1 00:00:02,440 --> 00:00:06,880 Speaker 1: Jason Lauren, Good morning Melbourne. You're on the air with 2 00:00:06,960 --> 00:00:09,119 Speaker 1: Jason Lauren. Clint heer as well. We grew up with 3 00:00:09,160 --> 00:00:13,000 Speaker 1: Savage Gardens. This man then peeled off to do his 4 00:00:13,039 --> 00:00:15,320 Speaker 1: own solo career and we love that just as much 5 00:00:15,360 --> 00:00:17,360 Speaker 1: as well. And he is back with his own memoir 6 00:00:17,400 --> 00:00:21,720 Speaker 1: which is out now. Darren Hayes, good morning and Walking 7 00:00:21,720 --> 00:00:22,439 Speaker 1: and Nova. 8 00:00:22,600 --> 00:00:23,319 Speaker 2: Thanks for having me. 9 00:00:23,480 --> 00:00:24,160 Speaker 3: Darren Hayes. 10 00:00:24,880 --> 00:00:26,239 Speaker 1: So I've got history with Darren. 11 00:00:28,160 --> 00:00:29,880 Speaker 2: We were never going to talk about that, and also 12 00:00:29,920 --> 00:00:31,520 Speaker 2: I was very confused about my sexuality. 13 00:00:31,600 --> 00:00:34,680 Speaker 4: I've got a compliment. You're the best smelling guest we 14 00:00:34,800 --> 00:00:36,159 Speaker 4: have ever had in this studio. 15 00:00:36,240 --> 00:00:37,000 Speaker 2: That means a lot to me. 16 00:00:37,440 --> 00:00:41,440 Speaker 3: He looks mixologist I am. 17 00:00:41,880 --> 00:00:43,560 Speaker 2: I'll tell you the truth as to why I smell 18 00:00:43,640 --> 00:00:47,519 Speaker 2: good though, right, it's part of a thing that I 19 00:00:47,600 --> 00:00:52,000 Speaker 2: think that anyone who is slightly famous should do, which 20 00:00:52,159 --> 00:00:54,040 Speaker 2: is leave an impression. 21 00:00:54,360 --> 00:01:00,920 Speaker 1: Oh my gosh, unlovable is the memoir that's mouth I 22 00:01:00,960 --> 00:01:02,400 Speaker 1: was going to bring up. We've got history, so I've 23 00:01:02,400 --> 00:01:05,520 Speaker 1: interviewed you numerous times over the years. In fact, when 24 00:01:05,520 --> 00:01:07,200 Speaker 1: I was a young fellow, I was at the big 25 00:01:07,240 --> 00:01:10,399 Speaker 1: ceremony in Brisbane growing up on the main streets of Brisbane. 26 00:01:10,240 --> 00:01:11,480 Speaker 2: And the keys to the city. 27 00:01:11,560 --> 00:01:13,880 Speaker 1: Yeah, the keys to the city Savage Garden were given. 28 00:01:13,640 --> 00:01:15,119 Speaker 2: Back in the day. Do you need to get into 29 00:01:15,160 --> 00:01:15,559 Speaker 2: a building? 30 00:01:16,080 --> 00:01:18,400 Speaker 1: I don't actually know what they do, but they do. 31 00:01:19,200 --> 00:01:22,760 Speaker 2: They well, I can get into most people's homes. 32 00:01:22,600 --> 00:01:24,600 Speaker 4: It's a thing. 33 00:01:24,680 --> 00:01:26,160 Speaker 3: Or do you get to keep them for the rest 34 00:01:26,200 --> 00:01:26,679 Speaker 3: of your life? 35 00:01:26,760 --> 00:01:29,399 Speaker 2: Yeah, that's hilarious. Note it's ridiculous, isn't it. It's just 36 00:01:29,400 --> 00:01:31,800 Speaker 2: like a wooden, plastic thing that they present to. 37 00:01:31,680 --> 00:01:33,000 Speaker 1: You up in Brisbane. 38 00:01:34,360 --> 00:01:37,479 Speaker 2: Yeah. My book launch in Brisbane is at that same town. 39 00:01:39,240 --> 00:01:41,240 Speaker 2: Been there since I got the Keys to the city. 40 00:01:41,280 --> 00:01:42,080 Speaker 1: Will it be trauma? 41 00:01:42,800 --> 00:01:46,240 Speaker 2: No, it was an extraordinary thing. Yeah. So the memoir. 42 00:01:46,760 --> 00:01:50,640 Speaker 2: Was it cathartic? Yeah, of course it was. I had 43 00:01:50,680 --> 00:01:52,840 Speaker 2: never planned to write a book. It's I don't consider 44 00:01:52,840 --> 00:01:55,120 Speaker 2: myself a celebrity. It's not a celebrity memoir. It really 45 00:01:55,200 --> 00:01:59,240 Speaker 2: is a book about overcoming trauma. I grew up in 46 00:01:59,280 --> 00:02:02,760 Speaker 2: a family, which I wrote about in Savage Garden and 47 00:02:02,800 --> 00:02:04,560 Speaker 2: all throughout my career, but no one really put the 48 00:02:04,600 --> 00:02:05,320 Speaker 2: pieces together. 49 00:02:05,360 --> 00:02:07,760 Speaker 4: The song I think we don't you know, we hear 50 00:02:08,760 --> 00:02:11,560 Speaker 4: pop stars and these amazing musicians like yourself write these 51 00:02:11,600 --> 00:02:14,240 Speaker 4: incredible songs, but you kin'd of you sing along to it, 52 00:02:14,400 --> 00:02:17,080 Speaker 4: you don't really think about the trauma or the story 53 00:02:17,080 --> 00:02:17,480 Speaker 4: behind us. 54 00:02:17,680 --> 00:02:19,919 Speaker 2: Sure like two Beds and a Coffee Machine is a 55 00:02:20,560 --> 00:02:23,639 Speaker 2: song from Famous Look at Me So I've got tickets, 56 00:02:24,680 --> 00:02:28,000 Speaker 2: But it's a song from Affirmation about me, my mom, 57 00:02:28,080 --> 00:02:30,120 Speaker 2: my sister, and my brother being on their own, living 58 00:02:30,200 --> 00:02:33,280 Speaker 2: in hotel rooms with two beds and a coffee machine. 59 00:02:33,880 --> 00:02:35,840 Speaker 2: Running from my dad and people at the time, he 60 00:02:35,919 --> 00:02:37,680 Speaker 2: used to say, God, that song is so sad. Who 61 00:02:37,720 --> 00:02:40,560 Speaker 2: is it about? Back then, I was so ashamed I 62 00:02:40,560 --> 00:02:42,120 Speaker 2: couldn't tell anyone who it was about. 63 00:02:42,160 --> 00:02:44,400 Speaker 4: Ah, what did you say? How did you answer that 64 00:02:44,520 --> 00:02:45,480 Speaker 4: question back in the day. 65 00:02:46,400 --> 00:02:48,880 Speaker 2: I think I avoided it out of respect for my mum, 66 00:02:48,919 --> 00:02:51,200 Speaker 2: who was so brave in letting me put that song 67 00:02:51,240 --> 00:02:56,079 Speaker 2: on the record. But this book came about because for 68 00:02:56,280 --> 00:02:58,959 Speaker 2: my last album, I think, you know, Look, I'm fifty 69 00:02:59,000 --> 00:03:03,280 Speaker 2: two now and and I had and have lived with 70 00:03:05,040 --> 00:03:08,839 Speaker 2: a severe depressive disorder and PTSD from my childhood all 71 00:03:08,880 --> 00:03:11,560 Speaker 2: my life, and I've had great treatment for it. But 72 00:03:12,520 --> 00:03:16,160 Speaker 2: I did an article in the UK which was a 73 00:03:16,280 --> 00:03:19,520 Speaker 2: childhood picture of me and I was ten sitting on 74 00:03:19,520 --> 00:03:22,359 Speaker 2: my bed, picture of Michael Jackson on the wall, and 75 00:03:22,440 --> 00:03:24,480 Speaker 2: I looked like a happy little kid. And I wrote 76 00:03:24,520 --> 00:03:27,360 Speaker 2: the story behind the picture, which was that nobody knew 77 00:03:27,760 --> 00:03:30,560 Speaker 2: the horrors of what was going on in my home. 78 00:03:31,919 --> 00:03:35,480 Speaker 2: And I had two book offers, one of them was 79 00:03:35,760 --> 00:03:39,320 Speaker 2: thankfully from Penguin Australia, and they said, would you write 80 00:03:39,360 --> 00:03:41,880 Speaker 2: that story? And I guess I was ready to. 81 00:03:42,800 --> 00:03:44,160 Speaker 1: That's what I was about to say back then when 82 00:03:44,160 --> 00:03:45,560 Speaker 1: you were asked about it with the song, you probably 83 00:03:45,560 --> 00:03:46,560 Speaker 1: just won't ready as well. 84 00:03:46,840 --> 00:03:50,360 Speaker 4: It's so interesting because I know people who have not 85 00:03:50,400 --> 00:03:52,080 Speaker 4: the same stories. You know, one's got the same story, 86 00:03:52,080 --> 00:03:53,960 Speaker 4: but a similar story many people. 87 00:03:53,800 --> 00:03:55,200 Speaker 3: There, and kids carry. 88 00:03:55,000 --> 00:04:00,400 Speaker 4: So much weight protecting their parents from like you, you said, 89 00:04:00,400 --> 00:04:03,880 Speaker 4: the embarrassment of it and wearing this shield because you 90 00:04:03,880 --> 00:04:06,800 Speaker 4: didn't want your mum to feel embarrassed about what your 91 00:04:06,800 --> 00:04:11,080 Speaker 4: family was going through. It must have been such a burden. 92 00:04:11,200 --> 00:04:15,000 Speaker 4: And you're certainly not alone in that, right there, families 93 00:04:15,000 --> 00:04:18,960 Speaker 4: listening to this right now that no, oh my gosh, 94 00:04:18,960 --> 00:04:21,360 Speaker 4: that's me. I would hate for people to know what 95 00:04:21,360 --> 00:04:23,720 Speaker 4: my mum goes through. But being able to speak about 96 00:04:23,760 --> 00:04:26,080 Speaker 4: it so truthfully and honestly is so powerful. 97 00:04:26,400 --> 00:04:28,880 Speaker 2: I dedicate the book to my mom. I mostly wrote 98 00:04:28,920 --> 00:04:32,159 Speaker 2: this because I think the thing I care about most 99 00:04:32,200 --> 00:04:36,920 Speaker 2: in the world is women and violence against women. I 100 00:04:36,920 --> 00:04:41,200 Speaker 2: know in this country it's a pandemic. It's I mean, 101 00:04:41,200 --> 00:04:44,240 Speaker 2: there are so many women who are murdered by their 102 00:04:44,279 --> 00:04:48,080 Speaker 2: disgruntled partners. What saddens me about this book is that 103 00:04:48,600 --> 00:04:50,640 Speaker 2: back in the seventies when we were dealing with this, 104 00:04:51,640 --> 00:04:54,400 Speaker 2: there were no laws to protect my mom. She couldn't 105 00:04:54,480 --> 00:04:57,360 Speaker 2: leave my dad, he was an ex police officer. When 106 00:04:57,360 --> 00:04:59,839 Speaker 2: she went to the police, they all just year. You know, 107 00:05:00,000 --> 00:05:01,760 Speaker 2: I'm saying, there. 108 00:05:01,640 --> 00:05:03,920 Speaker 3: Are laws about it now, and people are still. 109 00:05:03,560 --> 00:05:06,159 Speaker 2: And they're still being murdered. Women are still being murdered. 110 00:05:06,720 --> 00:05:12,960 Speaker 2: It's that's the thing that it really really moves me. So, yes, 111 00:05:13,080 --> 00:05:16,240 Speaker 2: this book, a lot of it is about me, but 112 00:05:16,279 --> 00:05:19,839 Speaker 2: it's really about women because my mum was such a victim, 113 00:05:20,560 --> 00:05:24,000 Speaker 2: and it's about breaking cycles of abuse. 114 00:05:24,120 --> 00:05:25,960 Speaker 1: I want to say Kurdos to you, because just by 115 00:05:26,000 --> 00:05:28,279 Speaker 1: opening up and telling this side of your story, you 116 00:05:28,279 --> 00:05:30,440 Speaker 1: would be helping so many people, more than you'll realize. 117 00:05:30,800 --> 00:05:32,960 Speaker 2: I really want to, And that's the whole gist of 118 00:05:33,040 --> 00:05:36,599 Speaker 2: the book. You know, like it was scary to lift 119 00:05:36,640 --> 00:05:41,799 Speaker 2: that veil and be so vulnerable, really joyful, really happy. 120 00:05:42,000 --> 00:05:44,039 Speaker 1: Yeah, we're going to come back more with Darren Hayes 121 00:05:44,080 --> 00:05:47,120 Speaker 1: on the other side of this Serah on Nova. We 122 00:05:47,240 --> 00:05:51,240 Speaker 1: are hanging out with Darren Hayes this morning, truly, madly, deeply. 123 00:05:52,320 --> 00:05:53,880 Speaker 1: Do you do you still get into. 124 00:05:53,720 --> 00:05:56,120 Speaker 2: That I've never stopped singing the songs. I don't know 125 00:05:56,120 --> 00:05:58,440 Speaker 2: that the general public ever knew that, because the breakup 126 00:05:58,480 --> 00:05:59,919 Speaker 2: of the band was just so messy. 127 00:06:00,120 --> 00:06:02,160 Speaker 1: I find as a true fan, I find it if 128 00:06:02,279 --> 00:06:04,280 Speaker 1: like you guys don't even talk now, do you you? 129 00:06:04,839 --> 00:06:08,359 Speaker 2: He was incredibly unkind to me and he didn't tell 130 00:06:08,400 --> 00:06:10,240 Speaker 2: the truth when the band broke up, And I go, 131 00:06:10,839 --> 00:06:13,440 Speaker 2: do you think there's any chance if he If no, 132 00:06:13,600 --> 00:06:14,400 Speaker 2: I'll just stop you there. 133 00:06:15,000 --> 00:06:17,240 Speaker 1: Even if he reached out, No, because. 134 00:06:16,960 --> 00:06:21,400 Speaker 2: He has reached out several times and offered to go 135 00:06:21,440 --> 00:06:23,360 Speaker 2: on the record and kind of apologize. What he did 136 00:06:23,440 --> 00:06:26,200 Speaker 2: to me was public. Look, no one wants to hear 137 00:06:26,200 --> 00:06:29,120 Speaker 2: about that stuff. Fans want to just hear songs. 138 00:06:29,160 --> 00:06:31,640 Speaker 1: I got something joyful to player. You love this? This 139 00:06:31,800 --> 00:06:33,159 Speaker 1: was doing the rounds online. 140 00:06:33,400 --> 00:06:36,000 Speaker 3: This guy, I love this. 141 00:06:36,000 --> 00:06:40,880 Speaker 1: This got me Okay, So this is for hurligans. This 142 00:06:40,960 --> 00:06:42,080 Speaker 1: is a whole full pub. 143 00:06:41,920 --> 00:07:00,200 Speaker 3: Choir pase English footy fans. 144 00:07:00,760 --> 00:07:05,960 Speaker 2: Here we go, hard men, I. 145 00:07:05,960 --> 00:07:08,080 Speaker 3: Love it, arms around each other. 146 00:07:12,760 --> 00:07:16,360 Speaker 2: Do you know what's so sweet about this is because 147 00:07:16,400 --> 00:07:18,360 Speaker 2: we've always been very protective of that song. But what 148 00:07:18,480 --> 00:07:20,000 Speaker 2: happened was I think it was the World Cup was 149 00:07:20,000 --> 00:07:26,840 Speaker 2: falling on Valentine's Day and this was this amazing marketing ad. 150 00:07:26,920 --> 00:07:31,200 Speaker 2: It might have been via Adidas or something, but I 151 00:07:31,240 --> 00:07:34,280 Speaker 2: just loved the message and it was like, Hey, love, 152 00:07:35,320 --> 00:07:37,920 Speaker 2: I'm going to go to the footy. Please don't break 153 00:07:38,000 --> 00:07:41,400 Speaker 2: up with me, but I love you. And these are 154 00:07:41,440 --> 00:07:43,200 Speaker 2: real footy fans. 155 00:07:43,320 --> 00:07:45,600 Speaker 1: Well, if you're protective of the music, you do not 156 00:07:45,640 --> 00:07:50,000 Speaker 1: want to see videos of Lauren having a crack at karaokeing. 157 00:07:50,920 --> 00:07:54,600 Speaker 2: Everyone should sing. It's good for the soul totally. It 158 00:07:54,640 --> 00:07:56,840 Speaker 2: doesn't matter if you think you can't sing or whatever. 159 00:07:56,880 --> 00:07:57,840 Speaker 2: Everyone should sing. 160 00:07:57,960 --> 00:08:01,000 Speaker 3: It just makes you feel what about you think you 161 00:08:01,080 --> 00:08:06,440 Speaker 3: can sing but you can't asking for. 162 00:08:07,240 --> 00:08:11,040 Speaker 2: Just I know quite well, just don't have a career 163 00:08:11,160 --> 00:08:11,360 Speaker 2: in it. 164 00:08:11,480 --> 00:08:13,720 Speaker 3: I mean the radio. 165 00:08:14,040 --> 00:08:17,240 Speaker 1: I haven't heard this, but I just found out you 166 00:08:17,320 --> 00:08:19,360 Speaker 1: released a cover of Last Christmas. 167 00:08:19,760 --> 00:08:23,080 Speaker 3: Oh my gosh, we must put this on rotation. Yeah, 168 00:08:25,640 --> 00:08:28,920 Speaker 3: George Michael, you got to meet George Michael. 169 00:08:29,160 --> 00:08:34,760 Speaker 2: We became somewhat acquaintances him and George Michael. I'm gonna 170 00:08:34,800 --> 00:08:36,040 Speaker 2: this is going to sound like a humble brand. 171 00:08:36,440 --> 00:08:36,960 Speaker 4: Go for it. 172 00:08:36,960 --> 00:08:37,600 Speaker 3: It's George Mike. 173 00:08:37,679 --> 00:08:41,120 Speaker 2: So I sang this song and then maybe six months later, 174 00:08:41,360 --> 00:08:46,079 Speaker 2: was invited by Pavarotti duet with him at Pavarotine. Friends. 175 00:08:46,320 --> 00:08:50,240 Speaker 3: Hang on, you did a with George Michael or Pavarotti. 176 00:08:49,400 --> 00:08:50,280 Speaker 1: And you're friends. 177 00:08:50,760 --> 00:08:54,439 Speaker 2: I was the friend's friend single and I had to 178 00:08:54,480 --> 00:08:59,840 Speaker 2: sing an Italian and I don't know what it is. 179 00:09:00,040 --> 00:09:04,400 Speaker 2: It's the go to love me, I know that. Here's 180 00:09:04,400 --> 00:09:09,560 Speaker 2: the deal. We go to Moderna in Italy. Guess who's 181 00:09:09,600 --> 00:09:13,360 Speaker 2: on the bill Tracy Chapman, Annie Lennox, George Michael, and 182 00:09:13,440 --> 00:09:19,000 Speaker 2: Darryl Haynes from Soundgarden right, and I'm thinking total imposter syndrome. 183 00:09:19,080 --> 00:09:24,480 Speaker 2: Whatevervarotti friends couldn't have been nicer. Yet. The friends were 184 00:09:24,520 --> 00:09:33,320 Speaker 2: aua aqua with Pavarotti traditional and actually the lead singer 185 00:09:33,320 --> 00:09:35,480 Speaker 2: whose name, forgive me, I can't remember. She's a beautiful 186 00:09:35,480 --> 00:09:37,880 Speaker 2: person and hasn't great voice. But here's the deal. The 187 00:09:37,920 --> 00:09:41,040 Speaker 2: other guy was like, dumb on Bobby, I don't know 188 00:09:41,040 --> 00:09:43,040 Speaker 2: if he can send so Pavarotti. 189 00:09:42,520 --> 00:09:43,680 Speaker 3: Didn't say Barbie girl. 190 00:09:44,320 --> 00:09:46,080 Speaker 2: He gave me singing lessons. 191 00:09:46,320 --> 00:09:46,880 Speaker 3: Pavarotti. 192 00:09:47,080 --> 00:09:50,880 Speaker 2: He took the key and he raised it five semi 193 00:09:50,960 --> 00:09:54,679 Speaker 2: tones because in in Spanish, I'm sorry in Italian he 194 00:09:54,720 --> 00:09:57,160 Speaker 2: kept saying, no, no, you're returning, you're atturning your antenna. I 195 00:09:57,200 --> 00:10:02,480 Speaker 2: was just like whatever, But anyway, then George is on 196 00:10:02,520 --> 00:10:04,000 Speaker 2: the same show and he walks up to me and 197 00:10:04,040 --> 00:10:05,840 Speaker 2: he goes, you're saying summer mine, didn't. 198 00:10:05,679 --> 00:10:06,600 Speaker 3: You George did? 199 00:10:06,880 --> 00:10:09,920 Speaker 2: And I'm like, George, Michael knew about it, Yes, are 200 00:10:09,960 --> 00:10:13,560 Speaker 2: you here for royalties? And I just went I sat 201 00:10:13,600 --> 00:10:18,120 Speaker 2: there frozen, and he went, I quite liked it a 202 00:10:18,240 --> 00:10:22,800 Speaker 2: little wink. And I just. 203 00:10:24,720 --> 00:10:26,560 Speaker 4: Oh, Michael, because when he said it, were you like, 204 00:10:26,559 --> 00:10:29,640 Speaker 4: oh my god, is taking a savvy in my song? 205 00:10:29,880 --> 00:10:32,520 Speaker 2: Yeah? You know what. I once did a Prince cover 206 00:10:32,600 --> 00:10:33,920 Speaker 2: and you know how Prince reacted to that. 207 00:10:34,000 --> 00:10:34,800 Speaker 3: I didn't like it. 208 00:10:34,960 --> 00:10:37,679 Speaker 2: He not that. Not only did he not like it, 209 00:10:37,800 --> 00:10:45,600 Speaker 2: he said, please burn all copies? Was a live recording 210 00:10:45,679 --> 00:10:46,360 Speaker 2: on a DVD. 211 00:10:46,480 --> 00:10:47,800 Speaker 1: Can we find it on YouTube? 212 00:10:47,880 --> 00:10:51,920 Speaker 2: No? You actually can? We must go it was it 213 00:10:52,000 --> 00:10:54,600 Speaker 2: was my song popular match mashed up with Baby on. 214 00:10:54,600 --> 00:10:57,839 Speaker 3: The Star, Please Burn? Or was that in a voice 215 00:10:57,880 --> 00:10:59,160 Speaker 3: note or an email or it was. 216 00:10:59,480 --> 00:11:01,360 Speaker 2: I don't know how are he communicated. I think it 217 00:11:01,440 --> 00:11:03,920 Speaker 2: might have been at that point through invisible ink because 218 00:11:04,880 --> 00:11:08,080 Speaker 2: at that point but yeah, we had filmed it in 219 00:11:08,160 --> 00:11:11,400 Speaker 2: like HD cameras. It was a d v D about 220 00:11:11,400 --> 00:11:12,960 Speaker 2: to come out, and I was so proud, and it 221 00:11:13,040 --> 00:11:14,640 Speaker 2: was like he had one hundred percent of the royalties 222 00:11:14,640 --> 00:11:17,440 Speaker 2: and he went burn it, burn old copies. 223 00:11:17,640 --> 00:11:19,959 Speaker 3: Oh wow. I could imagine him saying that. 224 00:11:20,280 --> 00:11:23,600 Speaker 2: You know him, he's a genius. 225 00:11:24,320 --> 00:11:25,920 Speaker 3: The artist formerly known as Prince. 226 00:11:26,120 --> 00:11:28,240 Speaker 2: He's a genius him terribly. 227 00:11:28,000 --> 00:11:31,319 Speaker 1: Well, so are you, sir. Darren Hayes new memoir, Unlovable 228 00:11:31,600 --> 00:11:33,040 Speaker 1: is available now. 229 00:11:33,200 --> 00:11:39,160 Speaker 3: It's very good, So lovable smell. 230 00:11:40,559 --> 00:11:43,640 Speaker 2: I'll be emailing through the concoction later on and I. 231 00:11:43,559 --> 00:11:47,920 Speaker 1: Will reply with videos of Lauren hacking your song a karaokee. 232 00:11:53,640 --> 00:12:00,520 Speaker 3: Lauren wake Up Feeling Good, Number one hundred Lauren socials 233 00:12:03,679 --> 00:12:03,959 Speaker 4: MHM