1 00:00:04,000 --> 00:00:06,960 Speaker 1: From The Australian. Here's what's on the front. I'm Claire Harvey. 2 00:00:07,040 --> 00:00:13,560 Speaker 1: It's Thursday, March five, twenty twenty six. Organizers of the 3 00:00:13,600 --> 00:00:17,000 Speaker 1: women's soccer Asian Cup have refused to explain why an 4 00:00:17,079 --> 00:00:20,720 Speaker 1: Iranian Australian journalist was removed from a Gold Coast stadium 5 00:00:20,760 --> 00:00:24,320 Speaker 1: on Monday night, where Iran were defeated three nil by 6 00:00:24,360 --> 00:00:30,160 Speaker 1: South Korea. The Melbourne Underworld crime figure Mitghatto is under 7 00:00:30,160 --> 00:00:33,920 Speaker 1: investigation by a Commission of Inquiry into the CFMU. That's 8 00:00:33,960 --> 00:00:36,879 Speaker 1: after he was linked to a traffic company operating on 9 00:00:36,960 --> 00:00:42,760 Speaker 1: the Gold Coast. The Australian's got unrivaled coverage of domestic 10 00:00:42,840 --> 00:00:46,280 Speaker 1: and world news and right now we're all over Iran's war, 11 00:00:46,360 --> 00:00:49,400 Speaker 1: with everyone from our correspondence on the ground to our 12 00:00:49,479 --> 00:00:52,560 Speaker 1: expert analysts here at home. Check us out at the 13 00:00:52,680 --> 00:00:58,800 Speaker 1: Australian dot com dot au. It's the massive media bust 14 00:00:58,880 --> 00:01:02,480 Speaker 1: up almost three decades in the making, the acrimonious end 15 00:01:02,520 --> 00:01:05,720 Speaker 1: of radio behemoth The Kyl and Jackie Oh Show. But 16 00:01:05,959 --> 00:01:09,000 Speaker 1: who's in the wrong and is there still space for 17 00:01:09,120 --> 00:01:13,320 Speaker 1: stars like Carl sanderlans and Jackie Henderson in cash strapped 18 00:01:13,400 --> 00:01:18,280 Speaker 1: Australian media landscape. The Australians Media Diary editor Steve Jackson 19 00:01:18,400 --> 00:01:28,440 Speaker 1: joins me in just a moment. Steve Jackson is The 20 00:01:28,440 --> 00:01:31,560 Speaker 1: Australian's Media Diary editor. Jacko, I've taken the liberty of 21 00:01:31,640 --> 00:01:32,920 Speaker 1: doing your stars for today. 22 00:01:34,000 --> 00:01:35,560 Speaker 2: Well, I hope you haven't been focusing on it too 23 00:01:35,640 --> 00:01:37,440 Speaker 2: much because they can lead to an almighty blow up. 24 00:01:37,440 --> 00:01:41,080 Speaker 1: It's actually very interesting as a Sagittarius, you are seeing 25 00:01:41,200 --> 00:01:43,240 Speaker 1: long term projects finally come together. 26 00:01:43,520 --> 00:01:47,160 Speaker 2: Look, as I said, fascinating, fascinating, But I don't know 27 00:01:47,200 --> 00:01:50,080 Speaker 2: if this comes to the detriment of everything else on 28 00:01:50,120 --> 00:01:50,400 Speaker 2: the show. 29 00:01:50,440 --> 00:01:55,120 Speaker 1: Claik It's time for diligence in career and finances requiring patients, Jacko, 30 00:01:55,440 --> 00:01:58,200 Speaker 1: as efforts begin to bear for it, focus on maintaining 31 00:01:58,240 --> 00:02:02,080 Speaker 1: emotional maturity in relations and ships. You can't argue with 32 00:02:02,120 --> 00:02:02,880 Speaker 1: this is a science. 33 00:02:03,160 --> 00:02:06,240 Speaker 2: Look, everyone in here has been talking about your star science, 34 00:02:06,800 --> 00:02:07,560 Speaker 2: your obsession. 35 00:02:09,200 --> 00:02:11,560 Speaker 1: Now. The blow up between Coyle and Jackie Oh was 36 00:02:11,600 --> 00:02:15,240 Speaker 1: partly about horoscopes. The two titans of the Australian FM 37 00:02:15,360 --> 00:02:19,639 Speaker 1: radio scene, probably the highest earning FM radio stars Australia 38 00:02:19,680 --> 00:02:22,840 Speaker 1: has ever seen. In the middle of a two hundred 39 00:02:22,840 --> 00:02:25,880 Speaker 1: million dollar deal have broken up and it was all 40 00:02:25,919 --> 00:02:27,720 Speaker 1: about this fight. I'm going to play a little bit 41 00:02:27,720 --> 00:02:30,040 Speaker 1: of the fight that they had about horoscopes. So JACKIEO 42 00:02:30,080 --> 00:02:31,360 Speaker 1: would have been able to see this coming. 43 00:02:31,440 --> 00:02:33,880 Speaker 2: JACKO, well, she would have read it in the stars. 44 00:02:34,080 --> 00:02:37,320 Speaker 1: You're off with the fairies where no, no, no, tell 45 00:02:37,360 --> 00:02:39,280 Speaker 1: me where I've been off with the fairies during the show. 46 00:02:39,320 --> 00:02:43,600 Speaker 1: I don't have to have to prove excuse of something. 47 00:02:43,960 --> 00:02:46,960 Speaker 3: Listeners to the program, you'll hear yourself. Just give me 48 00:02:47,639 --> 00:02:49,680 Speaker 3: to be aware of what's really going on. 49 00:02:50,000 --> 00:02:54,160 Speaker 1: M Kyle that I totally am offended by you saying something. 50 00:02:54,480 --> 00:02:56,480 Speaker 2: Bad if you are, because that's the reality of what 51 00:02:56,520 --> 00:02:57,359 Speaker 2: we're dealing with here. 52 00:02:57,760 --> 00:03:00,200 Speaker 1: That is so unfair. I have been in here, so 53 00:03:00,240 --> 00:03:02,960 Speaker 1: as that conversation goes on here can't do what he's 54 00:03:03,000 --> 00:03:04,840 Speaker 1: done a million times on that show, which is do 55 00:03:04,919 --> 00:03:07,520 Speaker 1: a bit of real time feedback to Jackie. She does 56 00:03:07,520 --> 00:03:09,040 Speaker 1: it to him all the time as well. She's called 57 00:03:09,080 --> 00:03:12,000 Speaker 1: him fat on air before, she's called him crazy. She 58 00:03:12,120 --> 00:03:15,000 Speaker 1: generally reacts to him raising some sort of topic of 59 00:03:15,040 --> 00:03:18,960 Speaker 1: sex with her like, oh, Kyle. But here she's really upset, 60 00:03:19,280 --> 00:03:21,680 Speaker 1: and it turns out that this wasn't just an act. 61 00:03:21,840 --> 00:03:23,760 Speaker 2: Well, yeah, that's the thing is And I think even 62 00:03:23,800 --> 00:03:28,400 Speaker 2: after this initially went to where people were questioning, is 63 00:03:28,440 --> 00:03:30,840 Speaker 2: this a stunt? Is this something to get people talking? 64 00:03:30,960 --> 00:03:33,600 Speaker 2: We know they've been trailing in Melbourne? Is this something 65 00:03:33,600 --> 00:03:36,880 Speaker 2: to get people interested? Everyone's talking about it. Even this morning. 66 00:03:36,880 --> 00:03:39,160 Speaker 2: I'm still getting messages from people, go, this is all 67 00:03:39,200 --> 00:03:41,640 Speaker 2: an elaborate stunt. It's not. And I think we could 68 00:03:41,680 --> 00:03:45,480 Speaker 2: tell that the moment that that show was turned into 69 00:03:45,560 --> 00:03:50,200 Speaker 2: a full episode podcast by aarn for the KISSFM podcast channel, 70 00:03:50,480 --> 00:03:54,120 Speaker 2: that that ten minutes was cut entirely. That wasn't cut 71 00:03:54,120 --> 00:03:56,720 Speaker 2: out as a you know, the bust up between our 72 00:03:56,800 --> 00:04:01,000 Speaker 2: top rating stars. It was quite obviously from the moment 73 00:04:01,160 --> 00:04:03,240 Speaker 2: they came off air, this is going to be a problem. 74 00:04:03,560 --> 00:04:06,160 Speaker 1: These two have been pinned by the regulator. They have 75 00:04:06,360 --> 00:04:09,680 Speaker 1: been fined, they have been ordered off air for the 76 00:04:09,720 --> 00:04:13,640 Speaker 1: things that they have said on air. Why do you think, 77 00:04:13,800 --> 00:04:18,280 Speaker 1: after twenty seven years of this partnership, Jackie Henderson, Jackie 78 00:04:18,279 --> 00:04:21,479 Speaker 1: O has chosen now to be sick of Kyle, to 79 00:04:21,520 --> 00:04:22,800 Speaker 1: be sick of what he's doing to her. 80 00:04:23,200 --> 00:04:26,000 Speaker 2: Well, I think it's an evolution. They've been working together 81 00:04:26,040 --> 00:04:28,840 Speaker 2: since nineteen ninety nine, twenty seven years But you think 82 00:04:28,880 --> 00:04:32,240 Speaker 2: about the people we were two decades twenty seven years ago. 83 00:04:33,000 --> 00:04:35,560 Speaker 2: You evolve, right, and she's quite clearly evolved. She's had 84 00:04:35,600 --> 00:04:40,400 Speaker 2: some momentous life changing moments. He's moved to America, lived 85 00:04:40,400 --> 00:04:43,839 Speaker 2: in La moved back, married, divorced, remarried, become a father. 86 00:04:44,240 --> 00:04:48,200 Speaker 2: So they are different people now. Kyle is still doing 87 00:04:48,279 --> 00:04:51,599 Speaker 2: the very successful stick from twenty years ago, you know, 88 00:04:52,160 --> 00:04:55,680 Speaker 2: crude in your face, this is what attracts headlines. Can 89 00:04:55,720 --> 00:04:59,120 Speaker 2: you believe he said it? Whereas Jackie has evolved as 90 00:04:59,120 --> 00:05:00,680 Speaker 2: a person and she knows no longer wants to be 91 00:05:00,680 --> 00:05:04,120 Speaker 2: the hapless sidekick going, oh, Kyle rein it in, which 92 00:05:04,160 --> 00:05:05,720 Speaker 2: has been a role for a large part of it. 93 00:05:05,760 --> 00:05:08,240 Speaker 2: She's been the good girl and he's been the bad guy, 94 00:05:08,880 --> 00:05:11,560 Speaker 2: and it's the straight man routine. But she's become the 95 00:05:11,640 --> 00:05:15,040 Speaker 2: highest paid woman in the Australian media industry as part 96 00:05:15,080 --> 00:05:17,000 Speaker 2: of this deal until they tore it up this week, 97 00:05:17,320 --> 00:05:19,760 Speaker 2: and she no longer wanted to just be the foil, 98 00:05:20,080 --> 00:05:23,159 Speaker 2: play second fiddle and just be the person being abused 99 00:05:23,200 --> 00:05:25,599 Speaker 2: by Kyle because that's the show, right. 100 00:05:25,960 --> 00:05:28,680 Speaker 1: Yeah, they had some amazing chemistry as part of all 101 00:05:28,680 --> 00:05:30,640 Speaker 1: of that and one of the things about the business 102 00:05:30,680 --> 00:05:33,160 Speaker 1: model was that you were prepared to listen to. I 103 00:05:33,200 --> 00:05:35,480 Speaker 1: had to listen this morning and there were fifteen ads 104 00:05:35,520 --> 00:05:39,080 Speaker 1: played at eight twenty fifteen, fifteen second ads for things 105 00:05:39,120 --> 00:05:42,040 Speaker 1: like dog food and sofas. I'm happy to listen to 106 00:05:42,360 --> 00:05:44,600 Speaker 1: fifteen ads if what I'm going to get at the 107 00:05:44,680 --> 00:05:47,480 Speaker 1: end of the ad break is not for old Smallsey 108 00:05:47,520 --> 00:05:51,400 Speaker 1: who's hosting the show in their absence, but Kyle potentially 109 00:05:51,400 --> 00:05:54,880 Speaker 1: saying the sea World, potentially starting a fight with a 110 00:05:54,920 --> 00:06:00,240 Speaker 1: Hollywood star, potentially berating Jackie. The danger and drama of 111 00:06:00,279 --> 00:06:03,599 Speaker 1: that radio format is what has made it successful. As 112 00:06:03,640 --> 00:06:07,640 Speaker 1: a businesswoman, though, and Jackie is the part owner of 113 00:06:07,680 --> 00:06:10,799 Speaker 1: this business, it's intriguing that she had a red line 114 00:06:10,839 --> 00:06:12,560 Speaker 1: and that he's now crossed it. 115 00:06:12,560 --> 00:06:15,640 Speaker 2: It's a really interesting thing because if we have our 116 00:06:15,680 --> 00:06:19,159 Speaker 2: differences here, and we've probably had some over the years. Claire, 117 00:06:19,160 --> 00:06:21,359 Speaker 2: I know I've pitched one of your stories before it 118 00:06:21,400 --> 00:06:23,599 Speaker 2: was ready on the news list, and I'm over that. 119 00:06:23,720 --> 00:06:27,040 Speaker 2: You can let it and there are words exchanged, right, 120 00:06:27,080 --> 00:06:28,880 Speaker 2: it doesn't play out in front of the public, and 121 00:06:29,480 --> 00:06:33,239 Speaker 2: quite often what their exchanges are, they are usually funny, 122 00:06:33,320 --> 00:06:36,760 Speaker 2: whimsical and everyone's in on the joke. This time he 123 00:06:37,000 --> 00:06:40,840 Speaker 2: has attacked her professionalism in a way that even if 124 00:06:40,880 --> 00:06:43,000 Speaker 2: you kind of go yes, she is off with the 125 00:06:43,040 --> 00:06:45,800 Speaker 2: fairies with the star signs, which some people will think, 126 00:06:45,839 --> 00:06:48,120 Speaker 2: other people go no, no, this is a very serious science. 127 00:06:49,680 --> 00:06:52,880 Speaker 2: But wasn't an appropriate time to do that? Probably not. 128 00:06:53,000 --> 00:06:57,599 Speaker 2: And it's a thing about jokey banter with colleagues. Is 129 00:06:57,640 --> 00:07:00,400 Speaker 2: it stops becoming a joke when only one side of 130 00:07:00,400 --> 00:07:01,360 Speaker 2: it's finding it funny. 131 00:07:06,240 --> 00:07:09,000 Speaker 1: She's a listally in a pretty vulnerable place. She has 132 00:07:09,000 --> 00:07:11,880 Speaker 1: spoken in the past few years about overcoming a prescription 133 00:07:12,040 --> 00:07:15,800 Speaker 1: medication addiction an alcohol problem. She went to the Betty 134 00:07:15,800 --> 00:07:18,760 Speaker 1: Ford Clinic. She came back and had this very sort 135 00:07:18,760 --> 00:07:22,960 Speaker 1: of spectacular glow up and is now positioning herself I 136 00:07:22,960 --> 00:07:25,240 Speaker 1: think in the Gwyneth Paltrow mold as a bit of 137 00:07:25,240 --> 00:07:28,000 Speaker 1: a wellness influencer. She started a podcast with her best 138 00:07:28,000 --> 00:07:30,840 Speaker 1: friend Jemma O'Neill, who is also her manager and a 139 00:07:30,960 --> 00:07:34,760 Speaker 1: very formidable broadcast identity in her own right. She's a 140 00:07:34,840 --> 00:07:37,880 Speaker 1: behind the scenes player who's very savvy. They had a 141 00:07:37,920 --> 00:07:41,880 Speaker 1: podcast called Her Best Life in which they talked about relationships, sex, 142 00:07:42,480 --> 00:07:45,720 Speaker 1: but they talked a lot about horoscopes as well, and 143 00:07:45,840 --> 00:07:50,480 Speaker 1: that's part of the evolution of the Australian woman. Horoscopes 144 00:07:50,520 --> 00:07:53,280 Speaker 1: are huge with not only really young women in their twenties, 145 00:07:53,560 --> 00:07:56,640 Speaker 1: but the midlife woman who's maybe she's got divorced, she's 146 00:07:56,640 --> 00:07:58,760 Speaker 1: sick of the toxic guy who sits next her at work, 147 00:07:58,800 --> 00:08:00,920 Speaker 1: and she's all about you know, as they pronounce it, 148 00:08:01,080 --> 00:08:03,560 Speaker 1: uranus rising in sagittarius. 149 00:08:03,560 --> 00:08:06,440 Speaker 2: Now, well, I think it's quite interesting because she's talked 150 00:08:06,480 --> 00:08:09,720 Speaker 2: openly about what her aspirations were with this show. She 151 00:08:09,800 --> 00:08:12,240 Speaker 2: got the two hundred million dollar deal. Obviously that's not 152 00:08:12,320 --> 00:08:14,120 Speaker 2: all her money, it's about one hundred million each for 153 00:08:14,600 --> 00:08:16,840 Speaker 2: Kyle and Jackie. What she wanted to do at the 154 00:08:16,880 --> 00:08:18,760 Speaker 2: end of it, she wanted to use that money to 155 00:08:19,000 --> 00:08:21,960 Speaker 2: live in Australia six months, live six months in Italy. 156 00:08:22,440 --> 00:08:26,440 Speaker 3: So if you want to join me, So what you're saying, 157 00:08:26,480 --> 00:08:28,920 Speaker 3: after this ten year deals up, that's it for you? 158 00:08:29,880 --> 00:08:33,400 Speaker 1: Probably how long have you had this particular dream? 159 00:08:33,480 --> 00:08:37,959 Speaker 3: Jackie forget her dream. The shock here is I got 160 00:08:38,040 --> 00:08:39,439 Speaker 3: nine years left with her. That's it. 161 00:08:39,960 --> 00:08:40,880 Speaker 2: That's a long time. 162 00:08:41,000 --> 00:08:45,040 Speaker 3: We should save the audition for the replacement because I 163 00:08:45,160 --> 00:08:46,280 Speaker 3: plan on dying on it. 164 00:08:46,559 --> 00:08:49,520 Speaker 2: Oh so, it's very much. She's ad a eat prey 165 00:08:49,559 --> 00:08:52,040 Speaker 2: love time of their life, as you say, the star 166 00:08:52,160 --> 00:08:55,000 Speaker 2: signs or the horoscopes, a lot of new age beliefs. 167 00:08:55,120 --> 00:08:58,640 Speaker 2: She's admitted that she has moved into a more woke 168 00:08:59,200 --> 00:09:02,320 Speaker 2: space given her belief while Kyle is very much you 169 00:09:02,360 --> 00:09:05,040 Speaker 2: know Donald Trump. And that's all good for a show 170 00:09:05,160 --> 00:09:08,600 Speaker 2: like you Want. No one is more bored by people 171 00:09:08,760 --> 00:09:12,480 Speaker 2: arguing in furious agreement about how much they concur on stuff. 172 00:09:12,840 --> 00:09:15,520 Speaker 2: The problem is is that it does get personal at times. 173 00:09:15,559 --> 00:09:18,439 Speaker 2: Where as you say, she's gone through all these emotional 174 00:09:18,840 --> 00:09:22,320 Speaker 2: milestones and she comes back and Kyle quite uptenly says 175 00:09:22,320 --> 00:09:24,160 Speaker 2: on the radio show, oh yeah, I didn't read your book. 176 00:09:24,200 --> 00:09:27,920 Speaker 2: I don't care about that, like I don't. And we 177 00:09:28,000 --> 00:09:30,840 Speaker 2: know people who've written books. You don't always want to 178 00:09:30,880 --> 00:09:32,880 Speaker 2: read them. You've got a glance at them at the 179 00:09:32,960 --> 00:09:37,160 Speaker 2: very least look at yeah, but you like it's someone 180 00:09:37,360 --> 00:09:39,440 Speaker 2: like that is a labor of love writing a book 181 00:09:39,760 --> 00:09:43,560 Speaker 2: and from a friend to go, ah, didn't read it, 182 00:09:43,679 --> 00:09:46,320 Speaker 2: have no intention of reading it. I don't care. You 183 00:09:46,520 --> 00:09:50,280 Speaker 2: can think given their persona, she's too resilient to worry 184 00:09:50,320 --> 00:09:52,440 Speaker 2: about it. No, that's a hurtful thing. If I write 185 00:09:52,440 --> 00:09:53,839 Speaker 2: a book, you better be reading. 186 00:09:53,559 --> 00:10:01,400 Speaker 1: It as a business person. Tho style is right, isn't he? 187 00:10:01,640 --> 00:10:03,959 Speaker 1: I mean it is not good radio to hear someone 188 00:10:04,040 --> 00:10:06,480 Speaker 1: talking about as she was in that moment Andrew mount 189 00:10:06,480 --> 00:10:09,959 Speaker 1: Batten Windsor's Stars and whether that was he was facing 190 00:10:10,000 --> 00:10:12,720 Speaker 1: so much difficulty right now. I mean he delivered it 191 00:10:12,800 --> 00:10:14,839 Speaker 1: very poorly, and in twenty twenty six, you know that's 192 00:10:14,840 --> 00:10:18,160 Speaker 1: not the way you give feedback. But he's right. 193 00:10:18,400 --> 00:10:20,480 Speaker 2: Whether or not he's right, do you reckon he should 194 00:10:20,480 --> 00:10:22,680 Speaker 2: have said it then and there, like you said. 195 00:10:22,640 --> 00:10:24,839 Speaker 1: It made good radio. I mean that has been their 196 00:10:24,840 --> 00:10:26,640 Speaker 1: business model in the past. I think it was quite 197 00:10:26,720 --> 00:10:29,600 Speaker 1: reasonable for him to expect that she would fire back, 198 00:10:29,720 --> 00:10:32,360 Speaker 1: or at least that it would be maybe at awkward moment, 199 00:10:32,960 --> 00:10:35,640 Speaker 1: a little bit of outrage from her. They're both also 200 00:10:36,280 --> 00:10:39,679 Speaker 1: vulnerable in a business sense. Their foray into Melbourne was 201 00:10:39,720 --> 00:10:44,560 Speaker 1: an absolute catastrophe. The penis and vagina repartee didn't work 202 00:10:44,600 --> 00:10:47,640 Speaker 1: with Melbourne's audience, who were much more into you know 203 00:10:48,040 --> 00:10:53,680 Speaker 1: what's happened to the piccolo lately. So that's a businessman 204 00:10:53,760 --> 00:10:56,800 Speaker 1: under pressure arguing with his business partner, or a woman 205 00:10:56,800 --> 00:10:58,959 Speaker 1: who's also under her own kind of pressure, isn't it. 206 00:10:59,400 --> 00:11:01,079 Speaker 1: I think he would have a defense if this went 207 00:11:01,120 --> 00:11:04,200 Speaker 1: to court that he could have quite reasonably expected that 208 00:11:04,240 --> 00:11:05,560 Speaker 1: she would ride that out. 209 00:11:06,200 --> 00:11:10,679 Speaker 2: Well, look, you are right. Kind of stop agreeing with me, 210 00:11:10,760 --> 00:11:13,720 Speaker 2: jack You've kind of changed my mind on that because 211 00:11:13,800 --> 00:11:16,959 Speaker 2: I think you're right. Because, let's face it, if they 212 00:11:17,040 --> 00:11:20,000 Speaker 2: try to terminate Kyle's contract, there is every chance this 213 00:11:20,040 --> 00:11:22,199 Speaker 2: is going to go to court. Like we're talking about 214 00:11:22,440 --> 00:11:26,520 Speaker 2: ninety million dollars worth of employment for the next nine years. 215 00:11:26,520 --> 00:11:28,600 Speaker 2: He's going to fight to keep that and say, as 216 00:11:28,640 --> 00:11:32,600 Speaker 2: you point out, here are fifty thousand examples of where 217 00:11:32,600 --> 00:11:35,040 Speaker 2: I've made comments like this in the past, and it's 218 00:11:35,120 --> 00:11:37,000 Speaker 2: part of the joke and it's part of the chemistry. 219 00:11:37,320 --> 00:11:40,800 Speaker 2: So yeah, you're probably right that he would have expected. Hey, 220 00:11:40,840 --> 00:11:42,480 Speaker 2: this is our banter, this is what we do. 221 00:11:47,400 --> 00:11:50,720 Speaker 1: Coming up why the Kyl and Jackie oshow doesn't work 222 00:11:50,840 --> 00:12:06,680 Speaker 1: like it used to. So they've given Kyle fourteen days 223 00:12:06,679 --> 00:12:10,480 Speaker 1: to remedy what they say a serious misconduct. Jackie OO 224 00:12:10,720 --> 00:12:12,920 Speaker 1: is saying in a statement released by the company that 225 00:12:13,080 --> 00:12:15,839 Speaker 1: she can't work with him anymore. That seems pretty definitive. 226 00:12:16,120 --> 00:12:19,120 Speaker 1: They've said they've offered her another show. There's a lot 227 00:12:19,160 --> 00:12:22,920 Speaker 1: to unpack there. Firstly, would anyone listen to the JACKIEO Show? 228 00:12:24,200 --> 00:12:26,079 Speaker 2: I think that aarn is in a real spot of 229 00:12:26,120 --> 00:12:28,920 Speaker 2: bother I don't think that there is a commercial market 230 00:12:28,960 --> 00:12:31,920 Speaker 2: for a Jackieo's show by herself. I don't think there 231 00:12:31,960 --> 00:12:35,080 Speaker 2: is a particularly strong commercial market for a JACKIEO show 232 00:12:35,120 --> 00:12:38,640 Speaker 2: with a different co host unfortunately. And I get that 233 00:12:38,720 --> 00:12:41,600 Speaker 2: she has been the highest paid woman in media, I 234 00:12:41,600 --> 00:12:44,840 Speaker 2: don't think there is an appetite for that outside of 235 00:12:45,040 --> 00:12:49,960 Speaker 2: the Kyle and JACKIEO Show for a major commercial, mainstream audience. Yes, 236 00:12:50,000 --> 00:12:52,760 Speaker 2: the podcast has done quite well, but as you say, 237 00:12:53,480 --> 00:12:56,800 Speaker 2: that is a very niche specific audience that she's talking to. 238 00:12:57,520 --> 00:13:01,400 Speaker 2: Whether or not Kyle would work without jack I mean, 239 00:13:01,640 --> 00:13:05,920 Speaker 2: I can see it being a passing parade of different hosts, 240 00:13:05,960 --> 00:13:08,440 Speaker 2: but I'd actually got to say, I can't even see 241 00:13:08,520 --> 00:13:13,480 Speaker 2: him staying there without her. So it's really difficult. And 242 00:13:13,520 --> 00:13:15,400 Speaker 2: we're also seeing it's in this era where they're trying 243 00:13:15,440 --> 00:13:20,000 Speaker 2: to nationalize shows to make them more broadly economical. They 244 00:13:20,040 --> 00:13:24,000 Speaker 2: don't work outside the Sydney market in commercial television sixty 245 00:13:24,040 --> 00:13:27,559 Speaker 2: minutes Spotlight at seven. They're loath to do stories around 246 00:13:27,640 --> 00:13:30,360 Speaker 2: Kyle and Jackio because they don't work. It's been this 247 00:13:30,520 --> 00:13:35,640 Speaker 2: long known thing. Kyle doesn't work in other markets. 248 00:13:39,600 --> 00:13:41,880 Speaker 1: Jackie has been papped coming out of a sound healing 249 00:13:41,920 --> 00:13:44,160 Speaker 1: session with a full face of makeup and a blow drawer. 250 00:13:44,200 --> 00:13:47,600 Speaker 1: I noticed, So she's obviously getting on with life. Kyle's 251 00:13:47,600 --> 00:13:50,640 Speaker 1: got these fourteen days to patch up the relationship. If 252 00:13:50,679 --> 00:13:53,760 Speaker 1: that's what Ira and thinks can actually happen. Why have 253 00:13:53,840 --> 00:13:56,040 Speaker 1: they said this fourteen day period? Is that? Is that 254 00:13:56,080 --> 00:13:57,160 Speaker 1: to avoid him seeing them? 255 00:13:57,320 --> 00:13:59,240 Speaker 2: Well, I think that this is a legal hurdle. They 256 00:13:59,280 --> 00:14:02,360 Speaker 2: have to give him the opportunity to show cause as 257 00:14:02,360 --> 00:14:04,800 Speaker 2: to why it wasn't serious misconduct. And I think you've 258 00:14:04,880 --> 00:14:07,480 Speaker 2: hit the nail on the head as to what his 259 00:14:07,679 --> 00:14:09,320 Speaker 2: argument's going to be. But they've got to give him 260 00:14:09,360 --> 00:14:15,160 Speaker 2: this opportunity legally. But I think the second Jackie Henderson 261 00:14:15,400 --> 00:14:18,679 Speaker 2: said that she did not feel safe in the workplace 262 00:14:19,240 --> 00:14:22,520 Speaker 2: with Kyle is this is a whole different level. When 263 00:14:22,520 --> 00:14:25,120 Speaker 2: you say you don't feel safe in the workplace with someone, 264 00:14:25,280 --> 00:14:28,560 Speaker 2: This isn't a personal blop. This is irreparable. That's a 265 00:14:28,720 --> 00:14:33,160 Speaker 2: very serious accusation to level against someone. Everything that implies 266 00:14:33,800 --> 00:14:36,080 Speaker 2: is quite serious, and I don't think Kyle saw it 267 00:14:36,120 --> 00:14:39,320 Speaker 2: coming to this, obviously with his updates on air in 268 00:14:39,360 --> 00:14:42,520 Speaker 2: the days after the blop, and I think most people 269 00:14:42,560 --> 00:14:44,560 Speaker 2: outside of it and we heard it, like you know, 270 00:14:44,560 --> 00:14:46,600 Speaker 2: there were people saying, you know, this is where it's 271 00:14:46,600 --> 00:14:49,760 Speaker 2: going to go, and now that's all very serious. I 272 00:14:49,840 --> 00:14:52,400 Speaker 2: predicted on Monday for ninety million dollars each, these guys 273 00:14:52,440 --> 00:14:54,880 Speaker 2: are going to be back, Like, you know, that amount 274 00:14:54,920 --> 00:14:58,480 Speaker 2: of money can mend a lot of wounds. Obviously, you 275 00:14:58,520 --> 00:15:02,840 Speaker 2: know she's prepared to forfeit those riches because she's at 276 00:15:02,840 --> 00:15:06,960 Speaker 2: a stage of the life where she isn't prepared to be. 277 00:15:07,000 --> 00:15:08,520 Speaker 1: She's not going to take it anymore. I mean she's 278 00:15:08,560 --> 00:15:11,440 Speaker 1: had enough, yeah, and fair enough. I don't blame her 279 00:15:11,480 --> 00:15:14,880 Speaker 1: either that it was a distressing Listen that tirade that 280 00:15:14,960 --> 00:15:15,560 Speaker 1: he went on. 281 00:15:15,760 --> 00:15:17,920 Speaker 2: If someone spoke to you like that in the workplace, 282 00:15:20,120 --> 00:15:21,000 Speaker 2: how would you react. 283 00:15:21,280 --> 00:15:24,120 Speaker 1: Yeah, I think what you heard there was two quite 284 00:15:24,120 --> 00:15:27,640 Speaker 1: empowered people. He went on a rant. We've all been 285 00:15:27,680 --> 00:15:31,240 Speaker 1: a victim of Rance. If you're the less powerful person, 286 00:15:31,280 --> 00:15:33,480 Speaker 1: you just submit to the rant and you go, yeah, okay, sorry, 287 00:15:33,720 --> 00:15:36,200 Speaker 1: and you go away and cry in the toilets. She 288 00:15:36,880 --> 00:15:39,560 Speaker 1: remained in the moment. She didn't change the subject. She 289 00:15:39,720 --> 00:15:43,840 Speaker 1: kept arguing it out with him, which is very interesting. 290 00:15:44,720 --> 00:15:46,520 Speaker 1: Speaking of stars, and I'm sorry to keep bringing it 291 00:15:46,560 --> 00:15:49,880 Speaker 1: back to this, Jacko. In the past five years and 292 00:15:50,040 --> 00:15:52,760 Speaker 1: this is still happening, we're seeing some stars go out 293 00:15:52,800 --> 00:15:56,400 Speaker 1: in the firmament of Australian broadcast. So we've seen the 294 00:15:56,440 --> 00:15:59,800 Speaker 1: disappearance of John Law's, Alan Jones, Ray Hadley from the 295 00:15:59,840 --> 00:16:04,000 Speaker 1: air waves. You've reported on Karl Steffanovic's time being pretty 296 00:16:04,080 --> 00:16:05,720 Speaker 1: much up at nine. He's got one year left on 297 00:16:05,760 --> 00:16:08,120 Speaker 1: his contract and he says he doesn't know what's left 298 00:16:08,120 --> 00:16:13,640 Speaker 1: now now potentially Carl Sandalans and Jackie O disappearing. What 299 00:16:13,800 --> 00:16:15,920 Speaker 1: is happening here? Is this the end of big money 300 00:16:15,920 --> 00:16:17,720 Speaker 1: and big stars in broadcast? 301 00:16:17,920 --> 00:16:20,800 Speaker 2: Well, I think yes, I think it definitely is. But 302 00:16:20,880 --> 00:16:23,800 Speaker 2: to your point about whether or not you'd accept it, 303 00:16:24,000 --> 00:16:27,400 Speaker 2: I mean it's quite interesting, right, Like if I get 304 00:16:27,400 --> 00:16:30,360 Speaker 2: berated like that in the newsroom by say the host 305 00:16:30,440 --> 00:16:33,200 Speaker 2: of the front saying I haven't done my research before 306 00:16:33,200 --> 00:16:36,000 Speaker 2: coming on. We've all felt like this. We've all gone 307 00:16:36,000 --> 00:16:38,080 Speaker 2: back to a desk and gone I want to quit. 308 00:16:38,800 --> 00:16:41,760 Speaker 2: I'm so close. I'm going to tell them more and 309 00:16:41,800 --> 00:16:44,680 Speaker 2: they'll go home and you have a beer with a maid, 310 00:16:44,760 --> 00:16:47,840 Speaker 2: or talk to your partner and go, I'm so close, 311 00:16:48,160 --> 00:16:52,760 Speaker 2: unfortunately for most of us mortgage rant kids, and you go, 312 00:16:54,360 --> 00:16:57,800 Speaker 2: all right, I've got it. But when you're independently wealthy 313 00:16:57,880 --> 00:17:01,680 Speaker 2: or financially stable, as both of these people are, like Jackie, 314 00:17:02,000 --> 00:17:04,200 Speaker 2: why have I got to take this? You know, like, yeah, 315 00:17:04,200 --> 00:17:06,040 Speaker 2: it'd be great to have all this extra money. But 316 00:17:06,119 --> 00:17:08,560 Speaker 2: she's already well off. She's already bought a home, she's 317 00:17:09,040 --> 00:17:12,800 Speaker 2: building another mansion. She doesn't need to copy it. So 318 00:17:12,840 --> 00:17:16,520 Speaker 2: it's that f you moment that everyone else feels and 319 00:17:16,520 --> 00:17:19,400 Speaker 2: for her goes, oh, I can say. 320 00:17:19,240 --> 00:17:23,959 Speaker 1: It is it also then about employers and the broadcast 321 00:17:24,000 --> 00:17:26,679 Speaker 1: companies just going actually, we've had enough of your drama. 322 00:17:26,920 --> 00:17:29,239 Speaker 1: To the stars. Yeah, we're not prepared to put up 323 00:17:29,240 --> 00:17:29,720 Speaker 1: with it anymore. 324 00:17:29,720 --> 00:17:32,040 Speaker 2: Grow over it. Well, I think it comes back to 325 00:17:32,520 --> 00:17:36,640 Speaker 2: a market value, and we're going to see that at 326 00:17:37,119 --> 00:17:39,359 Speaker 2: nine Radio now that it's been brought by the Laundies, 327 00:17:39,400 --> 00:17:41,360 Speaker 2: and it's greats being brought by a billionaire, and it's 328 00:17:41,359 --> 00:17:43,840 Speaker 2: going to be a private company. But they're businessmen, and 329 00:17:43,880 --> 00:17:46,760 Speaker 2: we're seeing more and more the media taken over by 330 00:17:46,760 --> 00:17:49,359 Speaker 2: people who aren't in it just because they love media. 331 00:17:49,640 --> 00:17:53,040 Speaker 2: It's also being treated very financially as a business and 332 00:17:53,520 --> 00:17:57,359 Speaker 2: the money isn't there that used to be. So we'll 333 00:17:57,400 --> 00:17:59,919 Speaker 2: see it at nine Radio, all their hosts, this is 334 00:18:00,000 --> 00:18:01,760 Speaker 2: how much they're on. But where you're going to get 335 00:18:01,800 --> 00:18:04,760 Speaker 2: that somewhere else? Carl Stefanovig at nine, Oh you're on 336 00:18:05,000 --> 00:18:07,360 Speaker 2: almost three million dollars. Where are you going to get 337 00:18:07,359 --> 00:18:09,320 Speaker 2: that somewhere else? And it used to be, oh, we've 338 00:18:09,320 --> 00:18:11,520 Speaker 2: got to pay this much because seven will swoop in 339 00:18:11,960 --> 00:18:15,000 Speaker 2: or ten will swoop in. No, they're not. They can't 340 00:18:15,040 --> 00:18:18,520 Speaker 2: afford to keep their own stars on their salary. So 341 00:18:19,240 --> 00:18:22,119 Speaker 2: it's going to be this market forces are going to 342 00:18:22,240 --> 00:18:24,800 Speaker 2: drive down all those prices and the era of you know, 343 00:18:24,840 --> 00:18:27,280 Speaker 2: their stars and we've got to let them get away 344 00:18:27,320 --> 00:18:29,639 Speaker 2: with murder that is gone because at the end of 345 00:18:29,680 --> 00:18:32,040 Speaker 2: the day, it's like, well, they need to be proving 346 00:18:32,080 --> 00:18:34,760 Speaker 2: their value and it's not about let's keep them happy 347 00:18:34,800 --> 00:18:37,240 Speaker 2: at all costs, because let's be honest, there's been a 348 00:18:37,280 --> 00:18:39,119 Speaker 2: lot of people that have gone through that. Kyle and 349 00:18:39,200 --> 00:18:43,000 Speaker 2: Jackie Osho as producers who've treated as a right of passage, 350 00:18:43,040 --> 00:18:45,080 Speaker 2: you know, like yeah, you get yelled at an abuse, 351 00:18:45,119 --> 00:18:47,600 Speaker 2: and we've worked in newsrooms where you get yelled at 352 00:18:47,640 --> 00:18:50,520 Speaker 2: and abused. And unfortunately, that era of just keeping the 353 00:18:50,560 --> 00:18:53,720 Speaker 2: stars happy. I say unfortunately, it's not unfortunate at all 354 00:18:54,040 --> 00:18:57,520 Speaker 2: that area is gone because there isn't anyone waiting in 355 00:18:57,560 --> 00:19:01,520 Speaker 2: the wings to steal these stars away with equally lucrative contracts. 356 00:19:01,600 --> 00:19:04,359 Speaker 2: We've seen it time and again. These people leave the 357 00:19:04,440 --> 00:19:07,879 Speaker 2: network that they're on and they find out very quickly 358 00:19:08,000 --> 00:19:11,000 Speaker 2: that they were stars at that network, and that network 359 00:19:11,480 --> 00:19:14,200 Speaker 2: and its resources poured into it made them famous. And 360 00:19:14,200 --> 00:19:15,640 Speaker 2: then when they go off and try to do their 361 00:19:15,640 --> 00:19:18,960 Speaker 2: own thing, they soon find out that without the star 362 00:19:19,080 --> 00:19:21,920 Speaker 2: machine behind them, they're not quite the stars they thought 363 00:19:21,960 --> 00:19:22,280 Speaker 2: they were. 364 00:19:22,520 --> 00:19:25,120 Speaker 1: Well, Jacko, that was absolutely hopeless, and please do better 365 00:19:25,119 --> 00:19:25,560 Speaker 1: next time. 366 00:19:25,720 --> 00:19:28,080 Speaker 2: This is an outrage. I do not feel safe. I 367 00:19:28,119 --> 00:19:31,320 Speaker 2: do not feel safe. I shouldn't joke. But yeah, obviously 368 00:19:31,359 --> 00:19:32,040 Speaker 2: it's very serious. 369 00:19:33,000 --> 00:19:33,760 Speaker 1: Yeah, it is serious. 370 00:19:33,800 --> 00:19:35,560 Speaker 2: Thanks Jacko, all right, thank you for having me on. 371 00:19:45,920 --> 00:19:49,240 Speaker 1: Ste Jackson is The Australian's Media Diary editor. You can 372 00:19:49,240 --> 00:19:51,560 Speaker 1: read the latest on this story, as well as everything 373 00:19:51,680 --> 00:19:54,640 Speaker 1: happening in the media right now, at the Australian dot 374 00:19:54,680 --> 00:19:55,600 Speaker 1: com dot au