1 00:00:00,240 --> 00:00:03,160 Speaker 1: This is the Fits In with Kate Richie podcast. 2 00:00:03,400 --> 00:00:06,120 Speaker 2: Well, we absolutely ado all this means I'm really looking 3 00:00:06,160 --> 00:00:08,520 Speaker 2: forward to this. This is a huge tour. Will legitimate 4 00:00:08,640 --> 00:00:12,200 Speaker 2: are available at comedy dot com dot au. He is 5 00:00:12,320 --> 00:00:15,960 Speaker 2: hitting the road, he's popped up and he's in the studio. Well, 6 00:00:16,920 --> 00:00:17,279 Speaker 2: thank you. 7 00:00:18,079 --> 00:00:21,760 Speaker 1: It's true, the biggest one. It's very easy to say 8 00:00:21,760 --> 00:00:24,480 Speaker 1: that when you haven't started right. It's a good promise 9 00:00:24,560 --> 00:00:26,239 Speaker 1: to be able to make at the start of the tour. 10 00:00:26,280 --> 00:00:27,600 Speaker 1: I mean, it can all go pair of shape. 11 00:00:27,840 --> 00:00:30,120 Speaker 3: It might not happen right. But mean the amount of 12 00:00:30,200 --> 00:00:32,400 Speaker 3: seats in the arena or does it mean the amount 13 00:00:32,440 --> 00:00:33,279 Speaker 3: of places you go? 14 00:00:33,440 --> 00:00:34,120 Speaker 1: I mean anything? 15 00:00:34,520 --> 00:00:36,239 Speaker 4: How many? I mean? 16 00:00:36,280 --> 00:00:38,280 Speaker 1: I mean I can watch that Tom Hanks movie before 17 00:00:38,320 --> 00:00:40,479 Speaker 1: we go whatevery night that might do. I don't know, 18 00:00:40,920 --> 00:00:42,920 Speaker 1: listen to some Biggie smalls. I don't know what it 19 00:00:42,960 --> 00:00:46,879 Speaker 1: means and means I'll be at my top weight. I 20 00:00:46,880 --> 00:00:48,280 Speaker 1: don't know what it means. 21 00:00:48,000 --> 00:00:50,440 Speaker 2: With are you going out of the country? Will? 22 00:00:50,560 --> 00:00:54,600 Speaker 1: Yeah, the idea is actually fits that so basically like 23 00:00:54,680 --> 00:00:56,680 Speaker 1: because obviously there was some stuff that went on that 24 00:00:56,760 --> 00:00:58,880 Speaker 1: meant it was very hard to tour, but also I 25 00:00:58,960 --> 00:01:00,960 Speaker 1: have a lot of other jobs, and that just means 26 00:01:00,960 --> 00:01:03,240 Speaker 1: it's really hard to put in place like and so 27 00:01:03,560 --> 00:01:05,679 Speaker 1: a year will go by and I never got to 28 00:01:05,760 --> 00:01:08,120 Speaker 1: anywhere that people that I was going to get to. 29 00:01:08,560 --> 00:01:10,679 Speaker 1: And so what I've decided to do this is a 30 00:01:10,760 --> 00:01:13,920 Speaker 1: very sensible thing. I'm going to do a tour over 31 00:01:14,000 --> 00:01:17,440 Speaker 1: two years instead of one new show every single year. 32 00:01:17,680 --> 00:01:22,560 Speaker 1: So basically I'm doing Australia and then next year I'm 33 00:01:22,600 --> 00:01:23,880 Speaker 1: going to take the show international. 34 00:01:24,400 --> 00:01:27,440 Speaker 2: Are you at the rolling stone stage of your life now, Will, 35 00:01:27,480 --> 00:01:30,399 Speaker 2: where you just you know, only weekends you perform, you 36 00:01:30,520 --> 00:01:33,040 Speaker 2: perform between every two weeks and you have a bit 37 00:01:33,080 --> 00:01:35,080 Speaker 2: of time off in between that start. 38 00:01:34,880 --> 00:01:39,560 Speaker 1: Having children, just randomly rolling our kids this age of 39 00:01:39,600 --> 00:01:40,080 Speaker 1: the life. 40 00:01:40,200 --> 00:01:43,080 Speaker 3: If you've done many sort of country gigs where maybe 41 00:01:43,120 --> 00:01:45,839 Speaker 3: people aren't as familiar with your work, you mean. 42 00:01:45,840 --> 00:01:50,080 Speaker 1: Different countries or just country Australia. Part of Australia thinks 43 00:01:50,200 --> 00:01:53,840 Speaker 1: not familiar with my work public over the last twenty 44 00:01:53,880 --> 00:01:57,000 Speaker 1: five years, you can't have missed me. The main feedback 45 00:01:57,040 --> 00:01:58,760 Speaker 1: I get is there's a little too much of me 46 00:01:59,400 --> 00:02:01,040 Speaker 1: that they don't know who I am all. 47 00:02:01,080 --> 00:02:03,920 Speaker 3: If you had people that go bloody Will and Anderson 48 00:02:04,080 --> 00:02:05,520 Speaker 3: wasn't a year last year. 49 00:02:06,160 --> 00:02:08,440 Speaker 4: These country folks that are trying to wash the dust 50 00:02:08,440 --> 00:02:09,639 Speaker 4: down the back of the throat. 51 00:02:09,800 --> 00:02:12,679 Speaker 3: I don't know about that, bloody Will Anderson black Mane. 52 00:02:12,720 --> 00:02:16,480 Speaker 1: I am country. I don't know what you're like that 53 00:02:16,520 --> 00:02:18,359 Speaker 1: you can even do that voice in front of me, 54 00:02:18,440 --> 00:02:21,760 Speaker 1: because that's classes what you did. Come on, yeah, straight 55 00:02:21,760 --> 00:02:25,600 Speaker 1: off and Dennison two hundred and fifty people dairy farm 56 00:02:25,919 --> 00:02:27,280 Speaker 1: into the studio. 57 00:02:27,160 --> 00:02:28,120 Speaker 5: Have you? 58 00:02:28,480 --> 00:02:28,720 Speaker 2: Yeah? 59 00:02:28,919 --> 00:02:31,800 Speaker 1: Have you do that in front of me? That is 60 00:02:32,240 --> 00:02:35,359 Speaker 1: pig farmer, Anderson's pigs mate cow. 61 00:02:36,800 --> 00:02:40,680 Speaker 2: I tried and uts as well. Will. That's the ute master, 62 00:02:40,840 --> 00:02:41,320 Speaker 2: isn't it. 63 00:02:42,800 --> 00:02:43,040 Speaker 5: Tim? 64 00:02:43,560 --> 00:02:45,760 Speaker 1: Oh? Yeah? I mean like the old country areas are 65 00:02:45,760 --> 00:02:49,120 Speaker 1: the same to you. Guys can't go to the city 66 00:02:49,440 --> 00:02:51,320 Speaker 1: and you're just like, oh, pigs are. 67 00:02:51,280 --> 00:02:58,280 Speaker 5: Cow, pigs, sheeper goats, tam Worth the same place as Dennison. 68 00:02:59,360 --> 00:03:02,360 Speaker 5: As long as out of the city, Well do you go. 69 00:03:02,520 --> 00:03:03,560 Speaker 2: Back there for you tour? 70 00:03:03,639 --> 00:03:05,280 Speaker 3: Do you always make sure you get back to the 71 00:03:05,320 --> 00:03:05,880 Speaker 3: home down? 72 00:03:06,120 --> 00:03:08,360 Speaker 1: What what is he doing in Cape? 73 00:03:08,880 --> 00:03:11,880 Speaker 4: And I know what? I don't know how country you are, 74 00:03:11,919 --> 00:03:14,280 Speaker 4: but I went to an agricultural high school and come 75 00:03:14,320 --> 00:03:16,520 Speaker 4: from rural roots as well. 76 00:03:16,520 --> 00:03:16,760 Speaker 5: And. 77 00:03:18,160 --> 00:03:21,840 Speaker 1: Careful I didn't say that. 78 00:03:23,560 --> 00:03:27,000 Speaker 4: I'm likely offended by this kind of action as well. 79 00:03:27,400 --> 00:03:29,880 Speaker 1: Yeah, yeah, mate, that's too much like that's how my 80 00:03:29,960 --> 00:03:33,200 Speaker 1: dad actually speaks what you're doing. He's like eighty years old. 81 00:03:33,280 --> 00:03:35,240 Speaker 1: My dad not once has he ever moved his lips. 82 00:03:35,280 --> 00:03:37,200 Speaker 1: Doesn't need to. That's what you do with your farmer. 83 00:03:37,440 --> 00:03:40,400 Speaker 1: You just like open a slit in all the words, 84 00:03:40,880 --> 00:03:44,040 Speaker 1: just like slide out of that tiny little slip us 85 00:03:44,120 --> 00:03:45,440 Speaker 1: up the food and just leads it in. 86 00:03:46,920 --> 00:03:50,480 Speaker 2: Where do you perform in Dennison? What's the local venue 87 00:03:50,480 --> 00:03:51,960 Speaker 2: that you perform at? Will Well? 88 00:03:52,560 --> 00:03:54,440 Speaker 1: This is it's so funny that you are because I 89 00:03:54,440 --> 00:03:58,280 Speaker 1: actually don't go so basically so Dennison's two fifty people, 90 00:03:58,360 --> 00:04:01,880 Speaker 1: So there's not our local knew that really suits the 91 00:04:01,920 --> 00:04:03,760 Speaker 1: cost that it might take me to go down there. 92 00:04:04,160 --> 00:04:07,240 Speaker 1: I stayed at Mum and dads. That's that's a lost leader. 93 00:04:08,400 --> 00:04:12,000 Speaker 1: Even if you get the entire area, it's not really 94 00:04:12,240 --> 00:04:14,440 Speaker 1: one that you can financially fit into the schedule. But 95 00:04:14,520 --> 00:04:17,040 Speaker 1: the nearest big town is Sale. I went to school 96 00:04:17,240 --> 00:04:20,080 Speaker 1: in Sale and sell in Sales about twelve thousand people 97 00:04:20,120 --> 00:04:21,719 Speaker 1: and they have a venue and I used to go 98 00:04:21,800 --> 00:04:24,000 Speaker 1: to Sale, and of course my shows would sell very 99 00:04:24,000 --> 00:04:25,960 Speaker 1: well in Sale and I stopped going to sale. And 100 00:04:26,000 --> 00:04:28,160 Speaker 1: the reason I stopped going to sale is that I 101 00:04:28,200 --> 00:04:31,760 Speaker 1: discovered something very unusual, which is that in anywhere else 102 00:04:31,760 --> 00:04:34,560 Speaker 1: in Australia or the world, if someone doesn't like something 103 00:04:34,800 --> 00:04:37,680 Speaker 1: that I do, they can hit me up. I'm available 104 00:04:37,720 --> 00:04:39,960 Speaker 1: on social media and they'll tell me that they didn't 105 00:04:40,040 --> 00:04:42,320 Speaker 1: like something I did or something I said. But when 106 00:04:42,360 --> 00:04:44,960 Speaker 1: I do gigs in Sale, they tell mum and dad. 107 00:04:47,360 --> 00:04:50,880 Speaker 1: Dad suddenly were getting all a lot of director. They'd 108 00:04:50,920 --> 00:04:53,280 Speaker 1: be down the news agency or whatever and someone had 109 00:04:53,320 --> 00:04:55,200 Speaker 1: just be like, you know, your son said this, and 110 00:04:55,240 --> 00:04:58,520 Speaker 1: they're like, could you please not come back here? I 111 00:04:58,560 --> 00:04:59,760 Speaker 1: don't know, that's funny. 112 00:05:02,520 --> 00:05:04,680 Speaker 2: Well, I wanted to get you involved because I know 113 00:05:04,720 --> 00:05:07,200 Speaker 2: you've been involved with radio over the years and world 114 00:05:07,240 --> 00:05:09,599 Speaker 2: record attempts and all this kind of stuff. But we 115 00:05:09,720 --> 00:05:12,200 Speaker 2: have been talking about a guy called Sam Thompson has 116 00:05:12,279 --> 00:05:14,720 Speaker 2: just broken the record. I don't know if you know, 117 00:05:14,839 --> 00:05:18,039 Speaker 2: but Blue Monday over in the UK is well, it's 118 00:05:18,040 --> 00:05:21,200 Speaker 2: classified as the most depressing day in the UK, which 119 00:05:21,240 --> 00:05:23,400 Speaker 2: out of three hundred and sixty five. I think there's 120 00:05:23,400 --> 00:05:25,719 Speaker 2: a few other days that are as well. But he's 121 00:05:25,720 --> 00:05:27,719 Speaker 2: decided to turn that around and go for the world 122 00:05:27,760 --> 00:05:31,200 Speaker 2: record for the most hugs in one minute, Will eighty eight. 123 00:05:31,760 --> 00:05:34,960 Speaker 2: Now what I've found out. I tried for this record 124 00:05:35,200 --> 00:05:38,560 Speaker 2: probably about a year ago, and Tommy, our producer, set 125 00:05:38,560 --> 00:05:38,880 Speaker 2: this up. 126 00:05:38,960 --> 00:05:41,080 Speaker 3: You've got that there, Tommy, it will sound morph suit 127 00:05:41,160 --> 00:05:41,560 Speaker 3: their will. 128 00:05:42,120 --> 00:05:45,000 Speaker 2: So Sam's just broken the record for eighty eight. This 129 00:05:45,160 --> 00:05:47,479 Speaker 2: was my record, and this is what I went for, 130 00:05:47,520 --> 00:05:48,599 Speaker 2: and this is my result. 131 00:05:49,080 --> 00:05:49,520 Speaker 1: All right. 132 00:05:49,560 --> 00:05:51,560 Speaker 3: The pace has been really steady. I'd say this is 133 00:05:51,600 --> 00:05:55,839 Speaker 3: a recording record breaking pace. We get in and out, 134 00:05:57,080 --> 00:05:59,919 Speaker 3: keep going out. They're evening fast. He's starting to slightly 135 00:06:00,120 --> 00:06:06,080 Speaker 3: running out of pace. Kids cuckling for six five, keep 136 00:06:06,160 --> 00:06:12,880 Speaker 3: doing two one stop touch your birth line. The official 137 00:06:12,960 --> 00:06:16,160 Speaker 3: number of hugs was one hundred fifty. 138 00:06:17,800 --> 00:06:23,400 Speaker 2: Now found out Will. The documents weren't or they weren't. 139 00:06:23,400 --> 00:06:27,119 Speaker 2: We didn't register properly. The paperwork wasn't right. We didn't 140 00:06:27,120 --> 00:06:28,360 Speaker 2: even have a representative there. 141 00:06:28,400 --> 00:06:29,200 Speaker 1: I was told. 142 00:06:29,320 --> 00:06:32,960 Speaker 2: So this world record, which I hold, was not official, 143 00:06:33,480 --> 00:06:37,200 Speaker 2: and unfortunately the hug muncher did not get the record. 144 00:06:37,800 --> 00:06:40,800 Speaker 1: Well, I mean you did that very upset much. I 145 00:06:40,800 --> 00:06:41,960 Speaker 1: mean you actually still got it. 146 00:06:42,520 --> 00:06:46,440 Speaker 4: You can't call it a world record, a Guinness World record, because. 147 00:06:46,240 --> 00:06:48,480 Speaker 1: What a beer company thinks about your word records you did. 148 00:06:48,839 --> 00:06:50,800 Speaker 1: I saw it. There's video evidence of the fact that 149 00:06:50,800 --> 00:06:53,359 Speaker 1: it happened. If you see it, it happened. That wasn't ai. 150 00:06:53,640 --> 00:06:55,839 Speaker 1: I saw you hugging all those complete I mean that 151 00:06:56,000 --> 00:06:58,520 Speaker 1: is a workplace. I mean that. I hope that all 152 00:06:58,560 --> 00:07:01,960 Speaker 1: the paperwork of you just randomly touching strangers was done, 153 00:07:02,000 --> 00:07:04,640 Speaker 1: because that's actually what might come back to haunt you. 154 00:07:05,920 --> 00:07:06,279 Speaker 5: About it. 155 00:07:06,680 --> 00:07:08,599 Speaker 2: This is a trigger point for Will. That was a 156 00:07:08,640 --> 00:07:13,040 Speaker 2: triple M Christmas party, right, I mean one. 157 00:07:12,880 --> 00:07:14,040 Speaker 1: Guy even took his shirt off. 158 00:07:14,040 --> 00:07:15,200 Speaker 3: You can see there too, Will. 159 00:07:15,240 --> 00:07:17,480 Speaker 1: That was Matt de Groot, who was so passionate about 160 00:07:17,480 --> 00:07:19,320 Speaker 1: and now where is he is that the least of 161 00:07:19,320 --> 00:07:22,360 Speaker 1: the country, as far as I'm based on his video. 162 00:07:22,720 --> 00:07:26,600 Speaker 1: So what records have you got. You've got largest audience, 163 00:07:27,160 --> 00:07:30,200 Speaker 1: largest lot of show. The longest show was Limo so 164 00:07:30,280 --> 00:07:32,920 Speaker 1: Limo once, yeah got the longest. He did the longest 165 00:07:32,920 --> 00:07:33,960 Speaker 1: stand up comedy show. 166 00:07:34,000 --> 00:07:34,320 Speaker 3: How long? 167 00:07:34,400 --> 00:07:36,280 Speaker 1: Was that? Way too long? But that is fact that 168 00:07:36,360 --> 00:07:38,440 Speaker 1: lem she gets about a lot of his shows, regardless 169 00:07:38,440 --> 00:07:41,560 Speaker 1: of what late they are. So like his type five, yeah, 170 00:07:41,560 --> 00:07:43,840 Speaker 1: well that it was his Type five forty eight hours 171 00:07:43,880 --> 00:07:47,160 Speaker 1: and I'm just patted it out a little. 172 00:07:48,720 --> 00:07:51,920 Speaker 2: Act Limo just recently put up a video of his 173 00:07:52,040 --> 00:07:54,880 Speaker 2: son Laddie. Now Laddy's about eleven years of age and 174 00:07:54,920 --> 00:07:56,720 Speaker 2: went away with his dad on a cruise ship and 175 00:07:57,120 --> 00:07:59,520 Speaker 2: Limo was performing on the cruise ship. Laddy got up 176 00:07:59,560 --> 00:08:02,120 Speaker 2: and will did you see that video of Lodody telling 177 00:08:02,120 --> 00:08:05,640 Speaker 2: a joke in front of around kate around about three 178 00:08:05,720 --> 00:08:08,600 Speaker 2: hundred people in Miski just live it and. 179 00:08:08,600 --> 00:08:11,840 Speaker 1: Beautifully jokes there are. But by the way, though, if 180 00:08:11,880 --> 00:08:15,320 Speaker 1: you're talking about showbiz, mum's Limo to just see him 181 00:08:15,360 --> 00:08:18,160 Speaker 1: with the little prodding stick going go on, tell her 182 00:08:18,200 --> 00:08:20,400 Speaker 1: like this, this is the one doing like we practice 183 00:08:20,440 --> 00:08:20,840 Speaker 1: the home. 184 00:08:21,920 --> 00:08:24,720 Speaker 2: It was very funny, but I it just reminded me 185 00:08:24,880 --> 00:08:27,480 Speaker 2: that like as a kid will like even in school, 186 00:08:27,640 --> 00:08:30,400 Speaker 2: was there do you remember your first joke or performing 187 00:08:30,440 --> 00:08:32,680 Speaker 2: in front of people for the first time? Do you 188 00:08:32,720 --> 00:08:33,080 Speaker 2: remember I. 189 00:08:33,080 --> 00:08:34,920 Speaker 1: Can't remember my one? But can I tell you this 190 00:08:34,960 --> 00:08:36,719 Speaker 1: story because this is you'll love this. So this is 191 00:08:36,760 --> 00:08:38,960 Speaker 1: my niece. She's six years old when she tells me 192 00:08:39,040 --> 00:08:41,000 Speaker 1: this joke, and to this day, I believe this is 193 00:08:41,000 --> 00:08:43,000 Speaker 1: one of the greatest jokes that has ever been told 194 00:08:43,040 --> 00:08:45,160 Speaker 1: because she comes up to me six years old. Because 195 00:08:45,280 --> 00:08:47,120 Speaker 1: they all know that I'm a comedian, but they don't 196 00:08:47,160 --> 00:08:49,760 Speaker 1: really quite know what that means. They got to understand 197 00:08:49,800 --> 00:08:51,640 Speaker 1: what jokes are, so they always want to tell me 198 00:08:51,679 --> 00:08:54,000 Speaker 1: a joke, and this was hers. She comes up to 199 00:08:54,000 --> 00:08:55,960 Speaker 1: me because up until this point they're all knocks and 200 00:08:55,960 --> 00:08:58,160 Speaker 1: banana jokes and all that sort of stuff, and this 201 00:08:58,240 --> 00:09:00,120 Speaker 1: is her first. Like I'm going to say, this is 202 00:09:00,160 --> 00:09:02,559 Speaker 1: a proper joke. She goes, hey, uncle, will do you 203 00:09:02,600 --> 00:09:04,520 Speaker 1: want to hear a joke about George Michael? And in 204 00:09:04,559 --> 00:09:08,360 Speaker 1: my head, I'm like, how does this six year old kid? No? Like, ay, 205 00:09:08,480 --> 00:09:12,120 Speaker 1: who George Michael is? And be like, no, no, I 206 00:09:12,120 --> 00:09:13,839 Speaker 1: don't want to have to cancel my six year old 207 00:09:13,920 --> 00:09:16,160 Speaker 1: needs right, Like what direction is she going to take 208 00:09:16,240 --> 00:09:18,599 Speaker 1: this joke in? This is her joke? She goes, what 209 00:09:18,679 --> 00:09:21,000 Speaker 1: does George Michael like with his stur fry? And I'm like, 210 00:09:21,040 --> 00:09:23,040 Speaker 1: I don't know what does George Michael like with his sturfry? 211 00:09:23,080 --> 00:09:26,520 Speaker 1: And she goes, well, I guess it would be Rice. Oh, 212 00:09:28,600 --> 00:09:33,679 Speaker 1: really good, A great joke anywhere that is a great 213 00:09:33,840 --> 00:09:36,360 Speaker 1: pub It was a little way she sung it. She 214 00:09:36,400 --> 00:09:40,240 Speaker 1: had a little movement. It was a good bit of business. 215 00:09:40,520 --> 00:09:43,160 Speaker 1: And you know what I love about that joke. It's adaptable. 216 00:09:43,400 --> 00:09:45,160 Speaker 1: He could be like, what does George Michael like with 217 00:09:45,200 --> 00:09:47,000 Speaker 1: his curry? Well, I guess it would be Rice. What 218 00:09:47,040 --> 00:09:49,600 Speaker 1: does George Michael put his iPhone in when he drops 219 00:09:49,600 --> 00:09:50,240 Speaker 1: it in the toilet? 220 00:09:50,240 --> 00:09:51,360 Speaker 5: Well, I guess it would be Rice. 221 00:09:51,440 --> 00:09:54,559 Speaker 1: Who is George Michael's favorite Condoleeza, Well, I guess it 222 00:09:54,600 --> 00:09:58,280 Speaker 1: would be Rice. It is a very adaptable joke. I 223 00:09:58,320 --> 00:10:00,520 Speaker 1: guess you've got to understand the reference, get the pun, 224 00:10:00,600 --> 00:10:01,480 Speaker 1: but you've got to have faith. 225 00:10:05,120 --> 00:10:07,000 Speaker 5: It's also part of relief as well as. 226 00:10:08,679 --> 00:10:11,480 Speaker 4: I love our wheels taking the joke and taking it 227 00:10:11,559 --> 00:10:11,760 Speaker 4: to it. 228 00:10:12,160 --> 00:10:14,600 Speaker 3: Oh my god. All right, well, legitimate it is. 229 00:10:14,880 --> 00:10:17,000 Speaker 2: You can get tickets now at comedy dot com. DoD 230 00:10:17,000 --> 00:10:18,760 Speaker 2: are you, We love you to death. Willanis, We know 231 00:10:18,840 --> 00:10:21,360 Speaker 2: how busy you are. Thank you very much for coming having. 232 00:10:21,400 --> 00:10:22,440 Speaker 3: Thanks Buddy, good to see. 233 00:10:22,679 --> 00:10:25,600 Speaker 1: Sits in Whipper with Kate Ritchie is a Nova podcast 234 00:10:25,800 --> 00:10:29,040 Speaker 1: walk great shows like this. Download the Nova player, fly 235 00:10:29,160 --> 00:10:31,880 Speaker 1: the app store or Google playing the Nova player