WEBVTT - #131 Perfectly Imperfect: Inside the chaotic & comedic mind of Millie Ford

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<v Speaker 1>I'm I Boris and this is straight talk. You're getting

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<v Speaker 1>all this on? Yeah, we are. Millly Ford welcome straight talk.

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<v Speaker 2>Thank you for having me, Mily Forward.

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<v Speaker 1>The Singerly Forward, the actress about massive success in your TikTok?

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<v Speaker 1>Do you think people relate to you because we are

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<v Speaker 1>seek to death or perfection?

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<v Speaker 2>One hundred and fifty percent. It's like, I am so

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<v Speaker 2>chaotic and scatter brained, but it also gives me the

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<v Speaker 2>ability to find humor in chaos and be relatable for people.

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<v Speaker 2>I'm not living a perfect life and we need people

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<v Speaker 2>to show the realities of life. Just be yourself.

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<v Speaker 1>Can we talk about it?

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<v Speaker 2>Yeah, I've only talked about to my family friends. It

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<v Speaker 2>could be first So oh my gosh. We're getting very

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<v Speaker 2>deep and it's like ten minutes in, like.

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<v Speaker 1>We just to start. Lily Ford, welcome straight talk.

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<v Speaker 2>Thank you for having me.

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<v Speaker 1>You look great, Thank you. Can I just comment on

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<v Speaker 1>your shoes?

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<v Speaker 2>Yeah?

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<v Speaker 1>Yeah, And we just talk for about five minutes. We

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<v Speaker 1>might have got it on film, but we just talked

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<v Speaker 1>about I've got to talk issues more imporn. I want

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<v Speaker 1>to talk your socks.

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<v Speaker 2>Okay, good because that was the one comment I made

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<v Speaker 2>to myself coming in here.

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<v Speaker 1>Here it is, I said.

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<v Speaker 2>I also didn't tell my legs. I didn't think my

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<v Speaker 2>feet were going to be shown on here.

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<v Speaker 1>It's okay, but they're they're great, just like Chanel. That's

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<v Speaker 1>the Chanelle.

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<v Speaker 2>Signs Chanel, and they're pearls.

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<v Speaker 1>They look awesome, they look nice and relaxing, comfortable, but

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<v Speaker 1>they do stand out. I had to say something about it, right,

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<v Speaker 1>So Millie tell me. I want to go backwards, but

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<v Speaker 1>my stuff and where we are today? Right? What are

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<v Speaker 1>you doing right now? So what's your main game day day?

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<v Speaker 1>I heard you when you're coming and you said, look

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<v Speaker 1>one man man, because you because we expect you walking

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<v Speaker 1>with a big entourage and make up specialists, hairstylists, blah blah.

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<v Speaker 1>So you're one man man. What are you doing? What's

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<v Speaker 1>your deal for me?

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<v Speaker 2>I think people in my life would argue that it's

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<v Speaker 2>time that I did actually expand my team of one.

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<v Speaker 2>And I'm not going to lie. This is all you

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<v Speaker 2>need to know about me. I put out a PA

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<v Speaker 2>call out on my story Instagram story like in August

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<v Speaker 2>last year, and I still haven't selected my PA, so

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<v Speaker 2>I had to do it.

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<v Speaker 1>Did you get any response?

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<v Speaker 2>I got hundreds and I looked at that and I thought,

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<v Speaker 2>I can't do that. So I put it to the side,

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<v Speaker 2>and I was like, by the time it came around

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<v Speaker 2>to this year, I was like, most of those people

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<v Speaker 2>would have jobs. So I did it again, and so

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<v Speaker 2>I did another call out three weeks ago, and I've

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<v Speaker 2>managed to go through them, but I haven't actually contacted

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<v Speaker 2>them because for some reason, I've like resisted bringing someone

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<v Speaker 2>on even though I know it's the best. It's okay,

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<v Speaker 2>I know what it is. I've worked backwards as to why.

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<v Speaker 2>It's because so I work from home, I'm so nervous

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<v Speaker 2>about having someone in and amongst my private space and

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<v Speaker 2>losing like freedom almost and so I'm like hanging on

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<v Speaker 2>to dear life to this last bit of freedom because

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<v Speaker 2>they come and work at my place. It's very hands

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<v Speaker 2>on job, and so I'm like, I know I'm procrastinating it,

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<v Speaker 2>and it just scares me to think that, like I'll

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<v Speaker 2>have a stranger in my house. That's the main thing,

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<v Speaker 2>which is such a weird reason. But I love my

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<v Speaker 2>privacy and I think I'm just kind of like in

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<v Speaker 2>my head about it. But I'm at a point where

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<v Speaker 2>I'm so aware that I need to like put in

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<v Speaker 2>like you know, spend money to make more money, like

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<v Speaker 2>pay someone to come and help build my life out

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<v Speaker 2>more because like I can't do it all alone. That's

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<v Speaker 2>what I'm learning.

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<v Speaker 1>It's sort of the admin role.

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<v Speaker 2>It's an admin role, which is what I need the most.

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<v Speaker 2>Another thing that I'm learning is like, you know, you

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<v Speaker 2>don't have to be good at everything, which that's not

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<v Speaker 2>my forte. I literally cannot do admin work to save

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<v Speaker 2>my life, Like I am horrible, and I always This

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<v Speaker 2>is something I always tricked myself into, is like I

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<v Speaker 2>put a list together of things that I wanted them

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<v Speaker 2>to do for me, and I was like, I could

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<v Speaker 2>do that. I could do that. Oh really, you could

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<v Speaker 2>just do that. Just okay, scribble that up. You could

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<v Speaker 2>just do that, scribble out. And I realized it wasn't

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<v Speaker 2>about whether I was capable of doing it. It was

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<v Speaker 2>actually like, so I could free up my time and

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<v Speaker 2>had more capacity to do other things that I do

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<v Speaker 2>enjoy and that are the crux of who I am

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<v Speaker 2>and my business.

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<v Speaker 1>So if you're if you're if you're paying someone I

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<v Speaker 1>don't know, fifty bucks an hour whatever whatever it is

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<v Speaker 1>to do admin, arguably you be earning for your talent

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<v Speaker 1>more than fifty bucks an hour. So wouldn't be better

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<v Speaker 1>if you just spend fifty hours a week earning whatever

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<v Speaker 1>you're going to per out for yourself, then having to

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<v Speaker 1>be doing these ad ministry jobs you get someone else

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<v Speaker 1>to do it fifty bucks an hour.

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<v Speaker 2>I meanthomatically one hundred percent. The logic is there. However,

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<v Speaker 2>my brain doesn't work the same way, and so it

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<v Speaker 2>takes me like a long time to grasp but I'm

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<v Speaker 2>way better off doing that. I also have ADHD and OCD,

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<v Speaker 2>so I very real, for real, like diagnosed clinically, but

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<v Speaker 2>I literally it's the way my brain works.

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<v Speaker 1>It's so warped.

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<v Speaker 2>And like I know the logic. I know that that's

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<v Speaker 2>what I'm thinking is irrational, but for some reason I

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<v Speaker 2>still resist it because it feels unnatural to me.

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<v Speaker 1>Do you feel like you need to control everything? Is

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<v Speaker 1>a part of it.

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<v Speaker 2>So that's part of it. There is a control tendency.

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<v Speaker 2>I think in the past, when I've worked with people,

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<v Speaker 2>they haven't done the job as well, not as in

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<v Speaker 2>working for me, but they've in a team, they haven't

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<v Speaker 2>done the job as well, or I've ended up doing

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<v Speaker 2>it anyway, and so in the past it's been a

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<v Speaker 2>bad decision for whatever reason, and now and I'm like,

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<v Speaker 2>oh my gosh, like I need to actually find someone

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<v Speaker 2>who's going to do the job. Well what if I

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<v Speaker 2>can't find someone? And it's just been this lengthy back

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<v Speaker 2>and forth and I'm just like an overthinker.

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<v Speaker 1>Anyway, I was going to say, is one of the

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<v Speaker 1>hallmarks of ADHD and perhaps obsessing as well, But is

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<v Speaker 1>it overthinking? In other words, not overthinking?

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<v Speaker 2>I hate it's called ruminating.

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<v Speaker 1>Yeah, yeah, ruminating ruminate or thinking about every single possibility

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<v Speaker 1>that could occur. And when you think about everything single possibility,

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<v Speaker 1>you'll never get to a more because there's so many

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<v Speaker 1>of them, and then you can't make sense of them,

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<v Speaker 1>and then you don't do anything.

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<v Speaker 2>Yep. It's like totally a control thing. So it's actually,

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<v Speaker 2>this is a great segue into chatting about the OCD stuff,

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<v Speaker 2>which I didn't realize it hard. But one of the

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<v Speaker 2>parts of it is the ruminating. So you get these

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<v Speaker 2>obsessions with something and then you have to perform a

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<v Speaker 2>compulsion to neutralize yourself to make you feel better. And

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<v Speaker 2>there's a whole range of these like it could be anything,

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<v Speaker 2>but you perform the compulsion to neutralize it, to make

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<v Speaker 2>yourself feel better than you can continue on. But it's

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<v Speaker 2>all like pretty irrational stuff. So for example, for me,

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<v Speaker 2>I have this weird thing where I actually laugh because

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<v Speaker 2>it sounds so dumb when you say it out loud.

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<v Speaker 2>I have this weird thing where if I think about

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<v Speaker 2>every possible outcome that could potentially happen, I feel like

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<v Speaker 2>I've beaten it to the punch. So I've thought about it,

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<v Speaker 2>so I've ruled it out. So if I think of

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<v Speaker 2>every bad thing that could potentially happen, it's not going

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<v Speaker 2>to happen, because for some reason that has worked in

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<v Speaker 2>the past. So I think about I like to be prepared.

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<v Speaker 1>You don't want to be caught on a week, Yeah, So.

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<v Speaker 2>You think of every single thing that could happen, so

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<v Speaker 2>I'm like prepared for any scenario. And also I think

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<v Speaker 2>of the bad stuff because like there's no way that

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<v Speaker 2>I'm going to predict something bad's going to happen to me.

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<v Speaker 2>So if I think of all the bad stuff that's gone,

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<v Speaker 2>it's this weird way. And so I do this to

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<v Speaker 2>myself by city. It's just the way my brain works,

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<v Speaker 2>and like it's obviously we chatted before. It's like anxiety

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<v Speaker 2>based and all driven. And that's the that's actually the

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<v Speaker 2>interesting thing the commons de dominated with ADHD and OCD

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<v Speaker 2>that a lot of people don't know is it's anxiety driven.

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<v Speaker 2>And yeah, it literally comes from this, like this worry

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<v Speaker 2>about not being able to do something or controlling something.

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<v Speaker 2>So you ruminate on everything.

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<v Speaker 1>And so how does ZOD express itself? Then? So what

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<v Speaker 1>does it mean for you? Does it mean you paced

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<v Speaker 1>up and down or you're washing your hands or like

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<v Speaker 1>or you just can't stop thinking about something?

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<v Speaker 2>Okay, Yeah, so there's a lot of time wasted. So

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<v Speaker 2>I'm now medicated for it, which has changed my life.

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<v Speaker 2>So the medication that I started taking so last year

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<v Speaker 2>I hit, oh my gosh, we're getting very deep and

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<v Speaker 2>it's like ten minutes in, like we should just start

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<v Speaker 2>extend that a little bit to like the middle. What

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<v Speaker 2>I was gonna say was last year I was having

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<v Speaker 2>a really really tough year, probably about this time last

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<v Speaker 2>year actually, and I finally had a really dear friend

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<v Speaker 2>of mine chat with me about potentially going to see

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<v Speaker 2>a doctor because we were kind of like, oh, we

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<v Speaker 2>think that you might have had HD.

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<v Speaker 1>Maybe really just just last year.

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<v Speaker 2>Yeah, last year. My friend, my literally my cousin, my

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<v Speaker 2>best friend. She knows me so well, and she's just like,

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<v Speaker 2>your mind races faster than anybody I've ever met, Like

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<v Speaker 2>it is so fast, and you're just there's so much

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<v Speaker 2>going on, and like she can keep up with it.

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<v Speaker 2>But like, I'm very like fast paced in the way

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<v Speaker 2>that I think that it's kind of like a stream

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<v Speaker 2>of consciousness. Sometimes I'm not actually thinking ahead of what

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<v Speaker 2>I'm saying, and she's just like, let's just go go

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<v Speaker 2>to the doctor and the chat about it. And then

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<v Speaker 2>she referred me to a psych. That all happened. But

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<v Speaker 2>then when I was at the psych, she was like, actually,

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<v Speaker 2>I want't you do this questionnaire for OCD as well,

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<v Speaker 2>And that came out like one hundred percent really strong.

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<v Speaker 2>And basically when I figured that out, I looked back

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<v Speaker 2>and I was like, oh my god, there's so many

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<v Speaker 2>things that I did that I didn't realize were kind

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<v Speaker 2>of symptoms of OCD. So, for example, the ruminating is

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<v Speaker 2>one of them. But when I said it about the

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<v Speaker 2>time wasting thing, so much time is wasted because you

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<v Speaker 2>need to go and check things or you have to

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<v Speaker 2>do certain systems in your head, or like patterns in

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<v Speaker 2>your head, or like, for example, I had a really

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<v Speaker 2>weird one where I felt like the light switch wasn't

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<v Speaker 2>off perfectly, so I had to flick it off like

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<v Speaker 2>a certain number of times to make it sure it

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<v Speaker 2>felt right. Or checking things like I know that I've

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<v Speaker 2>put my keys in my bag, like see it happen,

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<v Speaker 2>but as I like two seconds later, I go to

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<v Speaker 2>the door and I'm like, did I actually put them

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<v Speaker 2>in there? Oh, I'll just check, And then I'm like, yep,

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<v Speaker 2>but did I actually do it? Okay, check again? Like

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<v Speaker 2>it is just those tiny things. It's not even that's

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<v Speaker 2>like a very simple, simple example of it. But other

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<v Speaker 2>things would be like perfectionism is a big one, so

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<v Speaker 2>and not in the sense of just like everyone thinks

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<v Speaker 2>it's like clean, like everyone's like, oh my gosh, it's

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<v Speaker 2>all about being like washing your hands, and that is

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<v Speaker 2>one form of it, but that doesn't happen to everybody,

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<v Speaker 2>but perfectionism is one. So for example, I would like,

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<v Speaker 2>I feel like there was times when I actually a

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<v Speaker 2>lot of people ask me to I'm doing my content,

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<v Speaker 2>and like social media, I would do things billion times,

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<v Speaker 2>like to get it perfect and waste so much time

0:11:05.080 --> 0:11:08.880
<v Speaker 2>on this tiny detail that probably didn't matter to everybody else,

0:11:08.960 --> 0:11:11.480
<v Speaker 2>but for me, I actually physically couldn't move on, Like

0:11:11.600 --> 0:11:15.240
<v Speaker 2>I literally you're stuck. You like know that you shouldn't

0:11:15.240 --> 0:11:16.559
<v Speaker 2>go back, but you kind of give in and you're like,

0:11:16.600 --> 0:11:18.560
<v Speaker 2>I'm just going to do it. So you just waste

0:11:18.880 --> 0:11:19.680
<v Speaker 2>so much time.

0:11:19.800 --> 0:11:22.160
<v Speaker 1>It causes you so much more inefficiency.

0:11:22.400 --> 0:11:27.280
<v Speaker 2>It's inefficient, and it's it causes you more anxiety just

0:11:27.360 --> 0:11:32.200
<v Speaker 2>from like overthinking everything. So there's those kinds of ways.

0:11:32.440 --> 0:11:37.040
<v Speaker 2>And then I had some like extremely dark intrusive thoughts.

0:11:37.760 --> 0:11:41.160
<v Speaker 1>And which means what what do you mean? What do

0:11:41.200 --> 0:11:41.679
<v Speaker 1>you mean by that?

0:11:41.920 --> 0:11:46.600
<v Speaker 2>Really dark as in things involving death and like violence?

0:11:48.080 --> 0:11:49.400
<v Speaker 2>And I actually had to move out of my like

0:11:50.200 --> 0:11:53.040
<v Speaker 2>place two hourses ago because it was just getting too much.

0:11:53.640 --> 0:11:57.960
<v Speaker 2>And it's so weird because you don't want to hurt anybody,

0:11:58.840 --> 0:12:00.199
<v Speaker 2>you know, no one wants to hurt you, but you

0:12:00.360 --> 0:12:02.880
<v Speaker 2>can't get this thought out of your head once it

0:12:03.000 --> 0:12:04.520
<v Speaker 2>jumps in, and you're like, why did I think of that?

0:12:04.640 --> 0:12:07.800
<v Speaker 2>That was so weird, and like, oh, what's wrong with me? Wait? What?

0:12:08.440 --> 0:12:10.319
<v Speaker 2>Oh my gosh, oh, like you know, or you'll just

0:12:10.360 --> 0:12:12.120
<v Speaker 2>be sitting like you're literally I'll be like lying in

0:12:12.200 --> 0:12:14.079
<v Speaker 2>bed and I'll be like, oh my god, I just

0:12:14.200 --> 0:12:15.520
<v Speaker 2>can't get this thought out of my head, and like

0:12:15.600 --> 0:12:19.079
<v Speaker 2>I'm just checking things like locked and like you get

0:12:19.280 --> 0:12:22.040
<v Speaker 2>so worked up. And then I wasn't sleeping for so long,

0:12:22.200 --> 0:12:25.599
<v Speaker 2>and then it was just this whole thing and I

0:12:25.720 --> 0:12:27.400
<v Speaker 2>just thought I was going like a bit, I was

0:12:27.520 --> 0:12:29.680
<v Speaker 2>just exaggerating. I thought I was just over the top.

0:12:30.440 --> 0:12:31.880
<v Speaker 1>This is last year, this is last year.

0:12:32.000 --> 0:12:33.480
<v Speaker 2>And then when I went and found out and then

0:12:33.520 --> 0:12:36.520
<v Speaker 2>I went on these meds and they were therefore anxiety,

0:12:36.600 --> 0:12:39.640
<v Speaker 2>and that has basically oh my god, when I so,

0:12:39.920 --> 0:12:44.240
<v Speaker 2>I was basically like a literal troll in my bed

0:12:44.360 --> 0:12:48.120
<v Speaker 2>for two months, just like adjusting to it. You're adjusting

0:12:48.160 --> 0:12:52.160
<v Speaker 2>the chemical worry, yes, yes, the there so the serotonin

0:12:53.760 --> 0:12:58.480
<v Speaker 2>update one, yeah, uptake inhibitors whatever, ye that one. So

0:12:58.679 --> 0:13:01.079
<v Speaker 2>I have those and they obviously changed the chemicals of

0:13:01.120 --> 0:13:04.120
<v Speaker 2>my brain. But then I hire over the first day

0:13:04.920 --> 0:13:07.439
<v Speaker 2>then it started to kick in. I started crying because

0:13:07.440 --> 0:13:09.439
<v Speaker 2>I was like, wait, this is what it's like to

0:13:09.559 --> 0:13:11.320
<v Speaker 2>not have a little voice in your head that's telling

0:13:11.360 --> 0:13:13.439
<v Speaker 2>you everything's going to go wrong all the time. It's

0:13:13.480 --> 0:13:16.200
<v Speaker 2>like tunnel vision. I was like, oh my god, wait

0:13:16.720 --> 0:13:19.160
<v Speaker 2>what this like. I did not realized how bad my

0:13:19.200 --> 0:13:20.959
<v Speaker 2>anxiety was. I thought that I was like, oh, yeah,

0:13:20.960 --> 0:13:23.959
<v Speaker 2>I've got mild anxiety, but it was so debilitating. I

0:13:24.120 --> 0:13:28.079
<v Speaker 2>wasn't getting anything done. And I ended up booking a

0:13:28.080 --> 0:13:30.199
<v Speaker 2>trip to Europe two weeks before I went, and I

0:13:30.240 --> 0:13:32.440
<v Speaker 2>went on my own, something I would never have done

0:13:32.960 --> 0:13:36.120
<v Speaker 2>had I not like kind of gone through this process.

0:13:36.720 --> 0:13:38.760
<v Speaker 2>And it changed my life. And I think it's like,

0:13:38.840 --> 0:13:41.600
<v Speaker 2>you know, obviously touching on meds, it's not for everybody.

0:13:41.640 --> 0:13:44.559
<v Speaker 2>I totally get that. For me, it has worked so

0:13:44.800 --> 0:13:47.599
<v Speaker 2>well to help me get to a place where I

0:13:47.679 --> 0:13:49.880
<v Speaker 2>want to be, where I don't have to take them anymore.

0:13:51.040 --> 0:13:53.840
<v Speaker 2>But it's just oh and so that was for the OCDA,

0:13:53.960 --> 0:13:58.240
<v Speaker 2>and then afterwards I had to start taking the stimulants

0:13:58.280 --> 0:14:00.000
<v Speaker 2>which is for my ADHD.

0:14:00.160 --> 0:14:04.160
<v Speaker 1>Which just sounds odden stimular, but it helps you focus

0:14:04.640 --> 0:14:10.280
<v Speaker 1>on on a task. I have some experience with family

0:14:10.360 --> 0:14:13.240
<v Speaker 1>members in relation to this. You know, it's funny because

0:14:14.640 --> 0:14:18.040
<v Speaker 1>sometimes we get a bit weird about I don't want

0:14:18.040 --> 0:14:19.840
<v Speaker 1>to talk about it, you know, and people might think

0:14:19.880 --> 0:14:24.040
<v Speaker 1>of something when I'm crazy or whatever, and to me,

0:14:24.080 --> 0:14:25.880
<v Speaker 1>I don't really give a shit. Like I remember years

0:14:25.920 --> 0:14:30.200
<v Speaker 1>ago when I was under a bit of pressure, Like

0:14:30.360 --> 0:14:35.920
<v Speaker 1>many years ago, for about two years, I started watching

0:14:36.200 --> 0:14:40.040
<v Speaker 1>looking at number plates, and I become obsessed with number plates,

0:14:40.600 --> 0:14:43.360
<v Speaker 1>other people's on plates. And then I started to take

0:14:43.360 --> 0:14:46.320
<v Speaker 1>the view that the number plate was I could interpret

0:14:46.320 --> 0:14:48.760
<v Speaker 1>the number plate, and the number plate was actually had

0:14:48.800 --> 0:14:52.120
<v Speaker 1>a mathematical sequence in it, and then I could and

0:14:52.360 --> 0:14:55.880
<v Speaker 1>that and that those sequences were telling me something that

0:14:55.960 --> 0:14:57.960
<v Speaker 1>I should be doing or should not be doing. And

0:14:59.120 --> 0:15:00.480
<v Speaker 1>start off as a bit it was a bit bit

0:15:00.520 --> 0:15:02.520
<v Speaker 1>of a weird thing. I was sort of joking with myself,

0:15:02.600 --> 0:15:05.040
<v Speaker 1>and over period time I became obsessed with it and

0:15:05.120 --> 0:15:08.160
<v Speaker 1>I had to go see somebody about it, and it

0:15:08.320 --> 0:15:12.920
<v Speaker 1>was just my response to stress and pressure. But my

0:15:13.120 --> 0:15:16.360
<v Speaker 1>response is that I'm an obsessive person as well. I

0:15:16.440 --> 0:15:19.520
<v Speaker 1>get that, like with work of business or anything anything

0:15:19.800 --> 0:15:24.240
<v Speaker 1>I'm interested in. And I had to take some medication

0:15:24.360 --> 0:15:26.520
<v Speaker 1>on me out too. And people should talk about it more.

0:15:27.080 --> 0:15:29.200
<v Speaker 1>I mean, you're a young woman, but it's great that

0:15:29.280 --> 0:15:31.440
<v Speaker 1>you're prepared to talk about it. Maybe your generation is

0:15:31.480 --> 0:15:34.240
<v Speaker 1>more like that. My generation is definitely like that to

0:15:34.680 --> 0:15:36.400
<v Speaker 1>be prepared to talk about these sort of things in

0:15:36.440 --> 0:15:39.760
<v Speaker 1>a public sense. Now, I don't care. But the only

0:15:39.880 --> 0:15:42.440
<v Speaker 1>solution to these things is actually someone tapping on the

0:15:42.480 --> 0:15:45.720
<v Speaker 1>shoulder telling you, hey, Mark, that's a bit weird. You

0:15:45.800 --> 0:15:48.800
<v Speaker 1>know what you're doing. Because it was one of my

0:15:48.880 --> 0:15:52.160
<v Speaker 1>sons saw me staring at it, and then I started

0:15:52.200 --> 0:15:55.600
<v Speaker 1>talking about it, and then and in the end I

0:15:55.640 --> 0:15:57.920
<v Speaker 1>got myself, you know, I fixed it up. I still

0:15:57.960 --> 0:15:59.440
<v Speaker 1>get it every now and then I can get it

0:15:59.480 --> 0:16:01.480
<v Speaker 1>a little bit. I can still go back to none places.

0:16:01.520 --> 0:16:03.720
<v Speaker 1>I can remember none plates. Yeah, they see a stick

0:16:03.760 --> 0:16:04.280
<v Speaker 1>in my memory.

0:16:04.480 --> 0:16:07.160
<v Speaker 2>Yeah, interesting, and I think about them for days yep.

0:16:07.400 --> 0:16:10.440
<v Speaker 1>And then I started seeing patterns. So weird anyways, we think,

0:16:10.520 --> 0:16:12.360
<v Speaker 1>But it's not about mess about you. But I just

0:16:12.400 --> 0:16:14.880
<v Speaker 1>wanted why I want to say that is because people

0:16:14.920 --> 0:16:17.080
<v Speaker 1>and me, people think more. Mark doesn't. You know. It

0:16:17.120 --> 0:16:19.240
<v Speaker 1>doesn't have many dramas, but we all do it. We

0:16:19.320 --> 0:16:21.000
<v Speaker 1>all have dramas, and we're all going to be prepared

0:16:21.000 --> 0:16:24.520
<v Speaker 1>to talk about it. Has have you really, at any

0:16:24.600 --> 0:16:29.400
<v Speaker 1>stage openly discussed this with massive audiences? Have you just

0:16:29.640 --> 0:16:31.120
<v Speaker 1>openly discussed with the audiences?

0:16:31.560 --> 0:16:33.920
<v Speaker 2>So I do. I have touched on it. So I

0:16:34.560 --> 0:16:37.880
<v Speaker 2>spoke about it when it was happening. I mentioned that

0:16:38.360 --> 0:16:41.040
<v Speaker 2>because I had this new lease on life, I was like,

0:16:41.120 --> 0:16:44.400
<v Speaker 2>oh my god, like I'm living again, Like it was

0:16:44.480 --> 0:16:47.200
<v Speaker 2>so weird. I was like grieving in a way this

0:16:47.440 --> 0:16:50.560
<v Speaker 2>time that i'd lost because I don't know. I look

0:16:50.600 --> 0:16:52.720
<v Speaker 2>back and I was like, oh, had I known this

0:16:52.880 --> 0:16:55.280
<v Speaker 2>like five years ago, who knows where I could have

0:16:55.320 --> 0:16:57.200
<v Speaker 2>been by now, Like that's how I took it. But

0:16:57.240 --> 0:16:59.040
<v Speaker 2>I was like, no, it's better that it's happened now.

0:16:59.320 --> 0:17:02.120
<v Speaker 2>I wouldn't change anything about because I didn't have any

0:17:02.160 --> 0:17:05.040
<v Speaker 2>of this throughout lockdown, and I think that's obviously when

0:17:05.080 --> 0:17:08.520
<v Speaker 2>I started, and that's how I was so like I

0:17:08.640 --> 0:17:12.480
<v Speaker 2>was actually able to function in that way. But anyway,

0:17:12.520 --> 0:17:15.560
<v Speaker 2>back to the question, I spoke about it once it

0:17:15.640 --> 0:17:18.080
<v Speaker 2>had happened. So this is me like going off and

0:17:18.240 --> 0:17:20.359
<v Speaker 2>challengent again. I spoke about it once it had happened

0:17:20.359 --> 0:17:25.880
<v Speaker 2>to my audience very like, very candidly, like I kind

0:17:25.920 --> 0:17:27.600
<v Speaker 2>of was like, yeah, that's fine, like I can, I

0:17:27.680 --> 0:17:29.720
<v Speaker 2>can say whatever. And I answered a few questions and

0:17:29.760 --> 0:17:34.520
<v Speaker 2>people were pretty interested. And then there's like this part

0:17:34.600 --> 0:17:38.960
<v Speaker 2>of me that also didn't want my content to completely

0:17:39.119 --> 0:17:42.760
<v Speaker 2>change into my ADHD makes me like this, and I

0:17:43.160 --> 0:17:46.600
<v Speaker 2>did this with my oc victim literally and I was like, oh,

0:17:46.760 --> 0:17:48.880
<v Speaker 2>like I don't want to be that person. It's like, oh, sorry, guys,

0:17:48.960 --> 0:17:52.480
<v Speaker 2>my ADHD made me late, Like no, like, I'm not

0:17:52.560 --> 0:17:54.800
<v Speaker 2>going to do that. I'm not going to make my personality.

0:17:54.840 --> 0:17:56.960
<v Speaker 2>So I was pretty firm about that. So, yes, I

0:17:57.040 --> 0:17:59.280
<v Speaker 2>addressed it, and I'm open about it and if people

0:17:59.280 --> 0:18:01.359
<v Speaker 2>ask me about it, I'm very happy to talk about it.

0:18:02.040 --> 0:18:05.560
<v Speaker 2>I spoke about it on a podcast as well, which

0:18:05.640 --> 0:18:08.400
<v Speaker 2>was really helpful for me to kind of like, yeah,

0:18:08.520 --> 0:18:10.879
<v Speaker 2>talk about it openly because it is important, but.

0:18:12.520 --> 0:18:14.600
<v Speaker 1>But it doesn't define you. It's the most No, it

0:18:14.720 --> 0:18:16.480
<v Speaker 1>doesn't define me. How'd you come to terms with that?

0:18:17.160 --> 0:18:20.480
<v Speaker 2>So I just realized that I got to where I

0:18:20.560 --> 0:18:24.200
<v Speaker 2>am today or like I guess last year without any

0:18:24.440 --> 0:18:26.600
<v Speaker 2>without any of that knowledge that I had anything like that.

0:18:26.800 --> 0:18:30.720
<v Speaker 2>So that means that who I was as Millie got

0:18:30.800 --> 0:18:36.080
<v Speaker 2>me there, and that's what makes me me Like, yes,

0:18:36.240 --> 0:18:41.800
<v Speaker 2>I am so chaotic and scatterbrained and disorganized and like, honestly,

0:18:41.840 --> 0:18:43.159
<v Speaker 2>I'm like, why me?

0:18:43.520 --> 0:18:44.040
<v Speaker 1>Why am I?

0:18:44.480 --> 0:18:46.760
<v Speaker 2>Why was I created to be incredibly disorganized? And some

0:18:46.840 --> 0:18:48.960
<v Speaker 2>people at my sister most organized person. I I was

0:18:49.000 --> 0:18:51.679
<v Speaker 2>like that's not fair, Like that's what I'm annoyed about. However,

0:18:52.280 --> 0:18:56.399
<v Speaker 2>it also gives me the ability to find humor in

0:18:56.560 --> 0:18:59.840
<v Speaker 2>chaos and be relatable for people because a lot of

0:19:00.000 --> 0:19:04.280
<v Speaker 2>people can relate. We need people to show the realities

0:19:04.320 --> 0:19:07.000
<v Speaker 2>of life because it's just it's I'm not living a

0:19:07.040 --> 0:19:10.480
<v Speaker 2>perfect life, and I was. It was pretty easy for

0:19:10.560 --> 0:19:12.320
<v Speaker 2>me to be like, Yep, it's not me. It's a

0:19:12.400 --> 0:19:16.240
<v Speaker 2>part of me. I'm working on it, and it's helping

0:19:16.320 --> 0:19:18.840
<v Speaker 2>me set up systems and stuff like getting a PA

0:19:19.560 --> 0:19:22.199
<v Speaker 2>two so I don't have to heavily rely on them

0:19:22.200 --> 0:19:23.040
<v Speaker 2>for the rest of my life.

0:19:24.200 --> 0:19:27.080
<v Speaker 1>But I'm with that comedy in chaos that's not a

0:19:27.160 --> 0:19:29.600
<v Speaker 1>bad term that it's quite a good turn of phrase.

0:19:30.200 --> 0:19:33.000
<v Speaker 1>But what do you mean by comedy and chaos? Do

0:19:33.040 --> 0:19:34.720
<v Speaker 1>you actually think your brain is chaotic?

0:19:34.880 --> 0:19:38.040
<v Speaker 2>Oh my god? Yeah, Like it's actually you know how

0:19:38.080 --> 0:19:39.639
<v Speaker 2>you were saying it. Someone needs to tell you that

0:19:39.680 --> 0:19:43.119
<v Speaker 2>you're weird. I like, my cousin was like, mil I

0:19:43.200 --> 0:19:46.159
<v Speaker 2>know you're weird, but like that's weird. You need to

0:19:46.200 --> 0:19:50.080
<v Speaker 2>go see like I am like the most Like there's

0:19:50.240 --> 0:19:54.920
<v Speaker 2>just so much in here and it's so funny when

0:19:54.920 --> 0:19:58.720
<v Speaker 2>I start speaking to someone new and would jumping like

0:19:59.640 --> 0:20:01.440
<v Speaker 2>like next thing next, and like, wait, hang on, we

0:20:01.480 --> 0:20:03.200
<v Speaker 2>were talking about and I'm like, sorry, I just have

0:20:03.280 --> 0:20:04.680
<v Speaker 2>so much to say. Just keep up with me, Like

0:20:04.760 --> 0:20:07.960
<v Speaker 2>I've got so much to say, and there's just so

0:20:08.119 --> 0:20:14.040
<v Speaker 2>much going on in my brain and it's it's it

0:20:14.240 --> 0:20:18.000
<v Speaker 2>makes me. It causes chaos in my life. So for example,

0:20:20.000 --> 0:20:25.240
<v Speaker 2>before I your case for brothers, for everybody literally including me.

0:20:25.400 --> 0:20:28.120
<v Speaker 2>So for example, I'll be in the middle of doing

0:20:28.200 --> 0:20:29.359
<v Speaker 2>something like I'll be in the mid of the doing

0:20:29.400 --> 0:20:30.840
<v Speaker 2>car this is a very eighty ahd thing, but in

0:20:30.840 --> 0:20:32.600
<v Speaker 2>the middle of doing a task, and then something pops

0:20:32.640 --> 0:20:34.880
<v Speaker 2>into my head and I was like, oh, that would

0:20:34.880 --> 0:20:36.560
<v Speaker 2>be so funny. Way, I wonder if I have that

0:20:36.720 --> 0:20:39.520
<v Speaker 2>shirt from two thousand and eight still in my wardrobe

0:20:39.800 --> 0:20:44.399
<v Speaker 2>drop everything, Like, say you're doing the dishes, dishes dropped.

0:20:45.000 --> 0:20:46.760
<v Speaker 2>I need to go find that shirt from two thousand

0:20:46.760 --> 0:20:48.240
<v Speaker 2>and eight. Do I have that in my wardrobe. I'm

0:20:48.240 --> 0:20:49.280
<v Speaker 2>gonna go rifling through.

0:20:49.320 --> 0:20:50.200
<v Speaker 1>Oh my god, there's a dress.

0:20:50.200 --> 0:20:51.520
<v Speaker 2>I'm gonna try this and I haven't wornt this in

0:20:51.560 --> 0:20:54.840
<v Speaker 2>ages is thish. Oh my gosh, my phone rang. Okay, cool.

0:20:55.280 --> 0:20:56.399
<v Speaker 2>And then at the end of the day, I'm like,

0:20:56.760 --> 0:20:59.720
<v Speaker 2>I forgot to finish doing the dishes. So that is

0:20:59.840 --> 0:21:03.280
<v Speaker 2>like my life is just I swear three quarters of

0:21:03.320 --> 0:21:06.440
<v Speaker 2>the time I'm just cleaning up after myself because I've

0:21:06.600 --> 0:21:08.800
<v Speaker 2>left a trail. It's like, you know, Millie's been here,

0:21:08.880 --> 0:21:13.040
<v Speaker 2>because there's just half finished things everywhere. So there's that chaos.

0:21:13.520 --> 0:21:17.359
<v Speaker 2>But also I went through a pretty toxic stage of

0:21:17.600 --> 0:21:19.840
<v Speaker 2>just like I guess in dating as well, like you

0:21:19.880 --> 0:21:23.480
<v Speaker 2>can be pretty chaotic as well, and I'm not really

0:21:23.600 --> 0:21:25.159
<v Speaker 2>like that anymore. And actually i don't think I was

0:21:25.200 --> 0:21:28.960
<v Speaker 2>ever that bad, but like probably doing things that I

0:21:29.200 --> 0:21:33.440
<v Speaker 2>wasn't I probably shouldn't have because it's chaotic, and it's

0:21:33.480 --> 0:21:34.639
<v Speaker 2>like for the story, yeah, I.

0:21:34.640 --> 0:21:36.760
<v Speaker 1>Mean I'm going on a different blokesore, Yeah.

0:21:37.520 --> 0:21:40.199
<v Speaker 2>This is a rogue This is such a not at

0:21:40.240 --> 0:21:42.080
<v Speaker 2>the same time, but more like this is a rogue

0:21:42.359 --> 0:21:44.280
<v Speaker 2>story or like this is probably not a good time

0:21:44.359 --> 0:21:46.080
<v Speaker 2>to go see this person. I'm gonna go do it

0:21:46.119 --> 0:21:49.920
<v Speaker 2>anyway because it's a funny story. So like almost creating

0:21:50.160 --> 0:21:54.680
<v Speaker 2>content from my life because it's funny and like, this

0:21:54.880 --> 0:21:58.399
<v Speaker 2>is something I've noticed while in this job, is like

0:21:59.359 --> 0:22:02.159
<v Speaker 2>when I now I'm like, oh that's a good that's content.

0:22:02.520 --> 0:22:04.400
<v Speaker 2>Like I'll think of something Oh, that's great content. It's

0:22:04.480 --> 0:22:07.080
<v Speaker 2>like anything that happens good or bad. If it's bad

0:22:07.240 --> 0:22:10.200
<v Speaker 2>good content, Like it's so weird how I try and

0:22:10.320 --> 0:22:13.639
<v Speaker 2>turn everything into like and this is also not a

0:22:13.720 --> 0:22:16.000
<v Speaker 2>great thing, but you kind of try and think of

0:22:16.160 --> 0:22:20.360
<v Speaker 2>the positive in the negatives of like, well, at least

0:22:20.359 --> 0:22:21.959
<v Speaker 2>there's a funny video out of it sort of thing.

0:22:23.119 --> 0:22:24.480
<v Speaker 1>And what do you do that you're actually going to

0:22:24.520 --> 0:22:25.000
<v Speaker 1>record something?

0:22:25.080 --> 0:22:27.399
<v Speaker 2>Oh? Yeah, I record a lot. Actually lately I have

0:22:27.920 --> 0:22:29.359
<v Speaker 2>taken a bit of a step back just because I

0:22:29.480 --> 0:22:33.760
<v Speaker 2>needed just to breathe. But I record so much and like,

0:22:34.000 --> 0:22:36.280
<v Speaker 2>you know, come with me in Melbourne or whatever. Missed

0:22:36.320 --> 0:22:39.080
<v Speaker 2>my flight, Oh, whoops, miss my flight sort of thing

0:22:39.200 --> 0:22:43.240
<v Speaker 2>like that. Obviously that's not great, but people like the

0:22:43.359 --> 0:22:46.040
<v Speaker 2>journey and they like to see themselves in news.

0:22:46.080 --> 0:22:47.399
<v Speaker 1>What do you think that? Did you think that? Do

0:22:47.520 --> 0:22:49.399
<v Speaker 1>you think that people like to see that someone else

0:22:49.440 --> 0:22:52.680
<v Speaker 1>sucks up as well? As? In other words, we're sick

0:22:52.720 --> 0:22:54.320
<v Speaker 1>of seeing people's perfect lives.

0:22:54.280 --> 0:22:57.480
<v Speaker 2>One hundred and fifty percent. It's like that was the

0:22:57.600 --> 0:22:59.280
<v Speaker 2>main thing I got when I started doing my content

0:22:59.480 --> 0:23:03.600
<v Speaker 2>was everyone was doing these perfect videos, make up filters. Everything.

0:23:04.160 --> 0:23:06.600
<v Speaker 2>I turned on my camera, like I put my phone

0:23:06.680 --> 0:23:10.520
<v Speaker 2>up against like a stack of books press play, had

0:23:10.560 --> 0:23:12.800
<v Speaker 2>no make up on, hair hun done. This was in

0:23:12.800 --> 0:23:15.560
<v Speaker 2>the middle of Lockdown, probably wearing pajamas and just started filming.

0:23:15.600 --> 0:23:16.960
<v Speaker 2>I was like, I don't care. I had a green

0:23:17.080 --> 0:23:21.800
<v Speaker 2>screen background and everyone was like, Oh, this is so real,

0:23:22.040 --> 0:23:24.440
<v Speaker 2>like I can see myself in you, or like I

0:23:24.520 --> 0:23:27.720
<v Speaker 2>can relate to this. It's so nice and refreshing. And

0:23:27.880 --> 0:23:31.520
<v Speaker 2>then it was kind of Actually, it was good for

0:23:31.640 --> 0:23:34.879
<v Speaker 2>a while, and it's still good. However, it starts to

0:23:34.960 --> 0:23:38.040
<v Speaker 2>put pressure on you to like always be real and

0:23:38.320 --> 0:23:40.639
<v Speaker 2>like that. And if you start to kind of like

0:23:41.760 --> 0:23:45.399
<v Speaker 2>move into like oh, why are you putting your makeup on?

0:23:45.520 --> 0:23:47.120
<v Speaker 2>And why are you getting dressed up for the camera,

0:23:47.320 --> 0:23:49.680
<v Speaker 2>Like that's not you. You're like, we don't like it,

0:23:49.880 --> 0:23:52.600
<v Speaker 2>you know what I mean, Like there's always something you get.

0:23:52.640 --> 0:23:54.840
<v Speaker 2>You kind of pigeonhole yourself in the relatable girl.

0:23:55.040 --> 0:23:57.200
<v Speaker 1>Yeah, yeah, you put a square around yourself. Yeah, and

0:23:57.320 --> 0:24:03.040
<v Speaker 1>which you can't step outside having having ADHD that that's

0:24:03.119 --> 0:24:05.760
<v Speaker 1>not that's not that personality. That personality steps out all

0:24:05.880 --> 0:24:08.120
<v Speaker 1>over the place. You step outside the square all the time.

0:24:08.880 --> 0:24:11.280
<v Speaker 1>You're never in the square. People think you're in the scare,

0:24:11.280 --> 0:24:12.560
<v Speaker 1>but you will step out the square all the time.

0:24:12.920 --> 0:24:14.440
<v Speaker 1>In fact, you don't even know there's a square there.

0:24:15.200 --> 0:24:16.240
<v Speaker 2>I mean it's like a triangle.

0:24:16.440 --> 0:24:29.440
<v Speaker 1>Yeah. I like that as so like you've had Would

0:24:29.440 --> 0:24:33.760
<v Speaker 1>you attribute though you've had massive, massive success in TikTok?

0:24:34.640 --> 0:24:39.639
<v Speaker 1>Would you attribute those you know, those views and the

0:24:39.680 --> 0:24:41.720
<v Speaker 1>people who follow you and watch what you do. Would

0:24:41.720 --> 0:24:45.480
<v Speaker 1>you attribute that to the fact that people like to

0:24:45.560 --> 0:24:48.119
<v Speaker 1>see frailty. I don't know, I don't mean frailty like

0:24:48.200 --> 0:24:51.960
<v Speaker 1>in an old grammar, but intellectual frailty. That and as

0:24:52.000 --> 0:24:55.959
<v Speaker 1>opposed to perfectness, because I think I think I am.

0:24:56.080 --> 0:24:59.960
<v Speaker 1>I'm sick of watching perfection all the time. I'm over it. Yeah, yeah, yeah,

0:25:00.600 --> 0:25:02.680
<v Speaker 1>and some by some dudes are perfect by the way,

0:25:02.760 --> 0:25:05.720
<v Speaker 1>you know, everything they do is perfect, but like definitely

0:25:05.800 --> 0:25:06.400
<v Speaker 1>not my world.

0:25:06.680 --> 0:25:06.840
<v Speaker 2>Yeah.

0:25:08.359 --> 0:25:11.840
<v Speaker 1>Do you think people just relate to you because we

0:25:11.960 --> 0:25:13.240
<v Speaker 1>are sick to death of perfection?

0:25:13.640 --> 0:25:16.320
<v Speaker 2>Yes? I think that is the feedback that I get

0:25:16.359 --> 0:25:18.280
<v Speaker 2>as well from people who message me. They'll be like,

0:25:18.480 --> 0:25:22.119
<v Speaker 2>thank you so much for like, like you've inspired me

0:25:22.280 --> 0:25:25.520
<v Speaker 2>now to like I don't know, start posting or something.

0:25:25.800 --> 0:25:28.720
<v Speaker 2>I don't have. You know, the perfect house, It's not

0:25:28.760 --> 0:25:30.520
<v Speaker 2>all set up perfectly, you know how like you see

0:25:31.119 --> 0:25:35.280
<v Speaker 2>videos online and their houses are so immaculates it kills me.

0:25:35.480 --> 0:25:37.600
<v Speaker 2>And you're just like, that is their job. They have

0:25:37.680 --> 0:25:40.600
<v Speaker 2>spent hours putting that together. It's not realistic, but no

0:25:40.760 --> 0:25:43.359
<v Speaker 2>one sees that, and they make it look effortless and

0:25:44.280 --> 0:25:44.920
<v Speaker 2>as soon.

0:25:44.800 --> 0:25:46.920
<v Speaker 1>As you fashing start.

0:25:46.880 --> 0:25:49.120
<v Speaker 2>Yeah, literally, it's like they've got a team of people,

0:25:49.280 --> 0:25:52.000
<v Speaker 2>Like they're at home all day setting up lighting to

0:25:52.080 --> 0:25:54.520
<v Speaker 2>make it perfect. Like you cannot relate to that. And

0:25:54.800 --> 0:25:57.240
<v Speaker 2>even I catch myself doing it, Like if I'm setting

0:25:57.320 --> 0:25:59.639
<v Speaker 2>up my camera and there's like an ugly box in

0:25:59.680 --> 0:26:01.760
<v Speaker 2>the back, I'm like, oh, there's a box.

0:26:01.800 --> 0:26:03.720
<v Speaker 1>I'm going to move that, Like, well, then how do

0:26:03.800 --> 0:26:05.879
<v Speaker 1>you reconcole that part? So, because you know, you're a

0:26:05.880 --> 0:26:09.240
<v Speaker 1>perfection on someone side, yea, And you do you edit

0:26:09.280 --> 0:26:09.840
<v Speaker 1>your own stuff?

0:26:10.200 --> 0:26:10.360
<v Speaker 2>Yes?

0:26:10.520 --> 0:26:14.119
<v Speaker 1>Yes, So you're perfectionous in that you're the talent in

0:26:14.160 --> 0:26:18.280
<v Speaker 1>the in the in the video and then you do

0:26:18.440 --> 0:26:19.920
<v Speaker 1>the edit. When you're doing the edit, you see the

0:26:20.080 --> 0:26:23.159
<v Speaker 1>shitty black box. You're being a perfectionist. You want to

0:26:23.640 --> 0:26:26.720
<v Speaker 1>better redo this. How do you sort of reconcole all that?

0:26:27.520 --> 0:26:30.080
<v Speaker 2>I know, it's it seems like it's two opposite ends,

0:26:30.359 --> 0:26:33.280
<v Speaker 2>and I think there will be times when I'm moving

0:26:33.359 --> 0:26:35.879
<v Speaker 2>the box and like I move the box and at

0:26:35.920 --> 0:26:37.760
<v Speaker 2>the end, I'm like, oh, I should have just left

0:26:37.800 --> 0:26:41.200
<v Speaker 2>it there. Oh whatever, Like I kind of I always

0:26:41.760 --> 0:26:46.399
<v Speaker 2>catch myself trying to give off a certain image or

0:26:46.440 --> 0:26:50.639
<v Speaker 2>perfect perfect image, and It'll be after it happens and

0:26:50.680 --> 0:26:52.080
<v Speaker 2>I'd be like, I should have just said that. Why

0:26:52.160 --> 0:26:54.200
<v Speaker 2>did I do an introduction? As though I'm like on

0:26:54.280 --> 0:26:56.960
<v Speaker 2>a talk show, I should have spoken like this, Like

0:26:57.160 --> 0:26:58.560
<v Speaker 2>I do that all the time. I'd be like, I'm

0:26:58.600 --> 0:27:00.560
<v Speaker 2>going to go and talk about this today and you

0:27:00.680 --> 0:27:02.080
<v Speaker 2>turn the camera on and it's like you're in an

0:27:02.119 --> 0:27:04.040
<v Speaker 2>interview and I was like, that's not me, that is

0:27:04.200 --> 0:27:07.480
<v Speaker 2>not me. Do it again. And I catch myself when

0:27:07.520 --> 0:27:10.200
<v Speaker 2>I fall into it. So there's the perfectionism of like

0:27:10.400 --> 0:27:12.760
<v Speaker 2>you're trying to be too perfect. Stop trying to be

0:27:12.840 --> 0:27:14.080
<v Speaker 2>perfect and just be yourself.

0:27:14.160 --> 0:27:18.399
<v Speaker 1>What about this? Merely? What about if you? It's not

0:27:18.480 --> 0:27:21.879
<v Speaker 1>for me to solve anyone's things, But like, I mean

0:27:21.920 --> 0:27:25.600
<v Speaker 1>the fact that you walked in in an imperfect sense.

0:27:25.640 --> 0:27:28.080
<v Speaker 1>In other words, you didn't put spray down on your leg,

0:27:28.680 --> 0:27:31.600
<v Speaker 1>and you've got two socks on. Look, but you got

0:27:31.880 --> 0:27:37.800
<v Speaker 1>together with beautiful Schanel shoes. But that's actually perfect. So

0:27:38.920 --> 0:27:42.120
<v Speaker 1>imperfection is perfection for me, you know, for most people.

0:27:42.160 --> 0:27:45.359
<v Speaker 1>I think most of us recognize that there is no

0:27:45.480 --> 0:27:48.280
<v Speaker 1>such thing as perfect, and if we see it's perfect,

0:27:48.320 --> 0:27:51.399
<v Speaker 1>we think it's not authentic or it's been dressed, you

0:27:51.440 --> 0:27:54.080
<v Speaker 1>know what I mean, And it's not real. It's not

0:27:54.240 --> 0:27:57.640
<v Speaker 1>the real deal. And you know, like if you had,

0:27:58.200 --> 0:28:01.440
<v Speaker 1>if you made yourself just the talent, maybe your pa

0:28:02.160 --> 0:28:04.760
<v Speaker 1>dash could be a producer as well, be the personal

0:28:04.920 --> 0:28:07.680
<v Speaker 1>edits your stuff, and then you had and if you

0:28:07.720 --> 0:28:10.439
<v Speaker 1>had a neutral edit. Because I don't edit anything here,

0:28:10.480 --> 0:28:12.200
<v Speaker 1>it all gets into the moment my team, because I

0:28:12.320 --> 0:28:13.879
<v Speaker 1>know if I was editing it, I would be so

0:28:13.960 --> 0:28:16.119
<v Speaker 1>fucking critical of what I'm doing. It was nothing to

0:28:16.200 --> 0:28:20.320
<v Speaker 1>you get edited. These guys, these guys here who edit

0:28:20.440 --> 0:28:23.240
<v Speaker 1>my staff, they edited to their to their level, to

0:28:23.359 --> 0:28:25.520
<v Speaker 1>what their perception is, and they're more like the audience.

0:28:26.359 --> 0:28:28.040
<v Speaker 1>That way, I don't have to get caught up in it,

0:28:28.240 --> 0:28:32.280
<v Speaker 1>and I done se myself crazy. That's maybe what your

0:28:32.320 --> 0:28:33.080
<v Speaker 1>PA could do for you.

0:28:33.200 --> 0:28:36.040
<v Speaker 2>I think. So I actually advertised for like a content

0:28:36.160 --> 0:28:39.600
<v Speaker 2>person with it, and the people that kind of came

0:28:39.680 --> 0:28:42.600
<v Speaker 2>back like there've been some definitely some good options, which

0:28:42.640 --> 0:28:45.680
<v Speaker 2>has been great, and it's exactly what you're saying. It's

0:28:45.760 --> 0:28:54.000
<v Speaker 2>like figuring out that it's imperfectly perfectly imperfect, because like

0:28:54.240 --> 0:28:56.440
<v Speaker 2>with the socks, this was like literally a matter of time.

0:28:56.520 --> 0:28:57.760
<v Speaker 2>I was like, you're running, like you just need to go,

0:28:57.920 --> 0:29:00.800
<v Speaker 2>Like I literally couldn't control that. I had more time,

0:29:00.840 --> 0:29:03.800
<v Speaker 2>I would have scrounged around to find the right socks.

0:29:04.920 --> 0:29:08.240
<v Speaker 2>But I think you get to a point where, yeah,

0:29:08.480 --> 0:29:14.120
<v Speaker 2>then it becomes toxically perfectly imperfect. And that's why you

0:29:14.240 --> 0:29:18.560
<v Speaker 2>see this weird transition into people trying to make their

0:29:18.640 --> 0:29:22.800
<v Speaker 2>feeds look effortless and imperfect, but you know that they've

0:29:22.880 --> 0:29:25.480
<v Speaker 2>put time into making it look imperfect.

0:29:25.040 --> 0:29:28.120
<v Speaker 1>Stuff, and you're like, oh my god, like this is

0:29:28.120 --> 0:29:32.720
<v Speaker 1>an example of you overthinking. You're already thinking the possibilities going.

0:29:33.280 --> 0:29:36.520
<v Speaker 1>They've spent their time in making it look perfectly imperfect,

0:29:36.680 --> 0:29:37.080
<v Speaker 1>and you're like.

0:29:37.080 --> 0:29:39.240
<v Speaker 2>How do those girls do it? They just look effortlessly cool,

0:29:39.280 --> 0:29:40.720
<v Speaker 2>and I have just embraced.

0:29:40.320 --> 0:29:42.680
<v Speaker 1>The foot that's cool. Though perfectly imperfect is actually cool.

0:29:42.760 --> 0:29:43.280
<v Speaker 2>That's cool.

0:29:43.680 --> 0:29:44.840
<v Speaker 1>And then then if it's real.

0:29:44.880 --> 0:29:46.560
<v Speaker 2>If it's real, if it's real, and I'm like, I

0:29:46.760 --> 0:29:49.600
<v Speaker 2>wish that was me so much and I think the

0:29:49.760 --> 0:29:51.960
<v Speaker 2>main takeaway from all of this is, like, I just

0:29:52.000 --> 0:29:54.800
<v Speaker 2>need to show up as myself, whatever that is. I'm

0:29:54.840 --> 0:29:57.120
<v Speaker 2>going through different stages in my life, like one of

0:29:57.160 --> 0:29:59.200
<v Speaker 2>them is chaotic. Then you know, I get on my

0:29:59.280 --> 0:30:01.400
<v Speaker 2>medication things a little bit more together, then I'm like,

0:30:01.720 --> 0:30:03.680
<v Speaker 2>you know, having an amazing peak in my career. And

0:30:03.760 --> 0:30:05.840
<v Speaker 2>I think all these different millies kind of show up,

0:30:06.480 --> 0:30:09.400
<v Speaker 2>and I just need to show up to my followers

0:30:09.520 --> 0:30:13.000
<v Speaker 2>and my audience as that version of Milly whatever it is.

0:30:13.080 --> 0:30:15.120
<v Speaker 2>And I think it's just about authenticity at the end

0:30:15.160 --> 0:30:18.760
<v Speaker 2>of the day. And that's for what I'm putting out there,

0:30:18.800 --> 0:30:23.880
<v Speaker 2>but for myself realizing that literally the reason why people

0:30:23.960 --> 0:30:28.240
<v Speaker 2>follow me is because I'm not perfect, and I actually

0:30:28.520 --> 0:30:32.320
<v Speaker 2>this is a weird thought, but I have tried to

0:30:33.440 --> 0:30:35.800
<v Speaker 2>kind of move into a little bit more of a

0:30:38.120 --> 0:30:42.040
<v Speaker 2>put together state of my life, and like, you know,

0:30:42.120 --> 0:30:43.520
<v Speaker 2>a lot of things do need to be put together.

0:30:43.600 --> 0:30:46.120
<v Speaker 2>But then showing up online as more put together it

0:30:46.240 --> 0:30:49.840
<v Speaker 2>doesn't work for me. So I as in, like I'll

0:30:49.880 --> 0:30:52.720
<v Speaker 2>post like a hot photo or something that I think

0:30:52.800 --> 0:30:55.640
<v Speaker 2>looks good, the girls like post it, You're caught, and

0:30:55.760 --> 0:30:58.640
<v Speaker 2>it doesn't perform nearly as well. As mad, dress up

0:30:58.640 --> 0:31:00.840
<v Speaker 2>as an old lady with no makeup and a card, again,

0:31:00.880 --> 0:31:04.240
<v Speaker 2>speaking in a high voice, like, it is so crazy

0:31:04.320 --> 0:31:07.840
<v Speaker 2>that no one wants me to be hot. Like they're like, nah,

0:31:08.000 --> 0:31:10.680
<v Speaker 2>do your comedy, Like do your funny stuff. We like

0:31:10.760 --> 0:31:14.400
<v Speaker 2>that more, and so it doesn't like it's weird. I'm like, Okay,

0:31:14.600 --> 0:31:18.240
<v Speaker 2>this is weird. I actually people, everyone is telling me,

0:31:18.520 --> 0:31:21.240
<v Speaker 2>just be yourself, don't try and be put together, don't

0:31:21.280 --> 0:31:23.960
<v Speaker 2>try and be this perfect person. Obviously you can enjoy

0:31:24.040 --> 0:31:26.800
<v Speaker 2>that and celebrate that when that happens, but it's so

0:31:27.120 --> 0:31:30.080
<v Speaker 2>weird how you like need to.

0:31:30.200 --> 0:31:33.480
<v Speaker 1>Just stick to what you're good at and what your audience.

0:31:33.240 --> 0:31:35.800
<v Speaker 2>Likes and what your audience likes. And there's that strategy

0:31:35.840 --> 0:31:37.560
<v Speaker 2>in that too, because then you like start to lose

0:31:37.600 --> 0:31:41.000
<v Speaker 2>yourself and like, you know what, I've had that recently

0:31:41.000 --> 0:31:42.440
<v Speaker 2>where I'm just like I feel like I've lost my

0:31:42.600 --> 0:31:45.080
<v Speaker 2>spark a little bit, like where where did she go?

0:31:45.800 --> 0:31:49.720
<v Speaker 2>And it's definitely due to like overthinking. And then like

0:31:49.960 --> 0:31:52.400
<v Speaker 2>you know, I moved house, and like you just get stressed,

0:31:52.480 --> 0:31:55.240
<v Speaker 2>and whenever I'm stressed, I just have no creative drive.

0:31:55.280 --> 0:31:55.600
<v Speaker 1>I can't.

0:31:55.640 --> 0:31:57.680
<v Speaker 2>I'm like, how can I think of an idea.

0:31:57.800 --> 0:32:01.240
<v Speaker 1>Ever again, it sounds like you sound like an artist.

0:32:02.000 --> 0:32:04.680
<v Speaker 1>You know, someone who's looking to you can inspire it

0:32:04.800 --> 0:32:08.239
<v Speaker 1>to paint something or to write something. You know, then

0:32:08.520 --> 0:32:10.400
<v Speaker 1>they need to get a certain set of conditions in

0:32:10.520 --> 0:32:12.680
<v Speaker 1>order to do that, you know, like you know, it

0:32:12.760 --> 0:32:14.720
<v Speaker 1>could be going to the south of France because they

0:32:14.800 --> 0:32:17.560
<v Speaker 1>need a certain light at a particular time of year

0:32:17.600 --> 0:32:19.160
<v Speaker 1>to be able to paint a certain type of painting.

0:32:19.480 --> 0:32:22.320
<v Speaker 1>And a lot of famous artists actually have gone through

0:32:22.360 --> 0:32:24.920
<v Speaker 1>those processes. I remember the late John Olson used to

0:32:25.200 --> 0:32:27.320
<v Speaker 1>talk about how he spent a lot of time in France,

0:32:27.880 --> 0:32:29.600
<v Speaker 1>and I can which part of France, So, of course

0:32:29.640 --> 0:32:31.240
<v Speaker 1>at a certain time of year, because at a certain

0:32:31.280 --> 0:32:32.840
<v Speaker 1>time of year the sun was at a certain level

0:32:33.120 --> 0:32:35.480
<v Speaker 1>and it gave a certain quality of light in order

0:32:35.520 --> 0:32:38.080
<v Speaker 1>to allow him to paint some of the most beautiful

0:32:38.120 --> 0:32:41.720
<v Speaker 1>paintings he'd ever done. But at any other time he

0:32:41.760 --> 0:32:47.120
<v Speaker 1>couldn't do it. And when you just talked about being inspired,

0:32:47.360 --> 0:32:49.960
<v Speaker 1>when I mentioned about the inspiration, and then you talked

0:32:49.960 --> 0:32:54.720
<v Speaker 1>about the difference between you're merely the hot roto versus

0:32:54.800 --> 0:32:58.480
<v Speaker 1>merely the creative creating herself to be the old lady

0:32:58.480 --> 0:33:04.000
<v Speaker 1>with the cardigan on I think audiences if they really

0:33:04.640 --> 0:33:09.760
<v Speaker 1>like Milli taking the piss, in other words, doing something funny,

0:33:10.840 --> 0:33:13.760
<v Speaker 1>that they get disappointed when they see Milli hot.

0:33:14.720 --> 0:33:15.520
<v Speaker 2>That's what I found.

0:33:16.040 --> 0:33:18.600
<v Speaker 1>They want to see Milli the funny person. Yes, because

0:33:18.800 --> 0:33:20.760
<v Speaker 1>that's what you're a funny person. And if I go

0:33:20.880 --> 0:33:24.760
<v Speaker 1>to a restaurant which serves great, I don't know, there's

0:33:24.800 --> 0:33:27.360
<v Speaker 1>a meat restaurant, and all of a sudden they start

0:33:27.400 --> 0:33:29.360
<v Speaker 1>trying to dish seafood up to me. I don't want

0:33:29.360 --> 0:33:31.120
<v Speaker 1>to know about it. That's in my brain. That's the

0:33:31.200 --> 0:33:34.040
<v Speaker 1>meat restaurant merely is the funny person. She's a creative

0:33:34.960 --> 0:33:37.160
<v Speaker 1>So where does your where do your creative ideas come from?

0:33:37.400 --> 0:33:39.080
<v Speaker 1>Like you do take the piss, So you're a little

0:33:39.080 --> 0:33:42.760
<v Speaker 1>bit like the uninspired the inspired unemployed bokes, a little

0:33:42.760 --> 0:33:44.680
<v Speaker 1>bit like a female version, like they come over with

0:33:44.760 --> 0:33:50.680
<v Speaker 1>some sort of practical jokers, mad capping, funny shit. So

0:33:51.240 --> 0:33:53.600
<v Speaker 1>where do where do you get your inspiration from? So

0:33:53.800 --> 0:33:55.160
<v Speaker 1>do you walking down the room you see some old

0:33:55.200 --> 0:33:56.920
<v Speaker 1>lady sitting there buying a cup of to you? How

0:33:56.960 --> 0:33:57.320
<v Speaker 1>do you work it?

0:33:57.520 --> 0:34:01.200
<v Speaker 2>Literally? That like it'll be at the most times, Like

0:34:01.720 --> 0:34:06.200
<v Speaker 2>I genuinely do feel like I put the pressure on myself.

0:34:06.240 --> 0:34:07.680
<v Speaker 2>But I do feel like the pressure on me to

0:34:07.840 --> 0:34:13.600
<v Speaker 2>like find moments, little moments in the day that that

0:34:13.760 --> 0:34:18.480
<v Speaker 2>people forget, like are happening to everybody. So I remember

0:34:18.480 --> 0:34:21.440
<v Speaker 2>when I first started, it just was overflowing. There was

0:34:21.520 --> 0:34:22.799
<v Speaker 2>all these ideas I could do this, that, and then

0:34:22.840 --> 0:34:24.439
<v Speaker 2>and everyone's like, how do you think of these things?

0:34:24.480 --> 0:34:25.400
<v Speaker 2>Like how do you think of I was like, well,

0:34:25.400 --> 0:34:27.959
<v Speaker 2>I have a whole list, like I think something, write

0:34:28.000 --> 0:34:29.759
<v Speaker 2>it down, and then I go through it and it

0:34:29.880 --> 0:34:32.279
<v Speaker 2>was all just kind of like coming out and then

0:34:32.840 --> 0:34:36.600
<v Speaker 2>absolutely creative block hits and you're like, I can't think

0:34:36.600 --> 0:34:38.600
<v Speaker 2>of anything, and so I'll go for a walk. But

0:34:38.760 --> 0:34:42.360
<v Speaker 2>I find that if you try to go looking for it,

0:34:42.920 --> 0:34:47.040
<v Speaker 2>you don't find it. So I need to distruct myself

0:34:47.080 --> 0:34:48.840
<v Speaker 2>and I need to like switch off. And it's usually

0:34:48.880 --> 0:34:51.920
<v Speaker 2>you know how they say, like like your best ideas

0:34:51.920 --> 0:34:53.839
<v Speaker 2>in the shower or like before bed, it's like your

0:34:54.000 --> 0:34:55.080
<v Speaker 2>inhibitions are kind.

0:34:54.920 --> 0:34:59.080
<v Speaker 1>Of down, like you kind of you're relaxed.

0:34:59.160 --> 0:35:02.279
<v Speaker 2>You're relax not overthinking it. And that is exactly the

0:35:02.360 --> 0:35:06.040
<v Speaker 2>same same as me and I had an idea actually

0:35:06.160 --> 0:35:11.480
<v Speaker 2>walking over to the studio completely different, completely different to

0:35:11.560 --> 0:35:13.400
<v Speaker 2>what I do. But I was like, Oh, that's a

0:35:13.400 --> 0:35:15.799
<v Speaker 2>funny idea. I'm just going to drop that down. Don't

0:35:15.840 --> 0:35:17.879
<v Speaker 2>even know why it came to me. It was because

0:35:17.880 --> 0:35:20.400
<v Speaker 2>I was listening to a song that reminded me of

0:35:20.520 --> 0:35:23.200
<v Speaker 2>a moment that reminded me of a person who's spoken

0:35:23.239 --> 0:35:25.279
<v Speaker 2>about that, who reminded me of that that that, and

0:35:25.360 --> 0:35:28.920
<v Speaker 2>there was like a like a zigzag of connections, and

0:35:29.080 --> 0:35:31.399
<v Speaker 2>that was my inspiration. I wasn't going, do you want

0:35:31.440 --> 0:35:35.160
<v Speaker 2>to do a post to like to write it to sorry, Yeah,

0:35:35.200 --> 0:35:36.960
<v Speaker 2>to make a skit about an idea that I had,

0:35:37.160 --> 0:35:40.879
<v Speaker 2>which I'll do later. But it was so weird how

0:35:41.680 --> 0:35:44.279
<v Speaker 2>it came about in the most unsuspecting way. I was

0:35:44.360 --> 0:35:46.239
<v Speaker 2>just like, driving here, I wasn't thinking, I've got to

0:35:46.280 --> 0:35:48.880
<v Speaker 2>think of three ideas before I get to the studio,

0:35:49.080 --> 0:35:51.560
<v Speaker 2>Like it's got to be. It's it's in those moments

0:35:51.560 --> 0:35:53.520
<v Speaker 2>when you force it. They don't work for me. If

0:35:53.520 --> 0:35:56.400
<v Speaker 2>I ever I feel something's forced, it usually doesn't perform

0:35:56.480 --> 0:35:59.160
<v Speaker 2>that well. And which is why when I'm working with brands,

0:36:00.040 --> 0:36:02.480
<v Speaker 2>I like, I'll be honest with them and I'll be like,

0:36:02.600 --> 0:36:05.120
<v Speaker 2>this is not going to do well. It's way too forced,

0:36:05.160 --> 0:36:06.319
<v Speaker 2>way too prescriptive, Like.

0:36:06.960 --> 0:36:08.440
<v Speaker 1>They do they do they rescript for you.

0:36:08.920 --> 0:36:11.800
<v Speaker 2>Yeah, so some of them, some brands are amazing to

0:36:11.880 --> 0:36:13.840
<v Speaker 2>work with and they just like get it and they're like,

0:36:14.040 --> 0:36:16.920
<v Speaker 2>you know your audience, like you have not come this

0:36:17.120 --> 0:36:20.840
<v Speaker 2>far and like not learnt along the way what your

0:36:20.840 --> 0:36:23.279
<v Speaker 2>audience likes. And then some of them are just like, nah,

0:36:23.320 --> 0:36:24.600
<v Speaker 2>it needs to be like this, this and this, Like

0:36:24.640 --> 0:36:26.120
<v Speaker 2>you need to say our brand name in the middle

0:36:26.160 --> 0:36:28.320
<v Speaker 2>of the screen for like ten seconds. And I'm like,

0:36:29.320 --> 0:36:32.200
<v Speaker 2>trust me, everyone, Like no one's even going to make

0:36:32.239 --> 0:36:33.560
<v Speaker 2>it to the end of the video, like there is

0:36:33.719 --> 0:36:36.320
<v Speaker 2>no point And a lot of bland brands are flexible

0:36:36.320 --> 0:36:38.640
<v Speaker 2>and a lot of brands want you to do it

0:36:38.760 --> 0:36:41.680
<v Speaker 2>their way, and like I try not to work with them.

0:36:41.920 --> 0:36:42.600
<v Speaker 2>If that's the.

0:36:42.680 --> 0:36:44.279
<v Speaker 1>Case, how do you work that out? How do you

0:36:44.480 --> 0:36:45.040
<v Speaker 1>cull those?

0:36:45.320 --> 0:36:48.120
<v Speaker 2>So I start from the get go. I'm very upfront.

0:36:48.160 --> 0:36:51.240
<v Speaker 2>I'm like I need creative control over the final asset,

0:36:51.520 --> 0:36:54.080
<v Speaker 2>depending on the situation obviously, like if it's you know,

0:36:54.239 --> 0:36:57.200
<v Speaker 2>a bigger project, but if it's just a regular skit

0:36:57.320 --> 0:37:00.320
<v Speaker 2>or whatever, like tell me the key messaging, what's the

0:37:00.360 --> 0:37:02.880
<v Speaker 2>brief or like I need to come up with like

0:37:03.200 --> 0:37:05.839
<v Speaker 2>the creative idea, the concept I can't be shoved something

0:37:05.880 --> 0:37:10.160
<v Speaker 2>in my face. It just doesn't work. And if they're

0:37:10.200 --> 0:37:12.240
<v Speaker 2>not happy with that, then it's like obviously the past.

0:37:12.360 --> 0:37:15.480
<v Speaker 2>But most people are really good at being like okay,

0:37:15.520 --> 0:37:17.720
<v Speaker 2>you know, we totally get that, like you know your audience.

0:37:18.360 --> 0:37:21.000
<v Speaker 2>But I'm pretty brutal, like I won't like I don't

0:37:21.000 --> 0:37:23.080
<v Speaker 2>I won't work with something that someone or a brand

0:37:23.120 --> 0:37:26.200
<v Speaker 2>that doesn't feel authentic to me, Like I genuinely will

0:37:26.280 --> 0:37:29.120
<v Speaker 2>just be like it's not inspiring. I don't want to

0:37:29.160 --> 0:37:33.120
<v Speaker 2>get up and like do this video no matter you

0:37:33.200 --> 0:37:35.839
<v Speaker 2>know the price on it, Like it actually doesn't work

0:37:35.920 --> 0:37:40.320
<v Speaker 2>for me. I like, I just don't find I'm not inspired.

0:37:40.480 --> 0:37:43.359
<v Speaker 2>And also I feel like I've let my audience down.

0:37:43.560 --> 0:37:46.680
<v Speaker 2>It's cringey. I'm just like, oh, I got to just

0:37:46.719 --> 0:37:48.840
<v Speaker 2>post this one. It's like no, like I want to

0:37:48.840 --> 0:37:50.920
<v Speaker 2>post stuff that I'm really proud of and like that

0:37:51.040 --> 0:37:52.279
<v Speaker 2>I know people will enjoy.

0:37:53.239 --> 0:37:54.319
<v Speaker 1>Do you feel like you need to get a bit

0:37:54.360 --> 0:37:56.600
<v Speaker 1>nervous about it first? I mean, how important is it?

0:37:56.640 --> 0:37:58.320
<v Speaker 1>It feel like it's a bit edgy or it's a

0:37:58.320 --> 0:37:59.800
<v Speaker 1>little bit a little bit on the edge, and like,

0:38:00.600 --> 0:38:03.279
<v Speaker 1>do you in order for it to work for your

0:38:03.320 --> 0:38:06.040
<v Speaker 1>audience or is it going to be sanitized.

0:38:06.239 --> 0:38:09.000
<v Speaker 2>I'm pretty like family friendly with my content, just because

0:38:09.000 --> 0:38:12.839
<v Speaker 2>I have so many generations watching me, like everywhere, from

0:38:12.960 --> 0:38:16.600
<v Speaker 2>like little kids in school and then to like grandma's

0:38:16.680 --> 0:38:20.239
<v Speaker 2>and like moms who were like like, oh, duh, you're

0:38:20.280 --> 0:38:22.880
<v Speaker 2>my favorite, Like I love you keep doing it like

0:38:23.040 --> 0:38:28.000
<v Speaker 2>that vibe yeah, And I'm like, Okay, these whole families

0:38:28.000 --> 0:38:29.839
<v Speaker 2>are watching me, like I know tep Like I don't

0:38:29.880 --> 0:38:32.040
<v Speaker 2>know them, but they've messaged me being like we used

0:38:32.120 --> 0:38:36.320
<v Speaker 2>to or we still do. We watch your videos before class,

0:38:36.520 --> 0:38:38.800
<v Speaker 2>like during lockdown they'd put on one of my tiktoks

0:38:38.800 --> 0:38:40.719
<v Speaker 2>and be like all right, like and I'm like, you're

0:38:40.760 --> 0:38:42.480
<v Speaker 2>showing it to kids, Like I kin'd of want to

0:38:42.560 --> 0:38:44.640
<v Speaker 2>be safe for them to watch and not on the

0:38:44.680 --> 0:38:46.360
<v Speaker 2>teachers to be like, oh, that's such a shame that

0:38:46.440 --> 0:38:51.160
<v Speaker 2>we can't play your videos anymore. And also another interesting

0:38:51.280 --> 0:38:54.640
<v Speaker 2>fact is not fact, but the thing I've learned a learning.

0:38:56.040 --> 0:38:59.440
<v Speaker 2>I am so happy that I did decide to be

0:38:59.760 --> 0:39:04.360
<v Speaker 2>kind of a brand safe because the opportunities have been like,

0:39:04.840 --> 0:39:06.719
<v Speaker 2>there have been so many opportunities that have come from it,

0:39:07.320 --> 0:39:10.880
<v Speaker 2>as opposed to if I'd been incredibly out there and

0:39:11.480 --> 0:39:14.239
<v Speaker 2>like that's not even me anyway. Like I do like

0:39:14.360 --> 0:39:18.400
<v Speaker 2>to have some sort of like nice I don't know,

0:39:19.040 --> 0:39:22.320
<v Speaker 2>not nice, but like I like it to be digestible basically,

0:39:22.440 --> 0:39:24.600
<v Speaker 2>like I'm not like a hard hitting, like you know,

0:39:24.760 --> 0:39:28.400
<v Speaker 2>someone vative person. No, Like I'm not like that anyway.

0:39:28.960 --> 0:39:32.120
<v Speaker 2>So I am really glad that I that I stayed

0:39:32.200 --> 0:39:35.040
<v Speaker 2>to that, stick to that, because it's just it works

0:39:35.120 --> 0:39:37.160
<v Speaker 2>me in that way. It's very true to who I am.

0:39:37.560 --> 0:39:38.920
<v Speaker 2>I'm not going to try and be someone I'm not.

0:39:39.000 --> 0:39:41.680
<v Speaker 2>But I know for other people being abrasive and being

0:39:41.880 --> 0:39:44.800
<v Speaker 2>like a little bit like naughty or whatever, it works

0:39:44.880 --> 0:39:46.759
<v Speaker 2>for them like that and that's fine, and they do

0:39:46.840 --> 0:39:50.120
<v Speaker 2>it best. I'm not going to try That's.

0:39:49.360 --> 0:39:51.480
<v Speaker 1>That's because I mean I've had sitting right in that

0:39:51.560 --> 0:39:53.360
<v Speaker 1>chairs the Spaniard And if you know who the Spenion is,

0:39:53.400 --> 0:39:54.960
<v Speaker 1>I wouldn't be surprised you've never heard of him. But

0:39:55.239 --> 0:39:58.759
<v Speaker 1>he's a very popular guy. But he's the opposite to you. Yeah,

0:39:58.760 --> 0:40:05.000
<v Speaker 1>and he says things that always controversial, but that's his

0:40:05.080 --> 0:40:07.120
<v Speaker 1>audience and that's him by the way. He loves that

0:40:07.320 --> 0:40:10.120
<v Speaker 1>and it works for him. But if you're it's very

0:40:10.160 --> 0:40:14.160
<v Speaker 1>interesting that you talk about you know, like how your

0:40:15.400 --> 0:40:18.440
<v Speaker 1>mind is chaotok and your life's chaotic. But at the

0:40:18.480 --> 0:40:20.520
<v Speaker 1>same time, it seems to be pretty clear that you're

0:40:21.200 --> 0:40:23.080
<v Speaker 1>you're running this like a business because you actually do

0:40:23.239 --> 0:40:25.880
<v Speaker 1>know your audience. The two things you know is yourself

0:40:26.960 --> 0:40:27.920
<v Speaker 1>what your talent.

0:40:27.800 --> 0:40:30.480
<v Speaker 2>Is, very self aware and nothing else.

0:40:30.719 --> 0:40:33.960
<v Speaker 1>But totally that's a big deal, but also your audience.

0:40:34.280 --> 0:40:35.880
<v Speaker 1>You know what your audience does and doesn't like, or

0:40:35.960 --> 0:40:38.279
<v Speaker 1>you definitely know what your audience likes. Maybe don't know

0:40:38.320 --> 0:40:39.880
<v Speaker 1>what they don't like, but you definitely know what they like.

0:40:40.200 --> 0:40:42.319
<v Speaker 1>And you I don't want to say a bad word feed.

0:40:42.400 --> 0:40:44.880
<v Speaker 1>I hate the word feed, but you you provided to them,

0:40:45.360 --> 0:40:46.799
<v Speaker 1>you deliver it and distributed to them.

0:40:47.320 --> 0:40:50.000
<v Speaker 2>I joke about that. I'm like, Mum's feeding you guys today,

0:40:50.239 --> 0:40:52.680
<v Speaker 2>Like I've got content. Yeah, I'd like Mum's just left

0:40:52.719 --> 0:40:54.680
<v Speaker 2>some dinner on the table and the like post a video.

0:40:54.880 --> 0:40:56.520
<v Speaker 1>But do you actually dress up for these things now?

0:40:56.640 --> 0:40:58.959
<v Speaker 2>Like so, okay, this is a good get in the character,

0:40:59.080 --> 0:41:00.520
<v Speaker 2>this is a great so.

0:41:00.760 --> 0:41:05.200
<v Speaker 1>I they hate that word though, Segway spell, so it's.

0:41:05.080 --> 0:41:09.400
<v Speaker 2>A different segue to like a Segway ride on Segy

0:41:10.040 --> 0:41:13.239
<v Speaker 2>It's different. I learned that way too late in life.

0:41:14.480 --> 0:41:15.680
<v Speaker 1>I don't know. I don't know what you're talking about there,

0:41:15.680 --> 0:41:17.120
<v Speaker 1>but I know the ones you're talking about, like the

0:41:17.160 --> 0:41:19.239
<v Speaker 1>little right on on the holiday. I don't to use

0:41:19.239 --> 0:41:20.919
<v Speaker 1>them anymore. I don' think I think you're illegal. But sorry,

0:41:21.680 --> 0:41:23.680
<v Speaker 1>my parents, we can't do this.

0:41:25.360 --> 0:41:28.759
<v Speaker 2>Back to it, okay. So basically what we're saying, I

0:41:28.800 --> 0:41:29.040
<v Speaker 2>don't know.

0:41:29.120 --> 0:41:32.000
<v Speaker 1>I can't remember. Now we were saying, as you said,

0:41:32.080 --> 0:41:32.880
<v Speaker 1>this is a good segway.

0:41:32.960 --> 0:41:33.800
<v Speaker 2>This is a good segue.

0:41:33.920 --> 0:41:40.120
<v Speaker 1>But getting in a characters got me fucked up? Family friendly.

0:41:40.960 --> 0:41:45.880
<v Speaker 2>That's the merely effect, honestly. I basically, so, yeah, I

0:41:45.920 --> 0:41:48.440
<v Speaker 2>gette the character I started. Okay, so I started. This

0:41:48.560 --> 0:41:52.319
<v Speaker 2>is an interesting thing. I started my videos not even

0:41:52.400 --> 0:41:56.920
<v Speaker 2>thinking twice. Well, I thought maybe once. I didn't think twice.

0:41:57.320 --> 0:42:00.520
<v Speaker 2>I thought, okay, teachers were cardigans. I'll just live. Oh,

0:42:00.640 --> 0:42:01.920
<v Speaker 2>this is the end of carding, and I have chuck

0:42:01.960 --> 0:42:05.040
<v Speaker 2>it on. I get one hundred million comments about the

0:42:05.080 --> 0:42:06.680
<v Speaker 2>card again. I was like, okay, people love the CARDI

0:42:06.719 --> 0:42:08.279
<v Speaker 2>and I keep that and I'm like, okay, it's a

0:42:08.320 --> 0:42:10.280
<v Speaker 2>cold day and I happen to be wearing a turtleneck,

0:42:10.560 --> 0:42:12.120
<v Speaker 2>so I'm going to just chuck on the cardigan over

0:42:12.160 --> 0:42:15.080
<v Speaker 2>the turtleneck. People say, oh my gosh, like your turtleneck,

0:42:15.120 --> 0:42:17.799
<v Speaker 2>it's the perfect. Suddenly I have an outfit and that's

0:42:17.880 --> 0:42:20.080
<v Speaker 2>my teacher outfit, and I was like, I didn't actually

0:42:20.239 --> 0:42:23.320
<v Speaker 2>make that. However, now I've got a costume and I

0:42:23.440 --> 0:42:27.000
<v Speaker 2>cannot wear that turtleneck ever again in public. So that

0:42:27.600 --> 0:42:29.239
<v Speaker 2>and the mum I think it must have been a

0:42:29.280 --> 0:42:31.000
<v Speaker 2>cold day and I had the puffer on. Everyone's like,

0:42:31.040 --> 0:42:33.799
<v Speaker 2>oh my god, the puffer is mum. And I was like, Oh,

0:42:33.880 --> 0:42:35.680
<v Speaker 2>this is so weird because I didn't think about it.

0:42:35.760 --> 0:42:38.520
<v Speaker 2>But I also was like, wait, my mum. Also, yeah,

0:42:38.719 --> 0:42:41.400
<v Speaker 2>my mum was a puff up what character created, so

0:42:41.520 --> 0:42:44.600
<v Speaker 2>they kind of naturally created. But then also so it

0:42:44.719 --> 0:42:48.359
<v Speaker 2>was it was good because it was distinguishable. Everyone was like, oh, mum,

0:42:48.480 --> 0:42:51.600
<v Speaker 2>characters on teach, characters on whatever. And then it got

0:42:51.640 --> 0:42:54.439
<v Speaker 2>to a point where I was like, oh, I don't

0:42:54.480 --> 0:42:56.960
<v Speaker 2>want to put on the outfit or I wish I

0:42:56.960 --> 0:42:58.759
<v Speaker 2>could film that right now, but I don't have the

0:42:58.800 --> 0:43:01.279
<v Speaker 2>outfit with me, or that I come to change. And

0:43:01.360 --> 0:43:03.279
<v Speaker 2>I was like, oh, I feel like I'm letting people

0:43:03.440 --> 0:43:06.279
<v Speaker 2>down if I don't do the outfit, and so I

0:43:06.440 --> 0:43:09.480
<v Speaker 2>slowly like I kind of it's a bit more malleable now,

0:43:09.560 --> 0:43:12.160
<v Speaker 2>like sometimes I'll like wear the path or sometimes I won't.

0:43:12.280 --> 0:43:16.040
<v Speaker 1>But basically, do you give them a name? By the way, Yeah, So.

0:43:16.160 --> 0:43:18.800
<v Speaker 2>Missus Brown is the English teacher I had like a

0:43:18.880 --> 0:43:20.520
<v Speaker 2>project and we needed to name her. I was like,

0:43:20.640 --> 0:43:21.160
<v Speaker 2>Missus Brown.

0:43:21.680 --> 0:43:22.239
<v Speaker 1>And then the.

0:43:22.440 --> 0:43:26.759
<v Speaker 2>Mom's name I believe is Julie because someone said it

0:43:26.800 --> 0:43:27.920
<v Speaker 2>in a video and I was like, I need to

0:43:27.920 --> 0:43:30.200
<v Speaker 2>stick to that now. So they some of them names

0:43:30.200 --> 0:43:32.680
<v Speaker 2>the art teachers called Bronwin like that. I let the

0:43:33.560 --> 0:43:36.600
<v Speaker 2>teacher the audience named her. So I was like, can

0:43:36.680 --> 0:43:38.719
<v Speaker 2>you tell me? So I got the audience, like my

0:43:38.800 --> 0:43:41.920
<v Speaker 2>followers to like name her, and whatever had the most likes.

0:43:41.960 --> 0:43:44.120
<v Speaker 2>I just picked that one, so that one worked. But like,

0:43:44.360 --> 0:43:47.120
<v Speaker 2>so they these characters are like it's so weird because

0:43:47.160 --> 0:43:51.120
<v Speaker 2>they've developed into these much more like definitive characters now.

0:43:51.200 --> 0:43:53.040
<v Speaker 2>Every time there's like you know that n I hadd glasses.

0:43:53.080 --> 0:43:55.319
<v Speaker 2>Then I added like an upside down watch because they

0:43:55.400 --> 0:43:59.520
<v Speaker 2>always do that. I was like, why all those literally why,

0:43:59.520 --> 0:44:03.160
<v Speaker 2>I'm the like stuffing teaches down, sorry, stuffing tissues down

0:44:03.239 --> 0:44:05.000
<v Speaker 2>their sleeves, and so I was doing that and I

0:44:05.080 --> 0:44:08.200
<v Speaker 2>was like, this character like developed over time, and so

0:44:08.400 --> 0:44:10.560
<v Speaker 2>now I really do feel like I step away and

0:44:10.640 --> 0:44:13.320
<v Speaker 2>then I step into character. It helps me. It's like

0:44:13.480 --> 0:44:16.640
<v Speaker 2>if you're play a TV show, character you're costuming helps

0:44:16.680 --> 0:44:18.880
<v Speaker 2>you get into it. So that was really good. But

0:44:18.960 --> 0:44:22.320
<v Speaker 2>then now I'm at a point where I'm like, I

0:44:22.560 --> 0:44:25.640
<v Speaker 2>have done these characters so much right, like I started

0:44:25.719 --> 0:44:29.640
<v Speaker 2>three years ago doing it, and it's yes, it's become

0:44:30.040 --> 0:44:33.080
<v Speaker 2>part of me, but it's I have so much more

0:44:33.160 --> 0:44:36.839
<v Speaker 2>to offer the world, Like I've got so many other interests,

0:44:37.080 --> 0:44:42.799
<v Speaker 2>and it's trying to find that balance between like still

0:44:42.840 --> 0:44:47.280
<v Speaker 2>giving people entertaining content, still being myself, still being authentic,

0:44:47.880 --> 0:44:53.800
<v Speaker 2>still being funny, not being perfect, still being interesting, relevant,

0:44:55.000 --> 0:44:58.239
<v Speaker 2>but also being myself and being vulnerable. But we want

0:44:58.280 --> 0:44:59.960
<v Speaker 2>to see more of you, Millie. Oh, but we want

0:45:00.040 --> 0:45:02.520
<v Speaker 2>see more skits, show us behind the scenes. Now we

0:45:02.560 --> 0:45:04.000
<v Speaker 2>don't want to see behind the scenes. We just want

0:45:04.000 --> 0:45:07.560
<v Speaker 2>to see the videos or like, there's just so many

0:45:07.680 --> 0:45:09.560
<v Speaker 2>different things that people want to see.

0:45:09.800 --> 0:45:12.799
<v Speaker 1>That's good, which is good, gives you plenty of choices.

0:45:12.600 --> 0:45:16.600
<v Speaker 2>Does but then there's like that kind of double edged

0:45:16.600 --> 0:45:18.919
<v Speaker 2>sword with choice because then you're kind of like which

0:45:19.000 --> 0:45:19.600
<v Speaker 2>direction for.

0:45:19.680 --> 0:45:21.560
<v Speaker 1>You it would be for me? Yeah, because there's too

0:45:21.560 --> 0:45:24.560
<v Speaker 1>many choices, choices, and too many possibilities or sub choices

0:45:24.600 --> 0:45:25.960
<v Speaker 1>within the choices exactly.

0:45:26.200 --> 0:45:29.480
<v Speaker 2>So I've been through this like mental dilemma actually recently,

0:45:29.520 --> 0:45:31.840
<v Speaker 2>it's probably a good time to talk about it, but

0:45:32.000 --> 0:45:35.200
<v Speaker 2>it's been very much like these characters who I just

0:45:35.280 --> 0:45:39.239
<v Speaker 2>adore so much. I also don't want to fatigue them,

0:45:39.400 --> 0:45:40.960
<v Speaker 2>like I don't want to run them into the ground

0:45:41.000 --> 0:45:43.680
<v Speaker 2>that I can't ever pull them out again. And so

0:45:43.960 --> 0:45:46.399
<v Speaker 2>because I'd love to turn them into a show one day,

0:45:46.560 --> 0:45:49.160
<v Speaker 2>like it would be so awesome to have a show

0:45:49.400 --> 0:45:54.000
<v Speaker 2>about like mums or something, how fun, and like I

0:45:54.040 --> 0:45:55.640
<v Speaker 2>would hate to be like, oh, I can't ever put

0:45:55.680 --> 0:45:57.960
<v Speaker 2>on a puffa jacket anywhere and ever again because it

0:45:58.040 --> 0:46:00.799
<v Speaker 2>reminds me of like it's just been overdone. So then

0:46:00.880 --> 0:46:02.960
<v Speaker 2>you kind of start to step away. And this is

0:46:03.000 --> 0:46:06.280
<v Speaker 2>where I have this mini like identity crisis of like, Okay,

0:46:06.480 --> 0:46:09.960
<v Speaker 2>I've got this platform, I'm not doing skits as much.

0:46:11.320 --> 0:46:13.600
<v Speaker 2>What's going on with me? Like what am I doing?

0:46:13.880 --> 0:46:17.960
<v Speaker 2>Like who am I? And I've taken some time to

0:46:18.120 --> 0:46:21.040
<v Speaker 2>like think about it, I'm like, okay, what am I

0:46:21.120 --> 0:46:26.960
<v Speaker 2>interested in? And the natural segue was like acting and

0:46:27.440 --> 0:46:28.960
<v Speaker 2>I wanted to be an actor ever since I was

0:46:29.000 --> 0:46:30.760
<v Speaker 2>a little girl, but I didn't pursue it after school

0:46:30.760 --> 0:46:32.960
<v Speaker 2>because I didn't have the confidence and that kind of

0:46:33.120 --> 0:46:35.239
<v Speaker 2>grew with the platform, like the confidence of.

0:46:35.239 --> 0:46:38.799
<v Speaker 1>Like, hey, I can do this, Like certainly Dragon audience, I.

0:46:38.920 --> 0:46:41.800
<v Speaker 2>Literally was like I was literally like I can do this.

0:46:42.440 --> 0:46:44.560
<v Speaker 2>And then the home and Away opportunity came up, which

0:46:44.640 --> 0:46:47.600
<v Speaker 2>was so exciting. Actually I did a tiny little cameo

0:46:47.680 --> 0:46:50.279
<v Speaker 2>on Bump on Stan and then the home and a

0:46:50.320 --> 0:46:54.120
<v Speaker 2>Waste opportunity came up, and I was like, oh my god,

0:46:54.520 --> 0:46:55.520
<v Speaker 2>I'm screaming.

0:46:55.760 --> 0:46:58.200
<v Speaker 1>How did they come about? Did they ring you? So? No?

0:46:58.400 --> 0:47:02.239
<v Speaker 2>So they actually I think what happened was because it's

0:47:02.680 --> 0:47:06.040
<v Speaker 2>very like there's a lot of moving parts with the show.

0:47:07.040 --> 0:47:10.479
<v Speaker 2>There was like they needed a last minute character or something,

0:47:10.520 --> 0:47:13.240
<v Speaker 2>and so they put a call out for my character,

0:47:13.280 --> 0:47:17.840
<v Speaker 2>who was actually an influencer, and they asked me to

0:47:17.880 --> 0:47:21.080
<v Speaker 2>come in an audition. I auditioned and everything, and then

0:47:21.120 --> 0:47:23.799
<v Speaker 2>I got it and I went in and I did

0:47:23.800 --> 0:47:27.360
<v Speaker 2>a whole day of shooting and that was like so

0:47:27.560 --> 0:47:30.359
<v Speaker 2>much fun, and it just like showed me a little

0:47:30.400 --> 0:47:33.920
<v Speaker 2>the behind the scenes on set, but it was it

0:47:34.080 --> 0:47:37.160
<v Speaker 2>was literally it came so This was last year in August,

0:47:38.160 --> 0:47:40.200
<v Speaker 2>while I was kind of having like the identity crisis,

0:47:40.239 --> 0:47:42.080
<v Speaker 2>I was like and then I was like, okay, great,

0:47:42.640 --> 0:47:46.120
<v Speaker 2>And since then, it's not like I've been like overwhelmed

0:47:46.160 --> 0:47:48.239
<v Speaker 2>with acting work, Like it just doesn't work like that.

0:47:48.840 --> 0:47:51.640
<v Speaker 2>And so I'm kind of like, Okay, I've done that thing,

0:47:51.840 --> 0:47:53.880
<v Speaker 2>Like all right, tick, Like we've got one thing on

0:47:53.920 --> 0:47:55.319
<v Speaker 2>the portfolio and now we've got to be like kind

0:47:55.320 --> 0:47:57.759
<v Speaker 2>of working on something else. So like you kind of

0:47:57.800 --> 0:48:00.160
<v Speaker 2>are always coming back to like who am. I like

0:48:00.239 --> 0:48:03.120
<v Speaker 2>making sure that I have like a strong foundation who

0:48:03.160 --> 0:48:04.800
<v Speaker 2>I am because I don't want to get.

0:48:04.719 --> 0:48:07.839
<v Speaker 1>Lost in as a performer or as Millie Forward, as

0:48:07.920 --> 0:48:10.759
<v Speaker 1>Millie Ford. So how do you separate these things? So, yeah,

0:48:11.000 --> 0:48:13.600
<v Speaker 1>you've got Millie Ford, who's you know, Bronz woman, Millie

0:48:13.640 --> 0:48:16.839
<v Speaker 1>Ford who's blah blah blah, the other characters, Millie Forward,

0:48:16.840 --> 0:48:20.959
<v Speaker 1>who's Millie Forward, who's the singer Millie Ford, et cetera,

0:48:20.960 --> 0:48:24.439
<v Speaker 1>et cetera. TikTok, the whole thing. What about Millie Forward,

0:48:24.560 --> 0:48:27.280
<v Speaker 1>the private person? Yeah, it's so's time.

0:48:27.200 --> 0:48:31.360
<v Speaker 2>For her, I know, and I like I can be

0:48:31.600 --> 0:48:36.359
<v Speaker 2>very different in her, like not different, but I think

0:48:37.280 --> 0:48:40.600
<v Speaker 2>I am myself online, but like, obviously there's so much I.

0:48:40.600 --> 0:48:43.680
<v Speaker 1>Don't parts of your personality. That's the Yeah, that's it.

0:48:43.880 --> 0:48:49.239
<v Speaker 2>Yeah, And I think, I it's so weird because I

0:48:49.760 --> 0:48:53.520
<v Speaker 2>do think about this and like I make sure that

0:48:53.600 --> 0:48:59.080
<v Speaker 2>I like make space for me to feel really sad

0:48:59.400 --> 0:49:02.800
<v Speaker 2>if I need one day or like anxious, Like I

0:49:03.040 --> 0:49:04.840
<v Speaker 2>make space for it. And like it's taken me a

0:49:04.880 --> 0:49:09.960
<v Speaker 2>long time to get here, but I've kind of reserved

0:49:10.400 --> 0:49:13.880
<v Speaker 2>time for when I am on I guess for online,

0:49:14.800 --> 0:49:19.040
<v Speaker 2>and I think that there's this struggle that I've faced with, like, oh,

0:49:19.120 --> 0:49:20.960
<v Speaker 2>you kind of want to show the vulnerability too, but

0:49:22.239 --> 0:49:24.239
<v Speaker 2>I like to be able to think through things on

0:49:24.320 --> 0:49:27.240
<v Speaker 2>my own and not having the voices of the people

0:49:27.400 --> 0:49:28.880
<v Speaker 2>telling me to do this, that and the other. Like

0:49:29.000 --> 0:49:30.920
<v Speaker 2>I want to just work throughout myself. So I will

0:49:30.960 --> 0:49:34.680
<v Speaker 2>go to my close friends and that's how I get

0:49:34.719 --> 0:49:37.600
<v Speaker 2>through that stuff. And they keep me grounded, they keep

0:49:37.640 --> 0:49:40.480
<v Speaker 2>me as who I am. I love spending time with

0:49:40.560 --> 0:49:44.320
<v Speaker 2>my family, Like that's my personality just comes alive. It

0:49:44.760 --> 0:49:46.520
<v Speaker 2>almost just reminds me who I am.

0:49:46.840 --> 0:49:47.440
<v Speaker 1>Are you different?

0:49:47.520 --> 0:49:51.640
<v Speaker 2>Then I'm not different, It's just that I can relax

0:49:51.760 --> 0:49:54.239
<v Speaker 2>a little bit more, Like, oh, the camera's gone, Like

0:49:54.360 --> 0:49:56.680
<v Speaker 2>I can just literally relax and.

0:49:56.960 --> 0:49:58.719
<v Speaker 1>Slump on the catch, so a bit of you know,

0:49:58.800 --> 0:50:01.400
<v Speaker 1>the cameras are going here. And when you before you

0:50:01.480 --> 0:50:03.279
<v Speaker 1>came in, I heard you yell at from outside of

0:50:03.280 --> 0:50:06.600
<v Speaker 1>the studio. I'm so nervous. But when you get load that,

0:50:07.200 --> 0:50:10.520
<v Speaker 1>have you felt during this past hour that you've been

0:50:11.560 --> 0:50:15.440
<v Speaker 1>You start off performing and you've less performed. Maybe do

0:50:15.520 --> 0:50:18.000
<v Speaker 1>you feel as though you got into that got out

0:50:18.040 --> 0:50:18.600
<v Speaker 1>of character?

0:50:18.680 --> 0:50:20.800
<v Speaker 2>And I feel like at the start, I was definitely

0:50:21.080 --> 0:50:23.719
<v Speaker 2>more on because I was like, I want to look

0:50:23.760 --> 0:50:25.520
<v Speaker 2>peppy and I don't want to bring a bad vibe

0:50:25.560 --> 0:50:28.640
<v Speaker 2>to it. And then now that I've relaxed into the conversation,

0:50:29.000 --> 0:50:31.839
<v Speaker 2>I'm happy to like kind of like slouch a little

0:50:31.840 --> 0:50:33.399
<v Speaker 2>bit more and like flick my hand.

0:50:35.200 --> 0:50:38.360
<v Speaker 1>You've changed on through the conversation. And so because what

0:50:38.440 --> 0:50:41.760
<v Speaker 1>I'm trying to work out is who's who's the real Millie?

0:50:41.880 --> 0:50:45.279
<v Speaker 2>Like I don't know like me no, So I think

0:50:45.480 --> 0:50:47.320
<v Speaker 2>what I like to do this is this is my

0:50:47.440 --> 0:50:51.960
<v Speaker 2>toxic trait. I like to I'm so so scared of

0:50:52.080 --> 0:50:55.360
<v Speaker 2>being perceived as boring or like a bad vibe. This

0:50:55.440 --> 0:50:58.080
<v Speaker 2>is the people pleas for me that I'm like I

0:50:58.200 --> 0:50:59.680
<v Speaker 2>just want to make sure everyone knows I'm not a

0:50:59.760 --> 0:51:02.560
<v Speaker 2>bad like I promise I'm fun like I'm so fun,

0:51:03.000 --> 0:51:04.800
<v Speaker 2>so like I'll show up and be like I'm fun like,

0:51:04.880 --> 0:51:07.480
<v Speaker 2>I'm good energy, I'm good because I've probably had one

0:51:07.480 --> 0:51:09.160
<v Speaker 2>too many people being like are you okay, like you're

0:51:09.200 --> 0:51:11.000
<v Speaker 2>really off today, and I'm like, no, I'm fine. But

0:51:11.080 --> 0:51:13.920
<v Speaker 2>it's like then you set up yourself to be always

0:51:13.960 --> 0:51:16.800
<v Speaker 2>like on. But yeah, I think like just nerves of

0:51:16.880 --> 0:51:18.080
<v Speaker 2>being like, well, I don't know what I'm going to

0:51:18.120 --> 0:51:20.920
<v Speaker 2>talk about on here, and I think like I do

0:51:21.160 --> 0:51:25.040
<v Speaker 2>like to keep some things private, like that stuff. Obviously

0:51:25.080 --> 0:51:26.200
<v Speaker 2>I can be like I don't want to talk about it,

0:51:26.200 --> 0:51:29.520
<v Speaker 2>but you know, like I just it's people think that

0:51:29.600 --> 0:51:32.120
<v Speaker 2>they know a version of me, but there's just so

0:51:32.400 --> 0:51:36.480
<v Speaker 2>much more to me because I cannot express it all online,

0:51:36.640 --> 0:51:41.359
<v Speaker 2>like the way the places my imagination goes and where

0:51:41.440 --> 0:51:44.759
<v Speaker 2>my mind wanderes during the day, and the intricacies of

0:51:44.920 --> 0:51:49.239
<v Speaker 2>my like friendships and relationships and everything. There's so much

0:51:50.160 --> 0:51:53.680
<v Speaker 2>that no one could ever know who I am unless

0:51:53.800 --> 0:51:55.320
<v Speaker 2>they know me in real life.

0:51:57.040 --> 0:51:59.000
<v Speaker 1>Let's all. It's just one second because I'm getting wound

0:51:59.040 --> 0:52:00.719
<v Speaker 1>up over here. But you know how old are you now?

0:52:01.880 --> 0:52:04.840
<v Speaker 1>Eight years? So? You know you're extraordinary popular, You're a

0:52:04.920 --> 0:52:07.960
<v Speaker 1>lovely looking young lady. You know you're doing well in

0:52:08.040 --> 0:52:10.399
<v Speaker 1>your life. You've got you know, from all accounts, you're

0:52:10.400 --> 0:52:13.520
<v Speaker 1>a nice person. But how do you go, like when

0:52:13.560 --> 0:52:16.960
<v Speaker 1>you're so well known, how do you go into the

0:52:17.040 --> 0:52:19.480
<v Speaker 1>dating world? Like? How that fucked you? Can you? Can

0:52:19.560 --> 0:52:23.680
<v Speaker 1>you sort of expect? Well, how do you manage having

0:52:23.719 --> 0:52:24.440
<v Speaker 1>a relationship.

0:52:24.920 --> 0:52:28.120
<v Speaker 2>I haven't had a relationship since I started put it that.

0:52:28.160 --> 0:52:32.399
<v Speaker 1>Way, since what years ago? Three years ago? Since COVID yeap,

0:52:32.520 --> 0:52:33.200
<v Speaker 1>so I.

0:52:36.360 --> 0:52:41.640
<v Speaker 2>My ex and I entered things around May last year,

0:52:41.800 --> 0:52:44.160
<v Speaker 2>so I came up to like three years and this

0:52:44.360 --> 0:52:46.239
<v Speaker 2>was just as everything was Sorry did I say last

0:52:46.320 --> 0:52:49.400
<v Speaker 2>year three years ago? Twenty twenty one? It would have

0:52:49.440 --> 0:52:51.439
<v Speaker 2>been yeaph And this was just as things were taking

0:52:51.480 --> 0:52:54.160
<v Speaker 2>off for me. We all went into lockdown, was gone

0:52:54.200 --> 0:52:56.640
<v Speaker 2>through the breakup in Lockdown, but I was distracted by

0:52:56.719 --> 0:52:58.840
<v Speaker 2>all of the content, so that was really exciting, and

0:52:58.960 --> 0:53:01.920
<v Speaker 2>like no one was leaving good distraction, good distraction. No

0:53:01.960 --> 0:53:04.880
<v Speaker 2>one was leaving the house. And then like when I

0:53:05.440 --> 0:53:08.800
<v Speaker 2>left Lockdown, I was like, oh my god, like this

0:53:09.040 --> 0:53:11.480
<v Speaker 2>is crazy, Like I was getting recognized.

0:53:10.960 --> 0:53:13.160
<v Speaker 1>Everywhere I went everybody thinks I know you.

0:53:13.360 --> 0:53:14.719
<v Speaker 2>Yeah, everyone thing said they know, like, oh my gosh,

0:53:14.760 --> 0:53:16.600
<v Speaker 2>I like my friend Millie, and I'm like, oh my god,

0:53:16.680 --> 0:53:18.080
<v Speaker 2>love you. And I felt like I had to go

0:53:18.200 --> 0:53:23.719
<v Speaker 2>on go out and be like all good and interestingly.

0:53:24.280 --> 0:53:28.440
<v Speaker 2>So since then haven't had a relationship. I've definitely dated

0:53:28.920 --> 0:53:33.560
<v Speaker 2>a few people, but like nothing serious, Like it's so crazy,

0:53:33.840 --> 0:53:36.920
<v Speaker 2>how much harder. Everyone's like, oh my gosh, I'm sure

0:53:36.960 --> 0:53:40.160
<v Speaker 2>you have like so many people, like because you've got

0:53:40.360 --> 0:53:43.680
<v Speaker 2>I'm like, no, it's the opposite. Like I find that

0:53:44.080 --> 0:53:48.480
<v Speaker 2>it's like there's less options, not only less options, there's

0:53:48.560 --> 0:53:52.120
<v Speaker 2>less interest because everyone's thinking that. Like everyone's like, oh,

0:53:52.160 --> 0:53:54.719
<v Speaker 2>you've got access to like hundreds of thousands of people, surely,

0:53:54.800 --> 0:53:57.760
<v Speaker 2>I'm like, I genuinely don't not to mention my audiences

0:53:57.840 --> 0:54:03.440
<v Speaker 2>mostly women or gay men, so like that's not it's

0:54:03.680 --> 0:54:05.880
<v Speaker 2>really hard. And like I was on dating apps for

0:54:05.920 --> 0:54:10.520
<v Speaker 2>a while and I'm not on them anymore. So they

0:54:10.560 --> 0:54:14.319
<v Speaker 2>work for you, so they were fine, Like I think

0:54:15.120 --> 0:54:19.000
<v Speaker 2>I always wondered, like, going in, you know, does this

0:54:19.080 --> 0:54:20.920
<v Speaker 2>person know who I am? Like you don't really know

0:54:21.120 --> 0:54:25.960
<v Speaker 2>straight up, And everyone, of course is like no, has

0:54:26.040 --> 0:54:27.879
<v Speaker 2>no idea like you don't know if that's the truth

0:54:27.960 --> 0:54:29.719
<v Speaker 2>or if they've seen maybe a video like I'm just

0:54:29.800 --> 0:54:32.719
<v Speaker 2>kind of like okay, like start from scratch, so you

0:54:32.880 --> 0:54:34.920
<v Speaker 2>kind of just go and assuming that, like you're two

0:54:35.040 --> 0:54:38.759
<v Speaker 2>regular people that don't know anything about each other. But

0:54:39.719 --> 0:54:43.000
<v Speaker 2>I think that always sticks in my head is like

0:54:43.440 --> 0:54:47.320
<v Speaker 2>what is this person's intentions? Like are they trying to

0:54:47.360 --> 0:54:49.400
<v Speaker 2>get a little bit of clout like or are they

0:54:49.520 --> 0:54:52.600
<v Speaker 2>do they like Millie? Like do they like me? And

0:54:53.320 --> 0:54:58.480
<v Speaker 2>I always find it really interesting because then you know

0:54:58.560 --> 0:55:00.759
<v Speaker 2>the classic two to three month like when you're kind

0:55:00.760 --> 0:55:03.200
<v Speaker 2>of starting to realize if it's going to happen or not.

0:55:04.160 --> 0:55:07.160
<v Speaker 2>I actually like always look back and realize like, oh,

0:55:08.360 --> 0:55:10.279
<v Speaker 2>I don't know if this person actually really got to

0:55:10.360 --> 0:55:14.480
<v Speaker 2>know me like Millie Ford, Like does this person like

0:55:15.239 --> 0:55:19.000
<v Speaker 2>MILLI like the person like the idea of being with

0:55:19.160 --> 0:55:22.240
<v Speaker 2>Milli or do that actually like me? And I always

0:55:22.320 --> 0:55:24.680
<v Speaker 2>come to this weird crossroads of like I don't feel

0:55:24.680 --> 0:55:25.600
<v Speaker 2>like they actually.

0:55:27.000 --> 0:55:28.800
<v Speaker 1>Tried to get to know me, Like as do you

0:55:28.840 --> 0:55:30.520
<v Speaker 1>get to do you let them get to know you?

0:55:31.000 --> 0:55:34.200
<v Speaker 2>So yeah, I'm like ask me anything like open book,

0:55:34.239 --> 0:55:37.960
<v Speaker 2>but apart from asking like just being you like just yeah, oh, yeah,

0:55:38.239 --> 0:55:39.560
<v Speaker 2>I'm so much dang.

0:55:39.440 --> 0:55:45.120
<v Speaker 1>Around, you know, you know, like, yeah, because because I

0:55:45.239 --> 0:55:48.279
<v Speaker 1>know people who have ADHD, and they can be a

0:55:48.320 --> 0:55:51.960
<v Speaker 1>bit overwhelming, the speed at which they speak, talk, the

0:55:52.040 --> 0:55:55.200
<v Speaker 1>spirit of which they think. I actually generally find people

0:55:55.239 --> 0:55:57.439
<v Speaker 1>who who have ADHD a lot of them have quite

0:55:57.440 --> 0:56:00.200
<v Speaker 1>a high form of intelligence. They're very smart. They their

0:56:00.280 --> 0:56:01.840
<v Speaker 1>latch on things all the time. They might have a

0:56:01.960 --> 0:56:05.680
<v Speaker 1>bit of an issue about staying on staying on theme,

0:56:06.560 --> 0:56:10.040
<v Speaker 1>but nonetheless they have this massive ability to flip from

0:56:10.200 --> 0:56:13.719
<v Speaker 1>idea to idea at a speed which most people don't have,

0:56:14.360 --> 0:56:16.800
<v Speaker 1>and most people can't keep up with it. Yeah, okay,

0:56:17.800 --> 0:56:21.000
<v Speaker 1>they and they can get upset and can frustrated with you.

0:56:21.280 --> 0:56:24.319
<v Speaker 1>Did you find that you had a bit of overwhelming,

0:56:24.840 --> 0:56:27.320
<v Speaker 1>that overwhelming effect on people.

0:56:27.800 --> 0:56:30.759
<v Speaker 2>I found the opposite. I found that guys would be like,

0:56:31.360 --> 0:56:33.560
<v Speaker 2>it's you're so easy to date because you just don't

0:56:33.560 --> 0:56:36.759
<v Speaker 2>shut up, Like I don't have to bring anything. They

0:56:36.920 --> 0:56:39.800
<v Speaker 2>literally said that to me, and I'm just saying, yeah, literally,

0:56:39.800 --> 0:56:42.320
<v Speaker 2>they're like, it's great, like you just like talk. But

0:56:42.680 --> 0:56:44.320
<v Speaker 2>in saying that, I actually do think that's accurate. Like

0:56:44.400 --> 0:56:47.719
<v Speaker 2>I'm a very curious person and obviously I want to

0:56:47.719 --> 0:56:49.520
<v Speaker 2>know who I'm dating, so I'll ask questions. I'm like,

0:56:49.520 --> 0:56:51.040
<v Speaker 2>who is this? Like who about?

0:56:51.719 --> 0:56:54.160
<v Speaker 1>Yeah? I asked the questions everywhere you should you should? Yeah.

0:56:54.239 --> 0:56:57.320
<v Speaker 2>But I'm also very good at talking about things and

0:56:57.520 --> 0:57:02.320
<v Speaker 2>like like adding bits to the conversation. I find guys

0:57:02.560 --> 0:57:05.640
<v Speaker 2>just generally, not even just me, like I know my

0:57:05.719 --> 0:57:08.800
<v Speaker 2>friends will being like this, aren't as good at asking questions,

0:57:09.080 --> 0:57:12.319
<v Speaker 2>like they don't they. I think guys like to get

0:57:12.360 --> 0:57:14.880
<v Speaker 2>to know you through doing so like activities and like

0:57:15.000 --> 0:57:19.000
<v Speaker 2>finding things out like yeah, I didn't realize you were coordinated,

0:57:19.160 --> 0:57:20.800
<v Speaker 2>Like wait, you can swing it like a golf club.

0:57:20.840 --> 0:57:23.120
<v Speaker 2>It's like, yeah, I played softball all my life And

0:57:23.160 --> 0:57:25.360
<v Speaker 2>they're like, oh, you play softball, And then that starts

0:57:25.400 --> 0:57:28.280
<v Speaker 2>the conversation. Rather than being like like, oh, you know,

0:57:28.400 --> 0:57:30.400
<v Speaker 2>what do you do? How do you what sports do

0:57:30.440 --> 0:57:31.800
<v Speaker 2>you like? Or like how do you work like to

0:57:31.840 --> 0:57:34.600
<v Speaker 2>work out, girls will ask more directly to the point,

0:57:36.320 --> 0:57:37.920
<v Speaker 2>and so it takes a little bit longer to kind

0:57:37.920 --> 0:57:41.160
<v Speaker 2>of get to know the guy I found. But also

0:57:42.480 --> 0:57:47.120
<v Speaker 2>I think I have felt like, as you say, I'm

0:57:47.120 --> 0:57:49.360
<v Speaker 2>a bit chaotic and like you know, my mind is everywhere.

0:57:49.680 --> 0:57:55.440
<v Speaker 2>I'm like, I'm unashamedly weird and like me as a person,

0:57:55.680 --> 0:57:58.120
<v Speaker 2>like I am in every sense of the word. I

0:57:58.120 --> 0:57:59.600
<v Speaker 2>think people will be like, oh my god, I'm so weird.

0:57:59.640 --> 0:58:02.520
<v Speaker 2>But it's like, like genuinely like the things that I

0:58:03.800 --> 0:58:07.040
<v Speaker 2>I don't know, like the humor and what I'm interested

0:58:07.080 --> 0:58:09.240
<v Speaker 2>in talking about. I'm curious. I like to kind of

0:58:09.360 --> 0:58:12.960
<v Speaker 2>nitpick it at things and delve deeper. I've found a

0:58:13.040 --> 0:58:17.120
<v Speaker 2>lot of the guys I've dated have been more so

0:58:17.520 --> 0:58:20.280
<v Speaker 2>not surface level, just like they have been as interested

0:58:20.320 --> 0:58:22.000
<v Speaker 2>in doing that, and so I think that that didn't

0:58:22.080 --> 0:58:25.120
<v Speaker 2>click as well, Like I would love to find someone

0:58:25.160 --> 0:58:26.840
<v Speaker 2>that I can just chat to about that sort of

0:58:26.880 --> 0:58:31.520
<v Speaker 2>stuff and like have good conversations with, and like, doesn't

0:58:31.520 --> 0:58:33.040
<v Speaker 2>I can just be myself with I say to my

0:58:33.080 --> 0:58:34.120
<v Speaker 2>family all the time, I was like, I just need

0:58:34.160 --> 0:58:36.280
<v Speaker 2>to find a guy that I could be so weird with,

0:58:36.560 --> 0:58:40.920
<v Speaker 2>Like I just want to be weird and stupid and silly,

0:58:41.200 --> 0:58:44.560
<v Speaker 2>and like that is what I'm looking for. And I

0:58:44.720 --> 0:58:48.080
<v Speaker 2>think that's people always think like, yeah, I'm weird, I

0:58:48.120 --> 0:58:49.480
<v Speaker 2>could be weird. They might take a bit of time

0:58:49.520 --> 0:58:52.720
<v Speaker 2>to open up. That's fine, but it hasn't always like clicked.

0:58:52.760 --> 0:58:54.680
<v Speaker 1>I haven't like clicked with them, So have you given

0:58:54.800 --> 0:58:56.320
<v Speaker 1>up on it for a while, I mean, is the

0:58:56.400 --> 0:58:57.160
<v Speaker 1>thing to work on.

0:58:57.280 --> 0:59:02.240
<v Speaker 2>Like, yeah, I've honestly just I've Yeah, I've just I'm

0:59:02.280 --> 0:59:04.480
<v Speaker 2>in a place where I am like I've deleted the apps,

0:59:04.560 --> 0:59:06.680
<v Speaker 2>like I'm just not on it. I'm not looking for it.

0:59:07.440 --> 0:59:10.600
<v Speaker 2>I've I do kind of think, well, if I'm going

0:59:10.640 --> 0:59:12.360
<v Speaker 2>to be on my own for the rest of my life,

0:59:12.520 --> 0:59:14.800
<v Speaker 2>like I'm better make it a good one, no doubt it. Like, well,

0:59:14.880 --> 0:59:17.160
<v Speaker 2>we'll see. I don't know, Like all my friends are

0:59:17.320 --> 0:59:22.040
<v Speaker 2>basically dating. I think I'm the last one. But I'm

0:59:22.080 --> 0:59:24.160
<v Speaker 2>also just like not looking for it, so like I'm

0:59:24.200 --> 0:59:28.480
<v Speaker 2>not necessarily hunting. That's right around. And I think if

0:59:28.520 --> 0:59:30.400
<v Speaker 2>I was more intentional about it, then like I would

0:59:30.440 --> 0:59:35.360
<v Speaker 2>make situations happen for myself, but I am actually not whenever,

0:59:35.520 --> 0:59:39.000
<v Speaker 2>And this is the obsessive thing as well, Like when

0:59:39.040 --> 0:59:41.120
<v Speaker 2>I have a crush on a guy, like I crush

0:59:41.360 --> 0:59:44.760
<v Speaker 2>so hard, like I get distracted, and I'm like, it's

0:59:44.800 --> 0:59:47.360
<v Speaker 2>actually better for everyone and me if I don't have

0:59:47.400 --> 0:59:48.720
<v Speaker 2>a crush or if I'm not talking to a guy,

0:59:48.760 --> 0:59:49.880
<v Speaker 2>because then I can focus on.

0:59:49.960 --> 0:59:52.400
<v Speaker 1>My work and just focus on That makes sense to

0:59:52.480 --> 0:59:54.560
<v Speaker 1>me after having spoken to you. Yeah, because I can't

0:59:54.600 --> 0:59:58.080
<v Speaker 1>imagine if you you're you're either in or all in

0:59:58.480 --> 1:00:00.400
<v Speaker 1>or not in at all, in which ca if you're

1:00:00.400 --> 1:00:03.200
<v Speaker 1>all in, especially somewhere, that it will distract you from

1:00:03.440 --> 1:00:07.240
<v Speaker 1>your main game. Literally now is your career? Is Millie

1:00:07.320 --> 1:00:10.240
<v Speaker 1>for the actress, Millie for the singer MILLI four? By

1:00:10.240 --> 1:00:11.280
<v Speaker 1>the way, you're going to do a podcast?

1:00:11.880 --> 1:00:12.120
<v Speaker 2>Yeah?

1:00:12.200 --> 1:00:14.440
<v Speaker 1>Have you got one coming up? So I do? Have

1:00:14.560 --> 1:00:16.040
<v Speaker 1>you actually named it? What's going on?

1:00:16.120 --> 1:00:16.800
<v Speaker 2>I have named it?

1:00:16.920 --> 1:00:17.720
<v Speaker 1>Can we talk about it?

1:00:17.800 --> 1:00:20.080
<v Speaker 2>Yeah, let's talk about it. I've only talked about it

1:00:20.080 --> 1:00:20.800
<v Speaker 2>to my family friends.

1:00:20.840 --> 1:00:22.560
<v Speaker 1>You can be first, please please please please?

1:00:22.560 --> 1:00:25.800
<v Speaker 2>Okay, So I again with the PA stuff. I was like,

1:00:25.840 --> 1:00:27.760
<v Speaker 2>guy's been doing a podcasting podcast. I was like, where

1:00:27.880 --> 1:00:28.520
<v Speaker 2>is this podcast?

1:00:28.640 --> 1:00:28.880
<v Speaker 1>Millie?

1:00:28.880 --> 1:00:33.080
<v Speaker 2>I'm like sorry, So I decided. So basically, the reason

1:00:33.160 --> 1:00:34.760
<v Speaker 2>it took me so long was because I was trying

1:00:34.800 --> 1:00:37.600
<v Speaker 2>to find the right co host for it, and then

1:00:37.680 --> 1:00:39.720
<v Speaker 2>I decided that I'm actually just going to do it

1:00:39.760 --> 1:00:43.080
<v Speaker 2>on my own. Yeah, and it means, like I think,

1:00:43.320 --> 1:00:44.760
<v Speaker 2>a few people when I told them, was like, oh,

1:00:44.840 --> 1:00:48.160
<v Speaker 2>you're just you talking for forty five minutes, I'm like, what, Like, well,

1:00:48.280 --> 1:00:51.920
<v Speaker 2>like that's hard, Like I do that any every day anyway,

1:00:52.760 --> 1:00:56.000
<v Speaker 2>I may as well record it. But no, beyond that,

1:00:56.240 --> 1:01:00.440
<v Speaker 2>I think my main thing is like my vailable abilities

1:01:00.480 --> 1:01:03.360
<v Speaker 2>have been so different to people's, and I don't want

1:01:03.360 --> 1:01:05.439
<v Speaker 2>any excuses like, oh, we can't do this time, can't

1:01:05.440 --> 1:01:06.600
<v Speaker 2>find the time. Like I want to be able to

1:01:06.640 --> 1:01:09.280
<v Speaker 2>record like instantly, like now, like I want to go

1:01:09.520 --> 1:01:12.920
<v Speaker 2>and record, and I think I have so many ideas

1:01:12.960 --> 1:01:15.760
<v Speaker 2>that I can come, come, bring to the table. But

1:01:16.000 --> 1:01:17.760
<v Speaker 2>basically it's going.

1:01:17.680 --> 1:01:20.280
<v Speaker 1>To be called miss the Memo, miss the Memo.

1:01:20.160 --> 1:01:23.400
<v Speaker 2>Missed the Memo. The reason that it's called miss the

1:01:23.440 --> 1:01:27.320
<v Speaker 2>Memo is because which sounds like a random name. But

1:01:28.240 --> 1:01:32.439
<v Speaker 2>first of all, I live my life in a way

1:01:32.560 --> 1:01:34.960
<v Speaker 2>that feels like I miss the memo along the way

1:01:35.120 --> 1:01:37.760
<v Speaker 2>that everybody else got yeah, I missed the memo, Like

1:01:37.840 --> 1:01:41.080
<v Speaker 2>how is everyone functioning like I'm not, I don't get it.

1:01:41.840 --> 1:01:43.800
<v Speaker 2>I think that's very relatable for a lot of people too,

1:01:43.960 --> 1:01:45.360
<v Speaker 2>like we've all kind of just like well, just like

1:01:45.760 --> 1:01:50.120
<v Speaker 2>getting through it. Also, the way the style of the

1:01:50.200 --> 1:01:54.320
<v Speaker 2>podcast is so I'm a classic for sending really long

1:01:54.440 --> 1:01:56.840
<v Speaker 2>voice memos to my friends, to the point where one

1:01:56.840 --> 1:01:59.320
<v Speaker 2>of my friends has like a two minute capacity on

1:01:59.360 --> 1:02:01.520
<v Speaker 2>my voice memo. She's like, you can't do more than

1:02:01.560 --> 1:02:04.439
<v Speaker 2>two minutes, so I'll like do like one fifty five

1:02:04.520 --> 1:02:06.200
<v Speaker 2>and then I'll send like another one for a minute

1:02:06.640 --> 1:02:07.960
<v Speaker 2>and she's like, I know what you're doing, and I

1:02:08.040 --> 1:02:09.720
<v Speaker 2>was like no, like I just had more to say.

1:02:10.240 --> 1:02:11.560
<v Speaker 2>So they'll be like, oh my god, you sent me

1:02:11.640 --> 1:02:14.080
<v Speaker 2>like a whole podcast episode, Millie, and then that's kind

1:02:14.080 --> 1:02:16.240
<v Speaker 2>of where it came from. I was like, oh my gosh, wait,

1:02:16.440 --> 1:02:19.000
<v Speaker 2>this actually does sound like a voice memo from me,

1:02:19.600 --> 1:02:22.640
<v Speaker 2>so it's very much that. And then also having my

1:02:23.160 --> 1:02:28.160
<v Speaker 2>listeners send in like anything, questions, whatever through voice memo

1:02:28.280 --> 1:02:31.560
<v Speaker 2>just makes sense. So I think it's just about the

1:02:31.640 --> 1:02:36.440
<v Speaker 2>fact that I'm just chaos as it is. I'm always chaos, Yeah, chaos.

1:02:36.560 --> 1:02:38.080
<v Speaker 2>I was thinking about something to do with that. There's

1:02:38.080 --> 1:02:41.400
<v Speaker 2>another podcast that has that in the nailough, But it's

1:02:41.520 --> 1:02:43.520
<v Speaker 2>just going to be so I will definitely have guests

1:02:43.560 --> 1:02:46.800
<v Speaker 2>on as well, but I do want it to be

1:02:47.040 --> 1:02:50.160
<v Speaker 2>a place where it's me just like talking about my life,

1:02:50.280 --> 1:02:52.520
<v Speaker 2>like honestly and what's going on. I've got so many

1:02:52.560 --> 1:02:56.240
<v Speaker 2>different things going on, but also like I'm not it's

1:02:56.240 --> 1:02:58.360
<v Speaker 2>a place to connect with my listeners as well, like

1:02:58.520 --> 1:03:00.600
<v Speaker 2>I'm not able to really do that on TikTok as

1:03:00.680 --> 1:03:03.920
<v Speaker 2>much because it's more the characters and the skits, and

1:03:03.960 --> 1:03:06.240
<v Speaker 2>then Instagram's also a bit different, so it's like, Okay,

1:03:06.320 --> 1:03:07.600
<v Speaker 2>this is a place that if you want to like

1:03:07.720 --> 1:03:12.600
<v Speaker 2>come and get updated, come and listen. And I'm actually

1:03:12.600 --> 1:03:15.240
<v Speaker 2>going to be recording at home, so I'm in the

1:03:15.280 --> 1:03:16.280
<v Speaker 2>middle of setting up.

1:03:16.520 --> 1:03:18.360
<v Speaker 1>A little studio, my studio area.

1:03:19.280 --> 1:03:21.440
<v Speaker 2>You're gonna have to edit it, well, this is this

1:03:21.560 --> 1:03:24.240
<v Speaker 2>is what I wanted the PA to do. Because I

1:03:24.400 --> 1:03:26.600
<v Speaker 2>was trying to edit. I did a draft and that

1:03:26.760 --> 1:03:29.040
<v Speaker 2>was where I was like, why do I sound so

1:03:29.440 --> 1:03:31.720
<v Speaker 2>like interviewe Like this is so gross? I was like,

1:03:31.800 --> 1:03:33.360
<v Speaker 2>that is not what I wanted to sound like. I

1:03:33.400 --> 1:03:35.360
<v Speaker 2>want it to sound like you're going on a walk

1:03:35.400 --> 1:03:37.800
<v Speaker 2>with your friend and you're listening to their voice member that.

1:03:37.800 --> 1:03:38.919
<v Speaker 1>You usual what a podcast about.

1:03:39.240 --> 1:03:41.840
<v Speaker 2>Literally, it shouldn't be like and it's not going to

1:03:41.880 --> 1:03:44.520
<v Speaker 2>be all like like one day hopefully it's more produced,

1:03:44.560 --> 1:03:46.400
<v Speaker 2>but it's not going to be all like what I

1:03:46.480 --> 1:03:51.360
<v Speaker 2>do best right is like lo fi, like very kind

1:03:51.400 --> 1:03:55.000
<v Speaker 2>of easy listening. Like, it's not going to be at

1:03:55.080 --> 1:03:59.640
<v Speaker 2>first the most expensive lavish like set up polish. Yeah,

1:04:00.040 --> 1:04:04.120
<v Speaker 2>it's just going to be me talking and chatting through.

1:04:04.160 --> 1:04:07.320
<v Speaker 2>I've got a few segment ideas and yeah, like I'm

1:04:07.360 --> 1:04:08.320
<v Speaker 2>excited when you're.

1:04:08.160 --> 1:04:10.560
<v Speaker 1>Looking at doing this, when are you looking at putting

1:04:10.600 --> 1:04:10.840
<v Speaker 1>it out?

1:04:11.160 --> 1:04:15.720
<v Speaker 2>So I would say within the next two weeks probably,

1:04:16.240 --> 1:04:17.760
<v Speaker 2>I'm a very last minute producer.

1:04:18.560 --> 1:04:19.960
<v Speaker 1>What the help I know?

1:04:20.160 --> 1:04:23.400
<v Speaker 2>And I know that sounds so crazy, which it is,

1:04:23.880 --> 1:04:28.400
<v Speaker 2>But basically I've got the area, Like what I do

1:04:28.560 --> 1:04:30.320
<v Speaker 2>this all the time. I like, I'm so low, just

1:04:30.400 --> 1:04:32.800
<v Speaker 2>do it. I literally just buy the mics on Amazon,

1:04:33.520 --> 1:04:36.440
<v Speaker 2>by the lights on Amazon, the video. The camera. That's

1:04:36.480 --> 1:04:38.040
<v Speaker 2>the one thing I need to work out because I've

1:04:38.080 --> 1:04:39.680
<v Speaker 2>got a camera already, but I just don't know the

1:04:39.760 --> 1:04:40.320
<v Speaker 2>battery space.

1:04:40.400 --> 1:04:43.880
<v Speaker 1>That's the boys, because we know that stuff.

1:04:44.240 --> 1:04:47.200
<v Speaker 2>I'm very like, Okay, I've got I've got energy. Let's

1:04:47.240 --> 1:04:49.400
<v Speaker 2>do it right now. And like it all comes together

1:04:49.600 --> 1:04:52.160
<v Speaker 2>like in like a day. It's crazy, Like that's just

1:04:52.200 --> 1:04:54.560
<v Speaker 2>how I work. I can just I just do it instantly.

1:04:54.760 --> 1:04:57.640
<v Speaker 1>Well, I'm actually happy to lend you the boys. Okay,

1:04:57.680 --> 1:05:02.800
<v Speaker 1>the first one amazing, just come they'll come over. We'll

1:05:02.800 --> 1:05:04.400
<v Speaker 1>give it to the footage out of a poet for us,

1:05:04.480 --> 1:05:05.920
<v Speaker 1>so we will throw up somewhere and I'll put on

1:05:05.960 --> 1:05:08.680
<v Speaker 1>my Instagram or something, and but will only the boys too.

1:05:08.720 --> 1:05:10.800
<v Speaker 1>But you can certainly get any consultation from because they've

1:05:10.800 --> 1:05:13.640
<v Speaker 1>helped we've helped up other people before podcasts, but on cameras,

1:05:13.800 --> 1:05:15.640
<v Speaker 1>lighting all that sort of stuff. Let them come and

1:05:15.720 --> 1:05:18.120
<v Speaker 1>check out it out. Just say you feel comfortable and

1:05:18.200 --> 1:05:19.560
<v Speaker 1>if you need them to help you, just talk to

1:05:19.600 --> 1:05:23.200
<v Speaker 1>them about it. But I'm serious because because I actually

1:05:23.240 --> 1:05:26.000
<v Speaker 1>think this is something I'd like to support in a

1:05:26.440 --> 1:05:29.880
<v Speaker 1>qualitative way. Just help me out a little bit. And

1:05:30.680 --> 1:05:32.880
<v Speaker 1>I'm not and that way I can get out of

1:05:32.880 --> 1:05:35.280
<v Speaker 1>because he keeps winding me up over here, keeps you stop,

1:05:35.320 --> 1:05:37.800
<v Speaker 1>stop stop, and Millie's going to go forever. But I

1:05:37.880 --> 1:05:40.560
<v Speaker 1>want to say MILLI no, I want to say, honestly,

1:05:40.680 --> 1:05:42.560
<v Speaker 1>thanks very much for coming on the show. Just straight

1:05:42.560 --> 1:05:47.160
<v Speaker 1>to it. And I got one I got I got

1:05:47.360 --> 1:05:49.560
<v Speaker 1>like one very small sentence for you just to close.

1:05:50.960 --> 1:05:54.200
<v Speaker 1>Never ever worry you have a gift. Just remember it.

1:05:54.280 --> 1:05:56.160
<v Speaker 1>You've got a gift and go with it.

1:05:56.200 --> 1:05:58.400
<v Speaker 2>Okay, thank you, and maybe you can come on my

1:05:58.480 --> 1:05:59.840
<v Speaker 2>podcast if.

1:05:59.760 --> 1:06:02.400
<v Speaker 1>You gonna come out, come on really forward. Thanks for Mark.

1:06:02.760 --> 1:06:04.000
<v Speaker 2>Oh, this has been awesome