1 00:00:00,200 --> 00:00:03,320 Speaker 1: Didi and with her with Kate Richie podcast Tell. 2 00:00:03,120 --> 00:00:06,000 Speaker 2: You What I'm Loving Dickie's Diary at the moment. We 3 00:00:06,160 --> 00:00:09,720 Speaker 2: spoke to Richard Wilkins about his interview with Prince and 4 00:00:09,760 --> 00:00:11,200 Speaker 2: now it is a bit of a disaster, but that 5 00:00:11,520 --> 00:00:14,280 Speaker 2: turned around and he had an hour chat with one 6 00:00:14,320 --> 00:00:17,079 Speaker 2: of the greatest artists of all time. Stra some of 7 00:00:17,160 --> 00:00:19,360 Speaker 2: these interviews that he's finding And obviously we need to 8 00:00:19,400 --> 00:00:21,480 Speaker 2: speak to Dicky about Tina Turner today as well, and 9 00:00:21,520 --> 00:00:23,920 Speaker 2: he joins us now welcome Richie. 10 00:00:23,520 --> 00:00:26,120 Speaker 1: Did you morning team, morning, morning morning. 11 00:00:26,840 --> 00:00:28,840 Speaker 2: A busy morning for you this morning with the passing 12 00:00:28,840 --> 00:00:29,720 Speaker 2: of Tina Turner. 13 00:00:30,240 --> 00:00:33,640 Speaker 3: Did you get to meet her, Dickie, No doubt I did. 14 00:00:33,720 --> 00:00:37,080 Speaker 1: I had the pleasure of interviewing several times over the years, 15 00:00:37,120 --> 00:00:40,760 Speaker 1: and when she performs at the Grand Final in Sydney 16 00:00:40,800 --> 00:00:43,120 Speaker 1: in nineteen ninety three, I had the honor of walking 17 00:00:43,120 --> 00:00:47,040 Speaker 1: out on stage and saying, ladies and gentlemen, Tina turn Us. 18 00:00:47,560 --> 00:00:51,360 Speaker 1: In fact, Ken Arthurson and John Quail and the late 19 00:00:51,400 --> 00:00:54,000 Speaker 1: Brian Walsh said to Mete, as soon as she's finished, 20 00:00:54,000 --> 00:00:55,560 Speaker 1: can you get out there and just ask her a 21 00:00:55,560 --> 00:00:57,480 Speaker 1: couple of questions And because we want to get some 22 00:00:57,480 --> 00:00:59,760 Speaker 1: more vision of her to keep her out there for 23 00:00:59,800 --> 00:01:02,600 Speaker 1: a of minutes. Yeah, I said, you need to check 24 00:01:02,640 --> 00:01:04,920 Speaker 1: with the manager, Roger Davies about that. I said, yeah, 25 00:01:05,160 --> 00:01:08,080 Speaker 1: no worries booking to Roger. Anyway, I came. I did 26 00:01:08,120 --> 00:01:09,600 Speaker 1: that and they said, great stuff, We've got all the 27 00:01:09,680 --> 00:01:12,480 Speaker 1: visions we want. Was terrific. Digging well then, and I said, 28 00:01:12,520 --> 00:01:15,200 Speaker 1: did you check with Roger about that? She wasn't you 29 00:01:15,240 --> 00:01:17,920 Speaker 1: know that friendly out there? I didn't think and they said, yeah, 30 00:01:17,920 --> 00:01:24,119 Speaker 1: we asked him. He said, no. Was she great behind 31 00:01:24,120 --> 00:01:27,119 Speaker 1: the scenes, Dickie, What was she like? She was lovely, 32 00:01:27,200 --> 00:01:30,880 Speaker 1: so professional, such a true artist. You know, she was 33 00:01:31,480 --> 00:01:35,399 Speaker 1: no bull she was. She'd come through tough times obviously 34 00:01:35,440 --> 00:01:38,280 Speaker 1: in those early days. The domestic violence was something she 35 00:01:38,319 --> 00:01:41,560 Speaker 1: grew up with. The mum disappeared, her dad brown off. 36 00:01:41,840 --> 00:01:44,080 Speaker 1: She grew up with the big family. She really did 37 00:01:44,160 --> 00:01:47,240 Speaker 1: pick cotton down the south there and Brownsville, Tennessee, and 38 00:01:47,360 --> 00:01:50,440 Speaker 1: Nutbush and all that, and then came through found fame 39 00:01:50,480 --> 00:01:54,559 Speaker 1: with her abusive husband, Ike, who renamed her Tina because 40 00:01:54,560 --> 00:01:57,520 Speaker 1: of course she was born animate bullock. But yeah, so 41 00:01:57,560 --> 00:02:01,200 Speaker 1: she found fame and then it all went sower. She 42 00:02:01,360 --> 00:02:03,800 Speaker 1: ran off in the middle of the night with thirty 43 00:02:03,840 --> 00:02:06,720 Speaker 1: cents in the pocket and pleaded for a motel room 44 00:02:06,760 --> 00:02:10,760 Speaker 1: for the night and then started to rebuild her life 45 00:02:10,760 --> 00:02:12,920 Speaker 1: and career and it was really the comeback for the 46 00:02:12,960 --> 00:02:17,280 Speaker 1: ages in her forties when Australian Roger Davies the above 47 00:02:17,360 --> 00:02:22,280 Speaker 1: mentioned started managing her and founder a song called What's 48 00:02:22,360 --> 00:02:25,280 Speaker 1: Love Got to Do with It? And put together the 49 00:02:25,320 --> 00:02:30,520 Speaker 1: Private Dancer album and hence her close relationship with Australia 50 00:02:30,600 --> 00:02:36,239 Speaker 1: not only the rugby league but the mad Max Beyond Thunderdone. Yeah, 51 00:02:37,600 --> 00:02:40,000 Speaker 1: what a great girl. Why did she end up living 52 00:02:40,360 --> 00:02:41,000 Speaker 1: where she did? 53 00:02:41,080 --> 00:02:42,680 Speaker 2: Was it Switzerland? And urch? 54 00:02:43,200 --> 00:02:46,280 Speaker 1: Was? She met a book called Irwin Dark who she's 55 00:02:46,280 --> 00:02:49,280 Speaker 1: still married to. He's about thirty years younger than from memory. 56 00:02:50,160 --> 00:02:53,680 Speaker 1: He was a young German record company guy in the 57 00:02:53,720 --> 00:02:56,320 Speaker 1: early days when she was putting it all back together, 58 00:02:56,400 --> 00:03:02,200 Speaker 1: and he persisted and eventually won her charms and they 59 00:03:02,280 --> 00:03:05,359 Speaker 1: got married and I don't think she's ever been happier. 60 00:03:05,440 --> 00:03:09,480 Speaker 1: He famously gave her one of his kidneys a few 61 00:03:09,520 --> 00:03:13,359 Speaker 1: years back when she needed it transplant right, and they 62 00:03:13,400 --> 00:03:17,880 Speaker 1: lived at Lake Zurich. Pretty fancy pad. I believe in 63 00:03:17,919 --> 00:03:21,720 Speaker 1: Switzerland she renounced her American citizenship and she had to 64 00:03:21,720 --> 00:03:25,760 Speaker 1: to become a Swiss citizen, and that's where she lived 65 00:03:25,760 --> 00:03:28,640 Speaker 1: in recent times, battling illness, and presumably that's where she 66 00:03:29,440 --> 00:03:30,959 Speaker 1: passed away. 67 00:03:31,360 --> 00:03:33,799 Speaker 2: Where we know that you're busy this morning. Have we 68 00:03:33,840 --> 00:03:35,200 Speaker 2: got a bit of time to talk to you about 69 00:03:35,200 --> 00:03:36,840 Speaker 2: Madonna or do you have to get going? Dickie? What 70 00:03:36,880 --> 00:03:37,320 Speaker 2: are you doing? 71 00:03:38,480 --> 00:03:41,240 Speaker 1: I'm doing a fit bit of stuff today. Boys, how 72 00:03:41,240 --> 00:03:42,560 Speaker 1: long you've got? How well got well? 73 00:03:42,600 --> 00:03:44,480 Speaker 2: Okay, I just want to talk because we spoke about 74 00:03:44,560 --> 00:03:48,080 Speaker 2: Prince and how prickly that that interview was with Prince, 75 00:03:48,200 --> 00:03:51,680 Speaker 2: But then you sat down with Madonna. This is Dickie's diaries. 76 00:03:51,720 --> 00:03:54,240 Speaker 2: Now you can go find this each week on nine Honey. 77 00:03:54,280 --> 00:03:58,200 Speaker 2: It's unbelievable. But when you start an interview with Madonna 78 00:03:58,320 --> 00:04:00,120 Speaker 2: and it sounds like this, Dicky, I think you're in 79 00:04:00,160 --> 00:04:06,120 Speaker 2: a bit of trouble. You feel the pressures be specific, 80 00:04:06,240 --> 00:04:09,400 Speaker 2: there's the pressure of what so she's not into it? 81 00:04:09,520 --> 00:04:09,800 Speaker 1: Dicky? 82 00:04:09,920 --> 00:04:13,200 Speaker 2: Can you tell everyone things started down a bit sideways 83 00:04:13,600 --> 00:04:16,040 Speaker 2: when you realize that there was a bottle of tequila 84 00:04:16,120 --> 00:04:16,920 Speaker 2: in front of you. 85 00:04:17,400 --> 00:04:20,440 Speaker 1: Well, Madonna, I've really did Madonna many times, and you know, 86 00:04:20,480 --> 00:04:22,240 Speaker 1: I think i'd get on the right with her. But 87 00:04:22,320 --> 00:04:24,919 Speaker 1: she treats an interview as sort of sport, you know. 88 00:04:25,000 --> 00:04:27,680 Speaker 1: And that was in New York. Rived in New York City, 89 00:04:27,760 --> 00:04:29,440 Speaker 1: got off the plane. I was going to see Fleetwood 90 00:04:29,440 --> 00:04:32,279 Speaker 1: Mac that night too. We digressed, but anyway, it was 91 00:04:32,279 --> 00:04:35,000 Speaker 1: just some big art gallery up on somewhere in New York. 92 00:04:35,279 --> 00:04:38,240 Speaker 1: And back in the days before Zoom and the pandemic, 93 00:04:38,200 --> 00:04:39,560 Speaker 1: he used to jump on a plane and go and 94 00:04:39,600 --> 00:04:40,080 Speaker 1: talk to her. 95 00:04:40,720 --> 00:04:41,680 Speaker 2: I remember those days. 96 00:04:41,760 --> 00:04:47,400 Speaker 1: Yeah, good days. Anyway, she treats it as sport. And 97 00:04:47,480 --> 00:04:50,159 Speaker 1: she did I think four interview interviews for the world, 98 00:04:50,240 --> 00:04:53,560 Speaker 1: probably me in the American Pom and somebody else I 99 00:04:53,560 --> 00:04:56,000 Speaker 1: don't know. And anyway, she had a bottle of tequila 100 00:04:56,040 --> 00:04:58,280 Speaker 1: there and she said, all right, if you ask a 101 00:04:58,320 --> 00:05:00,960 Speaker 1: really good question, I'll have a drink. And if you 102 00:05:01,240 --> 00:05:03,520 Speaker 1: and if you asked a really stupid question that you 103 00:05:03,560 --> 00:05:08,000 Speaker 1: haven't drink judge. So she I asked her a few 104 00:05:08,080 --> 00:05:09,960 Speaker 1: questions and she's, you know, she's having a bit of 105 00:05:09,960 --> 00:05:12,760 Speaker 1: fun something and she she swore or something. I said, 106 00:05:12,920 --> 00:05:14,800 Speaker 1: come on, you need to have a drink now, and 107 00:05:14,880 --> 00:05:17,480 Speaker 1: she said, no, I make up the rules. Don't argue 108 00:05:17,480 --> 00:05:20,200 Speaker 1: with me. And then she's Then I said something, you know, 109 00:05:20,240 --> 00:05:23,159 Speaker 1: with this album changing things around, she said, Oh, here 110 00:05:23,200 --> 00:05:25,840 Speaker 1: we go the reinvention question. Drink up. 111 00:05:27,400 --> 00:05:30,720 Speaker 2: Here is the audio. This is where she hates that question. 112 00:05:30,880 --> 00:05:32,679 Speaker 2: Dickie asked he and this was her reaction. 113 00:05:35,040 --> 00:05:40,600 Speaker 1: Oh, come on, real invention question of the real mention. 114 00:05:41,000 --> 00:05:42,520 Speaker 2: I always answer the same way. 115 00:05:42,600 --> 00:05:46,159 Speaker 1: I don't care. I'm not calculating anything like it wasn't 116 00:05:46,160 --> 00:05:46,760 Speaker 1: a bottle of gin? 117 00:05:46,920 --> 00:05:49,280 Speaker 2: How How did you have a few, Dickie? I mean, 118 00:05:49,440 --> 00:05:51,040 Speaker 2: do you know what? There was a smile on her 119 00:05:51,040 --> 00:05:53,120 Speaker 2: face though you guys had a good bond by the 120 00:05:53,120 --> 00:05:53,719 Speaker 2: looks of it. 121 00:05:54,240 --> 00:05:57,360 Speaker 1: Yeah, she's she's she's great. I've spoken to her so 122 00:05:57,400 --> 00:06:00,719 Speaker 1: many times. She's just she's just fine. She's What do 123 00:06:00,720 --> 00:06:02,520 Speaker 1: you want, Dicky? 124 00:06:02,600 --> 00:06:03,400 Speaker 2: We know you busy. 125 00:06:03,520 --> 00:06:05,400 Speaker 1: I mean, I've got a couple of questions about Cyndy 126 00:06:05,440 --> 00:06:07,440 Speaker 1: Lauper if we could okay, look, I got to go. 127 00:06:09,240 --> 00:06:15,760 Speaker 3: Good on youg thanks for your time, mate, of horrific 128 00:06:15,960 --> 00:06:18,200 Speaker 3: stuff in there as well, but we could not pay 129 00:06:18,320 --> 00:06:23,240 Speaker 3: on here Love You? 130 00:06:23,240 --> 00:06:26,919 Speaker 1: What about Elma? Person And with Kate Richie is a 131 00:06:26,960 --> 00:06:30,120 Speaker 1: Nova podcast. For more great comedy shows like this, head 132 00:06:30,120 --> 00:06:32,280 Speaker 1: to Nova podcast dot com. Jd Are You