1 00:00:00,360 --> 00:00:02,680 Speaker 1: Sit and with her with Kate Ritchie podcast. 2 00:00:02,840 --> 00:00:04,840 Speaker 2: I always love getting this man. We're just getting him 3 00:00:04,880 --> 00:00:07,560 Speaker 2: up on the line now indoor garden party. Well you 4 00:00:07,600 --> 00:00:09,680 Speaker 2: can go catch them. They're playing at the Bridge Hotel 5 00:00:10,080 --> 00:00:13,399 Speaker 2: on the nineteenth and twentieth of May Friday Saturday night. 6 00:00:13,760 --> 00:00:17,680 Speaker 2: Also they're playing the Opera House and manning bar at 7 00:00:18,000 --> 00:00:21,320 Speaker 2: the Uni, which is unbelievable. But the man with the 8 00:00:21,360 --> 00:00:24,360 Speaker 2: golden tonsils Russell Crowe, You there, buddy. 9 00:00:24,120 --> 00:00:25,599 Speaker 3: How would you be? How would you be? 10 00:00:25,800 --> 00:00:27,920 Speaker 4: Could you ever take over? Do you reckon? You could 11 00:00:28,000 --> 00:00:30,200 Speaker 4: take over from John Laws one day? Russell? 12 00:00:30,560 --> 00:00:32,680 Speaker 2: I mean, I know you're close to John and he 13 00:00:32,720 --> 00:00:34,440 Speaker 2: lived right next to you. But you think that you 14 00:00:34,479 --> 00:00:36,560 Speaker 2: could maybe do a bit of talk back one day. 15 00:00:39,240 --> 00:00:40,600 Speaker 3: I can see myself doing that. 16 00:00:41,680 --> 00:00:43,680 Speaker 1: Yeah, but I like it with long pauses where you 17 00:00:43,720 --> 00:00:45,400 Speaker 1: don't know whether the line's dropped out. 18 00:00:46,000 --> 00:00:48,840 Speaker 3: Yeah, yeah, well you have a think you're about to say. 19 00:00:49,320 --> 00:00:51,720 Speaker 3: It wouldn't be your sort of radio where you're filling 20 00:00:51,800 --> 00:00:55,360 Speaker 3: up every part of the air constantly because you don't 21 00:00:55,360 --> 00:00:57,800 Speaker 3: want your audience to fall asleep while they're driving to work. 22 00:01:00,080 --> 00:01:01,880 Speaker 4: You could do a love songs and dedications. 23 00:01:01,960 --> 00:01:04,399 Speaker 3: So yes, what's going on with your boys this morning. 24 00:01:04,440 --> 00:01:06,520 Speaker 3: What have you been off? What are you putting a 25 00:01:06,560 --> 00:01:10,319 Speaker 3: cup to tea? What's going on to control you? Well? 26 00:01:10,360 --> 00:01:12,040 Speaker 3: You buy yourselves and running rampant. 27 00:01:12,120 --> 00:01:12,320 Speaker 1: Yeah. 28 00:01:12,400 --> 00:01:14,440 Speaker 4: Now we're on that punch that you gave it year 29 00:01:14,520 --> 00:01:18,920 Speaker 4: and I haven't slept for three days. 30 00:01:19,480 --> 00:01:21,080 Speaker 3: It's going to be a good day there. 31 00:01:22,080 --> 00:01:24,480 Speaker 1: Do you know what FITZI said, Russell, we're talking about, 32 00:01:24,480 --> 00:01:26,319 Speaker 1: you know, coming along. You've got some shows coming up 33 00:01:26,319 --> 00:01:29,440 Speaker 1: in the Bridge Hotel. And FITZI said, is there any 34 00:01:29,520 --> 00:01:31,600 Speaker 1: chance we could make the punch? He said, why don't 35 00:01:31,600 --> 00:01:33,360 Speaker 1: I have an after party and we'll make the punch. 36 00:01:33,520 --> 00:01:35,520 Speaker 1: Dragon Russell will come back if I make the punch 37 00:01:35,880 --> 00:01:36,440 Speaker 1: or you see. 38 00:01:36,440 --> 00:01:37,959 Speaker 3: The thing is we're going to show the next night. 39 00:01:38,240 --> 00:01:41,039 Speaker 3: You know it's a school night, you know, Oh You're 40 00:01:41,080 --> 00:01:42,920 Speaker 3: probably have to come back on the second night. Then 41 00:01:42,920 --> 00:01:43,759 Speaker 3: I've got two days off. 42 00:01:43,840 --> 00:01:46,839 Speaker 2: Do you know what Screaming Jets played there last week? 43 00:01:46,880 --> 00:01:50,800 Speaker 2: The Bridge Hotel? If those wolves could talk over the years, yeah. 44 00:01:50,600 --> 00:01:53,440 Speaker 3: Man, that is Look now I've played there first in 45 00:01:53,480 --> 00:01:57,520 Speaker 3: the early nineteen did you really ninety five ninety six 46 00:01:57,760 --> 00:01:59,480 Speaker 3: through the two thousand one was the last time we 47 00:01:59,560 --> 00:02:01,680 Speaker 3: played there. There was always a big gig for us, 48 00:02:01,880 --> 00:02:02,640 Speaker 3: So I'm looking forward to it. 49 00:02:02,840 --> 00:02:05,960 Speaker 2: What about the green room, Russ, is that upstairs as well? 50 00:02:05,960 --> 00:02:07,960 Speaker 2: Do you write your name on the wall that kind 51 00:02:08,040 --> 00:02:09,800 Speaker 2: of thing or yeah, I'm not sure. 52 00:02:09,600 --> 00:02:12,360 Speaker 3: If we didn't, and I don't know again, you know, 53 00:02:14,200 --> 00:02:17,360 Speaker 3: I can't remember. Anything could happened. It could be you know, 54 00:02:17,639 --> 00:02:21,359 Speaker 3: a gastro pub by now dead for there last week 55 00:02:21,720 --> 00:02:23,040 Speaker 3: you know, probably still a rod and roll. 56 00:02:23,040 --> 00:02:25,320 Speaker 4: Gigt that's called well when it comes to that. 57 00:02:25,320 --> 00:02:27,919 Speaker 3: A funny night there. One night, man, I met Malmon Dinger. 58 00:02:29,120 --> 00:02:32,000 Speaker 3: We're on a flight together, so we got talking and 59 00:02:32,080 --> 00:02:34,040 Speaker 3: became mates, you know, and then told him I was 60 00:02:34,040 --> 00:02:35,880 Speaker 3: playing at the bridge, you know, and he said I 61 00:02:36,000 --> 00:02:37,680 Speaker 3: might turn up with a couple of mates. You know. 62 00:02:37,800 --> 00:02:40,000 Speaker 3: So we're playing at the bridge and I look out 63 00:02:40,040 --> 00:02:42,840 Speaker 3: into the audience and I realized that, you know, I've 64 00:02:42,880 --> 00:02:46,000 Speaker 3: been talking to Nicole Kidman a few weeks earlier, and 65 00:02:46,200 --> 00:02:50,000 Speaker 3: she's turned up and she's got Tom Cruise with it. Right. Well, 66 00:02:50,080 --> 00:02:52,880 Speaker 3: we're playing at the bridge and there's Tom Nicole. No. 67 00:02:52,960 --> 00:02:55,760 Speaker 3: I look over. Malmon Inger's walking in the door and 68 00:02:55,760 --> 00:03:01,440 Speaker 3: he's got the entire Australian Super League and the place 69 00:03:01,560 --> 00:03:06,560 Speaker 3: is already jammed now you know, twenty five gigantic league players. 70 00:03:07,360 --> 00:03:08,240 Speaker 4: What a crowd. 71 00:03:08,520 --> 00:03:11,960 Speaker 2: That is awesome? Was Ricky Ricky Steart was a canber 72 00:03:12,040 --> 00:03:14,440 Speaker 2: Raider with him. I just wanted to bring up that 73 00:03:14,520 --> 00:03:16,160 Speaker 2: name with you, Russell, because I don't think he's too 74 00:03:16,200 --> 00:03:18,520 Speaker 2: happy with you at the moment, because there are whispers 75 00:03:18,880 --> 00:03:21,720 Speaker 2: that you've taken away his star player and brought him 76 00:03:21,720 --> 00:03:22,519 Speaker 2: to the rabbit Os. 77 00:03:22,680 --> 00:03:25,919 Speaker 3: Russ, Well, I heard that on the television last night too, 78 00:03:26,080 --> 00:03:29,200 Speaker 3: So we'll see if that is what it is. 79 00:03:29,360 --> 00:03:31,560 Speaker 2: You know, hey, Russ, can I throw something at you've 80 00:03:31,600 --> 00:03:32,400 Speaker 2: been thinking about this? 81 00:03:32,560 --> 00:03:32,799 Speaker 3: We go? 82 00:03:33,080 --> 00:03:35,440 Speaker 4: I love what you did with the book, the Book 83 00:03:35,440 --> 00:03:36,560 Speaker 4: of Feuds. I love it. 84 00:03:36,600 --> 00:03:39,920 Speaker 2: You commissioned it and you chronicled all the rivalries with 85 00:03:40,080 --> 00:03:43,160 Speaker 2: other teams. And I absolutely adore that because I think 86 00:03:43,480 --> 00:03:47,040 Speaker 2: being a footballer myself, stuff like that is always great motivation. 87 00:03:47,640 --> 00:03:50,440 Speaker 2: Have you ever thought and maybe when your career is 88 00:03:50,480 --> 00:03:53,400 Speaker 2: sort of at the end, could you bring the. 89 00:03:53,720 --> 00:03:54,320 Speaker 3: End of the career. 90 00:03:54,480 --> 00:03:56,600 Speaker 4: No, I don't know where he's going, Russ. I'm just 91 00:03:56,640 --> 00:03:57,160 Speaker 4: saying you. 92 00:04:00,200 --> 00:04:03,680 Speaker 2: Could you bring out a book of feuds about Hollywood? 93 00:04:03,920 --> 00:04:04,440 Speaker 4: One day? 94 00:04:06,120 --> 00:04:09,840 Speaker 3: I'm sure there's probably been plenty of terms already written 95 00:04:09,840 --> 00:04:10,440 Speaker 3: about that. Book. 96 00:04:12,240 --> 00:04:14,560 Speaker 2: That would be amazing, and you know what, no one 97 00:04:14,560 --> 00:04:17,160 Speaker 2: else gets to see it. You commission that you write it. 98 00:04:17,240 --> 00:04:19,599 Speaker 2: But the Book of Feuds is there and it becomes 99 00:04:19,640 --> 00:04:22,159 Speaker 2: this with age. It just gets bigger and bigger, and 100 00:04:22,200 --> 00:04:25,200 Speaker 2: everyone wants everyone wants to know from that era or 101 00:04:25,240 --> 00:04:26,960 Speaker 2: that generation, like the. 102 00:04:26,920 --> 00:04:29,640 Speaker 3: Wu Tang idea they did with that album. Yes, they 103 00:04:29,680 --> 00:04:33,120 Speaker 3: only sold one copy of the original concept was that 104 00:04:33,160 --> 00:04:34,960 Speaker 3: they would sell the one copy and then the person 105 00:04:35,000 --> 00:04:37,840 Speaker 3: that held the one copy would hold listening parties at 106 00:04:37,880 --> 00:04:41,800 Speaker 3: the great museums around the world, like at the Loup. Yeah, 107 00:04:41,880 --> 00:04:44,240 Speaker 3: and then the dude the bottom. I don't want to 108 00:04:44,279 --> 00:04:45,760 Speaker 3: do it. 109 00:04:46,920 --> 00:04:48,080 Speaker 4: I'm going to stream. 110 00:04:49,480 --> 00:04:51,960 Speaker 3: That is amazing. Write a Hollywood book at fews and 111 00:04:52,000 --> 00:04:54,120 Speaker 3: you have to go to the Museum of Modern Art 112 00:04:54,440 --> 00:04:55,920 Speaker 3: listen to a page read out. 113 00:04:56,600 --> 00:04:59,000 Speaker 1: Can I ask Russell when you talk about, you know, 114 00:04:59,080 --> 00:05:01,919 Speaker 1: the Bridge Hotel, what is the best venue around the 115 00:05:01,960 --> 00:05:03,119 Speaker 1: world that you've played at. 116 00:05:03,480 --> 00:05:06,840 Speaker 3: There's a place in London called the Union Chapel. It 117 00:05:06,960 --> 00:05:10,479 Speaker 3: is so gorgeous, man, It's such a gorgeous space to 118 00:05:10,520 --> 00:05:13,320 Speaker 3: be standing. You know, I've looked on a lot of staggers, man. 119 00:05:13,560 --> 00:05:16,360 Speaker 3: You know, I've sung on stage at Carntei Hall. I've done. 120 00:05:17,120 --> 00:05:20,080 Speaker 3: I did Royal Albert Hall. Yeah, I've become mates with 121 00:05:20,160 --> 00:05:24,280 Speaker 3: Elvis Costella. He heard I was doing Lame Mis at 122 00:05:24,279 --> 00:05:26,680 Speaker 3: the time. I was shooting in London. He heard I 123 00:05:26,720 --> 00:05:30,120 Speaker 3: was around, so just sent me an email. Listen, man, 124 00:05:30,560 --> 00:05:32,960 Speaker 3: I'm on at the Royal Aulet Hall. I want to 125 00:05:33,000 --> 00:05:36,479 Speaker 3: sing Trouble, the Elvis Presley song with you, and I 126 00:05:36,520 --> 00:05:39,279 Speaker 3: want you to do the Fulton Prison Blues. Oh man. 127 00:05:39,640 --> 00:05:44,080 Speaker 3: And I was like, yes, I've walked on the stage 128 00:05:44,120 --> 00:05:46,599 Speaker 3: at you know, full House at Royal Albert Hall as well, 129 00:05:46,640 --> 00:05:49,920 Speaker 3: but yeah, that venue in London, the Union Chapel, that's 130 00:05:49,920 --> 00:05:50,520 Speaker 3: pretty special. 131 00:05:50,640 --> 00:05:53,880 Speaker 4: Oh then what about Canberra for Groove in the Move. 132 00:05:53,960 --> 00:05:56,039 Speaker 2: We saw that with Amy and obviously you know what 133 00:05:56,080 --> 00:05:58,719 Speaker 2: Amy got up with you in the indoor garden party. 134 00:05:58,880 --> 00:06:01,560 Speaker 2: So an amazing thing for you to do, to go 135 00:06:01,640 --> 00:06:04,240 Speaker 2: and support her when she was performing Russ may Day. 136 00:06:04,240 --> 00:06:06,760 Speaker 3: It was fantastic. It was a pretty funny moment though, 137 00:06:06,760 --> 00:06:10,000 Speaker 3: because the backstage and She's like I'm going to introduce 138 00:06:10,080 --> 00:06:12,320 Speaker 3: you and you come on and I'm like we're doing 139 00:06:12,320 --> 00:06:15,320 Speaker 3: the song Psycho right, So the male voughtice doesn't come 140 00:06:15,360 --> 00:06:20,080 Speaker 3: into one minute into the song. You introduced me. I 141 00:06:20,160 --> 00:06:25,360 Speaker 3: come out stand there, sketchman. It's probably not the coolest. 142 00:06:26,200 --> 00:06:27,080 Speaker 4: What am I going to do? 143 00:06:28,000 --> 00:06:30,400 Speaker 3: I said, So why don't you just start the song? 144 00:06:30,560 --> 00:06:32,920 Speaker 3: I'll just walk out and start, you know, And she goes, yeah, 145 00:06:32,920 --> 00:06:37,520 Speaker 3: but what if people don't know it's you? I'm like, well, 146 00:06:37,760 --> 00:06:41,039 Speaker 3: you know, they might. You don't have to name, but 147 00:06:41,240 --> 00:06:45,760 Speaker 3: if you want to say somebody today, are you not entertained? Wow? 148 00:06:46,760 --> 00:06:48,920 Speaker 4: She said, just to make sure people know who you are? 149 00:06:48,960 --> 00:06:51,080 Speaker 4: Can you come out as Maximus? 150 00:06:51,160 --> 00:06:55,760 Speaker 3: Is that I might actually end up doing that again 151 00:06:55,800 --> 00:06:57,520 Speaker 3: with her somewhere down the track. So you've give me 152 00:06:57,560 --> 00:06:58,600 Speaker 3: an idea. 153 00:06:58,839 --> 00:07:01,720 Speaker 4: There you go. This is great and you know so Russ. 154 00:07:01,760 --> 00:07:04,599 Speaker 2: It's the Bridge Hotel Friday nineteenth May and Saturday twentieth 155 00:07:04,640 --> 00:07:07,400 Speaker 2: for May. That'll sell out really really quickly because I mean, 156 00:07:07,440 --> 00:07:09,680 Speaker 2: the Bridge is an amazing venue, but you need to 157 00:07:09,680 --> 00:07:12,320 Speaker 2: get your tickets quickly with that one Sydney Opera House 158 00:07:12,520 --> 00:07:14,840 Speaker 2: is going to be amazing, Russ. Friday night to June 159 00:07:14,840 --> 00:07:17,760 Speaker 2: and I I've seen so many bands at the Manning 160 00:07:17,800 --> 00:07:20,239 Speaker 2: Bar at Sydney UNI. That is such a great space 161 00:07:20,320 --> 00:07:23,800 Speaker 2: for music. That's Saturday tenth. We know how busy you are. 162 00:07:23,800 --> 00:07:26,640 Speaker 2: We appreciate your time and I cannot wait to read 163 00:07:26,680 --> 00:07:27,320 Speaker 2: the Book of Fu. 164 00:07:27,360 --> 00:07:28,840 Speaker 4: It's the Hollywood edition as well. 165 00:07:28,880 --> 00:07:31,040 Speaker 2: Well, we'll do that next time that you get on RUSS, 166 00:07:31,040 --> 00:07:32,560 Speaker 2: so commission that straightaway. 167 00:07:32,960 --> 00:07:34,960 Speaker 4: We love you mate, Thank you so much for your time. 168 00:07:35,680 --> 00:07:36,840 Speaker 3: Jents always great to talk to you. 169 00:07:37,080 --> 00:07:38,560 Speaker 1: Thanks, Buddy, really appreciate it. 170 00:07:38,560 --> 00:07:41,360 Speaker 2: Ditsy and Weapo with Kate Ritchie is a Nova podcast. 171 00:07:41,480 --> 00:07:44,600 Speaker 1: For more great comedy shows like this, head to novapodcast 172 00:07:44,640 --> 00:07:45,120 Speaker 1: dot com. 173 00:07:45,160 --> 00:07:45,600 Speaker 4: Jod Au