, But Jesus, come on, Nina.

798
00:39:15,440 --> 00:39:18,520
Speaker 1: A lot has been explained clearly, she's getting the psych

799
00:39:18,600 --> 00:39:19,919
Speaker 1: board tried to kill her kid.

800
00:39:20,480 --> 00:39:24,680
Speaker 2: I think so, Milly Nina Cecilia is kind of self

801
00:39:24,719 --> 00:39:26,760
Speaker 2: explained or written within the book.

802
00:39:26,760 --> 00:39:31,520
Speaker 1: But Andrew. Yeah, wait with Cecilia though, like she's just

803
00:39:31,560 --> 00:39:36,640
Speaker 1: a braddy kid, right, But at the same time, maybe

804
00:39:36,680 --> 00:39:43,839
Speaker 1: she's young. She's like nine grade four. She's very weird apparently,

805
00:39:43,960 --> 00:39:48,400
Speaker 1: like she she only wears these like crazy elegant dresses,

806
00:39:49,040 --> 00:39:51,680
Speaker 1: even wears them to school, like she can't play in them.

807
00:39:52,320 --> 00:39:55,320
Speaker 1: She's an odd kid. Apparently. The only one that seems

808
00:39:55,320 --> 00:39:56,520
Speaker 1: most normal. You're right is Andrew.

809
00:39:57,000 --> 00:40:01,160
Speaker 2: But also there's no explanation behind Andrew. He rubs me

810
00:40:01,200 --> 00:40:04,400
Speaker 2: the worst because I don't know anything about him. Same

811
00:40:04,880 --> 00:40:07,759
Speaker 2: I'm picturing Don Draper from mad Men in my head

812
00:40:07,840 --> 00:40:10,879
Speaker 2: is what he looks like. He's handsome, just always clean cut,

813
00:40:10,920 --> 00:40:13,560
Speaker 2: always looks like a ten ready to go to work,

814
00:40:13,680 --> 00:40:16,000
Speaker 2: comes back and he's just the nicest guy ever.

815
00:40:16,440 --> 00:40:20,399
Speaker 3: But he's got fucking trauma. We don't know what it is.

816
00:40:20,800 --> 00:40:25,640
Speaker 1: So why is he with Nina is the question? So

817
00:40:25,800 --> 00:40:30,200
Speaker 1: like he took over his parents' business and with it

818
00:40:30,239 --> 00:40:32,840
Speaker 1: from the amount of time that his parents handed the

819
00:40:32,840 --> 00:40:35,200
Speaker 1: business down to him, maybe they passed away or something,

820
00:40:35,400 --> 00:40:38,920
Speaker 1: and he's been in control. Apparently he's like ten next it,

821
00:40:39,520 --> 00:40:43,360
Speaker 1: so he's rich as fuck. One thing was the package

822
00:40:43,360 --> 00:40:45,919
Speaker 1: Fromenzo had a name on it, and it was from

823
00:40:46,000 --> 00:40:50,440
Speaker 1: someone Winchester, a cousin or to be like a cousin

824
00:40:50,560 --> 00:40:53,120
Speaker 1: or a sister or something of Andrews. So I dare

825
00:40:53,120 --> 00:40:55,600
Speaker 1: say it's like a very heavy box as well. I

826
00:40:55,719 --> 00:40:57,239
Speaker 1: dare say, we'll figure out what ended up being.

827
00:40:57,280 --> 00:40:59,720
Speaker 2: Do you think it is the same anyone who hasn't

828
00:40:59,719 --> 00:41:03,399
Speaker 2: seen Mad Men or Don Draper? He do you reking

829
00:41:03,480 --> 00:41:08,360
Speaker 2: it's the same thing? His name's not actually Andrew, oh Winchester.

830
00:41:09,040 --> 00:41:11,719
Speaker 2: Like he's got a fake persona and personality. That's why

831
00:41:11,719 --> 00:41:15,480
Speaker 2: he's perfect and he didn't actually take over his dad's company.

832
00:41:15,520 --> 00:41:19,640
Speaker 3: He killed the son and now he's pretending to be

833
00:41:20,040 --> 00:41:20,880
Speaker 3: Andrew Winchester.

834
00:41:22,760 --> 00:41:28,040
Speaker 1: Shit. Here's the thing though, mad Men came out before this,

835
00:41:28,960 --> 00:41:30,840
Speaker 1: so she would have been copying mad Men if she

836
00:41:30,920 --> 00:41:31,239
Speaker 1: does that.

837
00:41:31,440 --> 00:41:34,520
Speaker 2: He didn't kill her in mad Men. He was a

838
00:41:34,520 --> 00:41:38,280
Speaker 2: deserter and they died at war and he just happened

839
00:41:38,280 --> 00:41:39,680
Speaker 2: to beat someone else's dog tag.

840
00:41:39,760 --> 00:41:41,560
Speaker 1: Yeah, he took someone else's dogtag and then just pretended

841
00:41:41,600 --> 00:41:43,200
Speaker 1: to be him because he hated his life prior to

842
00:41:43,239 --> 00:41:43,520
Speaker 1: the war.

843
00:41:43,600 --> 00:41:47,279
Speaker 3: But Andrew's giving I killed him to get his life.

844
00:41:48,440 --> 00:41:52,120
Speaker 1: And then he just has to put on this perfection.

845
00:41:51,840 --> 00:41:54,400
Speaker 2: And no one can see through it. But what that

846
00:41:54,560 --> 00:42:01,160
Speaker 2: still doesn't explain why he picked Nina she knows? Oh yeah, shit, yeah,

847
00:42:01,160 --> 00:42:05,520
Speaker 2: because why else would he go for this psycho girl

848
00:42:05,560 --> 00:42:07,200
Speaker 2: with a kid who she tried to kill.

849
00:42:07,160 --> 00:42:09,480
Speaker 1: And who apparently is the size of a house. Like

850
00:42:09,640 --> 00:42:11,719
Speaker 1: look again, nothing wrong with that, but he didn't go

851
00:42:11,719 --> 00:42:17,919
Speaker 1: for personality. Oh that was good.

852
00:42:18,560 --> 00:42:18,719
Speaker 2: Ok.

853
00:42:18,719 --> 00:42:19,800
Speaker 1: Hey, that's our new prediction.

854
00:42:20,160 --> 00:42:23,040
Speaker 3: And what's going to happen with the whole There's something

855
00:42:23,080 --> 00:42:26,279
Speaker 3: going on with the kids situation with Millie, Nina and

856
00:42:27,000 --> 00:42:28,319
Speaker 3: Andrew there's something going on there.

857
00:42:28,360 --> 00:42:31,360
Speaker 4: My prediction wasn't obviously right, we found out, but I still.

858
00:42:31,160 --> 00:42:34,960
Speaker 2: Think there's some validity behind that, behind MILLI walking in

859
00:42:35,000 --> 00:42:36,680
Speaker 2: on seeing someone fuck or something.

860
00:42:36,800 --> 00:42:41,320
Speaker 1: Wait, remember so my prediction last week could still hold.

861
00:42:41,760 --> 00:42:49,560
Speaker 1: It's that Cecilia. Maybe not Cecilia now changing the prediction.

862
00:42:49,800 --> 00:42:55,200
Speaker 1: Nina killed the last living housemate. Enzo saw it happen, right,

863
00:42:56,160 --> 00:43:01,799
Speaker 1: Andrew Rich also, just like he hovered it up. And

864
00:43:02,280 --> 00:43:04,839
Speaker 1: the reason Enzo's terrified of this place is because he's

865
00:43:04,840 --> 00:43:08,600
Speaker 1: been threatened to be killed and or sent back to mate.

866
00:43:08,880 --> 00:43:12,040
Speaker 1: I'm assuming like if he's a citizen, then he's being

867
00:43:12,080 --> 00:43:13,760
Speaker 1: threatened to be killed, and if he's not a citizen,

868
00:43:13,760 --> 00:43:15,919
Speaker 1: then he is being threatened to have a green card

869
00:43:15,960 --> 00:43:23,560
Speaker 1: or visa revoked. Are And Yeah, I think maybe that

870
00:43:23,600 --> 00:43:26,520
Speaker 1: could still be it. But I do really like the

871
00:43:26,520 --> 00:43:28,839
Speaker 1: thought of Andrew Winchester not being who he said he is.

872
00:43:29,880 --> 00:43:33,920
Speaker 1: And yeah, he's killed the son and taken his place.

873
00:43:34,800 --> 00:43:39,800
Speaker 4: Wow, maybe they killed the son together her and Nina.

874
00:43:40,520 --> 00:43:41,000
Speaker 3: That's why.

875
00:43:41,640 --> 00:43:43,680
Speaker 4: And I still I still think something's going on.

876
00:43:44,040 --> 00:43:47,239
Speaker 1: You call Cecilia what you're doing? Yeah, because they keep

877
00:43:47,280 --> 00:43:48,560
Speaker 1: caulling a in the book.

878
00:43:50,440 --> 00:43:52,879
Speaker 4: I still reckon it could be Enzos, like there's something

879
00:43:52,880 --> 00:43:53,279
Speaker 4: going on.

880
00:43:53,880 --> 00:43:56,040
Speaker 1: Yeah, but so we don't know how long Enzo's known.

881
00:43:56,680 --> 00:43:58,240
Speaker 3: There's not much descriptive language.

882
00:43:58,760 --> 00:44:00,520
Speaker 1: He says he's worked there for three years.

883
00:44:00,840 --> 00:44:03,399
Speaker 2: There's not much descriptive language of Cecilia either, though, other

884
00:44:03,480 --> 00:44:04,920
Speaker 2: than it looks like Nina.

885
00:44:04,760 --> 00:44:09,120
Speaker 1: Pilskin Yeah, white hair, Yeah, but no, we know that

886
00:44:10,160 --> 00:44:12,719
Speaker 1: Enzo's worked there for three years. The English would be better,

887
00:44:13,200 --> 00:44:16,560
Speaker 1: That's what Millie said. Yeah, but that means that it

888
00:44:16,600 --> 00:44:23,279
Speaker 1: can't be Nina's baby daddy because the kid's nine. He's

889
00:44:23,280 --> 00:44:25,200
Speaker 1: only worked at the house for three years. Oh, I

890
00:44:25,200 --> 00:44:29,160
Speaker 1: did true, True, unless he's known Nina for ten plotholes

891
00:44:29,160 --> 00:44:33,640
Speaker 1: in my predictions, But no, I like that. Okay. I

892
00:44:33,680 --> 00:44:35,440
Speaker 1: do want to just finish it to find out what happens,

893
00:44:35,520 --> 00:44:39,440
Speaker 1: but it's too juicy juicy.

894
00:44:38,640 --> 00:44:42,400
Speaker 2: So before we finish, there's going to be a Patreon

895
00:44:42,600 --> 00:44:45,919
Speaker 2: exclusive and we can't do it on Spotify because we'll

896
00:44:45,920 --> 00:44:49,160
Speaker 2: get copyrighted. So over on Patreon we will be listening

897
00:44:49,239 --> 00:44:51,279
Speaker 2: to I don't know if it's the official but I'm

898
00:44:51,280 --> 00:44:54,799
Speaker 2: going to call it the official Housemade Playlist, a little

899
00:44:54,840 --> 00:44:57,840
Speaker 2: bit of reactions to the songs and try and I

900
00:44:57,880 --> 00:44:58,160
Speaker 2: don't know.

901
00:44:58,280 --> 00:44:59,920
Speaker 3: Put faces to the songs.

902
00:45:01,120 --> 00:45:01,680
Speaker 1: I like it.

903
00:45:02,000 --> 00:45:05,520
Speaker 2: Let's do it all right, batties. That was the Patreon exclusive.

904
00:45:05,680 --> 00:45:08,520
Speaker 2: You also get the book Club five days early, as

905
00:45:08,560 --> 00:45:11,240
Speaker 2: well as an extra episode every single week on Patreon

906
00:45:11,320 --> 00:45:13,080
Speaker 2: for five dollars aud a month.

907
00:45:13,200 --> 00:45:15,239
Speaker 1: Yes, but Jake, that is the end of the book Club.

908
00:45:15,239 --> 00:45:17,160
Speaker 3: How many chapters are we reading? Up to you next week?

909
00:45:17,880 --> 00:45:19,719
Speaker 1: Do you want to do ten again? I like ten?

910
00:45:20,480 --> 00:45:21,600
Speaker 1: Do it? Thank you for listening.

911
00:45:21,800 --> 00:45:22,319
Speaker 3: Stay bad.