1 00:00:00,240 --> 00:00:03,720 Speaker 1: This is the Fitting In with Kate Richie podcast. 2 00:00:03,400 --> 00:00:06,360 Speaker 2: Oh We Love This Man. Callum Hood's debut solo album, 3 00:00:06,480 --> 00:00:10,200 Speaker 2: Order Chaos Order is out tomorrow. Also an intimate performance 4 00:00:10,320 --> 00:00:12,879 Speaker 2: just for our Nova listeners last night in Nova's Red Room. 5 00:00:13,080 --> 00:00:13,680 Speaker 1: Calum Hood. 6 00:00:13,720 --> 00:00:18,360 Speaker 3: Welcome, Welcome home, mate, Thank you good to be home. 7 00:00:19,440 --> 00:00:21,720 Speaker 1: It feels good. It feels good to be here. It 8 00:00:21,760 --> 00:00:23,520 Speaker 1: does yeah. Staying with mum and dad? 9 00:00:24,480 --> 00:00:27,000 Speaker 4: No not honestly, last time I was staying with mum, 10 00:00:27,040 --> 00:00:29,680 Speaker 4: but this time no, I'm I'm leaving the nest? 11 00:00:29,880 --> 00:00:31,040 Speaker 3: Or did that cause trouble? 12 00:00:31,200 --> 00:00:33,400 Speaker 1: What do you mean you don't want to stay darling? 13 00:00:33,760 --> 00:00:36,199 Speaker 1: I think she wanted to say that, but she was like, no, 14 00:00:36,680 --> 00:00:38,040 Speaker 1: do you think Do you think. 15 00:00:38,479 --> 00:00:40,640 Speaker 5: You've got to be careful doing stuff like that, because 16 00:00:40,680 --> 00:00:44,120 Speaker 5: next time you do come home from Los Angeles, your 17 00:00:44,120 --> 00:00:46,159 Speaker 5: bedroom is going to be a sewing room and there 18 00:00:46,200 --> 00:00:47,199 Speaker 5: will be no remorse. 19 00:00:47,360 --> 00:00:49,640 Speaker 1: There will be no spare key under the mats. 20 00:00:51,440 --> 00:00:53,720 Speaker 2: For a Quakers heel boy? What is it like in 21 00:00:53,840 --> 00:00:56,120 Speaker 2: La Like? Is it like for anyone who hasn't been 22 00:00:56,160 --> 00:00:56,640 Speaker 2: there before? 23 00:00:56,680 --> 00:00:57,160 Speaker 1: It is it? 24 00:00:57,160 --> 00:00:59,400 Speaker 2: It's a well I find it. We've been there a 25 00:00:59,440 --> 00:01:02,440 Speaker 2: few times work, but it is wild at the moment. 26 00:01:02,480 --> 00:01:04,640 Speaker 2: There are moments where you go, oh my gosh, this 27 00:01:04,760 --> 00:01:07,200 Speaker 2: is so totally different from what we grew up in. 28 00:01:08,160 --> 00:01:10,440 Speaker 4: Well, I'm from Mount Jewett, so I don't really know 29 00:01:10,560 --> 00:01:15,480 Speaker 4: too much about quakes here, the mountain, the mountainous Peak, 30 00:01:15,680 --> 00:01:19,199 Speaker 4: you can see it from the from the studio here. Yeah, 31 00:01:19,240 --> 00:01:21,399 Speaker 4: I mean it's it's we've come a long way. So 32 00:01:22,160 --> 00:01:25,039 Speaker 4: it's just nice to kind of have that perspective. 33 00:01:25,120 --> 00:01:26,840 Speaker 1: I guess from from where we're from. 34 00:01:26,640 --> 00:01:29,080 Speaker 3: And when where you live over there are the other 35 00:01:29,120 --> 00:01:31,480 Speaker 3: guys near you, the other five Sauce band members. 36 00:01:31,880 --> 00:01:33,520 Speaker 1: Yeah, we're all kind of like twenty minutes away from 37 00:01:33,560 --> 00:01:37,720 Speaker 1: each al. Yeah, great, you're all tight. Yeah, I love that. 38 00:01:37,880 --> 00:01:40,160 Speaker 1: I think so it's a great story. 39 00:01:40,760 --> 00:01:43,600 Speaker 4: No, yeah, it's honestly, yeah, we're probably better than ever, 40 00:01:44,040 --> 00:01:44,720 Speaker 4: so I love that. 41 00:01:44,760 --> 00:01:45,319 Speaker 1: It was pretty good. 42 00:01:45,319 --> 00:01:46,360 Speaker 3: The group chats on fire. 43 00:01:46,440 --> 00:01:47,520 Speaker 1: Can I ask you callum? 44 00:01:47,560 --> 00:01:50,440 Speaker 2: When you when you have these songs you know in 45 00:01:50,520 --> 00:01:53,680 Speaker 2: your mind and you're putting them together, do you present 46 00:01:53,720 --> 00:01:56,680 Speaker 2: them to five sous or was this something very personal 47 00:01:56,840 --> 00:01:58,600 Speaker 2: for you that you wanted to bring out solo. 48 00:02:00,240 --> 00:02:03,360 Speaker 4: Yeah. The solo record was just kind of like separated 49 00:02:03,400 --> 00:02:07,720 Speaker 4: from from that world. I sent them all the album 50 00:02:07,880 --> 00:02:12,160 Speaker 4: kind of when everything was finished, just because I respect 51 00:02:12,280 --> 00:02:16,600 Speaker 4: their opinion, probably more so musically than anyone else. So 52 00:02:16,800 --> 00:02:20,240 Speaker 4: I wanted to send them like the finished product essentially. 53 00:02:20,760 --> 00:02:23,880 Speaker 5: Were you nervous that it would create an issue? Because 54 00:02:23,919 --> 00:02:25,960 Speaker 5: I always think that when you know, people start off 55 00:02:25,960 --> 00:02:28,760 Speaker 5: in a band, in a group and then they go solo, 56 00:02:28,800 --> 00:02:32,360 Speaker 5: it's almost like you know someone in a marriage saying yeah, 57 00:02:32,360 --> 00:02:34,600 Speaker 5: I want to I want to sleep with someone else? 58 00:02:34,680 --> 00:02:35,640 Speaker 1: How do you feel about that? 59 00:02:35,840 --> 00:02:39,480 Speaker 5: And I just wonder how they took it and if 60 00:02:39,480 --> 00:02:41,399 Speaker 5: it was a difficult conversation to have. 61 00:02:42,200 --> 00:02:45,520 Speaker 4: Yeah, I mean, I think we thrive off of proving 62 00:02:46,280 --> 00:02:48,959 Speaker 4: like the stigma wrong. So I mean, I'm the last 63 00:02:49,000 --> 00:02:50,920 Speaker 4: one to release a solo record, so everyone has a 64 00:02:50,919 --> 00:02:54,680 Speaker 4: solo record. Ash was the first one in twenty twenty. 65 00:02:54,760 --> 00:02:58,880 Speaker 4: So I think for a band like us, it's actually 66 00:02:58,919 --> 00:03:01,560 Speaker 4: necessary to be able to do these types of things 67 00:03:01,639 --> 00:03:03,240 Speaker 4: rather than you know, the other way around. 68 00:03:03,639 --> 00:03:06,359 Speaker 3: Some great relationships, and I reckon it would be extremely 69 00:03:07,800 --> 00:03:11,919 Speaker 3: cathartic to go through the process of writing your own music. 70 00:03:12,200 --> 00:03:14,000 Speaker 1: Yeah, without everybody in the room. 71 00:03:13,840 --> 00:03:15,639 Speaker 4: One hundred percent now and I've learned a lot, and 72 00:03:16,120 --> 00:03:19,760 Speaker 4: you know, having the absence without the boys has made 73 00:03:19,760 --> 00:03:24,960 Speaker 4: me really appreciate what the band is. And you know, 74 00:03:25,040 --> 00:03:28,160 Speaker 4: the friends that I've made within my bear mates, So 75 00:03:28,600 --> 00:03:31,040 Speaker 4: it feels good to have that, you know context. 76 00:03:31,120 --> 00:03:34,520 Speaker 2: I guess yeah, any any country flavor on order, k. 77 00:03:36,120 --> 00:03:37,640 Speaker 1: Anything with a country flavor. 78 00:03:38,600 --> 00:03:40,960 Speaker 2: Now, Christy, Christy, you don't know about this, but Callum 79 00:03:41,000 --> 00:03:44,520 Speaker 2: and Mikey, this is years and years ago. We asked them, 80 00:03:44,640 --> 00:03:46,560 Speaker 2: is there any chance that we can stitch up Ray 81 00:03:46,600 --> 00:03:50,440 Speaker 2: Hadley down at two GB. Ray we all know loves 82 00:03:50,520 --> 00:03:54,960 Speaker 2: his country in Western music, just like he's He's m Seed, 83 00:03:55,520 --> 00:03:58,760 Speaker 2: you know, the Tamworth, all the big shows. And so 84 00:03:58,800 --> 00:04:01,480 Speaker 2: the boys went down and we set up an interview 85 00:04:01,520 --> 00:04:04,440 Speaker 2: with Ray and all he knew that these two young 86 00:04:04,600 --> 00:04:06,440 Speaker 2: kids that are coming through they were known as the 87 00:04:06,480 --> 00:04:09,520 Speaker 2: Summer Brothers and they were here to perform a song. 88 00:04:09,680 --> 00:04:12,880 Speaker 2: Ray hadn't heard much about them. There wasn't much on 89 00:04:13,000 --> 00:04:16,480 Speaker 2: Google about them. And the boys went in and they 90 00:04:16,720 --> 00:04:19,279 Speaker 2: put a country spin on one of their classic hits 91 00:04:19,279 --> 00:04:21,640 Speaker 2: and it sounded like this, just thinking. 92 00:04:22,839 --> 00:04:29,600 Speaker 4: With the plane ticket and a shiny you run. 93 00:04:29,320 --> 00:04:37,080 Speaker 1: Away Too Long? I love it so perfect, Stan and 94 00:04:37,240 --> 00:04:54,200 Speaker 1: there so in lips sixteen, that's great. 95 00:04:56,240 --> 00:04:59,600 Speaker 5: I mean, country is totally mainstream now you shouldn't release it. 96 00:05:00,200 --> 00:05:02,279 Speaker 3: What was what we were saying off before Christy was 97 00:05:02,320 --> 00:05:06,279 Speaker 3: it was just that version became such so popular with 98 00:05:06,320 --> 00:05:09,200 Speaker 3: the fan base of Five Saus. They're very quickly went 99 00:05:09,440 --> 00:05:12,560 Speaker 3: can you please release that? Can you give us that version? 100 00:05:12,720 --> 00:05:15,680 Speaker 4: We actually created a whole because we did the Five 101 00:05:15,680 --> 00:05:18,960 Speaker 4: Seconds of Summer Show to celebrate ten years of Five Sus. 102 00:05:18,960 --> 00:05:21,680 Speaker 4: This is nearly five years ago now, but me and 103 00:05:21,720 --> 00:05:24,839 Speaker 4: Michael we like expanded on the Summer Brothers. 104 00:05:24,839 --> 00:05:26,560 Speaker 1: We actually have more songs now. 105 00:05:27,560 --> 00:05:33,880 Speaker 3: The Summer Brothers Man Tommy, we got a Red Route Brothers. 106 00:05:34,960 --> 00:05:36,839 Speaker 3: I mean, I know you've just performed last night. 107 00:05:36,680 --> 00:05:39,080 Speaker 1: But well I'll have a word. 108 00:05:39,480 --> 00:05:42,680 Speaker 2: You know what it was It took me on a 109 00:05:42,760 --> 00:05:46,520 Speaker 2: country album to finally win a Grammy for Best Album. 110 00:05:46,720 --> 00:05:49,839 Speaker 2: So this this could be your opportunity for Best Album 111 00:05:49,920 --> 00:05:53,240 Speaker 2: at the A're yeah, Callen. 112 00:05:53,320 --> 00:05:56,279 Speaker 5: Can I ask you about songwriting? I just I'm so 113 00:05:56,400 --> 00:06:00,880 Speaker 5: fascinated by it and the things that happening, you know, 114 00:06:00,960 --> 00:06:03,560 Speaker 5: the writer's life sort of inspire a song. And we 115 00:06:03,640 --> 00:06:06,919 Speaker 5: just listened to Miley Cyrus actually before we you know, 116 00:06:07,160 --> 00:06:09,920 Speaker 5: started talking to you, and her song End of the World, 117 00:06:09,920 --> 00:06:13,560 Speaker 5: which everybody loves. It sounds very dramatic, but she's revealed 118 00:06:13,600 --> 00:06:17,279 Speaker 5: that it actually, you know, the kernel that started it 119 00:06:17,440 --> 00:06:21,200 Speaker 5: was the fact that her mother Tish went on a 120 00:06:21,200 --> 00:06:24,520 Speaker 5: holiday without it, and it made it feel like the 121 00:06:24,600 --> 00:06:26,120 Speaker 5: end of the warl it was the end of the world, 122 00:06:26,200 --> 00:06:29,320 Speaker 5: which was which exactly? And I'm just wondering, do you 123 00:06:29,360 --> 00:06:32,880 Speaker 5: have any songs or you know that ended up being 124 00:06:33,360 --> 00:06:37,479 Speaker 5: something that feels a lot bigger and more meaningful than 125 00:06:38,279 --> 00:06:39,960 Speaker 5: the story that started it. 126 00:06:40,920 --> 00:06:42,920 Speaker 1: Yeah, I'm not sure. 127 00:06:43,000 --> 00:06:45,800 Speaker 4: I think like a lot of the songs are kind 128 00:06:45,800 --> 00:06:47,719 Speaker 4: of based off of my whole life. 129 00:06:47,760 --> 00:06:49,600 Speaker 1: So there's things that I talk about that are, you. 130 00:06:49,560 --> 00:06:53,200 Speaker 4: Know, very heavily rooted in my childhood and within my 131 00:06:53,240 --> 00:06:55,839 Speaker 4: family dynamics. And then there's things about, you know, my 132 00:06:55,960 --> 00:06:57,720 Speaker 4: first breakup or my first love. 133 00:06:57,800 --> 00:06:59,960 Speaker 1: So it's like they're kind of little vigna. 134 00:07:00,080 --> 00:07:03,960 Speaker 4: It's of all the things that I find really meaningful 135 00:07:04,040 --> 00:07:06,040 Speaker 4: in terms of shaping who I am. 136 00:07:06,920 --> 00:07:08,800 Speaker 3: So don't forget you loved me. It was actually written 137 00:07:08,800 --> 00:07:13,560 Speaker 3: by your mum, wasn't it. 138 00:07:13,560 --> 00:07:16,120 Speaker 1: It was written about you when she went away when 139 00:07:16,160 --> 00:07:17,040 Speaker 1: you're in great Ye. 140 00:07:17,680 --> 00:07:20,480 Speaker 2: Well, your other song, call Me When You Know Better 141 00:07:20,640 --> 00:07:22,400 Speaker 2: was a song that you made the Telstra I think 142 00:07:25,920 --> 00:07:28,480 Speaker 2: made We do love you, you know we do here 143 00:07:28,560 --> 00:07:31,480 Speaker 2: and the new album is ordered Chaos or It's out tomorrow. 144 00:07:31,560 --> 00:07:31,760 Speaker 1: Mate. 145 00:07:31,800 --> 00:07:33,800 Speaker 2: Thanks so much for the Red Room. We had such 146 00:07:33,840 --> 00:07:37,080 Speaker 2: a great response last night from it. It was an 147 00:07:37,120 --> 00:07:39,320 Speaker 2: intimate performance and that's what we love about the Red Room. 148 00:07:39,360 --> 00:07:40,880 Speaker 2: So calum mate. It's so good to have you back 149 00:07:40,920 --> 00:07:43,240 Speaker 2: in the studio. Brother, thank thanks for coming in. 150 00:07:43,440 --> 00:07:45,280 Speaker 1: I appreciate you guys. Haven't we good to see you? Mate? 151 00:07:45,320 --> 00:07:45,520 Speaker 5: Thank you. 152 00:07:45,640 --> 00:07:48,480 Speaker 3: Sits in Whipper with Kate Ritchie is a Nova podcast 153 00:07:48,920 --> 00:07:52,160 Speaker 3: great shows like this. Download the Nova Player by the 154 00:07:52,160 --> 00:07:53,760 Speaker 3: App Store or Google Playing.