1 00:00:08,680 --> 00:00:11,240 Speaker 1: From the Australian. This is the weekend edition of The Front. 2 00:00:11,360 --> 00:00:18,040 Speaker 1: I'm Claire Harvey. The Da Vinci Code author Dan Brown's 3 00:00:18,120 --> 00:00:21,920 Speaker 1: latest novel, called The Secret of Secrets, hit bookstore shelves 4 00:00:22,079 --> 00:00:25,400 Speaker 1: last month. The Economist has labeled the book a silly 5 00:00:25,520 --> 00:00:28,760 Speaker 1: mashup of fact and fiction. The Times in London called 6 00:00:28,760 --> 00:00:31,560 Speaker 1: it six hundred and eighty eight pages of cliche and 7 00:00:31,680 --> 00:00:36,600 Speaker 1: conspiracy theories. The Australian's own Jack Marx called it laughably 8 00:00:36,720 --> 00:00:41,000 Speaker 1: awful in both style and substance, which raises the question, 9 00:00:41,200 --> 00:00:44,480 Speaker 1: if the experts have him down as a hack, why 10 00:00:44,800 --> 00:00:48,120 Speaker 1: is Dan Brown so successful. The Da Vinci Code sold 11 00:00:48,200 --> 00:00:51,760 Speaker 1: over eighty million copies, making it one of the highest 12 00:00:51,800 --> 00:00:54,960 Speaker 1: selling novels of all time, and while the two thousand 13 00:00:54,960 --> 00:00:58,760 Speaker 1: and six movie adaptations starring Tom Hanks and Audrey Tottoo 14 00:00:59,240 --> 00:01:02,920 Speaker 1: created a cold true phenomenon and raked in seven hundred 15 00:01:02,920 --> 00:01:08,200 Speaker 1: and sixty million dollars. Rotten Tomatoes, a US based review aggregator, 16 00:01:08,520 --> 00:01:11,960 Speaker 1: has the critics score for that film at twenty five percent. 17 00:01:12,600 --> 00:01:16,399 Speaker 1: That's an F for fail. In today's episode, I literally 18 00:01:16,520 --> 00:01:19,920 Speaker 1: ateor Caroline Overington speaks with Jack Marx and if you're 19 00:01:19,920 --> 00:01:23,200 Speaker 1: a Dan Brown fan. This episode comes with a trigger 20 00:01:23,240 --> 00:01:26,399 Speaker 1: warning because Jack isn't going to hold back. 21 00:01:32,640 --> 00:01:35,320 Speaker 2: This is by far the most ambitious book I've ever attempted. 22 00:01:35,360 --> 00:01:37,680 Speaker 2: It's very intricately plotted. I also happen to think it's 23 00:01:37,680 --> 00:01:38,279 Speaker 2: the most fun. 24 00:01:41,120 --> 00:01:43,640 Speaker 1: This is Dan Brown during an appearance on Good Morning 25 00:01:43,680 --> 00:01:46,160 Speaker 1: America promoting the Secret of Secrets. 26 00:01:46,920 --> 00:01:48,800 Speaker 2: What was the most fun to write? I'm hoping it's 27 00:01:48,800 --> 00:01:49,560 Speaker 2: the most fun to read. 28 00:01:50,080 --> 00:01:51,800 Speaker 1: Is set in the world of human In some ways, 29 00:01:51,800 --> 00:01:55,520 Speaker 1: the book sounds classic Dan Brown. Protagonist Robert Langdon is 30 00:01:55,560 --> 00:01:59,520 Speaker 1: in another beautiful European city, this time Prague. It's a 31 00:01:59,520 --> 00:02:02,120 Speaker 1: thriller with a love story and a puzzle at the 32 00:02:02,160 --> 00:02:05,760 Speaker 1: center of it, with all the tantalizing symbols and clues 33 00:02:06,000 --> 00:02:09,840 Speaker 1: that Brown is famous for sprinkling throughout his novels. Only 34 00:02:09,880 --> 00:02:14,720 Speaker 1: the inspiration for Secretive Secrets came from a deeply personal place. 35 00:02:16,080 --> 00:02:18,720 Speaker 2: Among di you teen years ago. Yeah, right, as I've 36 00:02:18,760 --> 00:02:21,840 Speaker 2: started in this book and got me asking the question 37 00:02:21,880 --> 00:02:25,320 Speaker 2: that we all ask, what happens when we die? Over 38 00:02:25,400 --> 00:02:29,000 Speaker 2: the past eight years, talking to physicists, noetics, scientists, philosophers, 39 00:02:29,400 --> 00:02:32,200 Speaker 2: and reading about some of the incredible new science that's 40 00:02:32,240 --> 00:02:35,440 Speaker 2: happening in this field of thanatology and neetics, I've come 41 00:02:35,480 --> 00:02:37,359 Speaker 2: out the other side with a totally different point of 42 00:02:37,440 --> 00:02:41,800 Speaker 2: view on death. I think that consciousness survives human death. 43 00:02:43,880 --> 00:02:46,520 Speaker 1: It sounds like adul order writing one hundred and ninety 44 00:02:46,520 --> 00:02:49,960 Speaker 1: thousand word page Turner said in the World of Human Consciousness. 45 00:02:50,360 --> 00:02:52,840 Speaker 1: But if the comments from Brown's two hundred and fifty 46 00:02:52,840 --> 00:02:56,160 Speaker 1: thousand plus Instagram followers are anything to go by, the 47 00:02:56,240 --> 00:03:00,400 Speaker 1: Secretive Secrets is connecting with fans, and of course, a 48 00:03:00,520 --> 00:03:03,880 Speaker 1: series based on the book is coming to Netflix. 49 00:03:07,280 --> 00:03:10,360 Speaker 3: Jack Marks. One of the biggest selling books in the 50 00:03:10,400 --> 00:03:13,520 Speaker 3: world at the moment is Dan Brown's latest The Secret 51 00:03:13,600 --> 00:03:17,240 Speaker 3: of Secrets. Audiences or readers seem to be loving it, 52 00:03:17,320 --> 00:03:18,720 Speaker 3: But you did not like it at all? 53 00:03:18,800 --> 00:03:19,160 Speaker 1: Why not? 54 00:03:20,160 --> 00:03:25,680 Speaker 4: It's probably the silliest story I've read by an author 55 00:03:25,760 --> 00:03:30,040 Speaker 4: of notes ever, and I'm not surprised it's popular because 56 00:03:30,080 --> 00:03:33,440 Speaker 4: it's one of those books that I couldn't put down. 57 00:03:33,560 --> 00:03:37,280 Speaker 4: I became so fascinated with how bad it was, I 58 00:03:37,320 --> 00:03:41,720 Speaker 4: couldn't wait to turn the page for the next hysterically 59 00:03:42,240 --> 00:03:43,200 Speaker 4: funny fumble. 60 00:03:43,560 --> 00:03:46,200 Speaker 3: When you say it's hysterically funny, you don't. 61 00:03:46,080 --> 00:03:47,920 Speaker 5: Mean not intentionally. 62 00:03:48,120 --> 00:03:53,440 Speaker 3: No, No, you mean that the writing is very, very bad. 63 00:03:53,640 --> 00:03:58,720 Speaker 4: Yeah, the writing it's a clumsy. His metaphors really syrupy, 64 00:03:59,600 --> 00:04:02,760 Speaker 4: and I was horrified to see he delivers online master 65 00:04:02,880 --> 00:04:05,040 Speaker 4: classes that ought to be outlawed. 66 00:04:05,840 --> 00:04:08,080 Speaker 3: Well, you know, it could be said that while he 67 00:04:08,200 --> 00:04:13,400 Speaker 3: is not perhaps a wordsmith, he is a wonderful storyteller. 68 00:04:13,520 --> 00:04:16,320 Speaker 3: People seem to like the idea that when you pick 69 00:04:16,400 --> 00:04:18,560 Speaker 3: up one of his books, you go on a chase 70 00:04:18,680 --> 00:04:23,240 Speaker 3: through history and art and religion and consciousness human consciousness 71 00:04:23,240 --> 00:04:26,440 Speaker 3: in this book with the idea of solving a puzzle, 72 00:04:26,480 --> 00:04:29,479 Speaker 3: which of course readers so loved to do. Would you 73 00:04:29,520 --> 00:04:31,920 Speaker 3: at least give him some points for being a good 74 00:04:32,080 --> 00:04:34,000 Speaker 3: storyteller or mystery maker. 75 00:04:34,680 --> 00:04:38,839 Speaker 4: Mystery maker for sure, storyteller. No, the story is terrible. 76 00:04:39,640 --> 00:04:42,600 Speaker 4: When you say puzzle, he's very good at that, Like 77 00:04:42,839 --> 00:04:46,960 Speaker 4: Rubric was with his cube and whoever the turkey was 78 00:04:46,960 --> 00:04:50,400 Speaker 4: that we in rended snakes and ladders. He belongs with them, 79 00:04:50,440 --> 00:04:54,200 Speaker 4: not next to Cormack McCarthy or even Stephen King, who 80 00:04:54,240 --> 00:04:58,679 Speaker 4: a lot of people say is crap, but he says 81 00:04:58,680 --> 00:05:02,000 Speaker 4: that himself. Stephen King's quite open about the fact that 82 00:05:02,080 --> 00:05:06,040 Speaker 4: his ideas are better than he's writing. But even Stephen 83 00:05:06,160 --> 00:05:08,839 Speaker 4: King can write when he's in the zone. 84 00:05:09,240 --> 00:05:13,960 Speaker 3: Well, then, what explains the appeal of Dan Brown. I 85 00:05:14,000 --> 00:05:17,040 Speaker 3: think we can go back to the first huge success, 86 00:05:17,680 --> 00:05:22,359 Speaker 3: which was the da Vinci Code. 87 00:05:23,320 --> 00:05:26,720 Speaker 5: Professor Langdon, the Chief of Police, would like your assistance. 88 00:05:28,200 --> 00:05:30,159 Speaker 5: I'm not sure how much help I'm going to be 89 00:05:30,200 --> 00:05:32,680 Speaker 5: here to your God. 90 00:05:34,640 --> 00:05:37,760 Speaker 3: I felt a bit nostalgic when I was reading about 91 00:05:37,839 --> 00:05:40,000 Speaker 3: Dan Brown's new book for a time when everyone was 92 00:05:40,000 --> 00:05:41,880 Speaker 3: reading the same book. You know, you get on a 93 00:05:41,960 --> 00:05:43,680 Speaker 3: plane and it was almost like you've got a copy 94 00:05:43,720 --> 00:05:45,880 Speaker 3: of the da Vinci Code with your boarding past. So 95 00:05:46,000 --> 00:05:48,600 Speaker 3: many people had a copy of it. And I understood 96 00:05:48,640 --> 00:05:52,200 Speaker 3: the appeal of that, because people are curious about Christianity 97 00:05:52,279 --> 00:05:54,799 Speaker 3: and the origins and the life of Jesus of Nazareth 98 00:05:54,880 --> 00:05:58,640 Speaker 3: and the origins of the Christian religion. And so I 99 00:05:58,720 --> 00:05:59,440 Speaker 3: understood it. 100 00:06:00,279 --> 00:06:02,560 Speaker 4: And you don't have to have been brought up Catholic 101 00:06:02,960 --> 00:06:08,160 Speaker 4: like I was to find those old Da Vinci artworks creepy. 102 00:06:08,200 --> 00:06:11,479 Speaker 4: Everyone does, and he nailed that or even beautiful, yeah, 103 00:06:11,520 --> 00:06:14,960 Speaker 4: well beautiful for sure. But also there's the old trope 104 00:06:15,000 --> 00:06:17,640 Speaker 4: about the eyes following you around the church. You know, 105 00:06:17,960 --> 00:06:20,560 Speaker 4: it's that sort of thing. So he tapped into something 106 00:06:20,640 --> 00:06:25,159 Speaker 4: great there, which was a treasure hunt. But again, even 107 00:06:25,200 --> 00:06:27,520 Speaker 4: with the da Vinci code, there are a lot of 108 00:06:27,600 --> 00:06:31,200 Speaker 4: reviewers who hold him out for not really being a 109 00:06:31,240 --> 00:06:32,960 Speaker 4: writer at all, and. 110 00:06:32,880 --> 00:06:36,159 Speaker 3: Yet it is shooting up the best seller lists, as 111 00:06:36,240 --> 00:06:39,360 Speaker 3: all his books have done. So what explains his appeal? 112 00:06:39,560 --> 00:06:42,080 Speaker 4: Well, I don't know, But that's a very trump thing 113 00:06:42,240 --> 00:06:44,040 Speaker 4: to say, isn't it. You know? 114 00:06:44,279 --> 00:06:45,880 Speaker 5: I mean, just because it's popular. 115 00:06:46,320 --> 00:06:49,560 Speaker 3: Now, that's not fair, because people are reading it presumably 116 00:06:49,640 --> 00:06:53,040 Speaker 3: because they are enjoying it, without arguing whether it's good 117 00:06:53,080 --> 00:06:56,120 Speaker 3: or bad or indifferent. People are reading it because they 118 00:06:56,160 --> 00:06:58,440 Speaker 3: are enjoying it. So what are they enjoying? 119 00:06:58,920 --> 00:07:02,440 Speaker 4: Well, when we're kids, we loved Scooby Doo and those 120 00:07:03,160 --> 00:07:06,279 Speaker 4: young adult sort of detective books in the Mystery of 121 00:07:06,320 --> 00:07:08,960 Speaker 4: the Talking Skull and all of those sorts of things, 122 00:07:09,000 --> 00:07:12,720 Speaker 4: and it's just a mature version of that. I suppose 123 00:07:12,760 --> 00:07:16,800 Speaker 4: he's a good puzzle maker. I noticed in Secretive Secrets, 124 00:07:17,480 --> 00:07:22,560 Speaker 4: every ten or twenty pages there was some puzzle that 125 00:07:22,640 --> 00:07:24,760 Speaker 4: had to be sorted out, and even though the answer 126 00:07:24,840 --> 00:07:28,960 Speaker 4: wasn't obvious, there was sort of an inner applause that 127 00:07:29,120 --> 00:07:33,520 Speaker 4: happened when Langdon solved it a few pages later, inner 128 00:07:33,560 --> 00:07:34,559 Speaker 4: applause in the reader. 129 00:07:35,600 --> 00:07:37,560 Speaker 3: When I spoke to Dan Brown, because we were lucky 130 00:07:37,640 --> 00:07:40,280 Speaker 3: enough to get an interview with him ahead of the release. 131 00:07:39,960 --> 00:07:42,280 Speaker 5: Of the book, it must have been call my review ran. 132 00:07:43,120 --> 00:07:47,200 Speaker 3: He said, he opens the book with Robert Langdon in love, 133 00:07:47,520 --> 00:07:49,560 Speaker 3: and this is the first time that he's done that. 134 00:07:50,080 --> 00:07:51,920 Speaker 3: He was joking with me and he said, I don't 135 00:07:51,920 --> 00:07:54,520 Speaker 3: think I was very good at the sex scenes. Well, 136 00:07:54,560 --> 00:07:56,280 Speaker 3: what did you think of the sex scenes? 137 00:07:56,680 --> 00:07:59,840 Speaker 4: Well, when I was a really, really young boy less 138 00:07:59,840 --> 00:08:04,520 Speaker 4: than ten, reading Playboy magazine, this mental fantasy of me 139 00:08:04,680 --> 00:08:08,040 Speaker 4: being a handsome debon there taking all these girls out, 140 00:08:08,320 --> 00:08:13,640 Speaker 4: and the romantic dialogues and situations that Dan Brown described 141 00:08:13,920 --> 00:08:15,760 Speaker 4: very much like the ones I thought of when I 142 00:08:15,800 --> 00:08:16,320 Speaker 4: was nine. 143 00:08:16,400 --> 00:08:16,920 Speaker 5: But as you. 144 00:08:17,120 --> 00:08:19,240 Speaker 4: Mature a little bit, I think by the time I 145 00:08:19,320 --> 00:08:21,640 Speaker 4: hit sixteen, I thought, Jez, that was never got offly. 146 00:08:22,040 --> 00:08:25,880 Speaker 4: But in Dan Brown's universe, you know, the most intelligent 147 00:08:26,000 --> 00:08:30,440 Speaker 4: man in the world, this Robert Langdon, hybrid of Stephen 148 00:08:30,520 --> 00:08:35,679 Speaker 4: Hawking and macdiver. Even he's a romantic income book. 149 00:08:36,600 --> 00:08:39,520 Speaker 3: One of the other things about Dan Brown's career is 150 00:08:39,559 --> 00:08:43,319 Speaker 3: that he is credited with, well, firstly, a renaissance in 151 00:08:43,320 --> 00:08:46,680 Speaker 3: interest in the origins of the Christian religion, but also 152 00:08:46,840 --> 00:08:49,760 Speaker 3: with the Renaissance in tourism to both France and Italy 153 00:08:49,840 --> 00:08:52,280 Speaker 3: back in the year two thousand and three, I think 154 00:08:52,320 --> 00:08:55,319 Speaker 3: when the Da Vinci Code first came out. This book is, 155 00:08:55,360 --> 00:08:59,160 Speaker 3: of course set in Prague. Did you leave the book thinking, Wow, 156 00:08:59,320 --> 00:09:00,120 Speaker 3: I'd like to be a. 157 00:09:00,200 --> 00:09:02,000 Speaker 5: Park, No, because I already have. 158 00:09:02,559 --> 00:09:05,760 Speaker 4: He was talking about every shop he walked past on 159 00:09:05,800 --> 00:09:09,480 Speaker 4: every street in Prague. You know, a simple walk down 160 00:09:09,640 --> 00:09:12,920 Speaker 4: to the bay would take twenty pages, as he name 161 00:09:13,120 --> 00:09:17,480 Speaker 4: checked everything in sight, and I thought, yeah, well, being 162 00:09:17,600 --> 00:09:19,600 Speaker 4: Dan brownie would have been to Prague. But I could 163 00:09:19,600 --> 00:09:22,720 Speaker 4: do the same thing with Google Maps, Speaking of which 164 00:09:23,040 --> 00:09:26,160 Speaker 4: you could do this book with chat GPT. 165 00:09:26,760 --> 00:09:28,760 Speaker 3: Well, you tried tell me what happened. 166 00:09:29,400 --> 00:09:31,760 Speaker 4: Yeah, what I said was give me the first three 167 00:09:31,880 --> 00:09:39,480 Speaker 4: hundred words in Dan Brown's style center the action in Prague, 168 00:09:39,679 --> 00:09:44,200 Speaker 4: and without me prompting it, AI put Robert Langdon in there, 169 00:09:44,840 --> 00:09:47,840 Speaker 4: referred to his jacket, the brand of his jacket, and 170 00:09:47,880 --> 00:09:49,199 Speaker 4: the brand of his tie, and the. 171 00:09:49,160 --> 00:09:51,280 Speaker 5: Brand of his underpants and everything. 172 00:09:50,880 --> 00:09:54,800 Speaker 4: Else, and did exactly what the opening of the book was, 173 00:09:55,160 --> 00:10:01,240 Speaker 4: except that, like a monkey at the keyboard, AI cost 174 00:10:01,320 --> 00:10:05,880 Speaker 4: out one kind of graceful metapor and I thought Dan 175 00:10:05,960 --> 00:10:10,400 Speaker 4: Brown can't do AI actually did Dan Brown better than 176 00:10:10,480 --> 00:10:12,120 Speaker 4: Dan Brown could do Dan Brown. 177 00:10:12,520 --> 00:10:14,800 Speaker 3: Well, I have to play the devil's advocate here because 178 00:10:14,840 --> 00:10:18,840 Speaker 3: if chat gpt was able to punch out a paragraph 179 00:10:19,160 --> 00:10:22,880 Speaker 3: in the style of Dan Brown, then actually we have 180 00:10:22,960 --> 00:10:24,920 Speaker 3: to be on the side of Dan Brown, because that 181 00:10:25,120 --> 00:10:29,280 Speaker 3: means that AI has stolen his work, scraped and stolen 182 00:10:29,320 --> 00:10:33,160 Speaker 3: them off the Internet and is now able to produce 183 00:10:33,679 --> 00:10:38,040 Speaker 3: a reasonable facsimile of his work, which is actually devastating 184 00:10:38,080 --> 00:10:40,800 Speaker 3: for artists, because if they can do it to Dan Brown, 185 00:10:41,040 --> 00:10:42,520 Speaker 3: they can probably do it to anyone. 186 00:10:42,559 --> 00:10:45,480 Speaker 4: Now, it's devastating for artists. You said you can't have 187 00:10:45,520 --> 00:10:47,800 Speaker 4: it both ways, see the artist or Dan Brown. 188 00:10:48,600 --> 00:10:50,200 Speaker 3: You are very cheeky. 189 00:10:50,280 --> 00:11:00,280 Speaker 1: There more of Caroline and Jack on Dan Brown The 190 00:11:00,320 --> 00:11:04,199 Speaker 1: Secret of Secrets after the Break. 191 00:11:18,200 --> 00:11:21,000 Speaker 3: His background is very interesting. I think he grew up 192 00:11:21,120 --> 00:11:24,559 Speaker 3: with a mathematician as a father, and his mother was 193 00:11:24,600 --> 00:11:28,400 Speaker 3: a devout Christian who also was a music composer. So 194 00:11:28,480 --> 00:11:30,880 Speaker 3: I think that explains a lot of the themes in 195 00:11:30,880 --> 00:11:33,160 Speaker 3: his books, you know, the maths and the puzzles and 196 00:11:33,200 --> 00:11:36,200 Speaker 3: the music and the art. And he studied art history 197 00:11:36,360 --> 00:11:39,000 Speaker 3: at university which again explains a lot of the themes. 198 00:11:39,520 --> 00:11:42,240 Speaker 3: But also when he was a small boy, because his 199 00:11:42,280 --> 00:11:45,559 Speaker 3: father was a maths teacher, he lived on the campus 200 00:11:45,600 --> 00:11:49,040 Speaker 3: of the boarding school, so all of his babysitters and 201 00:11:49,080 --> 00:11:52,800 Speaker 3: all of the people around him were international students interested 202 00:11:52,840 --> 00:11:57,200 Speaker 3: in art history and Christian theology and symbols, and I 203 00:11:57,240 --> 00:11:59,640 Speaker 3: think it explains some of why he goes off down 204 00:11:59,679 --> 00:12:01,600 Speaker 3: those rabbit holes that people love so much. 205 00:12:02,040 --> 00:12:04,800 Speaker 4: That's one thing I will give him is all those 206 00:12:04,880 --> 00:12:08,280 Speaker 4: little tributaries that run away in his book. 207 00:12:08,880 --> 00:12:10,160 Speaker 5: They never really get boring. 208 00:12:10,760 --> 00:12:13,720 Speaker 3: Well, hang on, haven't you just admitted there then that 209 00:12:13,800 --> 00:12:15,600 Speaker 3: he is an excellent storyteller. 210 00:12:15,960 --> 00:12:18,959 Speaker 4: No, that's not storytelling. That's sort of like one of 211 00:12:19,040 --> 00:12:24,080 Speaker 4: those guys who can recite every winner of the Melbourne Cup. 212 00:12:24,679 --> 00:12:28,680 Speaker 4: He's a factoid, dude. You know that's kind of interesting 213 00:12:28,840 --> 00:12:31,480 Speaker 4: at the pub if you're pretty drunk. But it ain't not. 214 00:12:32,040 --> 00:12:37,280 Speaker 3: Well, well, tell me, honestly, did you learn nothing? Because 215 00:12:37,320 --> 00:12:39,080 Speaker 3: I read the book and there were things that I learned. 216 00:12:39,120 --> 00:12:42,200 Speaker 3: For example, I did not know what the world's most 217 00:12:42,280 --> 00:12:47,000 Speaker 3: famous religious symbol was until I read The Secret of Secrets. 218 00:12:47,040 --> 00:12:49,960 Speaker 3: I assumed, and he guesses himself in the book that 219 00:12:50,000 --> 00:12:52,120 Speaker 3: it's going to be the Crucifix, and. 220 00:12:52,120 --> 00:12:56,440 Speaker 4: It's not according to Dan Brown. But do remember that 221 00:12:57,480 --> 00:12:59,600 Speaker 4: on a leaf page at the beginning of Da Vinci 222 00:12:59,679 --> 00:13:02,280 Speaker 4: Code he said everything in here is true and it 223 00:13:02,400 --> 00:13:07,200 Speaker 4: wasn't correct, but absolutely wasn't. He put the same little 224 00:13:07,840 --> 00:13:10,840 Speaker 4: prologue at the beginning of Secret of Secrets. So I 225 00:13:10,840 --> 00:13:13,200 Speaker 4: don't trust a single damn thing I read in there. 226 00:13:13,640 --> 00:13:16,319 Speaker 3: Well, I think he says that the organizations are true. 227 00:13:16,480 --> 00:13:19,280 Speaker 4: Well that's not true either, some of them marked some 228 00:13:19,400 --> 00:13:22,200 Speaker 4: of them, you know, obviously the CIA and Polish secret 229 00:13:22,200 --> 00:13:29,840 Speaker 4: police exist, and some nefarious underworld's organizations that he mentioned. Yeah, sure, 230 00:13:29,880 --> 00:13:34,319 Speaker 4: but the things that he attributes to them, it's not 231 00:13:34,360 --> 00:13:36,960 Speaker 4: true at all. It's like me saying, this is a 232 00:13:37,000 --> 00:13:41,360 Speaker 4: book about McDonald's, who really exists, and then write a 233 00:13:41,360 --> 00:13:46,480 Speaker 4: book about how McDonald's as a front for an enormous pedophile. 234 00:13:45,960 --> 00:13:46,800 Speaker 5: Read it's not. 235 00:13:47,280 --> 00:13:50,320 Speaker 4: The organization I've described does not exist. 236 00:13:51,040 --> 00:13:53,800 Speaker 3: I see your point. Well, then, as a final question, 237 00:13:54,920 --> 00:13:58,400 Speaker 3: if the world's libraries are blown to smithereens and the 238 00:13:58,559 --> 00:14:02,360 Speaker 3: only book that survives because of its sheer volume of 239 00:14:02,480 --> 00:14:07,080 Speaker 3: sales is The Da Vinci Code by Dan Brown, what 240 00:14:07,240 --> 00:14:09,600 Speaker 3: do we as humanity do do we read it or not? 241 00:14:09,840 --> 00:14:15,199 Speaker 4: No, because you are what you consume. If you're talking 242 00:14:15,240 --> 00:14:20,280 Speaker 4: about some dystopian future where we grow out of Dan 243 00:14:20,360 --> 00:14:24,880 Speaker 4: brown book, absolutely not. I'd be getting on the nearest 244 00:14:24,960 --> 00:14:28,080 Speaker 4: pod to one of the moons of Jupiter if that 245 00:14:28,280 --> 00:14:31,960 Speaker 4: was Earth's future, start all over again with grunts and 246 00:14:32,480 --> 00:14:34,880 Speaker 4: I want that apple and we'll go from there. 247 00:14:35,720 --> 00:14:38,000 Speaker 3: Jack Marx, I always appreciate your point of view. Thank 248 00:14:38,040 --> 00:14:38,840 Speaker 3: you for joining us. 249 00:14:39,200 --> 00:14:39,960 Speaker 5: Pleasure Carol. 250 00:14:45,160 --> 00:14:48,560 Speaker 1: Caroline Overington is The Australian's literary editor, and Jack Marks 251 00:14:48,680 --> 00:14:51,400 Speaker 1: is a regular contributor to the Australian. You can read 252 00:14:51,480 --> 00:14:55,160 Speaker 1: Jack's recent peace on Dan Brown's latest novel anytime at 253 00:14:55,240 --> 00:14:58,760 Speaker 1: the Australian dot com dot are you. This episode of 254 00:14:58,800 --> 00:15:01,680 Speaker 1: the Front was hosted by Fane Claire Harvey and produced 255 00:15:01,680 --> 00:15:04,840 Speaker 1: by Jasper League, who edited the episode and also wrote 256 00:15:04,880 --> 00:15:07,800 Speaker 1: our theme. Thanks for joining us on the Front this week. 257 00:15:07,920 --> 00:15:11,920 Speaker 1: Our team also includes Kristin amiot Leat, Sammaglue, Tiffany Demack, 258 00:15:12,080 --> 00:15:14,160 Speaker 1: Joshua Burton and Stephanie Comes